Tag Archives: Alan Davidson

Tammy 21 January 1984

Tammy cover 21 January 1984

Cover artist: John Armstrong

  • Foul Play (artist John Armstrong, writer Ian Mennell)
  • Julie’s Jinx (artist Julian Vivas, writer Nick Allen)
  • Pam of Pond Hill (artist Bob Harvey, writer Jay Over)
  • The Crayzees (artist Joe Collins)
  • First Term at Trebizon (artist Phil Gascoine, writer Anne Digby)
  • The Button Box (artist Mario Capaldi, writer Alison Christie, sub-writer Linda Stephenson)
  • Fashion Flashback – feature (Ray Mutimer)
  • My Terrible Twin (artist Juliana Buch)
  • Fun Time – feature
  • Swansea Jack (artist Douglas Perry, writer Linda Stephenson)
  • Queen Rider (artist Eduardo Feito, writer A. D. Langholm aka Alan Davidson)
  • Warm as Toast! Feature (Mari L’Anson)

The issue for 21 January 1984 has been chosen for 1984 in the conclusion to Tammy round robin.

Foul Play is unusual for being a non-Bella story drawn by John Armstrong. Katie Johnson received a serious hand injury during a hockey match. Her friends and family are convinced one of her own team mates deliberately caused it because they had always resented her. Katie doesn’t believe a word of it, but now someone is doing nasty things against the team. This week one gets her room vandalised and another gets her heart broken over a hoax call that her father was going to visit. Katie takes on the job of unravelling the mystery, and it must begin with the heartbreaking task of investigating her own friends and family as suspects.

My Terrible Twin is being reprinted by popular demand. The episode this week has already been discussed here, so we will move on.

In Pam of Pond Hill, a flu strain is causing chaos in town. It only seems to target the adults, which is giving the kids a bit of a free rein at home and school. But it’s not all fun for Pam. Cherry Laurence, the big-headed bully bossyboots who was unwisely appointed as a prefect, has now been put in charge of her form!

Tammy had always been running TV and book adaptations but now she is running two at once: The First Term at Trebizon and Queen Rider. Both the authors are former writers for IPC girls’ titles.

This week’s Button Box tale is a rags-to-riches story that centres on the Mexican art of dressing fleas. Swansea Jack, probably the last story Douglas Perry drew for Tammy, gives us the story of Swansea Jack, the dog who gave his name to a tavern by saving the lives of children at the docks of Swansea.

Julie Lee (who keeps her Romany background secret) gives her friend Gloria a Romany charm, but her horse has been acting strangely ever since. A nasty girl is spreading a rumour it is a bad luck charm. Julie is trying to find a way to deal with the problem quietly while not knowing what to make of it herself. Is the gift really “Julie’s Jinx”?

Jinty 30 April 1977

  • Creepy Crawley (artist Trini Tinturé)
  • Sue’s Fantastic Fun-Bag! (artist Hugh Thornton-Jones)
  • Cassie and the Cat – Gypsy Rose story (artist Terry Aspin)
  • Mark of the Witch! — final episode (Phil Townsend)
  • Alley Cat
  • The Darkening Journey (artist José Casanovas)
  • The Robot Who Cried (artist Rodrigo Comos, writer Malcolm Shaw)
  • Kerry in the Clouds (artist Cándido Ruiz Pueyo, writer Alan Davidson)
  • Spell of the Spinning Wheel (artist Jim Baikie, writer Alison Christie)
  • Don’t Forget to Remember! (craft feature)

This issue is from a great period of Jinty’s run. It includes a number of real classic stories that have stood the test of time and memory (“Creepy Crawley”, “Spell of the Spinning Wheel”, and “The Robot Who Cried” being the obvious stand-outs) and all in all is a really solid read.

“Creepy Crawley” shows the how mean the main character Jean Crawley can be: she goes to see her rival Mandy who is recovering from the bee stings that the scarab brooch caused to happen. But even when not under the control of the scarab badge Jean allows her jealousy to control her, enough so that she voluntarily goes back to wearing the scarab and letting it give her ideas on how to get the better of Mandy. And it’s not just limited to ideas – the scarab’s control over insects means that Mandy’s beautiful wooden sculpture is eaten by termites before it can beat Jean’s pretty painting in the school art competition.

In the Gypsy Rose story “Cassie and the Cat”,  Cassie rescues a cat from some bullies, but the cat is far from what it seems. Enjoy the creepy story, atmospherically drawn by Terry Aspin, at the end of the post.

It is the final episode of “Mark of the Witch!”, and outcast Emma Fielding redeems herself by saving rich girl Alice Durant, the girl who she’s persecuted in revenge for the persecution that Emma herself has suffered at the hands of the local villagers. As they keep each other afloat in the raging river, Emma takes a moment to think “It’s funny.. I could die, but I feel sort of happy! Happy to be fighting and struggling with Alice instead of against her!”

“The Robot Who Cried” is an invention of the bushily-moustached Professor Targett – codenamed KT5, she escapes from the laboratory and discovers that she can pass for a real girl – assuming she can sort out how human emotions like friendliness or loneliness work in real life, of course.

In “Kerry In The Clouds”, Kerry Langland is taken under the wing of famous actress Gail Terson, but Ms Terson clearly has an agenda of her own. There are echoes of the story “Jackie’s Two Lives”, also written by Alan Davidson – both feature a poor girl with ambitions beyond her station, manipulated in sinister ways by an older woman. Spanish artist Cándido Ruiz Pueyo provides some very stylish hairstyles and clothing.

Spell of the Spinning Wheel” is a rare foray of Alison Christie’s into a spooky mystery story – I wish she had done more of it, it was very memorable. Rowan Lindsay is sporadically struck down by a mystery tiredness – she’s worked out that it is related to hearing humming sounds but she hasn’t persuaded anyone other than her dad to believe her yet, and the doctors have now forbidden her from running again.

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Jinty 31 May 1975

Jinty cover 31 May 1975

Both Comixminx and I have been trying to find this issue for some time. Coincidentally, we both succeeded at virtually the same time.

As the cover states, the first episode of “The Valley of Shining Mist” begins this issue. This story was one of Jinty’s most enduring and beloved stories. Everyone compares Debbie Lane to a wild animal, yet that is because everyone, especially her cruel guardians, treats her like an abused animal. But something strange begins to happen when Debbie enters a valley that everyone avoids when it gets full of mist, and she sees something “fantastic!” From the sound of it, this is just the beginning of “strange and wonderful discoveries” that Debbie will see in the valley next week.

Two stories end this week, and their respective artists will move on to “Blind Ballerina” and “The Green People” next week. In the first, “Tricia’s Tragedy”, Tricia finally discovers that her guilt trip over cousin Diana’s blindness has all been over nothing – Diana’s ‘blindness’ was just the first in a long line of dirty tricks her unpleasant relatives have been pulling to put her out of the Lloyd Trophy. The eventual reveal that it was all to get their hands on Grandfather Lloyd’s inheritance is no great surprise. So the final lap to win the trophy turns into a race of revenge with Diana that ensures Tricia and her parents inherit what is rightfully theirs at long last. So they finally climb out of the poverty they descended into because of their horrible relatives – who soon clear out of town and their lives, thank goodness. The second, “Bet Gets the Bird!”, ends pretty much on a regular episode. The only indication of finality is Beth saying she’s glad to have Rosy Posy, even if the parrot does get her into trouble sometimes.

Merry and her friends now have a secret friend to help them against the cruelty they are suffering at the hands of the farmer the reformatory has illegally hired them out to. But now Merry fears they have lost him.

A sponsored walk for charity is going hilariously wrong because of Katie’s jinxing. It has progressively put all her fellow walkers out of the walk and eventually she’s the only one left. Then she discovers an old penny-farthing in a rubbish heap and tries to finish the walk that way. Katie the Jinx on a penny-farthing? That sounds like a recipe for disaster, and it certainly is at the finish line. Fortunately the penny-farthing turns out to be so valuable that it makes far more money for the charity than all of Katie and her walkers combined.

Dora’s challenge this week is a mother dog that is grieving because her litter died. Nothing seems to cheer the dog up until another mother dog at the hotel rejects her puppies. The grieving mother takes them over, and all is well with her again.

In “Daddy’s Darling”, Dad accuses Maggie of stealing Lee’s clothes, and right in front of everyone in the class! The teacher soon puts him straight: Lee has given the clothes to the clothing exchange. But of course difficult Dad doesn’t apologise to Maggie, and the incident forces Lee to resign as club president. What’s more, Dad’s pulling her out of school to educate her at home again, which will condemn Lee to loneliness and a stifling home life again.

Still, it’s better than the home life poor “Cinderella Smith” has with her cruel cousins. This week, they’re putting her in leg shackles that she has to wear around the house. They also beat her up when she confronts them about their hating her mother. But why do they hate her mother?

Greg is going on tour. Flo is sneaking along after discovering his manager Vince is trying to cheat him. Vince discovers the stowaway in his van and has Flo dumped on the roadside – in pouring rain.

Dot’s mother tells her to go fly a kite when she asks for extra money. That turns out to be an unwise thing to say, because that is precisely what Dot does. It ends up with her causing big trouble and the kite forms the basis of her punishment.

The text ghost story, “The Ghostly Guardian”, is about a ghost abbot who swore with his dying breath to protect the holy treasures of his church. He haunts “Abbot’s Dyke”, along with his pet owl, where the treasure from his church ended up. A truck driver disregards warnings not to dump rubbish in that dyke but soon discovers otherwise – too late.

 

 

 

Jinty 8 March 1975

Stories in this issue:

  • The Jinx from St Jonah’s (artist Mike White)
  • Tricia’s Tragedy (artist Ana Rodriguez)
  • Merry at Misery House (writer Terry Magee)
  • Do-It-Yourself Dot (artist Alf Saporito)
  • The Kat and Mouse Game (artist Jim Baikie)
  • Prisoners of Paradise Island (artist Trini Tinturé)
  • Dora Dogsbody (artist José Casanovas)
  • Bird-Girl Brenda (artist Phil Gascoine)
  • Daddy’s Darling (artist Phil Townsend, writer Alison Christie) – first episode
  • Jinty made it herself… (craft feature on how to make a dressing table tidy)
  • Slave of the Mirror (artist Carlos Freixas)

Katie jinxes herself at the launderette this week – she spilt the water from her goldfish bowl over her eiderdown and it all comes apart when she tries drying it. The understandably tetchy manageress kicks her out unceremoniously and so she needs to hang things up at home. Her Heath Robinsonesque drying lines only succeed in giving the vicar a hot bum and a cold neck, but Katie’s mother is just as glad that the vicar was chased away by this odd combination as it saved her from having to say yes to the favour he was about to ask for. The grateful mum hauls out a ‘do it yourself continental quilt kit’ that Katie can make up and use that night – with the goldfish bowl set far away from the bedside this time! (DIY continental quilt sets – did they ever really exist I wonder?!)

In “Tricia’s Tragedy”, Tricia is blaming herself for her cousin Diana’s accident and subsequent blindness. She’s feeling so guilty that she is even going to withdraw from the important swimming trophy that they are both entered for. Her father is adamant that she shouldn’t do that, and even locks her in until the morning so that she can’t do something rash. That doesn’t stop her and she runs away to Diana’s house – though her father does get her to promise that at least she won’t actually withdraw from the Lloyd Trophy competition herself.

Merry realises what the mysterious joker has been up to over the past few weeks – trying to get Miss Ball sacked. Wardress Stropp (aptly named) turns out to be the mysterious figure behind it all, and soon she is sacked and Ball reinstated. Not that Ball is any more of a fan of Merry than she was before the reinstatement! But Merry doesn’t mind too much because she is inspired by something Miss Ball said – it has given her an idea for a potential escape plan!

Kat opens this episode by hesitating when asked to leap up onto a platform – because she has weakened it herself deliberately, so as to get Mouse to injure herself! Mouse guesses what is behind the hesitation, and it is the end of their friendship. For good? Probably – but Kat is very sneaky and can at least think of ways to turn everyone else against Mouse, even if she can’t get her willing wee slavey back again.

Sally Tuff thinks everything is going her way at last – her school sports mistress Miss Granley has come to find and save them from Paradise Island, so she thinks. But an overheard conversation between Miss Granley and Miss Lush makes Sally question who is on her side.

New story “Daddy’s Darling” starts in this week’s issue. Not many Jinty stories were set during WWII (one exception being “Somewhere Over The Rainbow” by the same creative team, and another being “Song of the Fir Tree“, also drawn by Phil Townsend but with no credited writer at present). Lee Simons is a poor little rich girl – her father is over-protective of her because of the tragic deaths of her older brother who was killed when riding his bike, and her mother who got ill and died rapidly thereafter. Five years later Lee is chauffered around and tutored at home; but the war is about to change things as Mr Simons can no longer arrange everything just as he wishes.

In “Slave of the Mirror” Mia Blake is dead set on getting enough money to pay for modelling classes. At first she tries it the straight way, by doing extra tasks at the boarding house and hoping her sister will give her more pocket money; but soon the sinister girl in the mirror has her going about things in a rather less straightforward way, by sneaking off to a bathing beauty contest that her sister is bound to be up in arms about. She is doing well in the contest too, but Janet is outraged and swears she will soon put a stop to that!

Jinty 21 September 1974

Stories in this issue:

  • The Jinx From St Jonah’s (artist Mario Capaldi)
  • Jackie’s Two Lives (artist Ana Rodriguez, writer Alan Davidson)
  • Wenna the Witch (artist Carlos Freixas)
  • Always Together… (artist Phil Townsend)
  • Jinty Made It Herself… so can you! (craft feature)
  • Do-It-Yourself Dot (artist Alf Saporito)
  • Dora Dogsbody (artist José Casanovas)
  • Bird-Girl Brenda (artist Phil Gascoine)
  • The Hostess with the Mostest (artist Stanley Houghton)
  • Left-Out Linda (artist Jim Baikie)
  • Merry at Misery House (writer Terence Magee)
  • Wild Horse Summer
  • Angela’s Angels (artist Leo Davy)

I have been on a bit of a hiatus recently due to a very busy patch at work and some achy wrists from too much typing. Things have now settled down on both fronts so hopefully I will be able to ease myself back into blogging – and of course Mistyfan has been keeping things going on the blog with a recent focus on stories published in other titles and issues of other titles too.

This is issue 20 of Jinty and it feels quite thick and substantial – on counting the pages, it seems this was still running at a 40 page length at this point. There’s certainly quite a lot in it – the Katie Jinx story is a four-pager which continues a short story arc about Katie learning how to do hypnotism. She’s not quite as successful as she thinks she is being, because her school chums are fooling her by pretending to be hypnotized! But can she hypnotize a charging prize porker before it flattens her? I suspect not!

In “Jackie’s Two Lives“, Jackie meets Mrs Mandell for the first time. Of course she has to lie to her family in order to do that. That is only the tip of the iceberg, as Mrs Mandell starts to manipulate her further. It sounds so innocuous but it will all end badly, as we know.

Wenna is being persecuted as a witch – her local friends are being prevented from seeing her by their prejudiced parents. In fact the whole class of her year have been kept away from school – very cruel! Not surprisingly, Wenna takes this as a cue to run away.

The family in “Always Together…‘ are already runaways – elder sister Jilly is shocked to read in the paper that the water they have been using in cooking is polluted and likely to make them ill. Indeed, they all end up coming down with something. Jilly bravely keeps things going but once they are better there are the continuing challenges of before. How will they get enough money to eat and sustain themselves? Jilly’s talent for sketching will hopefully help but that might not be enough, because the little family are still not very strong and healthy.

In “Jinty Made It Herself” the reader is advised on how to adapt an old jumper into a different piece of clothing such as a tank top.

Linda is feeling very left-out in the story of the same name. Her mother has remarried and she has a step-sister, which rather spikes Linda’s plan of being expelled from school so that she can hang out with her mother and be as close as they were before everything changed. Step-sister Lorette seems rather nice and is certainly trying hard to be friends but Linda is having none of it. What’s more, when she does try to make amends by cooking tea, it all seems to go wrong and she is unhappier than ever.

Merry at Misery House is unhappy because her parents are suffering money troubles due to her father being taken ill. The other reformatory girls come up with a plan to earn a bit of cash that Merry can send off home. Unfortunately the way they earn it involves exposing themselves to illness, and soon the whole of Misery House starts to come down with virulent influenza. Yikes, that’s a real killer.

Daphne of “Wild Horse Summer” is made to go out picking sloes with the other orphanage children – everyone’s being very kind but all Daphne wants to do is to see the splendid white horse that she is secretly making friends with. On her ride, though, she spots that the farmhouse is on fire, with no-one left there to put it out! Her secret will be out but she has to alert everyone.

Finally, “Angela’s Angels” features a daring rescue from a crashed light plane – nurse Sharon rescues her hero, Neil Crosby, a tennis star. Fat lot of thanks she gets from him when he realises that he is paralysed and may never be able to walk again! There are lots of anguished faces in the beautiful art by Leo Davy.

Alan Davidson

Alan Davidson, author of various Jinty stories such as "Jackie's Two Lives"
Alan Davidson, author of various Jinty stories such as “Jackie’s Two Lives”

We have run a few posts about Alan Davidson before now on the blog, but not a complete summary post that serves as an appreciation of his work. Of course no summary post can be properly complete at this stage as we do not know all the stories he wrote for girls’ comics – his wife Pat Davidson has mentioned that he kept careful copies of his invoices and his scripts, but to go through those files is itself a lot of work. We can hope that we will hear more titles of stories in due course, and if so, I will certainly add them into this post. In any case, we now have story posts about all five of the Jinty stories that it is is known that Alan wrote, so the time seems right for an appreciation of him as a comics writer.

Known Jinty stories written by Alan Davidson:

Known stories in other titles:

  • Little Miss Nothing (Tammy, 1971)
  • Paint It Black (Misty, 1978)

Pat Davidson has also stated in a separate email that “[f]or older readers he contributed some excellent stories for Pink and often met up with Ridwan Aitken, the then editor. I don’t have any records of these to hand, although I remember a very original story about a hero who could predict earthquakes, which Alan much enjoyed writing. I can’t remember its title.”

Having set down these initial bibliographic details, what can we pull together in terms of an appreciation of his work, in girls comics and elsewhere?

Davidson’s work is not as strongly themed as Alison Christie‘s concentration on heart-tugging stories which forms the bulk of her comics writing. There is a clear focus on wish fulfillment in his Jinty stories: Gwen stumbles into a position where her schoolmates respect and appreciate her as she has always wanted, Jackie is swept up by a rich mother-figure who is prepared to take her away from her life of poverty, Debbie finds a mysterious valley and within it a sort of fairy godmother who will save her from her cruel family, and Kerry is likewise swept up by a rich mentor who looks like she is a route to the fame that Kerry has always wanted. The wish in question is almost always double-edged or positively treacherous: Debbie is the only one who ends up happy with getting what she has always wanted (and of course her fairy godmother figure is stern-but-kind rather than seemingly kind but morally dubious). However, Davidson plays the theme of wish fulfillment while ringing the changes: none of his stories are close repeats, even though they have this similar focus.

For Jinty‘s pages he also wrote the important science fiction story “Fran of the Floods” (1976) – perhaps not quite the first SF story that ran in this title (that is arguably 1975’s “The Green People”) but a hugely popular one that ran for some 9 months. Jinty‘s reputation as a title that ran lots of SF surely must owe plenty to the success of this key story. It is a strong story through to its end, though showing a few signs of padding in some parts of the long journey taken by the protagonist. (I note that Sandie ran a story called “Noelle’s Ark” a few years earlier which has a number of similarities without being as strong on characterization or drama: it would be interesting to know if this was something that Davidson was aware of, or perhaps even the author of.)

Davidson of course had also previously written a standout story that gave girls’ comics a key new theme: 1971’s “Little Miss Nothing” started the run of Cinderella stories which gave Tammy its reputation for cruelty and darkness. Pat Mills has lauded this as being written with a real lightness of touch and being written very much from the heart (note that he thought at the time that this was written by Alan’s wife Pat, which has since been corrected by Pat Davidson herself). We know less about what we wrote for titles other than Jinty: it seems he wrote little else for Tammy (unless Pat Davidson can correct that impression?), and only one story for Misty. “Paint It Black” was part of the opening line-up of that comic. While it was a compelling read it doesn’t seem to have struck the same chord with readers as some others from that title, and Davidson doesn’t seem to have written more for Misty (perhaps also due to the fact that he was finding success in children’s prose fiction from around that time).

It’s clear that Davidson’s writing is strong all round, and at its height was really mould-breaking (not just once, at least twice). There are ways in which it follows the conventions of girls comics writing reasonably closely: the titles of his stories tend to follow the standard set up of focusing on the girl protagonists (Gwen, Jackie, Fran, Kerry) though veering away from that in some cases (“Valley of Shining Mist” and most particularly “Paint It Black”). I’m not sure whether this all-round strength is part of the reason for another aspect of his comics career which I was struck by when looking back – he has not been associated with one particular artist, but rather been illustrated by a wide range of artists with no repeats that I know of. This contrasts with the partnership between Alison Christie and Phil Townsend, who created some seven very popular stories together for Jinty.

From the mid to late 70s, Davidson started to concentrate on prose fiction for children. It’s a little hard to search for details of his work online as he doesn’t seem to have had his own web presence and there are a few other well-known figures with the same name (such as a food writer and a cricketer). This Goodreads author page is the clearest list I have found of his prose works, while it’s also worth looking at his Wikipedia page, which tells us that he started off as a subeditor on “Roy of the Rovers” for Tiger. Writing children’s prose fiction has clear advantages over continuing in the world of juvenile comics: better recognition by your public rather than having no printed credits in the pages of the comics titles, better rewards for success in the form of royalties and translation money. At the same time, his most successful prose work, “The Bewitching of Alison Allbright”, is an effective re-working of his popular comics story “Jackie’s Two Lives”. The influence of the earlier writing clearly informs the later work too: what comics loses, children’s fiction gains.

If Davidson had been writing a decade or so later, might he have been swept up in the popularity of 2000AD and the migration that various British creators made to the US market? That only seems to have drawn in the creators working on boys’ comics, so I assume not. It is pleasant to imagine the talented writers of juvenile comics being fêted and recognized by name in a way that British publishers spent many years fighting to prevent. Ultimately however it is a sad thought: Alan Davidson, who is amongst those who most deserve that name recognition, is only now getting a small fraction of that recognition after his death.

Jinty 18 June 1977

jinty-18-june-1977

  • Creepy Crawley – artist Trini Tinturé
  • Sue’s Fantastic Fun-Bag! – artist Hugh Thornton-Jones
  • The Sable Knight (Gypsy Rose story) – artist Keith Robson
  • Curtain of Silence – artist Terry Aspin
  • Alley Cat – artist Rob Lee
  • Meet the Modest Star… Richard Beckinsale – feature
  • The Robot Who Cried – artist Rodrigo Comos, writer Malcolm Shaw
  • The Darkening Journey – artist José Casanovas
  • Kerry in the Clouds (final episode) – artist Cándido Ruiz Pueyo/Emilia Prieto, writer Alan Davidson
  • Spell of the Spinning Wheel – artist Jim Baikie, writer Alison Christie
  • Memento of a Memorable Year! – feature

It’s the final episode of “Kerry in the Clouds”. There are hard lessons learned for both Kerry (the dreamer with her head in the clouds) and Gail (who took advantage of this to get revenge on a film producer) before the happy ending. “A Boy Like Bobby” takes its place next week.

“The Spell of the Spinning Wheel” is coming to an end too. This week Rowan is let down by a man who seemed to believe her, but it turns out he was a student psychiatrist who thought she was a nut case, and Dad shows him the door. Fortunately the final episode is next week, so something is finally going to help. Meanwhile, Rowan is outracing the spell of the spinning wheel to get medical help for her injured mother.

“Creepy Crawley” is beginning to approach its conclusion as well. The invasion of insects continues at Jean’s school, but Mandy, the only one who can stop it, is finally on her way. However, Mandy is not sure she will be able to stop the invasion because it requires her to forgive the very girl who did so many horrible things to her…

Madam Kapelski takes Yvonne on a special tour of the dreaded State Home for Children of Dissidents to bring her into line. Afterwards Yvonne decides to cooperate with Kapelski, but secretly isn’t giving up on escape.

The Darkening Journey takes an even darker turn when Thumper falls foul of a cruel man who abuses him. It gets worse when a fire breaks out, but Thumper can’t escape because he is chained up!

Katy has stunned everyone with her turn of speed at racing, but then it looks like she’s developing a malfunction.

In this week’s Gypsy Rose story, Prue Preston has trouble from two evil, cruel men at a jousting tournament. One is alive and one is long dead – but his ghost comes out in full armour to join the fun!

Henrietta uses her magic to help a street artist, but her spells aren’t working out as she hoped, which leads to hijinks. Of course everything turns out happily in the end.

Jinty 11 June 1977

jinty-11-june-1977

  • Creepy Crawley – artist Trini Tinturé
  • Sue’s Fantastic Fun-Bag! – artist Hugh Thornton-Jones
  • The Marble Heart (Gypsy Rose story) – artist Carlos Freixas
  • Curtain of Silence – artist Terry Aspin
  • Rinty ‘n’ Jinty
  • Jubilee Week competition
  • Alley Cat – artist Rob Lee
  • Silver Spoon Stars (Barry Sheene) – feature
  • The Robot Who Cried – artist Rodrigo Comos, writer Malcolm Shaw
  • The Darkening Journey – artist José Casanovas
  • Kerry in the Clouds – artist Cándido Ruiz Pueyo/Emilia Prieto, writer Alan Davidson
  • Spell of the Spinning Wheel – artist Jim Baikie, writer Alison Christie
  • Memento of a Memorable Year! – feature

Jinty commemorates the Queen’s Silver Jubilee, and “Sue’s Fantastic Fun-Bag!”, Rinty ‘n’ Jinty and Alley Cat all celebrate it, and of course there is a competition to go with it. Not to mention a feature on how to make your own commemorative mug. In keeping with the silver theme Jinty is turning the spotlight on celebrities born with silver spoons in their mouths, starting with Barry Sheene. Sue and Henrietta are already planning ahead to the Golden Jubilee. I wonder Jinty had any anticipation that the Queen would make it to her Diamond Jubilee as well?

What “Curtain of Silence” has been building up for in the early episodes finally happens: Madam Kapelski takes advantage of Yvonne’s striking resemblance to Olga to kidnap her and force her to take the now-dead Olga’s place. Yvonne has lost her voice, so she can’t tell anyone. Olga’s cousin Tanya figures it out, but Madam threatens her with the dreaded State Home for Children of Dissidents to keep her silent.

Carlos Freixas has been absent from Jinty since “The Valley of Shining Mist”, but this week he’s back for a one-off with the Gypsy Rose story. A Greek girl was turned into a statue as a punishment when she unwittingly causes the death of her lover through the cruel way she treated him. She continues to serve as a warning to other girls not to be cruel to their lovers. Unfortunately the warning comes too late for Patsy, who gets dumped by her boyfriend for the cruel way she treated him.

In Creepy Crawley the evil scarab gets the insect invasion underway. A plague of locusts traps everyone in the school and Jean warns them it’s just the beginning. And there’s no end either, because Mandy, the only person who can stop it, is absent.

Susan is getting more suspicious of Katy, especially after the professor’s goon grabs her because he mistook her for Katy. But Katy is not confiding in her.

The Darkening Journey continues, with Thumper and Beaky on the run from a vet, of all things.

Kerry in the Clouds has been heading for a fall for a long time because Gail Terson is taking advantage of her for some purpose. Now it finally comes when Kerry gets a contract for the starring role in a film – and then realises she can’t act! Terson had known that all along, and now the truth is out she’s looking like the cat that got the cream. But why?

Rowan survives a road accident and now she’s got an offer of help from a hiker about dealing with the evil spinning wheel. But next week’s blurb hints that his offer is not what it seems.

Kerry in the Clouds (1977)

Sample Images

Kerry In The Clouds pg 1

Kerry In The Clouds pg 2

Kerry In The Clouds pg 3

Published: 16 April 1977 – 18 June 1977

Episodes: 10

Artist: Cándido Ruiz Pueyo/Emilia Prieto

Writer: Alan Davidson

Translations/reprints: Klaartje in de wolken [Klaartje in the clouds] in Tina 1978

Plot

Kerry Langland has just left school. Her nickname is “Kerry in the Clouds”, partly because she lives so high in an apartment block that clouds settle over it sometimes. But it’s mostly because she always has her head in the clouds with dreams of being a famous actress. She loves to dress up and go out on the balcony, imagining that she is an actress, and getting away from the apartment block she hates living in. Her former classmates have always teased her over her dreaming. They say her dreams are all castles in the air and she doesn’t have what it takes to be an actress. Kerry’s parents share the same view and fix her up with a dead-end factory job, saying she can’t expect better because she wasted her schooling on dreaming.

So Kerry writes to her idol, the famous actress Gail Terson, for help. Much to Kerry’s surprise, Terson shows up in person to see her and agrees to help, saying Kerry has the talent to make it as an actress. She gives Kerry a complete makeover to make her glamorous, takes her around the high life, gives her plenty of media exposure, and fixes her up with an agent for a soft drink ad that will be circulated nationwide. As people see Kerry’s ad on the billboard, the teasing stops and nobody calls her “Kerry in the Clouds” anymore.

Kerry’s parents warn her it’s all too good to be true and she shouldn’t buy into it because there must be a catch somewhere. They are right: Terson is just taking advantage of Kerry and her head always being in the clouds, but just what Terson wants Kerry for is not clear. Kerry’s own suspicions begin to grow after seeing Terson use a dress that looks suspiciously like the one she bought for Kerry in a shopping expedition. But Terson pulls the wool over Kerry’s eyes by saying the dress is all part of an acting role she has got for Kerry.

So Kerry goes back to living the high life. Her picture is getting in all the papers, her parents are astonished at the whole new glamorous wardrobe Terson has bought for her, her pay cheque for the poster ad is far bigger than anything she would have earned at the factory, and the press say she is tipped as a girl who is going places. Kerry even finds herself being mobbed by autograph fans, including the two girls who used to tease her at school.

Kerry realises her makeovers and new wardrobes have been designed to build her up for the starring role in a film called “The Buttercup”, the role Terson plays in the stage version. Then Kerry learns that Terson had wanted the same part in the film, but film producer Mel Simpson turned her down because he considered her old and stale while the public wanted someone new. Kerry wonders why Terson helped her to get the role that she wanted so badly.

Crunch time comes when shooting starts, and all of a sudden Kerry realises she can’t do the role because she can’t act at all! Which is precisely what Terson had known all along. She had known from the first that Kerry was just a dreamer and had no real acting talent – which is what the parents and schoolgirls had always said to Kerry. She had just been stringing Kerry along to get her revenge on Simpson by lumbering him with a talentless girl in the leading role and being stuck with her because of the contract.

Kerry is distraught at being played for such a fool and realises her parents had been right all along. She releases Simpson from the contract and disappears, and the papers are full of it. Once Terson reads about Kerry’s disappearance she is struck by remorse and goes after Kerry, whom she finds on the roof of the apartment block. She apologises to Kerry, saying she never considered Kerry’s feelings while plotting revenge against Simpson. Kerry says the experience has made her grow up and realise how her constant dreaming was so unrealistic, so she bears no grudges. Terson offers Kerry a job as a personal assistant, and Kerry accepts.

Thoughts

This story is not one of Jinty’s more memorable stories. But recently it has attracted comment on the Jinty blog for two reasons. First, we have been provided with a glimpse of the script for part one, which still exists and came to light in writer Alan Davidson’s files. Second, there is some controversy over the identity of the artist. Is the artist’s name Cándido Ruiz Pueyo or Emilia Prieto? It is Pueyo, but for a while he worked under the pseudonym Emilia Prieto, and a panel in the final episode of this story is signed with his pseudonym.

Although the story is not one of Jinty’s classics, it certainly breaks some moulds in the Cinderella and “dream fulfilment” formats. It does not end up with the heroine realising her dream of becoming an actress and having the last laugh on the parents and schoolgirls who said she was just a silly dreamer. Instead, it is revealed they were right all along, and Kerry is made to realise it when she is forced to act for the first time in her life and discovers she can’t. In all those years she dreamed of being an actress, she clearly made no serious attempt to realise her ambitions by, say, pursuing drama clubs and school plays to get experience. If she had, she would have realised long ago that she was no actress. Instead, she just indulged herself with dreaming while not doing anything serious to fulfil her dreams until she writes to Terson.

The story is also a cautionary tale in that old adage “If it sounds too good to be true, it usually is”. Kerry was very fortunate in that the woman who took advantage of her eventually found her conscience and made amends by offering Kerry a high-paying job that would still get Kerry into the acting world, of sorts. So Kerry would not be stuck in dead-end factory jobs like Dad and continue to live in the graffiti-smeared apartment block she hated so much. There are many sleaze bags out there waiting to prey upon the dreams of innocent, naive girls to take advantage of them.

Jinty 28 May 1977

jinty-28-may-1977

  • Creepy Crawley – artist Trini Tinturé
  • Sue’s Fantastic Fun-Bag! – artist Hugh Thornton-Jones
  • Tell Us – problem page
  • Rinty ‘n’ Jinty
  • The Face at the Window (Gypsy Rose story) – artist Phil Townsend
  • Curtain of Silence – artist Terry Aspin
  • Play the Game ! – feature
  • Alley Cat – artist Rob Lee
  • The Dead End Kids are Going Places! – feature
  • The Robot Who Cried – artist Rodrigo Comos, writer Malcolm Shaw
  • The Darkening Journey – artist José Casanovas
  • Kerry in the Clouds – artist Cándido Ruiz Pueyo/Emilia Prieto, writer Alan Davidson
  • Spell of the Spinning Wheel – artist Jim Baikie, writer Alison Christie

Creepy Crawley’s plan to get Mandy expelled succeeds, and she has even manipulated things so Mandy thinks poor Sheila was the one who framed her! But there is a new ray of hope – Sheila recalls seeing another copy of the book that would explain everything about the evil scarab. Including, we hope, the way to stop the scarab.

A bully teacher in “Sue’s Fantastic Fun-Bag!” thinks the sound of birds singing is for the birds. Naturally, that is an open invitation for the fun-bag to teach her a lesson.

Sandra Frazer thinks she has photographed a ghost at a run-down cottage, and even Gypsy Rose is a bit stumped for an answer. But then they discover the photograph is of a missing girl who is trapped in the cottage. A ghost from the future, would you believe!

Yvonne is relegated to reserve for bad behaviour and does not realise look-alike Olga is stringing her along. The gypsy woman still warns Yvonne to get out of Mavronia, but we know Yvonne won’t heed that advice.

Rowan thought she had a respite from the spinning wheel because it was broken. But now she’s falling asleep from humming noises again, and Mum is bringing back the spinning wheel. Looks like it’s been fixed, so its curse is back in action, worst luck!

Beaky and Thumper are in big danger this week from a violent storm and floods, and end up separated. Will they ever be together again?

Kerry is soaring higher than ever. A flash new wardrobe, autograph fans, a huge pay cheque, and the starring role in a movie, all courtesy of Gail Terson. Oh, why do we get the feeling the fall is coming for Kerry?