Cándido Ruiz Pueyo (1931 – 1982) has given us a few puzzles on this blog. First of all, I was puzzled by the attribution of this name to a couple of stories which clearly were signed ‘Prieto’. When David Roach showed me a portfolio sample labelled “Emilia Prieto” then the signature matched up with the name we were able to attribute, but the very close resemblance of art styles between Cándido Ruiz Pueyo and Emilia Prieto was still a puzzle, as I wrote about recently. The mysteries are now cleared up, with the following information from his daughter, Elisabet Ruiz Prieto – as you can imagine this was very gratefully received!
Here are her own words, followed by my further questions and her replies.
“Indeed, my father was Cándido Ruiz Pueyo. He died in 1982, when I was two years old, because of a serious illness. I still have his original drawings and I would be happy to help you with everything you need. Emilia Prieto is the name of my mother. She is retired and lives in Menorca but she isn’t an artist.
Due to the political situation in Spain in 70’s he had to use a pseudonym for some of his publications. I know that he worked for a German magazine called Bunty [this refers to the well-known British title] as well as Jinty. He drew a series of Buffalo Bill, Fix and Foxy and when he died he was working on a commission for Walt Disney.”
In reply I asked:
“I would love to know more about your father, and to publish it in the blog so that others who also are interested in your father’s work can know more about it and about him. I was wondering in particular if he used the pseudonym ‘Emilia Prieto’ only for the stories published in girls comics, or perhaps only for some girls comics and not for others?
Bunty is a British girls comic published by D C Thomson in Scotland – there is a blog dedicated to that publisher, called Girls Comics of Yesterday, and it has some stories that are tagged Cándido Ruiz Pueyo and others tagged Emilia Prieto. I would love to know more about his life and any scans of original drawings!”
“My mother told me that when they first met, he was only working for Spanish publishers, especially for Editorial Bruguera. He draw series for them like Buffalo Bill, and Ivanhoe in the series “Colección novelas históricas” [Collection of historical novels], and some terror and motorist stories. He also published a comic book called Tarzan’s Son.
But my father really liked to draw love stories. My mother encouraged him to submit his romantic drawings on foreign publishers ( she even served as a model for some of his female characters) because in Spain it was almost impossible. My father sent his drawings to several girl-magazines but all rejected him. At that time it was not normal for a man to draw romantic stories, so he re-sent them with my mother’s name, Emilia Prieto, and several publishers accepted.
My mother said me that he was published in a German magazine called Lucky, another Swedish magazine called Starlet, and Bunty. When he got sick, he was preparing a story about Donald Duck to work with the Walt Disney company because one of his dreams was to work there.”
I was very grateful to hear back from Elisabet about her father’s work, and also to be sent so many images too. It was particularly interesting to me to see so much of his work for Bunty and girls comics, including artwork from the Picture Library series – I hadn’t realised that it was often drawn as an original story, rather than featuring re-used material. Here is “Trixie’s Taxi” from Bunty, along with an interior image from the published book. There is also another sketch of a page that is clearly intended for another Picture Library, by its size and layout.
Finally, I also include some published artwork from three British girls titles – the first one is from Bunty but I am not yet sure of the others.