Tag Archives: bullying

Day and Knight [1984]

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Published: Princess II #25, 10 March 1984, continued in Tammy & Princess, 7 April 1984, finished in Tammy & Princess, 28 April 1984

Episodes: 8

Artist: Juliana Buch

Writer: Unknown. Possibly the same writer as “Cuckoo in the Nest” from Girl annual 1982, which has a similar plot

Translations/reprints: None


Ever since Sharon Day’s mother died when she was young, it has just been her, Dad, and her cat Monk. That’s just the way Sharon likes it. Sharon knows her father is now in a relationship with a woman named Sally, but has no problems with that – yet.

While dropping off Gran’s birthday present on the way to school, Sharon sees Carrie Knight and her gang pass by. She tells Gran they bully everyone at school, taking money off the first years and such, and for this reason she can’t stand Carrie. Gran is relieved to hear that at least Carrie leaves Sharon alone.

But when Sharon gets to school that suddenly changes. Carrie now starts on her, and is bullying her big time. Carrie even steals and sells Sharon’s guitar, which breaks Sharon’s heart because it was her mother’s.

The reason why Carrie has started picking on Sharon becomes clear that evening: Carrie’s mother is Sally, the woman Dad is now engaged to and wants to marry. So Sharon is now faced with the prospect of having this bully for a stepsister!

Sharon tries to tell Dad that Carrie is bullying her, but he does not believe it. Moreover, Carrie is very good at fooling him into thinking she is a sweet girl and the perfect stepdaughter who absolutely adores her new stepfather. She has no compunction in lying to her parents and swearing that she did not do any of the things Sharon accuses her of. Carrie just loves to tease Sharon with her phoney acts towards Dad and telling him how much she likes him.

Although Sharon protests that Carrie is just fooling him and she’s a horrible bully who makes her life a misery, and she’s in constant tears over the whole business, Dad just won’t listen. He thinks Sharon just can’t handle the changes and is being resentful of his new marriage.

Aside from the bullying, Sharon finds herself being pushed into changes that are too fast and difficult for her when Carrie and Mum move in. Sharon and her Dad are vegetarians, but Carrie and her mother are not, so Sharon is shocked at the sight and smell of meat in the fridge. Worse, Sharon has to rehome Monk at Gran’s house because of Carrie’s asthma. And Sharon, who once had her bedroom to herself, now has to share a bunk bed with that bully until the parents get a bigger house.

And now, of course, Carrie is making Sharon’s life a nightmare at home as well as at school, and she’s very slick at covering up afterwards. For example, she and her gang trash Sharon’s belongings. Then she tells Dad she accidentally broke Sharon’s old doll and will pay for it.

Gran is the only one who believes Sharon and understands what is going on. Oddly though, she is not doing much to convince Dad. Maybe Dad is not listening to her either? Dad certainly does not listen to Sharon’s friend Jenny when she tries to back Sharon up about Carrie’s bullying. What Gran does do, though, is attempt to instil optimism in Sharon that things will work out in the end and Carrie will change. Right now, though, there’s no hope of that.

Although Dad knows there is a big problem with the girls, he still goes ahead with the wedding. Sharon has to swallow down tears throughout the ceremony. Mum and Dad think Sharon will just come around, but of course they have another think coming.

Now Carrie pulls her worst trick yet – spiking Sharon’s vegetarian school lunch with meat! When Sharon discovers this she snaps and starts a punch-up with Carrie in the dinner hall. However, the teacher can’t find any trace of the meat afterwards. Later Sharon realises Carrie’s gang pulled a trick there, but when she tries to tell Dad this he still won’t listen and tells her to stop it. Sharon’s response to that is run away from home and take refuge at Gran’s. Dad is anguished at this while Carrie just laughs at it all behind her parents’ backs.

However, next day events take a turn that changes everything. Dad spots Sharon’s guitar at a second hand shop and discovers it was indeed Carrie who sold it there. When he confronts Carrie with this, her last-ditch effort to deny everything falls apart very quickly. The game is up:

Mum: “You’ve lied enough!”

Dad: “Your daughter’s driven mine out of her own home!”

Dad, who resolves to make Sharon happy to come back, makes the decision to split up with Carrie’s mum. At this, Mum really turns on Carrie for what she’s done, and how it will destroy her marriage if the girls don’t reconcile. She shoves Carrie out of the house to make it up with Sharon.

Carrie is shocked and upset at what she has done, and now realises she genuinely likes her new stepfather. She makes an earnest, desperate attempt to reconcile with Sharon, promising she’ll be different. But Sharon rebuffs her because her wounds are too raw. Moreover, she is not impressed with Carrie’s claims of contrition (unlike Gran), the idea of living with Carrie is still too repugnant, and she wants things the way they were. So Carrie and her heartbroken mother clear out of the house so Sharon can come home.

Sharon expects things to back to the way they were, although Gran has warned her that they can’t and won’t. Of course Sharon soon finds out how right Gran is. Dad might have sacrificed his marriage for her happiness, but he cannot hide his feelings about it (snapping at her, up all night crying, too upset to go to work). Sharon realises their relationship will become embittered because of this. She can’t let him suffer either, but still can’t stand the idea of living with Carrie.

Next morning Carrie turns on her bully gang when she discovers, in typical bully fashion, how uncaring they are about her situation. “I must’ve been crazy to hang around with you morons!” They just about have a fight.

Sharon can see Carrie is genuinely upset, but just says, “Good! I’m glad to see her suffering for a change!” However, she is more concerned to hear that Carrie’s mother was up all night crying too. She does like her stepmother.

In the end, Sharon grudgingly gives Carrie a second chance for the sake of their suffering parents. Soon the family are back together, the parents are overjoyed, and there are already signs that Carrie and Sharon are on the road to becoming the best of sisters. After all, says Sharon, she had always wanted one.


There have been so many serials where parents just don’t listen when their daughter tries to tell them she’s being bullied. And this is one of those serials where just not listening has far more serious results than most – a marriage almost being destroyed and a family torn apart. It’s not just because the bully is very crafty at convincing them she’s a sweet angel. It’s also because they are blinded by love and desperately want to marry each other. So they push headlong into it despite the clear danger signals.

Even without Carrie’s bullying, we can feel how Sharon’s world is being ripped apart by the changes her father’s new marriage is bringing into her life. Sharon was so happy with things the way they were and the changes are all, in their various ways, just too hard on her and unfair. We can hardly blame Sharon for wanting things back the way they were and it would have been understandable if she had been genuinely resentful of the marriage. But the real problem is that her stepsister is bullying her, and because the bullying goes on behind the parents’ backs, they won’t listen when Sharon tries to tell them. They really pay the price for that when Carrie’s bullying almost destroys their marriage.

As with Lindy/Jinty’s “Hettie High and Mighty”, redeeming and reforming the bully is absolutely essential if everything is to be sorted out and end happily, because that bully is now the stepsister of the girl she’s bullying. Otherwise the family can never live together in harmony. However, the road to it is realistically done and avoids the triteness and clichés that have appeared in similar stories, including “Hettie High and Mighty”.

Unlike Hettie, it’s not all that clear just what has made Carrie such a bully. We know nothing of her home life prior to her mother’s new marriage; however, her absent father could have some bearing on her conduct. She does carry out her bullying in a very cocky, obnoxious manner, which suggests she’s out of control. She’s also in with a bully gang, rather than being a sole bully/troublemaker like Hettie. So it could be a case of getting into a bad crowd, wanting to act big and feeling like she’s ten feet tall with all the power she gets out of bullying. Moreover, the school isn’t doing anything to stop the bullies. All the pupils know about them but nobody does anything about them. If nobody is cracking down on the bullying, then of course Carrie’s bullying has just gotten so bad. Finally, Carrie sees Sharon as a big wet, which is probably why she chose to bully her instead of trying to get along with her in the first place.

It is a nice change from the usual cliché, where the abused stepsister just forgives her bully stepsister once changes as her counterpart in “Hettie” does. Instead, reconciliation does not come all at once because Sharon’s hurt feelings are too strong. It takes time before Sharon agrees to attempt reconciliation. Even then it’s not because she becomes convinced of Carrie’s remorse or Carrie redeems herself in front of her, which is another common cliché in girls’ serials. Sharon does it for her suffering parents.

There is no doubt Carrie is genuinely remorseful when it comes, and it’s realistically done. Carrie is not only remorseful; she also wakes up to what a good thing she was onto with her new stepfamily and how she ruined it with her bullying. However, while her remorse is essential to the resolution of the story, she cannot convince Sharon or her parents that it is for real. Sharon does not listen and wants her gone. Mum tells Carrie that if she really had loved her new stepfather, “you wouldn’t have done anything to spoil my happiness. I’ll never forgive you for this!” Dad says to Sharon, “A pity Carrie was such a monster. I-thought she loved me…”. However, the story does not go down yet another common cliché in which Carrie finds a way to convince them she has changed and gets them back together. Nor does it have the family coming together when a big accident occurs because of what happened, which is another cliché.

This is definitely one of Princess II’s best stories because of its realism and breaking with clichés that girls’ serials dealing with similar themes often use. The artwork of Juliana Buch has always been popular and it blends in nicely with the school and family settings. This was Buch’s only story for Princess II, and her artwork would have helped this story to bridge the merger with Tammy because Buch was one of Tammy’s regular artists.



Fatherland [2017]

Fatherland cover

Published: Commando #5053

Art: Ian Kennedy (cover); Rodriguez and Morhain (story)

Writer: Iain McLaughlin

In the previous Commando entry on this blog we profiled Operation Nachthexen, the first Commando to have a female protagonist after over 50 years of exclusively male protagonists. All the same, the main protagonist was still male and the female protagonist was more in a supporting if major role.

This Commando is the first to have a female protagonist who is the star of the show in her own right. It is also the first Commando to have a female antagonist.


In March 1933 Hitler and his Nazi Party gain absolute control over Germany (and absolute is the word). For Hans Fischer, a German diplomat and Nazi living in London, this means benefits and promotion, but his Nazism is tearing his family apart. Hans’ wife Elizabeth is British born and therefore does not support “that funny little man Hitler” (say what?). She is appalled at how her husband has changed for the worse since he embraced Nazism, and with fanatical zeal. When Hans says they are all moving to Berlin so their children, Kurt and Lisa, can be brought up as proper Germans (Nazis, he means!), Elizabeth tries to do a runner with the children. Unfortunately she only succeeds in getting Lisa away. Kurt remains in the clutches of his fanatical Nazi father, which does not bode well for him.

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Ten years later World War II is on, and Lisa (now Fisher) joins the fight against Hitler. As Lisa can speak German, she is chosen for a special assignment. After two months of intense special training, she is sent to the Nazi-occupied Channel Islands, where she goes undercover as Greta Kruger, a German auxiliary the Resistance intercepted. Her task is to work at one Colonel Schaudi’s office to gather information on the shipping. The German supply shipping has the infuriating habit of arriving at different times, which makes it difficult for the Allies to know when to intercept and destroy them. So they need information on the times those ships are coming.

As per training, Lisa also spends a great deal of time observing the routines of the German guards and patrols – with particular attention to the gaps and blind spots that she can take advantage of in order to move around without being caught.

Lisa also has to tread carefully around her roommate, Hannah Muller, who is a committed Nazi and a callous cold fish. Hannah looks upon the islanders as scum who are beneath the superior Germans and badly need German discipline to turn them around. She does not approve of Lisa saving a local boy from being run over by a German motorcyclist (and taking some injury herself) or Lisa going to church.

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Hannah has no idea that the real reason for Lisa going to church is that the minister, Reverend Letts, is Lisa’s contact. Lisa gets the E.T.A. of one German supply ship, the HSK Wagner. However Lisa nearly gets unstuck at the rendezvous on a cliff to pass the information to Rev. Letts when a sentry catches her. She ends up slugging him and he falls to his death at the bottom of the cliff. As predicted, Schaudi puts the sentry’s death down to an accident (and orders it to be hushed up because he does not want the islanders to hear about such embarrassments). But Lisa and Rev. Letts are not going to use that cliff for a rendezvous again.

Lisa’s information enables the Allies to succeed in intercepting and destroying the Wagner. But when word reaches Berlin they (correctly) suspect their security has been compromised and send in one of their leading and most ruthless SS Oberfuehrers to investigate the matter. And guess who it is? Yep – Lisa’s father! What’s more, Lisa’s brother Kurt is in tow too, as an SS Hauptsturmfuehrer on Dad’s staff.

Lisa is unaware of this complication as she gathers evidence that the Germans are going to use the Channel Islands as a stockpile for German weapons. Rev. Letts tells Lisa the RAF is going to bomb the munitions store that night and she is required to light flares for them to see by.

Finding pretexts to get away from Hannah for night missions has been another problem for Lisa. The first time, Lisa said she was laid up because she was injured from the motorcycle incident, which worked. But the second trick – giving Hannah drugged coffee – does not. By the time Lisa is at the rendezvous lighting the flares, she finds Hannah has followed her; obviously she smelt a rat and has now discovered everything. A fight breaks out, and Hannah ends up out cold due to Lisa’s superior fighting training. The ensuing bomb raid does the rest in finishing off Hannah. Lisa then proceeds to frame Hannah for everything in order to cover her tracks.

The frame-up of Hannah works, but Lisa is in for a shock at the debriefing over Hannah – her SS father and brother. Fortunately they do not see through her disguise, but she realises their presence is now making things too risky for her. Things get even more risky when Schaudi wants to plant Lisa on the church as a choir member because he suspects it is linked to the Resistance.

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Orders come for Lisa to be withdrawn because of the increased risk. A plane will come for her in two days and the Germans will discover her ‘fall over a cliff’ later. During those two days, Lisa is appalled to see what a pair of vicious bullies her father and brother have become, as shown in the way they treat the islanders.

Lisa has one final task on the night she is to go: steal detailed orders of naval schedules from Schaudi’s office. Unfortunately Kurt has picked that night to start changing the guard routines, which impedes Lisa’s progress in getting away to meet the plane after stealing the papers. At one point she has no choice but to slug a guard, and she barely makes it in time for her plane. Unfortunately, Hans and Kurt discovered the guard, which alerted them, and now they arrive on the scene.

Still thinking she is Greta Kruger, Hans confronts her about her treason to the Fatherland. A moment later, Hans is quite taken aback and confused when she suddenly starts calling him “[Daddy]” and confronts him on the way he ripped his own family apart in the name of Nazism. Kurt, however, immediately understands what it’s about.

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As the family squabble unfolds, it becomes clear that years of abuse and bullying from Dad are responsible for Kurt being a bully himself. However, unlike the merciless Nazi fanatic father, there is still good in Kurt, and now it comes to the surface. He cannot bring himself to send his own sister to the firing squad and finds the courage to say this to his bully father. Dad’s response is more bullying of Kurt: he lashes out at his son and knocks him to the ground. He then points his gun at Lisa, telling her that she’ll be interrogated until she talks and all the rest of it. Moments pass as they just stare down each other. However, those moments give Kurt time to recover and he shoots his father dead to save Lisa: “Your cruelty and obsession has hurt me on many occasions. You will not do this to my sister.”

Kurt helps Lisa to escape and cover it up afterwards. He declines to go with her as he is still loyal to Germany, but promises to find her after the war ends. As Lisa flies to safety, Kurt silently wishes her luck.


It is not surprising that the first Commando to have a female lead as the main protagonist puts her into undercover work and espionage rather than into combat as the male protagonists most often are in Commando. It also makes a change from making her a Resistance fighter, as girls’ comics so often did. Lisa is working with the Resistance, but she is in the role of the specially trained operative sent in by Intelligence, so we get insights into how the British Intelligence and special operatives worked from that meticulous military Commando research. We also see several of the techniques and tips Lisa provides from her special training, such as familiarising herself with the guards’ routines in order to get around them and how to handle interrogation. And the scene where she beats up that callous Hannah is absolutely priceless! Though Hannah does not get the chance to do anything that’s actually horrible as the Fischer men do, her unfeeling, arrogant remarks and her Nazi devotion make us all yearn for her to get her comeuppance.

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Lisa’s mother Elizabeth is of course the other female protagonist in the story. We really feel for the mother as we have seen so many similar situations in stories of domestic violence and parental abductions. She is faced with an increasing shadow of domestic violence from a husband who is turning bad, and then it’s compounded by the threat of being dragged off to a grim life under the jackboot of Nazi Germany. She attempts a desperate flight from that life and tries to save her children, but it’s heartbreaking to see she is only half successful. She failed to save Kurt because of his childlike naivety in hopping out of the car and asking Dad where they are going. This of course tipped Dad off at once and he threatened to take the kids away to Nazi Germany without her and she would never see them again. Mums and Dads who have lost their children to international custody disputes and parental abductions would really feel for her there and applaud when she at least manages to save her daughter. But we can imagine her heart must have been bleeding at being forced to leave her son behind and imagining what his upbringing will be like in Nazi Germany under his increasingly tyrannical father and without any motherly love. When we see how Kurt turned out because of this, Mum had every right to be concerned and how Lisa had such a lucky escape in not being dragged off to Nazi Germany as well.

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Kurt Fischer is another first in Commando: he is the very first sympathetic SS Officer to appear in Commando. Up until this point, whenever Commando used stories with sympathetic German WW2 soldiers, it made a strong point of never, ever using sympathetic SS or Gestapo officers. The sympathetic German soldiers always came from the forces and were portrayed as fighting for their country rather than Nazism and disliking the SS and Gestapo for their brutality. Sergeant Oskar Dietrich in Entry Forbidden! is one such case. SS and Gestapo officers in Commando were always just like Hans Fischer: cruel, brutal fanatical Nazis with no mercy or redeeming qualities whatsoever. They are shown to be bad because they have always been bad, such as Max Rudel, also from Entry Forbidden!

But this is not the case with Kurt Fischer. When we first see him as a kid, he looks such a sweet kid (unlike Max Rudel in childhood), and we are really worried about him when he gets left behind with his fanatical Nazi father. Sure enough, he’s the mirror image of his bullying father years later, but that’s because he’s an abused child. After the separation he was dragged off to Nazi Germany where he suffered a miserable, terrifying life under his bullying father and without even his mother to give him love. If Dad had married again, we imagine it would have been someone like Hannah Muller.

Yet Dad had not destroyed all the good in Kurt with his bullying. And we imagine that deep down, long-standing resentment from years of abuse is yearning to break out and take revenge. Both come to the surface when he is confronted with his sister and the fate she will face if Dad arrests her. When Dad shows utter lack of mercy towards his daughter, it turns out to be the last straw for Kurt. For all the bullying Kurt did earlier, we really cheer for him when he strikes back at his bully father by shooting him, and he redeems himself.

Even Hans Fischer may be a tad more tragic than SS officers in Commando usually are. Usually they are just simply bad, irredeemable characters like Max Rudel. However, the line “Elizabeth was shocked by the changes in her husband since he became involved in Chancellor Hitler’s party” hints that Hans may have been once a better man. However, becoming a fanatical Nazi destroyed all that. His fanaticism led him to destroy the family he probably once loved very much, and ultimately that same family destroyed him.

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The ending was crafted in a manner that left scope for sequels. So we might see Lisa again in a future Commando. Or we might even see Kurt in the first-ever Commando to use a sympathetic SS officer as the main protagonist. Certainly there have been serious questions raised about the consequences of that night for Kurt, which could be developed further. It’s all very well for Kurt to say he can’t go against his country, but he will find it’s not going to be that simple and he can’t really carry on with the SS the way he did before. The good in him has awakened now, and he will have to work on it if he is to keep his promise to his sister to reunite with her. After all, she’s not going to be very impressed with him if he continues to shove the islanders around or run up a list of war crimes a mile long. Besides, he now has a terrible secret that could have him executed, blackmailed or going on the run if someone finds out, and that worry is going to be a huge shadow over him. And now that Dad’s bullying dominance is gone, Kurt is more of a free man to make his own decisions. We do have to wonder if the SS was Kurt’s choice of career in the first place or if bully Dad forced him into it. It would not be surprising to see a future Commando where Lisa goes to the rescue of her brother. We shall just have to wait and see.

Paula’s Puppets [1978]

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Published: Jinty 4 February 1978 to 22 April 1978

Episodes: 12

Artist: Julian Vivas

Writer: Unknown

Translations/reprints: De poppen van Petra [Petra’s Puppets] (in: Tina 1979, Tina Topstrip 54, 1983).


Paula Richards has come out top athlete at Handley Athletics Club and has a very jealous rival in Marnie. Paula’s father is a prominent man because he owns the biggest toy factory in town. Unfortunately Dad has spoiled Paula ever since her mother died, so she’s a bit on the selfish side. For example, Paula just finds it boring to hear that her father’s factory has taken a downturn in recent months instead of worrying. She isn’t too worried either when a fire burns Dad’s factory to the ground; she just tells him the insurance will put everything right.

For everyone else, though, the fire was the worst thing that could have happened because the factory was the source of the town’s employment. Now they are rendered jobless and there’s no other work around. Then nasty rumours go around the town that Dad burned his own factory down for the insurance; even the housekeeper Mrs Black believes it and walks out on the Richards family. Dad is getting really down but Paula is merely angry over Mrs Black and thinks it’s just a stupid fuss over a “silly old fire”. She goes off to the burned out factory, where she finds some wax puppets that have survived the fire. She gives vent to her anger about Mrs Black by making one puppet look like her and giving it a big fat wart on the nose.

Then Dad really is charged with burning down the factory and protests his innocence as the police take him away. Everyone turns against Paula when word about it spreads. Dad has no chance at his trial; everything seems to point to his guilt. Even Paula thinks the jury is right when they find him guilty, and she turns on him as well.

Meanwhile, Paula is very surprised to see Mrs Black has developed a swelling on her nose, which looks just like the wart she moulded on the puppet. Paula now begins to wonder if the puppets have some sort of power, and whether she can use it to get revenge on the town.

The only friends Paula has left are club coach Joanne Phillips and her father, who was her father’s partner in the business. They take her in, and Joanne encourages Paula not to give up her athletics. However, the girls, led by Karen Thompson, want Paula out. They refuse to run in the relay team unless Joanne gives Paula’s place in the team to Marnie. Joanne refuses to give in to their blackmail while Paula angrily walks out – and towards the puppets for her revenge. She models one on Karen and mimics Karen getting a sprained ankle from a fall in the high jump. This is precisely what happens to Karen later. So the puppets’ power is definitely for real.

Paula is too angry to realise some of the girls have become apologetic, including Karen before the fall happened. Lindy seems more sympathetic, but something makes Paula so ruthless that she nobbles Lindy during the hurdles. An inquiry is now pending and Paula is in danger of being banned. She begins to wonder if the puppets are a bad influence and she should stop using them. But she does so anyway, with a puppet made to look like Lindy. At the inquiry, she directs the puppet to have Lindy say it was a mistake. It works, but Lindy has now lost her sympathy for Paula. Paula wonders if she should destroy the puppets while Joanne advises Paula to stop thinking everyone is against her.

That advice is hard to take when Paula sees “Get out of Handley, Paula Richards” daubed on the old factory wall. Two girls, one of whom resembles Lindy, wrote the graffiti, and passers by just let them go because they are hostile to Paula too. Paula goes back to the Lindy puppet for revenge, but gets really scared when she gets startled and drops the puppet.

The hurdles race is being re-run, and this time Paula resolves to win it fairly. But the other girls are not, what with hiding Paula’s running gear in the gym attic and taking the ladder away when she tries to retrieve it. Lindy comes in and offers to help by crossing a beam. Paula sees the beam looks dangers, but finds she can’t make a sound when she tries to warn Lindy – and then realises why when she remembers her own words of revenge against Lindy just before she dropped the Lindy puppet. So the beam cracks under Lindy and she falls to the floor, which renders her comatose. The girls confess to the trick on Paula, while Lindy’s brother blames Paula for the accident, but out of the bitterness towards her father: “We heard how Lindy risked her life for the daughter of a jailbird!”

Paula tries to destroy the puppets but finds they won’t burn. So she decides to give up the athletics club because of the hostility towards her that tempts her to use them. However, Joanne is not having that and wants Paula to enter a cross-country championship. Paula agrees, but starts ducking out of school to train for the event because she wants to avoid temptation to use the puppets because of the bullying at school.

Meanwhile, Paula’s athletics club enemies have begun to notice a pattern about the things that have happened to them and are beginning to (correctly) suspect Paula has something to do with it. One girl, Rhoda, puts her name down for the cross-country event so they get another chance for revenge. They also discover Paula is playing truant in order to train, and spitefully sneak on her. When Joanne hears, Paula makes the excuse that it was the bullying, which Joanne finds understandable. She withdraws Paula from school and teaches her at home. Paula also starts getting personal training from Joanne, but does not realise Marnie is spying on her and trying to figure out her weaknesses.

Discovering there is still no change in Lindy’s condition, Paula decides to see if the puppets can be used for good for a change. She dresses one like Lindy and another like herself, and mimics Lindy waking up when she goes to visit her in hospital. She does not realise Marnie is trying to spy on her while she is doing this. After Paula leaves, Marnie investigates the puppets’ hiding place. She thinks nothing of the puppets she finds, but takes the puppet made to look like Paula for her kid sister.

Paula succeeds in waking up Lindy, and in doing so finally discovers the joy of helping people. However, she soon finds this does not improve people’s attitude towards her. Lindy’s brother remains as hostile as ever towards her, and has the hospital ban Paula from seeing Lindy.

Then Paula discovers that Marnie has taken the puppet she had made to look like herself. She manages to sneak into Marnie’s flat and retrieve the puppet without being detected. But she is very surprised to find Marnie lives in such a shabby, rundown place and overhears it’s because that like everyone else in town, Marnie’s family have been driven into poverty and no job for the father after the factory fire. Marnie moans at how Paula does not understand poverty because she has always lived in luxury, and that she had always taunted her for dressing shabbily.

Paula realises Marnie is right and now understands why Marnie hates her so much. Recalling how she had taunted Marnie about wearing tatty plimsolls just before the fire, Paula decides to give her a present of her spare pair of plimsolls to make amends. But Marnie just throws it in her face and Paula soon finds out the reason why – everyone but her (Joanne wouldn’t tell her) knows that her father has just escaped from prison!

Thinking that getting her father recaptured is the only way to make everyone stop hating her, Paula turns to her puppets to do it. Later, when Dad shows up, he protests his innocence and asks for her help in proving it, but Paula turns him in. Dad is deeply hurt, which has Paula believe him for the first time and she now hates herself for what she did.

The newspaper prints the story of how everyone’s hatred drove Paula to betray her father. This has the athletics club girls repenting how they treated her and now wanting to be friends. They invite her to Lindy’s “welcome back” party, but things get ruined when they start whispering as to what a crook her father is. Paula sticks up for her father and then walks out.

She asks the puppets for help in clearing her father, at which one of them walks to the puppets’ prop box and points to it. Inside she finds a letter to Mr Phillips that she cannot understand. The correspondent says that in accordance with the instructions of Mr Phillips’ last letter, he is cancelling all future supplies of raw materials to the factory. Now what the heck does this have to do with Dad’s innocence?

Paula takes the letter to Joanne for help in understanding it. Joanne gets upset when she reads it and demands to know where Paula got it. Of course she does not believe Paula’s story about the puppets and thinks it was all crazy imagination. This leads to Joanne having a big argument with her father; she tells him it can’t go on and it’s having Paula imagining things. Next day, Paula finds them both gone to attend to some business, and nobody to cheer her on when the cross-country event begins. Paula’s heart is not in the race, and it shows – but then Dad appears to cheer her on! Now Paula is spurred on to win, and she does.

Dad explains that Mr Phillips burned down the factory to cover up that he had been embezzling from the factory; the letter was proof he had been cancelling orders for raw materials and withholding the money. He did not mean Dad to take the rap, but had been too frightened to confess. However, Joanne, who has had her suspicions about the embezzling, has persuaded him to do so. So Dad has been vindicated and released.

Joanne now tries to leave town as she thinks Paula no longer wants to be her friend. However, she misses the train because she went back for the puppets as a memento of Paula, which enables Paula to catch up and prove she still wants to be friends. Paula believes it was the power of the puppets that made Joanne miss the train. Joanne seems to believe in their power now and asks Paula if she still needs them. In response, Paula leaves the puppets behind at the station for someone else in need of help. Hmmm…


There have been countless stories in girls’ comics about dolls/puppets with supernatural powers, but this is the only Jinty serial to use the theme. The serial is even more unusual for not following how the formula is used. The cover introducing the serial says the puppets have evil powers, but as the story develops they do not come across as evil. Usually evil dolls/puppets in girls’ either exert an evil power over the protagonist that forces her to act nasty or out of character, or they cause trouble, mayhem or destruction for our protagonist. But that is not the case at all with these puppets. They do have powers, but how their power works depends on how they are used, which can be for good or evil. It depends on the intentions and scruples of the user, and how carefully he or she thinks before using them.

In the hands of Paula Richards, we are deeply worried as to how things will go with the puppets. Paula, though not downright nasty, is definitely spoiled and selfish. Moreover, she has good reason to be bitter and vengeful, what with everyone turning against her because of something that she is not responsible for. This could easily send Paula down an extremely dark path. Even a good-natured girl could find it hard to resist the lust for revenge against the way all these people are treating her.

Admittedly, some of the hostility may have been Paula’s own fault for not being very nice to people to begin with. We see this in the case of Marnie. From the beginning, Marnie comes across as a spiteful, jealous girl who is taking advantage of Paula’s downfall to make things even harder for her. It’s a surprise when we learn that Marnie did have a reason to hate Paula in the first place because Paula teased her over her shabby gear.

It’s also surprising to see that the terrible consequences of using the puppets for revenge and personal gain are what begin to turn Paula around. She tries to stop using them, but really she can’t avoid temptation to use them against the people who hate her because it’s everywhere and there’s no hiding from it. So she hits on the idea of trying to use them more wisely, and it works. Paula also begins to open her eyes to how there are people who are less fortunate than herself and no longer puts them down as she did before. Sadly, her efforts to reach out to them and help them more go unappreciated because they feel nothing but hate and bitterness towards her. Joan’s advice that acts of kindness will make people less nasty towards her proves to be woefully inadequate because everyone’s just too full of hate. It takes the shock treatment of seeing what they drove her to – turning her own father in – to make at least some of them stop and think.

The other theme in this story – clearing a wrongly accused father – also breaks with the formula that girls’ serials usually follow when they use this theme. Usually it is the daughter who believes the father is innocent, sometimes when nobody else does. This is what sustains her throughout the story, but Paula does not even have that. She believes her father is guilty too, which makes her even more bitter because she feels he’s let her down. In effect, she disowns him and does not even visit him in prison. It takes the shock of how she hurt her father and his frantic pleas of innocence to finally get through to her. And she finally does what she clearly should have done in the first place – turn to the puppets for help in clearing up the trouble. And would you believe they held the solution to the problem all this time – the evidence in their box! All Paula had to do was ask.

Having it turn out the protagonist was staying with the people who were responsible for her father’s false imprisonment all this time is not an unusual one; “The Girl with the Power” from Tracy is one example where this happened. What is unusual is that these are people with a conscience who are struggling to find the courage to put it right. Until they do, they are pillars of support for Paula and the only friends amid all the enemies she has in town. Usually they are unscrupulous crooks who not only take advantage of the father taking the rap for them but also take advantage of the protagonist as well. Again, “The Girl with the Power” is one example of this.

The final fate of the puppets – being left for someone else needing help to find – also goes against the usual formula of evil dolls/puppet serials. Usually they either get destroyed or lose their powers, but neither happens. The story ends on a worrying note that they might end up in the wrong hands; perhaps even with somebody with no scruples at all. We can only hope Paula is right in that they can influence whom they end up with because that person needs help.

To Kill a Rat… [1976]


Published: Commando #1066

Artist: Cortiella (cover); Cecil T Rigby (story)

Writer: Bernard Gregg

Reprints: None, but the story has been reused. The difference is that the uncle lied about killing the soldiers after the nephew talked.

Special thanks to Colcool007 for the information


Doug Watson is subjected to bullying and psychological abuse at the hands of his cruel, bullying pro-Nazi Uncle Hermann Braugen during his six-month stays with his German relatives (the other six with an English aunt). During one stay Braugen develops his favourite torture of Doug: lock him in the rat-infested cellar to be terrorised by the rats. As a result, Doug develops an extreme fear of rats (musophobia, also known as murophobia and suriphobia), which Braugen just loves to play upon.

Rat 1

After this particular stay, Doug vows never to go back to his German relatives again, though Uncle Braugen and the rat torture continue to give him nightmares. Fortunately the trauma fades in time, and Doug grows strong enough to join the army when World War II breaks out. He rises fast to corporal rank. He is among the British forces that try in vain to stem the Nazi invasion of France and end up being evacuated from Dunkirk. Doug then moves up to second lieutenant, and he leads his men to a sweep forward against the German forces in North Africa.

But what Doug does not realise is that the man in charge of the German forces against him is none other than his Uncle Braugen, now a colonel. Doug’s forces are successful in driving Braugen’s back. They get cut off and soon Braugen is the last man standing, but he isn’t giving up that easily.

Braugen pretends to surrender when Doug’s forces arrive. Doug is shocked to recognise his Uncle, but Uncle Braugen does not recognise his nephew because Doug has changed quite a bit over the years. Braugen is quite surprised to realise it is Doug when Doug speaks to him alone. Braugen pretends to have reformed, repents the past and asks to bury it. Doug falls for it and foolishly allows Braugen to escape.

Rat 2

Doug then continues to press against Rommel in North Africa and eventually the front into Sicily and then Italy, by which time he is a lieutenant. Then they plan to assault the German forces in Italy. But Doug does not realise Uncle Braugen is up ahead with the German forces in the German-held Castle of Monte Lucia. They consider their position impregnable, but they do not have the much-needed information about the strength of the Allied forces.

The carelessness of one of the British soldiers (lighting up a cigarette) betrays the position of Doug’s forces to the German forces, who surround them and force them to surrender. They are taken to Monte Lucia, but none of them yields the information the Germans want.

Then Braugen walks in, and Doug instantly realises how Braugen had tricked him in North Africa. Braugen takes Doug over for interrogation. Beating him up doesn’t work, but then Braugen recalls the musophobia he had instilled into Doug. He locks Doug into a rat-infested cellar where the sewers are, and tells Doug he will not release him until he is ready to talk. In the cellar the phobia is doing its work. Doug can see there is a sewer in the cellar that could be an escape route, but he is too terrified to use it because of the rats. Eventually the phobia makes Doug tell Braugen everything he needs to know.

Braugen shoots all the other Allied prisoners as he has no further need for them. Doug, having recovered sufficiently from the rat ordeal, manages to break free from Braugen’s goons and escape from Monte Lucia. Braugen does not search for him because he thinks Doug is not worth bothering about.

Rat 3Doug makes it back to his lines, where he reports everything in shame at H.Q. The colonel is not at all understanding about Doug talking under torture and has him arrested for court-martial. However, en route to face the court-martial, Doug just snaps, seizes a gun from his guards, and makes a run for it.

He returns to Monte Lucia to avenge his soldiers, get even with Braugen, and make amends for talking under torture. However, the only way in is through the rat-infested sewer pipe Doug saw earlier. He forces his way into it and the rats. This time hatred helps Doug to overcome his fear when it makes him lash out at the biting rats. By the time Doug is back in the cellar, his musophobia has dissipated and he hardly notices the rats now.

Fortunately the trap door into the cellar is not locked, so Doug is free to make his way into the castle. He finds Braugen’s ammunition stores and uses them to rig the castle to blow from petrol trails and improvised rope fuses, which are to dangle through the sewer pipe. When everything is ready, Doug ignites the petrol with his gun and the Germans’ impregnable fortress goes up in flames.

At a distance, Doug waits for Braugen – the biggest rat of them all in his opinion – to show up among the fleeing Germans. When Braugen does, he is scared for the first time his life, and his shots at Doug are wide. By contrast, Doug is calm and quick to shoot his uncle dead.

The British forces have been approaching Monte Lucia with speed. They are surprised to find its impregnable defences broken and burning, and it is deserted except for one British soldier sitting beside a dead German. Doug goes back to H.Q., confident that everything will be cleared up in view of his heroic action in blowing up the impregnable Monte Lucia single-handled.


Historically, the climax at Monte Lucia is based on the Battle of Monte Cassino. Very loosely, mind you, and it has little bearing on the actual battle.

The issue of child abuse in the story feels ahead of its time (1976) when read today. Abusive guardians were a common feature in girls’ comics, but the abusers were, in essence, doing it to exploit and take advantage of the protagonist one way or other. Uncle Braugen, on the other hand, is not bullying his nephew in order to exploit him. This is deliberate, intentional torture inflicted for sadistic purposes. For this reason, Uncle Braugen could well be the most evil child abuser ever to appear in comics. In any case, he deserves to appear near or even at the top of a list of the top ten child abusers in British comics.

Rat 4

It’s a wonder Uncle Braugen didn’t go into the Gestapo or SS. He has everything it takes to rise quickly there and he would love every minute on the job. He likes nothing better than cruelty, bullying, torture, and showing off his arrogance and huge muscles whenever he gets the chance. He torments his nephew because he is British and he also regards his nephew as a weakling because he is not physically strong. There are no redeeming qualities about Braugen whatsoever, unlike his wife Meg. Aunt Meg is kind and tries to protect her nephew, but there is little she can do against her hefty, bullying husband. Thank goodness the Braugens don’t have children of their own. Why the heck did Meg marry Hermann in the first place? Talk about a mismatch.

There is some stereotyping of Uncle Braugen’s nationality with the line: “The German, like many of his kind, was a bully”. Uncle Braugen is a bully because of his nationality rather than his personality and Nazi sympathies? That comes across as a bit offensive. To add to the stereotyping, Uncle Berman has a scar on his right cheek, presumably from World War I, and is also portrayed as your typical arrogant German, with extra-nasty qualities that make him the ideal Nazi.

Rat 5

It is surprising that Doug Watson makes it into the army, much less rise to the status of lieutenant, considering what a physically weak and emotionally abused boy he was in his childhood. But it is a delightful surprise, an ultimate triumph for the abused boy, and it would be one in the eye for Uncle Braugen. Indeed it takes Uncle Braugen himself by surprise when he first meets his nephew as an adult. By the time Uncle Braugen is actually holding Doug prisoner, Doug himself declares that he is not the frightened little boy anymore. Now he has become a man who can stand up to his uncle and the physical torture Uncle Braugen inflicts on him. He does not even call Braugen “Uncle” anymore; it’s just “Braugen”. But all it takes is the rat phobia to undo all that and turn Doug Watson back into the frightened little boy again, for all the confidence, courage and strength he has gained through the army.

It is fortunate that Doug gets a chance to redeem himself and overcome his rat phobia into the bargain. However, it takes more than determination to succeed and shame over breaking down and talking to overcome the phobia. Although Doug tries, it takes another extremely strong emotion – hatred – to counter the extreme terror because it was the stronger of the two. And the rat torture ultimately backfired on Uncle Braugen because it unwittingly exposed the chink in the armour of the supposedly impenetrable fortress.

When Uncle Braugen initially tortured and terrorised his nephew, he never in his wildest dreams ever thought that the boy he considered a weakling would be the one to cause his death. And on the battlefield too! But that is indeed the case, and it is a most fitting and ironic twist. Mind you, what Aunt Meg would say about her own nephew killing her husband in action we can’t imagine.




Darling Clementine [1977-78]

Sample Images

Darling Clementine 1Darling Clementine 2Darling Clementine 3

Published: Jinty 24 December 1977 to 1 April 1978

Episodes: 15

Artist: Richard Neillands

Writer: Alison Christie

Translations/reprints: None known


Fifteen-year-old Ella Peters is an intensely shy girl who used to cling to her mother, but the mother is now dead. She has been in a children’s home since her mother’s death, but then her cousin Clementine Bradley (Clem for short) and Uncle Dave give her a home.

Ella and Clem hit it off immediately. Ella is impressed at how Clem is the darling of everyone. She has a charm that works on everyone, and she is full of confidence, which sets an example to Ella that will influence how she grows in confidence during the story. Everything looks so rosy for Ella now; she is too shy to make friends but she can do it through the popular Clem, and she is so happy.

But storm clouds just have to gather around. Uncle Dave, a miner, develops a lung disease from years of coal dust exposure, and the polluted smoky mining town is making it worse. A move to the country is badly needed, but Uncle Dave hasn’t the money for a country cottage. Then Clem sees a way to raise the money when she sees a water-skiing contest advertised, with £1,000 as the top prize.

Clem can’t waterski, but her mind is set. She dashes off to join the water-skiing club at Ladenford Lake, and never mind that it is an extremely exclusive and ultra-snobby club. Her charm persuades the snobby manager to let her join the club despite her lack of pedigree background, and he is so entranced he even gives her waterskis and a spare wetsuit. Clem gets Uncle Bill to provide a speedboat so she can start practising, and Ella is backing her all the way. Clem is soon making good progress in waterskiing.

Then disaster strikes. While Clem gets ready for another practice, an arrogant girl cyclist comes bowling along and deliberately knocks Clem clean over. Clem ends up hitting her head on a tree and falling into the river. When Clem is plucked from the water, she is in a deep coma. But that isn’t all. Uncle Bill was nearby and mistakenly thinks he saw Ella push Clem into the river deliberately when in fact Ella was trying to push Clem clear of the cyclist. Uncle Bill could not see the cyclist because the trees cut off his view of her. He has Uncle Dave believe it too, and Ella’s protests of innocence with Uncle Dave just lead to rows. Uncle Dave even bans Ella from visiting Clem in hospital. When word gets around, poor Ella finds herself an outcast at school and in the community, and she is estranged at home as well.

And there is still the matter of how to win the much-needed prize money. As Clem is out of action, Ella bravely decides to train for it herself. It’s a tall order as Ella is not only shy but also scared of water and she has force herself to swim more confidently. Uncle Bill won’t help with the speedboat, but Ella manages to get help from Jim, the son of the waterskiing club caretaker, after she helps him against some bullies. Ella gradually improves and even overcomes her fear of water. But girls from the posh club overhear Ella saying she is winning the prize money instead of Clem and spitefully take back the gear that was borrowed from the club. They say she can’t enter the contest anyway because only club members can enter.

When Ella sees her uncle’s condition is worsening, it renews her determination. She takes on two jobs so she can raise the money for waterskiing gear and subs to join the club. She finds courage in approaching the club, but gets turned down because she is not upper class. She encounters more nastiness from the snobs, who throw the last leaflet about the contest out the window so Ella can’t verify if it really is for members only. Fortunately Jim rescues the leaflet, and Ella discovers that the snobs had lied and it is open to any entrant. Well, well, well!

Ella resumes her waterskiing training with Jim’s help, but the snobs find out. They spitefully try to get the caretaker sacked and tell Ella they’ll keep on doing it until either Ella gives up waterskiing or Jim’s father gets the sack. However, Jim’s father suddenly gets another job, so that’s the end of that blackmail.

While Ella does her training, another waterskiier passes by – and Ella recognises her as the cyclist who knocked Clem into the river. She tackles the girl, a Val Lester, who eventually says she might confess if Ella will do some “little jobs” for her. After a whole week of skivvying and slaving for Val, there is still no confession, but Ella still doesn’t realise Val is just taking advantage of her and has no intention of confessing.

At her training, Ella unwittingly gets too close to one of the snobs and knocks her off balance. The snobs accuse Ella and Jim of doing it on purpose and say they will go to the police. Fortunately a Councillor Dickens witnesses the incident and informs the police it was an accident.

Ella now has a whole new confidence now she has Councillor Dickens on her side. She tells those snobs that she is not scared of them anymore. Moreover, she has finally woken up to how Val is just stringing her along and tells her to do her own dirty work.

Uncle Dave suspects Ella is up to something and thinks it has something to do with thefts at a hotel near the lake. He kicks Ella right out of the house, but allows her back once Jim informs him about Ella’s waterskiing. What’s more, there is good news about Clem – she is beginning to wake up and calling for Ella. Unfortunately Uncle Dave misconstrues what Clem says in her half-conscious state as evidence that Ella pushed her. Ella snaps and tells Uncle Dave that she is winning the prize money for his sake. After some investigating Uncle Dave believes it is true, but will not accept the money. Ella continues with her training regardless, and also visits Clem in hospital, who has lapsed back into her coma, in defiance of Uncle Dave’s ban.

Then Uncle Dave finds out about the secret hospital visits after Ella sprains her ankle on the hospital steps. The injury also impairs her waterskiing. Ella bravely goes into the waterskiing heats while she still has this injury, but of course it’s no good. She passes out because of her injury and is out of the contest.

Ella now turns to getting Clem out of her coma, as Clem is the only one who can clear her name. She brings in a tape of speedboat engine noise to bring Clem out of the coma, but Val discovers what Ella is up to and switches it for one of her own tapes. She does not want Clem coming out of her coma and telling the truth about the accident. Ella discovers who pulled the switch when she finds the initials “V.L.” on the tape, and Val doesn’t deny it when Ella confronts her either. Ella gets another recording of speedboat noise, after initially overcoming a bout of shyness over approaching the club secretary for help there. Uncle Dave has banned Ella from seeing Clem, so she has to get a nurse to play the tape to her. Later, Ella finds spiteful Val has told tales on her secret visits to Clem to Uncle Dave.

The tape brings Clem out of her coma. Unfortunately, Ella gets over-excited about pressing Clem to tell Uncle Dave the truth and clear her name. She did not think that it was too soon after Clem woke up, or that Clem’s memory would be clouded. And Clem can’t remember what happened, so when she comes home, Ella has to do something to help her remember.

So Ella takes Clem back to the very spot where it happened – and who should show up but Val Lester herself! This brings back Clem’s memory, and Val brags that she did it too. Val tries to bluff her way out of it, saying people will just think Clem is trying to shift the blame from Ella if she tries to tell them the truth, and there is no way she is going to confess. But Uncle Dave has followed and heard everything – and so has a passing policeman! The policeman takes charge of Val. What happens to her is not revealed, but she is not seen again in the story. Val’s exposure cuts no ice with the snobby girls at the waterski club, who remain just as nasty to Clem and Ella. Ella readily forgives a very apologetic Uncle Dave.

Despite her long illness and missing the heats, Clem is determined to enter the competition and win the money for her father. Ella asks Councillor Dickens to pull some strings so Clem can enter the finals despite missing the heats. Clem realises what Ella did for her and comments on how her shy cousin has become so spunky. Ella says it was due to necessity from what followed in the wake of the accident.

Unfortunately Clem just isn’t up to scratch to win the contest and is placed third. However, a reporter learns why it was so important for Clem to win the money and publishes a newspaper article on “The Dashed Dreams of Darling Clem”. It touches the heartstrings of everyone in town – not to mention their guilty consciences over the way they wrongly blamed Ella for Clem’s accident – and cash donations begin to pour in.

Soon there is plenty of money for a cottage and Uncle Dave’s health improves once they move in. There is no room for three, but Ella says that does not matter. She is now so confident about standing on her own two feet that she moves into the new girls’ hostel. She won’t forget her relatives though, and will visit them often.


It is obvious from the start that we are going to have a story about an intensely shy girl who is embarking on a journey to discover her self-confidence. But the twists and turns that the journey takes are ones that could have totally destroyed the shy girl instead of helping her to grow and learn to believe in herself. After all, the ordeal Ella goes through is hardly one to boost self-confidence – being wrongly accused of deliberately putting her own cousin in hospital and people turning against her unjustly. Moreover, it’s Ella’s own relatives that have wrongly accused her, so not even her home life brings her any respite against the cloud she’s under. The only things that stop it from destroying her are the determination to win the prize money for the ailing Uncle Dave and the example Clem had set to Ella about having courage and self-confidence. Several times in this story Ella has lapses of nerve and shyness in her quest to win the competition, but all she has to do is remember Clem’s example and show “some spunk” like her.

Though she probably does not realise it, the shy Ella further develops her courage by constantly standing up to Uncle Dave in protesting her innocence. Ella also develops backbone in learning to stand up to Val. Once she sees through Val’s blackmail, she has no hesitation in telling her to get off and shoves that dirty laundry Val wanted her to clean right in her face. Oh, there are so many blackmail victims in girls’ comics that we so wish would stand up to their blackmailers like that!

Learning to water-ski also helps Ella to develop her self-confidence even further. To begin with, it motivates her to overcome a fear of water. As her water-skiing improves, it boosts her self-confidence as well. But this is the only good thing that really comes out of it for Ella. It is sad, but very realistic, that no matter how hard Ella tries, she could not get up to the standard that would enable her to win the competition. Even without her injury, Ella could never have won the competition because she was not a natural at it like Clem, much less have what it takes to be a champion that would wow the judges.

If not for Val Lester, Clem could have reached the standard that would win the championship and the prize money for Uncle Dave. But the story avoids the cliché of the protagonist rising out of her wheelchair and beating all odds to win the prize money. Instead, it has Clem more realistically lose with a noble but doomed effort because she had insufficient time to get up to the standard required. However, it leads to events that do help to raise the money, so it was not in vain after all.

Val Lester certainly is one of the slickest schemers to appear in Jinty. Whenever Clem or Ella thinks they’ve got her where they want her, Val is extremely crafty at bluffing or conning her way out of it. Even when Uncle Dave finds her out, she keeps her cool and arrogantly tries to bluff him too, saying nobody will believe even him. But even Val can’t get past the policeman (though his presence feels contrived as there is no explanation or credible reason for it). There seems to be no other reason for Val’s attack on Clem than sheer snobbery. She just does not want Clem in the club. It’s not because she’s jealous or looks on Clem as a serious rival in the competition. One can imagine the reputation the waterski club would have gotten in the wake of all their nastiness to “common scum” in their club and Val’s campaign against Clem and Ella. Perhaps someone (Jim maybe?) will take a hand in forming another waterski club in town that welcomes anyone.

Jinty was big on sports stories, and many of her sports stories had more uncommonly used sports (judo, netball, skateboarding) as well as stories on more traditional sports such as hockey, ice-skating and swimming. This story uses water-skiing, which was an extremely unusual sport to use, and examples must be rare in girls’ comics. Although “Darling Clementine” does not seem to be as well rememembered as some of Jinty’s sports stories (“Life’s a Ball for Nadine”, “Concrete Surfer”), using waterskiing as the sport does make it quite novel, as do the breaks from common cliches in girls’ comics in favour of more realism.

The Four Friends at Spartan School [1971-72]

Sample Images

Spartan School 7aSpartan School 7bSpartan School 7c

Published: Tammy 23 October 1971 to 8 January 1972

Episodes: 12

Artist: Unknown artist – Merry

Writer: Terence Magee

Translations/reprints: None known

Special thanks to Robert Gairey for scans


Judy Jenkins is a bit uncontrollable at school and likes to play pranks to liven things up and relieve the boredom of school. She isn’t a bad kid; it’s just that her home life is neglectful and unguided what with Mum being dead, Dad being away on business so much, and a housekeeper who looks like she’s pretty much in loco parentis. When Dad gets the latest note from school, he decides that what Judy needs is discipline (not a parent who gives her proper time and attention, saying he can’t do that because of his work). So he sends her to “Spartan School”, a Swiss school that is very strong on discipline, and says it’ll do Judy “a power of good”.

We aren’t so sure about that when Judy and three other new girls (Amanda Rogers, Liz Orton and Sarah Williams) meet school prefect Siddons. Siddons is a cold fish who treats them with such severity she would make a heckling army sergeant look lovable. She says that they are all to take orders from her, and her sharp tongue is nothing compared to what awaits them at Spartan School, which will be “much worse things”. Amanda, who is a weaker character physically and emotionally, is quickly subdued by Siddons’ conduct. But Judy stands up to Siddons and says she won’t be downtrodden by such bullying, and neither Siddons nor the school will frighten her. The foreshadowing of how things are going to go in this story, obviously.

When they arrive at the school, Judy sees some pupils who have just finished their term and are going home. Although they do look disciplined, Judy is disturbed at how frightened and lifeless they are. Siddons tells the new arrivals that they will be just the same by the time Spartan School has finished with them.

Next, Judy meets headmistress Miss Bramble, who has been warned by Siddons that Judy will be troublesome. Miss Bramble tells Judy that she is a disciplinarian who doesn’t hold with “modern soft teaching methods”. She goes on to say rebels do not last long at Spartan School, and Judy will emerge from it a very different person. Siddons has already made it clear this means Judy will emerge just like the broken girls she just saw. The story’s subsequent text boxes say Miss Bramble runs the school like one from the Victorian era, with harsh punishments. Now that has to be an understatement. As we shall see, not even Victorian schools went to the lengths that Miss Bramble does.

Siddons shows the girls their dormitory, and continuing her ruthless army-like grind to break them into the Spartan School discipline. Once alone, the new girls tell Judy disturbing rumours they have heard about Spartan School. Amanda relates a story about a friend who was sent to it. Previously a wild girl, she never laughed or smiled again once she returned from Spartan School.

And the parents? Apparently they have no idea of what the school is like (or don’t believe it). Later we learn that Miss Bramble censors all the girls’ correspondence to their parents regarding her methods. The girls are to write glowing letters saying how happy they are at the school and learning to behave better. And what happens when they go home and tell their parents? By that time, says Miss Bramble, they are completely different people: “obedient and with a respect for authority”. In other words, too frightened to tell anyone.

Judy still isn’t fazed by her first impressions of Spartan School, and neither is Liz, who starts larking around. Unfortunately she accidentally breaks a lightbulb. When Siddons returns, she assumes Judy broke it and Liz doesn’t own up. Judy realises this is because Liz is more scared of the school and Miss Bramble than she is admitting.

In punishment, Judy is forced to stand in the dinner hall with her hands on her head and get no food. The food isn’t bread and gruel as you might expect, but it is bad quality food all the same. From the way the other girls look at Judy while she undergoes this humiliation, she gets the impression that niceness and kindness are unknown qualities at the school. But Judy’s punishment doesn’t end there. When Miss Bramble enters the hall (all pupils have to stand when she does), she inflicts the icing on the cake: Judy has to share a table with Miss Bramble where she gets a meal of bread and water while Miss Bramble gets a gourmet dinner.

Afterwards, Judy says she has never been so humiliated. The other girls are angry with Liz for not owning up and being responsible for what Judy went through. Judy herself is more understanding about Liz being too frightened to own up. Liz feels so guilty about it all that she sneaks to the kitchen to smuggle some proper food to Judy. Liz is disgusted to see how Cook feeds Jason, Miss Bramble’s cat, better than she does the pupils (a plate of the best chicken). Jason’s a real tiger though, and Liz has to run the gauntlet with him in order to get the chicken.

Judy is thrilled with the food and Liz is forgiven. The girls decide to band together in a friendship for standing up against Miss Bramble and Spartan School, and not let it break them.

The first test comes immediately when Miss Bramble and Siddons arrive about the stolen cat’s supper. This time Liz does own up. The girls rally behind her, saying they are all involved, as they do not want Liz to face the punishment alone. Realising the friendship that has formed, Miss Bramble tells them that she does not allow close friendships because these are bad for discipline, and is going to turn them all against each other. To make things even worse, the whole school, teachers and all, have turned against Judy because Miss Bramble is taking her rage over Judy’s defiance out on all of them, even the teachers.

However, Judy is more concerned about Amanda, whose health and nerves aren’t strong. Amanda was sent to Spartan School because her parents thought it would toughen her up, but instead it is making her ill. But the teachers are as cruel as Miss Bramble and show her no compunction or medical attention at all.

In the courtyard, Miss Bramble’s plan to break up the friendship gets underway. She has the girls toss a heavy medicine ball, and the one to drop it will be the victim for the punishment. As the weakening Amanda is bound to be the one, Judy saves her by dropping the ball deliberately and taking the punishment herself. The punishment is putting Judy in the pillory, with the whole school throwing rotten fruit at her. They are only too happy to do so as they have turned against Judy. Siddons orders the three girls to do the same, or Judy will be put in solitary confinement. Their response is to throw the rotten fruit at Siddons. Surprisingly, this results in the whole school rioting against Siddons and the school discipline while the three friends release Judy. But when reinforcements arrive, the other girls go back to their subservient selves and put the blame on the four friends. The four friends are put in solitary confinement, which means being imprisoned in cramped, freezing, rat-infested cells. Amanda emerges even weaker but recovers after a rest, and the others are even more defiant, angry and determined to stick together. Seeing this, Miss Bramble is even more anxious to destroy the friendship because in her view it impedes discipline. This time Siddons offers to have a go at it.

Siddons takes the four friends out for a skiing lesson. There are only enough skis for three, so Judy is excluded. She is directed to go down the slope to check it is clear. She finds it is clear, but when Sarah skis down, a branch hidden on the slope causes Sarah to take a fall. She accuses accuses Judy of putting it there on purpose and turns on her. Judy soon realises Siddons is behind it, and spots the proof – a glove Siddons dropped while taking the branch from the tree – but needs to sneak out and retrieve it if she is to convince Sarah. She succeeds, although she narrowly escapes being caught by Siddons.

Siddons soon realises her trick has failed, but soon has another one brewing: tricking the other friends into distrusting Judy. She forces Amanda to clean windows, despite Amanda telling her that she cannot climb ladders on medical grounds, and her health is worsening. Amanda ends up falling off the ladder, with Judy breaking her fall. Judy covers for Amanda by cleaning the windows herself while the others take Amanda to the dormitory. But she does not realise Siddons is watching and had planned it that way all along. After Judy cleans the windows, Siddons dirties them up again so Amanda will think Judy lied to her. And when Judy sees the look on Amanda’s face when Amanda sees the dirty windows, it looks like Siddons’ trick is going to succeed!

Realising Siddons’ trick, Judy pulls a smokescreen (literally) to cover up the windows looking like they were not cleaned. This succeeds in foiling Siddons and regaining Amanda’s trust. Unfortunately this also earns Judy the punishment that “never fails” at Spartan School – the Iron Mask!

Yes, a real-life iron mask that is straight out of the Middle Ages. Judy is to be locked into this ghastly contraption for two days, with no respite whatsoever. Out of all the tortures that have been inflicted on her so far, this is the one that is the most telling on Judy’s strength. It also makes Judy a target for bullying and cruel tricks from all the other girls, who have grown as heartless and cruel as Siddons because Miss Bramble’s ‘discipline’ has destroyed all sense of humanity in them.

Later, the girls rescue a pigeon from being clubbed to death by Siddons. After they help it to recover, they use it to carry a message for help and hope the message makes its way to a school inspector.

Next day, Judy is almost collapsing under the weight of the iron mask. It makes her so faint that she breaks a flask in science class and sets poisonous fumes off. While the class evacuates, Judy makes her way into the laboratory storeroom in the hope of finding something that will help her get the mask off. She succeeds, and then throws the iron mask down the mountain so Miss Bramble can never use it again.

Terrible punishment for this is inevitable. Sadistic Siddons suggests that the girls be allowed to choose the punishment as they all think Judy set off the poisonous fumes on purpose so she could get rid of the iron mask. Of course Miss Bramble thinks it is a marvellous idea. The girls’ punishment is a hockey match where they all take turns in fouling and brutalising Judy.

But just as this punishment ends, a helicopter arrives. The carrier pigeon did get through and the helicopter has brought in a school inspector, Miss Craig. Miss Craig indeed suspects something is wrong with the school after witnessing the inhumane hockey match and sees Miss Bramble for explanations. Miss Bramble says Jenkins must have goaded them but they will all be punished, while Judy tells Miss Craig that Miss Bramble put them up to it and it’s all part of how she runs the school through terror. Miss Bramble tries to cover up with smooth talk in how her school prides in discipline that turns unruly girls around. Nonetheless, Miss Craig tells Miss Bramble that in view of the note she has received about brutal treatment at the school, she will make a thorough inspection of the school.

The four friends realise Miss Bramble will try to pull the wool over Miss Craig’s eyes – and eventually it looks like she could succeed. They are desperate to find a way to find a way to make her see the truth. They get their chance when Miss Bramble gives the school a film show of documentaries to impress Miss Craig. Judy plants a Charlie Chaplin film (gee, how did that get to Spartan School in the first place?). She shows Miss Craig how the girls are reacting to the film: not laughing or smiling at all. She tells Miss Craig the girls are too cowed and scared to laugh because that’s what Spartan School does to its girls. Miss Craig understands what Judy is driving at, and when Miss Bramble lashes out at Judy in anger, Miss Craig wises up to her at last. She tells Miss Bramble her school will be closed down by tomorrow and gets ready to take Judy away from it immediately.

Miss Bramble is not having that and orders Siddons to get the cine-camera. She then threatens to beat Judy, and Siddons films Miss Craig holding the cane after she snatches it from Miss Bramble to make it look like it was Miss Craig beating Judy. They use it to blackmail Miss Craig into dropping her threat to close down the school. Appalled at how this frame-up could destroy her career. Miss Craig leaves without a murmur. While she leaves, Miss Bramble says to her, “These girls need the treatment I give them. It’s the only thing they understand.”

Afterwards, Miss Bramble gives the four friends an ultimatum: sign a document promising they will never defy her again or face terrible punishment the following day. Naturally, Liz, Judy and Sarah refuse to sign. Unfortunately Amanda’s weak nerves have reached breaking point and she feels she doesn’t have the strength of the others in continuing to defy Miss Bramble. Next day she signs the document while the others get a hosing for refusing. Amanda regrets signing, but has been brought up to keep her word and refuses to go back on it, even if it was forced. Later, the girls notice how Amanda is becoming more and more like the browbeaten, terrified girls.

That night, Amanda runs away. She is in serious danger because a blizzard is looming, but hard-hearted Miss Bramble refuses to organise a search for her. She locks up the three girls in a shed for the night when they try to force her to do so. Later, Miss Bramble grows worried that the girls might report her for refusing to search for Amanda, and Siddons hatches a plan to deal with this.

Next morning, Siddons offers to help the girls escape, claiming that she has seen how wrong Miss Bramble is and sends them off down the mountain in the cable car. When the cable car is half way down the mountain, Siddons cuts through the cable to kill the girls. Miraculously, they survive, and soon discover what Siddons did with the cable.

They make their way to the police station to tell their story and get help for Amanda. But they soon discover that Miss Bramble and Siddons have arranged another nasty surprise for them: they told the police a concocted story about the girls having run away after stealing money, and Siddons had planted the money on them before they left. The police escort the girls to the cells, but Liz helps Sarah and Judy escape by distracting the police with a ‘fainting fit’. Sarah and Judy make a fast getaway on a sleigh and head across the country to shake off the police.

They check out a hotel in the hope the guests found Amanda on the slope. Instead, they find Amanda herself! She says she found a calf on the slopes and they helped keep each other warm in the shelter of some rocks. After the blizzard eased, a farmer found Amanda when he came looking for his calf. He brought Amanda to the hotel, where she has made a good recovery. She phoned her father about Spartan School, who in turn contacted Judy and Sarah’s parents, and Mr Rogers is on his way to collect Amanda.

Just then, the police catch up to the girls, and they have brought Liz as well. But before the police can do anything, there is a sudden alert that an avalanche is imminent and will sweep Spartan School away. They cannot warn the school because the school phone has been cut off. What’s more, another blizzard has started. The girls decide to head back to Spartan School to warn them, making their way through the blizzard.

They make it back to the school. Knowing Miss Bramble is unlikely to listen to them, they decide to sound the old fire bell instead. But Siddons has seen them return and alerts Miss Bramble. They lock the girls in the bell tower. Miss Bramble does not listen to the girls’ warnings about the avalanche. Fortunately, Siddons does.

The girls manage to break down the door by using the bell as a battering ram. The noise the bell makes while they do so rouses the school, which enables Siddons to warn them about the avalanche. The school evacuates, and on the way down the slope, they bump into the rescue party consisting of the police, Judy’s father – and Miss Craig, who found the courage to report Miss Bramble to the authorities. The schoolgirls say they don’t know where the four friends are.

Meanwhile, the four friends have found Miss Bramble knocked out and unconscious on the bell tower steps. They pull her away with a sledge and eventually meet up with the search party. While they do so, the avalanche gets underway and destroys Spartan School.

Miss Bramble regains consciousness and cannot understand how these “wicked girls” were capable of saving her life. The police tell Miss Bramble how Miss Craig has told them about her “strange ideas of discipline”. When Miss Bramble says she was certain discipline would be good for the girls, Miss Craig tells Miss Bramble that discipline is good, but her “harsh tyranny” is not. However, seeing as Spartan School is no more, Miss Craig has little doubt the authorities will take no further action in the matter (whaatt?!?). Nonetheless, Miss Craig tells Miss Bramble that her teaching days are over – “over for ever!” Meanwhile, Siddons slinks away and is not seen again.

The four friends return to England and stay together at a much better and happier school.


This was the first story Terence Magee wrote for girls’ comics. It was also the first to pair up Terence’s writing with the artwork of the unknown artist who is nicknamed “Merry”. This pairing would occur again and again, most prominently in Jinty’s “Merry at Misery House”. Other occasions included the extremely popular Sandie story, “Slave of the Trapeze”.

Girls’ comics often made comment on progressivism vs. authoritarianism in education, particularly on how evil authoritarianism could be if it was taken too far. In so doing, it was linked with the bully teacher/principal theme, which was frequently used to illustrate what not to do in the classroom (or for the creators to purge their own memories of bully teachers?). The theme of tyrannical headmistresses going to extremes with discipline and reacting against modern teaching methods was in Tammy from the first issue with “The Girls of Liberty Lodge”. Here Miss Steele runs her school with such bizarre and harsh discipline that she stages show trials for girls in the school hall in front of the whole school. However, Miss Steele’s nemesis is not a pupil but a teacher, Miss Valentine. When Miss Steele reprimands Miss Valentine for showing a pupil kindness (so kindness is not allowed at this school either) Miss Valentine responds by quitting and establishing a progressive school, Liberty Lodge, in reaction against Miss Steele. From then on, Miss Steele pulls every trick in the book to destroy Liberty Lodge.

Jinty also used the theme on occasion. In one of her holiday specials she ran “The Spoof of St. Elma’s”, where the “cold and unfeeling” Miss Reed takes great pride in making St Elma’s “the harshest and strictest school in the country” (grim teachers and appointing the hardest girls as prefects are among her methods) and has no tolerance whatsoever for modern progressive teaching methods. She vows not to retire until she can find someone who can run the same way, and eventually tries it with a computer named Miss Steele. But it all blows up in her face when the computer malfunctions. As a result, her harsh, unfeeling legacy is completely swept away and progressive, caring teaching comes in with the new headmistress.

A variant Jinty had on the theme was “Children of Edenford”. Headmistress Miss Purity Goodfellow uses drugs to turn her pupils into brainwashed paragons of virtue in the name of perfection – with the full blessing of the girls’ parents.

Jinty’s most striking, and best thought-out example of the theme was “Dracula’s Daughter”, where authoritarian Mr Graves is determined to turn free-and-easy Castlegate into an old-fashioned grammar school. He rams it down everyone’s throats, even the teachers’, saying that he’s the headmaster so everything he says goes, and the teachers are to shape up to it or ship out. Mr Graves also believes fun and play belong in the home and not the classroom, and imposes this on the school too. However, unlike Miss Bramble or Miss Reed, Mr Graves is not a cruel, unfeeling sadist who subjects pupils to mock trials or ladles over-the-top torture with a shovel in the name of discipline. He is a bigot, not sadistic or insane like the headmistresses mentioned here. Ironically, he does have a heart and he shows he can be human when he believes it is appropriate for him to do so. Moreover, Mr Graves ends up becoming less rigid in his beliefs about education and learns to respect progressive education more. Still, everyone at Castlegate is relieved when Mr Graves leaves and goes back to his old grammar after discovering its discipline has slipped to the point of the boys becoming delinquent.

Spartan School is no doubt the most intense and excessive example of progressivism vs. authoritarianism in girls’ comics. Nothing is beyond Miss Bramble in her crusade to turn ‘unruly’ girls into her models of obedient and disciplined girls. However, we suspect discipline is just her excuse and the real motive behind her methods is that she’s a sadist who likes to torture girls emotionally, physically and psychologically. We suspect this even more when Miss Bramble says she has to stop the girls reporting her to the authorities because they would not understand her methods.

The text boxes say that Miss Bramble runs the school as if it were Victorian, but surely not even Victorian schools went as far as Miss Bramble. The girls either emerge as emotionally and psychologically traumatised zombies or like Siddons – unfeeling, bullying monsters with no trace of kindness or humanity to be seen. It is not just unruliness that is beaten out of girls but all trace of kindness, humanity and friendship as well. This is clearly because Miss Bramble does not tolerate tender emotions as she does not have any, and she does not allow friendships because they are building blocks to conspiracy against her discipline. She wants all her girls to be turned into models that are based on her personality. It could well be that Siddons came to Spartan School as an ‘undisciplined’ girl herself, and Miss Bramble’s ideas of discipline turned her into the stone-hearted monster and flunky that she is. As a result, Siddons is capable of anything, even murder. Or maybe she was a genuine badass kid in serious need of straightening out, but just got a whole lot worse at Spartan School. In any case, the four friends are the only oasis of kindness and courage we see in the entire school. Nowhere else is it to be seen.

Miss Bramble seems to ride on the shoulders of neglectful / useless parents who don’t seem to pick up on what’s going on at Spartan School or what their girls have become after they return from the school. Some may even approve of it. Rumours about the school’s cruelty circulate, Amanda herself has seen a damaged girl returning from Spartan School, and girls go home from Spartan School looking broken and frightened, yet nobody seems to step up and look into things. Parents still send their girls to it, believing it will do their girls a world of good. It’s not until Amanda manages to bring an inspector in that the cruelty of the school finally begins to get out. At least the four friends’ parents redeem themselves somewhat when they come in person to form part of the rescue party.

It is a bit annoying that Miss Bramble seems to get off a bit too lightly at the end of the story. Miss Craig takes the view that the authorities will not do much because Spartan School has been destroyed. Oh, come on, this is a woman who’s not only committed physical and psychological abuse against girls but is guilty of attempted murder as well! Shouldn’t there be at least a full public inquiry before deciding what should be done with Miss Bramble? Don’t the parents and pupils get a say in the matter? A lot of readers must have wished Miss Bramble had died in the avalanche or broken her neck on the staircase after reading Miss Craig’s view on what will happen to her. As for Siddons not being seen again after she disappears…well, it does suggest she might have come to a sticky end off-panel. Readers must have hoped for that anyway.

When Judy arrives at Spartan School, it’s where Miss Bramble finally meets her match, much in the way that Misery House does with Merry Summers. Like Merry, Judy refuses to be broken by the cruelties of the institution, finds strength in the only friends she has, and uses her quick wits to get out of the scrapes and dirty tricks that Miss Bramble and Siddons pull on her. As with Merry, Judy’s defiance takes the form of something that flies in the face of Spartan School and defies all attempts to break it. In the case of Merry, it is keeping on smiling and joking, no matter what. In the case of Judy, it is maintaining the four-friend friendship against all of Miss Bramble’s attempts to destroy it. And like Merry, Judy is determined to get word out about the cruelties of Spartan School and get it shut down. Unlike Merry, Judy succeeds on her very first try, although it takes time for help to arrive because of the blackmail Miss Bramble pulls on Miss Craig.

On this blog, Spartan School has been regarded as a forerunner of “Merry at Misery House”. For one thing, it is the same creative team. Parallels between the two stories have been noted above. The cruel institutions are physically destroyed (fire in Misery House, avalanche in Spartan School) as well as being shut down by authorities that have been finally been alerted by unsettling reports. Misery House also resorts to beatings, pillories, unhealthy isolation cells, poor food and other cruelties (but no iron mask, thank goodness) in order to break the protagonist. As with Judy, they also pull blackmail and other dirty tricks in order to isolate the protagonist from her friends and turn them against her. Character-wise, Judy could well be a predecessor of Merry; she likes to play jokes to liven things up a bit, but unwisely does them during class time. Liz is a bit like Merry too; our first impressions of her are that she is a chirpy girl, just like Merry.

In some ways, Spartan School does Judy a lot of good, albeit in spite of itself. Her energies, which went into practical jokes at her previous schools, are rechanneled into bringing down Spartan School and foiling all the tricks that are pulled to destroy the friendship. At the beginning we see a stubborn streak in Judy; once she puts her mind to something, she does it. This would have helped Judy immensely once she became determined not to let anything at Spartan School crush her. We get the impression that Judy emerged as a more toned-down and mature girl. No doubt she emerged as a much stronger and courageous one.


Hush, Hush, Sweet Rachel [1978-79]

Sample Images

Hush Hush Sweet Rachel 1Hush Hush Sweet Rachel 1aHush Hush Sweet Rachel 1bHush Hush Sweet Rachel 1d

Published: Misty 18 November 1978 – 3 February 1979

Episodes: 11

Artist: Eduardo Feito

Writer: Pat Mills

Reprints: Best of Misty Monthly 3


Lisa Harvey is a popular girl at school, and Jackie and Janis are her best friends. Life is not perfect for Lisa, though. At home, Lisa’s mother is not devoting the attention to Lisa that she ought because she’s too wrapped up with her career in beauty consultation. At school, Lisa has an enemy in Rosie Belcher, “The Incredible Bulk”. Rosie is jealous that Lisa is popular while she is not. Rosie never thinks that she never does anything to make herself popular. She is a bully and is not kind or polite to anyone. Worse, she has very disgusting eating habits and manners that she likes to nauseate the girls with. We learn later the whole Belcher household is this way; Rosie’s brother Mervyn is apparently even worse than she is, and his nickname is “Gobber”. Rosie blames everyone but herself for being so unpopular: “It’s victimisation. They always pick on me.” Rosie does not appreciate that Lisa is kinder to her than the other girls: “Rosie lives next door and I feel a bit sorry for her.” They tell Lisa she is too nice for her own good and she would be wiser to avoid Rosie.

But Lisa’s problems really start when a strange woman starts following her around. Eventually Lisa decides enough is enough and confronts the woman, who says she will be in touch with her soon. In the wake of the woman’s appearance, Lisa starts experiencing strange bouts where she acts like a four-year-old girl, and then returns to normal.

Lisa also starts having nightmares in which she sees such a little girl in her dreams. She screams “Mummy-mummy-mummy! Let me out!”. The first time this happens she tries to get out of her bedroom window, which puts her in danger of falling. Her parents stop her in the nick of time. Out in the street, the woman is watching and seems to know what is going on. She thinks “Hush, hush, sweet Rachel, don’t you cry. We’ll soon be together – you and I. All your sorrows are nearly over.”

At school, Lisa’s odd bouts of acting like a four-year-old are worsening. Rosie intends to take advantage of it to get her revenge on Lisa. And as Rosie lives next door to Lisa and Lisa foolishly lets her get closer to her than the others do, this will make whatever Rosie plans easier to carry out.

The woman still follows Lisa around. Lisa snaps and tells her to clear off or she’ll call the police. The woman says she is “sure now” and has Lisa tell her parents she will call tomorrow evening. Scared, Lisa turns to Janis and Jackie for support as her mother won’t listen.

At the fun fair, Lisa raises Rosie’s temper, so she runs into the crazy house to get away from her. In the crazy house, Lisa is chased by a terrifying man who threatens to punish her for not taking her medicine. When the man corners Rosie, she reverts to her strange childish behaviour and screams, “Mummy-mummy-mummy, let me out!” When she comes out of the crazy house, there is no sign of the horrible man. The strange woman takes the shaken Lisa off for a soothing cuppa. The woman introduces herself as Mrs Prendergast, and she once had a beautiful daughter named Rachel. Rachel had a teddy bear just like the one Lisa has just won at the fair, which we suspect helped to trigger Lisa’s fit. She shows Lisa a photo of Rachel, which shows she is the girl from Lisa’s nightmare, but reveals little else.

Mrs Harvey doesn’t take what Lisa says about Mrs Prendergast seriously and thinks Mrs Prendergast is interested in her beauty products. But the Harvey parents get a shock when Mrs Prendergast tells her story. She lost her beloved Rachel at the age of four. Mrs Prendergast could still feel Rachel’s presence for some reason, and at her doctor’s advice went abroad, but she has never really come to terms with her grief. Mrs Prendergast stumbled across reincarnation, and in particular how a child who dies in tragic circumstances, before their time, can remember their previous incarnation if they come back too soon. When she returned to Britain, Mrs Prendergast saw a ghost of Rachel, which disappeared inside Lisa’s body. Realising how much Lisa reminds her of Rachel, Mrs Prendergast did some investigating and discovered Lisa was born at the same time Rachel died, and in the same hospital. So Mrs Prendergast believes Lisa is the reincarnation of Rachel, and for this reason she wants to visit Lisa regularly.

The Harvey family are naturally shocked and angry and tell Mrs Prendergast to go away. Lisa also notices a curious omission in Mrs Prendergast’s story – she did not explain how Rachel died. The parents want to forget the whole thing, and don’t take Lisa’s claims of strange nightmares seriously, but Jackie and Janis listen to Lisa more.

Lisa’s odd behaviour of reverting to four-year-old behaviour gets worse at school. Realising that this behaviour is triggered when Lisa is called “Rachel” (but Lisa returns to normal if she is called “Lisa”), Rosie begins to take advantage to ‘befriend’ Lisa when she is in Rachel mode and get her into trouble. She starts by having ‘Rachel’ scrawl pictures all over the classroom walls, and is very annoyed when the teacher decides leniency is the best approach. Suspicious, Jackie and Janis check Rosie’s desk and find the markers Rosie helped ‘Rachel’ with. They warn Lisa that she must well and truly watch out for Rosie now.

Lisa finds Mrs Prendergast is still hanging around. She follows Mrs Prendergast to Rachel’s grave. When Lisa finds she was indeed born on the same day Rachel died, she accepts what Mrs Prendergast says as true and begs Rachel to set her free. Mrs Prendergast overhears, and evades the question of how Rachel died when Lisa asks her directly. Instead, Mrs Prendergast repeats her desire to get close to Lisa, and even tries to bribe her into it. Lisa tells her to go away and runs off. Meanwhile, Jackie and Janis try to tell Mrs Harvey about Lisa’s strange behaviour at school, but she just dismisses it.

Rosie visits Lisa’s house and makes her act like Rachel, which enables her to steal money that Lisa was saving for a new skirt for the disco. After Rosie leaves, Jackie and Janis find Lisa still in Rachel mode, and are shocked when Lisa’s reflection changes to Rachel in a mirror. They plead with Rachel to leave Lisa alone. Rachel replies she is lost and does not know where to go. They tell her to go home, at which Rachel shows them an image of her house. This is followed by images of Rachel crying in her bedroom, and then banging on her bedroom window while screaming “Mummy-mummy-mummy-let-me-out!” Then the mirror explodes. Jackie and Janis decide to track down the house.

Meanwhile, Lisa enrages Rosie further by getting the money she pinched back off her and buys the skirt. While Lisa enjoys herself at the disco, Jackie and Janis head off to check the house. But while they do so, Rosie bullies her way in (by stealing another girl’s ticket) and gets Lisa to act like Rachel so she can use it to humiliate her in public. Rosie gets ‘Rachel’ to put on makeup in a manner that will make her look like a clown. Rosie thinks that the girls will get such a laugh out of the joke that she will become popular at last.

While they are all out, Mrs Prendergast phones Mrs Harvey to say Lisa is in danger because Rachel was reincarnated too soon, which means an early death. Mrs Harvey won’t listen because she is afraid of losing Lisa, which is the reason she’s been burying her head in the sand about the whole matter. She feels she has to carry on as if everything is normal, so she returns to her lingerie party, and hope the trouble will all go away.

Jackie and Janis find Rachel’s house burned out and abandoned, which is the first clue as to how she died. They also encounter a nasty man trimming the hedge, who calls them ghouls who wallow in other people’s misery and tells them to go away. Following this, they decide to investigate the house after dark.

Then Janis’s Uncle Bill comes along, and he is able to tell them what happened. Rachel’s father had a terrible temper and always made her suffer for it. One day he locked Rachel in her room, at the top of the house, as a punishment. But a fire broke out, the cause of which was never determined. Rachel was unable to escape because the door was locked and the window had been made childproof. This was how Rachel came to be banging on the window and screaming as she did. Mr Prendergast was too far away trimming the hedge to hear Rachel’s cries for help. By the time he did, it was too late. The fire claimed him as well when he tried to rescue Rachel, possibly because he felt too guilty to try to escape. When the girls ask for a description of Mr Prendergast, they find it matches the description of the man they saw – so his ghost has come back as well? After this, Janis and Jackie are too scared to enter the house after dark and head back to the disco.

They arrive back at the disco just in time to see how Rosie is humiliating ‘Rachel’, and get her back to normal mode. Rosie is banned from the hall for this and for her bullying of the other girl. Lisa heads for home, but Rachel’s power draws her to the Prendergast house, where Mrs Prendergast says it is time for them to be together.

Mr Prendergast’s ghost tries to warn Lisa off, but she recognises him as the horrible man who chased her in the crazy house and does not listen. She heads for Rachel’s bedroom, where Mrs Prendergast is waiting. Lisa starts the banging behaviour on the window and screaming for Mummy to let her out. Mummy now does so by opening the window. She then directs Lisa out the window, where they will both be free and the mistake of Rachel coming back too soon will finally be rectified.

Meanwhile, Jackie and Janis have called at Lisa’s house to check on her, and found her not there. Mrs Harvey tells them what Mrs Prendergast said and now regrets not having the situation seriously instead of trying to deny it. They head out to the Prendergast house, where they are horrified to see Mrs Prendergast and Lisa on the window ledge. When they call “No, Lisa! No!”, Lisa snaps out of Rachel mode. Once Lisa realises where she is, she tries to fight Mrs Prendergast. The struggle results in Mrs Prendergast falling to her death. Lisa realises the return of Mrs Prendergast was what stirred up the ghosts and memories of her Prendergast incarnation. So now that Mrs Prendergast is gone, they cease to plague Lisa.


Misty drew on much of the popular horror, fantasy and SF films and literature of her day. Hush, Hush Sweet Rachel is Misty’s version of Audrey Rose. Audrey Rose Hoover dies in a burning car while banging and screaming against the window. She is reincarnated as Ivy Templeton, but the reincarnation came too soon. This meant there was an insufficient in-between resolution period for Audrey Rose’s soul and its karma in the astral planes, and this is having adverse effects on the current incarnation.

Audrey Rose’s father Elliot starts interfering in the lives of Ivy’s family because he figured out the reincarnation and wants to get close to his daughter again through her reincarnation. This triggers nightmares in Ivy in which she keeps reliving the death throes of Audrey Rose screaming and banging against the car window while the fire rages. The only one who can handle Ivy’s fits is Elliot, but this eventually lands him in court on charges of kidnapping Ivy, with the existence of reincarnation on trial.

Unlike Audrey Rose, which is taken from the adults’ perspective rather than Ivy’s, Sweet Rachel is taken from the schoolgirl perspective of the protagonist and her two best friends. The parents are what they so often are in girls’ comics – completely useless because either they don’t listen or they don’t treat it with the seriousness it requires until near the end. Sometimes they don’t even wake up to it at all, as in Mandy’s Bad Luck Barbara. At least we get more insights into the psychology of it all than we usually do. At first Mrs Harvey comes across as a neglectful, thoughtless mother, but gradually we learn that she does genuinely love Lisa. Her cavalier attitude was motivated by fear and trying to evade the situation instead of facing it. Unfortunately, this led to her constantly failing Lisa until near the end. As for Mr Harvey, we hardly see anything of him except for the meeting with Mrs Prendergast, where he tells her to leave them alone.

Lisa’s nightmares of Rachel’s death throes parallel those that Ivy experiences. But, considering that visions and apparitions of Rachel do appear in the story, it’s hard to say whether Lisa’s odd behaviour stems from her just being a reincarnation of Rachel or if Rachel came back as a ghost and is possessing Lisa. When the ghost of Mr Prendergast is introduced, it becomes clear that the ghost theme is as strong as the reincarnation theme, and they overlap so much that it is hard to tell just what is going on with Lisa. Is it a disturbed reincarnation or a ghostly possession, or is it a blend of the two?

Also unlike Audrey Rose, Sweet Rachel goes along the path of a mystery story (which girl readers just loved) that needs to be unravelled. This stems from Mrs Prendergast not telling the whole story. For some reason she won’t say how Rachel died, and this is clearly linked with the strange nightmares Lisa is having. Mrs Prendergast has seen for them for herself, but unlike Elliot Hoover she does not explain what the nightmares are about or help to stop the nightmares when they occur.

As the story is told from the girls’ perspective, the school environment, school bullying and the teen scene take the stage rather than the theology of reincarnation, which gets so heavy in Audrey Rose. Rosie Belcher comes from a long line of jealous, unpopular girls who want to bring down the protagonist because she’s so popular, and set out to do it by playing upon the problem the protagonist develops in the story. In this case, Rosie is taking advantage of Lisa’s ‘Rachel’ behaviour to humiliate her, get her into trouble, and destroy everything she hates in Lisa. But every step of the way she fails, and her nasty tricks only serve to make her even more unpopular. Not that she sees it that way. Rosie just cannot understand that it is her own conduct that makes her so unpopular.

Just what the inspiration was for Rosie’s repulsive eating habits is harder to understand though. Perhaps it was based on a real person Pat Mills knew at school or real-life neighbours who were just like the Belcher family. Or, as this is Misty, did the Misty team decide to go for the gross-out with Rosie to make her a more interesting character? Or are the Belchers reincarnated pigs or something?

Rosie brings something to the story that Audrey Rose did not have – a villain. There are no villains in Audrey Rose, so Sweet Rachel definitely has more edge and menace there. Unlike Elliot Hoover, Mrs Prendergast can also be regarded as a villain. For one thing, she is clearly not giving the whole story. Hoover was upfront on how Audrey Rose died straight from the start, but Mrs Prendergast is evasive on how Rachel died, which makes her a more suspicious and ominous character. Moreover, while Hoover genuinely wants to help Ivy/Audrey work through an unsettled reincarnation, Mrs Prendergast is clearly trying to get Lisa/Rachel out of possessiveness, even if it means killing them both on the window ledge. For these reasons, Mrs Prendergast does not come across as a particularly sympathetic character, although her tragic story does make us feel sorry for her in many ways. She is a character who gives both Lisa and us the creeps, especially when we read her remarks that she and Rachel are soon going to be together. We don’t trust her at all. And it is very odd for Mrs Prendergast to warn Mrs Harvey that the hasty reincarnation could mean an early death for Lisa (now why would that be so?) and she could be in danger when it turns out Mrs Prendergast herself is the danger to Lisa/Rachel.

When we learn more about Rachel’s home life, we have to decide which Prendergast parent is more deserving of our sympathy. The dangers Mrs Prendergast posed to Lisa/Rachel have already been described. On the other hand, Mrs Prendergast was clearly the kind, caring parent who gave Rachel the love that she needed against a father who was borderline abusive. In fact, Mr Prendergast even looks like an ogre with a tall, burly build, a squint, and even red eyes! We have to wonder why Mrs Prendergast married him in the first place. Yet Mr Prendergast has more redeeming qualities than his wife. Although he is set up as a villain with his appearance and terrifying, aggressive conduct, it turns out he is not the true villain after all. Moreover, guilt over the tragedy redeemed him and his harsh parenting, and he tried to save Rachel twice. On the second round he is more successful, even if it is just because Lisa’s mother and friends arrived in the nick of time.

Eduardo Feito’s artwork really adds to the creepy atmosphere of the story, particularly in its use of tippling, etching, light brushwork, and shadowing, and even adding a dash of feral to it. The innocence in the expressions on Lisa’s face has a soft childlike quality, which blends in with the concept of possession by a four-year-old.

Moonchild [1978]

Sample Images

Moonchild 1Moonchild 2Moonchild 3Moonchild 4

Published: Misty 4 February 1978 – 29 April 1978

Episodes: 13

Artist: John Armstrong

Writer: Pat Mills

Translations/reprints: Misty annual 1983; Misty Vol. 1 2016, published by Rebellion


All Rosemary Black wants is to lead a normal life and have friends, but she does not get much chance at home or at school. Her mother (no father is present) is severe and abusive, and she shows Rosemary no love or affection at all. She is always beating Rosemary black and blue with a cane because she thinks there is a “dark wickedness” in Rosemary that must be beaten out. What dark wickedness? Rosemary is clearly not a bad lot.

At one point Mrs Black is hauled up before the magistrate because of her treatment of Rosemary. But the magistrate dismisses the case without even a slap on the wrist. He believes parents should use more discipline, and just tells Mrs Black not to overdo it in future.

Mrs Black is not only abusive but strange as well. She does not allow gas or electricity at her house (Rosemary has to do her homework by candlelight). She does not allow Rosemary any freedom or dress fashionably like other girls, and she clamps down on any bids for these with more abuse, and bigotry to rival any fundamentalist. She doesn’t even allow Rosemary to have birthday parties (something that will have dire consequences later). Strangest of all, Mrs Black sometimes looks at Rosemary as if she’s afraid of her – now what could be the reason for that? Mrs Black’s dress sense is just as bizarre; she always goes out wearing a black cloak. This makes her look like a witch, which is precisely what everyone whispers whenever they see her.

Yes, Mrs Black has clearly got quite a reputation around the town for weirdness if not witchiness. It seems Rosemary does too; there is graffiti on a wall that says: “Rosemary Black is a weirdo”. It looks like someone else wrote “true” underneath that.

We get a pretty good idea on who wrote that graffiti when we get to Rosemary’s school. Girls pick on Rosemary because there’s something strange about her that nobody can really pinpoint. The worst bully is Norma Sykes, who’s a bad lot and got ‘delinquent’ written all over her (and where does she get those fags of hers when she must be underage, like Rosemary?). Her reason (or excuse) for tormenting Rosemary is that in her view Rosemary deserves it for being so weird, and her daily fix is getting Rosemary to cry. Norma has two cronies, Freda and Dawn, and she constantly holds them to their oath of loyalty to her.

Anne is Rosemary’s only friend at school. Anne gives Rosemary a more fashionable hairdo, which exposes a crescent moon-shaped mark on her forehead. After Rosemary finds the moon mark, strange things do begin to happen to her in earnest. It’s like there’s some sort of power growing inside her; small objects move and a television set goes on the blink for no apparent reason when Rosemary is around. The power gets stronger when the moon is full, and the school nurse finds the mark is burning red hot although Rosemary has no temperature. But the first really spectacular event occurs when one of Norma’s tricks (match in a piece of chalk) sets Rosemary’s hair on fire. Rosemary seems to subconsciously lash out at Norma – and then a bookcase starts toppling towards the bully. Norma narrowly avoids being flattened.

Rosemary is sent to the school nurse, who refers her to the school doctor, Dr Armstrong, about the moon mark. Afterwards, Rosemary and Anne discuss this strange power that seems to be growing. It grows even more when it enables Rosemary to save Anne from a nasty accident and they realise strong emotion is key. That night, a full moon prompts Rosemary to practise with the power, and she gains more control over it.

When Mrs Black sees what Rosemary is doing, she really goes berserk. She yells that she knew it would happen and it was the evil she had been trying to beat out of Rosemary all along. She really brings the cane on this time to teach Rosemary not to use her “wicked gift”. However, Rosemary snatches the cane away with her powers: “No! You will not hit me…ever again!” And wouldn’t you know it – Mrs Black never beats Rosemary again!

Meanwhile, Norma wants revenge on Rosemary because of the punishment she got for the match trick (although her cronies did the lines for her) and brings out her big guns. Norma’s plan, called “Operation Rosemary”, is intended to hurt Rosemary where it hurts most by crushing the thing that Rosemary desires the most. In order to find out what this desire is, Norma directs Dawn to become ‘friendly’ with Rosemary. Anne is to be pushed out of the way in order to help this along. Dawn is to gain enough of Rosemary’s trust for her to say what the desire is. Then they will concoct the way to ruin it.

Next day, Rosemary is surprised at Dawn suddenly coming all over friendly and helpful to her. Even Norma is leaving her alone. Rosemary wonders if the other girls are starting to accept her. Anne is suspicious at this sudden friendliness from Dawn and warns Rosemary to be the same. Anne’s suspicions make things too difficult for Dawn to break them up. Norma decides hard measures are required to get rid of Anne, so she fouls Anne at a hockey match to put her in hospital.

Meanwhile, Dr Armstrong is intrigued at Rosemary’s moon mark. He becomes even more intrigued when the needle bends inexplicably when he tries to give Rosemary an injection. He wants to refer her for further testing. For this he gives Rosemary a consent form for her mother to sign. Mrs Black throws the form away, saying the gift is evil and she does not want that sort of interference.

That night Rosemary has a strange nightmare of a raging fire where Norma, Freda, Dawn, and even Anne are laughing hysterically at her. Then she falls into the fire. Upon awakening, Rosemary checks on her mother, and is surprised to find a photograph of a beautiful woman who also has the moon mark. Mrs Black explains that it is Rosemary’s grandmother. Grandmother also had the “evil” gift and something terrible happened to her because of it. Mrs Black tells Rosemary not to use that gift or something similar will happen to her. Rosemary can’t really believe it because Grandmother looks a nice woman to her and she is soon feeling a bond with her. Mrs Black goes crazy and tries to burn the photograph, but Rosemary rescues the photograph with her powers. At this, Mrs Black washes her hands of Rosemary entirely, though just what she means by that is not clear. To help decide things, Rosemary retrieves the consent form and forges her mother’s signature on it so she can have the tests.

Dr Armstrong watches Rosemary’s powers in action at the tests. This includes her powers going berserk and smashing up the laboratory when she gets distressed at the sight of Anne being carried away on a stretcher. Dr Armstrong tells her that her power is called telekinesis. Rosemary tells him about her grandmother having the power and the mother’s attitude about it. So Dr Armstrong now wants to interview Mrs Black. Unbeknownst to Rosemary, Dr Armstrong is getting greedy and wants to use his discovery to catapult him to the heights of fame in science.

Dawn finally convinces Anne and Rosemary of her friendliness with a get-well present (flowers raided from the park flowerbed) in hospital. However, Dawn is still having problems obtaining the information Norma wants. And Rosemary is also getting the impression that they are being shadowed. At Dawn’s house, Rosemary uses her powers to distract Dawn’s kid brother from a tantrum by moving his toys telekinetically. He is thrilled with these fascinating antics with his toys. Then Rosemary is very surprised when another power, which is even stronger than hers, takes control of one of the toys and throws a scare into Dawn. Now where could that power have come from? Well, there is one other person with the power who’s been mentioned in the story…could that be a clue?

Mrs Black is called up to the school. She tells the doctor and the nurse that the power and accompanying moon mark had run in the family for generations. Apparently she is the black sheep in reverse because she is the only one in the family without it. She says she was lucky in escaping the “curse” (pull the other one, as we see later!). As a child, Julia (Mrs Black’s first name) did not really mind her mother’s power and just thought it was strange.

Then one night the power caused a terrible tragedy in the family. Grandmother was surprised by an intruder in the house, panicked, and used her telekinesis to hit him with an iron, which unwittingly caused his death. Too late she discovered that it was her own husband, who had gone AWOL from the army and was sneaking back to see them. Julia saw how her mother’s telekinesis had unwittingly killed her own father. From that moment on, Julia went against her mother, who was imprisoned because the police did not accept it was an accident (probably because they did not believe how it happened). Mrs Black had not seen her mother since then (she was raised in child welfare after that) and believes she died in prison. She blames the power for her father’s death, and calls both it and her mother evil. When she had Rosemary, she was horrified to discover her baby had the power too. Her harshness (which she begins to regret a bit) was meant to crush it and stop another terrible thing happening.

The doctor and nurse try to reason with Mrs Black, saying the tragedy was not really her grandmother’s fault. The power itself is not evil; such thinking does not belong in this day and age. She does not listen and tells the doctor she will not have any more of his tests on Rosemary.

Rosemary’s 13th birthday is coming up. This finally prompts her to tell Dawn what she would really like – a birthday party, which is something her strict mother has never allowed. So now the next phase of Operation Rosemary is planned. Norma says she will be Rosemary’s fairy godmother (a very evil fairy, of course) and give Rosemary “a very special birthday party” where they “give her da woiks!” Soon after, Dawn tells Rosemary they are organising a birthday party for her, and her house will be used for it. Dawn has arranged for her parents and kid brother to be absent from the house (to get them out of the way, of course).

Mrs Black now tells Rosemary the story about the grandmother and just what she means when she says something terrible will happen if she keeps using the power. Rosemary gives in and promises not to use the power.

But that night, Rosemary is surprised when that other power returns, and it is trying to enter the house. Being stronger than Rosemary’s, it wins the fight. The door opens to reveal…Grandmother (died in prison, huh?).

Grandmother says she has been watching Dawn, figured out her game (that toy terror was an attempt to scare Dawn off) and come to warn Rosemary. Mrs Black finds Grandmother in the house and is not making her welcome. Grandmother rebukes Mrs Black for the way she treated Rosemary. When Rosemary says it was meant for her own good, Grandmother says that’s not the real reason. The truth is that Mrs Black is jealous because she was the only one in the family without the power, and she took it out on Rosemary. One look at Mrs Black’s face confirms this, as do her comments that if she had inherited the power she would have used it for evil: “Oh, what I could have done with the power!” Rosemary goes upstairs all confused and just wanting to be ordinary. After Grandmother’s visit, the relationship between Rosemary and her mother becomes so bad that they are hardly speaking to each other.

Unfortunately, Rosemary does not heed Grandmother’s warning about Dawn. In her view she can trust Dawn because Anne does now (haven’t you heard of misplaced trust, Rosemary?). So the party/final stage of Operation Rosemary goes ahead at Dawn’s house.

At the party, Norma and her gang lock Anne up so she cannot interfere with Operation Rosemary. It is a birthday party where everything is designed to be horrible and reduce Rosemary to tears. The birthday ‘surprises’ include presents filled with nasty things such as worms, and a birthday cake laden with the most vile ingredients Norma could find: fag butts, cat meat, fish bones, rotten eggs and the like. The bullies ruin Rosemary’s newly made party dress by spraying all over it, and all over her as well. Upstairs they bully Rosemary further with ‘party games’. But they didn’t mean the balustrade to break and Rosemary fall off the staircase.

Then the bullies are really surprised to see Rosemary floating in mid air! (We learn later that Grandmother was holding her telekinetically.) Rosemary says it’s her turn now, so Operation Rosemary now meets Rosemary’s revenge as Rosemary’s real party begins. Rosemary starts using her telekinesis to attack the bullies. One of the best moments is where she telekinetically throws the vile ‘birthday cake’ right into Norma’s face. Talk about a taste of your own medicine! As she goes, Rosemary shouts that she is now figuring out their whole plan, and she also finds and releases Anne. The bullies are terrified, terrorised and trying to run. Norma exposes herself as the coward she really is with ludicrous excuses for what she did and attempts to sacrifice her cronies to save herself (and she has the nerve to expect them to swear perpetual loyalty to her!).

But the worst is yet to come. Norma lights a fag to calm herself, which starts a fire that spreads fast. The girls begin to laugh hysterically as they become trapped in the fire, which fulfils what Rosemary saw in her dream. Rosemary tries to extinguish the fire telekinetically – but finds that she can’t! She has over-extended the power and now it has burned out, rendering her powerless.

Then Grandmother appears, and extinguishes the fire with her own powers. However, the strain on her powers has been too much, and she dies in hospital. Grandmother dies content, as she feels she has made amends for that other tragedy, which blighted her life with guilt. Rosemary regrets not listening to her grandmother’s warnings, and also that she did not get the chance to spend longer with her.

The police collect enough evidence on the nightmare party to send Norma to approved school. The fates of Dawn and Freda are not recorded, but no doubt these will include the reactions of Dawn’s parents to the state of the house and trouble with the police.

Mrs Black disappears, leaving Rosemary on her own. Anne’s family gladly take her in. So Rosemary finally has the normal life she wanted, but is saddened at the price she has paid for it.


This was one of the stories in Misty’s first lineup. Like Misty’s other first serials (“The Sentinels” and “The Cult of the Cat”), “Moonchild” still endures and is well remembered. There are strong indications that it was very popular, and writer Pat Mills attributes much of this to the artist, John Armstrong.

Many of Misty’s stories drew on popular literature and films. This one is definitely based on Stephen King’s Carrie. There is no mistaking the parallels. The protagonist is a bullied girl who possesses the power of telekinesis. The telekinetic is the product of a broken home, family tragedy, and an abusive, bigoted mother and absent father. The telekinetic uses her telekinesis to wreak a terrifying revenge on tormentors who tried to destroy her big night with cruel tricks. There are also some Rosemary’s Baby references thrown into the mix (the name of the protagonist and the Mia Farrow hairstyle she gets). And is Dr Armstrong named after the artist, John Armstrong?

There have been zillions of stories about bullying, but the drawing card of this one is – what if the bullied girl has the power? Yes, wouldn’t we love to have a power like that to strike down a bully! We want to follow this story as soon as we read the blurb on the splash page because it is just something we would love to do ourselves.

The exact origins of the power are not defined and the grandmother herself does not know where it came from. All she knows is, the power has been in the family for generations. The telekinesis is clearly hereditary, but it is not just some genetic mutation as in Carrie. It is linked to the moon mark and the moon itself, which the telekinesis draws its power from. This suggests some sort of supernatural or SF origin, and the undefined but clear connection with the powers of the moon makes the story even spookier. The insinuation of a supernatural origin also suggests that the power passing over Rosemary’s mother is not simply a genetic mutation skipping a generation. The grandmother tells her daughter she was probably not given it because she would have used it badly, and she could just well be right.

Mrs Black is at least saner than her counterpart in Carrie, who may have a borderline personality disorder as well as being a religious fanatic who should feel right at home at Westboro Baptist Church. When we learn the reason for Mrs Black’s attitudes about the power Rosemary has, she even becomes more sympathetic and her conduct more understandable, although not excusable. It is easy to understand how the shock and grief of losing her father, her mother becoming his killer, her happy family life shattered forever, and spending the rest of her childhood in orphanages could affect her mind and cause her to become so twisted and irrational. Thereafter, she became terrified of the power, regarding it as an evil thing, and fearing that it could cause another terrible thing to happen in her life. Regarding the power as an evil thing that had to be crushed in Rosemary is not unlike the Dursleys’ attitude towards magic and why they treated Harry Potter so cruelly because of it. Mrs Black could also share the same roots as Tamsin’s grandmother in “Combing Her Golden Hair”. The grandmother outwardly treated Tamsin in harsh, unfair and even absurd ways. However, it turned out that the grandmother in fact meant well. She was just not going about things in the best way. Moreover, she did not realise that she was fighting a losing battle against a supernatural heritage.

Unlike Tamsin’s grandmother though, Mrs Black loses that sympathy she ultimately gains when we learn that the real reason for her treatment of Rosemary is jealousy because she was denied the power. And after saying that the power is evil, we learn that Mrs Black would have used it for evil herself if she had been born with it (what a nerve!). Neither Rosemary nor her grandmother use the power that way. No, the power itself is not evil; it is the way that it is used.

Those eccentricities Mrs Black has are more difficult to understand. Her attitude towards Rosemary’s power does not explain why she bans gas and electricity at her house and keeps the place in the dark ages with candlelight. Does she have some weird thing about modernity? Or is it to save money by not having to pay power bills? And why does she wear that weird, sinister cloak when she goes out instead of a simple coat, which makes her such a magnet for gossip that she’s a witch or weirdo? And if Mrs Black hates her mother so much because of the telekinetic accident that killed her father, why does she keep a photo of her around the house? And why does she just disappear at the end of the story? It certainly is a very quick way to get rid of her (and good riddance!), which would open up a new life for Rosemary where she can live happily and normally. And given the way things were going between her and Rosemary it is probably not too surprising. But it is not really explained at all. Doesn’t she even leave a note? We have to wonder just how much Mrs Black really loved Rosemary in the first place – if she ever loved Rosemary at all.

The evil in the story does not come from the power but from people’s cruelty. This comes in the forms of the abusive mother, and the bullies at school, though we see some other abusive people around, such as a kid who taunts Rosemary and calls her a witch. Norma is always saying to her cronies that Rosemary deserves to be hurt because she’s so weird, but that’s just her excuse of course. She just does it because she is a bully, a bad sort, and looks like she is on her way to delinquency. She comes from a line of John Armstrong bad girls with short black hair, leather jacket and knee high boots. June Roberts, who was the bane of Bella Barlow in her 1979 story, is perhaps the best example. Unlike Norma, June changes her ways in the end.

Norma has no compunction about anything she does and will go to any lengths to get her own way. When Dawn and Freda sometimes get qualms about Operation Rosemary, Norma pushes them to continue with it. Norma is also extremely clever and a smooth talker who bluffs or talks her way out of fixes, though she does not always succeed. Her cronies say she would be top of the class if she tried, but the only thing that interests Norma about school is bullying Rosemary. Norma’s tag line to get out trouble is to bluff people with the threat that she will set her father on them as he is the [whatever]. She even tries it on the police when they say they will send her to approved school! As there is only one instance where this bluff actually succeeds, we get the impression it’s more cheek than anything else.

From the brief glimpse we see of Norma’s home life, her misconduct is clearly rooted in her parenting. Although Mrs Sykes suspects the truth about the horrible thing (the ‘birthday cake’) that Norma is making, she does not investigate further because she is heading off to bingo. She wonders if she should send Norma to the doctor to get her head examined, but Norma’s line “Don’t nick any of me fags on your way out” indicate what sort of example Mrs Sykes sets to her daughter.

At times, Norma can be witty and delivers very funny lines, mostly when she is being impudent or planning something. One of the best examples is where she styles herself as fairy godmother to bring Rosemary her birthday party: “Norma Sykes, fairy godmother – dreams come true a specialty. Magic wand no extra charge.” It must be said Norma delivers the only comic relief we see in this unsettling, grim story, even if she is also the main villain.

And now we come to Rosemary herself. All she wants is to lead a normal life where she is loved, accepted, and have lots of friends. But in order to get there, she has to unravel the mystery of why her mother keeps denying them to her, what this thing is that her mother has about ‘wickedness’, and just what the ‘weirdness’ is that nobody can really explain but makes her a magnet for bullying. It is not surprising that they are connected. It all comes from Rosemary’s telekinetic heritage and how it turned Mrs Black into a monster – and eccentric – from grief, hatred and jealousy. It is ironic that the very thing that lay at the root of all Rosemary’s troubles was the only way out of all the abuse and bullying she suffers because of it.

Rosemary does not kill anyone as Carrie does before she herself finally dies in the story. However, this story does not shy away from its own tragedy and deaths. We cry for the grandmother when she finds she unwittingly killed her own husband with her telekinesis. We cry even more so when we see that Julia does not understand that her mother didn’t mean to do it or how bad she feels about it. The grandmother too probably began to hate her own power after that, whereas it is not so much the power but panic that was the problem. A normal person could well do the same thing with a gun or poker if they were in the same situation. It is a relief to see Grandmother finally find peace over the tragedy on her deathbed.

Rosemary’s friend Anne is a real brick in that she not only stands by Rosemary all the way but also does not condemn her power as evil or witchcraft. Rosemary’s power does not frighten her either. Instead, she is one of the people with a more level-headed attitude about it and compares it to Uri Geller, which in her mind must give it scientific validity. She helps Rosemary to explore, develop and understand the power. Anne also tries to encourage Rosemary to stand up for herself more, which is something Rosemary begins to do as the power gives her more confidence. Anne has the sense to rightly suspect Dawn’s supposed friendliness is not all it seems, but eventually she gets duped by a bunch of get-well flowers and how much they must have cost. Didn’t it occur to them that the flowers might not have been bought at all?

Dr Armstrong would also be a real friend to Rosemary if he had a better attitude. He assures Rosemary that her power is not evil as her mother says; it is scientific and he gives her the scientific name for it. Dr Armstrong also tries to reason with the mother and get her to accept that the power is not evil. The trouble is, he starts getting too greedy and ambitious over Rosemary’s power. He wants to make his name with it and has no respect for Rosemary’s feelings over it. The nurse is far more sympathetic and tries to plead with the doctor that she has the right to lead a normal life.

Losing the power in the end is not unusual in girls’ comics. But in this case it really is the only way for Rosemary to start leading a normal life, though not before she is finally rid of all that domestic and school abuse of course. Still, we can’t help but hope that the power of the moon will restore Rosemary’s powers. Maybe they will consider it for a new Moonchild story in the new Misty material that is beginning to come out?


Glenda’s Glossy Pages [1975]

Sample Images

Glenda 1

Glenda 2

Glenda 3

Published: Tammy 13 September 1975 – 15 November 1975

Episodes: 11

Artists: Mario Capaldi, plus Tony Highmore as a filler artist in one episode

Writer: Pat Mills

Translations/reprints: Tammy 1 October 1983 – 10 December 1983; De geheimzinnige catalogus [The Mysterious Catalogue] in Tina Boelboek 4, 1984


Glenda Slade lives with her widowed mother. Mrs Slade works in a low-paid job, so they live a poor existence. They are so poor that the only thing Glenda has to wear is her school uniform (which Mum had to scrape for). At school, spoiled and snobby rich girl Hilary loves to bully Glenda over her poor background.

Then one day a woman knocks at the door and shows Glenda a beautiful catalogue that is packed full of gorgeous items to order. Glenda is blown away and wants to order from the catalogue immediately. Her mother reminds her that they cannot afford it. Glenda decides to keep the catalogue in secret so she can at least dream about the items. The woman agrees and gives Glenda a strange, ominous smile as she leaves.

Glenda is surprised when the items she circles start appearing at her front door for real and there is no apparent bill to pay. Thrilled at having nice things for the first time in her life, she starts circling more and more items, which continue to appear with no apparent price to pay. At school, the items make her the centre of attention and she is pleased to get one up on Hilary, who is being pushed out as the one to admire because the girls now swarm around Glenda and the things she is getting. Even Glenda’s face is beginning to change, and she is amazed that she is beginning to look like the model in the catalogue. Hilary is jealous and then suspicious about these items of Glenda’s.

But odd, worrying things start happening to Glenda. Among them, Hilary calls the police in to investigate the items (more of her spite towards Glenda). Of course they do not believe Glenda’s story about the catalogue. But when they try to take the items they get a strange electric shock, which frightens Glenda.

Then, at the swimming pool, Glenda discovers a shocking, inexplicable change in her personality and behaviour. Hilary is having an attack of cramp in the pool, but Glenda, who is the nearest, just leaves her to drown and makes no attempt to save her at all. Glenda herself cannot understand why she acted in this way. When she realises there can only be one answer, the catalogue begins to well and truly scare her. The girls save Hilary, and in the wake of this incident, Hilary rises again as the centre of the girls’ attention while Glenda is sent to Coventry. Hilary is delighted at Glenda’s downfall. In fact, when Glenda tries to apologise to Hilary, Hilary just pulls a false act of Glenda bullying her in order to get her into even deeper trouble with the girls.

Finally, the police arrest Mrs Slade over the mystery items. They have no evidence against her, but she has a criminal record, and that is enough for them. They don’t know or believe she has reformed to the point where she has raised Glenda to be extremely strict about honesty.

Glenda is appalled at how everything is getting just worse and worse for her. And worst of all, she has a feeling the catalogue is not even through yet.

The woman appears again. Glenda confronts her and urges her to tell the police how she got the items from her catalogue for free. The woman tells Glenda that nothing in the world is free and she has to pay. Glenda then realises that she has paid after all – with all the misery and trouble she has gone through because of the catalogue. She now understands that the woman and her catalogue are evil, and they were all out to play on her greed to get her into trouble. The woman tells Glenda that she will go on paying. But Glenda is determined to beat the woman. When Glenda finds she cannot destroy or dispose of the catalogue, she tries to break its power by getting rid of the all the lovely items it brought her and sending them to a charity shop. It’s a wrench for poverty-stricken Glenda, turning her back on those beautiful things, but it does the trick. She is now able to throw the catalogue out and leaves it for the dustmen.

But Mrs Slade, who is released for lack of evidence (or maybe because of the temporary break in the catalogue’s power?) finds the catalogue and now she is the one who is tempted. Ignoring Glenda’s warnings, she orders as many items as possible so as to win the mystery prize the catalogue is offering. When the prize arrives, it is a lighter in the shape of a skull. Later, Glenda realises that a skull stands for death, and gets a horrible thought as to the price Mum is to pay. She manages to get out of school (thanks to nasty Hilary ripping her one and only skirt for a ‘joke’), rushes home to check up on her mother, and finds the skull lighter has started a fire.

The fire is spreading fast, and the skull itself seems to be fanning the flames. All the same, Mum is reluctant to evacuate and leave her lovely things behind, so Glenda has to do some persuading to make her agree to do so. However, they discover all the glossy pages’ furniture has suddenly moved to block all the exits and won’t budge. Clearly, the price the catalogue intends them to pay is for them both to perish in the fire. However, Glenda manages to create an exit by throwing the catalogue itself out the window, which makes the flames at the window die down enough for them to escape through the window. Across the street, Glenda sees the evil woman is watching, and the woman is looking absolutely furious that she and her glossy pages have failed. However, the emergency services whisk Glenda and her mother away before Glenda gets a chance to retrieve the book and stop someone else from falling into its power.

A few days later, Glenda and her mother are discharged from hospital. Their old house got destroyed, so they are given a new one. Glenda’s mother is relieved that at least their new start will be an honest one, even if it is from scratch. Glenda went back for the catalogue, but failed to find it. Glenda does not know that Hilary picked up the book while dropping by to gloat over the destruction of her home, and recognised those mystery items of Glenda’s in it. And rich girl though she is, Hilary is tempted by the catalogue and sets out to make herself the envy of all the girls with it…


This particular “wish-fulfilment with the inevitable catch in it somewhere” story has been an enduring one in Tammy. On the Internet it still attracts positive comment and is clearly well remembered. One reason has to be that Pat Mills wrote it. Pat Mills has established himself as one of the best writers in British comics, such as in 2000AD, Battle and Misty. He has written many classics in girls’ comics, including ones from Jinty herself, such as “Land of No Tears” and “Concrete Surfer”.

The themes the story explores also help to make it an enduring one: greed, fantasy, temptation, rags-to-riches, bullying, jealousy, the supernatural, the macabre, and the threat of the Grim Reaper. The protagonists themselves are ones who remain sympathetic, even when the power of the catalogue leads them so much that their personalities begin to harden, they lose common sense and sight of themselves, and become increasingly consumed by the temptations the catalogue is offering. Glenda at least has enough sense and virtue to notice the warnings. It takes a while for her to heed the warnings enough to stop using the catalogue, not least because it is so hard to break away from having nice things for the first time in her life. But as the nightmare intensifies and the evil increasingly obvious, she finally finds the strength to do so.

Mrs Slade becomes even more consumed by greed than her daughter. This would be partly because she has not received increasing danger signals as Glenda had. But it could also be rooted in her once being a criminal. Glenda’s birth made her go straight and she clearly resolved to bring Glenda up so strictly about honesty that she would not follow that deviant path. Mum was successful there until the catalogue came along. The catalogue did not make Glenda an outright criminal, but it did corrupt her and make her stray off the honest path her mother set her on. Mum, meanwhile, is tempted because although she had stayed honest, she felt that going straight had not lifted her out of the poverty she and Glenda had always lived in and it never seemed to do her any real good. It was these feelings that made it so easy for the catalogue to tempt her.

The only truly good thing to come out of the catalogue was Glenda and her mother being given a new home and a new start. We hope it will be the start of a better life for them. In any case, we know Mum has returned to the straight path when she says that at least they will start honestly. And after they have been through with the catalogue, we imagine they will stick to the honest path even more assiduously.

At the end of the story, Hilary also falls into the grip of the catalogue. Unlike the Slades, however, we do not sympathise with her when she does so. In fact, we feel like hoping the catalogue will give Hilary her comeuppance. She already has plenty of things of her own, and unlike the Slades she can afford them because she is so rich. She has no real need for the catalogue, yet she is tempted all the same. The catalogue is clearly playing on Hilary having far less moral fibre than Glenda Slade and being a more nasty character. Throughout the story Hilary has been portrayed as nothing but a spoiled, bullying snob who is always out to stick her knife into Glenda, just because she is poor. Hilary does not even have an ounce of sympathy at Glenda losing her home: “What a shame the scruff’s house was burnt down – I don’t think.” If there were a sequel to this story, which there isn’t, we would like to see how the trouble Hilary gets into with the catalogue improves her personality and makes her nicer to Glenda by the end of the story.

The ending itself is a skilful one that makes the storytelling even more powerful. Instead of the catalogue being destroyed and never able to tempt anyone again, the story ends on a grim, ominous reminder that evil is continuous. In fact, we would not be at all surprised if this woman distributes these evil catalogues all over the place, targeting the people she thinks would be the easiest to tempt, like the poverty-stricken Slades.

Sister in the Shadows [1980]

Sample Images

Sister in the Shadows 1Sister in the Shadows 2Sister in the Shadows 3

Published: Tammy 5 January 1980 to 22 March 1980

Episodes: 12

Artist: Giorgio Giorgetti

Writer: Unknown

Translations/reprints: None known


Stella Weekes is a girl born with the golden touch. She comes out top at everything she does, she is always a winner, and she has never lost at anything. At her old school Gatecombe Comprehensive, Stella was the star pupil and even the headmistress virtually hero-worships her; there are displays of Stella’s school achievements everywhere. Now Stella is the star of a TV sports series, Goldengirl. Stella’s parents just never stop bragging about her and they “kill the fattened calf” for her whenever she shows up.

This causes huge problems for Stella’s younger sister Wendy when she starts at Gatecombe. Wendy has grown up in the shadow of Stella’s success, and at Gatecombe she becomes overshadowed even more. Everyone, including the school staff and Wendy’s parents, expect Wendy to be another Stella and keep comparing her with Stella. On Wendy’s first day alone, she is constantly embarrassed and humiliated because the school staff make a huge fuss over her, push her to the front at everything, and give her all the plum roles and expect her to be just as brilliant at doing them as Stella. The headmistress even compares Wendy’s appearance with Stella’s – and it’s not a favourable comparison either. They only see Wendy as “Stella’s sister” instead an individual, and they expect her to be just like Stella. At home, Wendy’s parents, who are just too full of pride about Stella, are just as bad at expecting Wendy to be just like Stella. At least they do it in a somewhat more light-hearted manner. But they are too consumed with pride over Stella to even take in interest in what Wendy tries to do or lend her any support. For the parents, Wendy always takes second place to Stella. Nobody will respect Wendy for herself.

But Wendy does not have a golden touch like Stella. She suffers from poor self-esteem because she is being constantly expected to follow in Stella’s footsteps when she considers herself the opposite of Stella. Worse, it does not take long for the other girls to pick up on how Wendy pales in comparison to her sister. They understandably resent how the big fuss over Wendy is not giving them a chance, while not understanding that Wendy does not like it any more than they do.

As a result, Wendy becomes a target of bullying, with the girls constantly teasing her because she isn’t living up to Stella’s reputation while all adults around her keep expecting her to do so. Wendy’s worst enemies are Angela and Honey, who also like to play dirty tricks on Wendy whenever she tries to prove herself, so as to make her the laughingstock again. Furthermore, they have the whole class send Wendy to Coventry and they call her “weak sister Wendy”. Even their families get in on the act; Angela’s brother Adam helps them play a trick on Wendy to get her into trouble with the headmistress. There seems to be no limit to their bullying; at one point they cause Wendy to take a fall during a bar exercise and land on top of the gym teacher, and then they have the nerve to blame Wendy when the teacher has an attack. Fortunately for Wendy, the doctor sorts them out. At least there is one person who is sticking up for Wendy, but nobody else is there to talk to the parents or help sort out the bullies.

Following a misunderstanding, Angela and Honey think Wendy tricked them out of their chance to meet their heartthrob Gregg Vanderley, who is Stella’s co-star. After this, their spite grows even worse. They try to frame Wendy for stealing exam papers. When this fails, they trick Wendy into an old tower and intend her to have a nasty accident. Wendy breaks her wrist because of this. The doctor has her stay off school until further notice.

But even while laid up in bed with a broken wrist, poor Wendy gets no respite from being constantly compared to her sister. Instead of offering sympathy, Wendy’s mother scolds her for missing out on the end-of-term school exams because of her injury while Stella always came out top in them. All the same, it is just as well the bullies’ trick had Wendy miss the exams, because the constant comparison with Stella and the bullying had inevitably impeded her progress during the term. From the sound of things, the parents have been getting reports that Wendy is not doing well at school.

While in bed, Wendy ponders over another thing she has noticed: Stella has not contacted her family of late, not even when she was in the neighbourhood recently with Vanderley. Also, the TV network is running repeats of Goldengirl instead of the new season, which Wendy finds suspicious. So Wendy takes advantage of her remaining time off school to go to London and do some investigating.

Wendy’s suspicions are confirmed when she discovers Stella has lost the Goldengirl job and been evicted from her exclusive flat because she could no longer afford the rent. At the TV studio Wendy learns Stella lost the job because she became a victim of her own success: viewers got bored of her and lost sympathy with her because she kept winning all the time. It looks like Stella’s replacement is having similar confidence problems to Wendy, which explains why the new season has not screened.

Stella disappeared instead of going home, because she was too afraid and ashamed of what the parents will say because they’re so full of themselves about her. Also, Stella has not experienced disaster before, so Wendy realises she must be taking it extremely badly. Furthermore, Stella is completely broke; Wendy later learns Stella frittered away her salary on the high life instead of investing it, except for a trust fund.

At Vanderley’s suggestion, Wendy investigates a derelict house that other out-of-work actors are using to squat in. When Wendy sees the house, she cannot believe her sister would even set foot in such a smelly, run-down, graffiti-smeared place that is falling to pieces. But Wendy soon finds that this is indeed where Stella is shacking up now. Moreover, Stella, who once earned a top salary as Goldengirl, is now working at a grotty café for an obviously very low pay. Wendy finds Stella working there, and she looks absolutely miserable.

Despite the depths she has sunk to, Stella cannot bear the thought of going home and facing her parents, or what people are going to say behind her back. But it is here that Wendy finds a whole new confidence when she persuades Stella to do so. She gets very bold and assertive in not taking “no” for an answer and insisting on taking Stella home. And screw what people are going to say; Wendy loudly describes what she has been through at school to illustrate that if she can put up with that sort of treatment, Stella can too. Stella listens, and begs Wendy to go on helping her. Wendy does more in that regard when their prideful parents start whining about what the neighbours will say when they hear what happened. Wendy retorts, “Bother the neighbours!” She describes the situation she found Stella in and says, “Would you rather I’d left Stella where she was, Mum?” The parents are humbled at this and offer comfort to Stella. Once Stella recovers, she becomes determined to work her way out of her bad patch.

Then Stella expresses concern about the bullying Wendy is experiencing at school and how it is bound to get worse once the bullies hear about her losing the Goldengirl job. Wendy, emboldened by her new assertiveness, says she has the confidence to deal with them now.

Sure enough, Angela and Honey get a real surprise when Wendy returns to school. When they try to bully Wendy over Stella’s dismissal, she comes right back at their teasing. She also threatens to go to self-defence classes if there is any more of their bullying (a bluff). To reinforce her point, Wendy pulls an arm lock on Angela that Stella had taught her, who in turn had learned it from Angela’s idol Vanderley. Wendy tells the girls she is going to try out for the school choir (she hopes that will help her become respected in her own right) and she jolly well hopes she will have more fun next term than she has had so far. Angela and Honey are humiliated, especially when the other girls begin to laugh at Angela’s humbling.


This is a Tammy story I have come to appreciate more upon revisiting it. It’s not that I disliked the story initially; it’s just that I was more taken with other stories in Tammy at the time.

Girls’ comics have frequently run stories where a girl suffers because she is compared unfairly and unfavourably with a more successful sibling, or, in some cases, a parent. This one is a bit different than most. The more common formula is for the protagonist to constantly strive to prove herself and win some respect, which she eventually does with some talent she discovers or an act of heroism (e.g. “Make the Headlines, Hannah!”, also from Tammy). Of course things don’t go smoothly and she frequently comes up against an enemy who is always trying to sabotage her.

This serial has that theme, but runs it to a slightly lesser extent than most. And the ending breaks the formula completely. The heroine does not prove herself at long last with some talent/heroic act, winning respect and everything ends happily. Instead, Wendy gains confidence by learning to stand up for herself. This starts with standing up to the sister who has always overshadowed her, and using everything she has short of physical force to stop hiding in that miserable run-down hovel, come home, get back on her feet again, face up to those parents of theirs, and deal with what people are going to say about her. Wendy’s new assertion continues with the parents when they start to whine about what others will say, and it gives her a whole new confidence in standing up to the bullies. And instead of school changing overnight for the protagonist, which is the more common ending, the story ends on the hope that school will improve for Wendy, but whether it does so remains to be seen. This is a more realistic ending that avoids the clichéd “new improved school ending”, which makes a very nice change.

It is easy to understand why Tammy went with this ending when we examine Wendy’s home life. Having Wendy prove herself somehow just would not have been enough, because the parents were just too consumed with pride over Stella to even notice what Wendy does. They need to have that pride of theirs deflated before they start taking Wendy more seriously. And they get it when they find out about Stella’s job loss and Wendy tells them off for thinking about what people will say about Stella’s downfall instead of thinking about Stella and what she is going through. We sense that they will become better parents to Wendy after this.

Stella, too, needed a lesson, and she gets it from the story’s resolution. There is no evidence in the story that Stella’s success turned her into an insufferable big head, which has happened in other stories e.g. “Last Chance for Laura” from Bunty. It is possible that Stella had become a big head, but there is no evidence of it. But even if Stella was not big headed, it sounds like she was in serious need of a fall if she was squandering her salary on high living instead of using it wisely. Further, she had never developed the emotional and psychological tools to deal with failure because she had not encountered failure until she loses the Goldengirl job. Wendy’s whole new assertiveness not only saves her from the miserable squatting but also helps her find the courage and inner strengths to rise above her bad patch. In so doing, we sense Stella will emerge an even bigger success than ever because she gained strength, new coping skills and lessons from that bad time.

Stella had also neglected Wendy because she was always too busy. So Wendy rescuing Stella and helping her to get through her trouble would definitely get Stella finally paying more attention to Wendy. Stella in turn becomes the one to help Wendy stand up to the bullies, by teaching her self-defence techniques, and being a more thoughtful sister towards her.