Tag Archives: Confidence-building

Portrait of Doreen Gray (1983)

Sample images

Published: Tammy 21 May 1983 to 6 August 1983

Episodes: 12

Artist: Tony Coleman (credited as George Anthony)

Writer: Charles Herring

Translations/reprints: None known

Continuing our possession/evil influence serial theme, we take a look at what can happen when possession/evil influence strikes a girl who wants to improve her lot or strengthen her character. Conversely, the possession/evil influence actually helps the girl to do just that – well, at least at first. But its nature being what it is, it is inevitable that the girl eventually senses the dark side of how she is changing. 

Plot

Doreen Gray is the butt of teasing at school because she is a very shy girl. The worst of the bullies is Jane Quarles. Jane secretly knows Doreen can be more than what she is in the school sports teams if her shyness didn’t get the way, but of course she doesn’t want Doreen to step out of the shadows.

One day, Jane and her gang tease Doreen about being too shy to have a birthday party, and the teasing culminates in their chasing Doreen across the school pool. It backfires when Doreen unwittingly swims so well to get away from them that swimming team captain, Ann offers her a trial for the swimming team, but it’s too much for Doreen’s shyness to take.

Doreen’s father is an antique dealer who could be richer than he is, except Mr Quarles (Jane’s father) is always picking his brains for free advice on the best antiques to buy, which is how he has grown so wealthy. Doreen can see how Mr Quarles is using Dad, shy though she is, but Dad is too good-natured to realise this or how Mr Quarles is cheating him out of antiques that could benefit him instead. 

One day Mr Gray brings home a Victorian portrait that has been painted over. He bought it for the value of the frame. Then the black paint begins to flake, showing another portrait underneath, and Dad removes the paint altogether. They are surprised to find the portrait is of a girl who is a dead ringer for Doreen. She also looks a girl who always got her own way and anything she wanted. As Doreen gazes at it, she suddenly surprises her father when she demands the portrait for her birthday – which she has now dubbed “The Portrait of Doreen Gray” – and a party to celebrate. 

Doreen notices odd things, such as a whisper in her ear saying “You can get what you want, too!”, and when Jane and Carole challenge Doreen at the swimming trial, she sees the portrait staring up at her from the water, which spurs her to win the trial and a place in the team. Oddest of all, the girl’s face in the portrait seems to be able to change expressions, which seems to have an effect on Doreen. She is growing more confident to the point of being demanding.

Dad notices unsettling changes in Doreen. One is pretending to the other girls that she sat for the portrait herself. He is disturbed, as he is suddenly reminded of a certain Oscar Wilde story and warns Doreen about it. Although he has misgivings about letting Doreen have the portrait, he eventually lets her have it. 

At the party Doreen continues to pretend the portrait is of her. Jane’s nose is put out of joint at this and she quickly leaves. Doreen noticed Jane had her eye on the frame and realised its value. Afterwards, Mr Quarles is after the frame and Dad is willing to sell it because he needs the money (something he’d have more of if he wised up to Mr Quarles). Realising Jane’s hand in this, Doreen hides the portrait in the attic where she can secretly visit it and feel its influence strengthening her. She pretends to Dad that it was stolen. The ladder to the loft is too unsafe to bear Dad’s weight, so she is confident he won’t find it. Any pricks of conscience (such as cheating Dad), second thoughts or worry when she finds her behaviour becoming arrogant (which it does as the story progresses) somehow get overridden every time she’s near the portrait and it seems to make a look at her. 

Doreen is still having problems with self-confidence at school. Although she is in the swimming team, she is struggling to find her feet at netball. Egged on more by Jane’s remarks than the portrait, Doreen not only makes her way into the team but pushes Jane out of it as well. Finding out Jane intends to make her the lame duck in a swimming match against a rival school, Doreen is spurred on to come first. But she is becoming arrogant and it hasn’t gone unnoticed. Ann drops Doreen from the team, saying she’s become too big-headed. But the influence of the portrait (this time in the form of tears and sympathetic looks) has Doreen thinking Ann is just being jealous. She challenges Ann to a swimming match, where she pushes Ann out of her position as captain and takes her place. Yet she persuades Ann to stay in the team – leaving no place for Jane. Jane’s nose is out of joint again.

To humiliate Doreen, Jane challenges her to a tennis match. Doreen is not experienced enough at tennis, but she is riding on such success she feels confident she can win without the portrait and tells it so. Doreen senses the portrait is laughing at this but presses on with her resolve. However, Jane slaughters her, and Doreen is left thinking she does need the portrait after all.

In revenge for her humiliation, Doreen pulls a long-overdue comeuppance on Mr Quarles, who is again taking advantage of Dad. Mr Gray identifies some candlesticks Mr Quarles has his eye on at an auction as fakes. Then Doreen sees the portrait winking at her from a mirror, and suddenly gets an idea. She tricks Mr Quarles into thinking they’re valuable and waste money on buying them. When Mr Quarles finds out, he and Dad exchange angry words, and it looks like Mr Quarles won’t be able to use him anymore.

Mr Quarles has to cancel the family holiday because of the money he lost through Doreen’s trick, so next day an angry Jane tackles Doreen. Doreen deals to her with a good shove. Realising the change in Doreen started with the portrait, Jane suspects it was not stolen and wangles her way into Doreen’s house to do some investigating. In the loft she discovers Doreen with the portrait, but is then scared by a rat sitting on top of it. Doreen won’t shoo the rat away until Jane agrees to stay silent, which she does. Realising the portrait helped her keep her cool when Jane discovered the truth, Doreen is now more drawn to it than ever before. 

At netball, Doreen’s growing big-headedness gets her dropped from the team. The netball captain, Clare, adds that Doreen isn’t going to take her place as she did with Ann. (Oh, dear, is Doreen starting to get a reputation at school because of that portrait?) When Doreen visits the portrait, she suddenly knows how to not only worm her way back into the netball team but steal Clare’s position as captain as well – and succeeds at both. 

Meanwhile, Mr Quarles is worming his way back into taking advantage of Mr Gray, this time by paying him fees (sops, more like) for his advice on antiques. This leads to an angry exchange between Doreen and Dad, and she takes refuge in the loft with the portrait. 

Then Doreen hears her father climbing up the ladder to apologise and on the verge of discovering the truth. But he has forgotten the ladder is dangerous for him to climb, and Doreen is shocked to find herself tempted to not warn him. Eventually she does, but too late – the ladder collapses and he is hanging on for dear life. Doreen is again shocked to find herself tempted to loosen her grip and let him fall. Fortunately she overcomes it and tries to save him, but only succeeds with the help of a man who has arrived in the shop. 

The man is the previous owner of the portrait, and Doreen now confesses to hiding it. The man explains the portrait is evil. It is of a Victorian girl who was always able to influence people although she was so young. She died in debtors’ prison when her family was ruined. The man’s grandfather bought it for his daughter, who also bore a resemblance to the portrait. Then grandfather discovered it was exerting an evil influence over her. He tried to destroy the portrait but couldn’t, so he ordered it painted over and hidden. It was kept that way until money troubles forced the man to sell the portrait. Then he grew concerned and tracked the portrait down. He says he will now take the portrait, but Doreen screams, “No! It’s mine!” and runs off with it. Dad and the man are relieved to find Doreen meant it was hers to destroy, which she does by pulling it out of the frame and throwing it in a vat of boiling tar in the road. Then she finally allows Dad to have the frame (but let’s hope Mr Quarles doesn’t get his hands on it!).

Thoughts

You don’t need to look far to see what inspired the story. However, it is more the title that draws on the Oscar Wilde story than the premise itself, which is firmly rooted in the evil object formula seen so many times in girls’ comics. Most often the evil object makes the girl do terrible things against her will or without her even realising, but this is not really the case here. Rather, the portrait acts more like the magic object that can help a shy girl become more confident, stand up to bullies who make her life miserable, and advise her on what to do when she wants to her own way or get out of sticky situations. But as it is an evil object, not a beneficial one, it is not helping her for the sake of it.

There are indeed positive sides to how Doreen changes (becoming more confident), but there is a dark shadow all the way. Doreen never turns totally to the dark side, but she does get disturbed by horrifying changes in herself: becoming arrogant and big-headed, going behind Dad’s back, finding insidious ways to get her own way in everything, even being tempted to let Dad fall to his death rather than him discovering where she hid the portrait. But until the end of the story it does not take much for one look at the portrait to smooth over any twitches of conscience or second thoughts. 

Portraits with an evil influence have been seen elsewhere in girls’ comics. Stories with this theme include “The Painting” (Bunty), “The Portrait of Paula” (Suzy) and “Penny and the Portrait” (Mandy). Another, on a more comical note, is “The Happiest Days” (Tammy), where the frightful portrait of the school founder casts such a pall over the school it has to be gotten rid of, which our protagonist tries to do in all sorts of hilarious ways. After finally succeeding, she is surprised to find a more savoury version of the portrait. 

But this portrait is far more insidious for several reasons. First, unlike other spooky portrait stories we don’t even know who the girl in the portrait is, and right up to the end of the story her name remains unrevealed. This adds an extra note of mystery to the story and the portrait. Is she a witch (a common reason why a portrait is evil in girls’ comics), someone who died tragically, someone out for revenge, or someone just plain bad? 

The portrait does not speak as some evil portraits do, such as “The Painting” from Bunty. Instead, it exhibits its influence through facial expressions and, at times, through distance. Yet its influence is so subtle Doreen doesn’t even realise what it’s doing, which makes it all the more creepy.

Second, setting itself up as the magic friend/object who can help Doreen makes it all the harder to fight against because it seems a friend to her, one she can’t do without in becoming a success and beating the bullies. It always seems to offer a friendly listening ear when Doreen has a problem in getting her way or trouble with Jane. 

Third, the portrait is very cunning in the way it influences Doreen through its expressions. It seems to smile in delight when Doreen tells her how she dealt to Mr Quarles. It turns on the waterworks when Doreen thinks it is making her big-headed and then sympathetic looks to convince Doreen that Ann is just being jealous. In other words, it really sets itself up to appear a genuine friend. But we can sense the portrait is only manipulating Doreen to strengthen its hold over her. One example is the episode where Doreen loses against Jane after telling the portrait she doesn’t need it to win against her, then she reverts back to dependency on the portrait after losing. We’re left thinking the portrait planned the whole thing. Another example is the rat in the loft that frightens Jane. We have a strong feeling the rat was not sitting on top of the portrait by accident!  

Fourth is the way these bad ideas just seem to pop into Doreen’s head and she surprises herself with them. There’s never an evil voice in her head telling her to do these things, though she does get one whisper in her ear: “You can get what you want, too!” Yet we know it’s the portrait all the same. 

Fifth, for an evil object story, it’s unusual in that the evil object does not force the protagonist to do terrible things as other “evil object” stories often do. It is more like the serials where the protagonist gets into bad company with a false friend who is a bad influence on her and taking advantage of her. The protagonist can’t see her for what she is (or ignores it) because the sneaky girl is so slick and manipulative in the way she keeps the protagonist close to her. “The Kat and Mouse Game” (Jinty) is one example of this, and “Lessons from Lindy” (Bunty) is another. This must have been what the girl in the portrait was like when she was alive, except that unlike Kat or Lindy, not even death stops her. There can be no doubt she was a girl who always got her own way in everything (except debtors’ prison), and not even death stops her there either. Through her portrait she gets her own way through others by leading them to think she is helping them get their own way in everything.

Finally, it must be said there is good coming out of the portrait influencing Doreen. It helps Doreen to overcome her shyness, give Mr Quarles a long-overdue comeuppance, stand up to Jane, and step out of the shadows at school to take prominence in school teams. Setting itself up as a good thing makes it all the harder to realise it is evil and fight against it. For this reason, for all the new confidence Doreen shows, it is not until she finds the power within her to destroy the portrait that she shows her whole new strength of character. 

Darling Clementine [1977-78]

Sample Images

Darling Clementine 1Darling Clementine 2Darling Clementine 3

Published: Jinty 24 December 1977 to 1 April 1978

Episodes: 15

Artist: Richard Neillands

Writer: Alison Christie

Translations/reprints: None known

Plot

Fifteen-year-old Ella Peters is an intensely shy girl who used to cling to her mother, but the mother is now dead. She has been in a children’s home since her mother’s death, but then her cousin Clementine Bradley (Clem for short) and Uncle Dave give her a home.

Ella and Clem hit it off immediately. Ella is impressed at how Clem is the darling of everyone. She has a charm that works on everyone, and she is full of confidence, which sets an example to Ella that will influence how she grows in confidence during the story. Everything looks so rosy for Ella now; she is too shy to make friends but she can do it through the popular Clem, and she is so happy.

But storm clouds just have to gather around. Uncle Dave, a miner, develops a lung disease from years of coal dust exposure, and the polluted smoky mining town is making it worse. A move to the country is badly needed, but Uncle Dave hasn’t the money for a country cottage. Then Clem sees a way to raise the money when she sees a water-skiing contest advertised, with £1,000 as the top prize.

Clem can’t waterski, but her mind is set. She dashes off to join the water-skiing club at Ladenford Lake, and never mind that it is an extremely exclusive and ultra-snobby club. Her charm persuades the snobby manager to let her join the club despite her lack of pedigree background, and he is so entranced he even gives her waterskis and a spare wetsuit. Clem gets Uncle Bill to provide a speedboat so she can start practising, and Ella is backing her all the way. Clem is soon making good progress in waterskiing.

Then disaster strikes. While Clem gets ready for another practice, an arrogant girl cyclist comes bowling along and deliberately knocks Clem clean over. Clem ends up hitting her head on a tree and falling into the river. When Clem is plucked from the water, she is in a deep coma. But that isn’t all. Uncle Bill was nearby and mistakenly thinks he saw Ella push Clem into the river deliberately when in fact Ella was trying to push Clem clear of the cyclist. Uncle Bill could not see the cyclist because the trees cut off his view of her. He has Uncle Dave believe it too, and Ella’s protests of innocence with Uncle Dave just lead to rows. Uncle Dave even bans Ella from visiting Clem in hospital. When word gets around, poor Ella finds herself an outcast at school and in the community, and she is estranged at home as well.

And there is still the matter of how to win the much-needed prize money. As Clem is out of action, Ella bravely decides to train for it herself. It’s a tall order as Ella is not only shy but also scared of water and she has force herself to swim more confidently. Uncle Bill won’t help with the speedboat, but Ella manages to get help from Jim, the son of the waterskiing club caretaker, after she helps him against some bullies. Ella gradually improves and even overcomes her fear of water. But girls from the posh club overhear Ella saying she is winning the prize money instead of Clem and spitefully take back the gear that was borrowed from the club. They say she can’t enter the contest anyway because only club members can enter.

When Ella sees her uncle’s condition is worsening, it renews her determination. She takes on two jobs so she can raise the money for waterskiing gear and subs to join the club. She finds courage in approaching the club, but gets turned down because she is not upper class. She encounters more nastiness from the snobs, who throw the last leaflet about the contest out the window so Ella can’t verify if it really is for members only. Fortunately Jim rescues the leaflet, and Ella discovers that the snobs had lied and it is open to any entrant. Well, well, well!

Ella resumes her waterskiing training with Jim’s help, but the snobs find out. They spitefully try to get the caretaker sacked and tell Ella they’ll keep on doing it until either Ella gives up waterskiing or Jim’s father gets the sack. However, Jim’s father suddenly gets another job, so that’s the end of that blackmail.

While Ella does her training, another waterskiier passes by – and Ella recognises her as the cyclist who knocked Clem into the river. She tackles the girl, a Val Lester, who eventually says she might confess if Ella will do some “little jobs” for her. After a whole week of skivvying and slaving for Val, there is still no confession, but Ella still doesn’t realise Val is just taking advantage of her and has no intention of confessing.

At her training, Ella unwittingly gets too close to one of the snobs and knocks her off balance. The snobs accuse Ella and Jim of doing it on purpose and say they will go to the police. Fortunately a Councillor Dickens witnesses the incident and informs the police it was an accident.

Ella now has a whole new confidence now she has Councillor Dickens on her side. She tells those snobs that she is not scared of them anymore. Moreover, she has finally woken up to how Val is just stringing her along and tells her to do her own dirty work.

Uncle Dave suspects Ella is up to something and thinks it has something to do with thefts at a hotel near the lake. He kicks Ella right out of the house, but allows her back once Jim informs him about Ella’s waterskiing. What’s more, there is good news about Clem – she is beginning to wake up and calling for Ella. Unfortunately Uncle Dave misconstrues what Clem says in her half-conscious state as evidence that Ella pushed her. Ella snaps and tells Uncle Dave that she is winning the prize money for his sake. After some investigating Uncle Dave believes it is true, but will not accept the money. Ella continues with her training regardless, and also visits Clem in hospital, who has lapsed back into her coma, in defiance of Uncle Dave’s ban.

Then Uncle Dave finds out about the secret hospital visits after Ella sprains her ankle on the hospital steps. The injury also impairs her waterskiing. Ella bravely goes into the waterskiing heats while she still has this injury, but of course it’s no good. She passes out because of her injury and is out of the contest.

Ella now turns to getting Clem out of her coma, as Clem is the only one who can clear her name. She brings in a tape of speedboat engine noise to bring Clem out of the coma, but Val discovers what Ella is up to and switches it for one of her own tapes. She does not want Clem coming out of her coma and telling the truth about the accident. Ella discovers who pulled the switch when she finds the initials “V.L.” on the tape, and Val doesn’t deny it when Ella confronts her either. Ella gets another recording of speedboat noise, after initially overcoming a bout of shyness over approaching the club secretary for help there. Uncle Dave has banned Ella from seeing Clem, so she has to get a nurse to play the tape to her. Later, Ella finds spiteful Val has told tales on her secret visits to Clem to Uncle Dave.

The tape brings Clem out of her coma. Unfortunately, Ella gets over-excited about pressing Clem to tell Uncle Dave the truth and clear her name. She did not think that it was too soon after Clem woke up, or that Clem’s memory would be clouded. And Clem can’t remember what happened, so when she comes home, Ella has to do something to help her remember.

So Ella takes Clem back to the very spot where it happened – and who should show up but Val Lester herself! This brings back Clem’s memory, and Val brags that she did it too. Val tries to bluff her way out of it, saying people will just think Clem is trying to shift the blame from Ella if she tries to tell them the truth, and there is no way she is going to confess. But Uncle Dave has followed and heard everything – and so has a passing policeman! The policeman takes charge of Val. What happens to her is not revealed, but she is not seen again in the story. Val’s exposure cuts no ice with the snobby girls at the waterski club, who remain just as nasty to Clem and Ella. Ella readily forgives a very apologetic Uncle Dave.

Despite her long illness and missing the heats, Clem is determined to enter the competition and win the money for her father. Ella asks Councillor Dickens to pull some strings so Clem can enter the finals despite missing the heats. Clem realises what Ella did for her and comments on how her shy cousin has become so spunky. Ella says it was due to necessity from what followed in the wake of the accident.

Unfortunately Clem just isn’t up to scratch to win the contest and is placed third. However, a reporter learns why it was so important for Clem to win the money and publishes a newspaper article on “The Dashed Dreams of Darling Clem”. It touches the heartstrings of everyone in town – not to mention their guilty consciences over the way they wrongly blamed Ella for Clem’s accident – and cash donations begin to pour in.

Soon there is plenty of money for a cottage and Uncle Dave’s health improves once they move in. There is no room for three, but Ella says that does not matter. She is now so confident about standing on her own two feet that she moves into the new girls’ hostel. She won’t forget her relatives though, and will visit them often.

Thoughts

It is obvious from the start that we are going to have a story about an intensely shy girl who is embarking on a journey to discover her self-confidence. But the twists and turns that the journey takes are ones that could have totally destroyed the shy girl instead of helping her to grow and learn to believe in herself. After all, the ordeal Ella goes through is hardly one to boost self-confidence – being wrongly accused of deliberately putting her own cousin in hospital and people turning against her unjustly. Moreover, it’s Ella’s own relatives that have wrongly accused her, so not even her home life brings her any respite against the cloud she’s under. The only things that stop it from destroying her are the determination to win the prize money for the ailing Uncle Dave and the example Clem had set to Ella about having courage and self-confidence. Several times in this story Ella has lapses of nerve and shyness in her quest to win the competition, but all she has to do is remember Clem’s example and show “some spunk” like her.

Though she probably does not realise it, the shy Ella further develops her courage by constantly standing up to Uncle Dave in protesting her innocence. Ella also develops backbone in learning to stand up to Val. Once she sees through Val’s blackmail, she has no hesitation in telling her to get off and shoves that dirty laundry Val wanted her to clean right in her face. Oh, there are so many blackmail victims in girls’ comics that we so wish would stand up to their blackmailers like that!

Learning to water-ski also helps Ella to develop her self-confidence even further. To begin with, it motivates her to overcome a fear of water. As her water-skiing improves, it boosts her self-confidence as well. But this is the only good thing that really comes out of it for Ella. It is sad, but very realistic, that no matter how hard Ella tries, she could not get up to the standard that would enable her to win the competition. Even without her injury, Ella could never have won the competition because she was not a natural at it like Clem, much less have what it takes to be a champion that would wow the judges.

If not for Val Lester, Clem could have reached the standard that would win the championship and the prize money for Uncle Dave. But the story avoids the cliché of the protagonist rising out of her wheelchair and beating all odds to win the prize money. Instead, it has Clem more realistically lose with a noble but doomed effort because she had insufficient time to get up to the standard required. However, it leads to events that do help to raise the money, so it was not in vain after all.

Val Lester certainly is one of the slickest schemers to appear in Jinty. Whenever Clem or Ella thinks they’ve got her where they want her, Val is extremely crafty at bluffing or conning her way out of it. Even when Uncle Dave finds her out, she keeps her cool and arrogantly tries to bluff him too, saying nobody will believe even him. But even Val can’t get past the policeman (though his presence feels contrived as there is no explanation or credible reason for it). There seems to be no other reason for Val’s attack on Clem than sheer snobbery. She just does not want Clem in the club. It’s not because she’s jealous or looks on Clem as a serious rival in the competition. One can imagine the reputation the waterski club would have gotten in the wake of all their nastiness to “common scum” in their club and Val’s campaign against Clem and Ella. Perhaps someone (Jim maybe?) will take a hand in forming another waterski club in town that welcomes anyone.

Jinty was big on sports stories, and many of her sports stories had more uncommonly used sports (judo, netball, skateboarding) as well as stories on more traditional sports such as hockey, ice-skating and swimming. This story uses water-skiing, which was an extremely unusual sport to use, and examples must be rare in girls’ comics. Although “Darling Clementine” does not seem to be as well rememembered as some of Jinty’s sports stories (“Life’s a Ball for Nadine”, “Concrete Surfer”), using waterskiing as the sport does make it quite novel, as do the breaks from common cliches in girls’ comics in favour of more realism.