Monthly Archives: April 2017

Jinty and Penny 26 July 1980

Cover artist: Mario Capaldi

  • Pam of Pond Hill (writer Jay Over, artist Bob Harvey)
  • Gaye’s Gloomy Ghost (artist Hugh Thornton-Jones)
  • The Romany’s Reading – Gypsy Rose story (artist Jim Baikie)
  • A Spell of Trouble (artist Trini Tinturé)
  • Tansy of Jubilee Street (artist Ken Houghton)
  • Behind the Screen: John Craven’s Newsround
  • Minnow (artist Peter Wilkes)
  • Winning Ways 19 – Gymnastics: the Bridge or Crab (writer Benita Brown)
  • Blind Faith (artist Phil Townsend)

This is rather a browned copy of the issue, though to be fair the colouring of the cover image also has a beige background which helps give that impression.

Pam is dealing with a tricky situation: her schoolmate Hazel has been shoplifting and all the class has had a share in the stolen goods – will the blame rebound on them too? And – what drove Hazel to do it? Her home life seems far from happy, given the wee glimpse of her parents that we see.

There is a half-page advert for “Tears of a Clown” which starts in the next week’s issue: a hard-hitting tale of some cruel bullying of a misfit girl. It feels a slightly ‘in between’ issue in some ways – we had the last episode of “The Venetian Looking-Glass” in the previous week, and the episode of “Gaye’s Gloomy Ghost” is the one which is shortened by half a page to fit in the advert. The Gypsy Rose story is a substantial four-pager by Jim Baikie: a girl who helps an old gypsy woman is rewarded by being given a fortune reading. She will be in an accident but will be rescued by a ship. Surprisingly this turns out to happen while she is stranded in a desert – she is rescued by a camel, which of course is also called ‘the ship of the desert’.

Both the Gypsy Rose story and the episode of “A Spell of Trouble” have a fairly large first panel and only 6 panels on the first page: the page layout is far from being a straightforward grid, too. I wonder if that means that Jinty was experimenting with less conventional comics storytelling at this point? Not that episodes of “Concrete Surfer” some two years earlier, for instance, hadn’t also challenged the more staid conventions too, but it is relatively noticeable when there are two stories doing this one after the other. The Blacks are given an ultimatum: no non-witches can live with a witch family, under pain of losing their magic powers – so Carrie and her mum have to turn Angela into a witch, quick sharp!

The feature on TV programs is this week covering the very popular “John Craven’s Newsround”. Interestingly, they explain that there was only about 25% overlap with the main news of the day – the majority of the news stories were written specifically for the children’s show.

In “Minnow”, Minna remembers more about her mysterious past that her mother refuses to talk about – her friends tease her by splashing her with waves but this is her trigger for panicking – in her panic she remembers drowning and seeing faces surrounding her in a mist. Next week she is to be furthered threatened, by strangers at the pool!

Cromwell the blind horse is being given up to the police, but he and Clare are rescued by the blind daughter of the farmer who caught them…

Nothing To Sing About [1979]

Sample Images

Nothing to Sing About

Nothing to Sing About 2Nothing to Sing About 3

Published: 9 June 1979 – 25 August 1979

Episodes: 12

Artist: Phil Townsend

Writer: Alison Christie

Translations/reprints: Girl Picture Story Library #15 as “I’ll Never Sing Again!”

Plot

Linette Davis dreams of being a top singer like her father Gary, who is a very famous singer. As far as Linette is concerned, things couldn’t be better. But there are warning signs of storm clouds ahead. Dad had been receiving medical advice to take it easy, which he is not heeding. Dad’s adoring fans have an unfortunate tendency to get carried away when they mob him for autographs and souvenirs, and have even torn his jacket off. When Mum and Linette watch Dad’s concert in Croxley, there’s an ominous poignancy about his singing…as if he’s doing it for the last time. Afterwards Linette hears that Dad went ahead with the concert although he was feeling poorly.

After the Croxley concert the fans mob Dad again, but he suddenly collapses. He dies in hospital, and Linette’s world is shattered. Mum says it was a heart attack, which had been coming for some time. But Linette blames the fans, saying they crushed and trampled him to death. This causes her to turn into an extremely bitter and irrational girl. She calls the fans murderers and lashes out at any fan of Dad’s that she encounters.

Moreover, Linette now can’t stand singing or music in any form, and she wants to block them out of her life. Whenever she hears Dad’s music being played (at record shops etc) she can’t stand it and wants to run away. Linette locks up Dad’s piano and throws the key away so it will never play that music again. She even goes as far as to try to stop birds singing in the garden. And she herself refuses to sing anymore; she gives up her singing lessons and burns all her singing books.

Linette refuses to listen to Mum’s urgings that Dad’s death was due to a heart attack and nothing to do with the fans, and that she shouldn’t give up on singing. As far as Linette is concerned, singing stopped the day Dad died.

Dad’s death has brought on financial difficulties too. They cannot afford to keep up their big house. Linette suggests they take in lodgers, as long as they are not singers. But singers are precisely what Mum takes in and she is helping them with their singing too. Linette can’t stand it and tries to get rid of the lodgers. But she ends up with Tom Bruce, the secretary of Dad’s fan club, and his daughter Anna.

Linette promptly starts taking her anger against the fans out on Anna and her Gary Davis fan club. Despite this, Anna tries to reach out to Linette. And Linette is forced towards Anna even further when the financial situation means Linette has to transfer to Anna’s comprehensive school.

At Anna’s fan club, Linette tries to crush it by yelling accusations about their being responsible for his death at their meeting. However, she is interrupted when a sudden fire breaks out, which nearly claims her. She won’t believe that it was one of Dad’s fans, Lucy, who saved her from the fire. And it’s too much for Linette when Mum agrees to let the fans hold their meetings at her house because they’ve lost their meeting place from the fire.

So Linette decides to run away, to a place where nobody sings and Dad’s music is not played. Silly girl; there’s no place like that, short of running away to a desert island or something. Sure enough, everywhere Linette turns she finds Dad’s songs and fans, and music. And she is forced to break her vow never to sing again after she loses her money and has to raise some at a talent show with her singing.

More problems come when Linette seeks lodgings. The landlady, Mrs Huggins, turns out to be a dodgy woman. Once Huggins realises Linette is a runaway, she starts blackmailing her into being the hotel skivvy, with no pay. And there is still no escape from Dad’s music when Linette discovers the Gary Davis impersonator that Huggins has hired for a cabaret evening. By the time the embittered Linette has finished with the impersonator, the cabaret evening is ruined and Huggins is furious because it cost her a fortune. In fact, Huggins is so furious that she is going to turn Linette in. But Linette runs off before Huggins finishes the phone call to the police.

Linette is forced to take shelter at a record shop, where she finds there is still no escape from Dad’s music because it is full of Gary Davis merchandise. The record shop owners, Mike and Sue, take her in, and Linette is a bit ashamed when she finds their disabled son loves singing and it brings the family sunshine. At first it’s extremely painful for her to work in the record shop, which sells Gary Davis merchandise, and it’s a hot seller. But to Linette’s surprise, hearing Dad’s music begins to bring comfort. Her experience in the record shop has her realise that he lives on through his songs and will never really gone altogether.

However, Linette still blames the fans for Dad’s death and refuses to go home because of the fan club. Then Linette sees her mother making a televised appeal for her to return. Appalled at how ill her mother looks, Linette returns immediately. She realises it was her conduct that has made her mother ill and is ashamed. Unfortunately she still blames the fans for Dad’s death and can’t accept their staying at her house. She lashes out at Anna over it, which causes her mother to collapse altogether.

In hospital, Mum urges Linette to sing her one of Dad’s songs. Linette can’t bring herself to sing, but does so when Tom tells her to stop being so selfish. A man from a record company overhears Linette singing and asks Linette if she would be interested in a contract, but she refuses. Singing is still off as far as she is concerned. Back home she still snubs the Bruces and the fan club, and even calls in the police when they hold a disco at her house. But the police find they have permission for it. Linette is ashamed when told they were raising money for her father’s favourite charity and begins to soften towards the Bruces a bit.

But Linette still blames the fans. Her hatred flares up again when she discovers that Mum and Tom are now engaged and she is going to have Anna for a stepsister. And when she finds Anna playing Dad’s songs on his piano (reopened with a new key) she yells that she does not want one of the fans who killed her father for a sister. When Mum asks Linette why she can’t accept that the fans did not crush Dad to death, Linette says she knows better than that. And to prove her point, she’s going to see Dad’s doctor about it – he should know.

And the doctor does. In fact, it’s the doctor who finally convinces Linette that Dad was not crushed to death by fans. It was indeed a heart attack, which was already on the way and could have struck at any time. It was just unlucky coincidence that it did so while the fans were crowding Dad.

Linette goes home ashamed and anxious to apologise – but it’s too late. The engagement’s been called off and Tom and Anna have moved out, all because of Linette’s conduct.

To put things right, Linette arranges a surprise that means resuming the singing she had tried to eschew. She then gives Mum, Tom and Anna tickets to a concert at Croxley (yes, where Dad died), where they all hear her sing. Tom and Mum get the message of the lyrics “We’ll always be together, you and I…” and resume the engagement. The records company boss is also there and repeats his offer, which Linette accepts this time. At Mum and Tom’s wedding, Linette does more singing honours and welcomes the cheering fans she used to hate so wrongly.

Thoughts

No sooner had Alison Christie finished one emotional story about a misguided, grief-stricken girl (“I’ll Make Up for Mary”) for Jinty when she started on another, “Nothing to Sing About”, which replaced Mary. The story also reunites the Alison Christie/Phil Townsend team, a combination which has been a long-standing stalwart in Jinty, especially when it comes to emotional stories such as “Somewhere over the Rainbow” and “Stefa’s Heart of Stone”, and would continue well into the merger with Tammy e.g. “A Gran for the Gregorys” and “It’s a Dog’s Life!”. Jinty sure liked to keep Christie cranking out those emotional stories to give her readers a good cry.

Although not as classic or well-remembered as Stefa or Rainbow, Linette’s story is still a strong, solid one. It is also more psychologically complex because it combines two emotional problems to compound Linette’s grief rather than the one problem that Mary and Stefa had. And they both have to be untangled and resolved if Linette is to get past her father’s death and learn to live her life again.

The first is Linette shutting all music and singing out of her life because she finds it too painful in the wake of her father’s death. This is not unlike how Stefa tries to shut all love out of her life in the wake of her friend’s death. This alone is enough to carry Stefa’s story.

But in Linette’s case there is a second problem that carries the story even more intensely  – the hatred that has consumed her because she blames the fans for Dad’s death. Her hatred is making the grieving over Dad’s death even worse, not only for her but also for everyone around her. And to make it worse, she is quite wrong to do so, but she won’t accept that.

Irrational hatreds that stem from wrongly blaming someone/something for a loved one’s death are a common feature in Alison Christie’s Jinty stories. More often, though, it is on the part of the antagonist of the story and the protagonist suffers because of it. Examples where this has occurred include “The Four-Footed Friends” and “Cursed To Be a Coward!”. But here Christie takes a more atypical step of having the protagonist carry this hatred. And by insisting on believing it was the fans when Mum pleads it was a medical condition, Linette does not understand that she is making things even worse for herself and hurting everyone around her even more, or that she is dishonouring her father’s memory by lashing out at his fans. Nor does she realise that she is the architect of her own misfortunes, such allowing her irrationalities to have her run off and getting into all sorts of scrapes, including being blackmailed and exploited by Mrs Huggins.

It does make a change to have the voice of authority (the doctor) being the one to bring the misguided, aggrieved girl/woman to her senses instead of the more usual shock treatment, such as their conduct causing an accident or something. Readers might have expected Linette’s time on the run to provide the cure, but it doesn’t, which makes another change. Though Linette finds running off is no escape from Dad’s music, it does not sink in that his music is impossible to run from or be silenced. In fact, there would have been a swelling of popularity of Dad’s singing in the wake of his death, but Linette does not realise that either. Nor does seeing her mother ill really make Linette see reason, though she realises she is responsible for it because of the way she is behaving. Once she does see reason and the damage she has caused, she is forced to go back to the singing she had tried to erase from her life. And in so doing she learns to appreciate singing all over again, become much happier by letting go of her pain, and honour her father by following in his footsteps.

Jinty and Penny 12 July 1980

Cover artist: Mario Capaldi

  • Pam of Pond Hill (writer Jay Over, artist Bob Harvey)
  • Gaye’s Gloomy Ghost (artist Hugh Thornton-Jones)
  • The Dark Tower – Gypsy Rose story (artist unidentified)
  • A Spell of Trouble (artist Trini Tinturé)
  • The Venetian Looking Glass (artist Phil Gascoine)
  • Behind the Screen – All Creatures Great and Small (feature) – first episode
  • Tansy of Jubilee Street (artist Ken Houghton)
  • Winning Ways 17 – The Long Jump (writer Benita Brown)
  • Minnow (artist Peter Wilkes)
  • Blind Faith (artist Phil Townsend)

Mario Capaldi’s action-oriented covers are always a sight to behold. This diver looks almost unrealistically excited, and certainly very enthusiastic to be jumping off that very high platform!

Pam and friends find out that one of the people in her class is probably a shop-lifter, giving people stolen items so as to buy friendship. What will happen next? We are promised disaster to follow Pam’s attempts to help.

The Gypsy Rose story is a reprint, with a very badly bodged image of Gypsy Rose drawn over that of the original story teller. The rest of the story is a slightly old-fashioned spooky story: a girl is kidnapped to get her to reveal the whereabouts of her scientist father, and stranded in a dark tower where no one will find her. A ghost and a locket are the means of her rescue.

Angela White threatens to turn things upside down in the household of Carrie Black, trainee witch. This light-hearted tale has a witchy family with a clumsy outsider foisted on them – Angela is a distant cousin and must be given a home. Unlike in some stories, neither the Blacks nor the Whites are cruel or malicious, but it will take a long time nevertheless for them to get along with each other.

In the letters page one reader writes in to ask for more science fiction stories, because she enjoyed “The Human Zoo” and “The Forbidden Garden” so much. More power to you, Jennifer Murray of Manchester!

This is the penultimate episode of “The Venetian Looking Glass”. Lucy Craven is totally under the power of the evil spirit – she thought she was defeating it by breaking the mirror, but the three pieces of the mirror turn out to have three times the power! Lucy runs down the corridor of the castle and takes her evil ancestor’s revenge by setting it alight to burn. Will her cousin Rosalind be able to stop her or to put out the flames?

“You’ve just tuned in to the first of our occasional series on your favourite TV programmes” – with lots about telly success All Creatures Great and Small. Much of it is interviews with Christopher Timothy, who played James Herriot, but there is a nice photo with Peter Davidson who played Tristam and who is now probably rather more famous as one of the actors who played Dr Who.

Minna is sneaking around behind her mother’s back, to find a signature that she can copy onto the form for joining the swimming club she is set on. She finds a mysterious photo that shows her parents dressed as swimming champions – and later she finds an olympic medal in her mother’s handbag! Minna has a mystery in her past, all right – and it comes out again in the swimming club when she has a sudden flashback of waves thundering and crashing – and the sea drowning her like it did her father!

Clare finds some shelter to keep her and Cromwell out of the night, and even sets up some jumps to start to train Cromwell again. But a raging bull might put paid to all of that…

Jinty and Penny 26 April 1980

Stories in this issue:

  • Pam of Pond Hill (writer Jay Over, artist Bob Harvey)
  • Gaye’s Gloomy Ghost (artist Hugh Thornton-Jones)
  • Seulah the Seal (artist Veronica Weir)
  • Alley Cat (artist Rob Lee)
  • Tearaway Trisha (artist Andrew Wilson)
  • Rinty N Jinty
  • Lost in Time! – board game to pull out and play
  • The Venetian Looking Glass (artist Phil Gascoine)
  • Tansy of Jubilee Street (artist Ken Houghton)
  • Blind Faith – first episode (artist Phil Townsend)
  • Stories of the Stars: Evonne Goolagong
  • White Water (artist Jim Baikie) – last episode

‘Start collecting our super colour 3 part game’, the cover announces. I remember thinking that the game (which involves moving between various eras such as Ancient Egypt and a time of dinosaurs) looked quite fun, but I would never have pulled the centre pages out to put a game together! I am not totally sure if the cover is done by the same artist who created the interior pages with the game – which look to me to have been done by Ken Houghton.

Everyone is teasing Pam about her friendship with Goofy Boyle, making like they are boyfriend and girlfriend. Pam denies everything but of course that is also quite hurtful to Goofy, especially when Pam intervenes to save him from being beaten up by bullies.

Seulah and his human friend Bonnie are still looking out for each other, and miss finding each other by a very close call. Instead Seulah finds a narrowboat with a feast fit for a king – or a hungry seal – in the form of a huge salmon all laid out! But when the owner returns, he is trapped…

Tearaway Trisha has Trisha and Fran reconciling their misunderstandings – Trisha goes up onto the hospital roof to talk Fran down from the edge, but in the end Fran is the one who rescues Trisha when she wobbles and nearly falls off the side. All seems like it is going well for Trisha at the end of the episode, but she is too ready to be tempted by her old, rambunctious friends.

Lucy Craven is under the spell of the Venetian Looking Glass: it has similarities to “Slave of the Mirror”, not least because they both include mirrors in the story title, but the fact that Lucy is enslaved by a set of shoes that her evil ancestor forces her to wear is a little spookier in some ways. Cousin Rosalind is in hospital because she fell from her horse, but that only happened because Lucy spooked her horse.  She vows never to hurt her cousin again but the ghost of her evil ancestor has other plans.

It’s the start of “Blind Faith”: one of the least plausible stories in girls comics, as it features a blind showjumping horse who is coached into winning events by his dedicated owner. In this first episode Cromwell is taken over the water jump by Clare, the daughter of his owner: she wants to prove she can help the horse overcome his nerves. Sadly there is an accident and Cromwell hits his head – which turns him blind. “You little fool!” says the unsympathetic father. “A few minutes ago we had a horse with a slight problem. Now we don’t have a horse” – as he leads Cromwell off to the knackers.

I don’t know much about tennis player Evonne Goolagong but her name has always stuck in my head, not though I could tell you much of what is contained in this short piece about her without re-reading it. (She won Wimbledon in 1971, I see.)

Canoeing story “White Water” comes to an end in this issue – Bridie Mason and her frenemy Jocelyn get themselves into trouble because of a challenge they talked themselves into. They are in serious danger in the water and only great paddling gets them back to safety. The experience leads to them making things up with each other and coming to terms with their own foolish actions.

Casey, Come Back! [1979]

Sample Images

Casey Come Back 1Casey Come Back 2Casey Come Back 3

Published: 16 June 1979 – 30 June 1979

Episodes: 3

Artist: Unknown artist “Merry”

Writer: Unknown

Translations/reprints: None

Plot

Josie Stanton has lived and worked on her grandfather’s farm since her parents died, but it’s miserable and lonely living there. Grandfather is a stern man and a real sourpuss who does not show her any affection or appreciation. He treats her like an unpaid labourer, takes her completely for granted, and gives her nothing but work, work, work. Josie’s only friend is the farm dog, Casey, and she does not know what she would do if she ever lost Casey. For this reason she can get quite jealous and possessive if anyone else takes an interest in him.

This happens when Casey and Josie encounter a holidaymaker, Mandy Prescott, who is on a caravan holiday with her parents. Mandy is spoiled, but she’s feeling lonely because she has nobody to talk to on holiday, and welcomes Casey’s company. This makes Josie jealous, but there’s worse to come – the Prescotts ask Granddad to sell Casey to them, and he agrees.

When Josie finds out, she is heartbroken and furious. She goes after the holidaymakers, but they are now leaving. Josie has no clue as to who they are and where they come from, and neither does Granddad. Josie is even more furious with Granddad when he expresses no apology or sympathy for her hurt feelings. The only gesture he makes is offering her some of the money he made from Casey, which Josie of course refuses. He does not listen to her pleas to help find Casey either. He tells her she can always get another dog, so shut up and get on with the chores. That’s the last straw for Josie. She tells him to get another slave and runs off in search of Casey.

Josie has a stroke of luck at Bill’s garage when he happens to mention the holidaymakers. She questions Bill about them. Fortunately Bill did some mechanical work for them and is able to give her their name and address. Josie sells her jacket to catch a train there.

Meanwhile, spoilt Mandy has begun to realise the responsibility of looking after a dog and is not even bothering to walk him. All the same, when Josie turns up, Mandy is not going to give Casey up without a fight. And a fight is precisely what it turns into, right on the doorstep!

However, while the girls are fighting, Casey runs off. And being a country dog, being lost in traffic would be dangerous for him. When Josie tells Mandy this, she is upset and agrees to help search, but in vain. Josie tells Mandy why Casey means so much to her, and Mandy repents taking Casey away from her. She did so because she was jealous of seeing Casey and Josie together and did not understand the circumstances.

Granddad is summoned. He is now deeply sorry for what happened, especially after he hears Josie saying that she thinks she means nothing to him except cheap labour. He really does love her, but it took the shock of her running off to get him to show it.

Casey then returns, and once they realise Casey wants them to share him, it’s agreed he will return to the farm and the Prescotts will visit him every holiday. So Josie returns to a home that is much better than before, and with a new friend in Mandy.

Thoughts

During 1979 Jinty ran several three-part stories that feel underdeveloped and would have been far better stories if they had been given more episodes. This one also feels like it’s over before it’s hardly begun. Though it probably does not have enough steam to stretch out into a standard length serial, a bit more length to turn it into, say, a six-parter like “Food for Fagin”, would have developed the characters more and made the story a far better one.

For example, the story could have developed more insights into the grandfather and why he is so stern towards Josie. Is he just one of those people who are not the demonstrative type and don’t find it easy to express affection? Is it something in his past? Is it sexist attitudes towards females, seeing them as only fit to slave around the house? Or is it something else? And we could also have seen more of just how much life has changed at the farm and how things have improved between Josie and her grandfather.

We get a taste of how Josie’s lonely home life and lack of friends except Casey has bred some unhealthy traits in her, such as her possessiveness and unwillingness to share Casey. There is some hint that her miserable life is turning her into a sourpuss in the eyes of everyone else; for example, Bill tells Josie she ought to smile more than she does. But we don’t know for sure because it’s not explained or developed enough. What does emerge is Josie not only becoming a happier person but learning to show it. Still, more episodes could have developed Josie further. For example, what is her school life like? No schoolmates visit her farm, but does she have any friends at school?

More length could have also developed the emotional elements more. As it is, we can see it has plenty of potential. Although Granddad is not cruel or abusive as some guardians in Jinty serials are, he definitely is thoughtless and insensitive towards Josie. It’s no wonder she thinks he has a heart of stone, couldn’t care less about her, and she is so miserable living with him. It turns out that he does have a heart and loves Josie, but it takes the shock of seeing the consequences of his thoughtlessness to bring it out. Josie and Mandy are both in their own ways miserable people and both seek friends and companionship, with they eventually get in a most ironic way – through Granddad’s thoughtlessness.

Jinty 30 June 1979

Jinty cover 30 June 1979

  • Casey, Come Back! – final episode (unknown artist – Merry)
  • The Forbidden Garden (artist Jim Baikie)
  • Alley Cat (artist Rob Lee)
  • A Girl Called Gulliver (artist Phil Gascoine)
  • Nothing to Sing About (artist Phil Townsend, writer Alison Christie)
  • Keep Your Fingers Crossed! (feature)
  • The Disappearing Dolphin (artist Trine Tinturé)
  • The Hill that Cried – Gypsy Rose story (artist Shirley Bellwood)
  • Some Scarecrow! (Michael Jackson feature)
  • Rinty ‘n’ Jinty
  • Pandora’s Box (artist Guy Peeters)
  • Beauty on a Budget (feature)

This issue’s cover portrays two water scenes, but they are a complete contrast. In “The Forbidden Garden” it’s a life-or-death situation where Laika and Kara nearly drown in floodwaters, while in “Bizzie Bet and the Easies” it’s fun-and-sun by the sea. And for once Bet scores a final laugh over the Easies.

In “A Girl Called Gulliver” there’s water trouble too, as our last Lilliputians set themselves sailing down the river in an old tea kettle – only to find they forgot to check it was seaworthy first, and it isn’t!

It’s the last episode of “Casey, Come Back!”, one of the three-part stories that appeared in Jinty in 1979 but give the impression they could have done with more prolonged treatment. Next we see the start of the Jinty classic, “Almost Human”, and “Mike and Terry”, Jinty’s response to popular demand for a detective story.

Pandora’s difficulty with maths has forced her hand to use the witchcraft box. But she finds she won’t get her box to work unless she gets herself a familiar, which means swallowing her dislike of cats. So meet Scruffy, the cross-eyed cat who doesn’t like Pandora any more than she likes him.

“The Disappearing Dolphin” leads the scuba divers to exciting archaeological finds. But Mrs Ormerod-Keynes, who is trying to stop the expedition, is not impressed. Now why could that be?

Gypsy Rose is back this week, but it feels like a filler. Gypsy Rose all but disappeared in 1979, making intermittent appearances. She never achieved the long-standing regularity of the Storyteller in June/Tammy. The Gypsy Rose story this week is clearly another recycled Strange Story. A Cornish family are faced with selling their farm, but strange things start to happen when a hill starts crying and wailing…

Alley Cat artist Rob Lee breaks the fourth wall and presents Alley Cat with some tasty treats to cheer him up in the last panel after Alley Cat gets a bit of a disappointment with this week’s episode.

Linette’s actions to shut her father’s music out of her life is really hurting her schoolmates, who are still fans of it. This week she has to change schools as well, but her attitude is making the transition even more difficult.

Jinty 9 June 1979

Stories in this issue:

  • Alice in a Strange Land (artist Terry Aspin) – last episode
  • Rinty ‘N’ Jinty
  • The Forbidden Garden (artist Jim Baikie)
  • A Girl Called Gulliver (artist Phil Gascoine)
  • Nothing To Sing About (artist Phil Townsend, writer Alison Christie) – first episode
  • Dip into this! (recipe feature)
  • Daughter of Dreams – last episode
  • The Four-Footed Friends (artist Peter Wilkes, writer Alison Christie)
  • Pandora’s Box (artist Guy Peeters) – first episode

This is a time when Jinty seems to be finishing some particularly good stories – “Alice In a Strange Land”, “Children of Edenford”. This issue sees the start of tear-jerker “Nothing to Sing About” – another heart-tugger created by the joint talents of Alison Christie and Phil Townsend – and of the amusing but fairly light-weight “Pandora’s Box”. Next week sees the first episodes of “Casey, Come Back!” – another tear-jerker, drawn by the unknown artist who drew “Merry at Misery House” – and “The Disappearing Dolphin”, a mystery story beautifully drawn by Trini Tinturé. All are good, but none quite match those immediate predecessors.

“Alice” ends with a four-page episode that takes Alice out from the crumbling rocks threatening to crush her, to a reunion with her friends and a reconciliation with her cousin Karen. “I’m proud to be your cousin, Alice! I hope you can forgive how badly I’ve treated you in the past and let me be your friend?” Karen’s parents still need to understand the changed relationship but eventually all is resolved. The tag line at the end tells us that “Alice has deserved her happy ending. Next week, meet ‘The Disappearing Dolphin’!” In fact, the subsequent cover mostly features that story but the lead spot at the front of the comic is taken by “Casey, Come Back!”.

“The Forbidden Garden” is picking up the pace: Laika is told that someone has reported her as being of superior intellect, which means she is saved from the Industrial Zone where the rest of her family will just rot away their lives. Her old friends can’t afford to stay friendly with her, because if Laika makes any complaint about them, they will be severely fined, even imprisoned! The only bright side is that she can get back to her garden and tend to her plants – but even they are a source of fear, because surely they are growing much too fast? There must be something strange about them!

“Nothing to Sing About” starts off with 12 year old Linette Davis following in the footsteps of her beloved, popular singer father. By the end of the first three-page episode, her father is dead, and Linette is cursing the fans who she blames for killing him, by crowding round him too much!

It is the last episode of “Daughter of Dreams”. In this four-pager, Sally realises she can be brave after all, when she has to act without thinking – and her imaginary friend Pauline has a hand in making everything come out right, too. We are promised another Pauline Starr story later, so it looks like this was intended to be a long-running character feature. In the end there were only two stories featuring this duo.

Laura and her mum have to go and visit the slums that Laura’s friend Josie used to live in – Laura thinks this will change her mum’s mind now that she has seen how badly folks need re-housing, but not a bit of it, of course. In fact Laura’s mum purposefully gets Josie’s dog Riley lost, leading him into danger with the dog catchers.

Finally, it is the first episode of “Pandora’s Box”. Pandora is stubborn and conceited, but in for a shock – it’s bad enough her aunt suddenly claiming to be be a witch and telling her that she has to follow the family tradition of learning the ‘wisdom of witchcraft’ but her aunt is also claiming she has no drama talent and won’t succeed without the witchcraft! Of course Pandora is determined to prove her aunt wrong – but can she resist the temptation to use magic to make her path smoother?

Jinty 2 June 1979

The cover on this week and the following week’s comics are drawn by the unknown artist who gave us “Concrete Surfer” – lovely fun summer scenes!

Stories in this issue:

  • Alice in a Strange Land (artist Terry Aspin)
  • Bizzie Bet and the Easies (artist Richard Neillands)
  • The Forbidden Garden (artist Jim Baikie)
  • A Girl Called Gulliver (artist Phil Gascoine)
  • I’ll Make Up for Mary (artist Guy Peeters, writer Alison Christie) – last episode
  • Are You a Do-er, a Ditherer, or a Do-Nothing? (quiz)
  • Daughter of Dreams
  • Alley Cat (artist Rob Lee)
  • The Four-Footed Friends (artist Peter Wilkes, writer Alison Christie)
  • Children of Edenford (artist Phil Townsend)

Alice is rescued from being sacrificed – partly because she is smart enough to take off the Sun Goddess mask and show the priestesses that she is not really the goddess they thought she was. That wouldn’t save her from the High Priestess herself, but Sir Edward turns up in the nick of time and tells her that it’s all over – the fountain of youth has been blocked by the earthquakes and their eternal life will soon come to an end. A split in the ground carries away the mad priestess and Alice is safe – if she can just get back to where the other girls are so they can all get away together!

Laika is stuck in the Industrial Zone where she can’t look after her plants in her Forbidden Garden – the only hope that is keeping her ill sister alive is the promise to have a flower of her very own. Suddenly everything changes: Laika is dragged off by the Child Protection Force, who say that she has been deemed highly intelligent and must be taken away from her parents so that she can be brought up as befits her intelligence. What next?

It is the last episode of “I’ll Make Up For Mary“. Poor sad Ann thinks there is no way out other than the very final way of going back to where Mary was drowned! Luckily the friends she has made even during her struggles, and her parents who have never stopped loving her, rescue her.

Quizzes were a very normal feature of girls comics and magazines: here is an example. I love this artist, who featured in lots of items like this – features, quizzes, and articles published in summer specials and annuals. I wonder what his or her name was?

click thru

“Daughter of Dreams” is not one of Jinty’s best or most memorable stories. Sally Carter is shy: she has invented an imaginary friend who is outgoing and slightly obstreperous. She has such a strong imagination that her friend ends up coming to life – and even being able to do things like rescue the bully who has fallen into the canal water! Sally is too scared to do it herself, but finds that she is being fêted as the heroine of the hour – which is perhaps even harder for her to deal with.

Laura’s mum is really angry with her husband, who has borrowed scruffy mongrel Riley to help protect the house after a burglar broke in. Riley and Winston are very glad just to be able to hang out together! And there’s more – the father is actively working to support the local council estate, by building a supermarket nearby, which will help to bring much-needed amenities to the area.

In the dramatic last episode of “Children of Edenford”, Patti is taken down to the Temple of Purity – yes, the headmistress has got a temple of fire, named after herself! – to be sacrified on the altar of Miss Goodfellow’s ambitions. Unlike other sacrificial lambs, Patti is no pushover and she fights back – and the fight sees Miss Goodfellow tipped down into the firey pit of her own making! All is over, and the world is saved from the threat of being turned monstrously, unwillingly perfect.

Jinty 26 May 1979

Stories in this issue:

  • Alice in a Strange Land (artist Terry Aspin)
  • Bizzie Bet and the Easies (artist Richard Neillands)
  • The Forbidden Garden (artist Jim Baikie)
  • Alley Cat (artist Rob Lee)
  • A Girl Called Gulliver (artist Phil Gascoine)
  • I’ll Make Up for Mary (artist Guy Peeters, writer Alison Christie)
  • Tennis superstar John McEnroe talks to you (feature)
  • Daughter of Dreams
  • “Frieze” A Jolly Good fellow – craft feature
  • The Four-Footed Friends (artist Peter Wilkes, writer Alison Christie)
  • Children of Edenford (artist Phil Townsend)

“Alice In a Strange Land” is coming to a distinct climax – it starts off with Alice and her schoolgirl party in a dungeon, coming up with a plan to save their skins from the high priestess, who is planning to sacrifice Karen to the Sun God! Alice swaps places with Karen and waits heroically during the long ceremony, hoping frantically that the girls will be able to get away and find Sir Edward in time to stop the priestess. But the last panel has got the knife being raised over Alice’s chest, ready to be plunged down! Will it all work out in time?

Laika has had bad news in “The Forbidden Garden” – her family is being sent to the industrial zone. She tells her friend Kara what happened – including the fact that this transfer is Gladvis Clampp’s revenge on Laika, for burning the negatives that were being used to blackmail all sorts of people. But the worst aspect of it is that there is no way that Laika will be able to keep her promise to her deathly sick little sister Valli, to bring her a real flower some day…

Gwenny Gulliver has to handle the annoying four tiny Lilliputians who claim that as the last descendant of Lemuel Gulliver she needs to protect them. She needs protecting from them, as the two kids of the family start flinging ink pellets and all sorts while at school!

Mary has finally cracked – she flies into a rage at school, and runs off after flinging the school dance club records at all and sundry. When she gets home she overhears her parents say they need to move north to start again – ‘We must think of Ann… Ann’s all we’ve got left now.’ Ann, despairing, thinks there is only one way out – ‘I’m the one who must go… There’s only one thing left to do!’ The last episode is next week, and all will be resolved.

“The Four Footed Friends” has a surprise for Laura – it’s her dad, returned from his work abroad! He has a very different take on things from Laura’s mum, including borrowing Riley to come and help guard the house from burglars (because their house has just been burgled).

Miss Goodfellow has caught Patti good and proper – red-handed smashing the bottles of the mystery drug that turns people perfect! The headmistress’s plan is to drug Patti into submission. Friend Jilly is nearly caught too: she escapes the school but when she flags down a police car to get away, even the local cops are in Miss Goodfellow’s thrall! Patti cannot be zombified, because of the extra-bad hay fever causing her eyes to stream and weep, so the headmistress swears to – burn out her imperfections instead! The final episode is promised for next week – so it will be a very exciting week for readers.