One of the things I am most appreciating about this blog is the way that it is able to take part in an expanding network of resources: the existing UK girls’ comics blogs, the Comics UK forum, Catawiki, the original creators or editors where we are able to make contact with them, and interested fans and experts internationally. This not only means that things known in one area (artists of specific strips, contents of individual issues) are made more readily available to other interested parties, but also that inconsistencies can be corrected and new knowledge promulgated. This is particularly important as, sadly, there is no single reliable source of this information in the shape of publishing archives or editorial records; I recently spoke to copyright holders Egmont who confirmed that they have no editorial files or information held from that time. This makes our current networking and sharing of memories, information, and analysis the only way we can come up with a good picture of who did what, when, how, and where.
I posted back in November about the artist attribution we have been giving for “Angela’s Angels”; we have given the name of the artist as Alberto Cuyas, though in fact we seemingly should have listed him as Manuel Cuyàs. However, Sleuth from Catawiki has recently emailed me a number of pages of art definitively credited to Manuel Cuyàs and to Leo Davy, confirming to me that we should change the attribution of “Angela’s Angels” to the latter artist (now done).
There is quite a bit of artwork attributed to Leo Davy and Phil Townsend together; they drew two Girl strips together, “Susan of St Bride’s” and “Calling Nurse Abbott!”. There is some similarity here of faces and other details when compared to “Angela’s Angels”: look at the bottom left of the first page and the bottom right of the second.
“A Scooter To Sydney” is credited to Leo Davy alone, as is a smashing adaptation of “The Day of the Triffids” – Bill’s face in the second row of panels, in particular, is a very good match with the “Angela’s Angels” artwork to my mind. (Moreso than the art on “Sydney”, which is in a very finished style.)
Here are some more faces from the nursing strips:
Finally, some more “Angela’s Angel’s” artwork for comparison:
Cuyàs has similarities of style; he is a vigorous artist with lots of movement in his drawing, and his characters are not pretty-pretty. However, his faces are distinctively different (those noses!) and he often signs his work. His art appeared in June & Schoolfriend, Bunty, and other classic girl’s titles, and some of it was reprinted in Jinty: the 1979 Jinty annual (post to follow) includes the rather fun collected story “Trudy on Trial!” (originally published between 24 June 1972 and 19 August 1972 according to Deskartes Mil). The 1975 Jinty annual republishes the story “Eve’s Dream” which I assume is also from June & Schoolfriend, though I would be grateful for confirmation of this.
There is very little information available on the internet about Leo Davy. As Girl printed credits for writers and artists, we can attribute the following stories to him:
- Susan of St Bride’s (with Phil Townsend)
- Calling Nurse Abbott! (with Phil Townsend)
- The Day of the Triffids (adaptation of the John Wyndham book)
- A Scooter to Sydney
- The Red Pennant
The only Jinty strip attributable to him is “Angela’s Angels”, including a short story featuring the same characters in the Jinty 1974 annual. There is also a longer list of titles available on Catawiki here; I haven’t reviewed it fully or sense-checked it for any oddities yet, though.
Looking at those strips in Girl, Leo Davy has a very classic, elegant style. The strips he draws are energetic and also pretty neat and meticulous; “Angela’s Angels” is less meticulous to my eye, looking in some places as if it was pencilled but not fully inked or painted. Could this be a sign of an experienced draughtsman towards the end of his career, still drawing beautifully but less carefully and precisely?
Leo Davy fits well as the artist on “Angela’s Angels” – especially in the first issues of a new title, getting an experienced artist on a nursing story to do another makes good sense! Cuyàs would also be unsurprising as an artist in Jinty, having probably previously worked with Mavis Miller or colleagues of hers, but compared to the themes in his previous stories it would be a little more of a leap for him to turn up as the creator on a nursing story.
With particular thanks to Sleuth from Catawiki