Publication: 30/7/77-1/10/77 (also translated into Spanish twice, under the titles “The Ghost in the Mirror” and “The Other side of the Mirror”)
Artist: Tom Hurst
Magda Morrice has the face of an angel but the heart of a devil. She schemes her way to anything she wants and her pretty face belies it all to everyone. She gets jealous when Janie Gray wins the third form prize for fashion design and deliberately puts a dent in it. She then quietly takes the trophy from Janie, under pretext of having it mended. Later, at the market, she tricks her way into acquiring a mirror she fancies.
But when Magda gets the mirror home, she is surprised to find that the mirror is reflecting two images of her! She does not realise that the second face is actually a reflection of the devil in her – not yet, anyway.
The reflection takes a hand in helping Magda with her schemes. These are designed to take advantage of Janie and pretend to be friends with her while stealing Janie’s work and passing it off as her own, while sabotaging Janie’s other work to make her look bad in the eyes of their fashion teacher, Miss Winn. She also pretends to Janie that her mother is ill (and even gives her mother a dose of food poisoning to complete the effect) in order to pull Janie’s heart-strings and cadge off her for things such as a sewing machine. And she is very slick at pulling the wool over the eyes of Miss Winn, who thinks she is improving marvellously while Janie seems to be losing it.
But while the face continues to help Magda, it also grows increasingly ugly, evil-looking and frightening.
Magda catches on to what is happening in the mirror and tells the reflection that she is going to change so the reflection will be pretty too. But the reflection just sneers at her – and it is right. Magda soon finds she cannot change the things she has started without getting into trouble. Besides, she has gained things out of them, such as receiving accolades from Marcus Greg, a famous theatrical designer. She is soon lapsing into her scheming ways.
Now Magda has had enough of the terrifying face and tries to get rid of the mirror. But it always finds its way back to her – more of its powers. So Magda smashes it instead. She is puzzled as to why the mirror does not resist her as she throws a rock down on it.
But she soon finds out! Far from ridding herself of the face, she finds the face is following her everywhere! Every time she looks a mirror, pane of glass or anything reflective, she sees that face. It is getting uglier by the minute, and bigger too. It is such a nightmare that Magda can’t sleep and isn’t brushing her hair because of that hideous reflection in the mirror. People notice what a state Magda is in but of course Magda can’t explain why. The only way out seems to be to confess, but she is too caught up in what she has started to change anything now, and not with accolades from Mr Greg in person. Morever, she can’t quite work up enough courage to confess.
And there are still traces of Magda’s selfish, scheming old ways left in her. Eventually she gets so afraid of discovery that she takes her latest work and Janie’s (some costumes) to school with the intent of destroying the evidence.
But it is then that the worst happens. The pile of costumes suddenly comes alive, and it has that hideous face for a head! The strange monster is now coming towards Magda and seems to be about to speak to her.
Magda is so terrified that she faints.
When she comes to, Miss Winn is standing over her. Magda is so terrified that she finally makes a full confession to Miss Winn, Janie and then her mother. Miss Winn is all for punishing Magda (if only she knew), but Janie is forgiving and still wants to be friends. Magda returns the trophy she tricked Janie out of. As it has to go back at the end of term, she decides to buy Janie a replica she can keep forever, as a way of making it up to her.
When Magda next looks in a mirror, she finds the hideous face has gone. Hers is the only reflection now. But she resolves to be as good as she looks from now on – in case it comes back.
Now this is one story that takes established formulas and does a take on them to give us something fresh and different.
The first is what I call “the sweet-faced schemer” formula. Cunning schemers who get away with murder because they look so pretty, angelic and innocent have abounded in girls’ comics. They cropped up regularly in DCT titles, such as “Move Over, Maria” (Bunty) and “The Truth about Wendy” (Mandy). Sometimes they have been regulars, such as “Angela Angel-Face” (Sandie). Perhaps the most cunning sweet-faced schemer of them all was Carol in Jinty’s “Concrete Surfer”. This schemer was so cunning that not even her victim, Jean was sure if she was a real schemer or victim of misunderstandings until the climax of the story where Carol finally slips up.
The general focus in these stories is to catch out the schemer, and it is not easy. They are so slick, manipulative and innocent-looking that they have everyone around their little fingers (or play tricks to put them out of the way). But here the focus is on reforming the scheming girl and making her as nice as she looks.
And here is the second thing that is unusual about this story. Stories dealing with turning unsavoury girls around usually deal with girls who are spoiled, selfish, snobby or arrogant. Seldom do they deal with a girl who is downright nasty or scheming. But this is the case here. And it is one of the rare serials I have seen where a sweet-faced schemer does change her ways. Usually they just get caught out at long last and are expelled or whatever.
The third is the evil influence formula. Instead of forcing a nice girl into doing terrible things, which is what normally happens in evil influence stories, the influence actually seems to be helping an already nasty girl with her machinations. In the early episodes, readers may have felt a sense of outrage at the mirror helping a scheming girl. Shouldn’t she be getting her comeuppance or something from this mirror? But as the face grows increasingly hideous, readers must have reconsidered and wondered if this story would go the comeuppance way after all.
Magda’s reactions to the image are realistic in that she doesn’t change all at once. One reason for this is that she doesn’t quite know how without getting herself into trouble. Another is that her old ways keep resurfacing. She tells herself that she will have to make up for things some other time, but of course that is just bandaid treatment for a rousing conscience and does not stop the evil image from haunting her. It continues right up to the end, where Magda decides to destroy the evidence – but it is then that the evil image threatens to do its worst. Magda realises she must act now, or goodness know what might happen.
The intentions of the evil image are a bit confusing. The evil reflection encourages and abets Magda’s own evil. Yet at the same time it seems to be scaring Magda into changing her ways with its deteriorating, frightening appearance. It is not like other evil mirror stories that have appeared over the years. Girls either see a reflection in the mirror that is not their own but means big trouble (such as in “The Venetian Looking Glass” and “Slave of the Mirror” from Jinty), or the mirror creates evil reflections that set about taking over (“The Evil Mirror”, Girl series 2). But here the reflection is a reflection of the girl’s own evil that seems to start off helping her and then progressively scares the living daylights out of her. Furthermore, other stories where an object reflects a girl’s evil tend to do so in a reproving manner. One example is Mandy’s “Portrait of Pauline”, where Pauline’s new portrait starts reflecting her selfish nature and then her progress and setbacks in changing her ways. But this is not the case here. Rather, the image reflects Magda’s evil in a manner that flourishes in Magda’s evil. Maybe the answer lies in what would have happened if the image had spoken to Magda in the end, or if Magda had not confessed. But we never find out because Magda finally does the right thing in the nick of time.
What was the purpose in a magic mirror that behaves like that? Is it an evil mirror that feeds off people’s evil? Is it a magic designed to punish evil people in a rather unorthodox manner? Was it the result of magic that went a bit wrong? Was it designed to be some “monkey’s paw” thing? Or was it something else? We never know because the origins of the mirror are left unexplained and the image never speaks to Magda – assuming that was its intention in the final episode.
Still, it’s a different take on the evil influence theme, and we like the serial for that.
The theme of an unpleasant girl being haunted by evil-looking faces that turn out to be distorted reflections of herself – or perhaps reflections of the evil inside her – has cropped up in the “Strangest Stories Ever Told”. “The Face of Greed” (Tammy 4 October 1975; reprinted as a Gypsy Rose tale in Jinty 8 November 1980) and “Marcia’s ‘Ghost’” (Tammy 22 March 1980) are two examples, and there are probably more elsewhere. But those were complete stories. This is one occasion where I have seen the idea explored in a serial.
The art has been credited to Tom Hurst following Ruth’s comment below.
Note: This is the only Jinty story drawn by Tom Hurst.
14 thoughts on “Who’s That in My Mirror? (1977)”
This story makes me think of Oscar Wilde’s “Picture of Dorian Grey” (which I’ve never actually read so am sure to be missing nuances of). In Dorian Grey, the character gets wickeder and wickeder without showing any of the traces of his dissipation on his face; instead the portrait in his attic shows the visible effects of his various debaucheries, and I think also the progress of his moral corruption. Dorian Grey doesn’t reform himself though. I’m sure the writer of this story must have had this parallel in mind, though it takes a much more redemptionist turn in this girls’ comic.
Tammy had Portrait of Doreen Grey, a complete derivative of Dorian Grey. Doreen Grey acquires a portrait of a girl who looks exactly like her and begins to exert an evil
influence on her. The portrait has the bonus of curing Doreen of shyness, but then has her going the other way. The serial itself made references to the Dorian Grey story. In the end Doreen destroys the portrait, as does Dorian.
The art in this story is Tom Hurst This was printed twice in Spain under the titles The Ghost in the Mirror and The other side of the Mirror in two different publications with a difference of maybe a couple of years, 3 years max.
Thank you very much indeed for the information. We’ve been trying to identify the artist!
Thanks very much from me too! I have added that attribution into the post. Can you tell me a little more about how you know this – was there a credit printed in one of the Spanish translations, for instance?
I am a member of Tebeosfera (we catalogue Spanish printed comics) and I was cataloguing Pecosa (a magazine by MC Editors in the mid-late 80’s). David Roach was helping me out with some authors whose names I did not know. And this author happened to have done one Patty’s World story for a special when Purita Campos was too busy.
If you are looking for any other author’s that I might have come across, let me know by email. I will be happy to help
Tom Hurst’s artwork definitely looks like Terry Aspin’s !! It’ difficult to tell the difference!
Eh? I don’t have any trouble telling Hurst and Aspin’s artwork apart,