Tag Archives: Eduardo Feito

What’s Wrong with Rhona? (1977)

Sample Images

Published: Tammy 7 May 1977 to 23 July 1977

Episodes: 12

Artist: Eduardo Feito

Writer: Unknown

Translations/reprints: Girl annual 1983 (some material cut); Tina Sterstrip 5 in 1983 as ‘Zomaar een pop…?’ (Just any doll…?).

We continue our exploration of “possession” serials with one of Tammys’ forays into science fiction. Incidentally, the SF serial was something Tammy did not delve into frequently, probably because she placed more emphasis on dark serials laden with emotion, cruelty and exploitation. It was seen more often in Jinty.

Plot

Rhona French is the star athlete of her school. While on a training run on Salisbury Plain, Rhona and her friends are surprised by a strange scorching smell. Then Rhona finds a doll. Its eyes are closed. She takes it for safe-keeping, hoping to find its owner. But before long, everyone who sees the doll is creeped out by it, including Rhona’s brother Tim and best friend Helen. They say it’s weird and feels like it’s made of flesh. 

Just before the second half of a crucial hockey match, Rhona is surprised to find the doll’s eyes open. During the match she gets a splitting headache and then starts playing badly because her body doesn’t seem to have its usual agility. She is benched, her team loses, and Rhona finds herself in Coventry. She is surprised by it all because she has absolutely no memory of what happened. The doll’s eyes are closed again.

And so the pattern is set for the story: When Rhona is near the doll, the doll’s eyes open. Rhona gets a splitting headache and everything goes blank. Then she acts totally out of character, moving clumsily and awkwardly while her behaviour is cold, aloof and chilling and her eyes give off an alarming stare that makes everyone shiver. She walks in a manner that mows down everyone in her path. She also thinks and talks in a manner that is not herself, suggesting something or someone else is in control. Then there’s another splitting headache, Rhona returns to normal with no memory of what happened, and the doll’s eyes are closed again. And of course how she behaves in between those headaches gets her into a whole heap of trouble that she can’t explain. Mum thinks Rhona is ill or something, but Dad keeps reacting angrily and thinks a good thrashing is in order. Rhona also begins to experience visions of strange technology. 

A weakness is suggested early on: when Mum sprays air freshener in the kitchen, the strange possession reacts badly to it: it coughs badly, feels like it’s choking, and flings the air freshener out the window. This suggests it has a reaction to aerosols.

Another weakness is revealed when Rhona’s poor coordination while under the possession causes her to have a road accident. Still under the possession, she walks out of the hospital, yelling to the doctors that if she does not get home within the hour, both of them will die. This suggests a time limit. She is forced back to the hospital and nearly dies before the doll is brought in (in the nick of time, maybe?).

The possession takes over in class. Under it, Rhona treats the teacher arrogantly, saying what she is teaching is far too elementary and childish and should be capable of a higher standard of teaching. When the teacher lays a hand on her, the reaction is very angry: she shoves the teacher aside: “How dare you touch me, you horrid woman!” The headmistress sends Rhona home with a note about her conduct.

On the way home, the possessed Rhona also reacts angrily to a market stall man and upsets his apple cart when he slights her. But that’s not the worst of it. It also has her steal a calculator from a store because it wants to work on vital calculations. The police are called in. By this time Rhona has returned to normal, she not only can’t explain her conduct in class but the theft either, because she has no memory of them. Dad manages to get her off the hook with the police but is furious with her and has no time for Mum’s pleas that Rhona has been ill.

Mum is among those who have noticed how oddly Rhona has been behaving since she picked up the strange doll and decides to send it to a cousin in Scotland. Overhearing this while under the possession, Rhona hides the doll in a box of Christmas decorations. When she returns to normal, the doll seems to have disappeared and Rhona thinks her problems are over. For a brief time they seem that way.

Then something pulls Rhona to the box of decorations, and there’s the doll with its eyes open again. Under the possession she goes out. Helen sees this, and realising the trouble has resurfaced, follows her. The trail leads to Stonehenge. Using the stolen calculator, it calculates the approach angle for a rescue shuttle craft, which is set to come at sunrise next day. Through its speech and thought bubbles, it becomes apparent that an alien is taking over Rhona’s body, and when it does, its conduct is cold and arrogant. It considers its own race as superior to Earthlings in terms of intellect. But manoeuvring Rhona’s body is difficult because it’s too large for the alien (not surprising, considering Rhona’s body is a giant compared to the doll-sized body of the alien!). Its own body cannot cope with Earth’s atmosphere and it was placed into a state of suspension until its spaceship returned. It is using Rhona to “regain [its] freedom” i.e. “leave this disgusting planet!”, but it can only stay in Rhona’s body for 12 hours, after which both it and “that stupid Rhona” die if it does not return to its own body in time. 

Meanwhile, Mum and Tim find the doll/alien and, seeing how creepy it is, dispatch it to the cousin in Scotland. Discovering this, the possessed Rhona sets off after it. She ends up jumping a train to retrieve it, pulling the emergency cord, and then jumping off, taking a fall down a slope. It is very surprised to experience pain, something unknown to its race, and retreats, letting Rhona return to normal. Not remembering what happened, Rhona stumbles home with the parcel. Only once she arrives home does she check the parcel, discover she brought that weird doll home again, and realise her mother was trying to get rid of it.

Helen comes over to discuss things with Rhona about the doll. After writing everything down they see the pattern of the doll’s eyes opening and closing, Rhona being near it at the time, and then the blank spells. Recalling the incident with the air freshener, Rhona tries it out on the doll. Sure enough, the air freshener forces the doll’s eyes closed again when they open. However, Rhona loses the air freshener next time the doll’s eyes open, and it takes her over again. It sets off for the rendezvous at Stonehenge, with Tim and Helen in pursuit once they find Rhona and the doll gone again.

At dawn, Rhona is very surprised to find herself at Stonehenge. A ray of light hits the alien/doll and it comes out of suspended animation. It introduces itself as Srewana of the starship Opsilon. Srewana explains she was left behind when her starship took off for emergency repairs, but now it is returning. She has using Rhona’s body for survival reasons, as she can’t use her own in Earth’s atmosphere. Her people, who look like doll-sized humans, built Stonehenge for a spaceport, with the altar stone as the landing platform. In some parts of the world they became worshipped as gods because their superior technology looked like magic. Then a comet collided with Earth and changed the atmosphere, which proved detrimental to the aliens (and explains the weakness to aerosols).

The spaceship arrives and lands on the altar stone. Srewana forces Rhona into the spaceship as a specimen for her race. However, when the captain hears what Srewana has been doing to Rhona, he is furious because Srewana broke their laws about non-interference with inhabitants on the planets they visit (sounds like times have changed since Srewana’s race interfered with human development) and tells Srewana she will be punished. He apologises to Rhona for the trouble Srewana caused her, lets her go, and asks her to stay silent about her alien encounter. So when Tim and Helen catch up, Rhona merely says “the weird doll” is gone forever and the trouble’s all over. Helen notices a strange burning smell, the same as the one when they first found the doll.

Thoughts

Here we have the possession serial story done with a stranded E.T. that is not friendly or endearing like the Spielberg version. Srewana justifies what she does, including breaking the laws of her own people, in the name of survival. We should be thankful that the alien was only doing it for self-preservation purposes when she could easily have had more sinister reasons for taking over a human body. Still, we don’t have much sympathy with Srewana, even though she is doing it for survival, because of the way she behaves when she is in Rhona’s body. We might feel more sorry for Srewana if she had proved much nicer or feeling like a fish out of water during the periods when she was in Rhona’s body. Instead, her conduct shows she is a “little horror” as Rhona calls her when she finally confronts her.

After we see the more likeable and less arrogant starship captain, we realise Srewana’s arrogance, coldness, and aggressiveness when she is crossed in any way have more to do with her personality than any superiority complex that her race might have because they are far more advanced than Earth. After comparing the captain with the “horror” Srewana, Rhona muses, “I suppose there are good and bad among all people.” It was just her rotten luck to encounter a bad example of that race.

The story is unusual in being very quick to establish the red flags that there is an evil object afoot. The moment Helen and Rhona’s mother and brother see the doll they find it creepy and chilling; they are quick to realise Rhona’s strange behaviour started when she found it; and they are not surprised by any theories that there is a link. Usually it takes a while before anyone catches on, and in the meantime the protagonist gets into a ton of trouble she can’t explain because she was doing it under the power of the evil object. Not everyone is convinced of course. Rhona’s father certainly isn’t, nor does he believe it’s because Rhona’s ill. However, he is unusual in being more the exception than the rule in an “evil object” story in not believing something weird is responsible for the goings-on.

There is an amusing side to the aliens being doll-sized. We also giggle when the flying saucer arrives because Rhona thinks “it’s like a toy”, and it’s so small it can fit on the altar platform of Stonehenge. We wouldn’t be surprised if these aliens gave rise to fairy and leprechaun legends as well as being worshipped as gods. And when Rhona confronts Srewana, angrily calling her a little horror for what she’s done, Srewana actually cowers in fear and begs Rhona not to hurt her. Rhona replies, “Oh, stop whining! I can’t thrash a tiny thing like you, much though you deserve it!”. Really, after demonstrating her power to take over Rhona’s body and considering herself the superior intellect, we expect Srewana to have far more defiance and arrogance than that! Perhaps it’s the difference in size between them rather than the difference in advancement. Still, small size should not be underestimated. As Srewana has demonstrated, being small does not mean you’re harmless. 

Tammy 1 January 1977

Cover artist: John Richardson

Babe at St. Woods (artist José Casanovas)

Towne in the Country (artist Mario Capaldi)

Curtains for Cathy (artist Douglas Perry)

The First-Footer – Strange Story (artist John Armstrong)

Edit the Ed’s Niece (artist Joe Collins)

Bessie Bunter

Molly Mills and the Season of Goodwill (artist Tony Thewenetti, writer Maureen Spurgeon) – final episode

Nightmare at Grimm Fen (artist Diana Gabbot(t))

Wee Sue (artist John Richardson)

Olympia Jones (artist Eduardo Feito, writer Anne Digby) – final episode

Welcome to our first entry for 2021! And there’s no better way to begin than with a New Year’s issue from the past.

The Tammy annual was often a running gag at Christmas/New Year time during the Cover Girl era, and this cover is no exception. The advantage of the Cover Girls and regulars such as Bessie and Sue meant Tammy could make in-jokes about the Tammy annual, to the amusement of readers. 

Wee Sue, Edie, Bessie and the Storyteller all have New Year-themed stories as well. Miss Bigger finds bats in the belfry (literally) when she’s in charge of ringing in the New Year. Later, Sue needs the bells for more than ringing in the New Year – saving juniors from a nasty accident! Edie makes 16 New Year resolutions, and even she knows she won’t keep them all. Bessie’s class dress up in fairy tale costumes for a New Year party, with Bessie as Humpty Dumpty. In the Strange Story, Nina Prentice scoffs at superstitions and fortune-telling but is left wondering after something strange happens with the first-footer custom for New Year. The happy ending of Molly’s “Season of Goodwill” story with Lord Stanton willing to save the children’s home from closure rounds it off nicely as well.

Cathy is now a full actress, but all she feels is terror because of whoever is trying to drive her off, and they are very nasty about it. Their latest is switching Cathy’s makeup kit with that of her mother Constance, who’s been dead for years. Now, how did her enemy get hold of that anyway? Could it even be a clue to their identity?

Robert Le Mal’s fulfilled his threat to take control of birds, animals and people. But now he goes one further – taking control of power lines! 

Val gets a lift from Spain to Gibraltar. Now she has to cross a desert by camel train. But she doesn’t realise that some male members of the camel train are offended by her not being covered Muslim style and they fear it will incur Allah’s displeasure.

The bossy head prefect, along with the snobs, sends Babe & Co on a hare and hounds paperchase, which crosses paths with a fox hunt. When Babe hides the fox in her bag, it causes everyone to get chased, with the antagonists getting stuck in the mud.

It’s the final episode of “Olympia Jones”, and I used to read it over and over. The villainous Rotts must have been as surprised as they were shocked to meet their Waterloo at Olympia’s trial when they thought they had her stitching all sewn up. But Olympia’s old friend Amanda Fry changes everything with some detective work. Olympia is fully exonerated at the trial and goes on to win her Olympic gold after all. However, there’s no doubt the best scene belongs to lousy Linda Rott the horse-beater when she discovers she’s been caught out (below).

Linda the horse-beater destroys herself in court. From “Olympia Jones”, Tammy 1 January 1977/25 July 1981. Artist Eduardo Feito.

Personally, I’ve always wished the material in the final episode had been expanded into a story arc lasting a few more episodes. There’s so much jam-packed into the episode that so much gets short shrift or omitted, such as the final fate of the Rotts and the full story of Olympia at the Olympics. Maybe Anne Digby intended to develop things further with more episodes but ye Editor wouldn’t agree. 

Replacing Olympia next week is a non-Bella John Armstrong serial, “Katie on Thin Ice”. Bella tended to start in the second quarter and finish late in the year, but 1981 and 1982 were exceptions to this.

Tammy 25 December 1976

Cover artist: John Richardson

Babe at St. Woods (artist José Casanovas)

Towne in the Country (Mario Capaldi)

Gran’s Christmas Message – Strange Story (artist Audrey Fawley)

Edie the Ed’s Niece (artist Joe Collins)

Curtains for Cathy (artist Douglas Perry)

Bessie Bunter

Molly Mills and the Season of Goodwill (artist Tony Thewenetti, writer Maureen Spurgeon)

Nightmare at Grimm Fen (artist Diana Gabbot(t))

Wee Sue (artist John Richardson)

Olympia Jones (artist Eduardo Feito, writer Anne Digby)

Kevin Rowan of “Our Kid” – feature 

The issue is actually dated 25th December. Did Tammy/Jinty readers actually get their 25th December issue on Christmas Day itself? Was the issue postdated and distributed early, before the Christmas holidays? Or did readers have to wait until after the Christmas holidays for their 25th December Tammy/Jinty to arrive? Where I come from, the Christmas issue didn’t arrive until March (that’s how long it took for girls’ comics to ship), so I wouldn’t know.

Bessie, Molly, Wee Sue and Edie all have Christmas-themed stories. I like the Bessie Christmas story so much I’ve reproduced it below.

The Strange Story is also a Christmas story. The Christmas spirit is lost on Cathy Summers, who is grieving too much for her grandmother. Then she has an accident while decorating the Christmas tree and her condition is very bad. In hospital there is a strange visitor – grandma – and Cathy makes a miraculous recovery.

No Christmas celebration for Babe of St. Woods, but she still has a ball sorting out some stuck-up boys from a boys’ school. The boys also like to play rotten pranks and eventually try pouring white paint on Babe and her friends, but Babe makes sure they hit the wrong targets – namely, the mounted police! 

The “Nightmare at Grimm Fen” began when Patty and Mark Stephens did a brass rubbing of an evil knight, Robert le Mal, which brought him back from beyond the grave. The ghost has powers over birds, animals, people, telephone wires and airwaves to spread his influence and make everyone do his bidding, and our heroes are being surrounded by it. He’d have influence over the Internet too if it had existed at the time. Wow, not many ghosts in girls’ comics are that powerful, and it didn’t take our medieval knight long to to discover how to use 20th century technology.

Bella spent a lot of 1976 stowing away, getting stranded in foreign countries and having all sorts of adventures in order to get to the Montreal Olympics. Now Val in “Towne in the Country” is doing the same while trying to join her father’s veterinarian expedition in Africa. Right now she’s stranded in Spain and is shocked at the cruelties of bullfighting. 

In “Curtains for Cathy”, Cathy Harley is the daughter of a famous actor but wants to make her own way as an actress, right down to working under another name. But she has an enemy trying to stop her. Whoever it is has left a dummy of her to frighten her. It doesn’t stop her from a brillant performance, which gets her four curtain calls.

Olympia Jones has just made it to the Olympics team, only to face her darkest hour (what a cruel irony in the Christmas issue). She’s under arrest for horse theft and (in effect) animal cruelty, she’s lost her horse Prince, and her hopes of getting to the Olympics look dashed. It’s all a frameup and conspiracy, hatched by her old enemies, the Rotts, to get their hands on the fortune Prince is now worth. Olympia hasn’t got one iota of evidence to prove she’s telling the truth and everything looks hopeless to her. However, the last panel of the episode should make things obvious to readers how that’s all going to change and they’ll all be hankering for the next issue to see exactly how it all pans out.

Tammy 18 December 1976

Artist: John Richardson

Babe at St. Woods (artist José Casanovas)

Towne in the Country (Mario Capaldi)

Curtains for Cathy (artist Douglas Perry)

The Family Feud – Strange Story (artist John Armstrong)

Edie the Ed’s Niece – Joe Collins

Bessie Bunter

Molly Mills and the Season of Goodwill – first episode

Wee Sue (artist John Richardson)

Nightmare at Grimm Fen (artist Diana Gabbot(t))

Olympia Jones (artist Eduardo Feito, writer Anne Digby)

Christmas craft feature

Tammy really is gearing up for Christmas now. Her Christmas craft feature is on how to make Christmas decorations. Edie is writing out her Christmas present list (with the Tammy annual included of course). Wee Sue’s class is putting on A Christmas Carol with Sue cast as Tiny Tim, and she takes quick action to stop a Christmas tree from starting a fire. Miss Bigger was cast as Scrooge (perfect role for her) and is given an offer of a role in a pantomime. Sue doesn’t tell Miss Bigger what kind of role it will be in case she turns into the Christmas grinch. As part of Christmas Bessie & Co are repairing old toys for the children in hospital, but a rocking horse leaves Bessie champing at the bit. Stanton Hall is being decorated for Christmas – but trust Pickering to act the grinch. Then Molly discovers the local children’s home is facing closure, and Pickering, of all people, gives her an idea on what to do about it.

Babe at St Wood’s goes to the fair but falls foul of a conman. He leaves her and her friends stranded on the roller coaster with the help of the snobs before going off on business of his own – stealing silverware. Then he falls foul of Babe and her gangster-taught skills. Babe proceeds to take revenge on the snobs, who have unwisely hidden themselves in the human cannonball cannon…

Val puts her vet skills to good use on the ship she stowed away from when she cures their mascot dog of an illness. In return they don’t hand her over to the authorities. Unfortunately a storm blew them off course and now Val is stranded in Spain.

A shot makes Cathy faint, but it didn’t come from the gun she bought – so where did it come from? Back at the theatre, Cathy again hears that voice telling her to leave the stage, and that person knows her real name. To make their point clear, they throw down a dummy placard of her, and it’s hanging by the neck. We have to wonder along with Cathy – is this a sick joke or a final warning?

In the Strange Story, dressing up as a cavalier (the brother) and Puritan girl (the sister) for a pageant has them arguing – which is nothing unusual for them. Then they have an encounter with a real cavalier whose brother became a roundhead. The brothers recognised each other too late in a cavalier/roundhead fight and ended up killing each other. The cavalier has regretted ever since that he never got the chance to make things up with his brother. After this, the brother and sister patch up their quarrel very quickly and become good friends.

Mark is still sceptical about Patty’s claims that the evil Robert Le Mal is back in business despite what is happening, including finding Robert Le Mal’s coffin open, chains broken and his body gone. However, Mark is finally convinced when a gang of brainwashed fisherman in the grip of Le Mal start attacking their refuge in Le Mal’s castle, chanting “Seek! Seek! Seek and destroy! … We must do our master’s bidding!” These guys have really got our heroes trapped. Can they find a way out?

A way out is something Olympia could really do with right now against the Rotts’ frameup. She does succeed in a temporary escape from the Rotts’ first attempt to seize her beloved horse, which lasts just long enough for them to make the last qualifying event for the Olympics team. The Rotts are now forced to go through police, a court case and “a lot of fuss” to get their hands on the horse and the fortune he’s worth when they expected a quick and easy killing handed to them on a plate. Still, they think it’ll be just an inconvenience to their plot, not a threat. Couldn’t possibly become their Waterloo. After all, there is nothing Olympia can prove. And Olympia fears the same when she’s arrested on the Rotts’ trumped-up charge of horse theft.  

Tammy 11 December 1976

Cover artist: John Richardson

Babe at St. Woods (artist José Casanovas)

Towne in the Country (artist Mario Capaldi)

Curtains for Cathy (artist Douglas Perry)

Ring in the New Year with a New Bike – competition

The Charioteer’s Dream – Strange Story (artist John Armstrong)

Edie the Ed’s Niece (artist Joe Collins)

Bessie Bunter

Wee Sue (artist John Richardson)

Nightmare at Grimm Fen (artist Diana Gabbot(t))

Olympia Jones (artist Eduardo Feito, writer Anne Digby)

Countdown to Christmas – feature

Oops, looks like the Cover girls are having a little trouble with what is probably an early Christmas present. Inside, Tammy adds a Christmas/New Year competition to her buildup towards Christmas. Her Christmas crafts feature this week is how to make gifts for little children. 

The school rowing teams are out in Babe at St Woods this week, and a rival school team is not playing fair. But of course they haven’t counted on Babe and her gangster skills. This week Babe draws on motorcycling skills the mob taught her. 

In this week’s episode of “Towne in the Country”, the whole focus of the story shifts from an “All Creatures Great and Small” theme to a journey theme. Val even gets a new hairstyle especially for it – a bob – much to her father’s consternation. Dad accepts a job in Africa, but Val is not accepting that she has to stay behind at boarding school. Oh, no, she’s going to follow him to Africa. In fact, she stows away on his ship. Then she finds out it’s the wrong ship and worse, she’s been caught.

Gee, now what was the thinking behind this abrupt change in the direction of the story – someone inspired by the 1976 Bella story where she stows away all the time and ends up in all sorts of places to get to the Montreal Olympics? Personally, I feel it would have been more logical to just end the current story with this episode and start the Africa saga with a sequel under a different title. Besides, “Towne in the Country” was the perfect title for the original story theme, but I don’t think it really suits the change in direction.

Cathy was warned there was a dark side to theatre: jealous types, dodgy types, mean types, etc. Now the reality must be sinking in. Trixie hates Cathy and is making her life a misery. She gets even worse when Cathy jumps from assistant stage manager to take Trixie’s part in the production. At least Cathy will get some money now. There is a second girl, Hermia, who looks like she’s out for trouble too. Added to that, there’s this other enemy out to make things curtains for Cathy and they look a lot more dangerous than Trixie and Hermia. But Cathy’s day is really ruined when she is sent out to find a rifle for the play and thinks the gun is unloaded. All of a sudden there’s a bang and she’s lying on the ground!

In the Strange Story, a Roman charioteer keeps having a recurring dream and goes to a soothsayer about it, who advises him to get a golden talisman if he is to win the event. He thinks he has found it in a slave child and buys her. Then he has to make an agonising decision between his desire to win and his conscience over slavery.

Edie goes to a fancy dress party dressed as Molly Mills – but a bully goes dressed as Pickering, and Edie does not have Molly’s talent for getting the last laugh over Pickering. She comes back with a black eye. Poor Edie.

Bessie tries to keep the boiler from being repaired in order to stall an exam. The boiler gets repaired in the end, but for once Bessie foils an exam and the other girls are pleased with her.

The seal saga ends this week for Molly Mills. Claire goes in to the lake to rescue Smiley after he gets tangled in fishing wire, but he ends up saving her. After this, Claire is allowed to keep Smiley and it’s a relief they no longer have to hide him.

Sue agrees to collect an animal from the zoo for a youth club fete – but nobody told her it was going to be a baby elephant! She is drawing a lot of laughter and hijinks as she tries to get him to the youth club, but a mouse scares him right back to the zoo. A toy shop manager comes to the rescue and allows Sue to take a giant toy elephant instead. Much easier to manage.

In “Nightmare on Grimm Fen” we finally get the backstory of Robert Le Mal. He had black magic powers, which he used to make dark birds terrorise everyone. The people eventually rose against him and killed him. But even as they did so, he said he would return, and watch out, because when he does, he will control all birds, animals and men, who will make him ruler of the land. And here come the birds already!

“We’ll handle it all with discretion” said animal welfare guy when he agreed to take Olympia Jones’ horse off her (without police involvement) on behalf of the Rotts after being tricked into thinking she mistreated the horse and then stole him from the Rotts. Well, that’s not how would describe how he’s handled it. “Professional”, “well planned” and “knows what he’s doing” are not descriptions I would use either. In fact, he’s bungled it so badly that he ends up chasing a fleeing Olympia and horse down the road, right in front of everyone. So much for discretion.

Tammy 4 December 1976

Cover artist: John Richardson

Babe at St. Woods (artist José Casanovas)

Towne in the Country (artist Mario Capaldi)

Curtains for Cathy (artist Douglas Perry)

Countdown to Christmas – feature 

Lucky Heather – Strange Story (artist Giorgio Giorgetti)

Bessie Bunter

Molly Molls – A Friend from the Sea (artist Tony Thewenetti, writer Maureen Spurgeon)

Wee Sue (artist John Richardson)

Nightmare at Grimm Fen (artist Diana Gabbot(t))

Olympia Jones (artist Eduardo Feito, writer Anne Digby)

It’s the first Tammy December issue for 1976, and Tammy sure isn’t wasting time building up to Christmas. She has a feature on how to make Christmas presents for the men in your family for the benefit of readers who are a bit cash-strapped for presents. It is the first instalment of a Christmas countdown feature.

Babe hasn’t taken much interest in athletics so far at St Wood’s, and now she’s got to contend with a head prefect who is running it all like an army drill sergeant – with help from Babe’s archenemies the snobs of course. The episode also gives us more of the Olympics theme that’s been running through Tammy during 1976. 

Speaking of the Olympics, what’s up with Olympia Jones?

Uh-oh! Olympia Jones doesn’t realise her hopes of an Olympic gold are under threat from the evil Rotts. They’re out to get their hands on the fortune her horse Prince is now worth as an Olympic prospect through their mug from LOLA (animal welfare society). They tricked LOLA guy into thinking Olympia mistreated Prince (it was themselves). Now they’ve tricked him into thinking she stole Prince as well, and is he able to please, please, get Prince back for them, as they don’t want the police involved.

LOLA guy says no problem, we’ll just walk into her next event, take Prince and drop him off to you, no need for the police. Groan…looks like LOLA guy will do anything for the Rotts. He should be asking serious questions about all this – like what the heck were the Rotts thinking in allowing this (as LOLA guy thinks) animal abuser to just make off with the very horse she was abusing in the first place and do absolutely nothing about it until now? He also says “we’ll handle it all with discretion”. But LOLA guy’s first move at the event isn’t exactly discreet – or smart – and puts Olympia on the alert before he’s even made his real move.

In “Towne in the Country”, that pesky pedlar who’s been selling fake animal medicine and cheating a lot of people finally gets cornered – by the tiger everyone else has been trying to find! Val, the only one who has gained the tiger’s trust, is going to step in.

Cathy starts her new job as assistant stage manager. She has already made an enemy, Trixie, who suspects where she has really come from. Worse, Cathy is nearly broke after being forced to use up so much of the allowance her father gave her. Well, it was her idea to do that assistant stage manager job for nothing! And now this other enemy who made that threatening phone call to Cathy’s father is now making whispered threats to Cathy herself. And it looks suspiciously like they nearly made her fall off a train as well.

The “Nightmare at Grimm Fen” is intensifying. It reaches the point where everything breaks down and Grimmford is cut off. Patty blames the evil knight, Robert Le Mal, she and her brother Mark unwittingly brought back to life. Mark is still sceptical about Le Mal, but then their father claims to have seen him.

Miss “Stackers” Stackpole is giving a lesson on the 21st century and anticipates that robots will be doing more and more of the things that used to be done by people. This has Bessie drifting off into a dream of what that would be like…robots bringing her grub and doing her lines for her, a robot Stackers teaching her class…well, her dream soon turns into a nightmare. Bessie’s dream sequences are among my favourite Bessie Bunter episodes. 

The Storyteller asks us if we believe in fairies. Heather Silver is wondering about that after an encounter with a strange woman who claims to have fairy descent. This is followed by curious events that get Heather’s redundant father a new job and Heather fulfilling her dream of going to vet college.

Miss Claire and Molly find a helper to help hide Smiley the seal, but keeping him secret is still proving problematic and Pickering is still on the hunt for him. And now it looks like a couple of fishermen have caught Smiley.

In “Wee Sue”, two girls have a fallout over netball on the eve of a netball final, so it’s vital to make them see sense fast. Unfortunately Sue’s efforts to patch things up only seem to make it worse. So she has to resort to a bit of cunning, which has the bonus of bringing extra custom to a coffee bar.

Tammy 27 November 1976

Cover artist: John Richardson

Babe at St. Woods (artist José Casanovas)

Towne in the Country (artist Mario Capaldi)

Curtains for Cathy (artist Douglas Perry) – first episode

The Unseen Hand (Strange Story) – artist Robert MacGillivray

Bessie Bunter

Molly Mills and a Friend from the Sea (artist Tony Thewenetti, writer Maureen Spurgeon)

Wee Sue (artist John Richardson)

Nightmare at Grimm Fen (artist Diana Gabbot(t)) – first episode

Olympia Jones (artist Eduardo Feito, writer Anne Digby)

Two new stories begin this issue: “Curtains for Cathy” and “Nightmare at Grimm Fen”.

In the former, Cathy Harley wants to make her own way on the stage, not because she’s the daughter of a famous actor. She’s even willing to do it the hard way and take all the hard knocks she’s been warned about. So she takes an assistant stage manager job under an assumed name at a rundown theatre, and she even agrees not to be paid for it. But no sooner has Cathy gone when Dad receives a threatening phone call saying he won’t see Cathy again and the curtains are coming down for her! We don’t think Cathy counted on that as part of the hard knocks she was willing to risk – but can she take it anyway when whoever it is starts their game?

In the latter, Mark and Patty Stephens make a brass rubbing of an evil medieval knight, Robert Le Mal. Then there are warning signs they shouldn’t have done that and they return to the place to reverse the damage. But as they do so, the weather grows stormy and there’s a horrible flapping sound.

It’s unusual for Robert MacGillivray to draw a historical story, but he does so with this week’s Strange Story. The story appears below for those who like MacGillivray artwork.

The snobs are cooking up trouble for Babe – literally – this week. It must be said that the gangster know-how she pulls to foil their scheme really does stretch credibility. 

There’s a hunt for a loose tiger in “Towne in the Country”, and there’s a hunter after it with safari ideas. Val spots it first and, realising it’s hurt, decides to risk herself to treat it. 

Miss Claire is trying to hide a baby seal with Molly’s help, but of course it’s a load of trouble for them both. Now there are further complications. The first is Pickering, who mistakes the seal for a monster and has all the staff hunting it. The second is another man finding the seal – and Molly doesn’t like the look of him! 

Sue plans a party. Unfortunately Mum accidentally scratches the new LP she was going to use for it, and the stores are sold out because it’s so hot. Then a stroke of luck and Sue’s habit of doodling bring her to the pop star himself, who agrees to perform live at her party after she does him a favour. 

Bessie Bunter pulls a crooked raffle to raise more food for herself, but of course she gets caught out. Her punishment is a notebook to be filled with lines. She never seems to get expelled for those naughty schemes of hers.

In this week’s episode of “Olympia Jones” it’s the long-awaited (and dreaded) return of her archenemies, the Rotts. We get the satisfaction of seeing that sacking Olympia for Linda Rott’s animal cruelty to escape prosecution from animal welfare has rebounded on them: “Takings down again…Sometimes I regret sacking Olympia Jones. She certainly knew how to train the animals.” They overlooked that Olympia was too valuable as animal trainer for Linda’s horse act, and her absence has caused the circus to suffer.

Then the Rotts discover the circus horse they mistreated has now become a show-jumping Olympic prospect under Olympia – which makes him worth a fortune. Now new cruelty is underway as the Rotts plot how to get their hands on that money.

The Unseen Hand. Strange Story, Tammy 27 November 1976.
The Unseen Hand. Strange Story, Tammy 27 November 1976.
The Unseen Hand. Strange Story, Tammy 27 November 1976.

Tammy 5 November 1977

Cover artist: John Richardson

Bella (John Armstrong)

C.L.A.R.A. (artist Giorgio Giorgetti) – first episode

No Place for Children (artist Eduardo Feito)

Good Old Guy Fawkes! (feature)

Down to Earth Blairs (artist José Casanovas)

Bessie Bunter

Glennie’s Gift (Colin Merrett) – Strange Story

Selena Sitting Pretty (artist Diane Gabbot(t))

Edie the Ed’s Niece (artist Joe Collins)

Wee Sue (artist John Richardson)

Rowena and the Realms of Night (artist Peter Wilkes)

Here we have the Tammy Guy Fawkes issue from 1977. As you can see, it’s bang on the day. Inside, we have a couple of reminders about the Fireworks code, Guy Fawkes jokes, and a Guy Fawkes story from Bessie. Poor Bessie is confined to sick bay with a sore throat on Guy Fawkes Night. Undaunted, Bessie sneaks out of bed and finds weird masked figures who look like they’re going to blow up the school. She proceeds to have fun foiling them. But it’s just Miss Stackpole and the pupils re-enacting the Gunpowder Plot. Once that misunderstanding is cleared up, Bessie feels her throat cleared up enough to join the fireworks party. There are also a few references to bonfire night in “Down to Earth Blairs”, but the only fireworks are from Betsy when she gets on the wrong end of Dad’s swill collection. 

A new story, “C.L.A.R.A.” starts. Professor Crichenor (who looks more like he’s from the stage than the laboratory with that outfit of his) offers the services of his computer C.L.A.R.A. (Crichenor’s Learning And Reasoning Aid) to raise the falling academic and sporting performance of Glumthorpe Comprehensive. Although the PTA’s response is to throw Crichenor out – literally – he intends to prove himself. He’s going to begin by making our protagonist, Frances Cummins, more organised.

Oh, poor Bella! Some jealous girls put a shard of glass in her shoe to sabotage her performance and she’s cut her foot very badly. Nasty! Once her foot is bandaged she manages to perform sufficiently to get a medal, but now someone is raising an objection to it. 

The mystery of the missing children in Tarnbridge deepens. Postcards arrive from them, but there are no postmarks. And the parents are getting angry and demanding answers from Mr Nash about where their children are.

In the Strange Story, Lorna loses her sight after a rock hits her on the head at a crumbling ruin. Her guide dog Glennie grows critically ill, but before he dies he leads her back to the spot where the accident happened. Another rock falls and returns her sight. The Storyteller makes an annual pilgrimage to put flowers on Glennie’s grave on Lorna’s behalf.

Selena takes advantage of heavy rain to run in a race without anyone seeing her and realise she is no cripple. She manages to get back to her wheelchair and thinks she’s still sitting pretty – but then discovers she overlooked the tell-tale mud all over her shoes. Is she going to be unstuck this time, or will she find a way out of yet another close call?

Sue and her friends are at a department store in search of a birthday present for their art teacher, but Sue’s small size keeps getting her into all sorts of scrapes, including landing in a washing machine. However, her small size helps in the end when the teacher is locked out and needs someone to get into window. Then it’s birthday celebrations.

A pedlar informs Rowena of the full danger her brother faces at the hands of the Nightqueen: if he takes the hand of the Nightqueen’s daughter in the upcoming dance of night, he will join the legion of the living dead!

Tammy 6 November 1976

Cover artist: John Richardson

Bella at the Bar (artist John Armstrong)

Towne in the Country (artist Mario Capaldi)

Sally in a Shell (artist unknown, writer Terence Magee)

Wee Sue (artist John Richardson)

Edie the Ed’s Niece (artist Joe Collins)

Bessie Bunter

Molly Mills: A Friend from the Sea (artist Tony Thewenetti, writer Maureen Spurgeon) – first episode

The Excursion – Strange Story (artist Carlos Freixas)

Babe at St. Woods (artist José Casanovas)

Olympia Jones (artist Eduardo Feito, writer Anne Digby)

As 5th November is nigh, we are bringing out some old issues commemorating Guy Fawkes, beginning with the Tammy Guy Fawkes issue from 1976. We seem to have a very generous tramp giving a penny for the guy on the cover. Or should it be penny for the guy’s jacket? Bessie Bunter, Wee Sue and Edie the Ed’s Niece all have Bonfire Night as their theme this week. There seems to be some carryover from Halloween, with people being mistaken for ghosts and other scary things, and Wee Sue’s headmistress making Guy Fawkes masks out of Halloween masks. 

The ghost theme continues in the Strange Story, where a boring double maths period gets livened up by what appear to be ghost girls. A priest and even a psychiatrist are called in to deal with the ghost infestation. It turns out the ghosts are time-travelling schoolgirls on an educational tour: “harmless exhibits – guaranteed safe” says the ad on their coach, which looks like a space rocket. It doesn’t say anything about “boring”.

This week’s episode of “Olympia Jones” rounds off the horrible night from last week, when Mr Rott sacked Olympia for the animal cruelty he knows his daughter Linda committed, to save his hide from the animal welfare inspector. He’s now yelling at Linda for almost landing him in trouble with animal welfare. Hmmph, we notice he’s not telling her off for the cruelty she inflicted. As it is, it’s all water off a duck’s back to her.

Next morning, the Rotts are surprised and then pleased to find not only Olympia gone but the horse they mistreated too – Olympia took him to get him away from Linda’s cruelty. She’s left her gypsy wagon home as payment and insurance the Rotts won’t come after him. But we can bet our Bonfire Night party that their paths will cross again. After all, there is that false charge of animal cruelty to be cleared up and we all want to see Linda get her comeuppance. Meanwhile, Olympia lands on her feet as a pony trek instructor at an adventure centre.

Elsewhere in the issue, the rabid dog that everyone’s been trying to find over the past several episodes of “Towne in the Country” finally gets tracked down and destroyed. But no luck yet in nailing that crooked pedlar who keeps selling fake animal medicine. At least Val stops him from drowning some puppies, ironically with help from the rabid dog.

“Sally in a Shell” is now more like Sally in a sweatshop. Dad and Dora reopen Miss Hanning’s craft shop as “The Shell Shop” and keep Sally locked in a room, cranking out shell ornaments at sweatshop pace for it. To add insult to injury, Sally finds out Dora is stealing the credit for making them. That’s the last straw for her, but how can she escape?

Babe wants to see a gangster film in town, but the snobs are pulling tricks to stop her going by landing her in a series of detentions. Babe breaks detention to see the film, but the snobs discover this. Can Babe sort them out before they grass on her?

In the new Molly Mills story, Mistress Claire is acting strangely: she wants a basket of raw fish; she wants a freezing cold bath prepared; she wants Molly to to buy some toys; and a flipper appears under her blanket. Molly finally finds out what’s going on when she discovers water coming down from Claire’s room. 

Bella’s on the move for the Montreal Olympics again. This time she’s going on horseback, and we are informed she is about to face an erupting volcano.

Tammy 29 October 1977

Cover artist: John Richardson

Bella (artist John Armstrong)

Down to Earth Blairs (artist José Casanovas)

No Place for Children (artist Eduardo Feito)

Melanie’s Mob (artist Edmond Ripoll) – final episode

Bessie Bunter

The Bird of Wisdom – the Strange Story

Selena Sitting Pretty (artist Diane Gabbot(t))

Say Hallo to Hallowe’en! – feature 

Wee Sue (artist John Richardson)

Rowena and the Realms of Night (artist Peter Wilkes)

We continue our Halloween theme with the Tammy Halloween issue from 1977. One of our Cover Girls is enjoying a Halloween party while something else appears to be enjoying her Tammy as much as she does. The Cover Girls years were very enjoyable for celebrating Halloween, Easter, Guy Fawkes and other occasions in light-hearted and often amusing ways. Inside, there is also a feature on Halloween customs.  

Wee Sue and her family have a day at the races. Sue takes a punt on a horse called Autumn Springer, which prompts Miss Bigger to do the same. Then Miss Bigger unwittingly causes Autumn Springer to bolt. They have to do something fast or lose their punts and the things they want to buy with them. 

In the Strange Story, Jean Regan is a brain, and there always seems to be a bird hanging around her when she does academic wonders. But her brains make her a know-all and show-off, and she becomes unpopular. She chases the bird off and finds she is reduced to middling scholar, but now she’s more popular and happy.

It’s the final episode of the popular “Melanie’s Mob”. Its replacement next week is a Giorgio Giorgetti story, “C.L.A.R.A.”, about a computer utilised to improve the declining sporting and academic achievements of Glumthorpe Comprehensive. But is it really the answer? In girls’ comics, computers have a track record of bringing their own problems. Anyway, we begin to find out in the Guy Fawkes issue.

Bessie has to prove her strength for a bet, with a treat at the tuck shop if she wins. Bessie tries to win the bet by cheating (naughty, naughty) but in the end wins (accidentally) by using her bulk as strength.

Betsy Blair’s father is opting for “The Good Life”, living off the land and bartering, after being made redundant. Betsy is finding the change very hard and demeaning when she has been used to such a posh, comfortable life. Plus a snobby neighbour is taking the mick out of her over it and a lot of classmates are laughing. Betsy invites them over for homemade scones, but it’s another big humiliation for her when Mum puts chicken feed in the scones by mistake. At this, Betsy cracks up and screams at her parents.

Bella’s at a Russian gymnastics college, which is going much better for her than in 1975, when a jealous pupil got her expelled before she’d hardly begun. But it looks like jealousy is rearing its ugly head again at a competition: Bella’s doing her floor routine and feels something sharp and painful in her shoe. 

“No Place for Children” – no, not a place where children are banned or is not appropriate for them. It’s a place where all the children are missing. Terri Jennings keeps hearing strange whispers from the adults that it’s somehow connected with wealth they expect to receive, the old quarry that has been sealed off, and kids gossiping.  

Selena Sitting Pretty, our girl pretending to be in a wheelchair at school, has struck another problem – some toughs have thrown her wheelchair into the river and she can’t get it out. She has to continue pretending being crippled to her schoolmates while thinking of a way to retrieve the wheelchair. She succeeds both ways and is sitting pretty again after this close shave. 

In “Rowena and the Realms of Night”, the sequel to “Rowena and the Doves”, Rowena has to rescue her brother Asser, who is in the power of the Nightqueen and her daughter Princess Ygerna. He doesn’t even realise what’s happening to him, and there are only three days left to rescue him. This week Rowena and her companions get trapped in the Caverns of Endless Night. The Caverns are so dark nobody can find their way out unless they are guided by a human voice.