Tammy 18 December 1976

Artist: John Richardson

Babe at St. Woods (artist José Casanovas)

Towne in the Country (Mario Capaldi)

Curtains for Cathy (artist Douglas Perry)

The Family Feud – Strange Story (artist John Armstrong)

Edie the Ed’s Niece – Joe Collins

Bessie Bunter

Molly Mills and the Season of Goodwill – first episode

Wee Sue (artist John Richardson)

Nightmare at Grimm Fen (artist Diana Gabbot(t))

Olympia Jones (artist Eduardo Feito, writer Anne Digby)

Christmas craft feature

Tammy really is gearing up for Christmas now. Her Christmas craft feature is on how to make Christmas decorations. Edie is writing out her Christmas present list (with the Tammy annual included of course). Wee Sue’s class is putting on A Christmas Carol with Sue cast as Tiny Tim, and she takes quick action to stop a Christmas tree from starting a fire. Miss Bigger was cast as Scrooge (perfect role for her) and is given an offer of a role in a pantomime. Sue doesn’t tell Miss Bigger what kind of role it will be in case she turns into the Christmas grinch. As part of Christmas Bessie & Co are repairing old toys for the children in hospital, but a rocking horse leaves Bessie champing at the bit. Stanton Hall is being decorated for Christmas – but trust Pickering to act the grinch. Then Molly discovers the local children’s home is facing closure, and Pickering, of all people, gives her an idea on what to do about it.

Babe at St Wood’s goes to the fair but falls foul of a conman. He leaves her and her friends stranded on the roller coaster with the help of the snobs before going off on business of his own – stealing silverware. Then he falls foul of Babe and her gangster-taught skills. Babe proceeds to take revenge on the snobs, who have unwisely hidden themselves in the human cannonball cannon…

Val puts her vet skills to good use on the ship she stowed away from when she cures their mascot dog of an illness. In return they don’t hand her over to the authorities. Unfortunately a storm blew them off course and now Val is stranded in Spain.

A shot makes Cathy faint, but it didn’t come from the gun she bought – so where did it come from? Back at the theatre, Cathy again hears that voice telling her to leave the stage, and that person knows her real name. To make their point clear, they throw down a dummy placard of her, and it’s hanging by the neck. We have to wonder along with Cathy – is this a sick joke or a final warning?

In the Strange Story, dressing up as a cavalier (the brother) and Puritan girl (the sister) for a pageant has them arguing – which is nothing unusual for them. Then they have an encounter with a real cavalier whose brother became a roundhead. The brothers recognised each other too late in a cavalier/roundhead fight and ended up killing each other. The cavalier has regretted ever since that he never got the chance to make things up with his brother. After this, the brother and sister patch up their quarrel very quickly and become good friends.

Mark is still sceptical about Patty’s claims that the evil Robert Le Mal is back in business despite what is happening, including finding Robert Le Mal’s coffin open, chains broken and his body gone. However, Mark is finally convinced when a gang of brainwashed fisherman in the grip of Le Mal start attacking their refuge in Le Mal’s castle, chanting “Seek! Seek! Seek and destroy! … We must do our master’s bidding!” These guys have really got our heroes trapped. Can they find a way out?

A way out is something Olympia could really do with right now against the Rotts’ frameup. She does succeed in a temporary escape from the Rotts’ first attempt to seize her beloved horse, which lasts just long enough for them to make the last qualifying event for the Olympics team. The Rotts are now forced to go through police, a court case and “a lot of fuss” to get their hands on the horse and the fortune he’s worth when they expected a quick and easy killing handed to them on a plate. Still, they think it’ll be just an inconvenience to their plot, not a threat. Couldn’t possibly become their Waterloo. After all, there is nothing Olympia can prove. And Olympia fears the same when she’s arrested on the Rotts’ trumped-up charge of horse theft.  

Tammy 11 December 1976

Cover artist: John Richardson

Babe at St. Woods (artist José Casanovas)

Towne in the Country (artist Mario Capaldi)

Curtains for Cathy (artist Douglas Perry)

Ring in the New Year with a New Bike – competition

The Charioteer’s Dream – Strange Story (artist John Armstrong)

Edie the Ed’s Niece (artist Joe Collins)

Bessie Bunter

Wee Sue (artist John Richardson)

Nightmare at Grimm Fen (artist Diana Gabbot(t))

Olympia Jones (artist Eduardo Feito, writer Anne Digby)

Countdown to Christmas – feature

Oops, looks like the Cover girls are having a little trouble with what is probably an early Christmas present. Inside, Tammy adds a Christmas/New Year competition to her buildup towards Christmas. Her Christmas crafts feature this week is how to make gifts for little children. 

The school rowing teams are out in Babe at St Woods this week, and a rival school team is not playing fair. But of course they haven’t counted on Babe and her gangster skills. This week Babe draws on motorcycling skills the mob taught her. 

In this week’s episode of “Towne in the Country”, the whole focus of the story shifts from an “All Creatures Great and Small” theme to a journey theme. Val even gets a new hairstyle especially for it – a bob – much to her father’s consternation. Dad accepts a job in Africa, but Val is not accepting that she has to stay behind at boarding school. Oh, no, she’s going to follow him to Africa. In fact, she stows away on his ship. Then she finds out it’s the wrong ship and worse, she’s been caught.

Gee, now what was the thinking behind this abrupt change in the direction of the story – someone inspired by the 1976 Bella story where she stows away all the time and ends up in all sorts of places to get to the Montreal Olympics? Personally, I feel it would have been more logical to just end the current story with this episode and start the Africa saga with a sequel under a different title. Besides, “Towne in the Country” was the perfect title for the original story theme, but I don’t think it really suits the change in direction.

Cathy was warned there was a dark side to theatre: jealous types, dodgy types, mean types, etc. Now the reality must be sinking in. Trixie hates Cathy and is making her life a misery. She gets even worse when Cathy jumps from assistant stage manager to take Trixie’s part in the production. At least Cathy will get some money now. There is a second girl, Hermia, who looks like she’s out for trouble too. Added to that, there’s this other enemy out to make things curtains for Cathy and they look a lot more dangerous than Trixie and Hermia. But Cathy’s day is really ruined when she is sent out to find a rifle for the play and thinks the gun is unloaded. All of a sudden there’s a bang and she’s lying on the ground!

In the Strange Story, a Roman charioteer keeps having a recurring dream and goes to a soothsayer about it, who advises him to get a golden talisman if he is to win the event. He thinks he has found it in a slave child and buys her. Then he has to make an agonising decision between his desire to win and his conscience over slavery.

Edie goes to a fancy dress party dressed as Molly Mills – but a bully goes dressed as Pickering, and Edie does not have Molly’s talent for getting the last laugh over Pickering. She comes back with a black eye. Poor Edie.

Bessie tries to keep the boiler from being repaired in order to stall an exam. The boiler gets repaired in the end, but for once Bessie foils an exam and the other girls are pleased with her.

The seal saga ends this week for Molly Mills. Claire goes in to the lake to rescue Smiley after he gets tangled in fishing wire, but he ends up saving her. After this, Claire is allowed to keep Smiley and it’s a relief they no longer have to hide him.

Sue agrees to collect an animal from the zoo for a youth club fete – but nobody told her it was going to be a baby elephant! She is drawing a lot of laughter and hijinks as she tries to get him to the youth club, but a mouse scares him right back to the zoo. A toy shop manager comes to the rescue and allows Sue to take a giant toy elephant instead. Much easier to manage.

In “Nightmare on Grimm Fen” we finally get the backstory of Robert Le Mal. He had black magic powers, which he used to make dark birds terrorise everyone. The people eventually rose against him and killed him. But even as they did so, he said he would return, and watch out, because when he does, he will control all birds, animals and men, who will make him ruler of the land. And here come the birds already!

“We’ll handle it all with discretion” said animal welfare guy when he agreed to take Olympia Jones’ horse off her (without police involvement) on behalf of the Rotts after being tricked into thinking she mistreated the horse and then stole him from the Rotts. Well, that’s not how would describe how he’s handled it. “Professional”, “well planned” and “knows what he’s doing” are not descriptions I would use either. In fact, he’s bungled it so badly that he ends up chasing a fleeing Olympia and horse down the road, right in front of everyone. So much for discretion.

Tammy 4 December 1976

Cover artist: John Richardson

Babe at St. Woods (artist José Casanovas)

Towne in the Country (artist Mario Capaldi)

Curtains for Cathy (artist Douglas Perry)

Countdown to Christmas – feature 

Lucky Heather – Strange Story (artist Giorgio Giorgetti)

Bessie Bunter

Molly Molls – A Friend from the Sea (artist Tony Thewenetti, writer Maureen Spurgeon)

Wee Sue (artist John Richardson)

Nightmare at Grimm Fen (artist Diana Gabbot(t))

Olympia Jones (artist Eduardo Feito, writer Anne Digby)

It’s the first Tammy December issue for 1976, and Tammy sure isn’t wasting time building up to Christmas. She has a feature on how to make Christmas presents for the men in your family for the benefit of readers who are a bit cash-strapped for presents. It is the first instalment of a Christmas countdown feature.

Babe hasn’t taken much interest in athletics so far at St Wood’s, and now she’s got to contend with a head prefect who is running it all like an army drill sergeant – with help from Babe’s archenemies the snobs of course. The episode also gives us more of the Olympics theme that’s been running through Tammy during 1976. 

Speaking of the Olympics, what’s up with Olympia Jones?

Uh-oh! Olympia Jones doesn’t realise her hopes of an Olympic gold are under threat from the evil Rotts. They’re out to get their hands on the fortune her horse Prince is now worth as an Olympic prospect through their mug from LOLA (animal welfare society). They tricked LOLA guy into thinking Olympia mistreated Prince (it was themselves). Now they’ve tricked him into thinking she stole Prince as well, and is he able to please, please, get Prince back for them, as they don’t want the police involved.

LOLA guy says no problem, we’ll just walk into her next event, take Prince and drop him off to you, no need for the police. Groan…looks like LOLA guy will do anything for the Rotts. He should be asking serious questions about all this – like what the heck were the Rotts thinking in allowing this (as LOLA guy thinks) animal abuser to just make off with the very horse she was abusing in the first place and do absolutely nothing about it until now? He also says “we’ll handle it all with discretion”. But LOLA guy’s first move at the event isn’t exactly discreet – or smart – and puts Olympia on the alert before he’s even made his real move.

In “Towne in the Country”, that pesky pedlar who’s been selling fake animal medicine and cheating a lot of people finally gets cornered – by the tiger everyone else has been trying to find! Val, the only one who has gained the tiger’s trust, is going to step in.

Cathy starts her new job as assistant stage manager. She has already made an enemy, Trixie, who suspects where she has really come from. Worse, Cathy is nearly broke after being forced to use up so much of the allowance her father gave her. Well, it was her idea to do that assistant stage manager job for nothing! And now this other enemy who made that threatening phone call to Cathy’s father is now making whispered threats to Cathy herself. And it looks suspiciously like they nearly made her fall off a train as well.

The “Nightmare at Grimm Fen” is intensifying. It reaches the point where everything breaks down and Grimmford is cut off. Patty blames the evil knight, Robert Le Mal, she and her brother Mark unwittingly brought back to life. Mark is still sceptical about Le Mal, but then their father claims to have seen him.

Miss “Stackers” Stackpole is giving a lesson on the 21st century and anticipates that robots will be doing more and more of the things that used to be done by people. This has Bessie drifting off into a dream of what that would be like…robots bringing her grub and doing her lines for her, a robot Stackers teaching her class…well, her dream soon turns into a nightmare. Bessie’s dream sequences are among my favourite Bessie Bunter episodes. 

The Storyteller asks us if we believe in fairies. Heather Silver is wondering about that after an encounter with a strange woman who claims to have fairy descent. This is followed by curious events that get Heather’s redundant father a new job and Heather fulfilling her dream of going to vet college.

Miss Claire and Molly find a helper to help hide Smiley the seal, but keeping him secret is still proving problematic and Pickering is still on the hunt for him. And now it looks like a couple of fishermen have caught Smiley.

In “Wee Sue”, two girls have a fallout over netball on the eve of a netball final, so it’s vital to make them see sense fast. Unfortunately Sue’s efforts to patch things up only seem to make it worse. So she has to resort to a bit of cunning, which has the bonus of bringing extra custom to a coffee bar.

Tammy 27 November 1976

Cover artist: John Richardson

Babe at St. Woods (artist José Casanovas)

Towne in the Country (artist Mario Capaldi)

Curtains for Cathy (artist Douglas Perry) – first episode

The Unseen Hand (Strange Story) – artist Robert MacGillivray

Bessie Bunter

Molly Mills and a Friend from the Sea (artist Tony Thewenetti, writer Maureen Spurgeon)

Wee Sue (artist John Richardson)

Nightmare at Grimm Fen (artist Diana Gabbot(t)) – first episode

Olympia Jones (artist Eduardo Feito, writer Anne Digby)

Two new stories begin this issue: “Curtains for Cathy” and “Nightmare at Grimm Fen”.

In the former, Cathy Harley wants to make her own way on the stage, not because she’s the daughter of a famous actor. She’s even willing to do it the hard way and take all the hard knocks she’s been warned about. So she takes an assistant stage manager job under an assumed name at a rundown theatre, and she even agrees not to be paid for it. But no sooner has Cathy gone when Dad receives a threatening phone call saying he won’t see Cathy again and the curtains are coming down for her! We don’t think Cathy counted on that as part of the hard knocks she was willing to risk – but can she take it anyway when whoever it is starts their game?

In the latter, Mark and Patty Stephens make a brass rubbing of an evil medieval knight, Robert Le Mal. Then there are warning signs they shouldn’t have done that and they return to the place to reverse the damage. But as they do so, the weather grows stormy and there’s a horrible flapping sound.

It’s unusual for Robert MacGillivray to draw a historical story, but he does so with this week’s Strange Story. The story appears below for those who like MacGillivray artwork.

The snobs are cooking up trouble for Babe – literally – this week. It must be said that the gangster know-how she pulls to foil their scheme really does stretch credibility. 

There’s a hunt for a loose tiger in “Towne in the Country”, and there’s a hunter after it with safari ideas. Val spots it first and, realising it’s hurt, decides to risk herself to treat it. 

Miss Claire is trying to hide a baby seal with Molly’s help, but of course it’s a load of trouble for them both. Now there are further complications. The first is Pickering, who mistakes the seal for a monster and has all the staff hunting it. The second is another man finding the seal – and Molly doesn’t like the look of him! 

Sue plans a party. Unfortunately Mum accidentally scratches the new LP she was going to use for it, and the stores are sold out because it’s so hot. Then a stroke of luck and Sue’s habit of doodling bring her to the pop star himself, who agrees to perform live at her party after she does him a favour. 

Bessie Bunter pulls a crooked raffle to raise more food for herself, but of course she gets caught out. Her punishment is a notebook to be filled with lines. She never seems to get expelled for those naughty schemes of hers.

In this week’s episode of “Olympia Jones” it’s the long-awaited (and dreaded) return of her archenemies, the Rotts. We get the satisfaction of seeing that sacking Olympia for Linda Rott’s animal cruelty to escape prosecution from animal welfare has rebounded on them: “Takings down again…Sometimes I regret sacking Olympia Jones. She certainly knew how to train the animals.” They overlooked that Olympia was too valuable as animal trainer for Linda’s horse act, and her absence has caused the circus to suffer.

Then the Rotts discover the circus horse they mistreated has now become a show-jumping Olympic prospect under Olympia – which makes him worth a fortune. Now new cruelty is underway as the Rotts plot how to get their hands on that money.

The Unseen Hand. Strange Story, Tammy 27 November 1976.
The Unseen Hand. Strange Story, Tammy 27 November 1976.
The Unseen Hand. Strange Story, Tammy 27 November 1976.

Jinty and Lindy 27 November 1976

Go on, Hate Me! (artist Keith Robson, writer Len Wenn) 

Gertie Grit, the Hateful Brit! (artist Paul White)

Stefa’s Heart of Stone (artist Phil Townsend, writer Alison Christie)

Rose among the Thornes (artist Jim Baikie) – final episode

Alley Cat (artist Rob Lee)

Sue’s Fantastic Fun-Bag! (artist Hugh Thornton-Jones)

The Big Cat (artist Ana Rodriguez)

Girl in a Bubble (artist Phil Gascoine, writer Pat Mills)

Is this Your Story? (artist John Richardson)

Daisy Drudge and Milady Maud (Ken Houghton)

In part two of “Go on, Hate Me!”, Carol dies in hospital, and her last words to Hetty are to win a race at their athletics club. But now we begin to see what the title’s about: Carol’s sister Jo wrongly blames Hetty for Carol’s death and she’s turning everyone at the club against her.

Ruth Lee has vowed to get back the family horse, Captain, who has been sold as part of a rough eviction. Her gran has passed, and her dying words were “take care of the big cat”. Now what’s that about? This week “The Big Cat” makes its appearance: a circus cheetah!

Sue has figured out there’s something about her new handbag, which she has named Henrietta. Whenever she puts something in it, something strange – and hilarious – happens…

Of late, Stefa’s efforts to turn her heart into stone have been really laughable. She runs away from home but can’t part herself from her precious statue – so she takes it with her on a wheelbarrow! Needless to say, that soon gets her tracked down. Now she’s sleeping on the lawn beside her statue rather than in the same bedroom as Ruth – even though she damn well knows it’s cold outside. She wakes up soaking wet and shivering from the dew, the silly girl. Then Stefa is taken aback to discover that Ruth has suffered an even greater loss than hers – three family members, yet Ruth is taking it far better and more bravely than Stefa is with just one loss. Will this finally melt that stubborn, stony heart of hers? It’s certainly time enough. 

In “Is This Your Story?”, Georgie Jones has a very bad temper and flies off the handle like nobody’s business, and her classmates suffer for it. They give her a day in Coventry to drive the point home that she must work on her temper. After that, Georgie counts to ten more when she feels her temper rising. 

The title “Rose among the Thornes” takes an unexpected twist in this week’s final episode: Rose and the Thornes work together to stop a cylinder containing poison from releasing its deadly contents. Then the Thornes beat a fast exit from the village once people begin to realise what they’ve been up to, so our Rose is now Thorne-less. Let’s just hope the Thornes don’t get up to the same tricks elsewhere.

In “Daisy Drudge and Milady Maud”, Maud is learning to ice-skate at the posh finishing school, but an employee named Georges has realised she’s not Lady Daisy De Vere. And from the looks of things, he’s going to pull blackmail on her. Meanwhile, the real Daisy, mistaken for a servant, is trying to escape from the cruel household she’s landed up in. After several failed attempts at escape she’s now going for the extremely dangerous one that’s been on hold for some time – climb the household chimney! 

Gertie Grit visits the court of King Arthur this week. Caractacus declares a wizards’ strike to demand Gertie back, so Merlin can’t intervene when arch-enemy Mordred marches on Camelot. Gertie tries her own hand at wizardry to help King Arthur win, but instead of her messing things up as usual, Caractacus sabotages her efforts.

After escaping from the bubble Helen has reached home – only to find another girl in her place. And her parents call this girl Helen too! Miss Vaal informs Dad that our Helen has escaped from the bubble, but he isn’t saying a word to Mum. In fact, he doesn’t even want Mum to see our Helen. Weirder and weirder! Then Mum really does spot our Helen. What will her reaction be?

We’ve heard of concrete shoes, but this is ridiculous – Alley Cat lands his feet in two buckets of wet cement and they get stuck. Fortunately he manages to make use of it, but we think it would be a good idea if he can get his feet back by next week. 

Jinty and Lindy 13 November 1976

Jassy’s Wand of Power (artist Keith Robson) – final episode

Gertie Grit, the Hateful Brit! (artist Paul White)

Stefa’s Heart of Stone (artist Phil Townsend, writer Alison Christie)

Nature’s Wonderful Ways (feature)

Rose among the Thornes (artist Jim Baikie)

Alley Cat (artist Rob Lee)

Sisters at War! (artist Trini Tinturé) – final episode

Girl in a Bubble (artist Phil Gascoine, writer Pat Mills)

Is this Your Story? (artist John Richardson)

Daisy Drudge and Milady Maud (artist Ken Houghton)

“Heap big Injun trouble for Gertie Grit” says the cover. Heap big trouble for the Injuns more like, knowing our Gertie. Sure enough, she unwittingly causes another historical catastrophe, which in this case is Custer’s Last Stand. And it’s all because Custer put her on KP duty.

“Jassy’s Wand of Power” and “Sisters at War!” both end this week. The drought breaks when the power plant that’s causing it is shut down. Blimey, it’s been so long since a rainfall that Jassy’s little friend Mark doesn’t even realise what it is when it finally falls! Well, Jassy can retire her water-divining rod now. Story artist Keith Robson moves on to a new serial next week. Meanwhile, the sisters are still at war with constant arguing, but their uncle has decided he wouldn’t have it any other way. 

Another story ended last issue, but nothing new starts this week. Instead, we have a full page informing us that three stories start next week. We just love it when we have a nice big run of several stories starting at once. 

Meanwhile, poor Daisy has to do ironing with a broken bone in her hand (and it doesn’t look like that hand is getting any medical attention – ooh, that horrible household!). But Daisy finds a way to get the ironing done despite her hand and is surprised to be rewarded with a cat brooch. Unfortunately the other servants are still mean to her, and that brooch has made them jealous too. If only Daisy could see what Maud has learned about dealing with nasty types who bully servants – throw water all over them.

In “Is This Your Story?”, Freda has a bad habit of telling lies, but she gets caught out when she tries to pull a fast one over her teacher. She spends a horrible weekend dreading what punishment awaits her on Monday, which could be expulsion. What is teach going to do?

Ouch! Rose gets a faceful of stings while foiling the Thornes’ latest scheme this week. Gran’s herbal remedies sort out the stings, but then the bryony blooms – which is a warning of disaster. Sounds like the story is about to reach its climax.

Groan…not even Stefa’s own birthday softens her “heart of stone”. She throws all the presents she gets in the faces of everyone who gave them to her. Stefa, the day will come when you look back on this birthday with deep regret. Later in the episode, Stefa finds it’s going to be a lot harder to steer clear of Ruth – her parents are inviting Ruth over to their house and going to parents’ night to see her work. Stefa thinks it’s a cheek; she is their daughter, not Ruth. Huh, considering the way you’re carrying on with your folks, you’re the one who’s got a cheek, Stefa!

Helen manages to break free of Miss Vaal and shut her in the bubble for a change. On the advice of her teacher she goes home to tell her parents what’s going on. The very parents who never once visited her while she was in the bubble, come to think of it.

Alley Cat borrows a library book on how to “nab nosh”, but everything backfires and he ends up having to exchange it for a first aid book.

Harriet’s War (2018)

Published: Commando #5179

Art: Khato (story); Ian Kennedy (cover)

Writer: Andrew Knighton

In honour of Armistice Day, “A Resource on Jinty” brings you this Commando. 

Plot

It’s October 1918 in Belgium, but for Harriet “Harry” Weekes, an army nurse and ambulance driver, the closing days of WWI have gotten tougher than ever with increased fighting and lines on the move, which means more casualties. Not that she’s going to let that stop her and her friend Vera Davis from helping them. Harriet and Vera get so close to the combat zone they’re nicknamed “the angels on wheels”. They also get a lot of sexist remarks from chauvinist pig officers. Having grown up with four brothers Harriet knows how to stand her ground, but unfortunately she tends to go over the top about it. We soon see Harriet is the more emotional and prejudicial of the two; Vera is the cool head who thinks before she acts, is more open-minded and empathic, and acts as the voice of reason when Harriet’s hot head steams up.

Vera and Harriet get captured by a German soldier, Hauptmann Franz Maier, who wants them to treat their wounded. Seeing the state the wounded German soldiers are in, Vera immediately goes to help them. But Harriet does so under protest because they’re the enemy, “brutes” and “murderers”. She prompts Vera to make a run for it with her, but a German soldiers sees them and opens fire, wounding Vera. Harriet notices that Maier stopped the Germans firing more bullets, but she isn’t voicing her gratitude. Harriet is impressed to see Vera continue to treat the German soldiers despite her injury. 

Harriet is both surprised and angry when Maier questions how compassionate she is, running off like that when those men needed her. Harriet’s still too consumed with anti-German prejudice to show even one ounce of compassion when Maier says they’ve lost all their medics because of the Allied advance: “You could do the decent thing and surrender!”. She even slaps Maier.

Then their attention is drawn to a German soldier, Gerhard Muller, whose condition is now critical and medical attention is urgent. Harriet is so surprised to see the softer side of Maier when he tries to comfort Muller that she begins to open her mind. She even obeys Maier’s order to drive Muller to a German medical station. Maier comes along as translator and to deal with any hostile Germans. Harriet is even more surprised to hear Maier does realise the war is pretty much done (his final orders to his men reflected that); all he can do now is save his men.

The drive takes them through hostile German territory. Maier is very surprised at how Harriet drives through such territory; she says no man’s land has given her plenty of practice. 

When they arrive at the German medical station they find it’s in a sorry state because of Allied artillery bombardment. They manage to stabilise Muller with what is available, but he needs proper medical treatment and it’s not available there. As they treat Muller, Harriet and Maier draw closer together when he says he studied English in London and has friends there and Harriet says Muller reminds her of her brother Tommy. They draw even closer together when the station is hit by more artillery fire. It catches Harriet by surprise, as she never has encountered bombardment before, but Maier tells her what to do.

They can’t stay because of the bombardment. Harriet is against heading further towards the German lines because of the artillery – their better bet is to head for the British ones. Now it’s Maier who has to overcome his prejudices – against the British army! He doesn’t relish the thought of a POW camp either if he surrenders to the British.

Maier agrees to take Muller to the British lines, but the ambulance has to fight its way through more fighting and artillery as the Germans fight the British advance. Along the way she promises British soldiers she’ll come back for them. Muller is approaching death, and he reminds Harriet so much of her brothers that she’ll risk anything for him. And she does – she heads straight for the main British force, which is right in the heart of the fighting!

But when they arrive, it’s not the fighting that’s the problem, it’s the anti-German prejudice the soldiers have. Not even the forceful Harriet can persuade them to allow Muller to be treated and Maier ends up in the POW camp. Fortunately the nurses eventually reach a medical station where Harriet’s friend Captain Scott is in charge. They soon have Muller on the mend, and in the nick of time. Scott treats Vera’s wound as well. Harriet honours her promise to go back for the Allied soldiers, although by now she is collapsing from exhaustion. When the armistice is declared, everyone in the ward, including Maier (allowed out), celebrates, whether “British or German, nurse or soldier”. 

Thoughts

The story makes one huge comment about prejudice and how it can make good characters flawed as well as less savoury ones. Harriet’s wartime prejudice against Germans is so deep she’s not honouring the Hippocratic Oath, which dictates that medics treat all patients regardless of who or what they are. Maier’s prejudice is against the British army, a prejudice that proves more justified than Harriet’s when the British lines meet him, to the extent of their refusing to let Muller be treated because he’s German. By contrast, we have Vera and Captain Scott, neither of whom let prejudice get the better of them and both offer medical treatment to anyone who needs it. On the flip side is the chauvinism in some officers who don’t approve of women at the front, not even when they’re doing honourable and invaluable things there.

The story also illustrates that prejudice can be overcome and bridges get crossed. But Harriet illustrates that in some cases it takes a lot to do it. In her case, it’s being forced to work together with Maier. In the process she learns that Germans are human beings too and becomes more compassionate and empathic, and in so doing becomes a far better nurse than when she first started. At the beginning of the story she would never have dreamed she would celebrate Armistice Day together with Germans, but that’s precisely what happens. And so we get a far more satisfying end to the story than the Allies just hearing Armistice has come and the helmets fly up in the trenches in celebration.

Sadly, it’s not universal. Harriet and Maier are exceptions to the rule. For the most part, anti-German prejudice would have continued to run deep and, as history knows, it went a long way towards the infamous Treaty of Versailles, which proved to be the bedrock for the rise of Hitler and the start of World War II.

You also come away from this story with a whole new respect for wartime ambulance drivers. The story really shows what a tough, dangerous job it was, navigating such dangerous, unpredictable territory, sometimes having to drive through the line of fire itself and risk being blown up or whatever, in order to get much-needed medical attention to the boys on the battlefield. And so often you have to make do with what is to hand, which in the line of fire can get constantly blown up and be in short supply or not available at all. The story makes a strong point that medical services were casualties of artillery fire too, which did not distinguish what it hit.

The only problem I find with the story is one plot error. They keep talking about Muller needing a blood transfusion and antibiotics. Historically, in World War I the former was infrequent and its technology inadequate, and the latter was unavailable. If a bit more research could have been done there, we would have seen an even grimmer and more realistic of the medical situation on the WWI front that would illustrated how primitive WWI medicine was by modern standards. 

The Commando is yet another in the new line of Commandos to feature female protagonists. Its focus on nursing rather than resistance fighters or army officers is also innovative for Commando. The military must have often thought of nursing as a woman’s occupation, but the story shows that nurses often have to fight their own as much as the female fighters, whether it’s against the bombardment of the battlefield to do their job or the chauvinism of many of their own officers.

Jinty and Lindy 6 November 1976

Jassy’s Wand of Power (Keith Robson)

Gertie Grit, the Hateful Brit! (artist Paul White)

Stefa’s Heart of Stone (artist Phil Townsend, writer Alison Christie)

Rose among the Thornes (artist Jim Baikie)

Champion in Hiding (artist Hugh-Thornton Jones) – final episode

Sisters at War! (artist Trini Tinturé)

Alley Cat (artist Rob Lee)

Girl in a Bubble (artist Phil Gascoine, writer Pat Mills)

Is this Your Story? (artist John Richardson)

Daisy Drudge and Milady Maud (Ken Houghton)

In Jinty’s fireworks issue for 1976, Gertie Grit does the honours when her time-travelling gets her caught up in the Gunpowder Plot itself (below). Funny – the biggest fireworks of this historical event seem to come from Druid Caractacus.

Gertie isn’t the only one in the issue getting a taste of the Tower of London. That’s where Jassy is about to be sent to as well. It’s the fate of all those who claim to have psychic ability in this drought-stricken story.

The Thornes’ latest trick is play “ghost” to get their hands on the magistrate’s property, but Rose’s gran turns the tables by scaring the Thornes with the same ruse. Halloween was last week, you Thornes!

Ruth finds out the reason for “Stefa’s Heart of Stone” and starts a “Melt Stefa” campaign with her classmates to soften it. But from the looks of things, not even global warming would “melt Stefa”. However, jealousy is proving more effective; Stefa gets her nose put out of joint when her parents start treating Ruth like their very own daughter. 

Mandy in this week’s “Is This Your Story?” doesn’t want to share her brother with a girlfriend. She breaks them up, but her brother’s reaction isn’t what she expected. Her conscience pricks up and she gets them back together. 

In “Daisy Drudge and Milady Maud”, Maud finds a friend in a servant at the finishing school while Daisy can’t in the cruel household she has ended up in. The household is on holiday in the country and Daisy seizes another chance to escape. Unfortunately they catch up (again), and Daisy breaks a bone in her hand in the process. And nobody, not even the servants, has an ounce of sympathy for her there. Rather, they all laugh at what great sport it’s been chasing her.

“Champion in Hiding” ends this week. It turns out nasty Aunt Shirley and Mrs Blackmoor were in cahoots to stop Mitzi and Firefly from winning the dog championship, but win they do. Mrs Blackmoor’s furious and won’t pay Aunt Shirley because she failed, so Aunt Shirley is punished by ending up with nothing.

Helen’s back in the bubble and the sinister Miss Vaal manages to forestall Helen’s art teacher when she makes enquiries into what’s going on. Then Helen makes a bold move with the black book she stole from Miss Vaal to help her make a rush for freedom. Will it work?

In “Sisters at War!”, Uncle Jason runs away from hospital and camps out in hiding although he’s not well. Mum is furious when she finds out Sue has been helping to hide him though she knows about his condition. 

Spotty Muchloot and Alley Cat have another battle, this time with toffee. Well, we always knew Spotty was stuck-up.

Gertie Grit and the Gunpowder Plot
Gertie Grit and the Gunpowder Plot

Tammy 5 November 1977

Cover artist: John Richardson

Bella (John Armstrong)

C.L.A.R.A. (artist Giorgio Giorgetti) – first episode

No Place for Children (artist Eduardo Feito)

Good Old Guy Fawkes! (feature)

Down to Earth Blairs (artist José Casanovas)

Bessie Bunter

Glennie’s Gift (Colin Merrett) – Strange Story

Selena Sitting Pretty (artist Diane Gabbot(t))

Edie the Ed’s Niece (artist Joe Collins)

Wee Sue (artist John Richardson)

Rowena and the Realms of Night (artist Peter Wilkes)

Here we have the Tammy Guy Fawkes issue from 1977. As you can see, it’s bang on the day. Inside, we have a couple of reminders about the Fireworks code, Guy Fawkes jokes, and a Guy Fawkes story from Bessie. Poor Bessie is confined to sick bay with a sore throat on Guy Fawkes Night. Undaunted, Bessie sneaks out of bed and finds weird masked figures who look like they’re going to blow up the school. She proceeds to have fun foiling them. But it’s just Miss Stackpole and the pupils re-enacting the Gunpowder Plot. Once that misunderstanding is cleared up, Bessie feels her throat cleared up enough to join the fireworks party. There are also a few references to bonfire night in “Down to Earth Blairs”, but the only fireworks are from Betsy when she gets on the wrong end of Dad’s swill collection. 

A new story, “C.L.A.R.A.” starts. Professor Crichenor (who looks more like he’s from the stage than the laboratory with that outfit of his) offers the services of his computer C.L.A.R.A. (Crichenor’s Learning And Reasoning Aid) to raise the falling academic and sporting performance of Glumthorpe Comprehensive. Although the PTA’s response is to throw Crichenor out – literally – he intends to prove himself. He’s going to begin by making our protagonist, Frances Cummins, more organised.

Oh, poor Bella! Some jealous girls put a shard of glass in her shoe to sabotage her performance and she’s cut her foot very badly. Nasty! Once her foot is bandaged she manages to perform sufficiently to get a medal, but now someone is raising an objection to it. 

The mystery of the missing children in Tarnbridge deepens. Postcards arrive from them, but there are no postmarks. And the parents are getting angry and demanding answers from Mr Nash about where their children are.

In the Strange Story, Lorna loses her sight after a rock hits her on the head at a crumbling ruin. Her guide dog Glennie grows critically ill, but before he dies he leads her back to the spot where the accident happened. Another rock falls and returns her sight. The Storyteller makes an annual pilgrimage to put flowers on Glennie’s grave on Lorna’s behalf.

Selena takes advantage of heavy rain to run in a race without anyone seeing her and realise she is no cripple. She manages to get back to her wheelchair and thinks she’s still sitting pretty – but then discovers she overlooked the tell-tale mud all over her shoes. Is she going to be unstuck this time, or will she find a way out of yet another close call?

Sue and her friends are at a department store in search of a birthday present for their art teacher, but Sue’s small size keeps getting her into all sorts of scrapes, including landing in a washing machine. However, her small size helps in the end when the teacher is locked out and needs someone to get into window. Then it’s birthday celebrations.

A pedlar informs Rowena of the full danger her brother faces at the hands of the Nightqueen: if he takes the hand of the Nightqueen’s daughter in the upcoming dance of night, he will join the legion of the living dead!

Tammy 6 November 1976

Cover artist: John Richardson

Bella at the Bar (artist John Armstrong)

Towne in the Country (artist Mario Capaldi)

Sally in a Shell (artist unknown, writer Terence Magee)

Wee Sue (artist John Richardson)

Edie the Ed’s Niece (artist Joe Collins)

Bessie Bunter

Molly Mills: A Friend from the Sea (artist Tony Thewenetti, writer Maureen Spurgeon) – first episode

The Excursion – Strange Story (artist Carlos Freixas)

Babe at St. Woods (artist José Casanovas)

Olympia Jones (artist Eduardo Feito, writer Anne Digby)

As 5th November is nigh, we are bringing out some old issues commemorating Guy Fawkes, beginning with the Tammy Guy Fawkes issue from 1976. We seem to have a very generous tramp giving a penny for the guy on the cover. Or should it be penny for the guy’s jacket? Bessie Bunter, Wee Sue and Edie the Ed’s Niece all have Bonfire Night as their theme this week. There seems to be some carryover from Halloween, with people being mistaken for ghosts and other scary things, and Wee Sue’s headmistress making Guy Fawkes masks out of Halloween masks. 

The ghost theme continues in the Strange Story, where a boring double maths period gets livened up by what appear to be ghost girls. A priest and even a psychiatrist are called in to deal with the ghost infestation. It turns out the ghosts are time-travelling schoolgirls on an educational tour: “harmless exhibits – guaranteed safe” says the ad on their coach, which looks like a space rocket. It doesn’t say anything about “boring”.

This week’s episode of “Olympia Jones” rounds off the horrible night from last week, when Mr Rott sacked Olympia for the animal cruelty he knows his daughter Linda committed, to save his hide from the animal welfare inspector. He’s now yelling at Linda for almost landing him in trouble with animal welfare. Hmmph, we notice he’s not telling her off for the cruelty she inflicted. As it is, it’s all water off a duck’s back to her.

Next morning, the Rotts are surprised and then pleased to find not only Olympia gone but the horse they mistreated too – Olympia took him to get him away from Linda’s cruelty. She’s left her gypsy wagon home as payment and insurance the Rotts won’t come after him. But we can bet our Bonfire Night party that their paths will cross again. After all, there is that false charge of animal cruelty to be cleared up and we all want to see Linda get her comeuppance. Meanwhile, Olympia lands on her feet as a pony trek instructor at an adventure centre.

Elsewhere in the issue, the rabid dog that everyone’s been trying to find over the past several episodes of “Towne in the Country” finally gets tracked down and destroyed. But no luck yet in nailing that crooked pedlar who keeps selling fake animal medicine. At least Val stops him from drowning some puppies, ironically with help from the rabid dog.

“Sally in a Shell” is now more like Sally in a sweatshop. Dad and Dora reopen Miss Hanning’s craft shop as “The Shell Shop” and keep Sally locked in a room, cranking out shell ornaments at sweatshop pace for it. To add insult to injury, Sally finds out Dora is stealing the credit for making them. That’s the last straw for her, but how can she escape?

Babe wants to see a gangster film in town, but the snobs are pulling tricks to stop her going by landing her in a series of detentions. Babe breaks detention to see the film, but the snobs discover this. Can Babe sort them out before they grass on her?

In the new Molly Mills story, Mistress Claire is acting strangely: she wants a basket of raw fish; she wants a freezing cold bath prepared; she wants Molly to to buy some toys; and a flipper appears under her blanket. Molly finally finds out what’s going on when she discovers water coming down from Claire’s room. 

Bella’s on the move for the Montreal Olympics again. This time she’s going on horseback, and we are informed she is about to face an erupting volcano.