Jinty 5 April 1975

Cover 5 April 1975

Stories in this issue:

  • The Jinx from St Jonah’s (artist Mario Capaldi)
  • Tricia’s Tragedy (artist Ana Rodriguez)
  • Merry at Misery House (unknown artist – Merry, writer Terence Magee)
  • The Kat and Mouse Game (artist Jim Baikie) – last episode
  • Dora Dogsbody (artist José Casanovas)
  • Cinderella Smith (artist Trini Tinturé)
  • Bet Gets the Bird! (artist Phil Gascoine)
  • Daddy’s Darling (artist Philip Townsend, writer Alison Christie)
  • Slave of the Mirror (artist Carlos Freixas)

Katie Jinks gets her hands on a gorilla costume, in a way that is very similar to some hi-jinks that Fran gets up to some years later – as Mistyfan has wondered recently, I also now wonder if the two stories shared a writer. In this case, pal Liz is the one togged up in a gorilla suit, and the gorilla is rather friendlier than one might have guessed.

Tricia is being made to look after her cousin Diana, through the emotional blackmail of being told it’s her fault for blinding her cousin. She is made to use all her time to teach Diana to swim well enough to be able to win the Lloyd Trophy, and is forbidden to use her cousin’s pool to do her own training in. What will happen when she goes home to see her parents – will she withdraw from the Lloyd trophy, as her uncle expects?

Merry has lost her memory – she escaped from the reformatory in order to bring help to the others, but had an accident in the street. A kindly – and posh – family have taken her in, but cruel butler Haig hates her because she battles injustice  such as when he tries to beat a local kid for taking some vegetables. Haig catches Merry unawares and locks her in the dark shed. Maybe the similarity between this predicament and her reformatory experiences will bring her memory back? After all, she’s still not managed to bring help to the other girls in Misery House…

It’s the last episode of “The Kat and Mouse Game”. Mistyfan has got a story post coming up soon, so I won’t describe the ending in detail. Suffice it to say that Kat gets her comeuppance – after trying to land Mouse in it one last time, of course – and Mouse gets the career of her dreams. Satisfyingly, Kat even confesses at the end, once she realises it’s all gone wrong for her (and it’s all her own fault too).

There’s a story post coming up on “Cinderella Smith” too, I understand. Cindy is sent to school without the correct uniform and has to use old clothes left behind by others – she finds it embarrassing and humiliating but comes across as snobbish rather than apologetic for her change of circumstance. But wearing old clothes will be the least of it, very soon: Cindy’s cousins are some of the meanest abusers in these stories.

The kids at school are making Lee’s life a misery because her father is himself being so ungenerous to evacuees Joe and Maggie. Bowing to public pressure, he sends the evacuee kids to school in a posh car – but a different one from the one his daughter travels in.

It is nearing the ending of “Slave of the Mirror”. The Spanish au pair girl Inez tells Mia the story of the girl in the mirror, who is an ancestor of Inez’. Isabella lived as a servant in the house, some two hundred years previously; she was treated so cruelly by her master that she died unhappily and vowed her revenge. Now, through Mia, she is trying one last act of revenge – burning down the house!

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7 thoughts on “Jinty 5 April 1975

    1. I think some of those ongoing humour strips may have had multiple writers – I think Terry Magee has said he wrote some episodes of Dora once. But those comparisons between Fran and Katie definitely do make you think they may have shared a writer. I expect the editorial input of Mavis Miller probably had an effect too in adding some similarities, if she was involved in story conferences about these strips.

  1. I wonder if Slave of the Mirror had the same writer as The Venetian Looking Glass as both have the same premise (girl being enslaved by a vengeful spirit who haunts a mirror), and it climaxes with the girl being forced to burn down the place.

    1. Yes, and the mirror itself looks quite similar too; perhaps the writer gave specific instructions about that, or even showed reference material of the older strip, who knows.

      1. Funny how the spirit in Venetian Looking Glass could talk to the girl, so we soon learn who she is and what she wants. In Slave of the Mirror it does not talk at all, which creates a mystery about its identity and motive that does not unravel until the penultimate episode. And once it is revealed, the spirit becomes a more sympathetic character than its Venetian Looking Glass counterpart.

          1. The Lucy ghost being able to talk enabled Lucy Jnr to plead with her (in vain) that the wrongs from long ago have nothing to do with the current family and it was unfair to target them for her revenge. Mia would have surely done the same thing had she been able to communicate with the spirit and learn what its problem was.

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