Tag Archives: Eduardo Feito

Sandie 28 July 1973

Sandie cover 28 July 1973

  • Slaves of the Eye (artist Joan Boix)
  • Cinderella – Superstar (artist Joan Boix?)
  • Wyn and the Witch (artist A. E. Allen)
  • Connie Courageous (artist “B. Jackson”) – last episode
  • Sink or Swim, Sara! (artist Eduardo Feito)
  • The Captives of Terror Island (artist Juan Escandell Torres, writer Terence Magee) – last episode
  • Dancing to Danger (artist Tom Kerr)
  • Bridie at the Fair (artist Leslie Otway)
  • All Against Alice (artist Miguel Quesada?)
  • Sisters in Sorrow (artist Desmond Walduck?)

“Slaves of the Eye” features another sinister teacher (Miss Krell) who exerts a strange, sinister influence over pupils, and it’s up to our protagonists (Kate Saunders and her friend Heather) to unravel how and why. Plus what lies under that veil Miss Krell always wears and what lurks in her laboratory. Kate has now discovered Miss Krell used a transmitter inside a netball to make the girls foul her during the match. Once she gets hold of the transmitter, it leads her and Heather to prison cells that were empty earlier but are now full of…whom?

 

“Cinderella Superstar” is an aspiring ballerina, Ellie Villiers whose road to her dreams is being blocked by uncooperative relatives who treat her like dirt. Now they’ve taken her gramophone to stop her dancing to her ballet music and given it away. But the blurb for next week says Ellie’s about to get some help.

 

Wyn is an ill-treated drudge at Pinchbeck Hall, but has a good friend in the form of the witch Grizelda “Grizzy” in the attic, whose magic helps Wyn get comeuppance on her horrible employers. This week Lord Pinchbeck is challenged to a duel but there’s a problem – Grizzy has turned him into a pig, so how the heck is he going to duel?

 

It’s the final episode of “Connie Courageous”. Connie Cartwright has jealous rivals in addition to learning to jump while being blind. And she needs the prize money to restore her sight, but her enemies have blocked the path to her getting to the event. Can she and her horse find a way to get there in time?

 

“The Captives of Terror Island” also ends this week. Madame Soong of Terror Island has kidnapped an entire hockey team in order to claim the National Hockey Championships for her country, and her training methods are “barbaric”. It looks like she has finally got what she wants and is a national heroine, until our heroine finally manages to expose her in front of the spectators. Madame Soong quite literally destroys herself – and Terror Island – with the very bomb she had set for her enemies.

 

In “Sink or Swim, Sara”, the two snobby headmistresses of St Agatha’s should have thought twice before making Sara Dale’s life so miserable. This caused her to change schools when they badly needed her to win an inter-school swimming gala. Now the same thing has resulted in two of Sara’s friends being expelled. Now they’ve transferred to Sara’s school and are happier – then Sara informs them that the expulsion is all part of some dirty trick the headmistresses are playing, which won’t be revealed until the final episode next week.

 

“Sisters in Sorrow” is also on its penultimate episode. Layla and her friend Pat have been forced to become thieves, but the story takes the unusual step of having an aristocrat, Lady Maggins, as the Fagin. They have been forced to impersonate two others in order to infiltrate a household so they can rob it. Layla manages to rescue the real McCoys, but they get cornered by Lady Maggins. Meanwhile, Pat has been exposed as an imposter, so they’re both in a corner now.

 

“Dancing to Danger” and “Bridie at the Fair” look like they have been reprinted from elsewhere, perhaps School Friend or June. In the former, Pat White uses ballet as her cover for undercover work against the Nazis in World War II. She manages to worm her way into Gestapo HQ to find information on a prisoner, Professor Duval, under pretext of her ballet troupe staging a performance there. However, her Nazi nemesis, Herr Staub, gets suspicious and is going to arrange a special watch on them. In the latter, Bridie Donovan has joined a fair in the hope of regaining her memory. But the fortune-teller Madame Rosa tells Bridie she can do anything she wants with her.

 

“All Against Alice” has been fostered out to a former Wimbledon champion who is coaching her in her beloved tennis, but shows her no affection. Then a Mr and Mrs Tyler claim to be Alice’s parents but lose the custody battle in the interim. Just as well, because they are clearly out to make money out of her, which they finally succeed in doing by destroying Alice’s amateur status through a dirty trick, and with it, her career.

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Sandie 13 May 1972

Sandie 13 May 1972

  • Lorna’s Lonely Days
  • Slaves of the Sorcerer (artist Desmond Walduck?)
  • Wee Sue (artist Vicente Torregrosa Manrique)
  • Brenda’s Brownies (artist and writer Mike Brown)
  • Odd Mann Out – final episode (artist A E Allen)
  • Silver Is a Star (artist Eduardo Feito)
  • Not So Lady-like Lucy
  • Friends and Neighbours
  • The Captives of Madam Karma (artist Jaume Rumeu, writer Pat Mills)
  • Wendy the Witch (artist Mike Brown)
  • Sandra Must Dance – final episode (artist Douglas Perry)
  • Bonnie’s Butler (artist Julio Bosch?)
  • Anna’s Forbidden Friend (artist Miguel Quesada)
  • A Sandie Pop Portrait – Ryan O’Neil (artist Bob Gifford)

“Lorna’s Lonely Days” are due to her longing to find the mother who disappeared when she was two. The mystery of the mother really deepens when Lorna thinks she has finally found her mother at last, but the woman in the photo just turns out to be a former employee who expresses no surprise at nobody letting Lorna see a picture of her mother. Meanwhile, Dad is worried Lorna is becoming more and more like her mother. Now why can these people be thinking this way?

Mike Brown is drawing a new strip in Sandie, “Wendy the Witch”, in addition to Brenda’s Brownies.

Beth Williams has once again failed to escape the sorcerer, and she’s back in his clutches. Now this is getting really tedious.

Wee Sue is becoming unpopular with her classmates and she seems to be taking deliberate measures to make it so. Now what is she playing at?

It’s the last episode of “Odd Mann Out”. The tyrannical headmistress is brought down when Susie Mann exposes her as an embezzler and falsifying exam marks for girls she favours.

Trudy Parker’s efforts to save Silver have landed her in court. Only the action of the Colonel saves Trudy from an unjust sentence of corrective training school. But then another injustice looms, in the form of Trudy being falsely accused of stealing a necklace.

The neighbour problem finally seems to be sorted in “Friends and Neighbours”. But fresh problems start when Dad begins renovating the house.

“The Captives of Madam Karma” (spelled Madame Karma on the cover) are a slave labour force of abducted girls who slave all day making transistor radios in a sweatshop – which is 200 miles within the Arctic circle. But if you think that’s weird, it’s nothing on the mysterious helper who shows up to help our protagonist – a glowing woman floating on air!

In the final episode of “Sandra Must Dance”, the twins have fallen out because Joan has wrongly assumed Sandra pulled the dirty trick a jealous girl was responsible for. To put things right, Sandra compels Joan to dance again, and in doing so the twins discover they no longer need the psychic bond and both are brilliant dancers.

In “Bonnie’s Butler” there is a disagreement over home decorating and Dad taking exception to Bonnie’s pop posters adorning the walls. But of course the butler’s got a scheme to help Bonnie there.

Anna gets a clue to help her find her forbidden friend Julia, who has been kidnapped as part of her father’s machinations to drive everyone out of Madeley Buildings. The dirty rotten schemer has even put the blame for the kidnapping on Anna!

Sandie 29 April 1972

Sandie 29 April 1972

  • No-one Cheers for Norah– final episode (artist John Armstrong)
  • Slaves of the Sorcerer (artist Desmond Walduck?)
  • Wee Sue (artist Vicente Torregrosa Manrique)
  • Odd Mann Out (artist A E Allen)
  • Silver Is a Star (artist Eduardo Feito)
  • Not So Lady-like Lucy
  • Friends and Neighbours
  • The School of No Escape – final episode (artist “B. Jackson”, writer Terence Magee)
  • Brenda’s Brownies (artist and writer Mike Brown)
  • Sandra Must Dance (artist Douglas Perry)
  • Bonnie’s Butler (artist Julio Bosch?)
  • Anna’s Forbidden Friend (artist Miguel Quesada)
  • A Sandie Pop Portrait – Mark Lester (artist Bob Gifford)

In this issue of Sandie we say goodbye to two of her first stories: “No-One Cheers for Norah” and “The School of No Escape”. The former finishes with a needle race to beat the relatives who have not only made Norah’s life a misery ever since they met but also ruined her father’s life. The latter ends with the pretty typical deus ex machina of the aliens just vanishing away just as they are about to triumph because time’s up, and everyone but the heroine loses all memory of them for no apparent reason.

Replacing them next week are “Lorna’s Lonely Days” and “The Captives of Madam Karma”. The latter is written by Pat Mills.

In “Slaves of the Sorcerer” Beth Williams finally gets the police onto Caspar. But when they arrive at the fairground there’s no sign of him. The lead they have been given is in fact another trap for Beth set by Caspar, and he’s waiting to pounce.

Boys are admitted to Wee Sue’s school. They get quite a shock when the titch they tease turns out to be brilliant at footy. Then Sue finds one of the football boys stuck on a ledge and climbs up to the rescue.

“Odd Mann Out” is now leading a demonstration against the tyrannical way things are run at her school. But why the hell is the headmistress smiling about it instead of looking worried?

Trudy loses Silver – to the rag-and-bone man. And everyone knows how cruel he is to animals. Can Trudy get him back?

Ann Friend and her family in “Friends and Neighbours” have moved into a new house. The neighours haven’t been friendly but now Anne believes they are worse than she thought – they are trying to scare her family out of the house with a ruse that it’s haunted. They deny it angrily and mean to prove it by sitting up with them.

In “Sandra Must Dance”, enemy Robinia Drew discovers the twins’ bizarre secret – Joan can transfer her ballet talent into her twin sister Sandra through a psychic bond. Robinia locks Joan up to prevent her from doing so during a performance. Can the twins pull things off despite this?

This week’s episode of “Bonnie’s Butler” has a row with the Major and Bonnie loses the present she was going to give Angie. Things get even more bizarre when Bonnie wins an unwanted hip bath at an auction, but her butler uses it to put everything right.

In “Anna’s Forbidden Friend”, Julia’s father takes advantage of Anna and Julia to hatch a scheme to get everyone out of Madeley Buildings. He managed to turn everyone against them once before and now plots to do it again. And his scheme includes kidnapping his own daughter!

Tammy & Sally 1 January 1972 – first New Year issue

Tammy cover 1 January 1972

  • Gina – Get Lost (artist Miguel Quesada)
  • Beattie Beats ‘Em All! (artist John Armstrong)
  • Halves in a Horse (artist Eduardo Feito)
  • Lulu (cartoon)
  • Skimpy Must Ski! (artist Tom Hurst)
  • The Four Friends at Spartan School (artist “B. Jackson”, writer Terence Magee)
  • Maisie’s Magic Eye (artist Robert MacGillivray)
  • The Secret Ballerina (artist Roy Newby)
  • Bernice and the Blue Pool – final episode (artist Douglas Perry)
  • Talk It Over with Trudy (problem page)
  • Alison All Alone
  • Cinderella Spiteful (artist Jose Casanovas)
  • No Tears for Molly (artist Tony Thewenetti, writer Maureen Spurgeon)

This is Tammy’s first New Year issue. The girl on the cover has a nice touch of mystique with her mask at a New Year’s party. Molly Mills finishes her current story with a Christmas party for all the orphanage kids, despite Pickering’s attempts to ruin things for them. Heck, he even tried to tie up the kids’ dog and leave it on the roof to freeze to death! Anyway, Molly will have a new story in the New Year.

Gina – Get Lost must be wishing she could get lost. A phoney child welfare officer has sent her to a sadistic children’s home where, among other things, she has been forced to crop her own hair. And their idea of punishment is to leave her in a freezing room all night with a vicious dog barking and snarling at her all the time.

“Bernice and the Blue Pool” ends this issue, so there will be a new story for the New Year. “The Four Friends at Spartan School” is on its penultimate episode, so there will be another new story helping to kick off New Year in two weeks. The four friends have successfully escaped Spartan School, but now they find an avalanche is threatening the school. Well, an avalanche may the best thing for the most horrible school in the world, but let’s face it – there are lives at stake up there, after all.

“Halves in a Horse” is near its end too. Pauline’s cruelty goes too far. She sends Topper bolting and now he’s in danger of drowning in a river. The Major, who had figured out Pauline’s bullying and tried to get Pauline’s victim Kay to stand up to her, is the only one on hand to help, but he doubts the horse can be saved. When Pauline hears this, she is suddenly struck with conscience.

Skimpy is determined to show her grandfather she is not an invalid anymore and can tackle skiing. By the end of the episode he has got the message and decides to help her with skiing. Excellent! Now the story can move more smoothly, though we are sure there are still bumps in the road ahead, and not just the tumbles Skimpy will take on the ski slopes.

Beattie has been cribbing lessons in secret at the school she has been squatting in while keeping up her athletics. Now she has a chance to be properly enrolled, but she has to pass exams.

Maisie tells a fat, gluttonous girl that she’s an awful pig. She never learns to watch what she says while wearing that damn brooch, does she? The girl instantly turns into a pig. Needless to say, she isn’t so greedy after Maisie finally gets her back to normal.

In “The Secret Ballerina, Karen finally makes it to the locked room – only to find nothing but Aunt Edith crying over someone named Karen, but Karen realises it’s not her. So who is this other Karen? Everything begins to point to Karen’s mother, but what’s it got to do with Aunt Edith not allowing Karen to dance?

Alison seems to be having more success in unravelling her own mystery. The clue she has uncovered leads her to Fengate Hall and she is going in. But the boys who have accompanied her are worried she is going to desert them once she finds out her true identity. Oh, surely not? After all, none of them really know what is waiting inside for Alison.

“Cinderella Spiteful” tries to ruin cousin Angela’s party. But in the end she is glad she failed to do so as she misjudged Angela over who she was going to invite, and she likes the look of the guests.

Tammy & Sally 25 December 1971 – first Christmas Tammy issue

Tammy 25 December 1971

Cover artist: John Armstrong

  • Gina – Get Lost (artist Miguel Quesada)
  • Beattie Beats ‘Em All! (artist John Armstrong)
  • Halves in a Horse (artist Eduardo Feito)
  • Lulu (cartoon)
  • Skimpy Must Ski! – first episode (artist Tom Hurst)
  • Bernice and the Blue Pool (artist Douglas Perry)
  • Talk It Over with Trudy (problem page)
  • The Secret Ballerina (artist Roy Newby)
  • The Four Friends at Spartan School (artist “B. Jackson”, writer Terence Magee)
  • Maisie’s Magic Eye (artist Robert MacGillivray)
  • Cinderella Spiteful (artist Jose Casanovas)
  • Alison All Alone
  • No Tears for Molly (artist Tony Thewenetti, writer Maureen Spurgeon)
  • A Tammy Outfit Idea for Christmas (feature)

 

This is Tammy’s first Christmas issue. Beattie Beats ‘Em All! (John Armstrong’s first Tammy story) does the honours on the cover. The back cover has a Christmas how-to-make. In Molly Mills, Lord Stanton wants to bring Christmas cheer to orphanage children, but he has reckoned without the cruel butler Pickering. The issue also advertises Tammy’s first-ever annual. Lulu is trying to find Christmas presents for Dad but keeps getting foiled.

You’d think this week’s episode of Maisie’s Magic Eye would be Christmassy too, but no. It’s a regular episode, where Maisie and her friend Lorna try to break bounds and sneak off to the circus. Hijinks with the brooch ensue, with a lot of monkey business when Maisie unwittingly turns the circus strong man into a gorilla and the brooch stops glowing before she can change him back.

Normally new stories are reserved for New Year, but one does begin in the Christmas issue,  “Skimpy Must Ski!” Skimpy Shaw, a convalescent girl, is sent to live with her grandfather who looks a real sourpuss. Time will tell if he has a heart under there. Meanwhile, Skimpy is inspired to ski, and she thinks she has a natural talent for it.

Gina – Get Lost has been left to look after herself when her parents emigrate, which is not going down well with the welfare authorities. And it sounds like there is worse to come. She has already fallen foul of blackmailers and it looks like she will fall foul of potential guardians out to exploit her.

Before Bella Barlow, John Armstrong drew “Beattie Beats ‘Em All!” for Tammy. Beattie Brown is a promising athlete. Unfortunately she has no fixed abode either, so she and her stray cats live in a boiler room at a girls’ college.

In “Halves in a Horse”, two cousins are left with half shares in a horse, Topper. The cousin who wins the most prizes with him will acquire full ownership. As might be expected, one cousin (Pauline) is not playing fair and making the other cousin (Kay) suffer. Now the cousins have almost equal shares, Pauline is using blackmail against Kay.

Bernice and the Blue Pool was Tammy’s first swimming story and also the first story Douglas Perry drew for Tammy. It was the start of a regular Tammy run for Perry that lasted into 1981. The Blue Pool has a supernatural theme, which ranges from beneficial (curing our protagonist of her fear of water) to ominous – wearing Victorian swimming costumes that were worn by a pioneering Victorian swimming team that drowned.

The Secret Ballerina, Karen Jones, has to practise in secret because her aunt is against ballet for some reason. This is, of course, the mystery that needs to be unravelled. Compounding the mystery is a locked room in auntie’s house. But now Katie has discovered the room has been unlocked and someone is inside. She is heading to the attic to investigate. Will she find the key to the mystery next week?

Surprise, surprise – Miss Bramble’s henchman, er girl, Siddons helps the four friends at Spartan School to escape from the school where sadism is the rule. But of course they should have known it would be a setup. Mind you, they didn’t expect Siddons to actually attempt to kill them! When they survive that, they discover Miss Bramble and Siddons have concocted a plan to get them arrested instead.

Cinderella Spiteful – now that’s a very unusual title for a Cinderella story, you think. Actually, the story has nothing to do with Cinderella. Emma is jealous of her cousin Angela because Angela is good at everything while Emma is not. Next week it sounds like it will be more spiteful than Cinderella, because Emma reaches her limit in this episode.

Alison All Alone is on the run after being imprisoned by her guardians for many years. The question is: why did they keep her locked up like that? The three runaway boys who helped her escape are helping her to find out. This week they uncover a clue about her past – a crook who says he will be finished if Alison finds out who her true parents are!

 

 

 

 

Sandie 15 April 1972

Stories in this issue:

  • No-one Cheers for Norah (artist John Armstrong)
  • Slaves of the Sorcerer (artist Desmond Walduck?)
  • Wee Sue (artist Vicente Torregrosa Manrique)
  • Brenda’s Brownies (artist and writer Mike Brown)
  • Odd Mann Out (artist A E Allen)
  • Silver Is a Star (artist Eduardo Feito)
  • Not So Lady-like Lucy
  • Our Big BIG Secret (artist Jim Baikie) – last episode
  • The School of No Escape (artist unknown artist ‘Merry’)
  • Sandra Must Dance (artist Douglas Perry)
  • Bonnie’s Butler (artist Richard Neillands)
  • Anna’s Forbidden Friend (artist Miguel Quesada)
  • A Sandie Pop Portrait – Dave Cassidy (artist Bob Gifford)

The cover competition offers a chance to win a ‘fabulous electric sewing machine’, though I think that a battery-powered machine probably won’t get you very far through sewing anything other than the dolls clothes mentioned in the competition blurb.

Norah loses her home twice over in this episode – after an emotional visit to see her father, she stays overnight in her old house, but in the morning she is turfed out by a new family who have just rented the place. On returning to her cousin’s house she isn’t allowed back in there either! As is so often the way, though, the horrible relatives have played a mean trick too far – Norah has to stay in her uncle’s clothing factory overnight, and of course she finds a document that shows pretty clearly that the culprit who stole the money that her dad was blamed for – was probably her uncle all along!

Orphan Beth Williams is well and truly in the clutches of the evil sorcerer Caspar, along with three other hard-done-by girls. It seems that Caspar’s act is ‘so dangerous he’d never get anyone to volunteer. That’s why he has to have slaves.’ Beth is a spirited girl who is keen to run away at the first opportunity, but I suspect it won’t be as easy as that.

It’s the last episode of “Our Big BIG Secret” – a story post will be forthcoming.

At the end of the previous issue’s “The School of No Escape”, Dale was pushed over a cliff. Luckily she falls onto a ledge, which though small is enough to save her. The next morning, Miss Voor thinks that her last obstacle is out of the way and so she summons all her specially-chosen pupils to her side. They are all to write farewell letters to their parents and then to follow Miss Voor to Hangman’s Copse – which is where they meet up with the exhausted Dale, who has crawled up the cliff face to seek help.

This week’s episode of “Bonnie’s Butler” is drawn by Richard Neillands instead of regular artist Julio Bosch.

Tammy and Princess 28 April 1984

Tammy 28 April 1984

Cover artist: Maria Barrera

  • Bella (artist John Armstrong, writer Primrose Cumming)
  • Cassie’s Coach (artist Tony Coleman, writer Alison Christie)
  • Open an Easter Egg! (writer Maureen Spurgeon) – quiz
  • The Horse Finders – A Pony Tale
  • Day and Knight (artist Juliana Buch) – final episode
  • Easter Parade – feature
  • The Button Box (artist Mario Capaldi, main writer Alison Christie)
  • Easter Fun Spot – Easter jokes
  • Rusty, Remember Me (artist Eduardo Feito) – final episode
  • Stefa’s Heart of Stone (artist Phil Townsend, writer Alison Christie)
  • Pam of Pond Hill (artist Bob Harvey, writer Jay Over)
  • Picture Yourself! – feature

 

We finish off our spread of Tammy Easter issues with the very last Tammy Easter issue in 1984. Easter is celebrated here with Easter features, an Easter quiz, Easter jokes, and a beautiful spring cover drawn by Maria Barrera.

It is four weeks into the Tammy and Princess merger, and two of the stories that came over from Princess end this week. In “Day and Knight”, Sharon now realises the only way to make her heartbroken father happy is to allow her bully stepsister Carrie a second chance. However, her wounds from all that bullying are making it very hard for her to do so, and she does not understand that her bully stepsister is now genuinely sorry. So it’s a real dilemma. Meanwhile, helping Rusty to get his leg fit again is what finally gets Donna to stop depending on her leg brace and work on improving that leg with exercise.

“Stefa’s Heart of Stone”, which Princess reprinted from Jinty, carries on, as Stefa has still not learned that a heart of stone is not the answer. Ruth, who now realises Stefa’s game, has the girls rally around for a “Melt Stefa” campaign to soften that stony heart. But so far all this gets is rude rebuffs from Stefa. Next week is Stefa’s birthday. Will this make things any different?

Bella has persuaded Benjie to join the sports acrobatics group as her partner. Pity the instructress is so unfriendly to Bella because she is a former gymnastics champion. An encouraging coach would really help the partnership to flourish more.

“Cassie’s Coach” reaches its penultimate episode, and it’s a tear-jerking plot development. Mr Ironside has been such a father figure to the Lord children ever since their mother was wrongly imprisoned. There is so much they could not have done without him – like find the old coach that became their home. But this week they lose him because he has to give up his business (can’t afford to replace his horse) and go work at his cousin’s farm. Can the Lord children survive without him?

“The Horse Finders” are commissioned to find 60 of the near-extinct black Zarah horse breed. They find 50 readily enough, but the final 10 are proving elusive, and time is running out. And time has just about run out when they are one short. But the 60th appears in a most surprise manner.

In this week’s Button Box story, Bev hears a church button story that is instructive in the evolution of hassocks. They started out as tufts of grass for poorer parishioners to kneel on. Unfortunately tufts of grass also made a mess on the church floor. So they became the more practical, decorative and non-messy cushions.

A Pond Hill girl, Catherine Bone, is being terrorised by a secret society known as “The Group” because she had been such a sneak. While Pam is appalled at what “The Group” is doing, others are unsympathetic and say it’s Catherine’s just desserts for sneaking. Di is one of them – but then Catherine turns up on the doorstep, dripping with paint that “The Group” threw all over her. What do you say to that, Di?

Tammy 2 April 1983

Tammy 2 April 1983

Cover artist: Santiago Hernandez

  • The Secret of Angel Smith (artist Juliana Buch, writer Jay Over)
  • It’s a Dog’s Life (artist Phil Townsend, writer Alison Christie)
  • Bella (artist John Armstrong, writer Primrose Cumming)
  • The Button Box (artist Mario Capaldi, writer Alison Christie)
  • Strawberry Delight! Competition
  • Nanny Young (artist Phil Gascoine, writer Tom Newland)
  • The Crayzees (artist Joe Collins)
  • Thief by Night (artist Eduardo Feito) – complete story
  • Easter Bonnets – feature
  • Pam of Pond Hill (artist Bob Harvey, writer Jay Over)
  • ET Estate (artist Guy Peeters, writer Jake Adams)

The cover of this Tammy Easter issue has always had me craving for a yummy Easter egg.

But anyway, Wee Sue, Bessie Bunter and even the Storyteller have been dropped by this stage, so how does the issue commemorate Easter? There is a feature on how to make an Easter bonnet, Easter jokes, and Easter hijinks with the Crayzees. Miss T tries a spell to enlarge Easter eggs and thinks she’s succeeded, but finds that what she has really done is shrink herself and Edie so the Easter eggs just look big to them. And when she tries to reverse a spell, she ends up turning herself and Edie into giants, so now the eggs look like mini eggs to them.

You’d think there would be an Easter tale somewhere in “The Button Box”. Instead, it’s shades of “Stefa’s Heart of Stone” with the tale of “ ‘Tough Nut’ Tara”. New girl Tara is a hard case who snubs all offers of friendship. But when it’s her birthday she gives in. She admits to Bev that, like Stefa, she reacted badly to grief and tried to harden her heart so she would not be hurt that way again, but now she realises her mistake. Thank goodness tough nut Tara was not as hard to crack as Stefa!

The complete story slot could have been used for an Easter story. Instead, it’s a reprint of a Strange Story. By this time Tammy was running reprints of Strange Stories, but the Storyteller has been replaced with text boxes.

In the serials, Abby Fox can’t help but be jealous of Angel Smith, the girl who wants to enter the family’s trapeze act while Abby is excluded because Dad does not want to lose her the way he lost her mother. Now Abby suspects “The Secret of Angel Smith”, whatever that is, and Stalky the clown could help her there. But Stalky has oddly clammed up and Abby thinks it’s because the circus boss has been at him over it.

In “It’s a Dog’s Life”, Rowan Small is bullied in the children’s home, and the bullying she gets shares some parallels with the ill-treatment Riley the dog gets next door. Both Riley and Rowan have been making progress in striking back at their abusers, but this week the bullies bring in reinforcements, which trebles the bullying for both of them. Rowan decides it’s time to run away – with Riley in tow, of course.

Bella is so badly out of training that she has to go through the basic tests to get back into gymnastics. It’s a bit of a come-down for an ex-champion like her, but at least she gets through. But Bella should have known better than to believe her devious Uncle Jed would have genuinely been hiring the private gym he found for her. And in the final panel it looks like she is about to find out the hard way…

Nanny Young is in charge of a baby this time, and there are suspicious signs that his older sister Barbara is jealous of him. Nanny tries to reach out to Barbara while looking for the solution, but so far it’s evasive.

The current Pam of Pond Hill story concludes this week. Fortune-seekers have been out to steal Goofy’s inheritance from his great-aunt, which they believe is hidden in the doll’s house that was bequeathed to him. They tear the doll’s house to pieces to find it and leave in haste when they turn up empty. It turns out they didn’t look hard enough.

In “ET Estate”, the alien invaders finally catch up with Jenny and Dora. They hold them prisoner while explaining the next stage of their plan – which will make all life (humans included) on Earth extinct, just to keep them fed!

 

Tammy 9 April 1977

Tammy cover 9 April 1977

Cover artist: John Richardson

  • Witch Hazel (artist Giorgio Giorgetti)
  • Towne in the Country (artist Mario Capaldi)
  • Copper’s Kid (artist Eduardo Feito)
  • The Elephant and Castle Case (artist John Armstrong) – Strange Story
  • Bessie Bunter
  • Molly Mills and the War Games (artist Tony Thewenetti, writer Maureen Spurgeon) – final episode
  • Wee Sue (artist John Richardson)
  • Edie the Ed’s Niece (artist Joe Collins)
  • Katie on Thin Ice (artist John Armstrong) – final episode
  • The Dream House (artist Mike White)

We continue honouring the upcoming Easter season with Tammy’s Easter issue from 1977. Strangely, we have just one Cover Girl this week. Her daydream is about to send sticky goo from her Easter egg all over her head, and big sis is not around (for once) to handle the situation – or laugh at it, maybe?

Poor Bessie Bunter does not fare much better. To her mind, Easter is “Feaster”, but what she gets is far from feasting. She does not have enough money for a decent Easter egg. She tries to run away to Easter Island in the mistaken belief she would find one there. But all she gets in the end is a boiled egg because she missed her tea.

Edie goes egg-rolling, and her egg ends up going all over Farmer Grump, who really is a grump. Moreover, she forgot to hard-boil it, so he’s even grumpier. But not Edie, who still has her chocolate Easter egg.

Sue’s school is chosen to appear on a community singing TV programme at Easter. But Miss Bigger is threatening to ruin it and not only with her terrible singing voice – she’s also over-dressed herself in an Easter outfit.

There is no Bella Barlow. Instead, John Armstrong has been drawing a period story, “Katie on Thin Ice”, probably because ice-skating is such a feature in the story. Katie Williams has fallen foul of a Fagin-style racket run by Mrs Winter, who also forces her to use her ice-skating skills to commit crimes. And now Mrs Winter is out for murder by sending the whole ice fair under the ice with salt. Katie has to stop Mrs Winter and save her imperilled friends while keeping ahead of the authorities who are out to arrest her. Katie is replaced by a ballet story next week, “The Dance Dream”, so still no Bella.

John Armstrong is also drawing this week’s Strange Story, which has some reference to Easter, but even more to Sherlock Holmes. Joan Watson is sent to take her mother’s necklace to Baker Street for re-stringing, but she loses it. Then she gets knocked down by a car, and goes into a garbled dream (or something) where Sherlock Holmes himself offers his services to help locate the necklace. When Joan wakes up, the dream has given her enough clues to track down the necklace.

“Witch Hazel” is a Catweazle-type story where a 16th century witch named Hazel comes to the 20th century to learn witchcraft, and does not understand that she’s in the wrong century for witchcraft. Hazel’s first day in a 20th school is taking the science teacher by surprise: she demonstrates alchemy! Then Hazel reacts with horror at the sight of the school gym. Does she think it’s a torture chamber or something?

“Towne in the Country”, which had started out as Tammy’s answer to “All Creatures Great and Small”, took a jarring change of tack when Val Towne sets out to find her father, who had failed to return from an African expedition. This would have been better as two different serials. At any rate, Val and her companions have now been captured by a hostile African tribe. And from the looks of the idol they have been brought to, they are to be sacrificed to the tribe’s god.

Gill Warden has been having a hard time being accepted in the village her policeman father has been transferred to. They call her “copper’s kid”, but now there’s another reason for their hostility: they are hiding a secret from her, and they will only show it to her if she agrees to be blindfolded while they escort her.

Stanton Hall has been taken over by soldiers – but then Molly finds out they are criminals planning to spring their buddies out of jail. It’s Molly’s quick wits and resourcefulness to find a way to outwit them.

“The Dream House” was reprinted in Princess II. It is far from dreamy, though – it’s an evil doll house that is progressively taking away all the older members of the household, and the two youngest children are helping it for some reason.