- The Ghostly Ballerina (photo story)
- Suzy and Snowdrop (artist Peter Wilkes)
- Fairy Tale (artist Julio Bosch (Martin Puigagut?))
- School of Dark Secrets (artist Carlos Cruz) – first episode
- Best of Friends… (photo story)
- Sheena and the Treetoppers (artist Rodrigo Comos)
- Sadie-in-Waiting (artist Joe Collins)
- Princess Diana Pinup
The cover story is Princess’ one and only ballet story, “The Ghostly Ballerina”. Clare is in the power of a ghost ballerina named Arabella Hood whose power can make her dance brilliantly, but also makes her life a nightmare, and Arabella can harm others around Clare as well. The advantage of doing it as a photo story is that we get correct and graceful ballet; after all, they would have to use real ballerinas for the models. This is something that does not always happen with hand drawn ballet stories (depending on the style and research of the artist). The disadvantage is that the ghost does not look very convincing, especially as the photo story is in colour, which shows flesh colour more. More white makeup on the model or shooting the serial in black and white might have helped.
In “Suzy and Snowdrop”, poor Jane makes a complete fool of herself at a gymkhana when her demanding Aunt Alice forces her to enter it although she’s scared stiff of horses. Then Suzy realises Aunt Alice seems to have a thing about mounting horses herself, and she finds the answer to that mystery when she opens a silver box. But then, it looks like Aunt Alice has driven Jane too far because Suzy discovers she’s run away.
There is some controversy about the artist who draws “Fairy Tale” (below). The work is signed Julio Bosch, but the same or similar style has been ascribed to Martin Puigagut. I don’t know whether it is the same artist using a pseudonym or two different artists with a similar style. Both things have happened in girls’ comics. Some clarity could be useful here. In the story, Jane and her selfish, greedy cousin Angie find themselves in a fairy tale world where all the fairy tales are getting mixed up. They meet the frog prince who needs the kiss of a princess to change him back, and the only ones available are Sleeping Beauty and Morgana, the evil villainess of the story. Then it’s a dash of Snow White when the magic mirror says the awful Angie (of all people!) is the fairest in the land, not Morgana. So Morgana tells her guards to find Angie and “off with her head!” Hmm, do we have a sneaking hope that Morgana will succeed there?
In “School of Dark Secrets”, Judy Marshall does not like the creepy-looking Miss Grimkin, headmistress of Tadbury Boarding School, who seems unusually interested in her. It should be very suspicious when Judy is given a free space at Miss Grimkin’s school, which has never happened to anyone before. And things sure get creepy when Judy hears chanting in the night. Nobody else does, because it looks suspiciously like they are being drugged from drinking the hot chocolate they receive.
In “Sheena and the Treetoppers”, Sheena Hunter and her siblings are thrilled about the treehouse they have found. They discover the treehouse was very dear to Edwina, a girl who had to leave it behind to get married. Then Sheena starts getting dreams of Edwina urging her to save the treehouse. Is the treehouse haunted or something? I cannot quite identify the artist. I’m leaning toward Rodrigo Comos, but I am not sure.
“Best of Friends…” is the old three’s a crowd routine. Katie Thomas and Lizzie Burton have been best friends until Linda comes along and Katie feels she is being shut out of things. Or is it her jealousy and emotional reactions that are tearing the friendship apart? That’s the question this week.
Sadie runs after a piece of litter that Grovel dropped. By the time she catches it and drops it in the bin, she has left a messy trail of chaos behind her. The same gag has also been used in “Snoopa”.
2 thoughts on “Princess II, #16, 7 January 1984”
I don’t feel I can contribute to the Julio Bosch / Martin Puigagut discussion but the treehouse story looks very definitely like Comos art to me. Not all the panels look very much like his work, but the last one seems unmistakable to me. Also the girl’s pigtails in the middle panel on the top row seem very much his work too.
Yes, I am inclined to think it is Comos.