Tag Archives: Alley Cat

Jinty 30 April 1977

  • Creepy Crawley (artist Trini Tinturé)
  • Sue’s Fantastic Fun-Bag! (artist Hugh Thornton-Jones)
  • Cassie and the Cat – Gypsy Rose story (artist Terry Aspin)
  • Mark of the Witch! — final episode (Phil Townsend)
  • Alley Cat
  • The Darkening Journey (artist José Casanovas)
  • The Robot Who Cried (artist Rodrigo Comos, writer Malcolm Shaw)
  • Kerry in the Clouds (artist Cándido Ruiz Pueyo, writer Alan Davidson)
  • Spell of the Spinning Wheel (artist Jim Baikie, writer Alison Christie)
  • Don’t Forget to Remember! (craft feature)

This issue is from a great period of Jinty’s run. It includes a number of real classic stories that have stood the test of time and memory (“Creepy Crawley”, “Spell of the Spinning Wheel”, and “The Robot Who Cried” being the obvious stand-outs) and all in all is a really solid read.

“Creepy Crawley” shows the how mean the main character Jean Crawley can be: she goes to see her rival Mandy who is recovering from the bee stings that the scarab brooch caused to happen. But even when not under the control of the scarab badge Jean allows her jealousy to control her, enough so that she voluntarily goes back to wearing the scarab and letting it give her ideas on how to get the better of Mandy. And it’s not just limited to ideas – the scarab’s control over insects means that Mandy’s beautiful wooden sculpture is eaten by termites before it can beat Jean’s pretty painting in the school art competition.

In the Gypsy Rose story “Cassie and the Cat”,  Cassie rescues a cat from some bullies, but the cat is far from what it seems. Enjoy the creepy story, atmospherically drawn by Terry Aspin, at the end of the post.

It is the final episode of “Mark of the Witch!”, and outcast Emma Fielding redeems herself by saving rich girl Alice Durant, the girl who she’s persecuted in revenge for the persecution that Emma herself has suffered at the hands of the local villagers. As they keep each other afloat in the raging river, Emma takes a moment to think “It’s funny.. I could die, but I feel sort of happy! Happy to be fighting and struggling with Alice instead of against her!”

“The Robot Who Cried” is an invention of the bushily-moustached Professor Targett – codenamed KT5, she escapes from the laboratory and discovers that she can pass for a real girl – assuming she can sort out how human emotions like friendliness or loneliness work in real life, of course.

In “Kerry In The Clouds”, Kerry Langland is taken under the wing of famous actress Gail Terson, but Ms Terson clearly has an agenda of her own. There are echoes of the story “Jackie’s Two Lives”, also written by Alan Davidson – both feature a poor girl with ambitions beyond her station, manipulated in sinister ways by an older woman. Spanish artist Cándido Ruiz Pueyo provides some very stylish hairstyles and clothing.

Spell of the Spinning Wheel” is a rare foray of Alison Christie’s into a spooky mystery story – I wish she had done more of it, it was very memorable. Rowan Lindsay is sporadically struck down by a mystery tiredness – she’s worked out that it is related to hearing humming sounds but she hasn’t persuaded anyone other than her dad to believe her yet, and the doctors have now forbidden her from running again.

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Jinty 15 October 1977

  • Destiny Brown (artist Rodrigo Comos)
  • Sue’s Fantastic Fun-Bag! (artist Hugh Thornton-Jones)
  • Guardian of White Horse Hill (artist Julian Vivas)
  • Alley Cat
  • The Goose Girl (artist Keith Robson; writer Alison Christie)
  • So What’s New with David Essex? (feature)
  • Rinty ‘n’ Jinty
  • Stage Fright! (artist Phil Townsend)
  • Lilies for the Bride – Gypsy Rose story (artist Christine Ellingham)
  • Fran’ll Fix It! (artist Jim Baikie)
  • Cursed to be a Coward! (artist Mario Capaldi; writer Alison Christie)
  • Autumn Treasures! (craft feature)

If you’ve read Mistyfan’s superb, thorough rundown of the cover styles that Jinty had over the years, you may remember this issue being noted as the last one which had a separate blue background behind the logo. (Following issues had the logo incorporated into the body of the cover design itself.) However, we had not yet posted about the issue itself, which I am remedying here.

Destiny Brown is trapped in a number of ways – having run away to find her father, her purse was stolen and she had to sleep rough. Not surprisingly she was quickly set up to be exploited by some rough types, especially once they realize they may have struck gold, if she really can predict the future with her second sight. Poor old Destiny – dragged away by these dodgy geezers, just as she has bumped into her father, who is likewise being dragged away by – who is *he* trapped by? It looks like the police, but is it really so? The art, by Rodrigo Comos, is clear and classy, if perhaps slightly old-fashioned looking for the time.

The letters page includes a list of the winners of a recent competition: the first ten correct entries won a KODAK Instamatic camera, while the 60 runners up won a giant full-colour poster of Starsky and Hutch. Looking at the names of the winners carefully, most of them are, unsurprisingly, traditional English, Irish, or Scottish girls names; but there are one or two less usual entrants hidden in the mix, indicating some small diversity of the readership. Pushpa Hallan is one of the ten winners of the main prize, and C. Thiyagalingam is one of the 60 winners of the runner-up prize. Perhaps even less expectedly, there is also one boy’s name included: Adrian King.

Orphan Janey is adapting to being fostered by the Carters – but when she sees a beautiful white horse, they think she is making up stories to impress them. What Janey doesn’t yet realize is that no-one else can see the horse apart from her – and nor will any photos of the horse show it, either! It’s all tied up with the local beauty spot, White Horse Hill, which is threatened by the destructive plans to build a motorway.

Brenda Noble is a bird-lover who is campaigning against the local sport of goose shooting in the village she lives in with her mother. Her mother hates birds as she blames them for her husband’s death – and soon she enacts her plans to take the two of them to Edinburgh away from the wee ‘backwater’ village.

“Stage Fright” is an odd mystery story: stylishly drawn by Phil Townsend, the protagonist Linda is being made by Lord Banbury to train as an actor in order to win an acting trophy that has been in his family for generations. But who is locking her into places, stealing her costume, and watching her from afar?

The Gypsy Rose story this week is drawn by Christine Ellingham, who until recently we were only able to list as the ‘unknown artist of Concrete Surfer’. What a pleasure to be able to correctly credit this lovely art! Delphine is a lively girl who works in a florist’s shop. She has an irrational fear of lilies, but the rich customer who falls for her wants a centrepiece of those same flowers, to be put together with her very own hands. Not only that – once he proposes to her, Delphine finds out that his mother’s name is Lily, and she is due to sleep in the lily room. All omens that tell her that soon she will meet the spirit of the lily – in death.

The evil fortune teller who is the villain of “Cursed To Be A Coward!” manages to get Marnie Miles thrown into a rickety old boat in the middle of a pond – luckily she gets fished out but the fortune teller’s determination to make sure that blue water will get her yet is pretty sinister.

The craft suggested for this week is to collect up ‘autumn treasures’ such as the heads of cow parsley, twigs with berries, or pretty leaves, and to make dried arrangements of them in vases, or pictures, or perhaps even jewellery of the tougher seedpods of ash keys or beech nut cases. The pictures accompanying the feature make it all look rather pretty, but I would assume that beech nut cases in particular would be rather scratchy to turn into jewellery!

Jinty and Penny 7 March 1981

Jinty cover 7 March 1981

  • Pam of Pond Hill (artist Bob Harvey, writer Jay Over)
  • The Ghost Dancer (artist Phil Townsend)
  • Farah’s Three Wishes (artist Hugo D’Adderio) – Gypsy Rose story
  • Just the Job – feature with Leo Sayers and Rod Stewart – first episode
  • Gaye’s Gloomy Ghost (artist Hugh Thornton-Jones)
  • Tansy of Jubilee Street (artist Peter Wilkes)
  • Land of No Tears (artist Guy Peeters, writer Pat Mills)
  • No Medals for Marie (artist Phil Gascoine, writer Alison Christie)
  • Winning Ways 47 (writer Benita Brown)
  • Life’s a Ball for Nadine (artist Mario Capaldi)
  • Alley Cat (artist Rob Lee)

This week’s sports cover has Mario Capaldi drawing gymnastics, a sport we seldom see him depicting in girls’ comics. “Just the Job” replaces “Behind the Screen” this week, and its job is to inform us what’s behind the world of pop music. Alley Cat takes the spot as the humour cartoon this time. Snoopa must have been on holiday.

The Gypsy Rose story is another recycled Strange Story, and it’s a morality tale in “be careful what you wish for”. A genie grants Persian girl Farah three wishes – but warns her to think carefully before making a wish because he can only grant exactly what she asks for. This means granting her wishes literally, as Farah finds out when she blows her first two wishes because she jumped the gun and did not heed the genie’s warning. Will she think carefully about the third wish and make it the right one? Or will she end up wasting three perfectly good wishes – and maybe have an even deeper regret than that?

Ferne’s plan to help Jolie get over her dancing block is to dress up in her mother’s Firebird costume and pass herself off as “The Ghost Dancer”, which the girls all think is haunting the school. The plan does help Jolie’s dancing – but then blabbermouth Jolie tells everyone, so now the ghost rumour is worse than ever.

In “Land of No Tears”, the Gamma girls beat the odds and make it through the preliminary rounds in the Golden Girl award. Unfortunately there’s now a lot of heat on them, especially as the authorities are astonished to find no record of Cassy in their computer (well, there wouldn’t be as she’s an unwitting time traveller from the 20th century!). The dreaded Hive Inspector is being called in, and Perfecta is on the trail of the Gamma girls’ secret trainer.

Miss Simon – after a taste of what asthmatic Paul goes through – agrees to Marie’s request to let her have Simon Hall a year earlier because Paul is deteriorating so badly. Even so, it’s still nine months off. Will Paul last the distance?

Pam’s still stuck on the school magazine and Miss Peeble tries to help, but not very successfully. Miss Larks is definitely not under arrest, but she is on leave, and it’s linked to what Pam thinks is a blackmailer. She spots someone in Miss Larks’ apartment who could be the miscreant and gets the gang organised to catch him.

Sir Roger answers a “ghost for hire” ad. Sounds reminiscent of the old “Rent-a-ghost” strip from Buster. Tansy tries all sorts of nutty tactics to avoid “Dismal Dee” – but she’s the one who ends up dismal, because it cost her the chance of a concert ticket to see her current favourite pop group.

As well as having to fend off the cheating Syreeta and Selena, who are out to cheat her out of a disco contest (Syreeta) and netball match (Selena), Nadine now has to choose between the two events. For the first time she shows team spirit and chooses netball over disco. Stuffy Betty has had a change of heart too, and she wants to help Nadine against the two cheats.

Jinty 30 December 1978

Jinty cover 30 December 1978

  • The Girl Who Never Was (artist Terry Aspin)
  • Sue’s Fantastic Fun-Bag! (artist Hugh Thornton-Jones)
  • “Wally” Glad You’re a Winner? (limerick competition results)
  • Somewhere over the Rainbow (artist Phil Townsend, writer Alison Christie)
  • Alley Cat (artist Rob Lee)
  • No Cheers for Cherry (artist Phil Gascoine)
  • Sea Sister (Peter Wilkes)
  • She Shall Have Music (artist Ron Smith)
  • Fran’ll Fix It! (artist Jim Baikie)
  • Marked “Personal” – the file on Peter Dowell
  • Rinty ‘n’ Jinty (cartoon)
  • The Human Zoo (artist Guy Peeters)
  • D.I.Y. Decorations!

As the cover and letter page state, Jinty has returned after a 3-week absence due to one of those strike actions that always bedevilled IPC. The strikes contributed to the downfall of several IPC titles, including Tammy in 1984.

Magic is still causing problems for “The Girl Who Never Was”, not least of which is because she has a limited number of them to use. This problem leads to her getting grounded – magically – and she has a vital swimming contest to go to.

Sue should really watch her words when she asks for something from Henrietta. She has a job in a sweet job but asks Henrietta for a spell to prevent her from touching them so she is not tempted to eat them while selling them. But as Sue soon discovers, the word is “touch”.

The boot camp children’s home gets flooded while Dorothy and Max are shut up alone in the place. This turns out to be a blessing in disguise because it enables them to float away to freedom on an airbed, and the flooding will be a richly deserved comeuppance for that horrible drill sergeant matron upon her return. It might even be the end of the institution, thank goodness. But fresh trouble just has to be around the corner. Dorothy hurts her ankle, so their journey to rainbow’s end is put on hold while she rests it – in the wreckage of a German fighter.

Flooding is also putting an end to the slavery the aliens have put the humans under. And it’s all because the aliens are so terrified of water that they have never developed the skills to handle it. They can’t swim, and they have no water drainage systems, no watercraft, and no methods for coping with flooding – all of which humans have developed because they clearly evolved differently from the aliens. So the humans are free – for the moment.

In “Fran’ll Fix It!”, Fran is trying her hand at being a drill sergeant with the army of schoolgirls she has raised to protect a racehorse. However, the school gardener soon shows Fran how army drill should be done; he used to be a sergeant major.

Cherry finally gets her big break in stardom with her uncle, which gives her a break from the slaving her relatives have her do without her even realising. Later, Cherry sees another opportunity for an even bigger break. But cousin Michelle’s jealous and she wants a piece of the action.

Helen calls for a storm to bring down the cottage so the Ullapond stone can be returned home. But it fails to do so, and her secret is in danger too. If she is found out, she can never return home.

Lisa still can’t forget her piano. She finds it at an auction and gets thrown out when she conducts her usual naff behaviour to get it back. When Lisa discovers its new owner – the Mayor’s spoiled daughter – she resorts to breaking and entering to play it. Then the window slams shut on her precious hands. Will they become so damaged she can no longer play any piano?

Jinty and Lindy 1 January 1977

Jinty cover 1 January 1977

Contents in this issue:

Jinty’s New Year issue for 1977 was bang on New Year’s Day. Jinty says “make it a great New Year – with us!” Indeed, in my opinion 1977 was the year Jinty hit her stride. In 1977 she cast off the Lindy logo that had stayed with her throughout 1976. But what really defined 1977 as the year Jinty hit her stride was fully establishing her trademark science fiction and jauntiness with strips like the quirky “Fran’ll Fix It!” and her “smash hit” story of 1977, “Land of No Tears”. In the same year, Jinty added her resident spooky storyteller, Gypsy Rose. It was also in 1977 that Jinty added Guy Peeters and the unknown Concrete Surfer to her team, who would go on to draw some of her biggest classics.

Oddly, although Gypsy Rose did not appear in Jinty until 29 January 1977, there is a horoscope in this issue saying, “Gypsy Rose looks at the stars”. Readers must have been wondering, “Who the heck is Gypsy Rose?” The horoscope appears on the same page as the blurb for a new story, “Mark of the Witch!”, so perhaps it was meant as a foreshadowing for Gypsy Rose too. If so, it is an odd one, because it gives no hint of who Gypsy Rose is supposed to be. Is it the pen name of the astrologer who writes the horoscope or something?

The cover itself is a beautiful one, with its ingenious use of blues, yellows and reds. The white space lightens things up and does not make the cover too heavy. The seasons look a bit mixed. Mandy’s water-skiing panel hints at summer, while the holly the poor old druid is about to sit on implies winter. The rock Gertie puts the holly on makes it reminiscent of a Christmas pudding, which further adds to the winter theme. While Mandy and Gertie look happy on the cover, we get the opposite with Ruth and Ayesha, who are on the wrong end of a farmer’s gun.

Of course we have New Year features. There is a page where pop stars like Paul McCartney and Paul Nicholas list their resolutions for 1977. In “Sue’s Fantastic Fun-Bag!” Henrietta mishears the word “resolution” as “revolution” and enchants everyone at school into a revolution instead of making resolutions. Alley Cat starts off New Year doing what he does best – annoying the Muchloots. In this case it’s raiding their larder for a New Year feast. Gertie triggers a series of events that establishes Stonehenge – its purpose being a tourist attraction – and its opening has New Year celebrations included.

Now, on to the other stories:

“Daisy Drudge and Milady Maud” is the first of Jinty’s stories to end in 1977, with the mixed-up identities of the skivvy and the high-class girl being sorted out once they finally find each other. This also marks the end of Jinty’s serials with 19th century settings, which had been introduced when Lindy merged into Jinty way back in November 1975. Its replacement next week is Phil Townsend’s first 1977 story, “Mark of the Witch!

So far there is no end for Hetty King’s ordeal. Hetty is lumbered with looking after Jo, but Jo hates Hetty because she wrongly blames Hetty for her sister’s death. Hetty manages to secure a job as a temporary PE teacher at her new locality after Jo’s hatred forced her out of her old one, but she faces an uphill battle to win respect from the pupils. And how long before Jo’s hatred interferes with everything?

Mandy applies makeup to adopt a new persona, “Bubbles”, and goes water-skiing. But really – wearing a wig while water-skiing? No wonder the episode ends with Mandy’s secret in danger.

Martine’s odd behaviour is getting worse and worse. Tessa can’t figure out what the hell is going on, except that Martine seems to be acting like the crazed woman she plays onstage.

As already mentioned on the cover, Ruth and Ayesha have a scary moment with a farmer. Fortunately he turns friendly after Ayesha saves his life. But then a shoplifter makes Ruth the scapegoat for her crimes, taking advantage of the prejudice against gypsies.

In “Is This Your Story?”, Lynn Carter feels her family don’t appreciate her and she envies her friend Mary for being an only child. But when both girls end up in hospital, right next to each other, Lynn learns that some people may not be as enviable as she thinks and she draws closer to her family.

In “Sceptre of the Toltecs”, both Clare and a class bully begin to suspect that Malincha, the mystery girl from Mexico, has strange powers. The blurb for next week says there will be more evidence of this.

Jinty and Lindy 29 January 1977

Stories in this issue:

  • The Ring of Death – first Gypsy Rose tale (artist Jim Baikie)
  • Sue’s Fantastic Fun-Bag! (artist Hugh Thornton-Jones)
  • Sceptre of the Toltecs (artist Cándido Ruiz Pueyo / Emilia Prieto)
  • Starsky and Hutch, the best of mates! (feature)
  • Made-Up Mandy (artist Audrey Fawley)
  • Freda, False Friend (artist Phil Gascoine)
  • The Big Cat (artist Ana Rodriguez)
  • The Mystery of Martine (artist Trini Tinturé)
  • Alley Cat (artist Rob Lee)
  • Mark of the Witch! (artist Phil Townsend)

This issue gives us the first of a long line of Gypsy Rose stories – a spooky storyteller series which gives the Jinty editors the flexibility of commissioning a number of different artists and writers and running the resulting stories as they suit best. Most of the stories include Gypsy Rose as an active participant in the tale and helping to resolve the mystery; but later on a number of spooky stories from other titles had a panel of Gypsy Rose art pasted over the other storyteller so that it could be rebranded as a Jinty-style story. I have uploaded “The Ring of Death” into the Gypsy Rose summary post, so do head over to that to read it. You will notice some art that is repeated in subsequent Gypsy Rose stories, such as the image of her seated figure, displaying her patchwork skirt to best advantage.

Malincha’s wicked uncle Telqotl is plotting ways to trap her and to steal the golden sceptre. The two girls manage to give him the slip at the museum but they are soon trapped in a department store and he has managed to put out all the lights by mystic means!

Mandy Mason, the humble caretaker at an elegant beauty salon, ends up going to a posh safari park by accident and has a chance to turn herself into Raquel, the fearless white huntress. But at the end of this episode she is trapped in a cage with two adult lions running towards her as she holds a cub in her arms! Audrey Fawley draws lovely human figures but sadly the lions just look like round bouncy creatures who aren’t very convincing to my eyes.

It is also the first episode of “Freda, False Friend”. Freda’s father is a police officer; he seems to have suddenly got a promotion as the family move to a posh big house and start driving in a swanky new car. It all turns out to be a ruse though – he wants her to make friends with Gail, the girl next door, because the police have suspicions about Gail’s father. Very unpleasantly for Freda, she is being made into a spy against her will!

In “The Big Cat” Ruth saves a stag from being hunted by the local staghounds, but for her pains she is driven off from the village that she has been working in. It was a very unfriendly village, with people who hated to see strangers come along, but still it was a depressing thing to have happen.

Martine is claiming that the ballet school is her house, even though it was sold to Miss Bond some time previously. The worry of what is happening to her sister causes Tessa’s ballet dancing to suffer, and her relationships with her classmates are also suffering. But the most dangerous thing is the chance it gives her jealous rival, to score over her!

Emma Fielding is torn between believing in Alice’s attempts to be friends, and her father’s bitter denouncing of those attempts as just charity. The spiteful local girls look like they want to make it all go wrong for Emma, too.

Jinty and Penny 30 August 1980

Jinty cover 30 August 1980

Cover artist: Mario Capaldi

  • Pam of Pond Hill (artist Bob Harvey, writer Jay Over)
  • Gaye’s Gloomy Ghost (artist Hugh Thornton-Jones)
  • Tears of a Clown (artist Phil Gascoine)
  • A Spell of Trouble (artist Trini Tinturé)
  • Black Rory’s Curse (artist John Armstrong) – Gypsy Rose story
  • Tansy of Jubilee Street (artist Ken Houghton)
  • Behind the Screen: Happy Days (feature)
  • Minnow (artist Peter Wilkes) – final episode
  • Winning Ways #24: A Squat Vault (writer Benita Brown)
  • Blind Faith (artist Phil Townsend) – final episode
  • Alley Cat (artist Rob Lee)

On the cover we see Betty, the sports mistress from the future serial “Life’s a Ball for Nadine”, supervising the high jump. Oh, just kidding! But the sports mistress does bear a striking resemblance to Betty.

In the letter column there is a letter from one reader saying she cuts out the “Winning Ways” and gives them to her P.E. teacher, who pins them on the gymnasium wall. Benita Brown must have been so chuffed.

Both “Blind Faith” and “Minnow” finish this issue. Clare has to forfeit her win because she entered under false pretences, but she has made her point about Cromwell being able to jump despite his blindness, so he’s safe now. Minna has to do a life-or-death swim to shore to get away from her kidnappers, which is a real test for a girl who’s only recently learned to swim. Her escape can be viewed on the Peter Wilkes page in the panel gallery.

Their replacements next week are “Girl the World Forgot” and a new Phil Townsend sports story, “Child of the Rain”, which, come to think of it, was Jinty’s one and only tennis story. “Girl the World Forgot” is a castaway story, something that Jinty has not used since her earliest days with “Desert Island Daisy“, but it clearly takes the theme seriously, while Daisy used it for laughs.

Spiteful Sandra is at her worst this week to make sure Kathy stays “the clown”, and it makes this episode a really cruel one. Under cover of pretend kindness, she tricks Kathy into eating too much food to stop her demonstrating her running talent at the sports centre. And just look at the monstrous amounts of food she’s coercing poor Kathy to eat. Talk about gavage!

Pam guesses who has taken her witch ball and resorts to some sneakiness to get it back – while tricking the thief into making a fool of herself and cheer up her depressed gran into the bargain.

This week Tansy discovers just how superstitious the residents of Jubilee Street are. Although she herself remains a sceptic, she eventually decides to bone up on superstitions for luck: “better safe than sorry!”

Sir Roger thinks modern people don’t know how to make others suffer through torture these days. But after a trip to the funfair and trying out its rides, he changes his mind.

This week’s Gypsy Rose story is another recycled Strange Story, which originally appeared in June. It treats Jinty readers to some John Armstrong artwork. The old maxim “you can’t take it with you” is put to the test with Black Rory, a robber baron who was so greedy that not even death would make him part with his ill-gotten loot; he had himself buried in full armour in a stone room with all his riches. It looks like being beyond the grave is not stopping his greed either, because his spirit is taking possession of generous Carly and making her insatiably greedy. And then he disappears from the stone room altogether…to spread even more greed…?

Angela’s off to a boarding school, and Carrie goes along to ensure her bungling cousin stays there. But it all backfires in the end and they’re still stuck with Angela.

Jinty and Penny 26 April 1980

Stories in this issue:

  • Pam of Pond Hill (writer Jay Over, artist Bob Harvey)
  • Gaye’s Gloomy Ghost (artist Hugh Thornton-Jones)
  • Seulah the Seal (artist Veronica Weir)
  • Alley Cat (artist Rob Lee)
  • Tearaway Trisha (artist Andrew Wilson)
  • Rinty N Jinty
  • Lost in Time! – board game to pull out and play
  • The Venetian Looking Glass (artist Phil Gascoine)
  • Tansy of Jubilee Street (artist Ken Houghton)
  • Blind Faith – first episode (artist Phil Townsend)
  • Stories of the Stars: Evonne Goolagong
  • White Water (artist Jim Baikie) – last episode

‘Start collecting our super colour 3 part game’, the cover announces. I remember thinking that the game (which involves moving between various eras such as Ancient Egypt and a time of dinosaurs) looked quite fun, but I would never have pulled the centre pages out to put a game together! I am not totally sure if the cover is done by the same artist who created the interior pages with the game – which look to me to have been done by Ken Houghton.

Everyone is teasing Pam about her friendship with Goofy Boyle, making like they are boyfriend and girlfriend. Pam denies everything but of course that is also quite hurtful to Goofy, especially when Pam intervenes to save him from being beaten up by bullies.

Seulah and his human friend Bonnie are still looking out for each other, and miss finding each other by a very close call. Instead Seulah finds a narrowboat with a feast fit for a king – or a hungry seal – in the form of a huge salmon all laid out! But when the owner returns, he is trapped…

Tearaway Trisha has Trisha and Fran reconciling their misunderstandings – Trisha goes up onto the hospital roof to talk Fran down from the edge, but in the end Fran is the one who rescues Trisha when she wobbles and nearly falls off the side. All seems like it is going well for Trisha at the end of the episode, but she is too ready to be tempted by her old, rambunctious friends.

Lucy Craven is under the spell of the Venetian Looking Glass: it has similarities to “Slave of the Mirror”, not least because they both include mirrors in the story title, but the fact that Lucy is enslaved by a set of shoes that her evil ancestor forces her to wear is a little spookier in some ways. Cousin Rosalind is in hospital because she fell from her horse, but that only happened because Lucy spooked her horse.  She vows never to hurt her cousin again but the ghost of her evil ancestor has other plans.

It’s the start of “Blind Faith”: one of the least plausible stories in girls comics, as it features a blind showjumping horse who is coached into winning events by his dedicated owner. In this first episode Cromwell is taken over the water jump by Clare, the daughter of his owner: she wants to prove she can help the horse overcome his nerves. Sadly there is an accident and Cromwell hits his head – which turns him blind. “You little fool!” says the unsympathetic father. “A few minutes ago we had a horse with a slight problem. Now we don’t have a horse” – as he leads Cromwell off to the knackers.

I don’t know much about tennis player Evonne Goolagong but her name has always stuck in my head, not though I could tell you much of what is contained in this short piece about her without re-reading it. (She won Wimbledon in 1971, I see.)

Canoeing story “White Water” comes to an end in this issue – Bridie Mason and her frenemy Jocelyn get themselves into trouble because of a challenge they talked themselves into. They are in serious danger in the water and only great paddling gets them back to safety. The experience leads to them making things up with each other and coming to terms with their own foolish actions.

Jinty 30 June 1979

Jinty cover 30 June 1979

  • Casey, Come Back! – final episode (unknown artist – Merry)
  • The Forbidden Garden (artist Jim Baikie)
  • Alley Cat (artist Rob Lee)
  • A Girl Called Gulliver (artist Phil Gascoine)
  • Nothing to Sing About (artist Phil Townsend, writer Alison Christie)
  • Keep Your Fingers Crossed! (feature)
  • The Disappearing Dolphin (artist Trine Tinturé)
  • The Hill that Cried – Gypsy Rose story (artist Shirley Bellwood)
  • Some Scarecrow! (Michael Jackson feature)
  • Rinty ‘n’ Jinty
  • Pandora’s Box (artist Guy Peeters)
  • Beauty on a Budget (feature)

This issue’s cover portrays two water scenes, but they are a complete contrast. In “The Forbidden Garden” it’s a life-or-death situation where Laika and Kara nearly drown in floodwaters, while in “Bizzie Bet and the Easies” it’s fun-and-sun by the sea. And for once Bet scores a final laugh over the Easies.

In “A Girl Called Gulliver” there’s water trouble too, as our last Lilliputians set themselves sailing down the river in an old tea kettle – only to find they forgot to check it was seaworthy first, and it isn’t!

It’s the last episode of “Casey, Come Back!”, one of the three-part stories that appeared in Jinty in 1979 but give the impression they could have done with more prolonged treatment. Next we see the start of the Jinty classic, “Almost Human”, and “Mike and Terry”, Jinty’s response to popular demand for a detective story.

Pandora’s difficulty with maths has forced her hand to use the witchcraft box. But she finds she won’t get her box to work unless she gets herself a familiar, which means swallowing her dislike of cats. So meet Scruffy, the cross-eyed cat who doesn’t like Pandora any more than she likes him.

“The Disappearing Dolphin” leads the scuba divers to exciting archaeological finds. But Mrs Ormerod-Keynes, who is trying to stop the expedition, is not impressed. Now why could that be?

Gypsy Rose is back this week, but it feels like a filler. Gypsy Rose all but disappeared in 1979, making intermittent appearances. She never achieved the long-standing regularity of the Storyteller in June/Tammy. The Gypsy Rose story this week is clearly another recycled Strange Story. A Cornish family are faced with selling their farm, but strange things start to happen when a hill starts crying and wailing…

Alley Cat artist Rob Lee breaks the fourth wall and presents Alley Cat with some tasty treats to cheer him up in the last panel after Alley Cat gets a bit of a disappointment with this week’s episode.

Linette’s actions to shut her father’s music out of her life is really hurting her schoolmates, who are still fans of it. This week she has to change schools as well, but her attitude is making the transition even more difficult.

Jinty 2 June 1979

The cover on this week and the following week’s comics are drawn by the unknown artist who gave us “Concrete Surfer” – lovely fun summer scenes! Edited Feb 2018 to add – this artist is now identified as Christine Ellingham.

Stories in this issue:

  • Alice in a Strange Land (artist Terry Aspin)
  • Bizzie Bet and the Easies (artist Richard Neillands)
  • The Forbidden Garden (artist Jim Baikie)
  • A Girl Called Gulliver (artist Phil Gascoine)
  • I’ll Make Up for Mary (artist Guy Peeters, writer Alison Christie) – last episode
  • Are You a Do-er, a Ditherer, or a Do-Nothing? (quiz)
  • Daughter of Dreams
  • Alley Cat (artist Rob Lee)
  • The Four-Footed Friends (artist Peter Wilkes, writer Alison Christie)
  • Children of Edenford (artist Phil Townsend)

Alice is rescued from being sacrificed – partly because she is smart enough to take off the Sun Goddess mask and show the priestesses that she is not really the goddess they thought she was. That wouldn’t save her from the High Priestess herself, but Sir Edward turns up in the nick of time and tells her that it’s all over – the fountain of youth has been blocked by the earthquakes and their eternal life will soon come to an end. A split in the ground carries away the mad priestess and Alice is safe – if she can just get back to where the other girls are so they can all get away together!

Laika is stuck in the Industrial Zone where she can’t look after her plants in her Forbidden Garden – the only hope that is keeping her ill sister alive is the promise to have a flower of her very own. Suddenly everything changes: Laika is dragged off by the Child Protection Force, who say that she has been deemed highly intelligent and must be taken away from her parents so that she can be brought up as befits her intelligence. What next?

It is the last episode of “I’ll Make Up For Mary“. Poor sad Ann thinks there is no way out other than the very final way of going back to where Mary was drowned! Luckily the friends she has made even during her struggles, and her parents who have never stopped loving her, rescue her.

Quizzes were a very normal feature of girls comics and magazines: here is an example. I love this artist, who featured in lots of items like this – features, quizzes, and articles published in summer specials and annuals. I wonder what his or her name was?

click thru

“Daughter of Dreams” is not one of Jinty’s best or most memorable stories. Sally Carter is shy: she has invented an imaginary friend who is outgoing and slightly obstreperous. She has such a strong imagination that her friend ends up coming to life – and even being able to do things like rescue the bully who has fallen into the canal water! Sally is too scared to do it herself, but finds that she is being fêted as the heroine of the hour – which is perhaps even harder for her to deal with.

Laura’s mum is really angry with her husband, who has borrowed scruffy mongrel Riley to help protect the house after a burglar broke in. Riley and Winston are very glad just to be able to hang out together! And there’s more – the father is actively working to support the local council estate, by building a supermarket nearby, which will help to bring much-needed amenities to the area.

In the dramatic last episode of “Children of Edenford”, Patti is taken down to the Temple of Purity – yes, the headmistress has got a temple of fire, named after herself! – to be sacrified on the altar of Miss Goodfellow’s ambitions. Unlike other sacrificial lambs, Patti is no pushover and she fights back – and the fight sees Miss Goodfellow tipped down into the firey pit of her own making! All is over, and the world is saved from the threat of being turned monstrously, unwillingly perfect.