First Misty Ever Published – 4 February 1978

Misty cover

  • Cover – (artist Maria Barrera)
  • Message from Misty – (artist Shirley Bellwood)
  • The Cult of the Cat – first episode (artist H. Romeu)
  • The Sentinels – first episode (artist Mario Capaldi, writer Malcolm Shaw)
  • Paint It Black – first episode (artist Brian Delany, writer Alan Davidson)
  • Moodstone – complete story – (artist Ken Houghton)
  • Roots (“Nightmare!” story) – (artist Maria Barrera, writer Pat Mills)
  • Moonchild – first episode (artist John Armstrong, writer Pat Mills)
  • Miss T – (artist Joe Collins)
  • Red Knee – White Terror! (“Beasts” story) – (artist John Richardson, writer Pat Mills)

In previous posts we have covered the first Jinty and last Jinty, and the first Tammy and last Tammy. Now we cover the third of the trio – the first Misty and the last Misty. We begin with the first Misty.

Pat Mills conceived Misty as the girls’ answer to 2000AD. Like Tammy, it would be intended to be revolutionary and go against the grain of ballet, pony and school stories. But Misty would do it with spooky stories and horror that were meant to frighten readers, yet fascinate them at the same time. Misty followed hard on the heels of the demise of Spellbound, a kindred comic in DCT that was a similar brave experiment, but had only lasted 69 issues.

Roots ending
Shock panel from “Roots”, Misty #1.

Although Misty was meant to kick ass with her spooky stories, there were still instances of editorial interference in some of the storytelling to tone things down and “not to scare the readers too much”. Two instances occurred in the first issue alone. In “Roots”, if Pat Mills have had his way, the story would have ended on the panel above. But the editor included another panel to dilute the shock, which Mills deletes from the reproduction of “Roots” in his discussion of Misty. In “Red Knee – White Terror!”, also written by Mills, the climactic attack of the spider on the girl in the bath is similarly amended to become a practical joke from her brother (below). But she still isn’t safe from the alert about a poisonous spider that has crept into the country in an import of bananas, some of which she bought earlier…

Red Knee White Terror
Climax to “Red Knee – White Terror!” from Misty #1.

Misty would go for several complete stories in each issue, some labelled “Nightmare!” and others “Beasts” (featuring an animal of some sort, ranging from spiders to dogs) to break up the comic a bit. They often featured unpleasant girls who came to a sticky end of some sort. The first of these is “Moodstone”, about a bad-tempered girl. “Moodstone” also showed readers that from the first, Misty would feature some full-colour pages in each issue, which is something neither Tammy nor Jinty ever did.

Moodstone
First full colour page from Misty #1.

I remember the cover of the first issue being advertised on television. I had never seen that before – or since – and for this reason that cover has stuck in my mind. As Misty goes, the cover is unusual because it was drawn specifically for cover purposes. It does not feature Misty (not even as a small head beside the logo) and has no bearing on the contents inside. Future covers would go for showing Misty herself or a full-blown cover version of a panel inside the comic. We do not meet Misty herself until we come to the inside page, where she delivers her first message to her readers.

The first story starts Misty off in style with the rendering of the Egyptian Temple. Sumptuous is the word for it. The moment you see that page, you just want to read “The Cult of the Cat”. This is the only story in Misty to spawn a sequel (not counting the sequel to “The Black Widow” that appeared in the merger later). It also inspires the free gift that will come in the next issue – a cat ring just like the one the protagonist in this story wakes up to find on her finger all of a sudden.

Cult of the Cat
Opening to “The Cult of the Cat”.

The splash panel that introduces us to “The Sentinels” (a pair of apartment blocks, one normal and one avoided because of strange disappearances) is no less impressive. Mr Richards defies both the reputation of the Sentinel – “it’s just superstitious nonsense, all that talk about the Sentinels” and warnings from his daughter and other relatives – and takes his family to squat there because they are homeless. Now why do we get the feeling that whatever’s going on with the Sentinel, it’s Mr Richards who is going to cop the worst of it?

The Sentinels
Meet “The Sentinels”!

The writers of Misty would draw heavily from popular books and movies. They start off with the Carrie-inspired serial, “Moonchild”, which proved hugely popular with readers. Rosemary Black is beaten and abused by her mother, who calls her “evil” and “wicked” for no apparent reason. But the mother is very eccentric in any case; she isn’t a religious fanatic like her counterpart in Carrie, but she does not allow electricity in her house, and wears a cloak when she goes out that makes her look like a witch, as does that frightening look on her face. At school, Rosemary is bullied by Norma Sykes, but unlike Carrie, Rosemary does have a friend as well. Then, when Rosemary discovers a strange moon mark on her forehead, things begin to happen that may have some bearing on her mother’s bizarre attitude and teach Norma a lesson to boot…

Miss T
The first appearance of Miss T. From Misty #1.

In “Paint It Black”, Maggie has never been good for anything much, much less being good at art. But then she finds a box of paints in a derelict house and suddenly finds herself able to paint a picture of a mysterious girl. The picture frightens Maggie for some reason – and the girl has a pretty frightened expression on her face, too. Now what can be the reason for that?

Although Misty was a horror comic, she did not leave out the humour, mainly in the form of a Joe Collins cartoon character, Miss T. Miss T would attract huge controversy on the letters page, with readers divided over whether she was a ridiculous feature in a horror comic that should be removed, or if she was needed to help balance the comic. One reader even proposed a Miss T fan club “S.O.W.” (Save Our Witch) to help keep her in the comic. We have no information on what became of S.O.W., but Miss T would not only remain but would also carry over into the merge with Tammy, where she became a companion to Edie. During the Tammy & Jinty merger they would join forces with Snoopa to become “The Crayzees”.

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9 thoughts on “First Misty Ever Published – 4 February 1978

  1. This gives such a great sense of context to those who may know Misty without knowing the other comics, or who may have come across it since its original publication. And – what fantastic splash panels the artists produced for the initial episodes of “Cat” and “Sentinels”!

      1. Maybe that was why they had Cult of the Cat lead things off in the first issue. Doesn’t that splash panel just take your breath away?

  2. I think ‘Red knee – white terror’ works better this way. Otherwise the story would have been rather straightforward. Now there is this final pannel, in which the girl thinks she is safe, but we know she is not.
    The colour pages didn’t worked as well as they could have. I think the text was for one reason or another often difficult to read, just as if a different process was being used for these colour pages, which left out a lot of the black from the text. This is especially the case with the serial ‘Day of the dragon’.

  3. This was a great read, thank you. Wanted to query ‘Mike Delany’ above as the artist of Paint it Black – was this not Brian Delaney? I’m trying to compile a comprehensive list of all the writers/artists and would be very very grateful for any help if maybe we could discuss further?

  4. Seems as good a place as any to froth excitedly: Good News!

    https://www.2000adonline.com/post/1489

    As with the Jackpot story Good New – Bad News it seems you can’t have one without the other. There’re once again two stories in one volume, which seems to signify Rebellion aren’t willing to take a chance with IPC’s girls’ stories on their own – yet. Bella and Pam’d surely get their own vols, wouldn’t they?

    1. Don’t think I’d seen your comment at the time! It is good news, yes – and I don’t think it’s good news / bad news in particular. They need to come up with enough length to make a whole book work and feel worth buying, I think. Yes, Bella and Pam have both got enough in the way of story length to make a good size individual book each, but I can’t complain when it’s the Sentinels plus End of the Line, which I think are both successfully creepy.

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