Tag Archives: Detective story

Mike and Terry (1979)

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Published: Jinty 7 July 1979 – 29 September 1979

Episodes: 12

Artist: Peter Wilkes

Writer: Unknown

Translations/reprints: Girl Picture Story Library #12 as “The Shadow”

Plot

Mike Temple and his assistant Terry (short for Theresa, apparently) have a well-carved reputation as a detective duo. They witness a man (later named as Jed Adams) being busted from prison and are hot on the trail, but another man, posing as a postman, lures them into a trap that nearly kills them. The killer leaves a calling card that informs them he’s “The Shadow”, Europe’s most wanted criminal, and he’s not called the Shadow for nothing. He’s both clever and dangerous, a master of disguise, as slippery as an oil slick, and nobody knows his true identity. He’s already fooled Mike and Terry with his postman disguise.

They go to investigate an old ruin, a known hideout of the Shadow. Outside they see a councilman in a bowler hat putting up a “no trespassing” sign, then screams of help coming from inside. It’s from a girl being held captive by thugs. They clobber two of the thugs and tie them up, and leave the councilman in charge while they pursue the third, but he gets away with the girl. Worse, too late they discover the councilman was the Shadow in disguise. He had untied the other men while they were gone and left his calling card behind. Mike and Terry are left with trying to figure out the connection between the convict and the girl, and why the Shadow wants them both. A poster informs them that the girl is Shirley Gold, a pop singer.  

Mike decides to have a word with Inspector Dent, though he and Dent do not get along. Terry heads back to the office but realises one of the Shadow’s goons is tailing her. She tricks him into thinking she’s gone back to the office and waiting for Mike to turn up, so as to leave him hanging around outside the office so they can watch him. She secretly heads on to Inspector Dent’s, where she finds Mike has scored a blank with Dent. They slip back and keep an eye on the goon until he moves, and they follow him. The trail leads to a graveyard. 

A hand rises out of a coffin and pulls a gun. Terry jumps on the coffin lid and slams it down on the gunman’s fingers. They discover the coffin is the entrance to an underground hideout. They meet the Shadow, who detonates a device that causes a cave-in. The rocks narrowly miss them, but they are trapped. Using a match to find a draught, Mike finds a way out. 

The Shadow gallingly sends a bouquet of flowers to their office congratulating them on their escape and informing them his next victim is Lester Sinclair, an upper crust vaudeville lady famous for her dog act. They warn Miss Lester, but she doesn’t listen. Mike figures the Shadow will strike at Miss Lester’s fancy dress party, so he is going disguised as extra staff and Terry in fancy dress. But it has to be said that the Shadow would laugh at their disguises (along with the readers!). 

At the party Terry spots the Shadow and follows him, but he traps her with an expert knife throwing act. Downstairs, the lights go off, and when they come on, Miss Lester is gone. Mike and Terry put up a pursuit, but the Shadow gets away with his victim. They realise the Shadow was acting as decoy while his goons pulled the abduction. Later they discover the Shadow took Miss Lester’s performing dogs as well.

Mike goes for another word with Dent, who is a bit more helpful this time. He informs them that the missing convict was an electrician. Meanwhile, Mary, a friend of Terry’s, informs her that there are some strange goings-on at the old Hippodrome, which is scheduled for demolition, but an amateur acting society has permission to use it in the meantime. However, they’re being plagued by sabotaged scenery, things falling off the wall, strange noises and people getting locked in rooms. Investigating, Terry discovers an old poster of a show dating back three years, and Shirley Gold and Lester were in the show. They figure the Shadow is trying to kidnap the whole cast, and the remaining ones are Charles Damon (ventriloquist), the Rinko Dancers, the Dart Brothers (acrobats) and Dirk Dare (trick cyclist). They figure Damon is the next target. Feeling it is unlikely Damon will listen to them, Mike decides grabbing Damon first is the only way. 

But when they arrive, they see the Shadow’s goons are already waiting in the wings for Damon. After finding and rescuing the manager the goons left tied up, they recruit the manager’s aid in an impromptu conjuring act and use the vanishing cabinet to make Damon disappear from the goons’ sight. The goons turn nasty at this, but Mike pulls a swift, hilarious hat trick on one and hooks the other. 

Together with Damon, they make a fast exit, and have to elude yet another goon along the way. They head back to the haunted hippodrome. The caretaker, Mr Cornelius Mumble, agrees to protect Damon. Then Terry finds herself being creeped out by a ghostly voice. Of course it’s the Shadow, who planted a microphone on Terry, and they soon find he’s made the grab on Damon and left his calling card. The Hippodrome is riddled with secret passages and such, making such things all too easy. 

They soon learn the Shadow’s already taken the Rinko Dancers and Dart Brothers. That leaves Dirk Dare, who is working at a fair at Bletcham. Mike decides to go on his own, but Terry isn’t having that and sneaks along. She takes a rest at a field, and is in time to see the Shadow and his thugs arrive. She’s just ahead of them and manages to pull a fast one on them by hiding a “beware of the bull” sign. The bull trick delays the Shadow’s goons, but not long enough for Terry to get a good start on them at the fair. It’s hijinks on the fairground rides as they give chase. Mike, in another laughable disguise as a gypsy, helps Terry to hide.  

They discover that Dirk Dare has swapped trick cycling for the human cannon ball, and he’s just been shot out of the cannon. When he hits the net, it is the goons who grab him, net and all. Everyone on the show bill has now been rounded up by the Shadow. They can’t figure out why the Shadow also wanted the electrician, but when Terry points out electricians are used for stage lighting and effects, they realise the connection. They head back to the hippodrome to check out any connection Adams had to the show. Mr Mumble informs them that Adams was working at the show, but lost his memory when some scenery fell on him. 

Then Terry finds Adams himself, who has escaped the Shadow and is willing to talk. He says the Shadow is bringing the old cast together to help him remember something, which must be a job he pulled but the amnesia made him forget what. Terry takes Adams back to the Hippodrome before the Shadow discovers he is missing. In the library, Terry goes through old newspapers and discovers there was a ruby necklace robbery on the night Adams lost his memory. She figures Adams slipped out of the performance to steal it, but the amnesia made him forget where he hid it. The Shadow has reunited the cast to restage the show in the hope it will jog Adams’ memory. Unwisely, Mike and Terry discuss their deductions in public. One of the Shadow’s goons overhears and reports back to him. The Shadow says he will be ready for them, and the show goes on for Adams’ benefit. Terry then realises Mr Mumble could be in danger because of this, and she warns him. 

The show does bring back Adams’ memory. He retrieves the necklace from its hiding place in the wall and hands it over to Terry and Mike. The Shadow is ready with a gun, but Terry feigns a faint to pull the carpet out from under him. The Shadow is temporarily knocked out and revealed as Cornelius Mumble. But the Shadow recovers and gets away to fight another day. At least Mike and Terry have the consolation of foiling the Shadow’s plot, and they are going to get a big reward for recovering the necklace and freeing the kidnapped people. 

Thoughts

Though Jinty had her share of mystery stories, the detective/sleuthing theme was something she seldom touched upon. The same went for Tammy. Jinty published this one because her readers clamoured for one after she ran a competition asking readers what stories they would like. It was a pity Jinty did not produce more detective stories or do a sequel on this story, which she could easily have done. The ending left everything set up for a sequel with “The Shadow Strikes Again” or something. Perhaps a sequel was planned but didn’t eventuate for some reason, possibly the change in Jinty editorship or the Penny merger in 1980. Or maybe the story just wasn’t popular enough for a sequel.

Mike and Terry were probably riding on the popularity of “The Zodiac Prince”, the first Jinty story to have a male protagonist as the star of the show, as it is the second Jinty story to have a male as one of the main protagonists. Unlike the Zodiac Prince, Mike isn’t quite the star of the show – more of a co-star with his assistant Terry, and she eclipses him on a number of occasions. She shows more brain, comes up with more of the brilliant deductions, and also does more of the work. She also gets a whole lot more fun, as she rubs shoulders with the Shadow and his goons more than Mike does. She’s not scared to tackle a villain when needed and can move like lightning for a fast move. However, that’s not to say Mike can’t pull his share of the fast moves or quick thinking. Perhaps his best moment is his impromptu conjuring act where he pulls some fast tricks on the goons that are as funny as they are fast. 

Mike and Terry also have a lot to offer in the way of humour. They aren’t goofy or klutzy, but they give plenty of light-hearted moments, such as when they return a dog that’s almost as big as Terry or when Terry pulls the bull trick on the goons. Their only serious incompetence is their lame disguises, seen twice in the story, and the readers just have to laugh. You would think that as they are pursuing a master of disguise, they would pick up a few tips, but no. The Shadow could give them some lessons. 

A necklace, albeit a valuable one, sounds like a lot of trouble to kidnap and assemble an old cast for. Still, the initial plan must have been to kidnap only Adams. But the Shadow hadn’t counted on Adams’ amnesia, and the upcoming demolition of the hippodrome made him resort to desperate measures to restore Adams’ memory. How exactly he knew the location of the necklace needed to be prised out of Adams’ brain is not explained. We can only assume it was through some connection the Shadow once had at the hippodrome, perhaps at the original show. 

It is a pity the Shadow did not return. He is such a brilliant villain. He’s cunning and always has 101 tricks up his sleeve. From the looks of things, many of them come from the days when he was a performer of some sort, perhaps a knife-throwing act. He makes ingenious use of darkness, shadows, costumes and creepy old hideouts to lurk in the shadows, conceal his identity, and frighten people. He’s an amazing disguise artist, and such a slippery eel that he rivals Houdini and the Scarlet Pimpernel. There also a strong dash of the vaudeville about him, which makes him even more colourful. Any prison would have a hard time holding the Shadow, and we wouldn’t be surprised if he has escaped prison time and time again. 

Mike and Terry had the potential to return, but they didn’t, and no other detective story appeared in Jinty. This is rather puzzling. Jinty must have seen the potential for more detective stories, as the demand was there. Perhaps it was editorship changes or the Penny merger. Or it could be to do with neither Jinty nor Tammy not bothering much with detective stories and preferring girls to solve mysteries rather than private eyes. Detective stories were seen far more often in DCT titles.

Finleg the Fox (1975)

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Published: Lindy #14, 20 September 1975 to #20, 1 November 1975; continued in Jinty and Lindy merger 8 November 1975 to 20 December 1975

Episodes: 14

Artist: Barrie Mitchell? Jim Eldridge?

Writer: Unknown

Translations/reprints: none known

Plot

Una Price has been left orphaned and lame from a car crash and is in delicate health. Authorities send her to Blindwall Farm in the hope the country air will improve her health, but they have not counted on the Drays who are running it. The daughter, Dora Dray, bullies Una and lumbers her with all the work, despite Una’s bad leg, while she indulges in riding. Una soon gets the impression that Dora is a sadist who enjoys hurting animals and people. Mr Dray is a sourpuss who doesn’t have a good attitude towards Una either. They both push Mrs Dray around and take her for granted, so she is the only one who is kind to Una.

Dray is not pleased when Una rescues a fox from one of his traps. He also warns her about his landlord, Sir Arthur Stollard, who is a master of fox hounds. Una secretly nurses the fox, named Finleg because of his leg injury, in the barn.

Dora finds out and starts blackmailing Una. Soon Una has had enough of this and stands up to Dora. So Dora brings in her father, all set with a shotgun to shoot Finleg. But Finleg has recovered enough to escape, so Dray finds nothing and Dora gets a clip around the ear from him. Finleg is now back in the wild, but he is not forgetting the girl who saved him.

Meanwhile, Sir Arthur is trying to buy out Blindwall Farm when the Drays’ lease expires. Dray does not want to sell the farm he has worked on all his life, but feels he may have no choice because Sir Arthur is a powerful man.

Soon after, suspicious things start happening. Una finds a blood trail after Dray takes a shot at something in the night. The trail leads to a shed and a strange man, whose left hand is wrapped in a bloodied bandage. He knocks her out and runs off. When she describes the man to Dray, he gets oddly worked up and goes off on a hunt for the man – with his shotgun. He does not seem to have much success, but after this he softens towards Una and even spares Finleg when he has a brush with him at a disused railway track, where he has set up a den in the embankment.

But Sir Arthur’s fox hunt isn’t sparing Finleg. Dora has been invited, not realising Sir Arthur plots to get at Dray through her because she would know his weaknesses. Dora is eager to use the hunt to kill Finleg. Una helps a bunch of fox hunt protesters foil the hunt. Dora finds out and threatens to beat Una, but Finleg steps in to save her. Dora is even more narked when Sir Arthur tells her she is not good enough to join the hunt, so she gets even more vicious towards Una and Finleg.

That night Dray goes hunting for the man again and Una follows. The man knocks Dray out and is searching the embankment at the railway tracks. He finds Finleg’s den. Finleg and Una manage to scare him off and he tries to escape in a passing car, but the driver doesn’t stop. For some reason Dray is against the idea of going to the police and Una wonders what he is hiding. Una also loses her crutch at the scene and starts using a stick, which helps to strengthen her leg.

Dora again joins Sir Arthur as they prepare for another hunt, and Una is following. They stumble across the strange man, who has been shot dead. Sir Arthur finds a list of names on him, which he finds interesting and hides from the police. The man turns out to be an escaped prisoner named Stephens, and his death is a murder inquiry. Afterwards, Sir Arthur uses the list and Dray’s suspicious-looking head injury to blackmail Dray into selling the farm, with insinuations that he will have the police suspect Dray Stephens’s murder. Later Dray tells his family that they are leaving the farm at the end of the month. Seeing no further use for Dora now, Sir Arthur tells her not to bother with their next hunting date. Dora blames Una and hates her even more now.

Surmising that the driver of the car Stephens tried to jump into is the real murderer, Una goes back to investigate. Finleg leads her to the embankment, where she finds a huge cache of hidden money. She shows the money to Dray, who clearly recognises it but won’t have a bean of it. Una hides it in the barn.

Una sees the strange car in town, which is driving dangerously and nearly knocks her and another woman over. When Una helps the woman, a Mrs Pargeter, Dora tells her everyone says Mrs Pargeter is a witch (because Mrs Pargeter is psychic and treats animals with herbal remedies). Una rubbishes such nonsense, especially from Dora.

Dora seizes another opportunity to spite Una when she finds the crutch with blood stains on it and takes it to the police, claiming it is evidence that Una is linked to Stephens’s murder. The police realise Dora is a spiteful minx but they still have to investigate the bloodstains. The blood group belongs to Dray, but he doesn’t tell the police the full story of what happened and Una wonders why as she is sure he is innocent of Stephens’s murder. The police also search the property, but Finleg takes the sack of money before the police find it and puts it back in his den. The police leave, but Dray is still under suspicion.

Una goes to consult Mrs Pargeter, who says the money must have come from a train robbery ten years back, when the tracks were in use. On the way back the strange car actually tries to run Una down, but Finleg saves her. Later the strange car intercepts Dora, who says she is laying down poison for foxes (Finleg of course). The man tells her that if she comes across anything else to leave a note for him at Cobbett’s Mill.

The police are also investigating Cobbett’s Mill because a lady reported seeing a light there in the night. They find nothing, but their dogs got excited so they know there must be something. Later we learn that Cobbett was on the list of names Sir Arthur found, and so was Dray’s, but he can’t figure out what the other names mean. Realising the police are not charging Dray with Stephens’s murder at this stage, Sir Arthur again ingratiates himself with Dora to get at Dray.

Dora’s attempt to poison Finleg succeeds. Una finds him, and realises Dora was responsible when she bumps into her. Una takes Finleg to Mrs Pargeter, who has skills in healing animals. Her herbal remedies do the trick and Finleg is soon on the mend.

Meanwhile Dora finds the money in the den and leaves a note about it in Cobbett’s Mill for the man. Una sees Dora leave the mill. After a fight with Dora she finds the note and realises Dora has put herself in danger because of it. Sure enough, Mrs Dray tells Una that she saw two men kidnap Dora, but Dray refuses to call the police. However, he finally tells them the whole story. Two men who robbed the train came to his farm and coerced him into hiding some of the money. The gang was rounded up and imprisoned. One of them, Stephens, escaped and came back to look for the money. The man who killed Stephens must have been “The Boss”, the only member of the gang not to be caught, and his true identity is unknown. Realising “The Boss” must be the one who kidnapped Dora, Una, with Finleg’s help, keeps watch over the den where the money is hidden, figuring the kidnappers will come for it.

But Una is in for a big surprise at who shows up for it – Sir Arthur! Una follows him (her leg is now fit enough for her to do this) while giving Finleg a note explaining things to take back to the farm. The police have finally been called and when they see the note they go in pursuit, with Finleg leading them.

At the hideout Una overhears Sir Arthur and his accomplice (his estate manager, Bert Randle) planning to kill the bound and gagged Dora because she knows too much. Una unwisely goes in to tackle them and gets captured too, but it’s Finleg to the rescue with a bite on Sir Arthur’s leg. Sir Arthur is arrested and confesses to being “The Boss”, and Randle was his right-hand man in the robbery.

So the threat of Sir Arthur is no longer hanging over the farm and the Drays want Una to stay. Dora reforms, apologises to Una, and starts treating Una like her very own sister. Una now walks properly thanks to Finleg. Finleg becomes part of the family, but eventually the call of the wild summons him away while Una looks on.

Thoughts

This was one of two Lindy serials to make the transition into the merger with Jinty, so it has some distinction for that. It was also the only fox serial in Jinty, even if it is one that came to Jinty half way through its run. Jinty had some stories featuring an animal from the wild, but this was the only one to feature a fox.

Finleg shares some similarities with the 1984 story “Rusty Remember Me”, which started in Princess series 2 and was also completed in a merger, the last one in Tammy. Its protagonist is also a crippled girl who gradually overcomes her disability and walks properly again thanks to the friendship she strikes up with a fox. Perhaps it was the same writer.

However, Finleg has much meaner and crueller opponents than Rusty (a surly caretaker who is nasty but not downright evil). Finleg is up against a cruel and vicious girl who tries to kill him on several occasions, and that’s only the start. He is also up against fox hunters, who combine forces with the threat from Dora. The man leading the hunt isn’t just threatening Finleg; he’s a greedy, unscrupulous aristocrat who will resort to fair means or foul in order to get his hands on the Drays’ farm and force them off into a council house. Such villains are very common in girls’ comics. What is unusual is that Sir Arthur is also a mastermind behind a train robbery. That does sound a bit odd; you’d think such things would be beneath a snobby aristocrat like him. On the other hand, it says a lot about what makes him so rich.

The menace of Sir Arthur over the Drays, Dora’s cruelty towards Finleg and Una, the fox hunt threat, the problems of Una’s disability, and her friendship with Finleg make a durable combination for a good plot. But what really heat it up and keep it going are the introduction of the mystery elements, the murder of Stephens, and Dray being suspected of it, which means Una now has the additional task of clearing his name.

There’s also a horrible but fitting comeuppance for Dora when she is kidnapped by the very man she thought was her friend – Sir Arthur. When she heard them plotting to drown her in the marshes her life must have flashed before her eyes. The shock of it lends some plausibility to her change at the end, even if it does come across as a bit quick and pat. It’s a real twist for her that she is rescued by the efforts of Finleg and Una, the ones she had tried to destroy out of spite. Gratitude must have also been a factor in her change for the better.