Category Archives: Issues

Black Schneider [1967]

black schneider cover

 

Published: Commando #273 (July 1967)

Reprinted: Commando #5168 (November 2018)

Artists: Gordon C. Livingstone (story); Rafael Lopez Espi (cover)

Writer: E. Hebden

On the Jinty blog we love to collect information on writers and artists in comics, whether Jinty or otherwise. The reprint gives some titbits of information about Rafael Lopez Espi, the cover artist.

Espi began his career as a comic book artist in 1953. He worked extensively for war comics, beginning with drawing covers for war stories published by Simbolo, moved on to Commando, and even worked for Commando’s rival, Fleetway. His Commando covers included Black Schneider, Break Through!, Pirate Breedand Dangerous Dawn. As well as war comics, Espi worked on Western and romance comics.

More information on Espi can be found at https://www.lambiek.net/artists/l/lopez-espi_rafael.htm and https://www.comicartfans.com/comic-artists/lopez_espi.asp

Plot

In 1938, traveller and explorer Stanilaus Schneider is dispatched to a German archaeological dig in Libya to help search for prehistoric cliff paintings. After the paintings are found he disappears for a month in the desert on a secret military mission for the Nazis, and tells the archaeological professor to cover for him.

During World War II Schneider re-emerges in the desert as Army Major Sonderkommando (Sand Commander), and self-styled King of the Desert, which he boasts is his friend, and he gives the impression he is in confident, total command of it. He dresses himself up in black leather (despite the desert heat), which gives him a sinister Gestapo-like appearance, hence his nickname of Black Schneider. He has developed a military style that enables him to somehow sneak up on Allied platoons and take them down from the rear and completely unawares. There is a real mystery as to how he is able to emerge out of nowhere from the desert sands and catch them napping from behind, and he’s giving the impression he must be a magician or something.

black schneider 1

Schneider pulls this stunt several times on Sergeant Bill Kane and his 3rd platoon of the 2nd North Loamshires, which always causes them to fail in their mission and take heavy casualties and loss of equipment. As a result, the platoon develops a reputation as a bad luck platoon that is jinxed, and the jinx is dubbed “the Mark of Kane”. Nobody wants to join that platoon, and one soldier dubs Kane “Mr Suicide”. Lieutenant Colonel Stacey at Battalion HQ won’t listen to Kane’s protests that Schneider and his desert tactics are responsible for their failures. Nor does he listen to Kane’s suspicions that Schneider is making clever use of little-known desert paths, a discovery he made when investigating how Schneider and his platoon managed to escape from one of their attacks so readily. When it reaches the point where Kane loses his entire platoon through Schneider’s tactics and Stacey won’t listen to the reason why, he is transferred to a store job at base camp.

En route to base camp, a mine field gives Kane an idea on how to get back at Schneider. He extracts two mines and uses them to mine the pathway he discovered before and blow up Schneider next time he uses it.

Then a desert Arab appears out of nowhere and starts to use the path, and Kane has to warn him about the mines. But when Schneider and his army show up, they are well prepared to deal with the mines, and Kane realises the Arab must have been an informer. Schneider confirms this as he takes Kane prisoner.

black schneider 2

En route to and during his time in Schneider’s POW camp at the Oasis of Sitra Kane discovers how Schneider does it. He used that month in 1938 to trace a desert road constructed in ancient times and mapped it with compass bearings. The road is concealed by desert sand, so he cunningly uses his map to navigate it without sinking into the sands as so many convoys have done. He is also keeping Arab guides well paid with old Spanish gold (treasure to them) to guide him along the caravan routes and ancient wells, which enables them to keep themselves supplied with water as well. And the secret to his success is that very few outsiders know about the ancient road, which is also concealed by desert sand, the caravan routes or the Oasis of Sitra, so the Allied Intelligence knows nothing about it. This is how he is able “to hold a gun in the back of the British all the time. They never expect the enemy to come from the sea of sand”.

Schneider’s POW camp at Sitra has the deadly desert itself acting as the bars and barbed wire. So there is no need for them, only plenty of guards. The prisoners are forced to fill up cans with either water or petrol, and keep the water and petrol cans apart, don’t mix them up (hmm, do we sense something crafty could be pulled here?). Most of the prisoners are resigned to staying until the war ends because the camp is surrounded by desert that only Schneider seems able to cross, and the British know nothing about the camp’s existence. But not Kane once he has the full picture of how Schneider is doing it – with the ancient concealed road he plotted and the Arab guides. He is going to orchestrate a mass breakout by beating Schneider at his own game.

black schneider 3

The Battle of El Alamein is now on and Schneider wants to be part of the action. He departs, leaving the prisoners only lightly guarded. He does not realise his water tanks are really filled with petrol and the prisoners have taken water tanks for themselves (yes, we thought something like that was coming). The soldiers quickly overcome the few remaining guards and seize vehicles, ammunition and weapons. Kane also seizes the Arab who betrayed him and forces him at gunpoint to take them along the caravan route. Before departing, he paints the captured vehicles with “3 Platoon” and tells his fellow escapees this is what they are now. He is forming a new 3rd platoon with his escapees, to salvage the reputation of the old one and settle old scores with Schneider.

Kane directs the Arab to take them to the wells Schneider showed him at Bir Quara, figuring that Schneider must be stopping there for water and discovering the trick with the cans. Upon arrival they surround Schneider, but he is not one to surrender, so “the Skirmish at Bir Quara” begins. Soon Schneider is the last man standing. Kane takes him prisoner to El Alamein and seizes his map of the concealed desert road.

Stacey is very surprised to see this new 3rd platoon arriving at the Battle of El Alamein, with Kane himself in command. He will soon learn that the new 3rd platoon is much luckier than its predecessor, much of which is due to consisting of toughened desert fighters who have ironically learned to navigate the desert through their enemy Schneider.

Thoughts

This Commando certainly had a very long wait for a reprint – 51 years. That sure is a very long wait for a reprint and it’s surprising the issue did not get a reprint earlier.

The first thing you see with this issue is that it is the villain on the cover, and his presence monopolises it entirely. None of the heroes appear anywhere. His resplendent, strident, confident appearance hits you right in the eye and makes it an eye-catching cover. It’s an unusual step for Commando to take, having the villain star on the cover rather than the hero, but it’s a very sensible one, and makes a far more striking cover, rendered brilliantly by Espi.

Schneider’s nickname is also the title of the story. It has you thinking that maybe the whole story is going to be about him. Maybe he will be the anti-hero or even hero of the story, which Commando has done before with non-Gestapo German soldiers.

But once you open the issue (or read the blurb on the back) you know that’s not the case. Black Schneider is set up to be the bane of Bill Kane and his 3rd platoon.

Schneider and his desert tactics are clearly based on General Rommel, “The Desert Fox”. There is also a dash of the Red Baron in the way he unconventionally dresses in black leathers rather than army uniform. There is a hint of the Gestapo as well, both in his dress and in his icy demeanour. He is an extremely clever villain, styling himself as master of the desert and giving the impression his control of the desert is seeming miraculous and strikes awe and confusion into the enemy. As well as his seeming uncanny ability to sneak up on the enemy from behind out of nowhere, he further dumbfounds them with tactics such as destroying their supply of water, the most precious commodity of the desert, saying he has no need for it himself. Why the hell should he not need water when he’s out in the desert? His bragging that the desert is his friend appears to be no idle boasting and he almost appears to be a magician.

But once Schneider’s secret is uncovered, Kane discovers there was nothing miraculous about it – just learn how others before you have tamed the desert – and it was all a simple yet ingenious trick. And it’s a trick that his enemies take over themselves and start to use against him.

black schneider 4

Schneider’s seeming magic is further enhanced by the fact that he is always bumping into the same platoon and pulling the same trick over and over on them, and giving them a bad luck reputation. If Schneider had done it on several platoons, British HQ would have had to take these reports about Schneider more seriously. But as only one platoon seemed to get picked on it is poor old Sergeant Bill Kane who gets the blame and has to clear his name and reputation of his platoon.

Kane is reduced to the point where he has to take on Schneider and clear his reputation single-handed. It is ironic that it happens through being taken prisoner by Schneider, but Kane soon finds out that this is the only way he could learn Schneider’s secrets and start to use them himself. So we get some elements of the slave story of the protagonist being the only one who refuses to be broken by his captivity, which the other prisoners are resigned to, and find a way to escape. He not only does so but also gets his fellow prisoners back into action. And as this is the Battle of El Alamein, it would have been a stunning victory for them all and restore the name of the 3rd Platoon, and Black Schneider finally met his match in Sergeant Bill Kane.

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Jinty & Lindy 3 January 1976

cover jinty 19760103

  • Slaves of the Candle (artist Roy Newby)
  • The Jinx from St Jonah’s (artist Mario Capaldi)
  • Friends of the Forest (unknown artist – Merry – “B Jackson”)
  • Golden Dolly, Death Dust! (artist Phil Gascoine)
  • Ping-Pong Paula (artist Jim Baikie)
  • Too Old to Cry! (artist Trini Tinturé unknown)
  • Wanda Whiter than White (artist Ana Rodriguez)
  • The Haunting of Hazel (artist Santiago Hernandez unknown)
  • Song of the Fir Tree (artist Phil Townsend)
  • Do-It-Yourself Dot

This post is inspired by a number of creator attribution discussions from recent months, not all of which have made it onto the blog yet (and some of which are hot off the press!). Yesterday I had a lovely, fun meetup with the daughter of Trini Tinturé, who is very delightfully based in the same city as me for at least some of her working time. I dug out some old issues to show Maris Tinturé some of her mother’s Jinty stories in situ, and this was the first one where I spotted a story attributed to Trini.

Maris leafed through it once, twice, and couldn’t find any art of her mother’s. Was it just too much of a skim-read to spot it after all this time? No – I pointed out the specific story I had in mind, “Too Old to Cry!”, and the immediate reaction was, ‘but that’s not hers!’ – and a quick cameraphone piccy and email confirmed it. This story looks enough like Trini’s art for me to never have questioned the attribution that came handed down to me, probably from David Roach originally, but to the most familiar of eyes it is as unlike her art as one face is like another. Below is the episode of the story from this issue – compare it to a piece of definite Trini artwork like the sample pages of Creepy Crawley.(But I think that you will be likely to have to look very closely to be sure, unless you are very familiar with her artwork.)

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This issue also includes an episode of “The Haunting of Hazel” which we have likewise previously attributed to Santiago Hernandez. However, on looking at the 2017 post on “Santiago Hernandez or José Ariza” Trini has this to say: “Barracuda Bay” is definitely Hernandez. “Golden Shark” possibly, but much earlier work perhaps. “The Haunting of Hazel” is unlikely to be Hernandez.” So I have likewise changed the attribution of that story on this post, in order not to confidently show it as being by Santiago Hernandez.

Finally, one other story in this issue is from an artist that we have long referred to as unknown – the unknown artist who drew “Merry at Misery House”. A sighting by “Goof” on the UK Comics Forum gave us a valuable reference to the name “B Jackson” as the artist credit accompanying the illustration for a text story in the ‘Daily Mirror Book for Girls” 1971. Further detective work by David Slinn (a contact of David Roach’s) and by David Roach has given a long list of stories and titles that “B Jackson” seems to have worked on. This will follow as a blog post on this site, with apologies for the delay in getting to this denouement.

But will the attribution of B Jackson prove long lasting, or could it be falsified or proved inaccurate in some way? All that I’ve seen on the blog so far goes to show that there is no 100% guarantee of anything – the word of an expert is very valuable but there’s nothing to compare with a direct line from the creator themselves, if at all possible.

Tammy & Sally 1 January 1972 – first New Year issue

Tammy cover 1 January 1972

  • Gina – Get Lost (artist Miguel Quesada)
  • Beattie Beats ‘Em All! (artist John Armstrong)
  • Halves in a Horse (artist Eduardo Feito)
  • Lulu (cartoon)
  • Skimpy Must Ski! (artist Tom Hurst)
  • The Four Friends at Spartan School (artist “B. Jackson”, writer Terence Magee)
  • Maisie’s Magic Eye (artist Robert MacGillivray)
  • The Secret Ballerina (artist Roy Newby)
  • Bernice and the Blue Pool – final episode (artist Douglas Perry)
  • Talk It Over with Trudy (problem page)
  • Alison All Alone
  • Cinderella Spiteful (artist Jose Casanovas)
  • No Tears for Molly (artist Tony Thewenetti, writer Maureen Spurgeon)

This is Tammy’s first New Year issue. The girl on the cover has a nice touch of mystique with her mask at a New Year’s party. Molly Mills finishes her current story with a Christmas party for all the orphanage kids, despite Pickering’s attempts to ruin things for them. Heck, he even tried to tie up the kids’ dog and leave it on the roof to freeze to death! Anyway, Molly will have a new story in the New Year.

Gina – Get Lost must be wishing she could get lost. A phoney child welfare officer has sent her to a sadistic children’s home where, among other things, she has been forced to crop her own hair. And their idea of punishment is to leave her in a freezing room all night with a vicious dog barking and snarling at her all the time.

“Bernice and the Blue Pool” ends this issue, so there will be a new story for the New Year. “The Four Friends at Spartan School” is on its penultimate episode, so there will be another new story helping to kick off New Year in two weeks. The four friends have successfully escaped Spartan School, but now they find an avalanche is threatening the school. Well, an avalanche may the best thing for the most horrible school in the world, but let’s face it – there are lives at stake up there, after all.

“Halves in a Horse” is near its end too. Pauline’s cruelty goes too far. She sends Topper bolting and now he’s in danger of drowning in a river. The Major, who had figured out Pauline’s bullying and tried to get Pauline’s victim Kay to stand up to her, is the only one on hand to help, but he doubts the horse can be saved. When Pauline hears this, she is suddenly struck with conscience.

Skimpy is determined to show her grandfather she is not an invalid anymore and can tackle skiing. By the end of the episode he has got the message and decides to help her with skiing. Excellent! Now the story can move more smoothly, though we are sure there are still bumps in the road ahead, and not just the tumbles Skimpy will take on the ski slopes.

Beattie has been cribbing lessons in secret at the school she has been squatting in while keeping up her athletics. Now she has a chance to be properly enrolled, but she has to pass exams.

Maisie tells a fat, gluttonous girl that she’s an awful pig. She never learns to watch what she says while wearing that damn brooch, does she? The girl instantly turns into a pig. Needless to say, she isn’t so greedy after Maisie finally gets her back to normal.

In “The Secret Ballerina, Karen finally makes it to the locked room – only to find nothing but Aunt Edith crying over someone named Karen, but Karen realises it’s not her. So who is this other Karen? Everything begins to point to Karen’s mother, but what’s it got to do with Aunt Edith not allowing Karen to dance?

Alison seems to be having more success in unravelling her own mystery. The clue she has uncovered leads her to Fengate Hall and she is going in. But the boys who have accompanied her are worried she is going to desert them once she finds out her true identity. Oh, surely not? After all, none of them really know what is waiting inside for Alison.

“Cinderella Spiteful” tries to ruin cousin Angela’s party. But in the end she is glad she failed to do so as she misjudged Angela over who she was going to invite, and she likes the look of the guests.

Tammy & Sally 25 December 1971 – first Christmas Tammy issue

Tammy 25 December 1971

Cover artist: John Armstrong

  • Gina – Get Lost (artist Miguel Quesada)
  • Beattie Beats ‘Em All! (artist John Armstrong)
  • Halves in a Horse (artist Eduardo Feito)
  • Lulu (cartoon)
  • Skimpy Must Ski! – first episode (artist Tom Hurst)
  • Bernice and the Blue Pool (artist Douglas Perry)
  • Talk It Over with Trudy (problem page)
  • The Secret Ballerina (artist Roy Newby)
  • The Four Friends at Spartan School (artist “B. Jackson”, writer Terence Magee)
  • Maisie’s Magic Eye (artist Robert MacGillivray)
  • Cinderella Spiteful (artist Jose Casanovas)
  • Alison All Alone
  • No Tears for Molly (artist Tony Thewenetti, writer Maureen Spurgeon)
  • A Tammy Outfit Idea for Christmas (feature)

 

This is Tammy’s first Christmas issue. Beattie Beats ‘Em All! (John Armstrong’s first Tammy story) does the honours on the cover. The back cover has a Christmas how-to-make. In Molly Mills, Lord Stanton wants to bring Christmas cheer to orphanage children, but he has reckoned without the cruel butler Pickering. The issue also advertises Tammy’s first-ever annual. Lulu is trying to find Christmas presents for Dad but keeps getting foiled.

You’d think this week’s episode of Maisie’s Magic Eye would be Christmassy too, but no. It’s a regular episode, where Maisie and her friend Lorna try to break bounds and sneak off to the circus. Hijinks with the brooch ensue, with a lot of monkey business when Maisie unwittingly turns the circus strong man into a gorilla and the brooch stops glowing before she can change him back.

Normally new stories are reserved for New Year, but one does begin in the Christmas issue,  “Skimpy Must Ski!” Skimpy Shaw, a convalescent girl, is sent to live with her grandfather who looks a real sourpuss. Time will tell if he has a heart under there. Meanwhile, Skimpy is inspired to ski, and she thinks she has a natural talent for it.

Gina – Get Lost has been left to look after herself when her parents emigrate, which is not going down well with the welfare authorities. And it sounds like there is worse to come. She has already fallen foul of blackmailers and it looks like she will fall foul of potential guardians out to exploit her.

Before Bella Barlow, John Armstrong drew “Beattie Beats ‘Em All!” for Tammy. Beattie Brown is a promising athlete. Unfortunately she has no fixed abode either, so she and her stray cats live in a boiler room at a girls’ college.

In “Halves in a Horse”, two cousins are left with half shares in a horse, Topper. The cousin who wins the most prizes with him will acquire full ownership. As might be expected, one cousin (Pauline) is not playing fair and making the other cousin (Kay) suffer. Now the cousins have almost equal shares, Pauline is using blackmail against Kay.

Bernice and the Blue Pool was Tammy’s first swimming story and also the first story Douglas Perry drew for Tammy. It was the start of a regular Tammy run for Perry that lasted into 1981. The Blue Pool has a supernatural theme, which ranges from beneficial (curing our protagonist of her fear of water) to ominous – wearing Victorian swimming costumes that were worn by a pioneering Victorian swimming team that drowned.

The Secret Ballerina, Karen Jones, has to practise in secret because her aunt is against ballet for some reason. This is, of course, the mystery that needs to be unravelled. Compounding the mystery is a locked room in auntie’s house. But now Katie has discovered the room has been unlocked and someone is inside. She is heading to the attic to investigate. Will she find the key to the mystery next week?

Surprise, surprise – Miss Bramble’s henchman, er girl, Siddons helps the four friends at Spartan School to escape from the school where sadism is the rule. But of course they should have known it would be a setup. Mind you, they didn’t expect Siddons to actually attempt to kill them! When they survive that, they discover Miss Bramble and Siddons have concocted a plan to get them arrested instead.

Cinderella Spiteful – now that’s a very unusual title for a Cinderella story, you think. Actually, the story has nothing to do with Cinderella. Emma is jealous of her cousin Angela because Angela is good at everything while Emma is not. Next week it sounds like it will be more spiteful than Cinderella, because Emma reaches her limit in this episode.

Alison All Alone is on the run after being imprisoned by her guardians for many years. The question is: why did they keep her locked up like that? The three runaway boys who helped her escape are helping her to find out. This week they uncover a clue about her past – a crook who says he will be finished if Alison finds out who her true parents are!

 

 

 

 

Scream! #15, 30 June 1984 – last issue published

Scream 15 cover

  • Monster (artist Jesus Redondo, writer Rick Clark)
  • The Dracula File – (artist Eric Bradbury, writer Ken Noble)
  • The Thirteenth Floor (artist José Ortiz, writer Ian Holland)
  • Tales from the Grave: The Man They Called Dr Death (artist Jim Watson, writer Ian Rimmer (but credited as Rick Hunter))
  • Library of Death: Out of the Fog! (artist Rafael Boluda, credited as Bollida, writer Angus Allan)
  • A Ghastly Tale – Blood Track! (artist Tony Coleman)
  • Fiends and Neighbours – cartoon (artist Graham Allen)
  • The Nightcomers – final episode (artist John Richardson, writer Tom Tully)

This was the last issue of Scream ever published. Like Tammy, it abruptly disappeared in the 1984 IPC strike, never to be resumed. Exactly why it was not resumed is not clear. One factor could have been the Ghastly Tale “Blood Track!”, which prompted a threat of legal action, though it was eventually dropped. That story will be omitted from discussion here.

Later, Eagle picked up the tab with Scream to some extent. The Thirteenth Floor and Monster continued in Eagle to reach ultimate, respectable conclusions, and are now enjoying their own reprint volumes. The Ghastly Face competition continued in Eagle and the top prize was eventually split between two contestants. I have no information about whether or not the new Creepy Caption Cartoon Competition in this issue was concluded there as well.

When The Thirteenth Floor and Monster stopped in Scream, the former was about to deal with an extortionist who charges heavy fees in return for not breaking bones. In the latter, Uncle Terry and Ken have just fought their way through yet more bounty hunters and the police, and now they are taking a boat.

At least “The Nightcomers” managed to complete their story in this issue, so that was not left dangling. The Nightcomers, with eager help from Edna the ghost and unwitting help from Baphomet the demon when it kills Cutler, destroy the evil that haunts Raven’s Meet. We are told the Nightcomers will start a new adventure in the next issue, so they must have been planned for an ongoing series. Sadly, they did not get it in Eagle. Fortunately the second Nightcomers story was reconstituted and finally published in “It’s Ghastly! The Untimely Demise of Scream!” in 2016. Better late than never.

However, The Dracula File was left open by the cutoff, which is annoying. Dracula does at least manage to complete the flashback of his clash with vampire hunter Alexander Quinn, but we don’t find out where things end up with his new adversary, Colonel Stakis. And just when it sounded like it was about to get really exciting, because Drac says he’s getting really pissed off at living on the run because of Stakis and he’s jolly well going to turn things around!

The Tales from the Grave story was also left on a loose end. The last episode of “Dr Death” got cut off entirely and the story was never finished. It was left forever dangling on the penultimate episode (below), just like “Cora Can’t Lose” in Tammy.

(Click thru)

 

Fortunately, in “It’s Ghastly!”, writer Ian Rimmer (writing as Rick Hunter) was able to say he thinks the ending went something like:

“Fox turns up at Phillary’s lab, only to be startled and attacked by the re-animated hand. Phillary hears the rumps and enters too. He desperately tries to intervene, but Fox is killed and equipment is knocked over. Suddenly the lab bursts into flames…I think in a panic Phillary looks to escape, yet is prevented from doing so by the hand. The conflagration consumes the hand, all of Phillary’s notes, and Phillary himself. We then have the Leper tending to his fire at the cemetery at the end, saying something suitably caustic.”

In the Library of Death (fortunately not another two-parter like the previous story), Barry Holls is on the run from an orphanage where everyone picks on him because his father is in prison for murder. Barry knows his dad’s innocent – and so does the murder victim. He returns from the grave to guide Barry to the crucial evidence that will clear his father. Awww…

Later, Scream produced two holiday specials, which actually produced some unpublished material from the parent comic. This included Black Beth, who returns in the Scream & Misty Halloween Special II, the actual face of Ghastly McNasty from the Ghastly Face competition, and what looks like part 16 of The Dracula File. Here, Stakis finally gets a shot at Dracula with a stake and Dracula gets pinned. Unfortunately Stakis fails to get one in the heart, and Dracula escapes on a train.

Scream did not produce an annual.

 

Scream #14! 23 June 1984

Scream 14 cover

  • The Nightcomers (artist John Richardson, writer Tom Tully)
  • Library of Death: The Sea Beast part 2 (artist J. Parkhouse, writer Simon Furman)
  • The Thirteenth Floor (artist José Ortiz, writer Ian Holland)
  • Tales from the Grave: The Man They Called Dr Death – first episode (artist Jim Watson, writer Ian Rimmer (but credited as Rick Hunter))
  • A Ghastly Tale – Dumb Animals
  • Monster (artist Jesus Redondo, writer Rick Clark)
  • Fiends and Neighbours – cartoon (artist Graham Allen)
  • The Dracula File (artist Eric Bradbury, writer Simon Furman)

 

Scream 14 From the Depths

Nobody has hit the jackpot with Ghastly’s face, so he’s dropped another clue to help things along. Ghastly also reveals some facts about the popularity ratings of the serials. The Thirteenth Floor is first, Monster second, and The Dracula File and Library of Death are close behind. The letter page this week indicates The Nightcomers are also popular.

Looks like Ghastly really did not care much for opera – he gagged the latest victim in the London Dungeon for opera singing rather than have her sing high notes as suggested.

Dungeon

This week’s Ghastly Tale feels even more relevant today, where we are in an era of accelerating mass extinction, with poaching and animal trafficking being among the reasons. Yet some people still hunt endangered animals for trophies – and post it proudly on their Facebook pages – or for body parts, animal trafficking and so on. So the story has been posted here.

(Click thru)

 

 

Ghastly insisted that the artwork of the sea beast from the Library of Death tale be the best it could be, and they must have shown him the cover to prove it. The sea beast, a giant mutant created by radioactive waste dumped in the ocean, certainly makes for a magnificent cover. Once the beast is ashore, it’s “The Horror of Party Beach” Scream style. After the party’s over, with the aid of antidotes to the radioactive waste and the sea beast mutation, the authorities are relieved that at least the radioactive waste did not come into contact with a human being. Unfortunately the final panel indicates they may have spoken too soon…

Max is cheesed off to find a kid nicknamed Cheezy has taken to spraying graffiti on the walls of Maxwell Towers. Needless to say, it’s the Thirteenth Floor for Cheezy, where Max forces him to spray graffiti on the Empire State Building in increasingly dangerous conditions until he falls right off. Don’t worry – Cheezy will only land where he will be well and truly painted.

Dracula is still reminiscing on a prior encounter with another vampire hunter, Alexander Quinn. The flashback may be interesting and adds something to Dracula’s character, but really, it’s not doing much to advance the plot of Dracula vs. his current vampire hunter, Colonel Stakis.

“The Nightcomers” finally reaches the stage in the plot where the villain Simon Cutler captures our heroes and explains everything. Yes, he did dabble in demonology and summoned a demon, Baphomet. He did it for the power Baphomet would bring him, but instead found his life has been hell ever since he summoned that demon. The unhappy ghost is his wife Edna, who was accidentally killed when she stumbled onto his rituals, and he dumped her body down the well. Cutler believes the only way to satisfy Baphomet is to sacrifice the Rogans to him. He is not listening to Beth’s pleas that what Baphomet is really doing is using Edna, who can’t rest without proper burial, as a conduit to fully enter the world as a corporeal demon.

The Leper begins a new story with a Frankenstein theme. Dr Phillary has invented a machine that can bring body parts back to life, but is having trouble finding decent body parts for it. Phillary finally stumbles across an arm that’s a perfect specimen, but the body was whisked away to the graveyard before he could amputate the arm for his experiments. Undaunted, he’s turning to a bit of grave robbing to get it, and recruiting a couple of criminals, Fox and Hopkins, to help him.

It finally happens – Uncle Terry finally comes face to face with the policemen who have been pursuing him and Ken. The policemen – and their patrol car – come off the worst after trying to tackle Uncle Terry, but at least they are alive. Then Ken spots a means to get them to their destination – a boat. But how is Uncle Terry up for sailing? He doesn’t even know what a boat is.

Scream! #13, 16 June 1984

Scream 13 cover

  • The Nightcomers (artist John Richardson, writer Tom Tully)
  • Library of Death: The Sea Beast part 1 (artist J. Parkhouse, writer Simon Furman)
  • The Thirteenth Floor (artist José Ortiz, writer Ian Holland)
  • Tales from the Grave: The Escape – final episode (artist Jim Watson, writer S. Goodall)
  • A Ghastly Tale – Unlucky for Some
  • Monster (artist Jesus Redondo, writer Rick Clark)
  • Fiends and Neighbours – cartoon (artist Graham Allen)
  • The Dracula File (artist Eric Bradbury, writer Simon Furman)

Scream hits its 13th issue, which is a celebration for a comic like that, and that is precisely what Scream does. On the cover, The Thirteenth Floor (what else?) kicks off the theme of 13 and unlucky for some. In the story itself, Mr Bullock the callous housing official is subjected to a shark-infested ocean and being attacked by giant crabs on a desert island until he agrees to give five-star treatment to the family he treated so badly.

Scream 13 dungeon

The Ghastly Tale also has an “unlucky for some” theme, with a boy showing the yearly pictures of his birthdays. They progressively show his life going on a downward spiral that includes falling strangely ill and being put in a top secret MOD establishment, until he hits his nadir with – you guessed it – his 13th birthday photograph shows what he has become by then. There are no photographs of his 14th birthday.

Dracula’s a bit unlucky as well, you might say. Having a vampire hunter on his tail is giving him horrible nightmares of his previous experiences with vampire hunters, which range from torch-wielding lynch mobs attacking his castle to a professional vampire hunter, Alexander Quinn.

In this episode of “The Nightcomers” Raven’s Meet is really throwing everything but the kitchen sink at Rogans to destroy them. The Rogans dodge everything but clonks on the head from Simon Cutler. He’s taken them prisoner and he intends to sacrifice them to Raven’s Meet. At least it sounds like they’re going to hear the full story now.

The Library of Death does something new – a two-part story. It’s about a giant sea beast that emerges from the depths of the ocean and lands on the beach – and boy, is it a whopper! Eat your heart out, Jaws! Of course it’s scaring the hell out of everyone. The sea beast was probably inspired by “The Horror of Party Beach” as it was created from radioactive waste dumped in the ocean.

In the final episode of “The Escape” from Tales of the Grave, Barry White thinks he has gotten away with murder (which becomes double murder in this episode) and his booty by stowing away in a coffin that is sailing away to America. But he finds out too late that the coffin was intended for a burial at sea! Well, there’s his execution.

Unlucky for some, they say, but in this week’s episode of “Monster”, Uncle Terry and Ken turn out to be lucky – for a while, anyway. They finally met a more friendly person, a lady named Mrs McCrone who is not fazed by Uncle Terry’s appearance. Mind you, that’s because she’s blind. Mrs McCrone wants to turn them over because she says Uncle Terry needs help. But when Ken insists, she gives them a motorbike to help them along. But then they bump right into the police! Luck’s run out again.

Scream! #12, 9 June 1984

Scream cover 12

  • The Dracula File (artist Eric Bradbury, writer Ken Noble)
  • The Nightcomers (artist John Richardson, writer Tom Tully)
  • The Thirteenth Floor (artist José Ortiz, writer Ian Holland)
  • Tales from the Grave: The Escape – first episode (artist Jim Watson, writer S. Goodall)
  • A Ghastly Tale – The Final Cut!
  • Library of Death: Terror of the Tomb (artist José Casanovas, writer Simon Furman)
  • Fiends and Neighbours – cartoon (artist Graham Allen)
  • Monster (artist Jesus Redondo, writer Rick Clark)

More attempts at Ghastly’s face, and another clue is dropped. The fourth entry is the one that is paying more attention to the clues already dropped, but Ghastly makes no acknowledgment of it. Nobody is in the London Dungeon this week.

Ghastly Faces Scream 12

Here we have another wrap-around cover, this time of this week’s Library of Death story. The story is rendered by the ever-popular José Casanovas. Well, we don’t often see Casanovas drawing ancient Egypt and walking mummies, so here is the story for Casanovas fans.

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Dracula is using some surprising tactics in his quest for blood tonight: first he turns bus driver (now where did he get his HT licence?) and later he lies in wait in a post box. But he’s also rumbled that vampire hunter Stakis survived his trap, and it’s rousing memories of another vampire hunter. Woo…has our Dracula actually been traumatised by his experiences with Van Helsing?

The Nightcomers make their way into Raven’s Meet and discover the first evidence of why it is so horribly haunted. Someone was clearly messing around with the supernatural and unleashed forces they couldn’t control, and it could only have been that Simon Cutler. Beforehand, they found a very unhappy woman haunting the well, and think she might be the key to the mystery. But now there is a more pressing problem they haven’t seen yet – a bony hand reaching for Rick…

Max is at it again. This time it’s with a pompous housing official, Mr Bullock, who made a blunder in the booking for new tenants, the Sopers, and is not exactly anxious to correct his mistake. Instead, the remedy he offers splits the Soper family up and he doesn’t care squat. The punishment of the Thirteenth Floor has Bullock washed up on a raft and headed for a desert island, with sharks right behind him. Not quite sure how this punishment fits the crime, but let’s see how it plays out next week.

The Leper begins a new story about another nasty undertaker, Old Jeb, who likes taking rich pickings off corpses and counting them each night (talk about Scrooge!) and his ill-used apprentice, Billy White. But don’t spare any sympathy for Billy; he’s just as bad and greedy as Old Jeb. So bad in fact, that he murders Old Jeb, takes his pickings, and puts himself into a client’s coffin, which is intended to carry the corpse away on a ship. It looks like a great way to escape, but we suspect this will only have grave consequences for Billy…

In “Monster”, a bounty hunter has a go at Uncle Terry with a rifle. The result is another death at Uncle Terry’s hands and Ken being shot. Uncle Terry carries the injured Ken to a house in search of help. Unfortunately for him he has no concept of what “Beware of the Dogs” means and can’t read the warning sign because he has never been taught to read – and the dogs are lunging for him already.

We also get an Uncle Terry type in the Ghastly Tale, who takes the film director’s call to “cut” a bit too literally…

Next issue is #13, and for a comic like this, that’s a call for a special celebration. Indeed, we have a half-page blurb on how Scream will celebrate its 13th.

Scream! #11, 2 June 1984

  • The Dracula File (artist Eric Bradbury, writer Ken Noble)
  • Monster (artist Jesus Redondo, writer Rick Clark)
  • The Thirteenth Floor (artist José Ortiz, writer Ian Holland)
  • Tales from the Grave: A Fatal Extraction – final episode (artist Jim Watson, writer R. Hunter)
  • Library of Death: Ghost Dance (artist Mario Capaldi, writer Angus Allan)
  • Fiends and Neighbours – cartoon (artist Graham Allen)
  • A Ghastly Tale – Behind the Door! (artist Eric Bradbury?)
  • The Nightcomers (artist John Richardson, writer Tom Tully)

More attempts at Ghastly’s face this week. None succeed, but one extracts another clue and a second has the honour of being on the back cover (above) because it is so well drawn.

Scream 11 From the Depths

Scream 11 Dungeon

Stakis manages to escape Dracula’s trap and put the stake into one of his servants. That’s one down, but there are two more and Drac himself to go. Meanwhile, Drac has to resort to a condemned house for his new hideout, and shows that even he turns up his nose at drunks because booze makes their blood unfit to drink. He throws a good scare into them instead.

Groan. Uncle Terry kills again. This time it’s self-defence against two men who tried to kill him because of his appearance.

Max shows mercy to the latest visitor to his Thirteenth Floor, who is being punished for shoddy repair jobs, because he begged for it. This shows Max is learning where to stop with the Thirteenth Floor and trying not to let it go too far, as happened in some of the earlier episodes.

The (yeouch!) cover gives you an idea of how things end up for Sweeney Todd dentist Thorpe in the final episode of the Leper’s tale, doesn’t it? Yes, it turns out Makepiece the ghost had more than just revenge on his mind in killing Thorpe’s assistant Grimes. He uses his dark magic powers to turn Grimes into an animated corpse to wreak his revenge on Thorpe. Makepiece sends Grimes and Thorpe straight to Hell through their own Sweeney Todd chair – after having Grimes give Thorpe a taste of his own dental treatment, of course.

This week’s Library of Death tale is an intriguing one. It raises a few eyebrows and is full of surprising ironies, some of which you may find amusing as well as scary. The lead of a pop group mocks his fellow members for believing in ghosts although they use a ghost gimmick. So what happens when they shoot their latest video in a place with a reputation for genuine ghosts? Read it and find out.

(Click thru)

In a Ghastly Tale, a boy dreads what is behind the door. And what is behind the door? It is a common thing that boys don’t like. Clue – there is a lot of steam coming out from the door.

In “The Nightcomers” Beth rescues her brother Rick just as Cutler and his flunky are about to burn him alive, along with the house and the demon haunting it. However, it’s the flunky who gets burned alive and he throws himself down the well. Then another entity appears, and appears to be an unhappy female. Cutler clearly knows who it is and is terrified of it…but why do we sense it is more friendly than the demon?

Scream! #10, 26 May 1984

Scream cover 10

 

  • The Dracula File (artist Eric Bradbury, writer Simon Furman)
  • The Nightcomers (artist John Richardson, writer Tom Tully)
  • The Thirteenth Floor (artist José Ortiz, writer Ian Holland)
  • Tales from the Grave: A Fatal Extraction – (artist Jim Watson, writer R. Hunter)
  • Library of Death: Night of the Cobra! (artist Julian Vivas, writer Angus Allan)
  • Monster (artist Jesus Redondo, writer Rick Clark)
  • Fiends and Neighbours – cartoon (artist Graham Allen)
  • A Ghastly Tale – Goodbye Uncle George!

The latest attempt at Ghastly’s face is more successful than most so far because it actually hits on something about Ghastly’s face. Reckon the entrant should have been given extra money for that?

Scream 10 From the Depths

Dracula’s latest feedings are in the headlines as murders, but only Stakis realises their true nature. Unfortunately, Dracula has realised there is a vampire hunter on his tail after Stakis has a close encounter with Dracula’s new servant. Dracula does a runner while setting a trap for Stakis in his abandoned hideout. And Stakis walks straight into it!

The Rogans finally make their way into Raven’s Meet. While disposing of Cutler’s dead dog, Rick gets knocked out by Cutler and his flunky – who looks like Frankenstein’s Monster, minus the bolts on his neck.

This week’s Thirteenth Floor story is one that everyone who has been hit by a dodgy repairman should love. Two sleazy plumbers, who did shoddy work that actually hurt someone, find themselves on the Thirteenth Floor where pipes burst and threaten to drown them. Then they are trapped by raging fire.

In part two of the Leper’s story, the ghost of George Makepiece is out for revenge against dentist Thomas Thorpe, who murdered him Sweeney Todd-style. Too bad for Thorpe Makepiece was an occultist, as he and his assistant Grimes discover when they try to rob Makepiece’s house. Makepiece uses his powers to kill Grimes with a Sweeney Todd stunt of his own and sends him to the bottom of the river!

In the Library of Death, a laboratory in Malaysia is home to every species of snake. A newcomer on the science team is an unpleasant type who is only in it for the money that will get him out of debt. He is warned never to underestimate a snake. He would also be well advised not to underestimate a place that is nicknamed “the house of death”. But of course he doesn’t heed those warnings.

Scream 10 Dungeon

Oh dear, Uncle Terry’s done it again. He’s trashed a café with that horrible temper of his. At least he didn’t kill anyone this time. But now there are enough eyewitnesses for the police to get an identikit of Uncle Terry. And it’s one that will stick in anyone’s mind, because he looks just like the Hunchback of Notre Dame. Meanwhile, Uncle Terry and Ken continue on their way to Scotland to find the doctor who could help.

In the Ghastly Tale, the Jordans aren’t shedding a tear at Uncle George’s funeral. They think they are well rid of their kooky scientist relative and those crazy experiments of his. They throw the last one he made, labelled “life potion”, down into his grave as he is being buried – er, life potion?!