Tag Archives: Cinderella Spiteful

Tammy & Sally 12 February 1972

Tammy Cover 12 February 1972

  • Gina – Get Lost (artist Miguel Quesada) – final episode
  • Dogs of the Duchess
  • No Hope for Cathy (artist Victor Hugo Arias)
  • Lulu (cartoon)
  • Skimpy Must Ski! (artist Tom Hurst)
  • Paula on a String
  • Amanda Must Not Be Expelled (artist Jesus Redondo)
  • Talk it over with Trudy (problem page)
  • Star Struck Sister (artist Giorgio Giorgetti, writer Jenny McDade)
  • Maisie’s Magic Eye (artist Robert MacGillivray)
  • Beattie Beats ’em All! (artist John Armstrong)
  • Cinderella Spiteful (artist Jose Casanovas)
  • No Tears for Molly (artist Tony Thewenetti, writer Maureen Spurgeon)
  • A Special Tammy Portrait – Peter Gordeno

In part 2 of the Tammy Round Robin, the 12th February issue has been selected for 1972. The cover style is still the same as it had been in 1971 and Tammy still has the Sally logo. Tammy now has a regular cartoon, “Lulu”. The issue also has the advertising for the first issue of Sandie, the next title to be merged into Tammy. There are blurbs for two stories starting in the next issue: “The Long and the Short” and the first Eduardo Feito story to appear in Tammy, “Rona Rides Again”.

“Beattie Beats ’em All!” and “Maisie’s Magic Eye” from Sally are still going strong, which indicates the Sally merger was a good one.

The serial “Star Struck Sister” is the first Tammy story to be written by Jenny McDade, who wrote the first Bella stories. The history behind the serial is a curious one. The first episode was written by another writer, but then the writing “choked” as they call it. The editor asked Jenny to take over. It was a bold move as Jenny had never written a serial before. But it went so well she was commissioned to write the rest of the story.

In the episode itself, Lesley and Stella Ross are in Rome making their first film. Lesley is jealous of Stella because she believes she should have the starring role. But Lesley is not Stella’s problem this week. Instead, Stella foolishly went off with a street urchin, who turned out to be part of a gang of pickpockets. Stella makes it back but now has a stolen wallet on her hands. And the victim, who is staying at the same hotel, has recognised her as one of the thieves!

“Cinderella Spiteful” is an orphan named Emma Jones who is staying with her cousin Angela, but feels overshadowed by her. To overcome this, Emma resolves to try harder and things get off to a good start this week. Then it looks like she has been so consumed with it that she neglected Angela while she was injured, and now Angela has fallen on the stairs. Are Emma’s attempts to better herself going wrong and landing her in trouble? Or is Angela pulling some kind of Carol Lord trick (see Concrete Surfer) to undermine her?

Molly has a problem of forbidden love on her hands (Lieutenant Regan disguising himself as a servant at Stanton Hall to get near his love because her father won’t allow the match) and keeping it safe from Pickering and the two catty maids. They go as far as to attempt to rough her up to get the secret out of her, but don’t discover it. Then a party is on and the men are allowed to wear masks. An easy way for the lovers to secretly meet again? Not when the forbidding father offers to remove Regan’s mask! This calls for some quick thinking on somebody’s part.

“Gina – Get Lost” is yet another Cinderella story of cruel relatives (the Randalls) exploiting the heroine (Gina) and her talent (making toys). The story ends this week, with the Randalls being caught out and being forced to let the kindly Mrs Swain become Gina’s guardian and stay away from her, or there will be charges.

Amanda keeps trying to get herself expelled so she can enjoy her home comforts. This week she brings the school to victory in a gymnastics contest. Will this change her mind and stay at the school? Sadly, no. She’s still intent on getting herself expelled and the other girls think she’s crazy and mixed up.

In “Dogs of the Duchess” the Duchess is a crusader for dog welfare. She would be a real heroine if she weren’t so uptight and rude to her helper, Doris Totting and could be as nice to people as she is to dogs. And why does she wear that black veil all the time anyway? Sounds like she’s got a real problem, and this week Doris gets a clue as to what it is when the Duchess doesn’t want to meet an aristocrat, whose dog she helped through Doris only a short while before.

Why is there “No Hope for Cathy”? She has been kidnapped and being forced to impersonate a missing girl. It’s not all that hopeless when Cathy discovers a helper, Alan Temple. But then Cathy gets amnesia, and being unable to remember who she really is has suddenly made the crooks’ deception a whole lot easier!

In “Skimpy Must Ski!”, Grandad sacrifices his precious war medal to raise funds to help Skimpy. But the medal makes its way back to Skimpy, who tries to slip it back secretly. But Grandad catches her and demands to know what she’s up to.

Tammy & Sally 1 January 1972 – first New Year issue

Tammy cover 1 January 1972

  • Gina – Get Lost (artist Miguel Quesada)
  • Beattie Beats ‘Em All! (artist John Armstrong)
  • Halves in a Horse (artist Eduardo Feito)
  • Lulu (cartoon)
  • Skimpy Must Ski! (artist Tom Hurst)
  • The Four Friends at Spartan School (artist “B. Jackson”, writer Terence Magee)
  • Maisie’s Magic Eye (artist Robert MacGillivray)
  • The Secret Ballerina (artist Roy Newby)
  • Bernice and the Blue Pool – final episode (artist Douglas Perry)
  • Talk It Over with Trudy (problem page)
  • Alison All Alone
  • Cinderella Spiteful (artist Jose Casanovas)
  • No Tears for Molly (artist Tony Thewenetti, writer Maureen Spurgeon)

This is Tammy’s first New Year issue. The girl on the cover has a nice touch of mystique with her mask at a New Year’s party. Molly Mills finishes her current story with a Christmas party for all the orphanage kids, despite Pickering’s attempts to ruin things for them. Heck, he even tried to tie up the kids’ dog and leave it on the roof to freeze to death! Anyway, Molly will have a new story in the New Year.

Gina – Get Lost must be wishing she could get lost. A phoney child welfare officer has sent her to a sadistic children’s home where, among other things, she has been forced to crop her own hair. And their idea of punishment is to leave her in a freezing room all night with a vicious dog barking and snarling at her all the time.

“Bernice and the Blue Pool” ends this issue, so there will be a new story for the New Year. “The Four Friends at Spartan School” is on its penultimate episode, so there will be another new story helping to kick off New Year in two weeks. The four friends have successfully escaped Spartan School, but now they find an avalanche is threatening the school. Well, an avalanche may the best thing for the most horrible school in the world, but let’s face it – there are lives at stake up there, after all.

“Halves in a Horse” is near its end too. Pauline’s cruelty goes too far. She sends Topper bolting and now he’s in danger of drowning in a river. The Major, who had figured out Pauline’s bullying and tried to get Pauline’s victim Kay to stand up to her, is the only one on hand to help, but he doubts the horse can be saved. When Pauline hears this, she is suddenly struck with conscience.

Skimpy is determined to show her grandfather she is not an invalid anymore and can tackle skiing. By the end of the episode he has got the message and decides to help her with skiing. Excellent! Now the story can move more smoothly, though we are sure there are still bumps in the road ahead, and not just the tumbles Skimpy will take on the ski slopes.

Beattie has been cribbing lessons in secret at the school she has been squatting in while keeping up her athletics. Now she has a chance to be properly enrolled, but she has to pass exams.

Maisie tells a fat, gluttonous girl that she’s an awful pig. She never learns to watch what she says while wearing that damn brooch, does she? The girl instantly turns into a pig. Needless to say, she isn’t so greedy after Maisie finally gets her back to normal.

In “The Secret Ballerina, Karen finally makes it to the locked room – only to find nothing but Aunt Edith crying over someone named Karen, but Karen realises it’s not her. So who is this other Karen? Everything begins to point to Karen’s mother, but what’s it got to do with Aunt Edith not allowing Karen to dance?

Alison seems to be having more success in unravelling her own mystery. The clue she has uncovered leads her to Fengate Hall and she is going in. But the boys who have accompanied her are worried she is going to desert them once she finds out her true identity. Oh, surely not? After all, none of them really know what is waiting inside for Alison.

“Cinderella Spiteful” tries to ruin cousin Angela’s party. But in the end she is glad she failed to do so as she misjudged Angela over who she was going to invite, and she likes the look of the guests.

Tammy & Sally 25 December 1971 – first Christmas Tammy issue

Tammy 25 December 1971

Cover artist: John Armstrong

  • Gina – Get Lost (artist Miguel Quesada)
  • Beattie Beats ‘Em All! (artist John Armstrong)
  • Halves in a Horse (artist Eduardo Feito)
  • Lulu (cartoon)
  • Skimpy Must Ski! – first episode (artist Tom Hurst)
  • Bernice and the Blue Pool (artist Douglas Perry)
  • Talk It Over with Trudy (problem page)
  • The Secret Ballerina (artist Roy Newby)
  • The Four Friends at Spartan School (artist “B. Jackson”, writer Terence Magee)
  • Maisie’s Magic Eye (artist Robert MacGillivray)
  • Cinderella Spiteful (artist Jose Casanovas)
  • Alison All Alone
  • No Tears for Molly (artist Tony Thewenetti, writer Maureen Spurgeon)
  • A Tammy Outfit Idea for Christmas (feature)

 

This is Tammy’s first Christmas issue. Beattie Beats ‘Em All! (John Armstrong’s first Tammy story) does the honours on the cover. The back cover has a Christmas how-to-make. In Molly Mills, Lord Stanton wants to bring Christmas cheer to orphanage children, but he has reckoned without the cruel butler Pickering. The issue also advertises Tammy’s first-ever annual. Lulu is trying to find Christmas presents for Dad but keeps getting foiled.

You’d think this week’s episode of Maisie’s Magic Eye would be Christmassy too, but no. It’s a regular episode, where Maisie and her friend Lorna try to break bounds and sneak off to the circus. Hijinks with the brooch ensue, with a lot of monkey business when Maisie unwittingly turns the circus strong man into a gorilla and the brooch stops glowing before she can change him back.

Normally new stories are reserved for New Year, but one does begin in the Christmas issue,  “Skimpy Must Ski!” Skimpy Shaw, a convalescent girl, is sent to live with her grandfather who looks a real sourpuss. Time will tell if he has a heart under there. Meanwhile, Skimpy is inspired to ski, and she thinks she has a natural talent for it.

Gina – Get Lost has been left to look after herself when her parents emigrate, which is not going down well with the welfare authorities. And it sounds like there is worse to come. She has already fallen foul of blackmailers and it looks like she will fall foul of potential guardians out to exploit her.

Before Bella Barlow, John Armstrong drew “Beattie Beats ‘Em All!” for Tammy. Beattie Brown is a promising athlete. Unfortunately she has no fixed abode either, so she and her stray cats live in a boiler room at a girls’ college.

In “Halves in a Horse”, two cousins are left with half shares in a horse, Topper. The cousin who wins the most prizes with him will acquire full ownership. As might be expected, one cousin (Pauline) is not playing fair and making the other cousin (Kay) suffer. Now the cousins have almost equal shares, Pauline is using blackmail against Kay.

Bernice and the Blue Pool was Tammy’s first swimming story and also the first story Douglas Perry drew for Tammy. It was the start of a regular Tammy run for Perry that lasted into 1981. The Blue Pool has a supernatural theme, which ranges from beneficial (curing our protagonist of her fear of water) to ominous – wearing Victorian swimming costumes that were worn by a pioneering Victorian swimming team that drowned.

The Secret Ballerina, Karen Jones, has to practise in secret because her aunt is against ballet for some reason. This is, of course, the mystery that needs to be unravelled. Compounding the mystery is a locked room in auntie’s house. But now Katie has discovered the room has been unlocked and someone is inside. She is heading to the attic to investigate. Will she find the key to the mystery next week?

Surprise, surprise – Miss Bramble’s henchman, er girl, Siddons helps the four friends at Spartan School to escape from the school where sadism is the rule. But of course they should have known it would be a setup. Mind you, they didn’t expect Siddons to actually attempt to kill them! When they survive that, they discover Miss Bramble and Siddons have concocted a plan to get them arrested instead.

Cinderella Spiteful – now that’s a very unusual title for a Cinderella story, you think. Actually, the story has nothing to do with Cinderella. Emma is jealous of her cousin Angela because Angela is good at everything while Emma is not. Next week it sounds like it will be more spiteful than Cinderella, because Emma reaches her limit in this episode.

Alison All Alone is on the run after being imprisoned by her guardians for many years. The question is: why did they keep her locked up like that? The three runaway boys who helped her escape are helping her to find out. This week they uncover a clue about her past – a crook who says he will be finished if Alison finds out who her true parents are!

 

 

 

 

José Casanovas

Catalan artist José Casanovas (1934 – 2009) was well-known and well-loved by lots of readers, appearing as he did in many British comics over a number of decades. His detailed, stylish, and above all fun art was distinctive and he was credited in various publications, so it is easy to pull together quite a long list of his work (though no doubt still incomplete). Many British readers think of him as a 2000AD artist – that is how I first came across his name myself – and therefore perhaps as an SF artist primarily. If you count up the stories he drew and the titles he appeared in, though, by far the majority of his work seems to be for the girls’ comics market.

The list below has been pulled together with much reference to the Catawiki database in order to fill out the non-Jinty stories, so many thanks to the contributors to that site. (I have included the numbers of episodes listed for each story as per Catawiki, to emphasize how prolific he was. I am fairly sure the records on that site are not complete but it gives a good impression of his work. Of course, please do send in further information if you have it!)

  • Tammy
    • Cinderella Spiteful (1971-72) – 20 episodes
    • Two-Faced Teesha (1973-74) – 10 episodes
    • Ella on Easy Street (1974) – 8 episodes
    • The Town Without Telly (1974) – 12 episodes
    • Wars of the Roses (1975-76) – 11 episodes
    • Babe at St Woods (1976-77) – 39 episodes (you can see some sample pages here)
    • Down To Earth Blairs (1977-78) – 25 episodes
    • Running Rosie Lee (1980) – 10 episodes
    • Tomorrow Town (1982) – 10 episodes
  • Sandie
    • The Nine Lives of Nat the Cat (1972-73) – 38 episodes
  • Princess Tina & Penelope
    • Have-A-Go Jo (1970) – 25 episodes
  • Jinty
  • Lindy
    • Sophie’s Secret Squeezy (1975) – 7 episodes
  • Penny
    • Pickle, Where Are You? (1979) – 10 episodes

Mistyfan has recently done a post about “Sue’s Daily Dozen” in which she made the point that Casanovas is known for science fiction. There is one science fiction story done by him in a girls’ comic, namely Tammy‘s “Tomorrow Town”, which I take the opportunity to reprint here as being a piece of art that would otherwise not be likely to get a showing on this Jinty-specific blog.

Tomorrow Town pg 1

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Following Casanovas’ death in 2009, Steve Holland wrote an obituary Bear Alley post here, drawing also on the Spanish-language blog Tebeosfera’s post here. (Do follow this last link to see some lovely artwork from an adaptation of Pollyanna done for the local market.) There was also an interesting comment on 2000AD fan blog the Prog Slog about Casanovas’ work in the boys’ science fiction comics market. He drew well-liked characters Max Normal (some Max Normal art by Casanovas can be seen here) and Sam Slade Robo-Hunter (after Ian Gibson had stopped drawing this latter character). He also drew a number of one-off stories in 2000AD, and a story in Starlord, and people characterise him as a 2000AD artist therefore. The Prog Slog comment here clarifies that: “Casanovas early work for 2000AD, Starlord etc. was sporadic. First appearance was a ‘Future Shock’ in Prog 70 (24 June 1978) a 1.5 pager called ‘Many Hands’. “Good morning Sheldon, I love you” was his next, a six page future shock style one-off written by John Wagner in Starlord 11 (22 July 1978). He drew another one-off Wagner [story] in Starlord 16. There’s a gap then until Progs 148 & 149 (January 1980) where he does a 2-part Ro-Jaws Robo-Tale. He then draws the 11 page Mugger’s Mile by Alan Grant, the first ever Max Normal strip (“The Pinstripe Freak (He’s Dredd’s informer)”) in the first Judge Dredd annual (1981). He goes on to draw more Future Shocks in Prog 220, 241 and 245, another Max Normal in the 1982 JD annual, and again in JD 1983 annual. In the 1982 Sci-Fi Special he draws his first Dredd proper, a 10 pager by Wagner – The Tower of Babel. His first Dredd in the weekly is the excellent “Game Show Show” 2 parter in 278/279, August 1982, Wagner again. He did the second ever ‘Time Twister’ in Prog 295, a 4 pager called Ultimate Video. And that’s as far as my data goes for now, by Prog 300 he’d done 77.5 pages: 32.5 in the weeklies, 10 in specials, 23 in annuals and 12 in Starlord. According to ‘Barney’ online (http://www.2000ad.org) his last work was in Prog 822 (Feb 1993), Robo-Hunter”. The tally of his pages for 2000AD and the like must therefore surely be far outnumbered by the 90+ episodes of his run on Dora Dogsbody in Jinty alone!