Artist: Miguel Quesada
Yvonne Laroon comes from a long line of circus performers and her family takes it for granted she will follow in their footsteps. But ever since Yvonne saw Swan Lake on television, she has had other ideas – to become a ballerina. She certainly has talent for it, thanks to her acrobatic circus skills, but no formal ballet training and does not even know what a plié is. Even worse, her parents do not approve, saying she is born for the circus and that is that.
Yvonne comes across Alexia Company Ballet School and climbs up onto the roof to take a look at a lesson. She gets more than she bargained for and ends up crashing through the roof. She is mistaken for a new girl they were expecting. After a demonstration of what dancing she can do, she is accepted into the school. But as her parents still won’t hear of her becoming a ballerina, to the point of Dad threatening to belt her, she runs away from the circus to the school. She decides to keep her circus origins secret, fearing expulsion because of it.
Having had no ballet training, Yvonne has to pick it up fast, by watching how others move and swotting up ballet books. And of course there has to be a jealous rival out to make trouble. In this case it is Lisa Telemann, a star pupil from a rival company, Pavel. Lisa becomes suspicious of Yvonne’s origins and eventually finds out the truth. Lisa gets peeved when Yvonne becomes a cygnet in The Dance of the Little Swans. She tries a blackmail note and then a phony telegram to recall Yvonne to the circus. At the circus, Yvonne discovers the trick. But her father disowns her when she insists on continuing with ballet.
Worse, on the way back Yvonne has an accident and loses her memory. This causes her to fall into the power of the unscrupulous Ma Crompton, who takes advantage of her amnesia and dance talent to exploit her. Yvonne eventually escapes Ma Crompton and comes across a Swan Lake poster that stirs some memory. She heads to the theatre, not realising Lisa has spotted her, and Lisa arranges for the doorman to block Yvonne.
Yvonne ends up in a home, where the matron takes her for a bad sort and threatens her with the reformatory. Yvonne runs off, where she bumps into the circus and saves the horses from an accident. During the process Yvonne bumps her head, which restores her memory. She is reconciled with her parents, who stop interfering with her dream after they hear what she has been through. They take her back to the ballet school. Lisa’s trick with the telegram is discovered, and she is expelled. Yvonne can now study ballet without interference.
Ballet stories are bread-and-butter in girls’ comics, so Jinty’s first line-up would hardly have been complete without one. It was drawn by Miguel Quesada, a regular on the Tammy team during her first five years, but this was his only outing in Jinty. Quesada drew some ballet stories for Tammy as well, but it must be said that he could have done with more research on drawing ballet. The poses look angular and positions often not drawn correctly. And the title itself sounds a bit uninspired and perhaps could have done with more imagination.
Storywise, there are certainly plenty of well-tried elements in girls’ comics to keep the drama high and ensure readers stayed hooked on this one: circus theme, fugitive theme, jealous rivals, amnesia, exploitation, determination and courage, difficult parents, a nasty matron, reformatory, and even some laughs as Yvonne gives demonstrations of her circus tricks. Ballet theme combined with circus theme would certainly have been a powerful combination. The circus is always popular in girls’ comics (although the theme was oddly sporadic in Jinty).
Contracting amnesia and falling into the clutches of a crook because of it is an oldie but a goodie in girls’ comics, and would certainly have helped to make this story popular as well. There is also plenty of action and the story moves at a cracking pace. In summary, “A Dream for Yvonne” had plenty in it to make it a strong, thrilling, fast-paced story in the first line-up.
The episode where the father disowns Yvonne is a shock that must have taken readers by surprise. Parents who disapprove of their daughter’s dreams are common enough in girls’ comics, but seldom do they go that far. The father’s move is even more shocking as the parents do seem loving and caring – just lacking a little understanding. It must have been a relief to readers when the parents finally change their minds and start helping Yvonne.
Incidentally, the episode where Yvonne is threatened with the reformatory has echoes of a Quesada story in Tammy, “The Stranger in My Shoes”. Could it be the same writer?