Tag Archives: Giorgio Giorgetti

Tammy 10 November 1979

Cover artist: John Richardson

Bella (artist John Armstrong)

Temper, Temper Tina! (artist Giorgio Giorgetti) – final episode

Sarita in Uniform (artist Diane Gabbot(t))

The Fire’s Warning (artist Tony Highmore) – Guy Fawkes Strange Story

Bessie Bunter (artist Arthur Martin)

Molly Mills and the School for Servants – first episode (artist Douglas Perry, Maureen Spurgeon)

Wee Sue (artist Robert MacGillivray)

My Terrible Twin (artist Juliana Buch)

Edie the Ed’s Niece (artist Joe Collins)

Guitar Girl (artist Angeles Felices) – final episode

Spring To It! – Edie’s Hobbyhorse

We now come to the Tammy Guy Fawkes issue for 1979. This was the last Guy Fawkes cover for the Cover Girls. This time the following year, they were gone.

Inside, Bessie, Wee Sue, Edie, the Strange Story and the Tammy Talk page all honour the 5th of November. Even the last episode of Guitar Girl does the same, but in a more frightening way. The spiteful Sabrina tries to burn Jacey’s guitar on the bonfire climaxing the birthday party they are both entertaining at. Jacey nearly gets herself burned alive clambering the bonfire to retrieve it! 

Tina’s story ends, with her learning that trying to conceal her family (in a derelict house?!) was a very foolish, misguided way to keep them from being split up when her mother fell ill, and her actions were only bringing her troubles on herself. Once everyone helps her to handle the problem the right way, everything is far better for her, including the temper that has been her bane since the beginning of the story. 

Sarita in Uniform is evidently nearing its end, for her secret is out! What’s going to happen now? Meanwhile, Bella dodges another close shave in keeping her own secret safe, but here comes another threat to it – blackmail!

Molly Mills starts a new story, “The School for Servants”. What school for servants? So far we haven’t see any school for servants, just some new guests at Stanton Hall – but Molly suspects there’s something odd about them. 

Just when Moira and Lindy have sorted out their misunderstanding, along comes another one – Moira thinks Lindy’s tricked her into a lousy kitchen job on the ship. Oh dear, here we go again – one very angry Moira out to make trouble for Lindy! Is Moira going to be “My Terrible Twin” for Lindy with all these misunderstandings right up until the final episode? It could well be the case.

Tammy 3 November 1979

Cover artist: John Richardson

Bella (artist John Armstrong)

My Terrible Twin (artist Juliana Buch)

Sarita in Uniform (artist Diane Gabbot(t))

Temper, Temper, Tina! (artist Giorgio Giorgetti)

Bessie Bunter (artist Arthur Martin)

Molly Mills and the Gipsy’s Curse – final episode (artist Douglas Perry, Maureen Spurgeon)

The Sea Dragon – Strange Story (artist Julio Bosch)

Wee Sue (artist Robert MacGillivray)

Edie the Ed’s Niece (artist Joe Collins)

Guitar Girl (artist Angeles Felices)

Tuck-In with Tammy – feature 

For Halloween, we profile the Tammy Halloween issue for 1979 (though it is dated Novemer and not October). It is the last time the Cover Girls celebrate Halloween on the cover. This time the following year, they were gone. 

Inside, Wee Sue and Bessie Bunter are going to Halloween parties. Things don’t exactly go without a hitch for either of them, but everything works out in the end. Less so for Edie, who goes to a Halloween party in a cat costume but finds herself being chased by dogs! Molly’s tale, “The Gipsy’s Curse”, has a spooky theme to it, which adds to the Halloween theme. Gipsies have put a spell on Pickering to make him do what they want, but now it’s making him too nice for his own good. Molly decides Pickering has to be returned to normal, bullying and all. 

The Storyteller could have gone with a Halloween theme, but instead he gives a cautionary tale about not meddling with things you don’t understand. Two sisters on the island of Cumba resurrect the costume of the Sea Dragon of Cumba, ignoring warnings that they don’t understand its power or what it is supposed to be used for – which is not exactly for attracting the tourism their father wants.

Guitar Girl Jacey Jones also has a party theme. She has been hired to entertain at a posh girl’s birthday party but soon discovers it’s no party for her. The snobbish mother disapproves of her presence and – horrors! – has hired her nasty arch-rival Sabrina to entertain as well! If that weren’t bad enough, Sabrina pulls a dirty trick on Jacey to make her look a thief and snobby mum’s screaming for the police. How can Jacey prove her innocence? 

Bella has been fostered by a rich couple, but they have a real thing about gymnastics for some reason, which is the mystery of the story. Their disapproval has driven her to go to a gymnastics club behind their backs, under a false name, but this week Bella’s jealous rivals at the club have found her out. Uh-oh, looks like blackmail is about to be added to Bella’s problems.

“Temper, Temper, Tina!”, now on its penultimate episode, and “Sarita in Uniform” also have girls driven to do things in secret. Sarita, a gypsy girl, is going to school behind her gypsy guardians’ backs. They don’t approve of education or even gypsy traditions. Tina, a brilliant athlete with a short fuse, has been dodging school for ages. But why is she doing it, and where has she been in all that time? Everyone’s about to find out in the final episode next week, as things are clearly coming to a head now. 

“My Terrible Twin” is the sequel to an earlier serial by the same name. Moira and Lindy are fraternal twins. In the first story (reprinted by popular demand in 1984), Lindy was the terrible twin. She had served time for shoplifting but had still not reformed or learned responsibility, with the long-suffering Moira trying to keep her on the straight and narrow. But this time the terrible twin is Moira, who accidentally winds up on the ship where Lindy has a job and is playing tricks Lindy because she mistakenly thinks Lindy has developed a snobby attitude over her job. And, as the story carries on, this proves to be only the beginning of a long line of misunderstandings that have Moira making Lindy’s life a misery.

Tammy and Misty 1 August 1981

Cover artist: John Armstrong

Bella (artist John Armstrong)

The Breaking of Faith (artist Giorgio Giorgetti)

Wee Sue (artist Mike White)

Linda’s Fox (artist and writer Ron Tiner) – final episode

Are You Set for Summer? (artist John Johnston, writer Maureen Spurgeon) – quiz

The Look of Things (artist Jaume Rumeu) – Strange Story from the Mists

Tune-in (pop and TV gossip feature)

Bessie Bunter (artist Arthur Martin)

No Love for Lindy (artist Eduardo Feito) – first episode

Stella Stirrer (artist Tony Coleman)

For the first Tammy issue for August 1981, Bella takes over the cover spot after Sandy finished last week. Oh dear, no sooner is Bella back on the cover when she’s really put her foot in it by thinking circus tricks (learned from the circus she is staying at) would impress the judges at a gymnastics competition. Now she realises it was one of her worst mistakes, never, ever to be repeated. It not only makes her lose badly but also causes terrible trouble when the audience reacts angrily to the marking. Still, anyone who’s read Bella for long enough will know that when a competition goes badly for her, it means she’s about to undergo a new course in plot direction. Sure enough, somebody comes to the circus wanting to speak to her. Whether for good or bad, it’s definitely the upcoming plot change. 

Bessie’s appearances have grown more intermittent since the Misty merger, but she appears this week. Stackers has the pupils making calendars for a sale of work, but soon finds out Bessie is about as good at making calendars as she is at classwork. 

Tammy’s August issues always had a focus on getting us primed for summer and holidays. Sure enough, her first August issue for 1981 has a summer quiz. The Strange Story from the Mists has a holiday theme, with the Carstairs family on holiday in Malaysia. Unfortunately, daughter Geraldine is spoiling things with her rudeness towards anything or anyone she does not consider attractive. She even throws a stone at a tortoise, calling it “such an ugly-looking brute”. Geraldine’s parents don’t look like they are doing much to crack down on her conduct, but punishment comes, of course. Geraldine is cursed to see nothing but the face of a mysterious old lady she didn’t find attractive. The curse lifts by the time Geraldine returns home, but it would surely have been otherwise if the story had appeared in the original Misty. August is also time for shopping. Wee Sue goes Christmas shopping in August while she has the money, but eventually she uses her Christmas shopping to help some hard-up kids who want to celebrate a birthday, and they hold an August Christmas birthday party. Now, that’s the Christmas spirit! And Tammy is offering holiday coupons.

The new story, “No Love for Lindy”, looks like it could be following similar lines to Sandy Rawlings; perhaps it is the same writer. As with Sandy, the protagonist (Lindy Allen) tells her own story and there’s a boyfriend figure. He’s the only thing making staying at the Westons (who turned out to be no better than the countless failed foster families Lindy’s had already) worthwhile. 

“Linda’s Fox”, written and drawn by Ron Tiner, finishes this week. It sounds like writing a girls’ story was a new experience for Tiner, but he did very well on it, and it must have been a popular story. It was one of my favourites, anyway. The ending is well crafted and thought out in how it handles the clearing of Linda’s father, what happens once he’s out, and keeping Linda’s friendship with Ross the fox intertwined. Tiner ought to be proud of it. Its replacement next week is a repeat of a popular 1976 Giorgio Giorgetti story, “Tag Along Tania”.

Speaking of Giorgetti, his current story, “The Breaking of Faith”, is now on its penultimate episode. Faith discovers the truth about her friend Claire after (finally) checking things out at the home Claire was staying at. Now she has to decide what to do. Her decision will certainly involve what to do about Claire running away, terrified of her finding out the truth.

“Stella Stirrer” saves her friend Katie from drowning in the school swimming pool although she can’t swim. Later, she’s back to stirring things up for snobby Harriet when she discovers Harriet has stolen the credit for the rescue!

Tammy 4 August 1979

Cover artist: John Richardson

Bella (artist John Armstrong)

The Stand-in (artist Giorgio Giorgetti)

Proud as Punch (artist Tony Coleman)

The Happiest Days (artist Mario Capaldi)

Bessie Bunter (artist Arthur Martin)

Molly Mills and the Charleston Contest (artist Douglas Perry, writer Maureen Spurgeon) – first episode

Pictures from the Past (artist Audrey Fawley) – Strange Story

Wee Sue (artist Robert MacGillivray)

The Wolf at Our Door (artist Bob Harvey)

Edie’s Hobbyhorse: Why Not Make a Shell Collage – feature 

For 1979 in our Tammy August month round, there is a particular reason for profiling this August issue. At times, Tammy made in-jokes about the Tammy team, and the cover makes reference to comic book artist Mario Capaldi coming from a family of ice-cream vendors. Is the ice-cream man on the cover Mario Capaldi? Maybe someone can enlighten us. At any rate, there is a resemblance to Mario the ice-cream man, drawn by Capaldi himself, in a “Life’s a Ball for Nadine” episode. The episode appeared Jinty 27 December 1980.

The cover also brings a seaside flavour to the issue. This ties in with the craft feature on the back cover (making a shell collage) and the Wee Sue story. Miss Bigger informs the class that “an important coastal company have appointed me as their chairman!” Translation: she’s taken an extra job as a deckchair attendant. Too bad for her Wee Sue was taking a holiday at the same beach. Hijinks ensue, of course, but things end happily for them both. Two serials, “Proud as Punch” and “The Stand-in”, also tie in with the seaside/holiday theme. Perhaps they were published for the very purpose.

We mentioned Mario Capaldi a moment ago, and his current Tammy serial is “The Happiest Days”. It’s an evil influence story, except it’s played for laughs instead of scares, which makes it different. A frightful portrait of a school founder casts such a pall over a school it’s the most miserable school in Britain. The school is due to close because of falling numbers, but how to recruit more pupils with that portrait around?

Molly Mills’ new story is actually the second Molly story titled “The Charleston Contest”. The first appeared in the Thewenetti era. In the first, Molly enters a Charleston Contest to win money for her family (with Betty and Kitty playing dirty tricks, but there’s a last minute surprise save from Pickering). This time, Molly’s doing the Charleston Contest for the crippled Miss Claire.

Bessie’s also being a performer this week, in honour of Stackers’ birthday. Her conjuring act is a real performance, with some things not going quite right, but in the end she pulls one out of her hat. Of course her best trick is making food disappear. 

The Bob Harvey story, “A Wolf at Our Door”, now hits its climax. Jenny discovers who is trying to help her with the wolf pack – the aristocratic Rowena Rufley – and why. It’s because of an ancient prophecy. And now it looks like the prophecy is coming true. 

This week’s Strange Story (below) has a modern photographer meet a Victorian one. The artwork is by the ever-popular Audrey Fawley.

Bella is being fostered by the rich Courtney-Pikes, and it’s nice to see her being spoiled and loved for a change. But when they try to turn her into a lady…well, Eliza Doolittle had nothing on Bella, especially as she can’t resist any opportunity to break into gymnastics!

Tammy 12 August 1978

Cover artist: John Richardson

Bella (artist John Armstrong)

Bessie Bunter (artist Arthur Martin)

Vision of Vanity Fayre (artist Mario Capaldi) – final episode

Maggie’s Menagerie (artist Tony Coleman)

Double – or Nothing! (artist Diana Gabbot(t))

The Juicy Mackerel (artist Peter Wilkes) – Strange Story

Wee Sue (artist Hugh Thornton-Jones)

A Bus in the Family (artist Giorgio Giorgetti)

Heraldry – Edie’s Hobbyhorse

Now we come to 1978 in our August Tammy month round, with one of my favourite Tammy covers. 

“Your future’s assured” says the cover, but not for Bella in introducing gymnastics to Port Tago, Australia. The way things are going, she must have wondered if she should have stayed home. And now, just when things finally seem to be looking up, an enemy strikes. They tried to sabotage Bella’s public demonstration, and now they’ve sent her a death threat, telling her to get out of Port Tago, or else! 

Currently, there is no Molly Mills (she returns in the following issue), which was a definite change after her artist changed from Tony Thewenetti to Douglas Perry. In the Thewenetti run, Molly appeared without pause from the first issue of Tammy to the end of Thewenetti’s run on 20 August 1977. But when Perry took over on 31 December 1977, Molly took more breaks until the end of her run in 1981 (barring her spot appearances in the “Old Friends” strip in 1982). This would have given some relief to the readers who did not like her so much and allowed more room for serials. 

In the Strange Story, you wouldn’t think a fish could help a man escape? It does when he gets pressganged and his twin sister comes to the rescue after sensing his danger through the twin link. 

Tony Coleman is drawing his second story for Tammy. Maggie Crown is living on her gran’s barge while her parents are away. Animal-loving Maggie is accumulating a secret hoard of stray animals on the barge – what a thing to hide on a barge! As gran is no animal lover, the fur will really fly if she finds out, and that can only be a matter of time.

“Vision of Vanity Fayre” concludes, and a TV production crew are free to carry on with the shoot of the life of a famous authoress without interference from the monstrous conduct of the authoress, which was threatening to destroy it. It turns out she was an imposter (surprise, surprise!) who was holding the real authoress a virtual prisoner while profiteering from her fame. And talking of TV, it leads to trouble for Bessie this week, who ends up under punishment again.

As nobody will partner with Kate Winter because of her terrible temper, she has roped Pam Doggett into a doubles team with her. This week they go into action, but Pam’s insufficient training and constant arguing with Kate are having predictable results. At least someone sees Pam does have potential as a tennis player, but with the way things are going, would Pam be better off in the singles?

Rosie Banks’ father is taking her class on a continental tour in the bus he’s just bought. Things aren’t going smoothly, sometimes in hilarious ways, sometimes in more serious ones. This week it’s really serious, as the brakes suddenly fail, and at the worst possible location – the Pyrenees. Adding to the seriousness is the mystery of why the previous owner, Dodger Wilkins, is so determined to get it back and sent his flunky after it. Is there more to the bus than meets the eye? At least Rose is alerted to his shadowing this week.

Sue enters a sponsored cycle race, but there is a cheat pulling dirty tricks on her. Sue decides to pull her own trick on the cheat, who ends up taking a well-deserved dunking. 

Tammy 20 August 1977

Cover artist: John Richardson

Bella (artist John Armstrong)

Sharon’s Shadow (artist Hugo D’Adderio) – Strange Story serial – first episode

Melanie’s Mob (artist Edmond Ripoll)

Molly Mills – the final episode (artist Tony Thewenetti)

Bessie Bunter (artist Arthur Martin)

Maisie of Mo Town (artist Giorgio Giorgetti)

Shadow of the Fire God (artist Manuel Benet) – Strange Story

Edie the Ed’s Niece (artist Joe Collins)

Wee Sue (artist Mike White)

Daughter of the Regiment (artist Mario Capaldi)

Now we come to 1977 in our August Tammy month round. And there’s another reason to bring out this August issue – it is the issue with the final episode (below) of Molly Mills. Yes, the great Molly Mills debate has finally come to a head. On the letters page (below), ye Editor makes an open call for letters – with monetary incentives of course – on whether or not to bring her back. But really, this would have been a whole lot more fair and representative of readers’ wants if the final episode had ended with a definitive conclusion (Molly sailing off to India with the others). Indeed, if this really was to be Molly’s final bow, they should have done that. Instead, it’s a tantalising cliffhanger (Pickering’s infamous frame-up of Molly at the docks, which makes her a fugitive, on the run from the law). This would surely have skewed the response from readers in favour of Molly’s return, to see how she sorts out her predicament. Indeed, ye Editor later informs us that the response was overwhelmingly in favour of Molly’s return, and return she did, on 31 December 1977. Would the response have been the same if Molly had been given a proper send-off? Incidentally, seeing as Molly returned with a different artist (Douglas Perry), I suspect the clincher for this sudden end of Molly was not the Molly Mills debate – it was Tony Thewenetti no longer able to continue with Molly for some reason. 

Meanwhile, Bella is at a Russian gymnastics school on a scholarship, and it’s good to see she’s getting a lot out of it this time (last time she was at a Russian gymnastics school, she was wrongly expelled before she’d hardly begun). Of course the school not without problems, and boy, does her strict Russian coach have a face to remember! John Armstrong must have had a great time drawing inspiration from gargoyles or something. This week, Bella loses her memory after an accident in the gym and strays from the school. 

Tammy takes us into the world of politics with the new Strange Story serial, “Sharon’s Shadow”. Joe Brown, outraged by the rundown housing conditions in Leechester, which led to the death of his grandfather, is running for MP so he can turn things around. But his chances of election could come under threat when his sister Sharon challenges a witch’s curse at her grave and then has a strange accident there. Never, ever, challenge the supernatural, Sharon. Meanwhile, in the regular Strange Story, the horrors of human sacrifice in pre-Christian days threaten to resurface with an erupting volcano, and superstition and hysteria get the better of people.

In “Maisie in Mo Town”, it’s been a barrel of laughs (though maybe a bit un-PC today) with Maisie pretending to increasingly exasperated kidnappers that she’s a dumb wild girl from Africa who doesn’t know the first thing about civilisation and can only speak pidgin English. But now things take a very serious turn as the kidnappers make plans to smuggle her out of the country. To this end, they lock her in the attic, ready for someone to collect at midnight!

“Daughter of the Regiment” Tessa Mason has recruited a gang of mudlarks to help clear her father, who was shot for cowardice at the Charge of the Light Brigade. But one, Dick, has been bribed to help lead her into a trap! And Melanie has recruited her own gang, “Melanie’s Mob”, to train as athletes. Dad would have a fit if he knew they were the Canal Mob, and now someone has reported something to the police about it.

At a regatta, Stackers is finding a mermaid costume problematic, and it leads to hijinks. In the final panel, Bessie doesn’t think much of mermaid costumes either, as she can’t raid the grub in the one she’s forced to wear.  

Nobody in class believes Miss Bigger when she shoots a big line about how her big WAAF days in World War II helped to win the Battle of Britain. So nobody’s surprised when she comes unstuck at a Battle of Britain exhibition at a flying club: “Bigger? We had a waitress of that name in the mess. Butter-fingers Bigger we used to call her…she was always dropping the crockery.” Miss Bigger’s looking very red, and then she’s green, as she can’t take a flight in a WWII plane without feeling airsick. The real heroics belong to Sue, who scares off robbers at the club with a phoney WWII bomb.

Tammy 7 August 1976

Cover artist: John Richardson

Bella (artist John Armstrong)

Towne in the Country (artist John Armstrong)

The Good Old Days (artist Bill Baker) – Strange Story

Tag Along Tania (artist Giorgio Giorgetti)

Bessie Bunter (artist Arthur Martin)

Molly Mills and the General Strike (artist Tony Thewenetti, writer Maureen Spurgeon)

Wee Sue (artist John Richardson)

Drawn to Destiny (artist Tony Higham) – Strange Story serial

Odds on Patsy (artist Eduardo Feito)

We come to 1976 in our Tammy August month round, and the cover confirms what we always suspected – teachers took sneak reads of the comics (Tammy, Jinty, whatever) they confiscated, and they enjoyed them as much as the girls themselves. We have to wonder how many closet Molly, Bella or Jinx from St. Jonah’s fans were created that way. The sight of the teacher reading her Tammy must be worse than the lines for the poor Cover Girl. 

Parents also enjoyed reading their daughters’ copies of Tammy, as one letter to Tammy this week shows: “I have been reading Tammy for nearly five years now…I think it’s the best comic around and so does my mother who always insists on reading it…” 

The Olympics were huge in Tammy in 1976 because of Montreal, and the Bella story for that year used the theme. Bella is determined to reach Montreal although she can’t compete and has no passport. It got left behind when she fled from her cruel aunt and uncle, and her flight is leading to all sorts of misadventures in Continental Europe, with Montreal seeming to get further and further away each time. Right now, she’s stranded in France with a stage troupe who are taking advantage of her. Added to that, there are jealous girls in the troupe playing nasty tricks on her. Yes, it never rains but pours with our Bella. Later on in 1976, Tammy continued the theme of the Olympics with the classic “Olympia Jones”.

By popular demand, 1976 had a stab at publishing some Strange Story serials. The current one is “Drawn to Destiny”, where jealousy between twin sisters over artwork is leading to ever-frightening results. And this week’s Strange Story (below) may have you think twice about comparing the present to “the good old days”.

In “Towne in the Country”, Val discovers what necessity can drive you to do. She is scared at the thought of administering an injection or touching animals, and then she has to do both when her father’s life is endangered and it’s up to her to save his life. Yep, Tammy’s clearly out to toughen up this one all right.

Tania “Tag Along” Foster is trying to stand up to the girls she hangs out with and stop being their dogsbody, but they aren’t giving up their power over her that easily. They’re pulling dirty tricks to keep her as their doormat. It always backfires on them in the end, leaving Tania with the last laugh, but she still has a fight on her hands to win respect.

Tennis trouble for Stackers when she pushes Bessie onto the tennis court this week – she soon finds having Bessie try tennis is courting trouble of the Bessie blundering kind. At least everything ends happily when it’s refreshment time.

Sue is trying to help a pupil lose weight, which turns into a very weighty problem when Miss Bigger makes a bet with the Head over whether or not the girl can lose weight. So the hijinks ensue when Miss Bigger turns to dirty tricks to keep the weight on and Sue steps into foil them. 

Eduardo Feito is the artist who really brought horse stories to life in Tammy. He has a number of strong Tammy horse stories under his belt already, such as “Halves in a Horse”, “The Uxdale Urchins” and “Rona Rides Again”. His current horse story is “Odds on Patsy”, about a racehorse and a girl who wants to be a top jockey. Now that’s a nice change from stories about show jumping and gymkhanas.

Politics is an unusual topic in a girls’ comic, but here it is in Molly’s story, “The General Strike”. Lord Stanton dispatches Molly and Pickering to keep the buses running during a workers’ strike (something IPC knew a lot about), which is being conducted in sympathy for a miners’ strike against a wage cut. Readers must have enjoyed Molly and Pickering’s change of uniforms and jobs: Molly as the bus conductor and Pickering as the (hee, hee!) bus driver. Unfortunately, Lord Stanton’s move to keep the buses running during the strike is understandably pissing off the strikers and they’ve turned on him. Now Lord Stanton’s gone missing, and his car’s come a cropper in the quarry! Could it be connected with the strike?

Tammy and Sally 14 August 1971

Palomo (artist Douglas Perry)

Little Miss Nothing (artists Miguel Rosello, Luis Bermejo, Miguel Quesada, writer Alan Davidson)

Betina and the Haunted Ballet (artist Dudley Wynne) – first episode

The Cat Girl (artist Giorgio Giorgetti)

Roberta’s Rebels (artist Rodrigo Comos, writer Maureen Spurgeon) – first episode

Our Janie – Little Mum (artist Colin Merrett)

Maisie’s Magic Eye (artist Robert MacGillivray)

A Million Pounds to Give Away! (artist Agustin Navarro, writer Maureen Spurgeon)

Beattie Beats ‘Em All (artist John Armstrong, writer Maureen Spurgeon)

The School on Neville’s Island (artist Douglas Perry)

Glen – A Lonely Dog on a Quest (artist Jim Baikie)

No Tears for Molly (artist Tony Thewenetti, writer Maureen Spurgeon)

It is now August, and to commemorate, we will have an August month Tammy round, with an August issue taken from each Tammy year. Also, selecting covers from this month guarantees a lot of nice, cheery summer covers to brighten us up. We begin at 1971, and with an August issue that starts two new stories.

It has now been seven months since Tammy started and five since Sally merged with her. Three strips from Tammy’s first issue are still going strong: Molly, Glenn, and Janie. Betina, another heroine from the original lineup, now starts her second story in Tammy’s first-ever sequel, “Betina and the Haunted Ballet”. The other story to start this week is “Roberta’s Rebels”. Though set in a boarding school, its premise sounds oddly prescient of “Land of No Tears”. Roberta Russell’s boarding school system is divided into the Supremos, the girls who get all the privileges and best treatment because they are the school sports stars, and the Serfs, who are forced to wait on the Supremos hand and foot and receive lesser treatment from school staff. Outraged, Roberta immediately sets out to stop this unfair school system by training up the Serfs to beat the Supremos. But once she sees the girls she has to train, she finds that’s going to be easier said than done. They look more like Bessie Bunter than Beattie Beats ‘Em All (q.v.).

The Cat Girl and Maisie’s Magic Eye are still going strong from the Sally merger. Both became so well remembered they have recently been given remakes in the rebooted Tammy and Jinty specials, and Cat Girl has just received her own reprint volume. Their presence also adds humour and lightweight fare to Tammy, who initially had no humour to balance the grim, misery-laden fare she was renowned for when she started. 

“A Million Pounds to Give Away!” is another story to show Tammy is finding her feet with her own lightweight fare. Biddy Lenton has to give away her late great uncle’s entire fortune (a million pounds) under the terms of his will, but it’s proving harder than expected and it’s getting Biddy into all sorts of scrapes. Shades of the future Bumpkin Billionaires! 

This week’s episode of Beattie must have given the readers some laughs, what with the antics Beattie gets up to on the racetrack to raise signatures for a petiton to stop some buildings – including her home – being bulldozed for development. She gets the satisfaction of annoying her worst enemies on the track with it as well. The petition ends up full of signatures. Strangely, nobody comments on or corrects Beattie’s spelling mistake – “support” has been spelled with one “p”.

“Little Miss Nothing” was a pivotal story in Tammy, as it set the template for the Cinderella serial in girls’ comics for hundreds of Cinderella serials at IPC and DCT to follow. “Make-Believe Mandy” and “Cinderella Smith” from Jinty were but two who owed their roots to “Little Miss Nothing”. This week, Annabel’s cruel parents kick her out, and they’re not through with her yet. Annabel’s spiteful stepsister Dora is cooking up a really nasty revenge on Annabel for getting her the well-deserved sack. 

Douglas Perry is on double duty with drawing two stories, “The School on Neville’s Island” and “Palomo”. But that’s nothing on Maureen Spurgeon, who’s writing four strips, probably more, in one issue! Incidentally, Palomo was Tammy’s first horse story, and it was so popular it scored an appearance in a Tammy annual. 

Tammy & Misty 21/28 June 1980

Cover artist: John Richardson

Bella (artist John Armstrong, writer Primrose Cumming)

Shadows on the Wall – Strange Story from the Mists

Tina’s Telly Mum (artist Giorgio Giorgetti, writer Alison Christie) – first episode

Wee Sue (artist John Richardson)

The Sea Witches (Mario Capaldi)

Lucky By Name (artist Julian Vivas)

Peggy in the Middle (artist Tony Coleman)

Edie and Miss T (artist Joe Collins)

Meet the Tammy Gymnast of the Month – Feature

Donna Ducks Out (artist Diane Gabbot(t))

Now we come to 1980 in our Tammy June month round. This particular June issue is unusual for having a double date. All IPC titles that week had it for some reason. 

It’s been six months since Misty merged with Tammy. The merger changed the Tammy logo from having daisy flowers to solid letters. The Misty merger was a bit disappointing because Misty was underrepresented in the merger. Tammy had a higher ratio of content all the way through. Much of the problem must have been with Misty herself. She had no regulars except Miss T and Misty herself, and regulars are vital for carrying on in a merger. Also, Misty’s ratio of serials was not very high, while her number of complete stories was way too vast. Also, her stories used 4-page spreads while her sister comics used three, which also reduced the space for more serials to run. A lower ratio of complete stories, enabling more room for serials, would have created a better balance. It would have also created more scope for something from Misty’s serials to turn into a regular, or for a regular strip to have been created. Some of the spooky stories that appeared during the merger, such as “The Sea Witches”, do give the impression they were originally scripted for Misty. Unfortunately, if Misty was not writing that many serials to begin with, not many of them could be published in the merger. The ratio of Tammy serials was definitely higher than Misty’s in the merger. Misty made her presence felt more in the Strange Stories – now called Strange Stories from the Mists, and she alternated with the Storyteller as the presenter. 

Meanwhile, Tammy has a higher number of serials running, as she is not running her regulars so much. This was another key change when Misty joined. The ever-popular Bella has to continue of course, and Sue is still a weekly regular, but Bessie is now appearing off and on, and Molly is on hiatus. 

In the serials, “The Sea Witches” are striking back at an American air base, which is disturbing nesting grounds, and how far they will go is increasingly worrying. “Peggy in the Middle” is a bold move in exploring how messy divorce and custody battles can be. “Lucky By Name” reaches its climax, with Lucky running off with her beloved pony in the mistaken belief her father will sell him. “Donna Ducks Out” is now on its penultimate episode. A bathroom duck gives Donna the power to swim, but now it has been damaged. The final episode will clearly tell if Donna can now sink or swim without the duck. A new story, “Tina’s Telly Mum”, starts. Tina Mason persuades her recently widowed mother to take a glamorous TV announcer job to distract herself from grief. Unfortunately, there are ominous signs Tina is going to regret this. She has already been left behind as her mother leaves for her new job, and a most unsuitable woman has been put in charge of her – the sort that has us instantly thinking, “What the hell was Mum thinking when she hired her?”

Bella is making a bid for the Moscow Olympics, but got herself stranded in the US after winning a qualifying event and then lost her sponsorship. Now it’s becoming even more difficult to keep up her gymnastics, much less get to Moscow. Bella missed out on competing in the Olympics once before, and now history is threatening to repeat itself. Bella is also making her influence keenly felt in Tammy’s latest competition, “Meet the Tammy Gymnast of the Month”.