Tag Archives: Eternal Flame

Jinty 24 October 1981

Cover artist: Mario Capaldi

Pam of Pond Hill (artist Bob Harvey, writer Jay Over)

The Eternal Flame (artist Richard Neillands, writer Alison Christie) – Gypsy Rose story

Gaye’s Gloomy Ghost (arist Hugh Thornton-Jones)

Full Circle (artist Mario Capaldi) – text story

Wednesday’s Child is Full of Woe… (artist “B. Jackson”)

Tansy of Jubilee Street (artist Peter Wilkes)

Man’s Best Friend: Curious Dogs (feature)

Winning Ways – Badminton (writer Benita Brown)

The Warning Windbells (artist Christine Ellingham) – Gypsy Rose story

Badgered Belinda (artist Phil Gascoine)

The Bow Street Runner (artist Phil Townsend, writer Alison Christie)

This is the fifth-to-last issue of Jinty. The repeats to fill the dying comic are really telling now – we get not one but two reprints of old Gypsy Rose stories. The repeat of the 7-part “Monday’s Child” and so forth strip continues with “Wednesday’s Child”, who’s full of woe. In this case it’s a girl who is always grumbling, but she eventually realises how selfish and petty it is, and the final panel shows her becoming more positive. 

In “Pam of Pond Hill”, Tessie Bradshaw has run off to the canal in search of the girl she drove off with her bullying. Tessie has an accident there and is hospitalised. The story is really realistic about bullying when it reveals the reasons why Tessie bullies: jealousy, sensivity about her weight, too much responsibility at home, absent mother and overtime father. Dad decides to remarry in the hope it will help, but Tessie isn’t reacting well to it. And she’s also worried her classmates won’t forgive her for bullying although it put her life in danger. 

Tansy tries being a newshound, but when she tries to report news on Jubilee Street she comes up empty and decides nothing ever happens there. She completely fails to notice the things that get reported in the local newspaper later on. 

Sir Roger has a dream that Gaye will be hit by a car. As ghost dreams always come true, he is going to all sorts of lengths to protect her, which is causing all sorts of hijinks. In the end, Gaye does get hit by a car – but it’s only a pedal car.

The text story discusses how fashions go in cycles. But things go a bit far when a fashion designer from the future takes a trip to the present for ideas on how to reinvent 20th century fashions for her own time. Sadly, the time period she came from is one that never came to pass: the Queen Diana period. Perhaps it did in an alternate timeline.

The last remaining Jinty serials “The Bow Street Runner” and “Badgered Belinda” continue. In the former, tricks from nasty Louise mess Beth up on cross-country. At least Beth realises it was Louise who was reponsible and will be on the lookout for her in future. In the latter, Squire Blackmore brings some old hunting prints to the school and nobody seems upset by them except Belinda – especially at the one showing badger digging. The squire’s also having the school setting up vermin traps, which is another concern for Belinda in minding the badgers. What’s more, looking after those badgers is causing Belinda to lose sleep and it’s taking its toll. 

Jinty 22 October 1977

Jinty cover 3

  • Destiny Brown (artist Rodrigo Comos)
  • Sue’s Fantastic Fun-Bag! (artist Hugh Thornton-Jones)
  • Guardian of White Horse Hill (artist Julian Vivas)
  • An Initial or Name Necklet (feature)
  • The Goose Girl (artist Keith Robson; writer Alison Christie Fitt)
  • Stage Fright! (artist Phil Townsend)
  • From Rollers to Rosetta Stone (feature)
  • Rinty ‘n’ Jinty
  • The Eternal Flame – Gypsy Rose story (artist Richard Neillands; writer Alison Christie Fitt)
  • Fran’ll Fix It! (artist Jim Baikie)
  • Cursed to be a Coward! (artist Mario Capaldi; writer Alison Christie Fitt)

We have just received word that Alison Christie (now Fitt) wrote “The Eternal Flame”, the Gypsy Rose tale in this issue. So I thought it was appropriate to put up the cover, and I had the issue out anyway. It is a beautiful cover that makes effective use of the complementary effects of blue and pink. The yellows, greens and oranges set it even off even more. And we see the colour combinations in both panels that are being used on the cover, rather the colours used in one being a contrast to the colours used in the other.

“The Eternal Flame” is a candle that will not burn down until the man it is being lit for returns from sea. But how can he when his boat went down years ago? Or is it more than just the candle that is supernatural in this story?

Two other known Christie stories are also running in this issue: “Cursed to be a Coward!” and “The Goose Girl”. In the former, the bullying continues for Marnie at school because of her hydrophobia and even the presence of her mother does not make the bullies back off. Nor does Madame Leo, whose harassment of Marnie wrecks her birthday. And now her dear friend, Mr Rennie, has collapsed. But we are told that next week is the final episode, so maybe it’s what they say about it getting worse before it gets better. In the latter, Mum’s hatred of birds now causes Glenda to run away with her beloved goose, but they get caught in a snow storm. However, we are promised that next week something good will happen to Glenda for a change.

Meanwhile, in “Stage Fright”, Linda Roberts pretends to sleepwalk to find out who is harassing her. Her ruse seems to have fooled everyone, but will it draw her enemy out and enable her to find out who is living in the mystery wing?

In “Fran’ll Fix It”, Fran’s two ghastly aunts, whom her father threatens her with if she gets expelled again, now appear in her story for real. Yikes! They’re even more fearsome in person than in the film Fran’s father showed her of them. Yet they have their wacky side too and can cause as much mayhem as Fran, so it must run in the family. Anyway, Fran soon learns that she doesn’t even need to be expelled to be sent to them – if they don’t like the school, she ends up at their place anyway! Can Fran fix it so they will walk away impressed with the school and let her stay?

“Destiny Brown” finds her father is not an accomplice for some robbers – he is their prisoner! They are holding him hostage to force her to use her clairvoyance to work for them. And in “Guardian of White Horse Hill”, girls at the stables tease Janey over her teddy bear, but then weird things start happening. The horses are acting like they’re spooked and then Janey finds nobody can see or hear her. Has she become invisible or something?