Cándido Ruiz Pueyo

Cándido Ruiz Pueyo - photograph from ID card

Cándido Ruiz Pueyo (1931 – 1982) has given us a few puzzles on this blog. First of all, I was puzzled by the attribution of this name to a couple of stories which clearly were signed ‘Prieto’. When David Roach showed me a portfolio sample labelled “Emilia Prieto” then the signature matched up with the name we were able to attribute, but the very close resemblance of art styles between Cándido Ruiz Pueyo and Emilia Prieto was still a puzzle, as I wrote about recently. The mysteries are now cleared up, with the following information from his daughter, Elisabet Ruiz Prieto – as you can imagine this was very gratefully received!

Here are her own words, followed by my further questions and her replies.

“Indeed, my father was Cándido Ruiz Pueyo. He died in 1982, when I was two years old, because of a serious illness. I still have his original drawings and I would be happy to help you with everything you need. Emilia Prieto is the name of my mother. She is retired and lives in Menorca but she isn’t an artist.

Due to the political situation in Spain in 70’s he had to use a pseudonym for some of his publications. I know that he worked for a German magazine called Bunty [this refers to the well-known British title] as well as Jinty. He drew a series of Buffalo Bill, Fix and Foxy and when he died he was working on a commission for Walt Disney.”

In reply I asked:

“I would love to know more about your father, and to publish it in the blog so that others who also are interested in your father’s work can know more about it and about him. I was wondering in particular if he used the pseudonym ‘Emilia Prieto’ only for the stories published in girls comics, or perhaps only for some girls comics and not for others?
Bunty is a British girls comic published by D C Thomson in Scotland – there is a blog dedicated to that publisher, called Girls Comics of Yesterday, and it has some stories that are tagged Cándido Ruiz Pueyo and others tagged Emilia Prieto. I would love to know more about his life and any scans of original drawings!”

Elisabet’s reply:

“My mother told me that when they first met, he was only working for Spanish publishers, especially for Editorial Bruguera. He draw series for them like Buffalo Bill, and Ivanhoe in the series “Colección novelas históricas” [Collection of historical novels], and some terror and motorist stories. He also published a comic book called Tarzan’s Son.

Cándido Ruiz Pueyo / Buffalo Bill Cándido Ruiz Pueyo / Swedish comic 'Tarzan's Son' Cándido Ruiz Pueyo / Swedish comic 'Tarzan's Son'

But my father really liked to draw love stories. My mother encouraged him to submit his romantic drawings on foreign publishers ( she even served as a model for some of his female characters) because in Spain it was almost impossible. My father sent his drawings to several girl-magazines but all rejected him. At that time it was not normal for a man to draw romantic stories, so he re-sent them with my mother’s name, Emilia Prieto, and several publishers accepted.

Cándido Ruiz Pueyo / Dutch comic 'Lucky'

My mother said me that he was published in a German magazine called Lucky, another Swedish magazine called Starlet, and Bunty. When he got sick, he was preparing a story about Donald Duck to work with the Walt Disney company because one of his dreams was to work there.”

Cándido Ruiz Pueyo / try-outs for Donald Duck

I was very grateful to hear back from Elisabet about her father’s work, and also to be sent so many images too. It was particularly interesting to me to see so much of his work for Bunty and girls comics, including artwork from the Picture Library series – I hadn’t realised that it was often drawn as an original story, rather than featuring re-used material. Here is “Trixie’s Taxi” from Bunty, along with an interior image from the published book. There is also another sketch of a page that is clearly intended for another Picture Library, by its size and layout.

'Por Prieto' / by Prieto
‘Por Prieto’ / by Prieto

Cándido Ruiz Pueyo / Trixie' Taxi interior

Cándido Ruiz Pueyo / art from a Picture Library?

Finally, I also include some published artwork from three British girls titles – the first one is from Bunty but I am not yet sure of the others.

Cándido Ruiz Pueyo / Destiny Calls Rosita Cándido Ruiz Pueyo / Phantom of the Ice Rink Cándido Ruiz Pueyo / The Blue Flower of Truth

Further updates: his Tebeosfera entry has now been updated to reflect the above information. Also, Colin Noble has posted some pictures on Facebook of Commando artwork thought to be by Pueyo.

14 thoughts on “Cándido Ruiz Pueyo

  1. Always interesting to find out more about artists and writers.
    A pity the bottom of the pages are not on the scan, otherwise it would be easy to find out from which comic these stories are.
    The second one was published in Tina in 1977-78 as ‘Het spook van het IJspaleis’ (The phantom of the Ice Palace), so the original is probably from around 1976.

    1. I can ask Elisabet for more info but as it is, it clearly shows that he was primarily a DCThomson artist and must have done a fair bit for them.

  2. Judging by the top caption on page 2 about never accepting lifts from strangers, I’d say Phantom of the Ice Rink is from Bunty.

  3. Elizabet talks about a German magazine called Lucky, but the text on the photo is in Dutch, so it’s a comic from the Netherlands. I’ve never heard of this comic before.

    1. Thanks Marckie – yes, it is clearly Dutch as you say, but must presumably be a pretty obscure one if you have never heard of it.

      1. I’ve had a closer look at the photo, and this issue of Lucky is number 56. Assuming this was not a weekly, it must have had a run of several years. My conclusion is that it must be a comic from Belgium and not the Netherlands. It is almost impossible that there is a Dutch girl comic I have never heard of during the 37 years I’ve been collecting. I’ve got all of them, even rare ones which were so unsuccessful that they ran only for a couple of issues. I even have one that was never officially issued at all. 🙂 So a Dutch comic which ran for at least 56 issues is difficult to miss during 37 years.

        1. I found some more information on a Belgian website. There were 64 issues. This Dutch website shows some of the covers:
          As you can see, there are more with work from Pueyo.

          And one Belgian website offers several for sale, again with work from Peuyo:

          I can not find any information about when Lucky was published. Anyway, it’s not that important: from what I see of the covers, I think Lucky was more a comic for (young) women instead of a girl’s comic.

        2. Hah ha, yes, as you say if it was Dutch it would be hard for you to have missed it! But if it is Flemish I can see that’s a different matter. Good detective work to have tracked it down, anyway!

  4. Another bit of identification. The Picture Story Library artwork above (below the extract from “Trixie’s Taxi”) is from Debbie PSL #33 “The £100,000 Headache”.

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