Tag Archives: Anne Digby

Tammy 1 January 1977

Cover artist: John Richardson

Babe at St. Woods (artist José Casanovas)

Towne in the Country (artist Mario Capaldi)

Curtains for Cathy (artist Douglas Perry)

The First-Footer – Strange Story (artist John Armstrong)

Edit the Ed’s Niece (artist Joe Collins)

Bessie Bunter

Molly Mills and the Season of Goodwill (artist Tony Thewenetti, writer Maureen Spurgeon) – final episode

Nightmare at Grimm Fen (artist Diana Gabbot(t))

Wee Sue (artist John Richardson)

Olympia Jones (artist Eduardo Feito, writer Anne Digby) – final episode

Welcome to our first entry for 2021! And there’s no better way to begin than with a New Year’s issue from the past.

The Tammy annual was often a running gag at Christmas/New Year time during the Cover Girl era, and this cover is no exception. The advantage of the Cover Girls and regulars such as Bessie and Sue meant Tammy could make in-jokes about the Tammy annual, to the amusement of readers. 

Wee Sue, Edie, Bessie and the Storyteller all have New Year-themed stories as well. Miss Bigger finds bats in the belfry (literally) when she’s in charge of ringing in the New Year. Later, Sue needs the bells for more than ringing in the New Year – saving juniors from a nasty accident! Edie makes 16 New Year resolutions, and even she knows she won’t keep them all. Bessie’s class dress up in fairy tale costumes for a New Year party, with Bessie as Humpty Dumpty. In the Strange Story, Nina Prentice scoffs at superstitions and fortune-telling but is left wondering after something strange happens with the first-footer custom for New Year. The happy ending of Molly’s “Season of Goodwill” story with Lord Stanton willing to save the children’s home from closure rounds it off nicely as well.

Cathy is now a full actress, but all she feels is terror because of whoever is trying to drive her off, and they are very nasty about it. Their latest is switching Cathy’s makeup kit with that of her mother Constance, who’s been dead for years. Now, how did her enemy get hold of that anyway? Could it even be a clue to their identity?

Robert Le Mal’s fulfilled his threat to take control of birds, animals and people. But now he goes one further – taking control of power lines! 

Val gets a lift from Spain to Gibraltar. Now she has to cross a desert by camel train. But she doesn’t realise that some male members of the camel train are offended by her not being covered Muslim style and they fear it will incur Allah’s displeasure.

The bossy head prefect, along with the snobs, sends Babe & Co on a hare and hounds paperchase, which crosses paths with a fox hunt. When Babe hides the fox in her bag, it causes everyone to get chased, with the antagonists getting stuck in the mud.

It’s the final episode of “Olympia Jones”, and I used to read it over and over. The villainous Rotts must have been as surprised as they were shocked to meet their Waterloo at Olympia’s trial when they thought they had her stitching all sewn up. But Olympia’s old friend Amanda Fry changes everything with some detective work. Olympia is fully exonerated at the trial and goes on to win her Olympic gold after all. However, there’s no doubt the best scene belongs to lousy Linda Rott the horse-beater when she discovers she’s been caught out (below).

Linda the horse-beater destroys herself in court. From “Olympia Jones”, Tammy 1 January 1977/25 July 1981. Artist Eduardo Feito.

Personally, I’ve always wished the material in the final episode had been expanded into a story arc lasting a few more episodes. There’s so much jam-packed into the episode that so much gets short shrift or omitted, such as the final fate of the Rotts and the full story of Olympia at the Olympics. Maybe Anne Digby intended to develop things further with more episodes but ye Editor wouldn’t agree. 

Replacing Olympia next week is a non-Bella John Armstrong serial, “Katie on Thin Ice”. Bella tended to start in the second quarter and finish late in the year, but 1981 and 1982 were exceptions to this.

Tammy 25 December 1976

Cover artist: John Richardson

Babe at St. Woods (artist José Casanovas)

Towne in the Country (Mario Capaldi)

Gran’s Christmas Message – Strange Story (artist Audrey Fawley)

Edie the Ed’s Niece (artist Joe Collins)

Curtains for Cathy (artist Douglas Perry)

Bessie Bunter

Molly Mills and the Season of Goodwill (artist Tony Thewenetti, writer Maureen Spurgeon)

Nightmare at Grimm Fen (artist Diana Gabbot(t))

Wee Sue (artist John Richardson)

Olympia Jones (artist Eduardo Feito, writer Anne Digby)

Kevin Rowan of “Our Kid” – feature 

The issue is actually dated 25th December. Did Tammy/Jinty readers actually get their 25th December issue on Christmas Day itself? Was the issue postdated and distributed early, before the Christmas holidays? Or did readers have to wait until after the Christmas holidays for their 25th December Tammy/Jinty to arrive? Where I come from, the Christmas issue didn’t arrive until March (that’s how long it took for girls’ comics to ship), so I wouldn’t know.

Bessie, Molly, Wee Sue and Edie all have Christmas-themed stories. I like the Bessie Christmas story so much I’ve reproduced it below.

The Strange Story is also a Christmas story. The Christmas spirit is lost on Cathy Summers, who is grieving too much for her grandmother. Then she has an accident while decorating the Christmas tree and her condition is very bad. In hospital there is a strange visitor – grandma – and Cathy makes a miraculous recovery.

No Christmas celebration for Babe of St. Woods, but she still has a ball sorting out some stuck-up boys from a boys’ school. The boys also like to play rotten pranks and eventually try pouring white paint on Babe and her friends, but Babe makes sure they hit the wrong targets – namely, the mounted police! 

The “Nightmare at Grimm Fen” began when Patty and Mark Stephens did a brass rubbing of an evil knight, Robert le Mal, which brought him back from beyond the grave. The ghost has powers over birds, animals, people, telephone wires and airwaves to spread his influence and make everyone do his bidding, and our heroes are being surrounded by it. He’d have influence over the Internet too if it had existed at the time. Wow, not many ghosts in girls’ comics are that powerful, and it didn’t take our medieval knight long to to discover how to use 20th century technology.

Bella spent a lot of 1976 stowing away, getting stranded in foreign countries and having all sorts of adventures in order to get to the Montreal Olympics. Now Val in “Towne in the Country” is doing the same while trying to join her father’s veterinarian expedition in Africa. Right now she’s stranded in Spain and is shocked at the cruelties of bullfighting. 

In “Curtains for Cathy”, Cathy Harley is the daughter of a famous actor but wants to make her own way as an actress, right down to working under another name. But she has an enemy trying to stop her. Whoever it is has left a dummy of her to frighten her. It doesn’t stop her from a brillant performance, which gets her four curtain calls.

Olympia Jones has just made it to the Olympics team, only to face her darkest hour (what a cruel irony in the Christmas issue). She’s under arrest for horse theft and (in effect) animal cruelty, she’s lost her horse Prince, and her hopes of getting to the Olympics look dashed. It’s all a frameup and conspiracy, hatched by her old enemies, the Rotts, to get their hands on the fortune Prince is now worth. Olympia hasn’t got one iota of evidence to prove she’s telling the truth and everything looks hopeless to her. However, the last panel of the episode should make things obvious to readers how that’s all going to change and they’ll all be hankering for the next issue to see exactly how it all pans out.

Tammy 18 December 1976

Artist: John Richardson

Babe at St. Woods (artist José Casanovas)

Towne in the Country (Mario Capaldi)

Curtains for Cathy (artist Douglas Perry)

The Family Feud – Strange Story (artist John Armstrong)

Edie the Ed’s Niece – Joe Collins

Bessie Bunter

Molly Mills and the Season of Goodwill – first episode

Wee Sue (artist John Richardson)

Nightmare at Grimm Fen (artist Diana Gabbot(t))

Olympia Jones (artist Eduardo Feito, writer Anne Digby)

Christmas craft feature

Tammy really is gearing up for Christmas now. Her Christmas craft feature is on how to make Christmas decorations. Edie is writing out her Christmas present list (with the Tammy annual included of course). Wee Sue’s class is putting on A Christmas Carol with Sue cast as Tiny Tim, and she takes quick action to stop a Christmas tree from starting a fire. Miss Bigger was cast as Scrooge (perfect role for her) and is given an offer of a role in a pantomime. Sue doesn’t tell Miss Bigger what kind of role it will be in case she turns into the Christmas grinch. As part of Christmas Bessie & Co are repairing old toys for the children in hospital, but a rocking horse leaves Bessie champing at the bit. Stanton Hall is being decorated for Christmas – but trust Pickering to act the grinch. Then Molly discovers the local children’s home is facing closure, and Pickering, of all people, gives her an idea on what to do about it.

Babe at St Wood’s goes to the fair but falls foul of a conman. He leaves her and her friends stranded on the roller coaster with the help of the snobs before going off on business of his own – stealing silverware. Then he falls foul of Babe and her gangster-taught skills. Babe proceeds to take revenge on the snobs, who have unwisely hidden themselves in the human cannonball cannon…

Val puts her vet skills to good use on the ship she stowed away from when she cures their mascot dog of an illness. In return they don’t hand her over to the authorities. Unfortunately a storm blew them off course and now Val is stranded in Spain.

A shot makes Cathy faint, but it didn’t come from the gun she bought – so where did it come from? Back at the theatre, Cathy again hears that voice telling her to leave the stage, and that person knows her real name. To make their point clear, they throw down a dummy placard of her, and it’s hanging by the neck. We have to wonder along with Cathy – is this a sick joke or a final warning?

In the Strange Story, dressing up as a cavalier (the brother) and Puritan girl (the sister) for a pageant has them arguing – which is nothing unusual for them. Then they have an encounter with a real cavalier whose brother became a roundhead. The brothers recognised each other too late in a cavalier/roundhead fight and ended up killing each other. The cavalier has regretted ever since that he never got the chance to make things up with his brother. After this, the brother and sister patch up their quarrel very quickly and become good friends.

Mark is still sceptical about Patty’s claims that the evil Robert Le Mal is back in business despite what is happening, including finding Robert Le Mal’s coffin open, chains broken and his body gone. However, Mark is finally convinced when a gang of brainwashed fisherman in the grip of Le Mal start attacking their refuge in Le Mal’s castle, chanting “Seek! Seek! Seek and destroy! … We must do our master’s bidding!” These guys have really got our heroes trapped. Can they find a way out?

A way out is something Olympia could really do with right now against the Rotts’ frameup. She does succeed in a temporary escape from the Rotts’ first attempt to seize her beloved horse, which lasts just long enough for them to make the last qualifying event for the Olympics team. The Rotts are now forced to go through police, a court case and “a lot of fuss” to get their hands on the horse and the fortune he’s worth when they expected a quick and easy killing handed to them on a plate. Still, they think it’ll be just an inconvenience to their plot, not a threat. Couldn’t possibly become their Waterloo. After all, there is nothing Olympia can prove. And Olympia fears the same when she’s arrested on the Rotts’ trumped-up charge of horse theft.  

Tammy 11 December 1976

Cover artist: John Richardson

Babe at St. Woods (artist José Casanovas)

Towne in the Country (artist Mario Capaldi)

Curtains for Cathy (artist Douglas Perry)

Ring in the New Year with a New Bike – competition

The Charioteer’s Dream – Strange Story (artist John Armstrong)

Edie the Ed’s Niece (artist Joe Collins)

Bessie Bunter

Wee Sue (artist John Richardson)

Nightmare at Grimm Fen (artist Diana Gabbot(t))

Olympia Jones (artist Eduardo Feito, writer Anne Digby)

Countdown to Christmas – feature

Oops, looks like the Cover girls are having a little trouble with what is probably an early Christmas present. Inside, Tammy adds a Christmas/New Year competition to her buildup towards Christmas. Her Christmas crafts feature this week is how to make gifts for little children. 

The school rowing teams are out in Babe at St Woods this week, and a rival school team is not playing fair. But of course they haven’t counted on Babe and her gangster skills. This week Babe draws on motorcycling skills the mob taught her. 

In this week’s episode of “Towne in the Country”, the whole focus of the story shifts from an “All Creatures Great and Small” theme to a journey theme. Val even gets a new hairstyle especially for it – a bob – much to her father’s consternation. Dad accepts a job in Africa, but Val is not accepting that she has to stay behind at boarding school. Oh, no, she’s going to follow him to Africa. In fact, she stows away on his ship. Then she finds out it’s the wrong ship and worse, she’s been caught.

Gee, now what was the thinking behind this abrupt change in the direction of the story – someone inspired by the 1976 Bella story where she stows away all the time and ends up in all sorts of places to get to the Montreal Olympics? Personally, I feel it would have been more logical to just end the current story with this episode and start the Africa saga with a sequel under a different title. Besides, “Towne in the Country” was the perfect title for the original story theme, but I don’t think it really suits the change in direction.

Cathy was warned there was a dark side to theatre: jealous types, dodgy types, mean types, etc. Now the reality must be sinking in. Trixie hates Cathy and is making her life a misery. She gets even worse when Cathy jumps from assistant stage manager to take Trixie’s part in the production. At least Cathy will get some money now. There is a second girl, Hermia, who looks like she’s out for trouble too. Added to that, there’s this other enemy out to make things curtains for Cathy and they look a lot more dangerous than Trixie and Hermia. But Cathy’s day is really ruined when she is sent out to find a rifle for the play and thinks the gun is unloaded. All of a sudden there’s a bang and she’s lying on the ground!

In the Strange Story, a Roman charioteer keeps having a recurring dream and goes to a soothsayer about it, who advises him to get a golden talisman if he is to win the event. He thinks he has found it in a slave child and buys her. Then he has to make an agonising decision between his desire to win and his conscience over slavery.

Edie goes to a fancy dress party dressed as Molly Mills – but a bully goes dressed as Pickering, and Edie does not have Molly’s talent for getting the last laugh over Pickering. She comes back with a black eye. Poor Edie.

Bessie tries to keep the boiler from being repaired in order to stall an exam. The boiler gets repaired in the end, but for once Bessie foils an exam and the other girls are pleased with her.

The seal saga ends this week for Molly Mills. Claire goes in to the lake to rescue Smiley after he gets tangled in fishing wire, but he ends up saving her. After this, Claire is allowed to keep Smiley and it’s a relief they no longer have to hide him.

Sue agrees to collect an animal from the zoo for a youth club fete – but nobody told her it was going to be a baby elephant! She is drawing a lot of laughter and hijinks as she tries to get him to the youth club, but a mouse scares him right back to the zoo. A toy shop manager comes to the rescue and allows Sue to take a giant toy elephant instead. Much easier to manage.

In “Nightmare on Grimm Fen” we finally get the backstory of Robert Le Mal. He had black magic powers, which he used to make dark birds terrorise everyone. The people eventually rose against him and killed him. But even as they did so, he said he would return, and watch out, because when he does, he will control all birds, animals and men, who will make him ruler of the land. And here come the birds already!

“We’ll handle it all with discretion” said animal welfare guy when he agreed to take Olympia Jones’ horse off her (without police involvement) on behalf of the Rotts after being tricked into thinking she mistreated the horse and then stole him from the Rotts. Well, that’s not how would describe how he’s handled it. “Professional”, “well planned” and “knows what he’s doing” are not descriptions I would use either. In fact, he’s bungled it so badly that he ends up chasing a fleeing Olympia and horse down the road, right in front of everyone. So much for discretion.

Tammy 4 December 1976

Cover artist: John Richardson

Babe at St. Woods (artist José Casanovas)

Towne in the Country (artist Mario Capaldi)

Curtains for Cathy (artist Douglas Perry)

Countdown to Christmas – feature 

Lucky Heather – Strange Story (artist Giorgio Giorgetti)

Bessie Bunter

Molly Molls – A Friend from the Sea (artist Tony Thewenetti, writer Maureen Spurgeon)

Wee Sue (artist John Richardson)

Nightmare at Grimm Fen (artist Diana Gabbot(t))

Olympia Jones (artist Eduardo Feito, writer Anne Digby)

It’s the first Tammy December issue for 1976, and Tammy sure isn’t wasting time building up to Christmas. She has a feature on how to make Christmas presents for the men in your family for the benefit of readers who are a bit cash-strapped for presents. It is the first instalment of a Christmas countdown feature.

Babe hasn’t taken much interest in athletics so far at St Wood’s, and now she’s got to contend with a head prefect who is running it all like an army drill sergeant – with help from Babe’s archenemies the snobs of course. The episode also gives us more of the Olympics theme that’s been running through Tammy during 1976. 

Speaking of the Olympics, what’s up with Olympia Jones?

Uh-oh! Olympia Jones doesn’t realise her hopes of an Olympic gold are under threat from the evil Rotts. They’re out to get their hands on the fortune her horse Prince is now worth as an Olympic prospect through their mug from LOLA (animal welfare society). They tricked LOLA guy into thinking Olympia mistreated Prince (it was themselves). Now they’ve tricked him into thinking she stole Prince as well, and is he able to please, please, get Prince back for them, as they don’t want the police involved.

LOLA guy says no problem, we’ll just walk into her next event, take Prince and drop him off to you, no need for the police. Groan…looks like LOLA guy will do anything for the Rotts. He should be asking serious questions about all this – like what the heck were the Rotts thinking in allowing this (as LOLA guy thinks) animal abuser to just make off with the very horse she was abusing in the first place and do absolutely nothing about it until now? He also says “we’ll handle it all with discretion”. But LOLA guy’s first move at the event isn’t exactly discreet – or smart – and puts Olympia on the alert before he’s even made his real move.

In “Towne in the Country”, that pesky pedlar who’s been selling fake animal medicine and cheating a lot of people finally gets cornered – by the tiger everyone else has been trying to find! Val, the only one who has gained the tiger’s trust, is going to step in.

Cathy starts her new job as assistant stage manager. She has already made an enemy, Trixie, who suspects where she has really come from. Worse, Cathy is nearly broke after being forced to use up so much of the allowance her father gave her. Well, it was her idea to do that assistant stage manager job for nothing! And now this other enemy who made that threatening phone call to Cathy’s father is now making whispered threats to Cathy herself. And it looks suspiciously like they nearly made her fall off a train as well.

The “Nightmare at Grimm Fen” is intensifying. It reaches the point where everything breaks down and Grimmford is cut off. Patty blames the evil knight, Robert Le Mal, she and her brother Mark unwittingly brought back to life. Mark is still sceptical about Le Mal, but then their father claims to have seen him.

Miss “Stackers” Stackpole is giving a lesson on the 21st century and anticipates that robots will be doing more and more of the things that used to be done by people. This has Bessie drifting off into a dream of what that would be like…robots bringing her grub and doing her lines for her, a robot Stackers teaching her class…well, her dream soon turns into a nightmare. Bessie’s dream sequences are among my favourite Bessie Bunter episodes. 

The Storyteller asks us if we believe in fairies. Heather Silver is wondering about that after an encounter with a strange woman who claims to have fairy descent. This is followed by curious events that get Heather’s redundant father a new job and Heather fulfilling her dream of going to vet college.

Miss Claire and Molly find a helper to help hide Smiley the seal, but keeping him secret is still proving problematic and Pickering is still on the hunt for him. And now it looks like a couple of fishermen have caught Smiley.

In “Wee Sue”, two girls have a fallout over netball on the eve of a netball final, so it’s vital to make them see sense fast. Unfortunately Sue’s efforts to patch things up only seem to make it worse. So she has to resort to a bit of cunning, which has the bonus of bringing extra custom to a coffee bar.

Tammy 27 November 1976

Cover artist: John Richardson

Babe at St. Woods (artist José Casanovas)

Towne in the Country (artist Mario Capaldi)

Curtains for Cathy (artist Douglas Perry) – first episode

The Unseen Hand (Strange Story) – artist Robert MacGillivray

Bessie Bunter

Molly Mills and a Friend from the Sea (artist Tony Thewenetti, writer Maureen Spurgeon)

Wee Sue (artist John Richardson)

Nightmare at Grimm Fen (artist Diana Gabbot(t)) – first episode

Olympia Jones (artist Eduardo Feito, writer Anne Digby)

Two new stories begin this issue: “Curtains for Cathy” and “Nightmare at Grimm Fen”.

In the former, Cathy Harley wants to make her own way on the stage, not because she’s the daughter of a famous actor. She’s even willing to do it the hard way and take all the hard knocks she’s been warned about. So she takes an assistant stage manager job under an assumed name at a rundown theatre, and she even agrees not to be paid for it. But no sooner has Cathy gone when Dad receives a threatening phone call saying he won’t see Cathy again and the curtains are coming down for her! We don’t think Cathy counted on that as part of the hard knocks she was willing to risk – but can she take it anyway when whoever it is starts their game?

In the latter, Mark and Patty Stephens make a brass rubbing of an evil medieval knight, Robert Le Mal. Then there are warning signs they shouldn’t have done that and they return to the place to reverse the damage. But as they do so, the weather grows stormy and there’s a horrible flapping sound.

It’s unusual for Robert MacGillivray to draw a historical story, but he does so with this week’s Strange Story. The story appears below for those who like MacGillivray artwork.

The snobs are cooking up trouble for Babe – literally – this week. It must be said that the gangster know-how she pulls to foil their scheme really does stretch credibility. 

There’s a hunt for a loose tiger in “Towne in the Country”, and there’s a hunter after it with safari ideas. Val spots it first and, realising it’s hurt, decides to risk herself to treat it. 

Miss Claire is trying to hide a baby seal with Molly’s help, but of course it’s a load of trouble for them both. Now there are further complications. The first is Pickering, who mistakes the seal for a monster and has all the staff hunting it. The second is another man finding the seal – and Molly doesn’t like the look of him! 

Sue plans a party. Unfortunately Mum accidentally scratches the new LP she was going to use for it, and the stores are sold out because it’s so hot. Then a stroke of luck and Sue’s habit of doodling bring her to the pop star himself, who agrees to perform live at her party after she does him a favour. 

Bessie Bunter pulls a crooked raffle to raise more food for herself, but of course she gets caught out. Her punishment is a notebook to be filled with lines. She never seems to get expelled for those naughty schemes of hers.

In this week’s episode of “Olympia Jones” it’s the long-awaited (and dreaded) return of her archenemies, the Rotts. We get the satisfaction of seeing that sacking Olympia for Linda Rott’s animal cruelty to escape prosecution from animal welfare has rebounded on them: “Takings down again…Sometimes I regret sacking Olympia Jones. She certainly knew how to train the animals.” They overlooked that Olympia was too valuable as animal trainer for Linda’s horse act, and her absence has caused the circus to suffer.

Then the Rotts discover the circus horse they mistreated has now become a show-jumping Olympic prospect under Olympia – which makes him worth a fortune. Now new cruelty is underway as the Rotts plot how to get their hands on that money.

The Unseen Hand. Strange Story, Tammy 27 November 1976.
The Unseen Hand. Strange Story, Tammy 27 November 1976.
The Unseen Hand. Strange Story, Tammy 27 November 1976.

Tammy 6 November 1976

Cover artist: John Richardson

Bella at the Bar (artist John Armstrong)

Towne in the Country (artist Mario Capaldi)

Sally in a Shell (artist unknown, writer Terence Magee)

Wee Sue (artist John Richardson)

Edie the Ed’s Niece (artist Joe Collins)

Bessie Bunter

Molly Mills: A Friend from the Sea (artist Tony Thewenetti, writer Maureen Spurgeon) – first episode

The Excursion – Strange Story (artist Carlos Freixas)

Babe at St. Woods (artist José Casanovas)

Olympia Jones (artist Eduardo Feito, writer Anne Digby)

As 5th November is nigh, we are bringing out some old issues commemorating Guy Fawkes, beginning with the Tammy Guy Fawkes issue from 1976. We seem to have a very generous tramp giving a penny for the guy on the cover. Or should it be penny for the guy’s jacket? Bessie Bunter, Wee Sue and Edie the Ed’s Niece all have Bonfire Night as their theme this week. There seems to be some carryover from Halloween, with people being mistaken for ghosts and other scary things, and Wee Sue’s headmistress making Guy Fawkes masks out of Halloween masks. 

The ghost theme continues in the Strange Story, where a boring double maths period gets livened up by what appear to be ghost girls. A priest and even a psychiatrist are called in to deal with the ghost infestation. It turns out the ghosts are time-travelling schoolgirls on an educational tour: “harmless exhibits – guaranteed safe” says the ad on their coach, which looks like a space rocket. It doesn’t say anything about “boring”.

This week’s episode of “Olympia Jones” rounds off the horrible night from last week, when Mr Rott sacked Olympia for the animal cruelty he knows his daughter Linda committed, to save his hide from the animal welfare inspector. He’s now yelling at Linda for almost landing him in trouble with animal welfare. Hmmph, we notice he’s not telling her off for the cruelty she inflicted. As it is, it’s all water off a duck’s back to her.

Next morning, the Rotts are surprised and then pleased to find not only Olympia gone but the horse they mistreated too – Olympia took him to get him away from Linda’s cruelty. She’s left her gypsy wagon home as payment and insurance the Rotts won’t come after him. But we can bet our Bonfire Night party that their paths will cross again. After all, there is that false charge of animal cruelty to be cleared up and we all want to see Linda get her comeuppance. Meanwhile, Olympia lands on her feet as a pony trek instructor at an adventure centre.

Elsewhere in the issue, the rabid dog that everyone’s been trying to find over the past several episodes of “Towne in the Country” finally gets tracked down and destroyed. But no luck yet in nailing that crooked pedlar who keeps selling fake animal medicine. At least Val stops him from drowning some puppies, ironically with help from the rabid dog.

“Sally in a Shell” is now more like Sally in a sweatshop. Dad and Dora reopen Miss Hanning’s craft shop as “The Shell Shop” and keep Sally locked in a room, cranking out shell ornaments at sweatshop pace for it. To add insult to injury, Sally finds out Dora is stealing the credit for making them. That’s the last straw for her, but how can she escape?

Babe wants to see a gangster film in town, but the snobs are pulling tricks to stop her going by landing her in a series of detentions. Babe breaks detention to see the film, but the snobs discover this. Can Babe sort them out before they grass on her?

In the new Molly Mills story, Mistress Claire is acting strangely: she wants a basket of raw fish; she wants a freezing cold bath prepared; she wants Molly to to buy some toys; and a flipper appears under her blanket. Molly finally finds out what’s going on when she discovers water coming down from Claire’s room. 

Bella’s on the move for the Montreal Olympics again. This time she’s going on horseback, and we are informed she is about to face an erupting volcano.

Tammy 30 October 1976

Cover artist: John Richardson

Bella at the Bar (artist John Armstrong)

Towne in the Country (artist Mario Capaldi)

Sally in a Shell (artist unknown, writer Terence Magee)

Wee Sue (artist John Richardson)

Edie the Ed’s Niece (artist Joe Collins)

Bessie Bunter

Molly Mills and the Music Hall (artist Tony Thewenetti, writer Maureen Spurgeon) – final episode

The Final Fly-Past – Strange Story

Babe at St. Woods (artist José Casanovas)

Olympia Jones (artist Eduardo Feito, writer Anne Digby)

It’s now October. So it’s time to bring out some Halloween covers and spooky stories in commemoration of Halloween. The cover for this Tammy Halloween issue is one of my favourite covers.

Looking inside the issue, one feels Tammy could have done much more with the Halloween theme. For example, Wee Sue, Bessie Bunter and the Storyteller could all been given Halloween stories (Halloween parties, ghosts, witches, etc). Instead, Sue tries her hand at being a tour guide; Miss Stackpole orders music lessons for Bessie but in the end decides a cats chorus is preferable to Bessie’s piano playing; and a WWII flying ace comes back from the grave in search of his good luck charm. 

Bella is still determined to make the Montreal Olympics despite her lack of passport (it got left behind when she ran away from the Barlows) and being unable to compete. Following a shipwreck, her cover story will be that she lost her passport at sea. But right now Bella is stranded again (this time in Iceland) after the shipwreck, and she’s got a young kid, Karen, in tow from that shipwreck.

This week’s episode of Olympia Jones is a turning point in the plot: Olympia and Prince the horse break away from their horrible existence at Rotts’ Circus. Olympia’s hand is forced when Mr Rott sacks her for the animal cruelty that he knows jolly well his daughter Linda was responsible for. It’s to get animal welfare off his back when they discover the evidence of Linda’s cruelty. Of course Olympia isn’t leaving the ill-treated Prince to the tender mercies of the Rotts, so she makes off with him, offering her caravan home as payment for him. Readers will eagerly read on to find out where they end up, not to mention how Olympia gets cleared of the animal cruelty charge. If you weren’t hooked on the story before, you should be after this episode.

In “Towne in the Country”, Val and her vet father are on the hunt for a rabid dog, and the police are involved too. To make things even worse, the dog’s owner won’t accept her precious dog has rabies and has to be destroyed, and a crooked pedlar has taken advantage of this to sell her some of his fake animal medicine.

Babe of St. Woods foils a robbery at the school tuck shop. Being a gangster’s daughter may give her an empathy for criminals, but on the other hand she can’t have those thieves stealing her lollipops.

Molly goes to the rescue of a music hall show after its director collapses, and she manages to recruit help from the Stanton Hall staff. Even misery boots Pickering helps out. 

“Sally in a Shell” discovers her father and sister Dora’s plot to destroy Miss Hanning’s business, but they prevent her from alerting Miss Hanning. Miss Hanning collapses, still thinking Sally was responsible for her business failing (actually it was one of Dora’s tricks) and her shop closes down. No prizes for guessing who buys it off her.

Edie the Ed’s Niece is finding it a tough choice, filling out the favourite stories coupon. Many readers must have found it equally difficult at times to pick three faves plus a least fave out of the weekly selection.

Tammy 4 September 1982

Cover artist: Eduardo Feito

A Horse Called September (artist Eduardo Feito, writer Anne Digby)

Saving Grace (artist Juliana Buch, writer Ian Mennell)

Bella (artist John Armstrong, writer Malcolm Shaw)

The Grand Finale (artist Douglas Perry, writer Maureen Spurgeon) – complete story

Cross on Court (artist Mario Capaldi, writer Gerry Finley-Day)

Pam of Pond Hill (artist Bob Harvey, writer Jay Over)

A Gran for the Gregorys (artist Phil Townsend, writer Alison Christie) – final episode

Slave of the Clock (artist Maria Barrera, writer Jay Over)

It’s September, so it feels appropriate to look back at some September issues, I think. And what better to start things off than with a cover that profiles a story with “September” in the title?

Some publications started life as a girls’ serial. Such is the case with “A Horse Called September”, a serial that reunites the creative team from Tammy horse classic, “Olympia Jones”. The serial was originally published in June as a text story, with the spot illustrations drawn by the ever-popular Shirley Bellwood. In the 1980s writer Anne Digby published it as a book, and Tammy adapted the serial as a picture story serial to tie in with the publication. 

In the story, Mary Wilkins and Anna Dewar have always been best friends on Mr Dewar’s farm. But when Mr Dewar gets big ideas about Anna winning a huge riding championship, things turn sour. Mr Dewar is so obsessed with it that he’s driving September the horse too ruthlessly, and now September’s lost his nerve because of it. Moreover, Anna’s been sent to a top riding school, which is changing her for the worse and she’s neglecting her friendship with Mary.

In “Saving Grace”, Sue Blackstone’s friendship with Grace Clark has also soured because Grace changed for the worse while Sue was abroad, and Sue can’t figure out why. Grace has driven a girl to run away with pony Jackson from the school pets club, which faces closure. Now Grace appears to have snaffled Jackson and her classmates are out for blood.

Bella has lost her memory and Jed and Gert are taking advantage. A runaway named Jenny, who is hiding in the Barlows’ shed, has discovered this and she tells Bella the truth. Will this bring Bella’s memory back?

“The Grand Finale” features an egotistical magician whose conjuring is nowhere near as good as he thinks. As a matter of fact, he’s so awful he doesn’t even maintain his props properly and they just fall apart in front of the spectators. Personally, I find the story as lousy as the magician.

Tammy had a number of stories where protagonists have terrible temper trouble. This time it’s Sarah Cross of “Cross on Court”, who blows her top each week, and each time she does she is left with one huge regret over it.

Pam of Pond Hill and her class have been set a challenge – an adventure course in Aberdaffy to prove their self-reliance – and the reward is a new playing field. The latest test – self-catering, is turning into disaster, but this week they turn things around. But the tests are only part of the difficulties. There is also a secret saboteur at work to destroy things because her father wants the same field for development.

It’s the final episode of “A Gran for the Gregorys”. The creative team (Phil Townsend and Alison Christie) already have a long line of emotional stories from Jinty, but this is the first story to credit the team. Ruth and Charlie Gregory are looking for a gran to adopt because the family badly need one. So far every single prospect has fizzled out and things are getting desperate. The only old lady to appear in the episode, Mrs Crabb, is as crabby as her name suggests. Surely she can’t become the gran – or could she?

In “Slave of the Clock”, Madame Margolia has hypnotised Alison Thorne into doing ballet exercises whenever she hears a clock ticking. This is a (misguided) measure to make Alison more dedicated to ballet, and clearly Madame Margolia did not foresee other consequences – like someone abusing the “power of the clock” as she calls it. This is what Alison’s ballet teacher Miss Dempster proceeds to do so she can become private tutor to a wealthy pupil. Miss Dempster vows this is the only time she will “deliberately use the power”. Oh, yeah? We know Miss Dempster has burning ambitions to get one of her pupils into the international ballet school and thinks the power of the clock could be the way to do it.

The Dance Dream (1977)

Sample Images

The Dance Dream 1

The Dance Dream 2

The Dance Dream 3

Published: Tammy 16 April 1977 – 4 June 1977

Episodes: 8

Artist: Douglas Perry

Writer: Anne Digby

Translations/reprints: Girl annual 1982; Tina in 1980 as ‘Dans, Diana, Dans!’ and in 1984 reprinted in Tina Dubbeldik Superalbum 14.

Plot

In 1938, orphan Diana Watts dreams of becoming a ballerina and she idolises famous ballerina Diana Oberon. She has moved to London to get close to Oberon and whenever she sees Oberon it always seems like Oberon has always known her, though the two have never met. Oberon just seems to act like some spiritual guide and mentor to Watts, offering encouragement and help, no matter how hard things get. It certainly is hard: no money to pay for lessons or proper ballet gear; cribbing all she can from books; no space to practise except in the attic room she rents; no music; and scrimping to buy a gramophone.

Oberon lends a mysterious hand to help Watts get the gramophone, and Watts is even able to get some music to go with it. (Once the music is introduced the story keeps making a glaring error: it repeatedly says The Dance of the Dying Swan is in Swan Lake; it isn’t.) However, practising to music gets Watts evicted for being too noisy. Watts manages to find other accommodation, but it’s not very nice (basement room, rats). It’s more expensive – so less money for ballet lessons – and less room to practise. But after meeting Oberon, who says good things are going to happen to her, Watts feels encouraged again.

Soon after, Watts’ dingy new room looks better and she realises the basement area outside makes a ready stage for her to practise on once cleaned up. This gets her noticed by Mr and Mrs Hartley who own a ballet school. Upon seeing her talent they offer her private lessons, and don’t worry about fees. After this, Watts is convinced Oberon has strange powers and she arranged all this.

Watts strikes another problem at dance class: no ballet gear of her own and her ballet shoes are too tatty. But not for long: Oberon turns up in her mysterious manner with a bag full of everything Watts needs. Soon Watts’ ballet lessons are going so brilliantly that she is accepted by the London Company.

Suddenly Watts is shocked to find Oberon not appearing because she is indisposed. Then she has a horrible vision of horrible black hands reaching out for Oberon and realises it is a premonition. While rushing to Oberon’s house to warn her, Watts gets knocked down by a car.

Watts regains consciousness at a Swiss clinic and seems to hear her gramophone playing. Her legs are paralysed. Oberon appears, and tells Watts she has a destiny to fulfil, but is not specific on what that destiny is. Oberon puts Watts through a series of tests to get her to walk and eventually to dance again. Watts’ final test is to dance before an audience while every muscle in her body still gives pain. Oberon tells Watts to forget the pain and just dance for her audience. She does so, finding the music just seems to drive the pain away. The applause is thunderous and Watts tells Oberon she is cured.

Oberon tells Watts her destiny is to take her place as “Britain’s foremost ballerina”. She then says goodbye to Watts forever.

Watts regains consciousness in the hospital. She has been in a coma all the time and the Hartleys were playing the gramophone music in the hope it would wake her. The doctors are baffled as to how Watts, who was completely paralysed, has recovered, and is now dancing even better than before. It turns out that Oberon, who was taken ill, died at the precise moment Watts woke up from her coma. Watts vows to fulfil her destiny to carry on from Oberon as Britain’s leading ballerina, starting with the London Company.

Thoughts

This is quite a charming story. It is likeable and enjoyable to read. Nobody would call it average or boring. The writer remembers it fondly. We like the period setting, the hot chestnut job, the supernatural elements, struggling to dance in lousy accommodation, and Watts’ ultimate battle to overcome her paralysis and learn to dance again. We even like the touch of the mean landlady who offers Watts the basement area, which we suspect the landlady is overcharging for.

However, we feel that Watts does have it a bit too easy compared with other dancers in girls’ serials. Her story is not given enough episodes to really flesh things out or put more tribulations in her path. For example, we never see how Watts gets on at the London Company. And the obstacles Watts faces do not feel all that much of a threat. We get the impression they are only superficial and fleeting because they will be overcome the moment Oberon appears, which she always does.

Oberon acts too much like a deus ex machina who is always bailing Watts out of every fix she gets into. Yet it’s never in person. It’s always in a vision or appearing with dark glasses and a hood, like some fairy godmother. This also creates a bit of overdependence on Oberon. We are left wondering how Watts is going to cope now Oberon is dead and said her goodbyes. Is it here that her real tests of character will begin?

There is a real mystery as to how the power of Oberon over Watts actually works and it’s one of the most baffling in girls’ comics. Unlike the “Spirit of the Lake” she is not a ghost and is not dead (until the end of the story). There is no evidence of Oberon having actual powers. The two women are not related, nor are they twins. The only things they have in common are their love of ballet and having the same Christian name. Yet both women sense there is some sort of link between them and one is destined to follow on from the other. Perhaps everything can only be left to the readers’ imagination.