Publication: 8 December 1979 – 29 December 1979
Artist: Unknown artist (Merry)
In Daisy Green Youth Club, Verna is known as “the original panto cat”. She is conceited, bossy, domineering and self-centred. She walks over everyone to have everything her way.
The club members are discussing what to do for their Christmas special when Verna barrels in, tears up their suggestions and pushes ahead with her own – a pantomime for the kids who will be confined to Farley Hospital over the Christmas season. But Verna doesn’t stop there. She allows no discussion of what the pantomime will be – it must be Cinderella. Before the meeting is over, she casts everyone in the roles as she sees fit. And of course she casts herself as Cinderella. Gwen is feeling very indignant at the way Verna carries on.
But there is worse to come when Gwen finds Verna is writing the panto as well. She is astonished to find the script Verna gave her is only two pages long and the lines are awful. The same goes for everyone else, and they find out why at the next meeting – Verna’s part is three times as big as theirs! They reach their limit at this and shelve Verna’s script in favour of one in the club library. But they still give Verna a chance to be Cinderella if she is good. But of course the panto cat is anything but good, and in the end she finds herself without any role (not even as wicked stepmother, the only role that really suits her personality).
Gwen says they still have to let Verna be director, but that proves to be a bad mistake. Now the panto cat has lost the limelight she turns vicious. She gets her claws out and sets out to wreck the panto now she cannot be in it. As director, she tries to stir everything up, make everyone’s life a misery, and even smash the pumpkin. All this does is get her removed from the panto altogether.
Another club member, Minna, suggests they have Verna’s father make Cinderella’s coach. Gwen says they should keep Verna out, but Minna feels it is rotten to do so because it is Christmas. This is another bad mistake. Verna sabotages the coach so it will fall apart on the night. Instead it falls apart at a rehearsal, leaving Cinderella with a sprained ankle, Prince Charming with a black eye and the Fairy Godmother with an injured leg. It looks like the show is off and the panto cat has got the cream.
But then Gwen has a brainwave – convert a piece of the coach into a puppet theatre and have a puppet Cinderella show instead. Unfortunately, Minna tells Verna about how they have salvaged the disaster, thinking she is acting in the spirit of Christmas. So the cat gets ready to pounce again. On the night of the show, Verna tries to sabotage them at the club as they make preparations to set off. She fails, and her tricks put Gwen on her guard.
At the hospital, Gwen sends Verna on an errand to get her out of the way. Verna spots a jug of water in a ward and goes in for it, planning to spill it on the puppets and make them too wet to use. But she failed to spot a warning notice on the door saying there is a child with scarlet fever quarantined in the ward. Verna has got too close to the child, and the nurse tells Verna she now has to be quarantined as well. The cat’s last minute pounce to wreck things has backfired. Verna has to spend Christmas in quarantine (later the editor informs us in the letter page that she did not contract scarlet fever) and watch the show she tried to sabotage through the observation window.
The show is a huge success and everyone except Verna enjoys it. Afterwards, the girls have a Christmas party back at the club and Verna’s fate gives them all the more reason to celebrate. Minna says she enjoyed the panto despite all the problems and they must do it again.
“Tale of the Panto Cat” was one of the Christmas-themed filler stories that Jinty ran over her build up to Christmas. But what Christmas message does this tale of spite, sabotage and deliberate attempts to wreck a Christmas production have for readers? Well, every Christmas has a Grinch somewhere. If Jinty ever had a Grinch story, this has to be it. But unlike her Seuss counterpart, the heart of Verna does not swell to the right size when faced with the spirit of Christmas. Rather, she destroys herself in her efforts to wreck the show. It backfires on her and she ends up spending Christmas in quarantine.
Instead of a sentimental story about the true spirit of Christmas, we get a more typical story of an unpleasant type who causes trouble and getting her eventual comeuppance. Christmas is used more as the theme and setting for the story. This makes the story a nice, refreshing, atypical break from the more standard Christmas fare in girls’ comics. And Verna does not change into a nicer person in the light of Christmas, which makes it even more realistic.
Minna is the only one who strives for real Christmas spirit in the way she insists on keeping Verna in the loop over the panto. But in so doing she unwittingly helps Verna to cause more trouble. Perhaps the story is making a statement that the spirit of Christmas is lost on some people. In fact, although it was Verna’s idea to put on the show for the children in hospital, Verna clearly did not do it for the sake of the kids. All she cared about was being the star of the show and the centre of attention. When she could not have that, she turned just plain vindictive and set out to wreck things in any which way she could with no thought for the kids or anyone else. That is hardly the way to behave, much less at Christmas time. One can only hope Verna left the club for good after she came out of quarantine and was not around to interfere with the next Christmas special.