Tag Archives: Christine Ellingham

Tammy & June 21 June 1975

Cover artist: John Armstrong

Bella at the Bar (artist John Armstrong, writer Jenny McDade)

Waifs of the Wigmaker (artist Mario Capaldi, writer Bill Harrington) – first episode

Red Letter Rosie

Ella’s Ballet Boat (artist Jim Eldridge) – first episode

Aunt Aggie (artist J. Badesa, creator Pat Mills) – return

Bessie Bunter

Lure of the Lamp (artist Christine Ellingham) – Strange Story

You Need Hands – Competition

Wee Sue (artist John Richardson)

No Tears for Molly (artist Tony Thewenetti, writer Maureen Spurgeon)

It’s been a year since June merged with Tammy. How has the merger impacted on Tammy in that time? The June logo is still on the cover, but instead of the Cover Girls we have Bella on the cover this week. Bella, who first appeared with the merger, has clearly become so powerful that she sometimes pushes the Cover Girls off the cover. The John Armstrong artwork on the cover must have been a big attraction as well. 

The second Bella story (by popular demand) is going far longer than the first, not only because of the popularity but also because of the story arc (Bella clearing her name after being publicly disgraced by a jealous rival) requires a whole lot more development and episodes to resolve. It is also much darker than her first story (which was pretty dark as it was), as poor Bella has to battle her way through her wrongful disgrace as well as obstacles set forth by her cruel guardians, nasty tricksters and other enemies in order to keep up her gymnastics. Despite them all, she has done well enough to represent Britain in a championship, but the stigma just keeps catching up again and again.

Also returning from Tammy’s earlier years, by popular demand, is Aunt Aggie. Like “The Honourable S.J.” from Judy, she’s a nasty piece of work and a very crafty schemer who can put on a phoney face of kindness that fools everyone (in Aunt Aggie’s case, as a warm-hearted TV celebrity). Only the long-suffering protagonist who has to cope with her knows the truth. But unlike the Honourable S.J., Aunt Aggie is a full adult, and she is also played for humour, with a hilarious weekly comeuppance as our protagonist foils her nasty schemes. It’s a very deft combination of nastiness and comedy.

Uncle Meanie, who carried over from the Sandie merger, is now gone. Wee Sue, the other addition from Sandie, is now being drawn by John Richardson. The June additions, the Storyteller and Bessie Bunter, have established their staying power. Molly is still going as well, along with the misery-laden Cinderella and slave stories that made Tammy a hit when she was first published. 

The current Cinderella story, “Red Letter Rosie”, is now on its penultimate episode. A new slave story, “Waifs of the Wigmaker”, starts this week. It’s slavery in a Victorian wig factory, and the cruelty is a whole lot more than just exploited workers. The girls are deliberately degraded with measures such as being chained up as they work and newcomers having their hair cropped on arrival and forced to make their first wig with it. The villain of it all, Ma Parting, is an noteworthy one for being totally blind. But her blindness makes her an even more dangerous villain and hard to escape from, because her other senses are so acute they’re virtually superhuman. 

Tammy was never without a ballet story for long. The new one, “Ella’s Ballet Boat”, makes a nice change in having a ballet troupe instead Tammy’s more usual ballet formula in having an individual ballerina as the protagonist. It also gives us more variety of characters and character development. 

Jinty 4 February 1978

Come Into My Parlour – artist Douglas Perry

Sue’s Fantastic Fun-Bag! – artist Hugh Thornton-Jones

Two Mothers for Maggie – Jim Baikie

Alley Cat – artist Rob Lee

Waking Nightmare– Phil Townsend

Concrete Surfer – artist Christine Ellingham, writer Pat Mills

The Jam – feature 

Rinty ‘n’ Jinty – cartoon

Paula’s Puppets (first episode) – artist Julian Vivas

Land of No Tears – artist Guy Peeters, writer Pat Mills

Darling Clementine – artist Richard Neillands, writer Alison Christie

You Really Take the Biscuit! – feature

In this issue, two stories are clearly on their penultimate episodes: “Come Into My Parlour” and “Land of No Tears”.

In the former, Mother Heggerty’s spell forces Jody to set fire to the Kings’ store. But she’s been caught in the act. She could be facing criminal charges, but the blurb for next week says fire will strike at something else other than the store. Maybe someone is going to burn the old witch at the stake or something?

In the latter, Cassy comes close to losing the vital swimming marathon the Gamma Girls need to win because of a forced bargain with the ruthless Perfecta. Fortunately Perfecta injures herself from over-exertion in the race and drops out, freeing Cassy from all that and enabling her to catch up in the nick of time. Everyone is cheering her on, much to the villainous Hive Inspector’s chagrin. His response to secret helper Miss Norm’s delight in Cassy catching up – “What do you mean, Miss Norm? It’s a disgrace!” – cracks me up every time. Now Cassy is duking out the final length with two others and it’s so close. Everyone except the Hive Inspector and Perfecta is on the edge of their seats to see if Cassy will win. 

“Two Mothers for Maggie” looks like it could be nearing its end as well. Mum is critically ill. It looks like the crisis has actually aroused a bit of conscience in Maggie’s horrible stepfather, but he’s not treating Maggie any better because of it. 

A new story starts, “Paula’s Puppets”. Paula Richards is a spoiled, selfish girl whose rocky road to redemption starts when her father’s toy factory burns down and he is arrested for it. Her life turns upside-down while he protests his innocence. We believe him though nobody else does, but we know the poor bloke’s going to go down for it. Meanwhile, Paula finds some weird puppets at the burned-out factory, which seem to possess some kind of power. 

People should really watch what they say with Sue’s Fantastic Fun-Bag around. Two pitying women whisper what an “absolute dragon” poor Jenny’s got for an aunt and she needs a knight in shining armour. Henrietta obliges, but she has taken it a bit literally and hijinks ensue. But of course it sorts out the old dragon.

Ella is not making much progress with her training for the waterskiing event she wants to win for her family, nor with convincing others she was not to blame for her cousin Clem’s accident. Then Ella makes progress with something else – finding the girl who really caused Clem’s accident. But when she confronts the girl, the miscreant makes it clear she is not going to own up and clear Ella’s name. 

Alley Cat gets freebies from the sausage factory, but trust Spotty Muchloot to make trouble. Fortunately it all turns to the advantage of the factory and Alley Cat is rewarded, much to Spotty’s consternation.

Phil is trying to work out how break into Hardacre House, where she believes Carol is being held prisoner. It’s still very odd that Carol’s family clam up about it. It gets even odder when Phil learns Hardacre House and its owners are very mysterious, and she does not like the look of them when she sees them. After an accident with a tractor she is finally inside. The blurb for next week hints she will not like the look of what she finds there either.

Skateboarding is the only thing that gives Concrete Surfer Jean Everidge the upper hand over her smarmy cousin Carol. Jean’s about to start her new school with Carol, but the leadup to it is not going well, and Jean senses Carol is behind it. 

Jinty 14 January 1978

Come Into My Parlour – artist Douglas Perry

Sue’s Fantastic Fun-Bag! – artist Hugh Thornton-Jones

Two Mothers for Maggie – Jim Baikie

Alley Cat – artist Rob Lee

Waking Nightmare – Phil Townsend

Willy de Ville – feature 

Rinty ‘n’ Jinty – cartoon

Darling Clementine – artist Richard Neillands, writer Alison Christie

Susanna’s Snowstorm (Gypsy Rose story) – artist Keith Robson 

Land of No Tears – artist Guy Peeters, writer Pat Mills

Race for a Fortune – artist Christine Ellingham

The Wild Horse – feature 

Jody has become evil thanks to an additional spell from the witch Mother Heggerty. She now believes she is capable of anything, regardless of how terrible it is, and is loving every minute of it. How is she going to break free of Mother Heggerty’s power when right now she doesn’t even want to?

Cassy gets even more of a taste of how totalitarian this Land of No Tears is. She learns the Hive Inspector, who’s about to pay a visit, has powers to take you away: “No one knows where to, but you never return!” Shades of the Gestapo! Miranda is terrified she will meet this fate if the Inspector finds out she is secretly seeing her mother, and she breaks off with Cassy. Meanwhile, the ruthless Perfecta breaks off with her own friend to train every waking hour for the Golden Girl Award. Cassy is shocked to see the former bosom pals “walking away from each other like robots!” 

Ella bravely sets out to learn to waterski to win the competition for Clem, in the face of everyone who’s against her because they think she deliberately caused Clem’s accident. But her first attempt at waterskiing is such a disaster she’s lucky she didn’t hurt herself.

The same can also be said for sneaky cousin Rodney when he steals Katie’s roller skates to overtake her in the “Race for a Fortune”. But he soon finds he’s nowhere near as good on them as she is. He goes careering down a hill and lands on the back of a rodeo steer with her! Roller skating is back in the hands of the expert by the end of the episode. Thanks to his little stunt she has taken the lead again, and she’s gotten a lot of money out of it as well. 

In “Sue’s Fantastic Fun-Bag!”, a thief breaks into the school, his first attempt at crime. But his remark that he could become the world’s leading cat burglar really is asking for it with Henrietta around, especially when she’s the first thing he tries to steal. Needless to say, his first attempt at crime is his last by the end of the episode.

In the Gypsy Rose story, Susanna is given a snowstorm and finds it has a tale to tell, with each instalment appearing every time she shakes it. The trouble is, the tale is scaring her to death. Gypsy Rose tells Susanna that she must either follow it through to know how the tale ended or put the snowstorm away. Susanna decides to follow through because she must know (not to mention us readers) what the ending is, but what will the final shake of the snowstorm reveal?

Maggie’s sleazy stepfather shows what an abuser he is when he gets so mad he locks her in the coal shed without food or water. Then he refuses to let her see her TV debut, so she has to go to a TV shop in pouring rain to see it. Maggie has a good mind to tell Miss Keyes about the abuse, but she’s staying quiet because Mum doesn’t want word to get around.

Alley Cat is back. Arch-enemy Spotty Muchloot picks on him for first aid practice, and now poor Alley Cat looks like an oversized cocoon. But can he still turn things around?

Phil finds out the girl she saw being bundled off in the middle of the night is named Carol, and her mother is clearly not telling the truth about things. Phil manages to wheedle Carol’s current address out of the mother, enabling her to write to Carol. Carol’s reply is a coded message for help. The plot thickens!

Jinty 7 January 1978

Come Into My Parlour – artist Douglas Perry

Darling Clementine – artist Richard Neillands, writer Alison Christie

Two Mothers for Maggie – Jim Baikie

Waking Nightmare (first episode) – Phil Townsend

Superstars ‘78 – feature 

Calendar 1978 – feature 

Sue’s Fantastic Fun-Bag! – artist Hugh Thornton-Jones

Mark Hamill of “Star Wars” – feature 

Land of No Tears – artist Guy Peeters, writer Pat Mills

Rinty ‘n’ Jinty – cartoon

Race for a Fortune – artist Christine Ellingham

A Box of Silken Flowers – feature

This is Jinty’s first issue for 1978. It’s not her New Year issue, which took the odd turn of being on the last day of the old year 1977, but there are still New Year themes. We also get a delightful feature about Mark Hamill of Star Wars.

Jinty starts her first story for 1978, “Waking Nightmare”. The nightmare begins when Phil Carey is woken up by toothache and sees a girl being dragged off in the middle of the night. Her parents don’t believe her, and at the house where Phil saw the girl being taken, the mother denies everything – but she does make odd remarks about a secret and trouble she hoped to leave behind. We’re suspicious already.

Sue’s new year’s resolution is to be extra-nice to people, and she urges her fun-bag to hold her to it. But she soon finds her excessive niceness is turning her into a nuisance and now she’s in trouble with a lot of people. We suggest your resolution should just be yourself, Sue. 

On the subject of niceness, Mother Heggerty has found the Saxtons and wants revenge on them, but she finds her slave Jody is too nice for that. So she casts an additional spell to make Jody evil. Now why the silly old witch couldn’t have picked an evil girl like Stacey from Jinty’s Slave of Form 3B in the first place we’ll never know, but we’re deeply worried. The spell is bound to make Jody far more evil than any genuinely bad girl we’ve seen in Jinty.

In the Land of No Tears, the cold-hearted residents get a real surprise when the “reject” Gamma Girls beat the odds and are through to the finals of the Golden Girl Award. It should be a victory celebration for Cassy, but security have put the damper on everything by saying they will be sending the Hive Inspector over to make enquiries. And judging from the way Miranda’s mystery mother is reacting, this Inspector is kind of like the Gestapo.

In part two of “Darling Clementine”, Clementine (Clem) is in a coma after some horrible girl knocks her into the river. Worse, her cousin Ella is being accused of it instead, and everyone, including her own Uncle, turns against her. Poor Ella is not even allowed to visit Clem in hospital. Not knowing what else to do, Ella bravely decides to train herself up for the water-ski event that Clem was going to enter.

“Race for a Fortune” takes a spooky turn, but a hilarious one. Katie thinks her cousins’ latest trick is to play Roman ghosts on her at an old barn. So when a pair of glowing Romans does appear, she thinks it’s a huge joke and plays along with it. But she learns later that the glowing Romans weren’t her cousins. In fact, they scared those cheating cousins off. Unfortunately, not right back to the beginning of the race. 

The strife over “Two Mothers for Maggie” takes a very bad turn this week. Mum forbade Maggie to go to Miss Keyes’ party, where she could be on the rise as a star. Maggie goes there anyway and soon she is on the rise after saving Miss Keyes’ dog. Then Mum comes along in a terrible temper and drags her out in front of everyone. How embarrassing! And it’s not over. Poor Maggie has to face the wrath of her unfit guardian stepfather next week. 

Jinty 17 December 1977

Come Into My Parlour – artist Douglas Perry

Sue’s Fantastic Fun-Bag! – artist Hugh Thornton-Jones

A Jinty Christmas Poem: The Story of the Mince Pie

Two Mothers for Maggie – Jim Baikie

My Favourite Thing! – Competition results

Guardian of White Horse Hill – artist Julian Vivas, writer Pat Mills

Stage Fright! (final episode) – artist Phil Townsend

“The Yew Walk” (Gypsy Rose story) – artist unknown

Land of No Tears – artist Guy Peeters, writer Pat Mills

Alley Cat – artist Rob Lee 

Race for a Fortune – artist Christine Ellingham

Fruity Sweets for Christmas – Feature 

Jinty’s gearing us all up for Christmas with Christmas covers, Christmas features, Christmas jokes, and a Christmas party story from Sue and her Fantastic Fun-Bag. 

There is a dash of Christmas with a yew tree walk in this week’s Gypsy Rose story, but definitely not in the Christmas spirit. New owners are warned not to cut down the yew trees or they will evoke a druid’s curse. Of course they do precisely that, and if they can’t find a way to lift the curse their very lives could be danger. 

“Race for a Fortune” also gives a hint of Christmas, because it’s party time this week. Katie drops in on the Larrup Stick Dance and takes the opportunity to give her cheating cousins some “stick” after that dirty trick they played on her in the last issue. 

It may not be Christmas in “Land of No Tears” – something we highly doubt is celebrated in that cold-hearted world where all emotion is banned. Still, it is as good as Christmas when Miranda’s mysterious mother offers to train the Gamma girls for the Golden Girl Award after Cassy takes a brunt to protect her and Miranda from being caught by the ruthless Perfecta. 

What about presents? Maggie gets presents, in the form of lovely dresses, from both her real mother and her TV mother. Unfortunately the presents are creating conflicting loyalties.

In Alley Cat it’s Christmas stockings. Spotty is unravelling people’s sweaters and pinching the wool right off their backs, in order to knit his own giant Christmas stocking. What a grinch! We can imagine what his stocking will be filled with on Christmas Day.

In the last episode of “Stage Fright!” it takes a fire and the loss of his mansion because of the deranged Lady Alice to make Lord Banbury realise all he had cared about was the acting trophy and not enough about his family. Granddaughter Melanie is not quite ready to forgive him, but the story ends on a hopeful note that a better relationship will build between them. 

Not much happens this week to advance the plot in “Come Into My Parlour”, except wait for the full moon in order to cast the spell to help unravel the mystery of the vanished Saxtons. But bullies get a surprise when the power of Mother Heggerty’s necklace enables Jody to give them a good walloping! 

So the mysterious white horse is a mare! After a time trip to the past, Janey realises the white horse is Epona, the horse goddess, and it is a power that has awakened in response to the threat of the motorway. She returns to her own time with the sword she has taken as a symbol of Epona’s strength and compassion, and finds Epona has gathered a horse army. Now what can Epona have in mind? Let’s not forget she’s a goddess, and not even bulldozers are a match for a goddess.

Jinty 10 December 1977

Come Into My Parlour  – artist Douglas Perry

Christmas Mobile part 4 – feature

Give a Victorian Party! Feature

Two Mothers for Maggie – Jim Baikie

Sue’s Fantastic Fun-Bag! – artist Hugh Thornton-Jones

Guardian of White Horse Hill – artist Julian Vivas, writer Pat Mills

Stage Fright! – artist Phil Townsend

Eddie Kidd – feature 

The Runaway Bride (Gypsy Rose’s Tales of Mystery and Magic) – artist Keith Robson

My Favourite Thing! – Competition results

Land of No Tears – artist Guy Peeters, writer Pat Mills

Alley Cat – artist Rob Lee 

Race for a Fortune – artist Christine Ellingham

Topping Ideas! – Feature 

It’s the final part of Jinty’s Christmas mobile. Jinty readers should be feeling more Christmassy now. 

In “Land of No Tears”, the mystery of Miranda’s mother deepens, but some things are unravelling about it. Cassy finds out Miranda and her mother are secretly meeting each other, an illegal thing in a world where all emotion and normal human contact are forbidden. One is reminded of the Orwellian “Imagine a boot stamping on the human face – forever.” But who is the woman anyway? Why does she turn up in disguise? And why can’t she come up with a better disguise than a ridiculous wig and heavy makeup that would immediately draw attention and put her secret even more at risk?

Sue asks Henrietta to put a stamp on it – meaning on a letter. But, as is so often the case, Henrietta misunderstands and gives Sue a foot that stamps on anything – and with the force of an elephant. 

Katie’s sneaky cousins pull the old signpost switch on her. This causes her to bump into a band of smugglers, and she has to find a way to escape from them. We are informed Katie will get revenge on her cousins next week. 

“Stage Fright!” reaches its penultimate episode. The deranged Lady Alice has been blocking Linda and Melanie from acting because she stands to gain Banbury Manor out of it. But upon hearing Linda has foiled her attempt to stop Melanie entering the acting trophy, she decides that if she can’t have the manor, nobody else will. She’s going to burn it down – with Linda locked inside!

In the Gypsy Rose story, Dee also falls foul of a deranged woman who locks her in. The nutty old woman thinks Dee’s her lost daughter Celia, who eloped to marry the man she loved, not the man her mother chose. She does not realise Celia died before she got the chance to reconcile with her. Fortunately, Celia’s ghost is on hand to help. 

Maggie’s first TV rehearsal is ruined because Mum lumbered her with babysitting. Miss Keyes, her TV mother, is the only bright spot in her life now. Why is it that the make-believe mother she has on the set is far more desirable than the real one who married an unsuitable stepfather?

Mother Heggerty forces Jody to search for the Saxton family she wants revenge on. The search leads Jody to the remains of their old home, and the next step is a spell cast there to find out what happened to them.

Janey goes time travelling to the time of the ancient Celts, where she becomes the chosen one of Epona the horse goddess. In this time period the villagers face a threat, just like the 20th century ones, though the threats are of very different sorts. Is this why Janey keeps seeing this white horse? Is she some sort of chosen one or a reincarnation?

Alley Cat makes a new home in a pipe after Spotty blows up his bin. Spotty sends it rolling downhill, and right where it foils a bank robbery. Alley Cat spends his reward money on a new home that Spotty can’t blow up. Foiled again, Spotty!

Jinty 19 November 1977

Cover: Christine Ellingham

Come Into My Parlour (first episode) – artist Douglas Perry

Christmas Mobile part 1 – feature

Give a Victorian Party! Feature

Two Mothers for Maggie (first episode) – Jim Baikie

Sue’s Fantastic Fun-Bag! – artist Hugh Thornton-Jones

Guardian of White Horse Hill – artist Julian Vivas, writer Pat Mills

Stage Fright! – artist Phil Townsend

The Secret World (Gypsy Rose’s Tales of Mystery and Magic) – artist Keith Robson

Patrick Duffy – feature 

Rinty ‘n’ Jinty – cartoon

Land of No Tears – artist Guy Peeters, writer Pat Mills

Race for a Fortune (first episode) – artist Christine Ellingham

Paper Flowers – Feature

In this issue, Jinty starts her buildup to Christmas with a four-part Christmas tree mobile. It’s got us thinking about Christmas already, eh? She also starts a four-part feature on how to throw original parties. The first is a Victorian-themed party.

Phil Gascoine’s artwork is taking a break from Jinty. It turns out to be an uncharacteristically long one that lasts well into the new year. His artwork is not seen again in Jinty until July 1978, with “The Changeling“. Now this is puzzling, given that periods between Gascoine serials were usually short in Jinty.

Three new stories start. The first is “Come Into My Parlour”, where Jody Sinclair falls under the spell of an evil witch, Mother Heggerty. The second is “Two Mothers for Maggie”, where Maggie Jones launches on an acting career after nothing but doing chores at home for her sleazy stepfather, only to find herself torn between her real mother and a make-believe mother on the set. The last is “Race for a Fortune”, where Katie McNab really has to get her skates on when her miserly Uncle Ebenezer’s will dictates that the first of his young relatives to reach Yuckiemuckle under their own steam and without money will inherit his fortune. Of course Katie’s rivals Rodney and Caroline are not playing fair or obeying the conditions of the will. 

In “Land of No Tears”, Cassy is learning – the hard way – more about the harshness of the dystopian world of the future she has landed in. Perfecta’s idea of teaching Cassy disclipine is to force her to stand under a sub-zero shower for 15 minutes, then says she does the same thing herself for 30 minutes each day. Then Cassy is shocked to see girls who are deemed rejects like herself and relegated to the “inferior” Gamma class to do slave work are not even disabled by our standards. Wearing glasses, having clumsy thumbs or bearing a scar from a childhood accident are enough. What can Cassy do about this? She’s already come up with something to show the Gammas the Alphas are not so perfect: a practical joke on Perfecta to make her lose her temper in front of the Gammas, something Perfecta is not supposed to do because Alphas have to repress their emotions. And boy, is Perfecta steaming! She definitely is not one to joke with. We know Perfecta will make Cassy suffer for this, but Cassy’s plan pay off?

Beryl is a pain in the neck who sometimes appears in “Sue’s Fantastic Fun-Bag!”. This week she’s a tattle-tale with a superior attitude. She boasts she always tells the truth. Henrietta decides to take Beryl at her word and put a spell on her to make her always tell the truth – literally. This soon reveals that Beryl is not as perfect or honest as she likes to have everyone think.

The moral of this week’s Gypsy Rose story is to listen if you’re warned about dangers. Kay disobeys her brother Bruce’s warning not to attempt a piece of pot-holing that’s too tricky and advanced for her, and naturally she runs into big trouble. Then she is surprised to get help from the Little People. An additional moral might be to do some research about pot-holing, as none of the pot-holers are wearing helmets.

Janey discovers the council has plans to bulldoze the village and part of White Horse Hill for a motorway. Could this have something to do with why she keeps seeing that white horse when nobody else can? 

In “Stage Fright!”, Linda is teaching mute Melanie to be a mime, and she’s got a real talent for it. Then she discovers the frosty Lady Alice is out to crush Melanie’s talent, and she’s done a really good job of turning Melanie against her. But why is Lady Alice doing this anyway? Another mystery to unravel about the Banbury family. 

Jinty 24 October 1981

Cover artist: Mario Capaldi

Pam of Pond Hill (artist Bob Harvey, writer Jay Over)

The Eternal Flame (artist Richard Neillands, writer Alison Christie) – Gypsy Rose story

Gaye’s Gloomy Ghost (arist Hugh Thornton-Jones)

Full Circle (artist Mario Capaldi) – text story

Wednesday’s Child is Full of Woe… (artist “B. Jackson”)

Tansy of Jubilee Street (artist Peter Wilkes)

Man’s Best Friend: Curious Dogs (feature)

Winning Ways – Badminton (writer Benita Brown)

The Warning Windbells (artist Christine Ellingham) – Gypsy Rose story

Badgered Belinda (artist Phil Gascoine)

The Bow Street Runner (artist Phil Townsend, writer Alison Christie)

This is the fifth-to-last issue of Jinty. The repeats to fill the dying comic are really telling now – we get not one but two reprints of old Gypsy Rose stories. The repeat of the 7-part “Monday’s Child” and so forth strip continues with “Wednesday’s Child”, who’s full of woe. In this case it’s a girl who is always grumbling, but she eventually realises how selfish and petty it is, and the final panel shows her becoming more positive. 

In “Pam of Pond Hill”, Tessie Bradshaw has run off to the canal in search of the girl she drove off with her bullying. Tessie has an accident there and is hospitalised. The story is really realistic about bullying when it reveals the reasons why Tessie bullies: jealousy, sensivity about her weight, too much responsibility at home, absent mother and overtime father. Dad decides to remarry in the hope it will help, but Tessie isn’t reacting well to it. And she’s also worried her classmates won’t forgive her for bullying although it put her life in danger. 

Tansy tries being a newshound, but when she tries to report news on Jubilee Street she comes up empty and decides nothing ever happens there. She completely fails to notice the things that get reported in the local newspaper later on. 

Sir Roger has a dream that Gaye will be hit by a car. As ghost dreams always come true, he is going to all sorts of lengths to protect her, which is causing all sorts of hijinks. In the end, Gaye does get hit by a car – but it’s only a pedal car.

The text story discusses how fashions go in cycles. But things go a bit far when a fashion designer from the future takes a trip to the present for ideas on how to reinvent 20th century fashions for her own time. Sadly, the time period she came from is one that never came to pass: the Queen Diana period. Perhaps it did in an alternate timeline.

The last remaining Jinty serials “The Bow Street Runner” and “Badgered Belinda” continue. In the former, tricks from nasty Louise mess Beth up on cross-country. At least Beth realises it was Louise who was reponsible and will be on the lookout for her in future. In the latter, Squire Blackmore brings some old hunting prints to the school and nobody seems upset by them except Belinda – especially at the one showing badger digging. The squire’s also having the school setting up vermin traps, which is another concern for Belinda in minding the badgers. What’s more, looking after those badgers is causing Belinda to lose sleep and it’s taking its toll. 

Jinty 17 October 1981

Cover artist: Mario Capaldi

Pam of Pond Hill (artist Bob Harvey, writer Jay Over)

Haunted Ballerina (artist Christine Ellingham) – Gypsy Rose story

Donkey Work (artist Mario Capaldi) – text story

Gaye’s Gloomy Ghost (arist Hugh Thornton-Jones)

Tansy of Jubilee Street (artist Peter Wilkes)

Tuesday’s Child is Full of Grace… (artist Jim Baikie)

Alley Cat (artist Rob Lee)

Winning Ways – Badminton (writer Benita Brown)

Badgered Belinda (artist Phil Gascoine)

Man’s Best Friend: Herding Dogs (feature)

The Bow Street Runner (artist Phil Townsend, writer Alison Christie)

Find Out About Where You Live – feature 

We continue the October theme by filling in a few remaining gaps in the Jinty October issues. This is the sixth-to-last issue of Jinty and she’s in her countdown to the merger.

Pam of Pond Hill has returned by popular demand and will continue in the merger. Her latest story features the debut of Tessie Bradshaw, “Ten Ton Tessie”, a girl who would go on to appear regularly and be known for her heftiness and love of food. In Tessie’s first story, where she is a new pupil at Pond Hill, she doesn’t get off to a good start because she is bullying. Her bullying goes too far and drives off her victim, Sue, in tears. Tess runs away in search of Sue (who showed up later) – and she is headed to the canal, a most dangerous area.

Tansy holds a rag week to raise funds for her youth club. But things go wrong, and Simon & Co deal to Tansy with something else from rag weeks. Tansy is left, shall we say, feeling a bit wet afterwards. Cindy Briggs of the text story “Donkey Work” is more successful in raising funds with her contribution to the autumn fayre – donkey rides in the school playground – despite things going mad-cap (just like her).

This week’s episode of “Gaye’s Gloomy Ghost” sets up the story arc to end the strip in the final issue of Jinty. Sir Roger deliberately failed his exam for the House of Ghosts because he thought Gaye would miss him too much. Gaye, who doesn’t know, is wracking her brains on why Sir Roger failed at floating in the exam when he does it very brilliantly. In fact, it’s how he gets away from her a few times in this episode.

Jinty is now using reprints to help fill the pages of her last six issues. So Alley Cat returns, and we are having a repeat of the 7-part strip on the old rhyme, “Monday’s Child is fair of face” etc. This week it’s Tuesday’s Child and how she teaches her selfish siblings to have more grace. The Gypsy Rose story is another repeat, “Haunted Ballerina”, about the ghost of a jealous ballerina who is out to stop others from doing the dancing she can’t do after an accident. You could also say the story’s a caution about picking up second-hand items – you never know what might come with them from previous owners, especially ones who’ve passed on. 

“The Bow Street Runner” and “Badgered Belinda” are the only serials left. In the former, Beth Speede sets out to become a champion runner so she can beat a prophecy that she has interpreted as her father’s life being put in danger. But she has a jealous rival, Louise Dunn, out to make trouble for her. In the latter, Belinda Gibson tolerates constant bullying while she secretly helps a badger sett. She gets worried when the local squire says he’s hunting vermin – could this include the badgers?

Jinty 15 October 1977

  • Destiny Brown (artist Rodrigo Comos)
  • Sue’s Fantastic Fun-Bag! (artist Hugh Thornton-Jones)
  • Guardian of White Horse Hill (artist Julian Vivas)
  • Alley Cat
  • The Goose Girl (artist Keith Robson; writer Alison Christie)
  • So What’s New with David Essex? (feature)
  • Rinty ‘n’ Jinty
  • Stage Fright! (artist Phil Townsend)
  • Lilies for the Bride – Gypsy Rose story (artist Christine Ellingham)
  • Fran’ll Fix It! (artist Jim Baikie)
  • Cursed to be a Coward! (artist Mario Capaldi; writer Alison Christie)
  • Autumn Treasures! (craft feature)

If you’ve read Mistyfan’s superb, thorough rundown of the cover styles that Jinty had over the years, you may remember this issue being noted as the last one which had a separate blue background behind the logo. (Following issues had the logo incorporated into the body of the cover design itself.) However, we had not yet posted about the issue itself, which I am remedying here.

Destiny Brown is trapped in a number of ways – having run away to find her father, her purse was stolen and she had to sleep rough. Not surprisingly she was quickly set up to be exploited by some rough types, especially once they realize they may have struck gold, if she really can predict the future with her second sight. Poor old Destiny – dragged away by these dodgy geezers, just as she has bumped into her father, who is likewise being dragged away by – who is *he* trapped by? It looks like the police, but is it really so? The art, by Rodrigo Comos, is clear and classy, if perhaps slightly old-fashioned looking for the time.

The letters page includes a list of the winners of a recent competition: the first ten correct entries won a KODAK Instamatic camera, while the 60 runners up won a giant full-colour poster of Starsky and Hutch. Looking at the names of the winners carefully, most of them are, unsurprisingly, traditional English, Irish, or Scottish girls names; but there are one or two less usual entrants hidden in the mix, indicating some small diversity of the readership. Pushpa Hallan is one of the ten winners of the main prize, and C. Thiyagalingam is one of the 60 winners of the runner-up prize. Perhaps even less expectedly, there is also one boy’s name included: Adrian King.

Orphan Janey is adapting to being fostered by the Carters – but when she sees a beautiful white horse, they think she is making up stories to impress them. What Janey doesn’t yet realize is that no-one else can see the horse apart from her – and nor will any photos of the horse show it, either! It’s all tied up with the local beauty spot, White Horse Hill, which is threatened by the destructive plans to build a motorway.

Brenda Noble is a bird-lover who is campaigning against the local sport of goose shooting in the village she lives in with her mother. Her mother hates birds as she blames them for her husband’s death – and soon she enacts her plans to take the two of them to Edinburgh away from the wee ‘backwater’ village.

“Stage Fright” is an odd mystery story: stylishly drawn by Phil Townsend, the protagonist Linda is being made by Lord Banbury to train as an actor in order to win an acting trophy that has been in his family for generations. But who is locking her into places, stealing her costume, and watching her from afar?

The Gypsy Rose story this week is drawn by Christine Ellingham, who until recently we were only able to list as the ‘unknown artist of Concrete Surfer’. What a pleasure to be able to correctly credit this lovely art! Delphine is a lively girl who works in a florist’s shop. She has an irrational fear of lilies, but the rich customer who falls for her wants a centrepiece of those same flowers, to be put together with her very own hands. Not only that – once he proposes to her, Delphine finds out that his mother’s name is Lily, and she is due to sleep in the lily room. All omens that tell her that soon she will meet the spirit of the lily – in death.

The evil fortune teller who is the villain of “Cursed To Be A Coward!” manages to get Marnie Miles thrown into a rickety old boat in the middle of a pond – luckily she gets fished out but the fortune teller’s determination to make sure that blue water will get her yet is pretty sinister.

The craft suggested for this week is to collect up ‘autumn treasures’ such as the heads of cow parsley, twigs with berries, or pretty leaves, and to make dried arrangements of them in vases, or pictures, or perhaps even jewellery of the tougher seedpods of ash keys or beech nut cases. The pictures accompanying the feature make it all look rather pretty, but I would assume that beech nut cases in particular would be rather scratchy to turn into jewellery!