Concrete Surfer is set for a face-off against her spiteful cousin Carol in a skateboarding contest. Carol has stolen her skateboard, and in the contest she shows what a brilliant skateboarder she has become. She’ll be very hard to beat.
Alley Cat is seeing red after being painted with it by an angry artist. But he and the artist sort things out in the end and enjoy a nosh-up together.
In “Somewhere Over the Rainbow”, the dreaded grey telegram informing the Peters family that Dad’s been killed in action puts a damper their enjoying the upcoming VE Day celebrations. What’s more, Mum is now the family breadwinner and has to find a job. Her new job as cleaner at a theatre looks set to advance the plot considerably.
Pat Day’s natural mother, now Mrs Knight, hence the “Knight and Day” title, is suddenly demanding her back after four years of abandonment. What’s brought this on? Pat soon finds out it was just so she and her family would qualify for a council flat. Surprise, surprise. Added to that, stepsister Janet’s a bully, and we doubt the parents are much better.
The Swan’s tricks to ensnare her Slave, the amnesiac Katrina Vale, grow worse and worse. This week she spins a lie that Katrina is a delinquent who burned down an orphanage, which is why she lost her memory, and the Swan’s the only one who will have her. Oh, no! If Katrina and her only helper Sarah fall for this, Katrina will not only be even more ensnared but lose her avenue of help as well.
Clancy on Trial is having a real trial all right, and it’s not just learning to walk again after an accident. No sooner has she arrived at grandfather’s place when she discovers how demanding he is in how he is testing her. At least she is rising to the occasion so far.
In “Cathy’s Casebook”, the demands on Cathy’s doctor father remain as unrelenting as ever, which means the demands on her to help relieve his workload are too. Naturally, new troubles crop up this week, and, as usual, it’s up to Cathy to find a way to sort them out. No peace for the wicked.
The Zodiac Prince sorts out a circus act, but it’s not long before another candidate for his astral gifts appears. This time it’s a girl who’s being cruel to a donkey.
This issue is an exciting one, for two reasons. First, we have a competition and part 1 of a new pull-out on A-Z of of things to do, so Alley Cat and “Sue’s Fantastic Fun-Bag!” get bumped to make room for them. Second, three new stories start.
The first new story is a real attention-grabber for using a four-page spread instead of the usual three. It’s “Somewhere Over the Rainbow”, which went on to become one of Jinty’s longest-running serials. It has already proved what a powerful story it’s going to be, as it has knocked “Concrete Surfer” off first spot in the issue, a spot “Concrete Surfer” has enjoyed since its run began. It reunites the Alison Christie/Phil Townsend team from “Stefa’s Heart of Stone” and “Save Old Smokey!” with another emotional serial to warm your heart and make you cry. Dorrie and Max Peters are excited that World War II is about to end, but then comes the dreaded grey telegram, which means their father has been killed in action. And that’s only the first episode. What more could be in store for these kids?
In the second new story, “Knight and Day”, Pat Day’s mother suddenly wants her back after four years of abandonment and nothing to do with her. Change of heart and wanting to make things up? We’ll be surprised. Unfortunately, social welfare doesn’t see it that way; they’re forcing Pat to go back to her mother when she was so happy with her foster parents.
The third new story, “Clancy on Trial”, went on to become one of Jinty’s most popular stories, and it’s drawn by Ron Lumsden, which is a bonus. Grandfather has a change of heart about disowning Clancy’s mother over her marriage. For the first time in Clancy’s life, her grandfather is going to have something to do with her and is impressed at how Clancy is determined to walk again after an accident. But it doesn’t look like Clancy’s relationship with her grandfather is going to be an easy one.
There’s a major development in “Concrete Surfer”, which tells us the story will reach its conclusion soon. After weeks of not being 100% sure whether her cousin Carol really is a smarmy schemer, Jean finally catches her out. But proving the truth about Carol to others is not going to be easy. Also, there’s the matter of Carol stealing Jean’s skateboard to stop her entering a competition.
The Zodiac Prince reunites a girl with her father, who works as a clown at the circus, and gives her an astral gift to make her a circus star. But this has upset another circus worker, and we’re warned this will lead to big trouble next week.
Investigators come sniffing around in search of Katrina Vale in “Slave of the Swan”, and the Swan is pulling tricks to keep her Slave in her power. It looks like the Swan wins again, but bits of memory are filtering through Katrina’s amnesia. Will it be her key to freedom?
Dad has to defend himself against a charge of neglecting a patient. Or rather, Cathy does the defending for him as he hasn’t got the spirit to fight. She gets Dad off, and the board agrees to help delegate his workload. But of course fresh trouble isn’t far off, and here it is in the last panel – a runaway horse.
We have all noticed certain things in comics. Things about plot, character and setting that always seem to crop up and we comment on them a lot. Then again, there are other things about plot, character and setting that always crop up as well, but we hardly even notice them. At least, not until someone else points them out. We have already presented three volumes on this subject that focused exclusively on girls’ comics, but for this new edition we expand the repertoire to include material from non-girls’ comics.
Now, to give you the idea of what we mean, we present:
25 Things You May (or May Not) Have Noticed in Girls Comics – and Non-Girls Comics
1: Some parents expect you to just selflessly help them all the time, regardless of workload or inconvenience, because that’s what they do for others.
2: But you’re the one person they never help.
3: No matter how good a schemer you are, you always make the slip that trips you up.
4: Evil scientists have a really bad habit of falling at the hands of their own creation.
5: Even if you’re the villain who’s the world’s worst dictator, you can still meet your match in a kid.
6: Someone always seems to have just what you need – even if they seem to have conjured it out of thin air, without any explanation.
7: When a teacher makes a teacher’s pet out of a pupil, it’s not because they like them.
8: Parents who don’t want to listen never hear you properly.
9: When it suits them, all of a sudden they hear you perfectly.
10: But it’s not to listen to you – it’s to spout utter bulls**t at you.
11: Bombers use alarm clocks as jury-rigged bomb timers, which just look plain silly.
12: When they must know there are much better bomb timers available.
13: Villains always seem to pick the wrong person as the latest recruit into their gang.
14: But for some reason they don’t realise it until it’s too late.
15: Never underestimate good guys with glasses.
16: Never underestimate bad guys with glasses.
17: Never underestimate a nerd, whether good or bad.
18: Antagonists are not admired for good looks – except when the plot requires them to be.
19: Bad guys who feed on fear strike it into the hearts of everyone in every panel they appear in.
20: Until they come to the panel where they’re up against the wall.
21: Victims don’t seem to recognise the mysterious shadowy figure that’s about to strike at them – even if the reveal shows it should have struck them as familiar in some way.
22: No matter how many enemies are set against you, not keeping your end of the bargain is what will be your downfall by the end of the story.
23: Bullied girls get no support from classmates if the plot does not require it.
24: But they do if the plot does require it.
25: Some outfits (or names) have an amazing power to change completely between panels without explanation.
Kay’s Camp Site – final episode (artist Maria Dembilio)
Sad Sal and Smiley Sue – final episode (artist S.D. Duggan)
The House of Arden – adaptation from E. Nesbit (artist Douglas Perry) – final episode
Cherry of Manor Vale – final episode (artist John Armstrong)
Poster – final part
The Blue Island Mystery – final episode (artist Keith Robson)
Tansy of Jubilee Street (artist Ken Houghton)
Snoopa (artist Joe Collins)
Penny Arcade – feature
Kathy’s Convict – final episode (artist Jesus Peña)
Blunder Girl! (artist J. Edward Oliver)
In our previous entry we profiled the first issue of Penny. Now we take a look at the last issue of Penny to round off our April theme, as both the first and final issues of Penny appeared in April. Talk about bookends, eh? Snoopa honours the April theme with an April Fools story.
Kudos to Penny for saying “Important News for All Readers Inside!” on the cover – well, on the cover at least – to announce the merger. When a merger was announced, it was usually “great news for all readers”, and Penny does call it “great news” later in the comic. However, for many readers it must have been upsetting, not great, as their favourite comic was about to die. As the merger progressed, they must have been even more upset as they watched their favourite comic progressively dissipate and its former features taken over by the merger comic. Indeed, there were comments in the letters pages about how dismayed former Penny, Jinty and Misty readers were at losing their beloved comics this way.
Penny bids farewell on her letters page, and a full page later in the issue (below) informs readers what to expect from the merger next week. Sad Sal and Smiley Sue make it clear they are not carrying on, but they are happy to say they are still best friends. Blunder Girl is not listed as appearing in the merger, which seems a shame. It would have been nice to see Blunder Girl in Jinty. “Seulah the Seal”, the only Penny serial to carry on in the merger, is absent here. Perhaps Seulah was put on hold to give room for the other serials to finish or saved especially for the merger. All of Penny’s other serials end.
What has changed between the first and last issues of Penny? Penny herself has shown passage of time with a longer hair length in her pigtails. She is now printed on the same newsprint as Jinty. Her covers have changed from photo cover girls to Mario Capaldi covers, something that would be taken up later in the Jinty & Penny merger and continue until the final issue of Jinty. Her content and features have remained constant since issue 1. In her last two issues she reprinted Cherry, a School Friend/June character, in “Cherry of Manor Vale”. The boys at Cherry’s school react badly against doing Domestic Science, and it’s getting out of hand. Cherry comes up with “Operation Mums” to make the boys realise there will be a point in their lives where it’s cook or starve. Welcome to bachelor days, laddies. Cherry does feel a nice fit in Penny. She could have stayed there if Penny had lasted longer.
The Village Clock – first episode (artist Peter Wilkes)
Little Women – adapted from Louisa M. Alcott
Sad Sal and Smiley Sue – first episode (artist S.D. Duggan)
Waifs of the Waterfall – first episode (artist Jesús Peña)
Care for Your Cat – feature
Penny’s Pet Profile No. 1 – cats
Continuing with our month of April theme, we present the first issue of Penny, the second title to merge with Jinty, which it did on 12 April 1980. Penny debuted 28 April 1979. The free gift with the first issue was a mouse-in-cheese pendant. The pendant can be viewed at:
As Penny explains, the mouse in the pendant was none other than her pet mouse Snoopa, who was also the protagonist of the resident Joe Collins cartoon strip. Later, Snoopa went through not one but two mergers, the first with Jinty and the second with Tammy. As Snoopa was drawn by Joe Collins, it was easy to incorporate him into Tammy’s own Joe Collins strip, Edie and Miss T, which thereafter became The Crazyees.
The first episode of the other cartoon strip, Wonder Woman spoof Blunder Girl!, appears below. Blunder Girl is a lesser-known Edward J. Oliver strip and could do with more attention (at least from Wonder Woman historians). It was a shame she did not carry on in the Jinty merger, which would have given her more exposure, as Jinty was a more well-known title than Penny. After all, Alley Cat had already had three years in Jinty and could have been retired to make way for Blunder Girl.
Penny’s run started on the same newsprint as Lindy in 1975 and Princess II in 1983, which was similar to the newsprint used with Girl II. Later on, Penny switched to the same newsprint as Jinty and Tammy, and Princess II would follow suit. Penny was also numbered, just as Lindy was, and Princess II would be the same. All three titles were absorbed into mergers within a year, with Penny having the longest run before the end came.
Penny was the second title to merge with Jinty, the first being Lindy in 1975, and proved the more successful of the two mergers. Even when Jinty herself merged with Tammy, there was still something of Penny (Snoopa and Tansy of Jubilee Street) to continue with.
The Penny fare was aimed at a younger readership than usual for girls’ comics, but definitely not a Twinkle readership. The target readership appeared to be in between Twinkle and Jinty. Pixie, which merged with June, was another such title. Penny herself, the cover girl, and some of the protagonists in her strips look more junior than usual in girls’ comics, and her features and book adaptations of Secret Seven and Little Women also look as if they were intended for a younger readership.
You certainly don’t get the hard edge in Penny that you see in Tammy, Jinty or Misty. The stories were lighter, with animals, friendship and book adaptations. Penny was also high on humorous regular strips, with Snoopa, Blunder Girl!, Sad Sal and Smiley Sue (best friends, polar opposites gag strip) and, above all, Tansy of Jubilee Street.
Tansy was the best Penny strip to carry on in the merger, and she did so right until the final issue of Jinty, plus some Old Friends appearances in the Tammy & Jinty merger. There was so much to make Tansy last so well, including quirky characters, a pesky practical joker, and pain-in-the-neck brother hijinks. Tansy also had the advantage in that, unlike most Penny fare, she was not aimed exclusively at a younger audience. She could be equally enjoyed by an older girls’ readership. Her humour was also zany, which made her a perfect fit in Jinty, who had always indulged in wacky humour strips such as The Jinx from St. Jonah’s and Fran’ll Fix It! Plus she was drawn by the ever-popular Ken Houghton, whose style was the perfect match to bring her to life.
The first Tansy story is presented below. The final Tansy story in the last issue of Jinty pays homage to this story by revisiting it in flashback when Tansy goes into panic mode from losing her diary – again.
The greater emphasis on junior fare means there isn’t anything in Penny to throw a scare or chill into her readers. We do get the supernatural with The Village Clock, which has the power to transport a modern girl into earlier times and back again. But there are no narrators of creepy tales or serials filled with ghosts or lurking evil in the shadows. There is nothing in the Penny lineup that should not be read at night.
However, the more junior fare does not neglect the emotional tear-jerker side of girls’ comics. For example, Ginny and Shep have been inseparable since they were toddler and puppy, but after Shep has an accident, Ginny’s upset that he may be put down. And in Waifs of the Waterfall, Fiona adopts an orphaned fawn, which she names Fingal. Another inseparable pair who look set to face a rocky road to stay together.
The best strip in the lineup could well be Tales of Katy Jane, a doll created by a Victorian gardener for his employer’s spoiled daughter. Katy Jane has been made with such love that she has been infused with emotion and can tell her own story. She is upset when the spoiled rich girl rejects her. She is taken up by another girl who loves her to bits, but is heartbroken again when the girl is forced to leave her behind. And so begins the saga where Katy Jane will pass through time and a string of future owners, some good, some bad, and readers wondering where her wanderings will end.
It’s a surprise to see no ballet story here. A ballet story is almost obligatory in the first issue of a girls’ comic. There’s no horse story either, another staple in a girls’ comic. Still, neither can be far away and will certainly appear after the first ejections from the initial lineup.
It’s April Fools Day this issue, and who better to do the honours than our resident jinx? Katie the Jinx is determined not to be April fooled, but her attempts at foiling April Fool traps only get herself jinxed and in big trouble. Then she finds out she had the date wrong and it’s not April Fool’s Day yet. She’s made an utter fool of herself before the real fooling’s even begun!
Stacey, the evil manipulator in “The Slave of Form 3B”, also makes a fool of herself this week. Her scheme to hypnotise Tania into obtaining the answers for a maths test was only partially successful because a loud noise broke Tania’s trance before she could complete the job. So Stacey’s paper ends up half right (copied answers), half wrong (answers Tania failed to copy, and lazy Stacey hadn’t revised a thing) – giggle! It’s not as foolproof as you thought, eh, Stacey?
The issue also marks the debut of Alley Cat, the street-wise moggy, and the hijinks he has with his rich snooty neighbours, the Muchloots. His first episode appears below. The Alley Cat cartoon strip kept Jinty readers entertained for an impressive 163 episodes. He certainly was a greater success than Penny Crayon, the cartoon strip from the Lindy merger.
It looks like some other new strips are on the horizon as well. This week is the penultimate episode of “Friends of the Forest”, and there’s a hint “Save Old Smokey!” is approaching its resolution.
Sadly, in “Fran of the Floods”, still nothing on the horizon but that infernal rain and one threat after another because of it. This time it’s a vigilante/cult outfit called Black Circle.
In both “Miss No-Name” and “Bound for Botany Bay”, our protagonists have run away from their cruel abusers and fallen in with some helpers, but the heat is really on with the pursuit behind them.
There’s a sad plot turn in “For Peter’s Sake!”. Gran dies, and her last words to Corrie are that there’s something important in the parlour. Now, what’s the important thing Gran has left for Corrie, who’s now all alone in Scotland?
Darling Clementine (artist Richard Neillands, writer Alison Christie) – final episode
Grabby Bag – Feature
Now we are in April, so here is Jinty’s 1 April issue for 1978. Strangely, despite the date, there’s no April fooling in it. Not even from Alley Cat, who doesn’t appear at all this week. And instead of having fun on April Fool’s Day, Henrietta the Fun-Bag shows Minnie the Moaner that the good old days are not all they’re cracked up to be, and she should appreciate modern times more. A session in the stocks in the 18th century (as shown on the cover) certainly teaches Minnie that!
However, in Jinty’s new ballet story, “Slave of the Swan”, we have a girl who’s about to be fooled all right, but in a most terrible way. Katrina Vale goes to seek help from Mum’s old friend Rosa Kachinsky after Mum is hospitalised. But she contracts amnesia along the way, and Kachinsky, who has gone from being Mum’s friend to her worst enemy, is all set to take advantage of this when she sees it.
It’s the final episode of “Darling Clementine”. It’s nice to see it doesn’t end on the cliché of the heroine miraculously rising from her sickbed to win the waterskiing contest and the prize money her dad so badly needs for a country cottage. Instead, she’s not sufficiently recovered from her hospitalisation to be on top form and is placed third, and then it’s the power of the press and human interest stories to the rescue.
Concrete Surfer Jean’s annoyed that there’s no skateboard park around and wants to do something about it. She’s also trying a lot harder to get along with her relatives, but as she doesn’t trust her cousin Carol, it’s not going to be easy.
Poor Paula! She has seen how the destruction of her father’s factory has made Marnie and her family suffer and is finally learning to look beyond herself. She tries to do something nice for Marnie, but it blows up in her face and makes her enemies worse. And here’s another development – Dad has escaped from prison.
In “Waking Nightmare”, Phil finally reads what has been in the newspapers about their escape – she’s actually busted a mentally ill girl out of an institution where she was receiving medical treatment. What does she do about it? She and Carol carry straight on, to where Carol’s gran lives – only to find gran isn’t there and the people who are don’t look very nice.
For once, Dad has praise for the Zodiac Prince when he helps a girl to prove herself as a mechanic.
In “Shadow on the Fen”, our heroines get a nasty shock when the Witchfinder shows up at school as the new archaeology teacher! What’s his game now? Is it connected with the apothecary’s shop being unearthed at the archaeological dig?
“I need air!” Jean thinks at how her aunt and uncle are fawning and fussing over her smarmy cousin when she dresses up for the theatre. Barf bags might be in order too. Blechh!
Spotty Muchloot’s put in charge of minding his dad’s prize sunflowers, but he prefers to mess with Alley Cat. The results are the sunflowers coming a cropper and Spotty being kicked out of the house. Now wishing you’d stuck to the sunflowers, Spotty?
In “Waking Nightmare”, Phil plunges even deeper into the nightmare when Carol takes another strange turn, causing her to take a nasty plunge over some hills. What’s more, Carol’s conduct has caused Phil to lose her suitcase and most of her money on a bus. That would be a vital clue to anyone looking for them.
Can “Paula’s Puppets” be used for good when they’ve only been used for revenge so far? This week, Paula puts it to the test. She uses their power to see if it gets Lindy, who’s in a coma because of it, to recover. But Paula doesn’t realise that while she’s doing it, one of her enemies is spying on her.
Meanwhile, Ella succeeds in bringing Clem out of her coma despite Val Lester’s tricks to stop her. Will she finally be able to prove it was Val and not her who was responsible for Clem’s accident?
Sue wishes she and her friends are on Cloud 9. Oh dear, watch what you wish for when your fun-bag’s around, Sue!
“Two Mothers for Maggie” reaches its penultimate episode. Maggie goes all out to help Miss Keyes make a go of the rundown theatre she’s bought over, and the results are promising. But what’s Mum, who’s never liked Miss Keyes, going to say about her return? And so the stage is set for the final episode.
In “Shadow on the Fen”, our protagonists clash with hoons, and things get worse when the Witchfinder recruits their help to destroy the witch ball, which is their protection against him. He fails this time, but he’ll try again, of course.
The Zodiac Prince and Shrimp decide to move – only it looks like they’re moving on straight into more trouble. The Zodiac Prince looks like he’s about to run someone over!
For this March issue we’ve got a fun cover, with fun with skateboarding and fun with juggling. And inside, Sue’s Fantastic Fun-Bag uses a spell to teach a stuffy man about fun.
Concrete Surfer Jean writes an essay on skateboarding, and is surprised to find teach liked it better than smarmy cousin Carol’s. Jean’s delighted to have triumphed over her sneaky cousin at last. Or has she? We know all too well that Carol will pull a fast one to stay top dog if her nose gets put out of joint.
In “Darling Clementine”, it’s now well and truly the end of Ella trying to win the waterskiing competition on Clem’s behalf. She turns to getting Clem out of the coma, but Val Lester, the girl responsible for Clem’s condition, is pulling dirty tricks to stop her.
Phil continues to protect Carol in “Waking Nightmare”, but it’s marred by Carol having strange mood swings between hysterics and happiness. A headline, which says a sick girl is missing, could explain things, but Phil fails to notice it.
The Zodiac Prince uses the power of the Zodiac wheel to give hopeless girls new talents, but soon finds it wasn’t the way to help them. They’ve gotten cocky and carried away with their new gifts, which has led to trouble. Can the Zodiac Prince find a way to put things right?
In “Two Mothers for Maggie”, Maggie tracks down Miss Keyes after she disappeared in the previous issue, but is shocked to find her cleaning in a rundown theatre.
A man throws a cricket ball at Alley Cat for disturbing his sleep when poor Alley Cat wasn’t even doing it. It all rebounds on the man when the ball goes his neighbour’s way instead.
Speaking of balls, in “Shadow on the Fen”, the girls find a witch ball can ward off the Witchfinder. Now that’s a funny twist – weren’t witch balls supposed to ward off witches?
After the power of the puppets causes an accident, Paula vows never to use them again. But she soon finds that the temptation to use them is hard to resist, not only because so many people are against her but also because the puppets won’t be destroyed.
It’s now March, so we present some March issues from Jinty. Mother’s Day (UK) is coming up, and in this issue, Jinty gives instructions on how to make a gift for her.
In Concrete Surfer, Jean’s trouble with her smarmy cousin Carol worsens. Jean has overheard Carol telling her parents something she didn’t want Jean to know about, but Jean couldn’t pick up what. There can be no doubt this is a gun in Scene 1 that is set to go off in Scene 3, and when it does, it will spell more trouble for Jean. Later, Jean’s hopes are raised that smarmy Carol will be caught out at last, but we wouldn’t bank on it. Not until the final episode, Jean, and that’s not for some episodes yet.
Concrete Surfer must have started a skateboarding craze. Alley Cat’s arch-enemy Spotty Muchloot has caught the bug, and his skateboarding is making him even more of a pest than usual for Alley Cat. But of course Alley Cat turns the tables on him and his skateboard in the end.
In a fit of pique, Sue tells her fun-bag she’ll have better luck without her around. Now that really is asking for a spell of bad luck – literally.
In “Two Mothers for Maggie” Maggie finds that one of her mothers, Miss Keyes, has put up her house for sale. Is it just one mother for her now?
Phil continues to hide Carol from the authorities although something’s now telling her that she should be checking things out more. As the two continue to travel together, it’s not only instinct that makes Phil uneasy – it’s Carol’s strange conduct as well.
The Zodiac Prince learns a few lessons about Earth food this week – like bath soap is not a food. Fortunately, he’s stopped before he gets a mouthful of soap, and later it’s his astral power to the rescue in cooking up a feast.
Paula uses the power of the puppets to get revenge on the people who are bullying her because of her jailed father. But the inevitable happens – it goes too far and now a girl’s injured because of it. This looks like the shock Paula badly needs to snap her out of her selfishness and set her on the path to redemption that is also part of the narrative.
The Witchfinder in “Shadow on the Fen” also causes a nasty accident, at an archaeological dig, which has unearthed a 17th century apothecary’s shop. A clear sign that our heroines are sniffing too close to something.
In “Darling Clementine”, Ella sprains her ankle, which puts paid to her entering the water-skiing heats on Clem’s behalf. She’s braving it all the same, but is her ankle up to it?
A Resource on Jinty: Artists, Writers, Stories 