Published: 16 April 1977 – 18 June 1977
Artist: Cándido Ruiz Pueyo/Emilia Prieto
Writer: Alan Davidson
Translations/reprints: Klaartje in de wolken [Klaartje in the clouds] in Tina 1978
Kerry Langland has just left school. Her nickname is “Kerry in the Clouds”, partly because she lives so high in an apartment block that clouds settle over it sometimes. But it’s mostly because she always has her head in the clouds with dreams of being a famous actress. She loves to dress up and go out on the balcony, imagining that she is an actress, and getting away from the apartment block she hates living in. Her former classmates have always teased her over her dreaming. They say her dreams are all castles in the air and she doesn’t have what it takes to be an actress. Kerry’s parents share the same view and fix her up with a dead-end factory job, saying she can’t expect better because she wasted her schooling on dreaming.
So Kerry writes to her idol, the famous actress Gail Terson, for help. Much to Kerry’s surprise, Terson shows up in person to see her and agrees to help, saying Kerry has the talent to make it as an actress. She gives Kerry a complete makeover to make her glamorous, takes her around the high life, gives her plenty of media exposure, and fixes her up with an agent for a soft drink ad that will be circulated nationwide. As people see Kerry’s ad on the billboard, the teasing stops and nobody calls her “Kerry in the Clouds” anymore.
Kerry’s parents warn her it’s all too good to be true and she shouldn’t buy into it because there must be a catch somewhere. They are right: Terson is just taking advantage of Kerry and her head always being in the clouds, but just what Terson wants Kerry for is not clear. Kerry’s own suspicions begin to grow after seeing Terson use a dress that looks suspiciously like the one she bought for Kerry in a shopping expedition. But Terson pulls the wool over Kerry’s eyes by saying the dress is all part of an acting role she has got for Kerry.
So Kerry goes back to living the high life. Her picture is getting in all the papers, her parents are astonished at the whole new glamorous wardrobe Terson has bought for her, her pay cheque for the poster ad is far bigger than anything she would have earned at the factory, and the press say she is tipped as a girl who is going places. Kerry even finds herself being mobbed by autograph fans, including the two girls who used to tease her at school.
Kerry realises her makeovers and new wardrobes have been designed to build her up for the starring role in a film called “The Buttercup”, the role Terson plays in the stage version. Then Kerry learns that Terson had wanted the same part in the film, but film producer Mel Simpson turned her down because he considered her old and stale while the public wanted someone new. Kerry wonders why Terson helped her to get the role that she wanted so badly.
Crunch time comes when shooting starts, and all of a sudden Kerry realises she can’t do the role because she can’t act at all! Which is precisely what Terson had known all along. She had known from the first that Kerry was just a dreamer and had no real acting talent – which is what the parents and schoolgirls had always said to Kerry. She had just been stringing Kerry along to get her revenge on Simpson by lumbering him with a talentless girl in the leading role and being stuck with her because of the contract.
Kerry is distraught at being played for such a fool and realises her parents had been right all along. She releases Simpson from the contract and disappears, and the papers are full of it. Once Terson reads about Kerry’s disappearance she is struck by remorse and goes after Kerry, whom she finds on the roof of the apartment block. She apologises to Kerry, saying she never considered Kerry’s feelings while plotting revenge against Simpson. Kerry says the experience has made her grow up and realise how her constant dreaming was so unrealistic, so she bears no grudges. Terson offers Kerry a job as a personal assistant, and Kerry accepts.
This story is not one of Jinty’s more memorable stories. But recently it has attracted comment on the Jinty blog for two reasons. First, we have been provided with a glimpse of the script for part one, which still exists and came to light in writer Alan Davidson’s files. Second, there is some controversy over the identity of the artist. Is the artist’s name Cándido Ruiz Pueyo or Emilia Prieto? It is Pueyo, but for a while he worked under the pseudonym Emilia Prieto, and a panel in the final episode of this story is signed with his pseudonym.
Although the story is not one of Jinty’s classics, it certainly breaks some moulds in the Cinderella and “dream fulfilment” formats. It does not end up with the heroine realising her dream of becoming an actress and having the last laugh on the parents and schoolgirls who said she was just a silly dreamer. Instead, it is revealed they were right all along, and Kerry is made to realise it when she is forced to act for the first time in her life and discovers she can’t. In all those years she dreamed of being an actress, she clearly made no serious attempt to realise her ambitions by, say, pursuing drama clubs and school plays to get experience. If she had, she would have realised long ago that she was no actress. Instead, she just indulged herself with dreaming while not doing anything serious to fulfil her dreams until she writes to Terson.
The story is also a cautionary tale in that old adage “If it sounds too good to be true, it usually is”. Kerry was very fortunate in that the woman who took advantage of her eventually found her conscience and made amends by offering Kerry a high-paying job that would still get Kerry into the acting world, of sorts. So Kerry would not be stuck in dead-end factory jobs like Dad and continue to live in the graffiti-smeared apartment block she hated so much. There are many sleaze bags out there waiting to prey upon the dreams of innocent, naive girls to take advantage of them.