Tammy 20 August 1983

Cover artist: John Armstrong

Namby Pamby (artist Eduardo Feito, writer Ian Mennell)

Bella (artist John Armstrong, writer Primrose Cumming)

Welcome, Stranger! (artist Douglas Perry, writer Chris Harris) – Pony Tale

Room for Rosie (artist Santiago Hernandez, writer Alison Christie)

Holiday Miss Title! (writer Maureen Spurgeon) – Quiz 

Fate – or Fortune? (artist Carlos Freixas, writer Maureen Spurgeon) – complete story

The Button Box (artist Mario Capaldi, writer Alison Christie)

Backhand Play (artist Phil Gascoine, writer Ian Mennell)

Make Your Mind Up, Maggie (artist Juliana Buch)

Pretty Tidy (Chris Lloyd) – feature 

We had this issue before, but the post disappeared for some reason. So here it is again for 1983 issue in our Tammy August month round. 

Inside is one of the most historic moments in the saga of Bella Barlow – the moment when her arch-antagonists, Jed and Gert Barlow, make their final bow and disappear from her strip for good. We never thought we’d see the day. This was an astonishing move for Tammy to take, and we have to wonder what was behind it. Did ye Editor get tired of them or something? Anyway, good riddance to them. Our only regret is that although they had their karmic low points (including prison), they were never really punished for their treatment of Bella. 

In our other stories, Pam’s ridiculously overprotective mother does it again in “Namby Pamby”. The moment she hears Pam’s in a swimming match, she races to the pool, barrelling through the crowd and screaming hysterics, just because she thinks her precious little baby’s catching a chill. Oh, for crying out loud! Pauline Wheeler thinks she’s found “Room for Rosie” pretty quickly, but the new home falls through, so back to square one. No doubt this will be the first in a long string of failed homes before Rosie finds the One. “Backhand Play” is now on its penultimate episode, and it sets the stage for the final one: showdown between the tennis club and their backhand-playing tennis officer, Terry Knightly’s uncle, who’s now making an utter mockery of tennis. And the complications over juggling between riding and ballet get even worse for Maggie in “Make Your Mind Up, Maggie”.

Tammy’s complete stories are now the Button Box series, a Pony Tale series, and a self-contained complete story, a number of which had a supernatural theme. Some of them were reprints of Strange Stories, others were totally new and credited, giving us insight as to who might have written the spooky completes of the past.

Tammy and Misty 1 August 1981

Cover artist: John Armstrong

Bella (artist John Armstrong)

The Breaking of Faith (artist Giorgio Giorgetti)

Wee Sue (artist Mike White)

Linda’s Fox (artist and writer Ron Tiner) – final episode

Are You Set for Summer? (artist John Johnston, writer Maureen Spurgeon) – quiz

The Look of Things (artist Jaume Rumeu) – Strange Story from the Mists

Tune-in (pop and TV gossip feature)

Bessie Bunter (artist Arthur Martin)

No Love for Lindy (artist Eduardo Feito) – first episode

Stella Stirrer (artist Tony Coleman)

For the first Tammy issue for August 1981, Bella takes over the cover spot after Sandy finished last week. Oh dear, no sooner is Bella back on the cover when she’s really put her foot in it by thinking circus tricks (learned from the circus she is staying at) would impress the judges at a gymnastics competition. Now she realises it was one of her worst mistakes, never, ever to be repeated. It not only makes her lose badly but also causes terrible trouble when the audience reacts angrily to the marking. Still, anyone who’s read Bella for long enough will know that when a competition goes badly for her, it means she’s about to undergo a new course in plot direction. Sure enough, somebody comes to the circus wanting to speak to her. Whether for good or bad, it’s definitely the upcoming plot change. 

Bessie’s appearances have grown more intermittent since the Misty merger, but she appears this week. Stackers has the pupils making calendars for a sale of work, but soon finds out Bessie is about as good at making calendars as she is at classwork. 

Tammy’s August issues always had a focus on getting us primed for summer and holidays. Sure enough, her first August issue for 1981 has a summer quiz. The Strange Story from the Mists has a holiday theme, with the Carstairs family on holiday in Malaysia. Unfortunately, daughter Geraldine is spoiling things with her rudeness towards anything or anyone she does not consider attractive. She even throws a stone at a tortoise, calling it “such an ugly-looking brute”. Geraldine’s parents don’t look like they are doing much to crack down on her conduct, but punishment comes, of course. Geraldine is cursed to see nothing but the face of a mysterious old lady she didn’t find attractive. The curse lifts by the time Geraldine returns home, but it would surely have been otherwise if the story had appeared in the original Misty. August is also time for shopping. Wee Sue goes Christmas shopping in August while she has the money, but eventually she uses her Christmas shopping to help some hard-up kids who want to celebrate a birthday, and they hold an August Christmas birthday party. Now, that’s the Christmas spirit! And Tammy is offering holiday coupons.

The new story, “No Love for Lindy”, looks like it could be following similar lines to Sandy Rawlings; perhaps it is the same writer. As with Sandy, the protagonist (Lindy Allen) tells her own story and there’s a boyfriend figure. He’s the only thing making staying at the Westons (who turned out to be no better than the countless failed foster families Lindy’s had already) worthwhile. 

“Linda’s Fox”, written and drawn by Ron Tiner, finishes this week. It sounds like writing a girls’ story was a new experience for Tiner, but he did very well on it, and it must have been a popular story. It was one of my favourites, anyway. The ending is well crafted and thought out in how it handles the clearing of Linda’s father, what happens once he’s out, and keeping Linda’s friendship with Ross the fox intertwined. Tiner ought to be proud of it. Its replacement next week is a repeat of a popular 1976 Giorgio Giorgetti story, “Tag Along Tania”.

Speaking of Giorgetti, his current story, “The Breaking of Faith”, is now on its penultimate episode. Faith discovers the truth about her friend Claire after (finally) checking things out at the home Claire was staying at. Now she has to decide what to do. Her decision will certainly involve what to do about Claire running away, terrified of her finding out the truth.

“Stella Stirrer” saves her friend Katie from drowning in the school swimming pool although she can’t swim. Later, she’s back to stirring things up for snobby Harriet when she discovers Harriet has stolen the credit for the rescue!

Tammy 7 August 1976

Cover artist: John Richardson

Bella (artist John Armstrong)

Towne in the Country (artist John Armstrong)

The Good Old Days (artist Bill Baker) – Strange Story

Tag Along Tania (artist Giorgio Giorgetti)

Bessie Bunter (artist Arthur Martin)

Molly Mills and the General Strike (artist Tony Thewenetti, writer Maureen Spurgeon)

Wee Sue (artist John Richardson)

Drawn to Destiny (artist Tony Higham) – Strange Story serial

Odds on Patsy (artist Eduardo Feito)

We come to 1976 in our Tammy August month round, and the cover confirms what we always suspected – teachers took sneak reads of the comics (Tammy, Jinty, whatever) they confiscated, and they enjoyed them as much as the girls themselves. We have to wonder how many closet Molly, Bella or Jinx from St. Jonah’s fans were created that way. The sight of the teacher reading her Tammy must be worse than the lines for the poor Cover Girl. 

Parents also enjoyed reading their daughters’ copies of Tammy, as one letter to Tammy this week shows: “I have been reading Tammy for nearly five years now…I think it’s the best comic around and so does my mother who always insists on reading it…” 

The Olympics were huge in Tammy in 1976 because of Montreal, and the Bella story for that year used the theme. Bella is determined to reach Montreal although she can’t compete and has no passport. It got left behind when she fled from her cruel aunt and uncle, and her flight is leading to all sorts of misadventures in Continental Europe, with Montreal seeming to get further and further away each time. Right now, she’s stranded in France with a stage troupe who are taking advantage of her. Added to that, there are jealous girls in the troupe playing nasty tricks on her. Yes, it never rains but pours with our Bella. Later on in 1976, Tammy continued the theme of the Olympics with the classic “Olympia Jones”.

By popular demand, 1976 had a stab at publishing some Strange Story serials. The current one is “Drawn to Destiny”, where jealousy between twin sisters over artwork is leading to ever-frightening results. And this week’s Strange Story (below) may have you think twice about comparing the present to “the good old days”.

In “Towne in the Country”, Val discovers what necessity can drive you to do. She is scared at the thought of administering an injection or touching animals, and then she has to do both when her father’s life is endangered and it’s up to her to save his life. Yep, Tammy’s clearly out to toughen up this one all right.

Tania “Tag Along” Foster is trying to stand up to the girls she hangs out with and stop being their dogsbody, but they aren’t giving up their power over her that easily. They’re pulling dirty tricks to keep her as their doormat. It always backfires on them in the end, leaving Tania with the last laugh, but she still has a fight on her hands to win respect.

Tennis trouble for Stackers when she pushes Bessie onto the tennis court this week – she soon finds having Bessie try tennis is courting trouble of the Bessie blundering kind. At least everything ends happily when it’s refreshment time.

Sue is trying to help a pupil lose weight, which turns into a very weighty problem when Miss Bigger makes a bet with the Head over whether or not the girl can lose weight. So the hijinks ensue when Miss Bigger turns to dirty tricks to keep the weight on and Sue steps into foil them. 

Eduardo Feito is the artist who really brought horse stories to life in Tammy. He has a number of strong Tammy horse stories under his belt already, such as “Halves in a Horse”, “The Uxdale Urchins” and “Rona Rides Again”. His current horse story is “Odds on Patsy”, about a racehorse and a girl who wants to be a top jockey. Now that’s a nice change from stories about show jumping and gymkhanas.

Politics is an unusual topic in a girls’ comic, but here it is in Molly’s story, “The General Strike”. Lord Stanton dispatches Molly and Pickering to keep the buses running during a workers’ strike (something IPC knew a lot about), which is being conducted in sympathy for a miners’ strike against a wage cut. Readers must have enjoyed Molly and Pickering’s change of uniforms and jobs: Molly as the bus conductor and Pickering as the (hee, hee!) bus driver. Unfortunately, Lord Stanton’s move to keep the buses running during the strike is understandably pissing off the strikers and they’ve turned on him. Now Lord Stanton’s gone missing, and his car’s come a cropper in the quarry! Could it be connected with the strike?

Tammy 26 August 1972

Belinda Black-Sheep (artist Mario Capaldi) – first episode

Miss High-an’-Mighty (artist Julio Bosch?)

The Lame Ballerina (artist P. Montero, writer Gerry Finley-Day?)

Lulu (cartoon)

The Uxdale Urchins (artist Eduardo Feito)

Swim for Your Life, Sari (artist Juan Garcia Quiros, writer Gerry Finley-Day?)

Skivers’ School (artist J. Badesa)

Dog Paddle Doris (artist Carlos Prunes, writer Maureen Spurgeon)

The Greek Girl (artist John Armstrong, writer Bill Harrington?) – first episode

Here Comes Trouble (artist Luis Bermejo)

Lonely Romy (artists Luis Bermejo and Miguel Quesada (inks))

No Tears for Molly (artist Tony Thewenetti, writer Maureen Spurgeon)

A Special Tammy Portrait – Don McLean

We come to 1972 in our Tammy August month round, and in this issue, two new stories start: “Belinda Black-Sheep” and “The Greek Girl”. Mario Capaldi, who went on to become one of the longest-standing stalwarts on the Tammy team, starts his first story for Tammy, “Belinda Black-Sheep”. Belinda McRea and her father become outcasts in their fishing village after Dad commits a seeming act of cowardice that led the deaths of his fellow fishermen in a storm. But did he really? Or did he lose his mind in some way and was not responsible for his actions? Or did something else happen? He seems to recall saving them, but he’s become so addled we don’t even know what to think, much know where to start working out what happened. 

In the second new story, “The Greek Girl”, Rose Banks has no confidence in herself, and it shows in her appearance (scruffy) and schoolwork (“appalling”). She wishes upon the statue of Penelope, the Greek goddess of confidence, to become more confident. (Incidentally, there really is a Greek goddess of confidence, but her name is Flaunta, and she is the second cousin of Aphrodite.) Soon after, a girl and a cat who are dead ringers for the goddess and her cat come into Rose’s life. Oops, is it the old “be careful what you wish for” again? Incidentally, this was one of the John Armstrong Tammy stories chosen for reprint in the Misty annuals, and a number of them were written by Bill Harrington.

Miss High-an’-Mighty, a spoiled, arrogant Victorian girl named Ursula Thorndike, has to be the hardest nut of all to crack in redemption stories. Bill Fletcher, a convict made good, is taking her on a tour to see how the other half live in the hopes it will change her. Ursula’s had to agree, as it is the only way to save her family from bankruptcy, but so far none of it is making any impression or improvement on her. 

Molly’s in a really complicated fix. She’s taken in an amnesic girl named Lorna, and then a Lady Lancton claims Lorna stole jewellery from her. Lorna is indeed scared shitless of Lady Lancton, but is it for that reason? Molly’s attempt to get Lorna’s side of things is soon putting her in danger.

In “Lonely Romy”, another Cinderella story, Romy hits the road after her spiteful stepsister frames her for stealing a watch. The truth is discovered later, but by this time Romy’s found a new venue for her paintings.

In “Here Comes Trouble”, the trouble for Mitzi Trouble comes from spiteful Katy Dennison. First Katy dopes her horse, and now she’s started a grass fire that’s raged out of control, just to get Mitzi into trouble, but it’s put lives in danger.

Girls’ comics often had some bizarre premises, and “Dog Paddle Doris” is one. Doris Farrell is making her name as…the best dog paddle swimmer around. Although it’s the only stroke she can do, she’s joined a swimming club and is competing in races, against girls who are doing freestyle. She even wins a freestyle event, but she was doing dog paddle, not freestyle. Aren’t there any grounds for disqualification here? 

“Swim for Your Life, Sari” is another swimming story, about a long-distance relay swimming race for Sari Marsh and her team. But Sari soon finds there is more danger than just the risks of the race – something sinister is afoot, and it looks suspiciously like the relay race is a setup for it.

Jill Hudson discovers Louisa “The Lame Ballerina” isn’t that lame, but thinks there’s a medical problem and wants to be friends. The truth is, Louisa is faking lameness to avoid the ballet she’s being pushed into, and now she sees a glorious opportunity to take advantage of Jill.

“Skivers’ School” looks like it’s riding on the success of “School for Snobs”. But instead of teaching snobs a lesson, the special school teaches ill-mannered girls to behave. Flo and Ethel Binns have been sent to it to learn how to be ladies. The hijinks have their skivvying backfiring on them and being foiled by the headmistress Miss Meake. We’re always left wondering as to whether Miss Meake does this without realising it or not, which is probably a running gag.

The Uxdale Urchins win the semi-finals despite problems along the way, but now there’s a real hurdle – the finals are in London, and they can’t afford a horse box.

Tammy and Princess 2 June 1984

Cover artists: Trini Tinturé and Juliana Buch

Bella (artist John Armstrong, Primrose Cumming)

No Use to Anyone! (artist Eduardo Feito)

Pride of the Lamports (artist Hugo D’Adderio) – Pony Tale

Pam of Pond Hill (artist Bob Harvey, writer Jay Over)

Shape Up to Summer with Bella (feature)

Stefa’s Heart of Stone (artist Phil Townsend, writer Alison Christie) – final episode

Take the Plunge! (Mari L’Anson) – feature 

The Button Box (artist Mario Capaldi, writer Alison Christie)

I’m Her – She’s Me! (artist Phil Gascoine)

Cora Can’t Lose (artist Juliana Buch)

Sadie in Waiting (artist Joe Collins)

We now come to the end of our Tammy June month round with June 1984. In fact, this was the last month Tammy would ever appear. She was cut off by a strike with the 23rd June issue and was not brought back to finish her stories. Everything was forever left tantalisingly unfinished.

If not for the strike, Tammy would have been cancelled in August for her own merger into Girl (second series). As June progressed, there were signs of Tammy heading for the merger, with some double episodes and the disappearance of the Princess logo on her last published issue. Princess had only merged with Tammy two months earlier, so her logo lasted the shortest of any comic to merge with Tammy. The Tammy logo had also changed with the merger, going from straight colour to an eye-catching rainbow colour. Many of the covers are pretty summer scenes (well, it was summer) and an inset of a story panel.

For the moment, the buildup to the Girl merger has not yet started. Tammy’s still on the Princess (second series) merger. “Stefa’s Heart of Stone”, which came over from Princess (reprinted from Jinty), finishes this week. This was the last story to be completed from Princess. This will give more scope for the buildup to the merge with Girl.

Right now, it’s pretty much business as usual. With the last of the serials from Princess gone, Sadie in Waiting is the only Princess feature remaining. The current serials could be scripted for either Tammy or Princess. The one remembered the most is “Cora Can’t Lose”, which built up to an exciting conclusion, only to be cut off by the strike, to the eternal frustration of readers. The other serials that started in the remaining weeks of Tammy got cut off as well. But it may not be too late, even all these years later. Perhaps Rebellion can do something to redress the matter. 

Tammy & Jinty 5 June 1982

Cover artist: John Armstrong

Bella (artist John Armstrong, writer Primrose Cumming ) – new story

The Devil’s Mark (artist Phil Townsend) – Monster Tales

Pam of Pond Hill (artist Bob Harvey, writer Jay Over)

Wee Sue (artist John Richardson) – Old Friends

Nanny Young (artist Phil Gascoine)

The Human Zoo (artist Guy Peeters, writer Malcolm Shaw)

Make Waves! (Mari L’Anson) – feature

Wheels of Death (artist Ken Houghton) – Strange Story

Di and the Dolphins (artist Eduardo Feito)

We come to 1982 in our Tammy June month round, and the Tammy & Jinty merger era. The following month, everything in the merger was swept away for everything to start new and anew in the new look Tammy on 17 July 1982. So the weeks leading up to it was clearing the decks, with double episodes of serials, some material cut from “The Human Zoo”, and new stories shorter in length, such as new Bella story starting here. The Jinty logo has shrunk, another sign the Jinty merger was on its way out.

Bella’s new story is the last Bella story to have the cover spot in the splash panel cover era. The story begins with Bella having nowhere to go but Uncle Jed and Aunt Gert, which usually means slaving for them until she finds a way to break free and pursue her gymnastics. She is astonished to find them coming over all nice to her, but they have a long track record of phoney niceness to her when it suits them, and this is no exception. 

The merger regulars (Monster Tales, Old Friends and the Strange Stories) carry on as usual. Nanny Young, a new regular that started with the merger, and Pam of Pond Hill, which came over from the merger, will continue with the new look Tammy. Bessie, Molly, Tansy and Wee Sue are in rotation as the “Old Friends” regular, but they look tired and clearly on their very last legs.

As there are so many regulars with the merger, there is not much room for serials. One reader even wrote in during the merger asking for more serials and no more “Old Friends”. She got her wish with the new look Tammy, with “Old Friends” dropped and the number of regulars reduced, which allowed for more serials. Right now, we have “Di and the Dolphins” and a welcome reprint of “The Human Zoo” from Jinty. 

The current Pond Hill story puts more focus on Pam’s boyfriend Goofy than usual. Goofy, a bit on the bumbling side, wants to prove he can be good at something. His choice is making and entering a soapbox racer in a derby. He is adamant Pam is to stay out of it and not help in any way, saying she’s too interfering. Trouble is, he’s making things too difficult for her not to interfere! It’s soon evident he doesn’t know what he’s doing, he’s bitten off more than he can chew, and he badly needs the help he so adamantly refuses.

Tammy and Misty 6 June 1981

Cover artist: Juliana Buch

Sandy – A Girl Like You (artist Juliana Buch)

Olympia Jones (artist Eduardo Feito, writer Anne Digby)

Bella (artist John Armstrong, writer Primrose Cumming)

Wee Sue (artist Hugh Thornton-Jones)

Perfect Pets – feature

The Breaking of Faith (artist Giorgio Giorgetti) – first episode

Tune-In (feature)

Bride of the Devil (artist Hugo D’Adderio) – Strange Story from the Mists

Stella Stirrer (artist Tony Coleman)

Edie and Miss T (artist Joe Collins) – cartoon

Bessie Bunter (artist Arthur Martin)

Linda’s Fox (artist and writer Ron Tiner)

Now we come to 1981 in our Tammy June month round. The Cover Girls have disappeared and we are in the era of the splash panel story covers. Most often, Bella had the spot on this cover, but Sandy has it at the moment. When the cover changed, a new look Tammy logo was introduced (above).

The Misty logo has shrunk on the cover, a clear sign the Misty merger was on its way out in Tammy. Misty was still co-presenter of Strange Stories from the Mists, and this week she tells the legend of Evelyn Carew of Potter Heigham (below), rendered with gorgeous Hugo D’Adderio artwork. The same legend was profiled in the original Misty, on her page of British folklore and legends. Many readers sent in contributions for prize money. 

The team-up of Miss T and Edie was the most durable of the Misty merger. The pair became a trio when Snoopa came over from Jinty to form “The Crayzees”, and it lasted until Princess II merged with Tammy in 1984.

Adding extra delight to Tammy is the “Tune-In” feature, which gives us funny and informative stories and gossip about TV and pop stars. 

Bessie Bunter was relegated from regular appearances to fill-in ones when Misty joined, but this week she does make an appearance. Molly is on break, which gives more room for serials. Hugh Thornton-Jones is doing Wee Sue this week, the strip where his artwork appeared the most often in Tammy. Olympia Jones, the smash-hit story from 1976, is back by popular demand and enjoying an equally popular repeat. “Linda’s Fox” is one of the girls’ serials we know to be both written and drawn by the same person. In this case it is Ron Tiner. This was the only serial Tiner drew for Tammy, along with a couple of Strange Stories.  

Sandy, another popular Tammy character, is on her second story in Tammy (a third followed in 1982). In her original story, Sandy was the first Tammy story about boyfriends and dating, which was a novel thing for Tammy to do at the time. The days when boyfriend serials were commonplace in girls’ serials were still many years ahead, up at DCT. Sandy’s second story still features boyfriends, but it is not a story arc like the original. It is a series of scrapes and troubles of one sort or other. Some of them are new problems, but others stem from Sandy’s still-persisting problems from her first story, particularly her interfering father, and not having found a suitable boyfriend since she lost the one from her first story.  

In her latest story, Bella has run away from the cruel Barlows and fallen in with a circus. She finds circus is not for her, nor is it the best way to keep up her gymnastics. However, she’s stuck with it for the time being, as the circus badly needs her while it is under threat from an enemy. 

Giorgio Giorgetti’s new story is “The Breaking of Faith”. He had been a regular Tammy artist for several years, but he passed over later in 1981, so this was his final year in Tammy. His last Tammy story was “Jump, Jump, Julia”.

“Stella Stirrer” is a revenge on the bullies story, where a new kitchen maid at a posh boarding school uses the kitchen to hit back at the snobs who pick on her. But in revenge stories, things have a nasty habit of getting out of hand. So far this has not happened, but the story is still in its early episodes. The later episodes will tell.

“Bride of the Devil”, Tammy 6 June 1981. Art by Hugo D’Adderio.

“Bride of the Devil”, Tammy 6 June 1981. Art by Hugo D’Adderio.

“Bride of the Devil”, Tammy 6 June 1981. Art by Hugo D’Adderio.

Tammy 11 June 1977 – Jubilee Issue

Cover artist: Audrey Fowley

Bella (artist John Armstrong)

Babe at St. Woods (José Casanovas)

What’s Wrong with Rhona? (artist Eduardo Feito)

25 Years Ago This Week – Jubilee feature

Wee Sue (artist Richard Neillands)

Bessie Bunter (artist Arthur Martin)

Molly Mills and the Comic Capers (artist John Johnston, writer Maureen Spurgeon) – final episode

The Caliph’s Jewels (artist Hugo D’Adderio) – Strange Story

Witch Hazel (artist Giorgio Giorgetti)

Time Trap! (artist Tony Higham) – first episode

For the 1977 issue in our Tammy June round, it just has to be the Jubilee issue, seeing as the Queen’s Jubilee is topical this year. For the commemorations, Tammy takes a flashback look at the Coronation, and Wee Sue and Bessie both plan Jubilee pageants but run into obstacles that threaten to derail everything. It takes a bit of quick-thinking, determination and strokes of luck before things work out happily. The Bessie Bunter episode looks like it was a reprint, with a bit of new text bodged in to give it the Jubilee context.

The Crown Jewels cover also adds the theme of jewels to the issue, which carries on in the Strange Story, “The Caliph’s Jewels”, in which the Storyteller retells the Dutch folktale of The Lady of Stavoren, a cautionary tale about treating food with respect. So it’s not about jewels, then? The arrogant Lady of Stavoren discovers too late that food becomes as precious as jewels when you face starvation. There are over 27 versions of the tale. The Tammy version appears below. It is illustrated by Hugo D’Adderio, whose artwork is always popular.

The new story this week, “Time Trap!”, is a gem too. Tammy takes on the subject of reincarnation and hypnotic regression, which is a novel thing for her to do. Another gem, now on its penultimate episode, is “Witch Hazel”, which looks like it was inspired by Catweazle. A 16^th century apprentice witch comes to the 20^th century to learn witchcraft, but she doesn’t understand that witchcraft is not exactly on the curriculum of 20^th century schools, nor can she grasp how the 20^th century works. Another jewel in Tammy’s crown is the hugely popular “Babe of St. Woods”, starring a gangster’s daughter who uses all her gangster know-how to get herself and her friends out of all sorts of scrapes at boarding school. And “What’s Wrong with Rhona?” is a sparkler. Rhona has been acting very strangely ever since she picked up a strange doll. Things hit their nadir this week when her odd behaviour makes her steal a calculator, and now the police are on her doorstep! Help, is she on her way to juvenile court? 

The Bella story takes a surprise turn this week. Bella is giving us her origin, as told to her American Indian friend Oona Tall Tree. She tells Oona (and us) how she started on gymnastics before her orphaning (which doesn’t quite fit her first story on how she discovered gymnastics while window-cleaning for Jed and Gert) and how she lost her parents. It’s a surprise to see the flashback shows Bella did not have her trademark pigtails or overalls back then.

The latest Molly story, the “Comic Capers”, is Molly’s funniest story ever. It takes the unusual twist of parodying itself through a satire of Stanton Hall and its staff, which Pickering submits to a magazine, and it is drawn by a comical artist (John Johnston), who has been doing a number of Wee Sues of late. Sadly, it ends this week, and Molly will be back to business as usual with her usual artist next week. 

There has also been a notable change in the artwork of Wee Sue. It used to be an artist doing a long stint (Mario Capaldi, John Richardson), but now there is a trend towards more variety of art work in her strip; artwork from John Johnston and Richard Neillands is now appearing. This trend in a variety of Wee Sue artwork would continue, with Hugh Thornton-Jones, Mike White, Jim Eldridge and Robert MacGillivray added to the mix. 

Tammy 12 June 1976

Cover artist: John Richardson

Bella at the Bar (artist John Armstrong)

Secret of the Skulls (artist Mario Capaldi)

The First Mystery (artist John Armstrong) – origin of the Storyteller

Odds on Patsy (artist Eduardo Feito)

Bessie Bunter

Molly Mills and the Lucky Visitor – complete Molly story (artist Tony Thewenetti, writer Maureen Spurgeon)

Wee Sue (artist John Richardson)

The Sungod’s Golden Curse (artist Douglas Perry)

Lord of the Dance (artist Miguel Quesada)

We now come to Tammy’s June month in 1976. The Olympics were a strong feature in Tammy that year because of Montreal. That year, Tammy ran her Olympics classic, “Olympia Jones”.

Meanwhile, the Olympics logo has been added to the Bella logo. Bella, of course, is trying to reach Montreal. Jed and Gert have just returned to Bella after a much-deserved stint in prison (though not for the cruel way they’ve always treated her). They’ve now been released for good behaviour and say they’ve reformed and will help Bella all the way to Montreal. So far they’re treating Bella well, but they have a track record of phoney niceness to Bella when they believe it’s to their advantage (like getting out of prison, maybe?).

Molly has now switched from the title “No Tears for Molly” to individually titled storylines, most often “Molly Mills and the [name of the story].” Molly takes the unusual step of having a complete story this week. 

By popular demand, this week the Storyteller tells his origin story and how he became to be the Storyteller. The story appears below, and we also see the one and only appearance of his daughter. It seems a shame Tammy did not also take advantage of this popular demand to reprint the Storyteller’s very first story, “The Haunted Bank”, way back in his debut in June (the comic, not the month) on 30 January 1965, to show us how he started. Enough time had passed to allow for the reprint. 

In 1976, there was a definite ebb in the slave story/Cinderella story theme that had featured so much in the earlier Tammy. Other genres were gaining more currency. Animal stories were strong in the 1976 Tammy, such as “A Lead through Twilight”, “Towne in the Country”, the current “Odds on Patsy”, and the smash-hit Olympics-themed serial, “Olympia Jones”. The scary and the supernatural were strong that year too, and this issue has two alone: “The Sungod’s Golden Curse” (but is the curse real or a fraud?) and the macabre “Secret of the Skulls”.

The ballet story “Lord of the Dance” is the last Tammy serial drawn by Miguel Quesada, a Tammy stalwart since her early days. 

Tammy 24 June 1972

School for Snobs (artist J. Badesa, writers Pat Mills/John Wagner) – final episode

The Uxdale Urchins (artist Eduardo Feito) – first episode

The Saint of the Snows

Lulu – cartoon

The Champion from Nowhere (artist Tom Hurst)

The Witch of Widcombe Wold (artist Jesus Redondo, creator Terence Magee)

Jill’s Only Joy (artist John Armstrong)

Tina on a Tightrope (artist Roy Newby)

Take Over Biddie 

A Special Tammy Portrait – Peter Osgood

5 Radios To Be Won! – Competition

The Dragon of St George’s (artist Douglas Perry)

No Tears for Molly (artist Tony Thewenetti, writer Maureen Spurgeon)

Here Comes Trouble (artist Luis Bermejo)

Now we come to part 2 of our Tammy June month round robin with a June issue from 1972. It’s been over a year since Tammy started, and we can see how Tammy has developed. When she first started, there was nothing in the way of humour to balance things. Her focus was on darkness, cruelty and ill-used heroines. She ramped it up to the max, which sometimes went over the top. We’ve still got the cruelty and ill-used heroines, especially Molly Mills, but Tammy is now injecting more comedy and lightweight stories into the mix, so there is a better balance of stories than before. 

Tammy now has a cartoon strip (Lulu), something she didn’t have when she began. However, the most notable example of Tammy’s increasing use of humour is “School for Snobs”, a special school devoted to curing girls of snobbery in hilarious come-uppance ways (but it must be said that it did go overboard at times!). The first School for Snobs story ends this week. It’s not the “snob of the week” format that it would have in its sequels; it was a story arc about reforming two snobbish sisters. One reforms pretty quickly and learns a lot from the school, but the other is a tough nut to crack. It’s not until the final episode this week that she finally decides to make an effort to change. 

A mix of drama and humour is used in “The Dragon of St George’s”, about an army sports mistress who runs athletics military style at a boarding school. She’s nicknamed “The Dragon”, and under normal circumstances in girls’ comics she would be a tyrant teacher hated by all the girls. Instead, Tammy turns it around by making the Dragon the heroine of the piece. And why is this? The Dragon is helping the girls to keep the sports they love so much in the face of the mean headmistress and the head girl who don’t approve of athletics and want the school to be exclusively academic. The story was so popular it scored an appearance in a Tammy annual. 

The 1971 Tammy focused more on unredeemable villains, such as Ma Thatcher of “Slaves of ‘War Orphan Farm’” and Miss Bramble of “The Four Friends at Spartan School“, but now we are getting some humorous villains. One is Ma Sload of “The Champion of Nowhere”, who is taking advantage of an amnesic girl and her talent for tennis. Although Ma Sload is a serious villain, there is a dash of humour to her too, which makes her oddly endearing. We are also getting villains played more for humour than cruelty. One is the “Witch of Widecombe Wold”, who is always making trouble for her descendant, Lynn Halifax, when she moves to Widecombe Wold, but each week the witch ends up with things backfiring on her and looking stupid. Still, we must remember she is still a villain who has to be got rid of.

“Here Comes Trouble” is another indication of how Tammy is developing. As well as her usual ill-used heroines, she is working on having some really ballsy protagonists who don’t take things lying down. 

“Take Over Biddie” is also another example in how Tammy is exploring different types of character portrayal and telling things from a character’s point of view. The story is told from the point of view from Biddie’s cousin Grace. Biddie has had an unhappy home life because of her snobbish mother. Grace has felt sorry for Biddie, but now she’s beginning to suspect Biddie is pushing her out. However, we suspect Grace will still be going through moments where she does not know what to think of Biddie.

Tammy had a high preponderance of period stories in her early years. Her current period stories are “The Saint of the Snows” and “Tina on a Tightrope”. Curiously, her period stories had dwindled by the 1980s.

“Jill’s Only Joy” is the only story I have seen where John Armstrong drew a ballet story. And when you look at the artwork, you have to wonder why he didn’t draw more ballet stories. Jill Carter is striving to be a ballerina, not only in the face of cruel step-parents but also because she wears glasses. And this week she also has to contend with a ballet teacher who is really picking on her. 

In 1971, Eduardo Feito began his long-running streak in drawing horse stories for Tammy with “Halves in a Horse”. This week he starts on “The Uxdale Urchins”. Girls save coal mine ponies from being put down and start a riding club with them, “The Uxdale Urchins”, but they soon find they have to contend with the snobs from another riding club.