Monthly Archives: April 2020

Knight and Day (1978)

Sample Images

Knight and Day 1aKnight and Day 1bKnight and Day 1c

Published: Jinty 20 May 1978 – 26 August 1978. Not to be confused with “Day and Knight” (1984), Princess/Tammy

Episodes: 15

Artist: Unknown

Writer: Unknown

Translations/reprints: None known

Plot

Pat Day’s mother abandoned her four years earlier and never bothered with her since. Pat is now happily fostered with the Hargreaves, has a foster-brother named Terry, and she has just qualified for the school county swimming team.

Then Pat’s mother, now remarried as Mrs Knight, successfully applies to get her back. Pat protests that she doesn’t want to go back to her or leave the Hargreaves. Mrs Hargreaves can’t believe social welfare is allowing it after how the mother treated Pat before, but it’s no use. The Hargreaves have no rights, not even visitation rights. Pat has to go back to her mother. Terry gives her a parting gift: his precious Chinese coin, which he has turned into a pendant for her.

But Pat soon finds out her mother only wanted her so she, her new husband and stepsister Janet could get a council flat. Neither parent cares about Pat, and Janet bullies her and makes her life a misery. Ironically, it is soon obvious that the parents aren’t particularly good to Janet either.

Later, Pat finds out Janet is the school bully and hated by the whole school. Moreover, Janet is the unbeaten school swimming champion. She thinks she’s the greatest. And she does not like the threat Pat poses to her there. She also intercepts and destroys a letter the Hargreaves send to Pat. All Pat has now are swimming and the coin pendant.

School is of little help because once the girls realise Pat is the school bully’s stepsister, they want nothing to do with her. Moreover, Janet cunningly poisons them against Pat by pretending to act nice to her at their expense. One girl, Laura, sees through this trick, but can’t convince the others.

However, the girls cheer when Pat beats Janet at swimming (finally) and gets a place on the swimming squad. Soon Pat is impressing the swimming teacher with her diving and swimming capabilities. But Janet is furious over her humiliation and is playing dirty tricks to get revenge. Her first is getting Pat lumbered with a paper round, on pretext of the family needing extra money. As planned, this cuts into Pat’s time for her swimming coaching.

The only drawback to this plan is that Janet has to do the round as well. Meanwhile, the man hiring Pat lets his daughter Cheryl accompany Pat on the first round. Cheryl is afraid of water and can’t swim, and Pat offers to teach her. She and Cheryl become friends, much to Janet’s chagrin. At school, Laura guesses the real reason why Pat got lumbered with the paper round. She still believes Pat is not like Janet, but again nobody is listening to her.

Cheryl’s dad hears about the coaching problem and offers to pay Pat to teach Cheryl to swim. So Pat can now get her coaching and Janet gets lumbered with the paper round. And Dad says she has to do it or feel the back of his hand. Ha, ha!

A package arrives for Pat from the Hargreaves, with money and a lovely swimsuit, but Janet steals it and shows it off in front of Pat at Cheryl’s swimming lesson. When Pat sees Janet in the swimsuit she finds it odd, because her foster parents were going to buy her a costume like that. Janet takes advantage to taunt her that not hearing from them (because she intercepts the mail) shows how much they care for her. This really hurts Pat, and Janet loves it. She pulls other nasty tricks, such as shaking Pat off the diving board and trying to poison Pat’s mind against the Hargreaves. Cheryl is more suspicious about the origins of the swimsuit and tries to convince Pat that Janet is just being spiteful and bullying, but Pat is still fooled by Janet’s phony kindness to her.

At home, Mum gives Pat a letter; it came with the parcel and Janet overlooked it. Once Pat reads it she realises what Janet did. Pat confronts Janet, says she now sees Janet for what she is, and takes her swimsuit back.

The parents slap both of them for fighting. Both Pat and Janet cry over it. Janet’s trying not to, but Pat can hear it, and she now realises why Janet is the way she is. But she’s had enough and is also scared she will end up like Janet because of those parents. So she runs back to the Hargreaves. However, the police are there when she arrives and take her back to the Knights.

To the police, Mum puts on a good show of loving mother who was worried sick over Pat running off. But once they’re gone, Mum hits Pat for running off, and spills her guts over how she really feels about Pat. She never loved Pat or her father, never wanted Pat at all, and only got her back so they could get the council flat. Otherwise, she would have been quite happy never to see Pat again. But now they’re stuck with each other, she says, and there’s no escape. There is little doubt that lumbering herself with the daughter she never cared for, just to qualify for the flat, is turning Mum’s unfeeling towards Pat into downright hate.

After this frightening scene with her mother, Pat starts cracking up. It begins with outright rebellion. When Janet tries to steal Pat’s swimsuit again, she cuts it up rather than let her take it. She smashes crockery, threatens to wreck the flat, and defies her mother when she tries to force her to eat. This looks like the beginning of a hunger strike because Pat refuses to eat all day. Then she turns to depression, thinking the whole light has gone out of her life and there is no escape from her miserable home life. She is snappy to the other girls at school. Again, Laura correctly guesses what’s wrong. At the school gala Pat refuses to dive and just bombs off the diving board. Worst of all, she shoplifts a bracelet from a store, not realising security caught her on the store camera.

Suddenly, Pat is struck by guilt and wants to return the bracelet, but not eating all day is catching up and she feels faint. A policeman sees this and takes her home, where her parents give her a terrible beating for breaking the crockery. However, Cheryl discovers this when she comes to the door to enquire after Pat. She realises Pat’s parents are mistreating her.

Even Janet is shocked at the state Pat is in after the beating, and it’s the start of a whole new relationship between them. The parents force Pat to stay home until the injuries heal as they don’t want the teachers to see them and ask questions. They force Janet to stay home as well, to make sure Pat does not go to school. Janet protests that this means missing the swimming competition, but Dad clouts her: “If you don’t want to end up like her, you’ll do what you’re told!”

Seeing Janet’s new-found sympathy, Pat agrees to stay at home – but then remembers the bracelet. She slips out to return it, disguising her bruises as best she can with a scarf and dark glasses, but her attempt to return the bracelet goes wrong. What’s more, security recognises her from before and alerts the staff and police.

They don’t believe Pat was trying to return the bracelet. But then the police remove her glasses and scarf and see she is a battered child. The police realise she needs serious help and offer to do so. However, Pat is overcome by shame and runs off.

Meanwhile, at school, Janet is beginning to redeem herself. She threatens to menace a girl but stops when she sees how terrified the girl is, just like Pat, and makes a kind offer of help with swimming instead. This surprises everyone and Laura realises the change in Janet. Janet further redeems herself when she leaves the swimming to go home and check on Pat.

By now, Pat hasn’t eaten for two whole days. At the canal, lack of food, the beating and running from the police take their toll and she collapses. She falls into the canal, hasn’t the strength to swim, and she’s got cramp and blacking out. Someone needs to rescue her or she’ll drown.

Cheryl has been following Pat about the beating, and now she’s the only one to help. The trouble is, she can’t swim and is scared of water. Nonetheless, she bravely goes in to save Pat but soon realises it’s beyond her. Janet sees how foolhardy Cheryl is and tells her to get out fast. Janet rescues Pat herself.

In hospital, Pat goes into a coma for three months. Despite this, she has horrible nightmares about her ordeal and her mother separating her from the loving Hargreaves forever. But when she wakes up from the coma, she finds everything has been sorted out. The store did not press charges over the bracelet. Janet and Cheryl helped the police inquiries about the battering. The parents were prosecuted and given suspended sentences. Pat returns to the custody of the Hargreaves, who are adopting her now. Pat’s swimming coach is arranging special coaching for her in her own town, and now Pat couldn’t be happier.

As for Janet, she’s now the heroine for saving Pat and her redemption is complete at school. She has taken over giving Cheryl swimming lessons. Cheryl’s brave attempt at rescue had clearly been the first crucial step she had to take to overcome her problem with water. Mind you, Janet still thinks she’s the greatest! Pat and Janet are reconciled and all is forgiven. There’s still rivalry between them at the swimming gala, but it’s friendly. Janet is staying on with her parents, who weren’t quite so bad to her, and is hopeful they will treat her better because social welfare is watching.

Thoughts

“Knight and Day” is cast in the mould of the Cinderella theme, a common formula in girls’ comics, but goes against it in several ways. In so doing, it depicts a far more realistic and grimmer picture of the horrors of domestic child abuse. First, the heroines in the Cinderella serials are usually resilient and refuse to broken by the cruelties they are subjected to. They come up with ways to fight back, usually with a little secret or talent of some sort. But not in the case of Pat. From the outset, her only response is to cry a lot. She still clings to her swimming and pendant for comfort and hope, but on the whole she is far less resilient than most Cinderella-type protagonists such as Bella Barlow. There can be little doubt it stems from her being damaged by her mother’s initial neglect, and the damage is exacerbated by her being forcibly removed from the home where she was loved and happy.

Second, when Pat finally fights back, it is first by standing up to Janet and then running off, then lashing out and hunger strike, and even a mutinous act of shoplifting. But then depression sets in. Pat loses all fight and hope, and self-inflicted food deprivation is not helping. Her will is just about broken. This is quite surprising as it’s not normally how Cinderella heroines in girls’ serials react. Sure, they can get depressed and demoralised, but they usually bounce back somehow. On the other hand, it is pretty close to how things would be in real life with an abused child, which makes the story very realistic indeed.

Third, Pat may be the worst-off daughter, but it’s a surprise to see the parents don’t spoil Janet or treat her as the favourite at Pat’s expense, which is usually the case in similar serials e.g. “Make-Believe Mandy”, also from Jinty. In fact, they’re not fit parents for Janet either. For example, Janet comes home soaked to the skin from the paper round, but they don’t care and haven’t even left any breakfast for her: “We’re not your bloomin’ servants. Make your own.” And the only thing for that is a slice of stale bread. They also clout Janet as much as they do Pat, although they don’t go as far as to beat Janet all over.

Finally, the parents use both girls for their own advantage, not just the ill-used heroine. They use Pat to get the council flat. None of the money either girl earns from the paper round or the swimming coaching goes to them, as it should. Instead, the parents pocket it all. The pretext is that the parents are hard up. There may be some truth in this, but it is still blatant exploitation. The girls should at least have some of it.

We get some secondary characters who are more perceptive of what is wrong. Laura correctly guesses at every turn what is going on. Unfortunately she can’t be of further help because all the other girls overrule her and even threaten her with Coventry if she speaks to Pat. So she gets little development as serious help for Pat and takes no part in the resolution of the story. That part belongs to Cheryl, whose attempts to help Pat help her to overcome her own problem: her water phobia. Cheryl also witnessed the beating, which would be of immense help to Pat.

Social welfare and the police are, as usual, depicted as totally useless and until the near the resolution of the story. Up until then they are totally fooled by Mrs Knight’s phony acts of concerned mother and don’t listen to Pat’s protests.

We wish the parents could have been given a proper jail sentence instead of a suspended one, but presumably it was because they could take care of Janet. As it is, they would have lost their council flat because they no longer qualify, and now have the stigma of abusive parents.

We agree with Pat that it’s no wonder Janet is such a bully with those parents of hers. Although she does not show it, it is clear she is also miserable with her home life. Her response to it is toughen up in order to survive, not cry miserably all the time like Pat: “[Crying] won’t do any good. You’ve just got to learn to survive…keep your nose clean,” is her advice to Pat after the beating. But for all this acting tough, it is obvious that Janet is full of hurt from her parents’ treatment, and she’s taking it out on the girls at school with behaving hard and tough and bullying. So, although Janet is mean, spiteful and bullying, she is a more sympathetic character than is usually the case for wicked stepsisters in Cinderella-type serials. It’s not just Pat we want rescued from the situation; it’s Janet too. If something is not done about her unfit parents and dysfunctional home life, she will spiral down a very dark path indeed, as Pat begins to once her ill-treatment gets too much. Not to mention have no chance of redemption from her spiteful bully behaviour.

It would take a horrible shock for Janet to realise that bullying’s not the way, and she gets it when she sees the horrific beating Pat gets from her parents. Though they had frequently slapped both girls, they had never gone that far before. Janet would be terrified by this; after all, suppose they do the same to her? They even threaten her with it. This is the turning point for Janet, and it’s realistic because it’s credible.

As is often the case with bullies and dysfunctional children, the parents are Janet’s bad behaviour. Both of them are selfish, unfeeling, abusive people. They clearly deserve each other but are not at all fit to be parents. Even after Janet grows hopeful her relationship with her parents will improve, we seriously doubt they will show her any genuine love because they’re just not the loving type. We rather wish the Hargreaves could take Janet too.

Ironically, if Janet had been on the right side of things instead of a bully, she would have been the resilient Cinderella heroine we expect in a girls’ serial. In fact, she would have been a much stronger one than usual as she is not given to tears and has learned the hard knocks of being tough in order to survive. We would have cheered the story for having a heroine like this all the way.

Note: The unknown artist of this story has not been linked to any other serial or title at IPC, and this was his/her only story for Jinty. It is presumed the artist was a guest artist from DCT. If anyone has any information about the artist or other serials he/she drew, it would be much appreciated.

 

Somewhere over the Rainbow (1978-79)

Sample Images

Somewhere Over the Rainbow 1aSomewhere Over the Rainbow 1bSomewhere Over the Rainbow 1c

Published: 20 May 1978 – 10 February 1979

Episodes: 36

Artist: Phil Townsend

Writer: Alison Christie

Translations/reprints: Spanish translation as “Más allá del Arcoiris”, publication unknown

Plot 

Just as the end of World War II is in sight, Mrs Peters and her daughter Dorothy (Dorrie for short, 13 years of age) and son Max (seven) receive the dreaded envelope that means Dad has been killed in action. This somewhat dampens their V-Day celebrations shortly after.

Some time later, the Peters family attend a Wizard of Oz production. During the performance Mum tells Dorrie that she and Max will find happiness over the rainbow. Afterwards, the programme blows away and Mum gets run over and killed while trying to retrieve it. Now the Peters children are orphans. Dorrie takes Mum’s final words to her deeply to heart and from then on, The Wizard of Oz inspires them all the way to seek out rainbow’s end. But where the heck do they even begin to look for the rainbow?

It certainly isn’t at social welfare, which is now in charge of the children. None of the foster homes for the children work out for one reason or other. In fact, one foster mother, Mrs Soper, is more like the Wicked Witch of the West. Things get worse when social welfare puts them in separate homes because mixed sexes aren’t allowed. At least Dorrie can visit Max, who is taking this rainbow’s end thing a bit literally.

Then Dorrie and Max find out about a home in Scotland that really is called “Rainbow’s End” when it advertises for a housekeeper in the newspaper. They decide that’s where they must seek the end of the rainbow. So they run away from social welfare and make the arduous trek all the way from London to Scotland (no, not singing “Follow the Yellow Brick Road”). This means plenty of adventures, misadventures, dangers, injuries and illnesses, hunger, bouts of horrible weather, helpful people, not-so-helpful people, and hitching lifts on assorted vehicles, beginning with sneaking aboard a lorry to get out of London. Sustaining them along the way and helping out in a lot of scrapes is their natural talent for song-and-dance routines, especially – you guessed it – The Wizard of Oz. All the while they are fugitives from social welfare and keeping one step ahead of them. World War II, still fresh and raw, casts its own shadow over the whole enterprise.

The Wizard of Oz itself always seems to pop up in one form or another. In one occasion, the children defend a scarecrow from being burned. In another, the children make their escape from a suspicious billeting officer who is reminiscent of Miss Gulch. And now and then they hear snatches of “Somewhere over the Rainbow” when Dorrie isn’t singing it.

Not all of the twists and turns of their odyssey will described here because of the story’s length. However, some highlights and key points will be discussed.

On one occasion Max is forced to confront his wartime prejudices against Germans. It starts when they take shelter in an old army camp in an empty village, but are surprised by a man with a German accent. He’s a German soldier, and it’s soon obvious he is a fugitive in hiding too. He is not happy to find Dorrie and Max have taken over his bed, but kindly offers them breakfast in the morning. Max is too consumed by his hatred of Germans to have anything to do with him or his food, while Dorrie is less prejudiced and more receptive to his kindness. However, Max is so full of hate he rushes off to turn the German in. The German realises Max is running into danger – an unexploded mine – and risks his own life to save him. This has Max realise that “[not] all Gerries are bad…rotten!” and Germans are human beings too. From then on they’re friends. His name is Hans, a shot-down airman who was rescued by a British girl and they fell in love. However, she died before they could marry after the war, leaving him still a fugitive. Dorrie and Max persuade Hans to stop hiding, using their motto of “happiness over the rainbow”, and give himself up. They have high hopes Hans will be all right and get a fresh start in Germany.

Before long, Christmas is coming (issue-wise, a bit premature as this is three months before Jinty’s Christmas issue), but how to celebrate it while they’re on the run? Max buys Christmas decorations, but he forgot they have nowhere to hang them. Oh, dear. Dorrie does some busking with “Somewhere over the Rainbow” to raise cash for something for Christmas, which not only raises money for presents and Christmas treats but also lands her the lead in another Wizard of Oz production for Boxing Day. Performing it while keeping their fugitive status secret from the producer Mr Harris is not easy, but the show must go on. And it does, with “Shy Dorrie Makes Her Debut” in the newspaper because she can’t talk to the press.

Meanwhile, Max takes a plunge in freezing water because he unwisely tried out the ice. Dorrie hates leaving him alone while he’s still affected, but she has the show to do and the show must go on. But when she returns, the winter cold and plunge in freezing water have caused Max to develop pneumonia, which turns critical. Mr Harris helps him to hospital. Dorrie croons “Somewhere Over the Rainbow” to him, which helps him to recover.

Unfortunately, Mr Harris is a social worker and it is his duty to return the children to the London home. However, at the station the children get away from him and stow away aboard a train going north. They get discovered and the conductor is set to turn them over, but he changes his mind when the children keep the passengers entertained when snow blocks the train. He lets them off at a station instead.

But the snow is thick, the cold is biting, Max is still weak from pneumonia, the children are starving and Dorrie has lost her ration books. Hunger makes Dorrie collapse, but they are picked up by a kindly man, Joe McDonald, who was in the same regiment as Dad. He owes Dad a favour, and taking in the children is his way of doing it. He also gets a mate from London to give them a lift further north. But the truck goes over a broken bridge and the children pull the driver to safety, but getting help means they get caught again. The police say sorry, but it’s their duty to turn them over to social welfare. But instead of London they take them to a children’s home, converted from an old army barracks, in Scotland.

Well, at least the children are in Scotland, but the home is definitely not the end of the rainbow – more like the castle of the Wicked Witch of the West. The kids are tough and bullying, and the matron is an ex-army officer who runs the place like a sergeant major of the worst kind and the heart of the witch herself. She treats children like soldiers, not children, with merciless army-style discipline. For example, she forces Max to do 20 laps around the ground with an army pack, ignoring Dorrie’s protests that he has been weakened by pneumonia, and poor Max collapses.

When Dorrie rises up in rebellion against their treatment, Matron locks her and Max in detention while taking the children on a long march. This turns out to be a blessing, because while the others are out, waters from thawing snow flood the establishment, which helps Dorrie and Max escape on an old air bed. The home looks well and truly washed out and half-submerged, a nice surprise for bully Matron when she returns. With any luck it will be the end of that establishment. Later, the children learn from a newspaper that the authorities think they drowned when the home got flooded, so the police and social welfare are off their backs now. They can carry on unmolested.

They journey further into Scotland, but fresh trouble is never far off. It happens when Dorrie sprains her ankle. No further trekking until it’s better, and they have to camp out in an old German plane. Max is reluctant to do so because it is German but relents when Dorrie reminds him of their encounter with Hans and not all Germans are bad.

It’s up to Max to get the food while Dorrie is recovering, but again his actions are not well thought out. For example, his idea of disguising himself from nosey coppers is to buy a scary Halloween mask! Worse, he puts the food right where dripping rainwater ruins it.

Then it looks like Max takes a hit from a man shooting rabbits. Fortunately, it turns out Max just took a fall and a bump on the head and the man is another helper. But he advises them to move on fast because the authorities take a hard line on squatters.

So the children have to move on although neither of them are fit for the road because of their injuries. Fortunately they meet a friendly ex-soldier who helps them get a lift to Glasgow where his grandmother can put them up. The children note that Glasgow has had its own share of bombing (watch this space). But things go wrong when they get there and the children are on their own again. Then they finally see a rainbow and hope rises again.

They get a lead that the home they are looking for is near Iverness, which means even more trekking north. They get more help from friendly people, and even a palm reading from a gypsy, who is surprised to see both children have a rainbow in their palms. If that weren’t omen enough, they find an old chair labelled “Rainbow’s End Home”.

Five miles on, they finally make it to Rainbow’s End Home. There they show Matron the ad for the housekeeping job that prompted their journey. However, they are dismayed to find Rainbow’s End is an old folks’ home, not the children’s home they were expecting. It looks like it was all for nothing and skies aren’t blue for them at all. But it leads to their being adopted by a lovely couple who lost their own children in the Glasgow bombing and are look-alikes for their own parents. So they find happiness at Rainbow’s End after all.

Thoughts

Comixminx and I have balked at doing this one for a long time because of its supreme length. At 36 episodes, it is the second-longest running serial in Jinty’s history, which makes it a challenge to summarise. However, an entry on this story was way overdue, and as we are in lockdown with plenty of time at home, what the heck.

Rainbow belongs to a long line of Alison Christie/Phil Townsend pairings for emotional stories to warm your heart or bring tears to your eyes. It also shares many roots with other Jinty stories, notably “Song of the Fir Tree” and “For Peter’s Sake!”, both of which are lengthy stories where the protagonists set out on quests with fugitive elements attached. Like Rainbow, Fir Tree is set in the aftermath of WW2 where a brother and sister (Solveig and Per Amundsen) are also fugitives, from a Nazi out to kill them. In addition to outwitting his numerous attempts to kill them, they have to contend with other dangers and obstacles, just like the Peters children. They have a more clearly defined goal than the Peters children: make it home to Norway. As in Rainbow, we have an elder sister who is the pillar of strength and a younger brother who is less strong. In both stories, the children are not only sustained by a title; the title of the song is the title of the story as well. It could be that Alison Christie wrote Fir Tree too. We have no confirmation of this, but it would not be surprising.

The journey in “For Peter’s Sake!”, also written by Alison Christie, is the reversal of Rainbow: Corrie Lomax is making her journey with Old Peg the pram all the way from Scotland to London while the Peters children are doing the exact opposite. She is on a mission of mercy for her baby brother with Old Peg, but it turns into a fugitive story with the police and then social welfare on her tail. As with the Peters children, she has to make an escape from a horrible children’s home en route. She also gets weakened by pneumonia, just as Max does. Like the Peters and Amundsen children, Corrie meets more helpful people than not. In fact, we could almost swear that a number of these people have guessed these children are runaways but are turning a blind eye to it.

The endings of the two stories share similarities in that the children make it to the end of their journey, only to find everything seems to end in a big let-down because the initial outcome did not meet their expectations (Rainbow’s End being a home for olds, not children, and Old Peg not curing Peter). However, the twist is that it does bring about what they wanted in the end, just not in the way they expected.

The story takes time out to comment on the hardship and knock-on effects of WW2, even though peace has come. Food rationing continues, food shortages e.g. a sign saying “Sorry no spam”, and the war posters saying things like “Plan your meals to avoid waste” and “Careless talk costs lives” remain in place. Buying sweets on rations is a real treat. Make-do-and-mend is still the rule e.g. Mum making best dresses out of old curtains. Mum feels the change in women’s lot once peace comes; during the war she worked in a munititions factory, but afterwards, she struggles to find a job because preference is given to returned servicemen and women. Eventually she finds a part-time cleaning job at a theatre, where the fateful Wizard of Oz evening unfolds. Bombed-out planes and buildings are still visible on the landscape. So are old air-raid shelters, one with “We won the war” scrawled on it. We also see the mental effects it has had on some people. For example, they meet a kind lady who unfortunately has a screw loose; she thinks Dorrie and Max are her own evacuee children and a scarecrow in her husband’s old army uniform really is him. Post-wartime rebuilding is also evident; for example, we see a “Prefabs Homes for the Homeless” to help meet the housing shortages. And the Hans storyline is a clear message about confronting the demons of WW2 and not letting old hatreds consume you.

Max is the weaker of the journeying pair because he is younger and less mature, but he does not have a weak constitution like his counterpart in Fir Tree. Until his bout with pneumonia he remains a healthy kid. And he does have his bright moments, particularly when he wants to cheer Dorrie up. Some of them are more thought out than others, such as buying flowers in honour of Dad. But as he is a very young, spirited boy, more often he makes ill-judged decisions, one of which leads to him developing pneumonia. He is also more prone to being emotional and losing his temper, for example, when he meets Hans.

Jinty produced a number of journey/quest/fugitive stories, such as “The Darkening Journey” and the aforementioned “Song of the Fir Tree” and “For Peter’s Sake!”. They all ran for a while, a testament to how popular they were. But “Somewhere Over the Rainbow” is by far the longest. It was so long that it holds the record for second-longest serial in Jinty’s history. This shows how popular it was, and there are so many elements to make it popular: the backdrop of WW2; the fugitive elements; the Wizard of Oz theme, which has always been popular; the adventures and dangers; and above all, the emotional elements to tug your heart and make you really feel for these children.

Another thing to make this story popular is that nobody knows what to expect at the journey’s end, not even the children. All they know and believe is, they will find happiness. Okay, happiness, but in what way? What form will it take? This is a suspenseful mystery element, and we are holding our breath to see just how it all turns out at rainbow’s end. This sets it apart from the other journey stories Jinty has run. In those case, everyone expects the outcome that the protagonist expects. But not in this case. Neither we nor the children know just what to expect at the end of the story, which keeps us in suspense all the way. Also keeping us in suspense is the nagging doubt as to whether the children’s home they expect really is their key to happiness; after all, the other children’s homes they encountered in were bad experiences, so would they be all that happy with another? We are so glad it ended in a happy adoption with new parents instead.