Tag Archives: Ana Rodrigues

Tammy and Misty 19 January 1980

Tammy and Misty cover 19 January 1980

Cover artist: John Richardson

  • Bella – new story (artist John Armstrong)
  • Daughter of the Desert (artist Mario Capaldi)
  • Sister in the Shadows (artist Giorgio Giorgetti)
  • Spider Woman – first episode (artist Jaume Rumeu aka Homero Romeu)
  • Edie and Miss T (artist Joe Collins)
  • Put Yourself in the Picture! – Quiz (artist Juliana Buch)
  • Wee Sue (artist Robert MacGillivray)
  • Friend Pepi – Strange Story from the Mists (artist José Ariza?)
  • Make the Headlines, Hannah! (artist Tony Coleman)
  • Cindy of Swan Lake (artist Ana Rodriguez)

Sometimes we deviate from the main topic to bring attention to topics that are related to Jinty. So this entry goes off-topic to discuss the issue where Misty merged with Tammy.

The merger still resonates years later – mostly because a number of Misty readers were not happy with it and wanted the original back. The short-lived Best of Misty Monthly that appeared some years after the merger was a response to the demand for the return of Misty. A “Best of” monthly was something neither Tammy nor Jinty ever had, though Girl (series 2) did get one as well. Even today, there are efforts to bring Misty back in one form or other.

At the time, the merger itself must have been something of a disappointment for a number of Misty readers because there was not much Misty in it (it was for me, and I was a Tammy reader). Things did not improve much once Tammy’s current serials finished, which would have made more room for overt Misty material. “The Loneliest Girl in the World”, “The Sea Witches”, (possibly) “A Girl Called Midnight”, “Danger Dog” and “The Shadow of Sherry Brown” look like they may have come from Misty. Some of them, such as “The Loneliest Girl in the World”, were undoubtedly Misty. But in other cases it can be hard to say if the spooky story was Misty or Tammy; after all, Tammy ran spooky stories too. Later on, Misty’s text stories returned; they must have taken the advice of one reader who suggested it. Mini-serial spooky stories, such as “The House Mouse”, also appeared occasionally, just as they did in the original Misty.

Edie and Miss T

Misty arguably made her mark more in the Strange Stories, which became “Strange Stories from the Mist”, with Misty herself being rotated with the Storyteller. Miss T and Edie merged into one cartoon, which is a simple matter, because Joe Collins drew them both. They are a bit of an odd couple (ordinary girl and witch), which perhaps made the cartoon even better. Once Snoopa joined in the Jinty merger, they became “The Crayzees”.

Misty also brought a darker tone into Tammy, which was still felt even during the Tammy and Jinty merger, when “Monster Tales” started. There was no way either Tammy or Jinty would run anything like that – it had to be Misty. Perhaps “Monster Tales” was originally conceived for Misty, but there was no room until Bessie, Wee Sue and Molly Mills were amalgamated into one feature “Old Friends”, which they shared in rotation.

Some letters from Tammy readers indicate that the incorporation of Misty must have been a shock to them. Several commented that they found her spooky theme not only unsettling but unrealistic as well. Indeed, “Spider Woman” (a sequel to “The Black Widow” from Misty) must have given them all nightmares full of spiders. Spider Woman is an insane scientist who could well have been the first villain in Tammy to be out for world domination. Even more frightening, the story plays on the common fear of spiders to heights that Tammy readers had never seen before. We see spiders capable of eating people alive and leaving only the bones, giant spiders, poisonous spiders, and even a serum that can turn a human being into a spider!

Spider Woman 1

 

Spider Woman 2

The merger issue also has a very interesting quiz that shows that Tammy and Misty made serious efforts to accustom readers to the tone of the two different comics. Here readers are not only invited to imagine themselves in the places of the heroines in the story, but are also informed about the stories that will replace the currently running “Cindy of Swan Lake”, “Sister in the Shadows”, “Daughter of the Desert” and “Make the Headlines, Hannah!” This is the only case where I have seen upcoming stories being revealed in this way. Normally we are not informed about any new stories until the week before they start. The quiz also informs us that Bessie Bunter has been demoted from a regular weekly strip to a character “who you’ll meet from time to time”.

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In later weeks, Tammy and Misty ran another feature to get readers further acquainted with Tammy regulars (two of whom, Bessie and Molly, were not even appearing at the time). This was “Misty’s House of Mystery”, a game where Tammy regulars Sue, Bella, Bessie and Molly are caught in Misty’s House of Mystery, which is full of horrors such as blood showers and man-eating plants! The game is reproduced below. Imagine Jinty regulars going through a thing like that….

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And in this issue, Bella starts her bid for the Moscow Olympics by entering the world qualifier in Texas, with the help of her coach and her wealthy guardians, the Courtney-Pikes. Sounds like Bella’s hopes for the Olympics are better than in her 1976 Montreal Olympics story, where she had to make her way alone without even a passport, but only got as far as participating in the opening ceremony. But unexpected expenses that cause money shortages, unhelpful Texan coaches, and the sudden withdrawal of the Courtney-Pikes without explanation are already leaving her up the proverbial creek without a paddle before the event even begins.

Jinty 7 December 1974

Jinty cover 7 December 1974

  • The Jinx from St. Jonah’s (artist Mike White)
  • Jackie’s Two Lives (artist Ana Rodriguez, writer Alan Davidson)
  • Get Time on Your Side! – competition
  • Merry at Misery House (writer Terry Magee)
  • The Kat and Mouse Game (artist Jim Baikie)
  • Prisoners of Paradise Island – first episode (artist Trini Tinturé)
  • Dora Dogsbody (artist José Casanovas)
  • Always Together… (artist Phil Townsend)
  • Jinty Made It…for Christmas – feature
  • Do-It-Yourself Dot (artist Alf Saporito)
  • Slave of the Mirror (artist Carlos Freixas)

“The Hostess with the Mostest” and “Bird-Girl Brenda” do not appear in this issue. Maybe they have been pushed out by the competitions and features, including Christmas features that are leading up to the Christmas issue.

A new story, “Prisoners of Paradise Island” is a slave story, but the cage is a complete contrast to the harshness of the reformatory in “Merry at Misery House”. Rather, the prison is a tropical island and the prisoners are pampered with treats and luxury instead of being tortured and abused like Merry and her fellow inmates. But the intention behind it all is just as evil as the sadistic Misery House staff – it is meant to ruin the girls and make them unfit to win a hockey championship. It’s Trini Tinturé’s first story for Jinty, and Tinturé became a regular Jinty artist, lasting well up to Jinty’s last issues in 1981.

And in our regular Jinty slave story, the Warden is out to crush the girls’ new-found joy: a dog that has somehow found its way into Misery House. She’s tried poison and now it’s bullets – but then the dog’s owner turns up to claim him.

The wedges Mrs Mandell is driving between Jackie and her family are getting wider. Jackie has ruined her own mother’s birthday dinner because of it, hit her sister when she tries to talk sense into her, and the blurb for next week tells us that it’s going to get worse because it will be the ‘death’ of Jackie Lester.

Kat is sabotaging Mouse’s dancing while making sure she does not go too far, because she does not want to lose her mug. And Mouse is such a mug that she does not listen to warnings from the other girls about Kat.

The “Slave of the Mirror” is still under the mirror’s evil influence to drive off customers from the boarding house. And now she is being directed to get rid of Inez, the new help.

Prejudice against gypsies erupts in “Always Together”. Johnny has been kicked out of school, just because the new headmaster has a personal hatred towards gypsies and bans them all from the school. Hmm, aren’t there supposed to be laws against that kind of thing? But it’s the Harveys’ pram to the rescue, of all things.

A cat in the dogs’ hotel? Yes, that’s Mrs. Siddons’ latest charge this week. And to make matters worse, the cat is a real troublemaker.

Katie goes sleuthing to clear her father, who has been wrongly sacked on suspicion of smuggling. She spreads her jinxing along the way of course, but has found vital evidence. Or has she? She has been warned that she has got things all wrong.

 

Jinty 14 December 1974

Jinty cover 14 December 1974.jpeg

  • The Jinx from St. Jonah’s (artist Mike White)
  • Jackie’s Two Lives (artist Ana Rodriguez, writer Alan Davidson)
  • The Hostess with the Mostest
  • Merry at Misery House (writer Terence Magee)
  • Jinty Made it…for Christmas (feature)
  • The Kat and Mouse Game (artist Jim Baikie)
  • Prisoners of Paradise Island (artist Trini Tinturé)
  • Dora Dogsbody (artist José Casanovas)
  • Bird-Girl Brenda (artist Phil Gascoine)
  • Always Together… (artist Phil Townsend)
  • Slave of the Mirror (artist Carlos Freixas)

This issue has just arrived in my collection.

Kate discovers plotters aboard her dad’s ship and is out to expose them. Knowing our jinx, maybe we should pity the poor plotters. Meanwhile, another crook pulls a fast one over Mrs Siddons with a phoney ghost act. By the time she finds out, she has paid good money to him to exorcise the ghost. But given what an unsavoury character she is, Dora has more sympathy for the crook.

Jackie goes too far – she fakes her own death so she can play up to Mrs. Mandell as her daughter Isabella full-time. But she had forgotten what a hard mother Mrs. Mandell can be, and already the demands are starting. Meanwhile, Jackie’s sister Wendy is not convinced she is dead – but how can she prove it?

Two different types of punishment cells appear in this issue. For “Merry at Misery House”, it’s a week in solitary on meagre rations of bread and water, which puts her in the infirmary. And then she is very surprised to see the sadistic Warden suddenly being friendly to her! But it can’t be sincere, so what’s the Warden up to now? For Sally in “Prisoners of Paradise Island”, the punishment cell is a room filled with luxury, temptation, and gorgeous fruit to eat (far better than bread and water). But Sally is determined not to let this type of punishment room break her either.

A new threat threatens the Harveys in “Always Together” – a nosy reporter who has realised they are runaways and wants the full story! New help, Inez, arrives at the hotel, and the evil power over Mia, the “Slave of the Mirror” is forcing her to cause trouble for Inez. But Mia is soon caught out. And at least someone has caught Kat out in taking advantage of Mouse – her own mother, who stops her pocket money in punishment. But not even this causes Mouse to see through Kat.

Jinty and Lindy 7 February 1976

Jinty and Lindy 7 February 1976

Stories in this issue:

  • Miss No-Name (artist Jim Baikie)
  • The Jinx From St Jonah’s (artist Mario Capaldi)
  • Friends of the Forest (unknown artist ‘Merry’)
  • Fran of the Floods (artist Phil Gascoine, writer Alan Davidson)
  • Dora Dogsbody (artist José Casanovas)
  • Too Old To Cry! (artist Trini Tinturé)
  • Wanda Whiter Than White (artist Ana Rodriguez)
  • Bound For Botany Bay (artist Roy Newby)
  • Save Old Smokey! (artist Phil Townsend, writer Alison Christie) – first episode

I have some slightly random issues out at present which I dug out for other reasons but which haven’t yet been posted about, so I am seizing the day.

This run of Jinty is slightly middle-of-the-range: the fact that the covers have images from a variety of stories gives a diverse feel to them, but the square design layouts used are rather lifeless in comparison with the issues just a bit later on. Likewise, there are some good stories in this issue, but it is not as strong as subsequent issues, by a long chalk.

“Miss No-Name” has an amnesiac slave gymnast – nuff said, really. It is rather a mish-mash of tropes! Jim Baikie makes the slave-keepers look suitably evil but it is all rather over the top, and not in that good way. “Friends of the Forest” is beautifully drawn, though not outstanding in terms of story – at this point there is a mystery around the gypsy girl Maya, and some evil cousins to deal with.

“Fran of the Floods”, as in other issues, shines out as the strongest story – no wonder it ran for such a long time. This episode has the rain keeping on coming down, and life changing around everyone’s heads, even in staid suburban England. Fran is facing local flooding, stockpiling of food, and serious danger from the neighbours.

“Too Old To Cry!” is a story I have a soft spot for, perhaps due to the lovely Trini Tinturé artwork. Nell is trying to find her birth certificate, which she is sure has been hidden by Miss Grace, but inadvertently sets the place on fire!

“Wanda Whiter Than White” is also over the top, god love it. Wanda is high and mighty and dishing out black marks, and by twisting the situation nearly gets protagonist Susie expelled from the school (the punishment is commuted to a caning instead!). Luckily for Susie, the good relationship between her and her mother is strong enough to stand up to Wanda’s interfering ways when she tries to make trouble – though who knows what she will do in the next episode.

In “Bound for Botany Bay”, Betsy Tanner is almost looking forward to transportation to Australia, as it may mean she will see her father again. In the meantime she has been drawing portraits while she is in prison awaiting transportation – but will she be able to escape before she is tried?

This is the first episode of “Save Old Smokey!”. Drawn by Phil Townsend, it is mostly interesting to me nowadays for the social change it shows: the story is about a steam engine threatened with closure by local officials who are either heartless bureaucrats or out to make some money for themselves.

Jinty 18 January 1975

Cover 18 January 1975

Stories in this issue:

  • Bird-Girl Brenda (artist Phil Gascoine)
  • Jackie’s Two Lives (artist Ana Rodriguez, writer Alan Davidson)
  • Do-It-Yourself Dot (artist Alf Saporito)
  • Merry at Misery House (writer Terence Magee)
  • The Kat and Mouse Game (artist Jim Baikie)
  • Prisoners of Paradise Island (artist Trini Tinturé)
  • Dora Dogsbody (artist José Casanovas)
  • The Jinx from St Jonah’s (artist Mike White)
  • Always Together… (artist Phil Townsend, writer Alison Christie)
  • Slave of the Mirror (artist Carlos Freixas)

This is the second of the two Christmas issues I got out. This one is very festive and seasonal, with a competition to find the robin printed on a number of story-pages, and Christmas story-lines in “Dora Dogsbody”, “The Jinx From St Jonah’s”, and “Always Together” (yes, the kids get their Christmas after all, once Jilly manages to sell some of her sketches and Johnny gets given food by his gypsy friends).

The only catch with all this Christmassy-ness? It came out in January, due to a few weeks “production troubles” (often a euphemism for industrial action).

I thought I would include some art from “The Kat and Mouse Game” to show that despite having felt that the earliest pages drawn by Jim Baikie on this strip were a little shaky, there was also lots of good art – and a totally unrepentant and black-hearted bully protagonist.

The Kat and Mouse Game pg 1

The Kat and Mouse Game pg 2
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The Kat and Mouse Game pg 3
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Jinty 21 December 1974

Cover 21 December 1974

Stories in this issue:

  • The Jinx from St Jonah’s (artist Mike White)
  • Jackie’s Two Lives (artist Ana Rodriguez, writer Alan Davidson)
  • Do-It-Yourself Dot (artist Alf Saporito)
  • Merry at Misery House (writer Terence Magee)
  • The Kat and Mouse Game (artist Jim Baikie)
  • Prisoners of Paradise Island (artist Trini Tinturé)
  • Dora Dogsbody (artist José Casanovas)
  • Bird-Girl Brenda (artist Phil Gascoine)
  • Always Together… (artist Phil Townsend, writer Alison Christie)
  • The Hostess with the Mostest
  • Slave of the Mirror (artist Carlos Freixas)

I have got out two Christmas issues as it is that time of year. This first one is posted exactly 41 years from the date on the cover, and gets us ready for Christmas with some seasonal stories. Katie Jinx and friends are delivering presents collected for the old folks, but a little mishap and someone else’s misunderstanding leads to the presents going astray – with the schoolchums in hot pursuit!

“Jackie’s Two Lives” is not seasonally cheery – it is a creepy and grim story of emotional coercion, now nearing its peak. Jackie Lester has faked her own death and taken on the life of her double, Isabella Mandell – but the hard-driving Mrs Mandell has got her increasingly scared for what will happen next. We have recently learned that this story was written by Alan Davidson, who also wrote the well-known story “The Bewitching of Alison Allbright”; from the available plot summaries this latter seems to be a story very much along the same lines as this one. I wonder if it is as chilling – has anyone read both?

“Merry at Misery House” sees her waking up wondering if she is still ill – because suddenly all the staff and monitors have become friendly and compassionate! Of course it is all to trick an outside warden who has come to inspect the reformatory.

“The Kat and Mouse Game” is not one of my favourites: in the first few episodes, the Jim Baikie artwork looked more rushed than his usual efforts, and it is another story following some well-trodden paths: a bully who gets away with emotional abuse of a timid new girl, plus ballet and scheming to get one’s own way. Having said that, the character of Kat is marvelously full-on: no question of remorse or back-pedalling with her, oh no.

“Prisoners of Paradise Island” is the first Jinty story to feature Trini Tinturé’s beautiful artwork. It’s a light story and fairly silly, which I suppose parallels one of Trini’s last stories for Jinty: “The Perfect Princess”.

“Always Together…” gives us more Christmas atmosphere, as the three orphans manage to outwit a snooping reporter and then try to have a homely Christmas in their cave. Big sister Jilly is doing her darndest to make sure it is a nice time for her two smaller siblings, but when she fails to sell her sketches in time to buy presents and the all-important Christmas meal, it looks like a sad time instead of an uplifting end to the year…

Finally, the evil Mirror seems to be driving its slave into hospital – either through physical injuries, or by breaking her mentally.

Jinty 9 November 1974

Jinty cover 19741109

Stories in this issue:

  • The Jinx From St Jonah’s (artist Mike White)
  • Jackie’s Two Lives (artist Ana Rodriguez)
  • Merry at Misery House (writer Terence Magee)
  • Left-Out Linda (artist Jim Baikie) – last episode
  • Wild Horse Summer
  • Dora Dogsbody (artist José Casanovas)
  • Always Together… (artist Phil Townsend)
  • Bird-Girl Brenda (artist Phil Gascoine)
  • Slave of the Mirror (artist Carlos Freixas) – first episode
  • Do-It-Yourself Dot (artist Alf Saporito)

I should have posted this one earlier in the month as a timely Guy Fawkes story, but never mind – Katie makes a sparkling guy herself, as she points out! She tries to help some local kids raise money for some fireworks and a bonfire, but in the end her jinxing gets the kids into a posh local bonfire party in an unexpected way. This is a one-off story but next week another serialised story arc will start up, about Katie’s sailor father returning from sea.

In “Jackie’s Two Lives”, Jackie Lester has promised to come along to her mother’s birthday get-together, but we know that she will make some excuse to get out of it. The alternative life that Mrs Mandell is offering her is just too tempting – this week it involves a flight to Paris to have a dress made for her… And the mystery deepens, as the couturier says he has been making clothes for Mrs Mandell’s daughter since she was a small child!

Merry is once more seeing the Warders of Misery House setting the inmates against each other. New joiner Violet initially lies to get Merry into trouble, leading Miss Ball to identify her as a potential monitor – but the stratagem applied by the wardens to get Viola to commit to them once and for all is a step too far, and Viola joins Merry’s pack in the end.

It’s the last episode of “Left-Out Linda”, and she is working hard – and hand-in-hand with her stepfather’s mother (‘Gran’ to you). It’s really nice to see the protagonist getting appropriate support to clear up the mess she has made – even if she still has to do a lot of the work herself, of course. It all ends happily, with Linda having the second chance she has come to want, and to deserve.

Daphne, who can’t talk, is trapped down a mine shaft; her only hope is the wild horse she has befriended. Will the white mare help to rescue her, next week?

“Always Together…” has the three Harvey kids struggling to avoid detection – this time by persuading some scouts that the cave they are living in is nothing but a ‘leaky hole’. The next challenge is that brother Johnny has to tackle his jealousy of boys who live in a real house; some neat psychology by eldest sister Jilly has things working more smoothly. It seems as if their lives can go along this track for a while, but will they get derailed some time?

It is the first episode of “Slave of the Mirror”, drawn by the stylish Freixas. Mia Blake is trapped by the mysterious mirror before she gets much further than the first page of the story; but then, she is already grumpy and resentful at being ‘a glorified skivvy’ in her sister’s boarding house, which hardly helps.

Jinty 3 August 1974

Cover 19740803

Stories in this issue:

  • The Jinx From St Jonah’s (artist Mario Capaldi)
  • Always Together… (writer Alison Christie, artist Phil Townsend)
  • Gwen’s Stolen Glory last episode
  • Make-Believe Mandy (artist Ana Rodriguez)
  • Merry at Misery House (writer Terence Magee)
  • Do-It-Yourself Dot (artist Alf Saporito)
  • Bird-Girl Brenda (artist Phil Gascoine)
  • Dora Dogsbody (artist José Casanovas)
  • Gail’s Indian Necklace (artist Phil Gascoine) last episode
  • Wild Horse Summer first episode
  • Angela’s Angels (artist Leo Davy)

Katie Jinks and friends are investigating mysterious gleams in the water near where they are camping, and find traces of frogmen’s footprints; but as they try to investigate further they are stymied and come to believe that it is all down to Katie’s  foolishness. Katie knows she is right, and follows the frogmen down into the depths – only to get trapped, with her air running out!

The Harvey children need to stick together, when their widowed mother fails to come home from work one day. Eldest child Jill – only 15 or so – tries to hold it all together, even in the wake of a body being found in the river. Her younger brother Johnny understands the situation at least somewhat, but Beth, the baby of the family, heartbreakingly doesn’t really understand what’s happening and says that Jill can pretend to be mummy until her real mummy comes back… In the meantime, they have to find somewhere to live, meaning that they return back to their old digs despite the fact that the houses are ready to be pulled down.

“Gwen’s Stolen Glory” comes to an end, dramatically: by climbing down the cliff in front of Judith, Gwen has triggered Judith’s memory. The shock of its return makes Judith fall down the cliff though, so it is not an identical repeat of the first time – in fact it repeats itself the other way round, as Gwen helps Judith to climb back up the cliff, to safety. The astounding fact of having managed to be brave for once leads Gwen to be able to confess – first to her parents, and then to the whole school. Everything is forgiven and forgotten.

In “Make-Believe Mandy”, she is told by the mysterious Miss Madden that she passed her second test despite disobeying instructions – by proving that her compassion is greater than her self-interest. But Mandy is also downcast to hear that her sister Dinah is also to be tested alongside her. Will she now take Mandy’s one chance of happiness from her?

Merry is trying to cheer up her pals at Misery House by using scraps of material to put on a variety concert – but bully Adolfa is about to put the twist on shrinking girl Lily. Will she give the game away? Find out next week…

It’s the last episode of “Gail’s Indian Necklace”, too. She’s in a tight spot, literally, but the Indian god helps her to get to the point of putting the necklace back where it belongs, even to the extent of working on the security guards’ minds so that they open the special glass case that the god-statue is kept behind… and even helps her escape in the end too. To prove that the god isn’t all bad, she even gets a new bicycle as a reward – the very thing that kicked off the whole story in the first place. Not sure that it’s enough of a reward for all that she has been through, but hey!

“Wild Horse Summer” starts this week, drawn by the same artist as has just finished “Gwen”. Daphne has been in a tragic car accident in which her parents were killed, and she has lost her voice and is in an orphanage as a result. The ‘wild’ in the title refers to her, really; because she can’t speak and is frankly still traumatised, she resorts to violence when threatened. Not that her carers are really all that caring; they put her in a coach to go on a trip despite her still being badly affected mentally by the car crash she was in. At the end of the episode, she has arrived in the countryside; the only thing the orphanage kids are warned of is a horse on the moor that they need to leave alone – because it too is wild. Chances of Daphne leaving alone? Not very high…

Jinty 27 July 1974

Cover 19740727

Stories in this issue:

  • The Jinx From St Jonah’s (artist Mario Capaldi)
  • Always Together… (writer Alison Christie, artist Phil Townsend) first episode
  • Gwen’s Stolen Glory
  • Make-Believe Mandy (artist Ana Rodriguez)
  • Merry at Misery House (writer Terence Magee)
  • Do-It-Yourself Dot (artist Alf Saporito)
  • The Snobs and the Scruffs
  • Dora Dogsbody (artist José Casanovas)
  • Gail’s Indian Necklace (artist Phil Gascoine)
  • Bird-Girl Brenda (artist Phil Gascoine)
  • A Dream for Yvonne (artist Miguel Quesada) last episode
  • Angela’s Angels (artist Leo Davy)

Katie Jinks starts a new story this week, with pratfalls and slapstick, but that is combined with an exciting story whereby there are mysterious ‘hostile eyes watching’. The sunken village near to where the girls are camping has a tale for them!

This is the first episode of “Always Together…”, which is the first time that Phil Townsend’s lovely artwork has graced the pages of Jinty. It is also the first story by Alison Christie that appears in Jinty. The combination is always an excellent one; tear-jerking stories are not my main reading preference but the two creators together do us proud on this one, and on the later “Somewhere Over The Rainbow”. There is quite a lot of thematic overlap between the two but a number of years separate their publication. Here are the pages of the first episode, to whet your appetite for a future story post sometime.

Always Together pg 1

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Gwen is coming to the end of her story: this is the penultimate episode, and she has to struggle with her strong desire for the new life that seems very much in her grasp – which she feels more and more could be costing her soul. Her only answer seems to be a climb down the very cliff that caused the situation in the first place…

In “Make-Believe Mandy”, evil sister Dinah is plotting with her father to take away the possible future that lies ahead of Mandy. Meanwhile, Mandy is still working on Miss Madden’s tests – has she passed or failed the most recent one?

Merry is trying to keep chirpy and the Warden continues to try to divide the girls from each other. At the end of this episode it seems as if the powers that be might have won, by making Merry sign a guarantee of good conduct.

Gail is also very near the end of her story – she makes it to the museum to return the idol’s necklace, but it’s not as easy as just getting in! Hopefully the idol’s powers will help her, when she trips one of the electronic alarms and brings the security guards running… The next episode is promised to be the final one.

Yvonne has reached the end of her story in this issue; she is vindicated in her struggle agains her ballet school rival, who is proved to be a liar and a schemer. Having also regained her memory and made up with her family, all that remains to do now is to indulge her love of and talent for dancing! This is the only story in Jinty with Miguel Quesada’s artwork, though he drew various stories and cover images for Tammy in particular.

Jinty 20 July 1974

Cover 20 July 1974

Stories in this issue:

  • The Jinx From St Jonah’s (artist Mario Capaldi)
  • The Haunting of Form 2B (artist Rodrigo Comos) last episode
  • Gwen’s Stolen Glory
  • Make-Believe Mandy (artist Ana Rodriguez)
  • Merry at Misery House (writer Terence Magee)
  • Do-It-Yourself Dot (artist Alf Saporito)
  • Dora Dogsbody (artist José Casanovas)
  • Gail’s Indian Necklace (artist Phil Gascoine)
  • Bird-Girl Brenda (artist Phil Gascoine)
  • A Dream for Yvonne (artist Miguel Quesada)
  • Angela’s Angels (artist Leo Davy)

Katie Jinks is kicked out of her new job, for having inadvertently set off the fire alarm, scared all the customers out of the shop, and soaked her boss in the bargain! The reason she took that job in the first place was to be able to buy herself a swish new swimming costume, which she now can’t afford – but at least she can buy some patches in the store – “It’ll be a little bit of profit for them, to make up for all the trouble I caused!” Of course with Katie it’s never that easy – she is the 100,000th customer to the store and gets a prize as a result – reluctant though the manager is to grant it! This turns out to have been a really good, solid two-parter, with plenty of gags and plot twists. There’s even one at the end – the costume she’s been after is a sunsuit, which shouldn’t be used to swim in – so she has to give it to her mother and resort to patches after all!

The Haunting of Form 2B” comes to an end in this issue. The girls are indeed in big trouble in a small boat, and nearly drown – but it is not Judy Mayhew’s intervention that saves them. The ghost teacher warned a lock-keeper who helped to rescue them just in time. Just as well, as in trying to save them (as she thought) it was actually Judy who was acting massively recklessly and would have got them all drowned. Very much like the curse in Macbeth! But because Miss Thistlewick was able to save the girls in the end, her spirit is now at rest and she can leave them in peace to enjoy their modern lives.

Everything is working out beautifully for Gwen and her Stolen Glory. The grateful parents of the girl that everyone thinks she rescues are buying a house for her and her family to live in, and Gwen’s talent has won her a place at drama school now that she has been given some attention (and now that injured Judith is out of the way). The only risk to Gwen is if Judith ever regains her memory – and Gwen is far-gone enough now to be happy to prevent that from happening.

Make-Believe Mandy has to pass more tests set by Miss Madden. What has complicated things is that Mandy’s cruel family have twigged that there is something going on, and have tried to horn in on what might be coming to her.

We find out in this week’s episode that Merry’s friend Carla is still alive, but being kept hidden so that Merry is psychologically tormented along with being ostracised by her friends. But Merry finds out too, soon enough, and risks quite a lot to get Carla out of where she has been hidden. Miss Ball is even more of an enemy of Merry’s, after that…

Gail finds out something important about her necklace, and now knows what she needs to do to appease the vengeful spirit Anak-Har-Li that lives in it. Of course getting nearer to her goal isn’t easy, as the spirit seems quite happy to hurt people that stand in its way – and possibly Gail’s Aunt Marjorie might soon count!

“A Dream for Yvonne” develops further on its miserable course – she is picked up by a children’s welfare officer who is sceptical about her claim to have lost her memory, so he takes her to a reformatory, which she will be hard-pressed to escape from. Writing this, I am reminded of the fact that Miguel Quesada also drew Tammy‘s “Little Miss Nothing” – a similar Cinderella story.