Publication: Tammy 14 February 1976 to 24 April 1976
Reprints/translations: Tammy annual 1983; Tina #24 as De wraak van een clown [The Wrath of the Clown]
Artist: Diane Gabbot
Julie Whitland was adopted as a baby by Sir Edgar Whitland, landowner of Baychurch. But her home life is miserable because Sir Edgar is a dreadful snob who keeps himself aloof from the villagers (who call him the snob on the hill) and expects Julie to do the same. She feels a virtual prisoner in her own home where she is never allowed any freedom or mix with people that Sir Edgar considers too lowly for Whitlands. Whenever she tries, Sir Edgar always drags her off, so she does a lot of going behind his back. He is always telling her that she is a Whitland and must live up to her name by keeping aloof from common people. Also, Julie has always wondered who her natural parents were. But whenever she asks questions, she is always told to leave well alone.
Fraser’s Fairground arrives in Baychurch. It looks a golden opportunity for Julie to have some fun. The clown puts on a special display for her. A brief encounter with the fairgound owner’s daughter Carla looks like another chance for friendship. But as usual, Sir Edgar pulls Julie away. In addition to the usual admonishings about being expected to be a Whitland, Sir Edgar shows her a picture of his late daughter. He tells Julie that he adopted her when his own daughter, and a baby she had, both died. When Julie asks what happened to her husband, Sir Edgar snaps that he is dead and forgotten. Hmm, did Julie hit a nerve there?
That night Julie sneaks off to the fair. But this time it looks sinister. She goes into the House of Memories (“The past will come alive before your very eyes”) and the woman from the photo appears to her in a huge crystal ball. The woman warns Julie to leave well alone, and that the fairground is evil. Then the clown comes up from behind. But this time he looks evil and frightening – and he seems to hypnotise Julie. Julie blacks out, and when she recovers she has no memory of what happened.
The fairground is soon in full swing and the whole village seems to have gone crazy about it – even the adults. Julie sneaks off to enjoy it as well. But the fairground is soon showing a sinister side; for example some people on the ghost train seem to go crazy and start attacking each other and the clown seems to be enjoying it. Carla explains that the ride does not use props but technical gadgets that produce holographic ghosts. A malfunction must have caused the people to see each other as ghosts and monsters. Then the machine malfunctions again, causing Julie to have an accident. Sir Edgar is furious and is determined to shut the fairground down. He sends a magistrate to do the job. But the clown imprisons the magistrate in a weird holographic trap in the Hall of Mirrors. Sir Edgar is annoyed when the magistrate is reported missing, because this means he cannot close down the fairground.
Julie recovers enough from the accident to sneak off to the House of Memories for more clues about her past. There she remembers what happened before. The House of Memories tells her that the only people who know the truth are Sir Edgar, Dr Pearson the village doctor, and Miss Edna Grey, his former nurse. Then it gives her a message: “You must find the fairground’s secret to find yourself.” On the way back, Julie overhears Mr Fraser and the clown talking and it sounds like the clown has a hold over Mr Fraser. The clown says they have a busy day, “a grey day” tomorrow. She races back home, against the tigers the clown has ordered to be set loose as watchdogs.
Next day, Miss Grey is arrested for pickpocketing at the fair. After speaking with Miss Grey’s sister, Julie realises what the clown meant by a “grey day” – he used a hypnotist performance to hypnotise Miss Grey into stealing. When she tries to tell Carla what her father is helping the clown to do, Carla gets angry and throws Julie out. The clown takes advantage by luring Julie back into the fairground with a holographic image of Carla, and hypnotises her once more. While in a trance, she leads Sir Edgar to the unconscious magistrate and there is a note: “Don’t try to get rid of me again, Sir Edgar. We’ve a score to settle. There’s just you and the doctor left.” The signature is a clown’s head.
This note prompts a lengthy discussion between Sir Edgar and the doctor, but Julie cannot hear what they are saying. Afterwards the doctor tells Julie that Sir Edgar is a hard man who means to destroy the fairground. He gives her a key to his house and says that if anything happens to him she must retrieve a file from his desk and give it to the newspapers.
Sir Edgar tries a petition against the fairground; the clown responds by hypnotising the villagers into attacking his home, and Sir Edgar has extra security installed. The doctor is summoned to the fairground because Carla has fallen sick. When the doctor tries to leave, the clown strikes with more holograms and then terrors in the Crazy House. He causes the doctor to have an accident. Following the doctor’s instructions, Julie heads to his house to retrieve the file.
The file reveals that fourteen years earlier the doctor had sent the clown (whose name is now revealed as Alan Barker) to prison on a false charge. Sir Edgar arrives and tells Julie that the doctor was acting on his instructions. Barker was the man who married Sir Edgar’s daughter. The trouble was, the snobby Sir Edgar considered Barker too low for a fit son-in-law: “I couldn’t stand to have that nobody part of the great Whitland family.” So he set out to destroy the marriage by framing Barker, and now Barker has returned for revenge. Sir Edgar then burns the file to prevent Barker’s name being cleared – for if it is, the great name of Whitland will be destroyed and Sir Edgar is not having that. But an image of the clown appears in the flames. Julie realises that Barker knows what Sir Edgar just did and now things are going to get a whole lot worse.
Knowing the clown is planning something against the village, Julie bravely confronts him. For the first time, she catches him without his makeup, and is surprised to find that without it he does not frighten her. She tries to plead with him but fails. The clown says that Sir Edgar can stop it by clearing his name, but Julie knows Sir Edgar will never do that. On the way out she speaks with Carla and learns that the clown is the virtual owner of the fairground; Mr Fraser got into debt and the clown bought out his bills. The clown can take over the fairground at any time and Mr Fraser is powerless against him.
Next day, Miss Grey appears in court for pickpocketing, and Sir Edgar and Julie attend the trial. Julie now realises that Miss Grey knew about the clown’s frameup and this was his revenge on her. The charge is unexpectedly thrown out when the clown strikes again with one of his machines that causes the working age men to act like children. The judge and barristers start playing leap frog, bus drivers play football, the local police play cops and robbers, engineers play cowboys and Indians, and Sir Edgar’s cook reads comics. Of course, the men all end up on the rides at the fairground. The romping men have cut the outside phone wires, and when Sir Edgar drives out to seek help he is blocked by a force field. The clown has cut Baychurch off from the outside world.
The village is in chaos and cut off. Nonetheless, Sir Edgar is unmoved. “That clown can’t beat a Whitland!” And he still refuses to clear the clown’s name, because it would mean destroying the name of Whitland. He heads out the fairground to tell the clown that “nothing he can do to this village will make me give in!” Julie now realises that Sir Edgar is an utterly selfish, ruthless man, and there is nothing or nobody that he will not destroy in the name of Whitland.
Then the doctor arrives and tells Julie that she is the only one who can stop the clown. He explains that she is the baby from the ill-fated marriage and the clown is her true father. It had only been the mother who died. She was leaving home with her baby after a quarrel with Sir Edgar over Barker, only to be killed by a falling tree. Sir Edgar faked the baby’s death to prevent Barker from claiming her. Julie heads out to the fairground to tell the clown.
There she finds Sir Edgar confronting Barker, and telling him that nothing he will do will make him confess. Barker makes one last desperate attempt to make Whitland confess. He starts the merry-go-round at high speed while Julie is standing on it. He shouts to Whitland that the merry-go-round will go faster and faster, putting Julie in ever more danger, until Sir Edgar confesses. But Sir Edgar just says, “I can’t destroy the name of Whitland. I’ve nothing to say!” He stalks off, without lifting a finger to save Julie or waiting to see what happens to her. Barker, finding the machine has jammed, risks his life to save Julie.
Upon learning that Julie is the daughter he thought was dead, Barker becomes a changed man. He stops his revenge, uses his machines to make the villagers forget what happened (though how that is going to explain away all the damage he caused is not discussed), and returns the fairground to Mr Fraser. Julie decides to leave Sir Edgar forever – his conduct at the merry go round showed her just how much he really cares for her. She is going with her father and the fairground and start a new life with them, and refuses the chance to go back to Sir Edgar as they pass by his house when they depart. Barker promises Julie that he will now use his scientific expertise to help people.
Like Jinty, Tammy did not use the circus theme much in her serials. “The Fairground of Fear” is one of the exceptions, though it is more fairground than circus. It can also be regarded as one of Tammy’s best stories and worthy of reprint in a Tammy volume.
“The Fairground of Fear” has the distinction of being the first serial Diane Gabbot drew for Tammy. From then on Gabbot became a regular Tammy artist, ending her run with “Rosie at the Royalty” in 1981. Her other Tammy stories included “Circus of the Damned”, “Selena Sitting Pretty”, “The Black and White World of Shirley Grey” and “Donna Ducks Out”.
“Creepy” was what one Doctor Who companion once said about clowns, and eventually he agrees with her that clowns can be creepy. So do we after the first episode of this story. After initially conveying the impression he is harmless and amusing, the clown is quick to demonstrate that clowns can be creepy and scares the living daylights out of the girl who was so thrilled with him the first time they met. It’s not so much his incredible powers but that makeup of his that makes him so frightening.
Fairground and circus stories also have a long history of demonstrating that they can be as sinister and frightening as much as they are entertaining, and this one is no exception. Even before the fairground demonstrates its strange powers, seeing it in the dead of night makes it so scary. From then on the story is filled with thrills, chills and drama that are delivered at a cracking pace. Everything that is supposed to entertain people in the fairground is instead used to scare, hypnotise, imprison or manipulate them, even from a distance. Sometimes it is in perversely amusing ways, such as when the courtroom staff play leap-frog. Other times it is frightening, such as inciting a mob to attack Sir Edgar’s home. The only beneficial element in the fairground is The House of Memories.
There are also plenty of mystery elements to keep readers engaged. Girls just love mystery, and in this case there are not one but three mysteries here: the mystery of the fairground, the mystery of Julie’s parents, and the mystery of how and why they are linked. Although everyone tells Julie to leave the mystery of her parents well alone, we know the fairground won’t allow that once the House of Memories tells Julie she must unlock its secret to find out who she really is. Julie’s true identity is going to come out, and readers are riveted to find out where it will lead and how it will help with the mystery of the fairground.
The story also has plot twists that take us by surprise as much as shock us. One is where the relationship between Julie and Sir Edgar ends up at the story’s conclusion. When we first see it, Sir Edgar appears to be just an overly strict, over-protective parent who does have his daughter’s interests at heart – in his snobbish way – but is totally misguided, blinded by snobbery, and does not understand how he is stifling his daughter’s freedom and growth. However, we expect the fairground will somehow help him to come around by the end of the story, he will be less snobby, and Julie will be on far happier terms with him. It’s been seen so many times in overprotective problem parent serials such as “The Four-Footed Friends”. However, in this case that does not happen at all. Sir Edgar is not the well meaning but misguided parent he seems to be. Little by little he reveals his true colours (snob, unpopular, arrogant, hard-hearted) until he is finally exposed as the monster he really is. He, not the clown, is the true villain of the story. He would rather his own granddaughter die than dishonour the name of Whitland, and does not lift a finger to save Julie. He is totally beyond redemption and will never change, no matter what. Julie has no hope of getting anywhere with him. In fact, she must get away from him altogether or he could destroy her the same way he destroyed her parents.
The story takes the unconventional step of ending on a bittersweet note. Barker does get his daughter back and can start a new life with her. He also changes into a much nicer man who is not so consumed with hate and revenge that he is capable of terrorism, blackmail, and even physically hurting people. But unlike other wrongly convicted people in girls’ stories, he does not get his name cleared because Sir Edgar just won’t budge on that, no matter what. At least Julie and the fairground people know the truth and the skeleton is out of the closet. But if there is any exoneration for Barker, it will have to wait until after Sir Edgar dies, and the doctor and Miss Grey will be free to tell the truth.
For all the powers the clown has unleashed through the fairground, none of them really bring about comeuppance for Sir Edgar. Sir Edgar returns home to uphold the name of Whitland, the only thing he really cares about. And it’s all he has now. He has no heirs and unless that changes fast, the name of Whitland will die with him, and good riddance to it. Clearly, nobody will miss “the snob on the hill” when he dies.
Perhaps comeuppance will come in another form. After all, being the man he is, Sir Edgar must have made a lot of enemies and likely to have destroyed others. It would not be surprising if his life ends with him being murdered in his bed or something similar.