Tag Archives: Foul Play

Tammy 21 January 1984

Tammy cover 21 January 1984

Cover artist: John Armstrong

  • Foul Play (artist John Armstrong, writer Ian Mennell)
  • Julie’s Jinx (artist Julian Vivas, writer Nick Allen)
  • Pam of Pond Hill (artist Bob Harvey, writer Jay Over)
  • The Crayzees (artist Joe Collins)
  • First Term at Trebizon (artist Phil Gascoine, writer Anne Digby)
  • The Button Box (artist Mario Capaldi, writer Alison Christie, sub-writer Linda Stephenson)
  • Fashion Flashback – feature (Ray Mutimer)
  • My Terrible Twin (artist Juliana Buch)
  • Fun Time – feature
  • Swansea Jack (artist Douglas Perry, writer Linda Stephenson)
  • Queen Rider (artist Eduardo Feito, writer A. D. Langholm aka Alan Davidson)
  • Warm as Toast! Feature (Mari L’Anson)

The issue for 21 January 1984 has been chosen for 1984 in the conclusion to Tammy round robin.

Foul Play is unusual for being a non-Bella story drawn by John Armstrong. Katie Johnson received a serious hand injury during a hockey match. Her friends and family are convinced one of her own team mates deliberately caused it because they had always resented her. Katie doesn’t believe a word of it, but now someone is doing nasty things against the team. This week one gets her room vandalised and another gets her heart broken over a hoax call that her father was going to visit. Katie takes on the job of unravelling the mystery, and it must begin with the heartbreaking task of investigating her own friends and family as suspects.

My Terrible Twin is being reprinted by popular demand. The episode this week has already been discussed here, so we will move on.

In Pam of Pond Hill, a flu strain is causing chaos in town. It only seems to target the adults, which is giving the kids a bit of a free rein at home and school. But it’s not all fun for Pam. Cherry Laurence, the big-headed bully bossyboots who was unwisely appointed as a prefect, has now been put in charge of her form!

Tammy had always been running TV and book adaptations but now she is running two at once: The First Term at Trebizon and Queen Rider. Both the authors are former writers for IPC girls’ titles.

This week’s Button Box tale is a rags-to-riches story that centres on the Mexican art of dressing fleas. Swansea Jack, probably the last story Douglas Perry drew for Tammy, gives us the story of Swansea Jack, the dog who gave his name to a tavern by saving the lives of children at the docks of Swansea.

Julie Lee (who keeps her Romany background secret) gives her friend Gloria a Romany charm, but her horse has been acting strangely ever since. A nasty girl is spreading a rumour it is a bad luck charm. Julie is trying to find a way to deal with the problem quietly while not knowing what to make of it herself. Is the gift really “Julie’s Jinx”?

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Tammy 11 February 1984

Tammy 11 February 1984

  • Foul Play (artist John Armstrong, writer Ian Mennell)
  • Cassie’s Coach – first episode (artist Tony Coleman but credited as George Anthony, writer Alison Christie)
  • Julie’s Jinx (artist Julian Vivas, writer Nick Allen)
  • Pam of Pond Hill (artist Bob Harvey, writer Jay Over)
  • The Button Box (artist Mario Capaldi, writer Ian Mennell)
  • Event of the Year – complete story (artist Raymond, writer Roy Preston)
  • Queen Rider – final episode (artist Eduardo Feito, adapted from book by A.D. Langholm)
  • My Terrible Twin (artist Juliana Buch)
  • Spring a Foot! – Feature (by Mari L’Anson)

The first Tammy to feature credits has recently had an entry on this blog. Now the last Tammy to have credits will be profiled as well.

Since the credits started, they have evolved and changed, sometimes in odd ways. Some of the credits were pseudonyms. For example, Tony Coleman was credited under his own name at first, but he was subsequently credited as George Anthony, as he is here. Some writers and artists did not appear under their full name. For example, the DCT artist who draws “Event of the Year” is only credited as “Raymond” (is that his first or his last name?).  Julian Vivas, who draws “Julie’s Jinx”, is just credited as “Vivas”, but his full name appears in other Tammy credits. Reprints were not credited, as was the case with “My Terrible Twin” here. Even the artist, Juliana Buch, is not credited, as she was for her new stories in Tammy. Features, such as the one about footwear on the back cover, also received credits. But it is not clear whether Mari L’Anson is the writer, the artist or both for it, because the credit just says “by: Mari L’Anson”.

When the credits first began, Roy Preston was credited with a lot of stories that had dark, supernatural themes such as “The Evil One” and “Sign of the Times”. These were probably leftover scripts from “Monster Tales” in the Tammy and Jinty merger. Preston continued to be credited with several complete stories that had a supernatural theme, such as “The Lady of Ranoch Water” and “The Moon Maiden”. But here Preston is credited with a lighter story that has no supernatural theme whatsoever: “Event of the Year”. Throughout the credit run, Preston wrote only complete stories; there is not a single serial attributed to him during this period.

Ian Mennell is credited with several mystery stories, such as “Foul Play” and “Saving Grace”, but the credits also show he was not solely confined to that genre. Mennell wrote the unorthodox male cross-dressing story “Cuckoo in the Nest” and a lot of Button Box stories, such as the one in this issue. Alison Christie, who first started Button Box, did not write all of its stories; Mennell and Linda Stephenson are also credited with Button Box stories. This is unlike the case of “Pam of Pond Hill”, where Jay Over is credited as the writer throughout.

Alison Christie remains credited with emotional stories such as “A Gran for the Gregorys” and “It’s a Dog’s Life!” throughout Tammy’s credit run. There were no stories with a more supernatural or sporty theme attributed to Christie, though her interviews revealed that she sometimes delved into those genres in Jinty. And here Christie begins her last credited Tammy story “Cassie’s Coach”. This is a Victorian-set struggle for survival after the mother is wrongly imprisoned. Her children take up the most unusual accommodation after they are thrown out of their old home – a discarded coach! Cassie is not quite as intense or disturbing as some of Christie’s emotional stories. This is probably why Tony Coleman was the choice of artist for a period story, something he does not normally draw.