Tammy and Sally 14 August 1971

Palomo (artist Douglas Perry)

Little Miss Nothing (artists Miguel Rosello, Luis Bermejo, Miguel Quesada, writer Alan Davidson)

Betina and the Haunted Ballet (artist Dudley Wynne) – first episode

The Cat Girl (artist Giorgio Giorgetti)

Roberta’s Rebels (artist Rodrigo Comos, writer Maureen Spurgeon) – first episode

Our Janie – Little Mum (artist Colin Merrett)

Maisie’s Magic Eye (artist Robert MacGillivray)

A Million Pounds to Give Away! (artist Agustin Navarro, writer Maureen Spurgeon)

Beattie Beats ‘Em All (artist John Armstrong, writer Maureen Spurgeon)

The School on Neville’s Island (artist Douglas Perry)

Glen – A Lonely Dog on a Quest (artist Jim Baikie)

No Tears for Molly (artist Tony Thewenetti, writer Maureen Spurgeon)

It is now August, and to commemorate, we will have an August month Tammy round, with an August issue taken from each Tammy year. Also, selecting covers from this month guarantees a lot of nice, cheery summer covers to brighten us up. We begin at 1971, and with an August issue that starts two new stories.

It has now been seven months since Tammy started and five since Sally merged with her. Three strips from Tammy’s first issue are still going strong: Molly, Glenn, and Janie. Betina, another heroine from the original lineup, now starts her second story in Tammy’s first-ever sequel, “Betina and the Haunted Ballet”. The other story to start this week is “Roberta’s Rebels”. Though set in a boarding school, its premise sounds oddly prescient of “Land of No Tears”. Roberta Russell’s boarding school system is divided into the Supremos, the girls who get all the privileges and best treatment because they are the school sports stars, and the Serfs, who are forced to wait on the Supremos hand and foot and receive lesser treatment from school staff. Outraged, Roberta immediately sets out to stop this unfair school system by training up the Serfs to beat the Supremos. But once she sees the girls she has to train, she finds that’s going to be easier said than done. They look more like Bessie Bunter than Beattie Beats ‘Em All (q.v.).

The Cat Girl and Maisie’s Magic Eye are still going strong from the Sally merger. Both became so well remembered they have recently been given remakes in the rebooted Tammy and Jinty specials, and Cat Girl has just received her own reprint volume. Their presence also adds humour and lightweight fare to Tammy, who initially had no humour to balance the grim, misery-laden fare she was renowned for when she started. 

“A Million Pounds to Give Away!” is another story to show Tammy is finding her feet with her own lightweight fare. Biddy Lenton has to give away her late great uncle’s entire fortune (a million pounds) under the terms of his will, but it’s proving harder than expected and it’s getting Biddy into all sorts of scrapes. Shades of the future Bumpkin Billionaires! 

This week’s episode of Beattie must have given the readers some laughs, what with the antics Beattie gets up to on the racetrack to raise signatures for a petiton to stop some buildings – including her home – being bulldozed for development. She gets the satisfaction of annoying her worst enemies on the track with it as well. The petition ends up full of signatures. Strangely, nobody comments on or corrects Beattie’s spelling mistake – “support” has been spelled with one “p”.

“Little Miss Nothing” was a pivotal story in Tammy, as it set the template for the Cinderella serial in girls’ comics for hundreds of Cinderella serials at IPC and DCT to follow. “Make-Believe Mandy” and “Cinderella Smith” from Jinty were but two who owed their roots to “Little Miss Nothing”. This week, Annabel’s cruel parents kick her out, and they’re not through with her yet. Annabel’s spiteful stepsister Dora is cooking up a really nasty revenge on Annabel for getting her the well-deserved sack. 

Douglas Perry is on double duty with drawing two stories, “The School on Neville’s Island” and “Palomo”. But that’s nothing on Maureen Spurgeon, who’s writing four strips, probably more, in one issue! Incidentally, Palomo was Tammy’s first horse story, and it was so popular it scored an appearance in a Tammy annual. 

Tammy & Sally 5 June 1971

Neville’s Island/The School on Neville’s Island (artist Douglas Perry) – first episode

Glen – A Dog on a Lonely Quest (artist Jim Baikie)

Slaves of “War Orphan Farm” (artist Desmond Walduck, writer Gerry Finley-Day?)

The Cat Girl (artist Giorgio Giorgetti)

The Secret of Trebaran – (artist Giorgio Cambiotti) – final episode

Maisie’s Magic Eye – artist Robert MacGillivray

Little Miss Nothing (artists Miguel Rosello, Luis Bermejo, Miguel Quesada, writer Alan Davidson) – first episode

Betina at Ballet School

Beattie Beats ‘Em All! (artist John Armstrong)

Sara’s Kingdom (artist Bill Mainwaring)

The Girls of Liberty Lodge (artist Dudley Pout)

“Our Janie” – Little Mum (artist Colin Merrett)

No Tears for Molly (artist Tony Thewenetti, writer Maureen Spurgeon)

For the month of June we are having another Tammy round, which will profile a Tammy issue from the month of June for each Tammy year. We begin with the first June issue of Tammy in 1971.

In this issue, it’s the final episode of “The Secret of Trebaran”, one of the first stories from the first Tammy lineup. Its replacement next week is “Gandora the Golden”. Others from the first Tammy lineup, “Slaves of ‘War Orphan Farm’”, “Betina at Ballet School”, “The Girls of Liberty Lodge”, “Glen – A Lonely Dog on a Quest”, “No Tears for Molly”, and “’Our Janie’ – Little Mum” are still going strong, and it’s been four months since they started. Molly went on to become one of the longest-running regulars in Tammy, which showed she was the most powerful of the first lineup. Beattie, who joined later, is still going strong, and is the first Tammy strip drawn by John Armstrong. Cat Girl, “Maisie’s Magic Eye” and “Sara’s Kingdom”, which came over from Sally, are still going happily as well. 

Douglas Perry artwork appears in Tammy for the first time – and on the first page – with the start of Perry’s first Tammy story, “Neville’s Island”. Thirty girls from St Edburgha’s are lured to a mysterious island. And we all know what happens when girls are lured to an island in girls’ comics – it’s a trap! To make things even more mysterious, the plot is being engineered by a ominous-sounding elderly woman in a wheelchair who won’t show her face. Once the unsuspecting girls are in the trap, she says, “Now they shall begin to suffer. All of them.” But why? From the sound of it, it’s revenge for being bullied at the school, but there’s probably more to it than that. It all adds to the mystery that has to be solved if the girls are to escape. 

Also starting this issue is the first episode of “Little Miss Nothing” (written by Alan Davidson, not Pat Davidson aka Anne Digby, as has been sometimes stated). This story is noted for setting the “Cinderella” template that so many Tammy stories were to follow, the most famous of which was Bella Barlow. Update: an entry on this story has now been posted here.

“Little Miss Nothing” Annabel Hayes is regarded by her family as a nobody and they treat her as a drudge. It’s her younger sister Dora who gets the lion’s share in everything. Annabel shines at dressmaking, but her hopes of making a career out of it are dashed when the family move to be closer to Dora’s modelling school. Dad illegally yanks Annabel out of school to slog all day at the family market stall to pay for Dora’s school fees, makes her sleep in an attic, and not a word about her treatment or she’ll suffer. Wow, things are really piled on our Cinderella in the first episode alone. But then Annabel spots something in the attic that could turn things around. 

Tammy & Sally 1 May 1971

• Beattie Beats ‘Em All! (artist John Armstrong)
• Our Jane – Little Mum (artist Colin Merrett)
• My Father – My Enemy!
• The Cat Girl (artist Giorgio Giorgetti)
• The Secret of Trebaran
• The Girls of Liberty Lodge (artist Dudley Pout)
• Slaves of “War Orphan Farm” (artist Desmond Walduck, writer Gerry Finley-Day?)
• Betina at Ballet School
• Action Girl
• Glen – Loney Dog on a Quest (artist Jim Baikie)
• Maisie’s Magic Eye (artist Robert MacGillivray)
• Sara’s Kingdom (artist Bill Mainwaring)
• Castaways on Voodoo Island (artist Ken Houghton)
• No Tears for Molly (artist Tony Thewenetti, writer Maureen Spurgeon)

Hello, everyone. For something a bit different in the issue entries, we are going to have a round robin of Tammy, where one issue will be selected and profiled from each year Tammy was running.

Leading off in 1971 is the 1 May issue. We are now three months into Tammy’s run. How is it all going? Many of the stories from Tammy’s first issue are still going strong, though three look like they are near the end.

We are some weeks into the Sally merger and Sally’s contributions are still going too. The Cat Girl and Maisie’s Magic Eye are providing some light relief against the grimness of the Tammy stories that focus on cruelty and misery.

And what’s going on the stories?

Beattie wins a sports event despite dirty tricks from jealous rivals. But she is still on the run from the orphanage and her past is threatening to catch up, as she discovers when she is shown a newspaper.

Our Janie Little Mum has been saddled with an additional problem to looking after her younger siblings – helping to hide a carthorse that has been earmarked for the slaughterhouse! And on the top floor of the apartment block too!

“My Father – My Enemy!” looks like it is on its penultimate episode. Father has been critically injured from violence during the miners’ strike, and his ramblings inform Julie just why he is so horrible to them – he blames them for his wife’s death. And quite wrongly, of course. Julie is now anxious to reconcile with him, but he has one foot in the door of death.

Glen looks like he is on his penultimate episode too. After a long, epic journey, he finally tracks down his mistress June. But she has been cornered by a vicious dog, and it’s a killer!

The Castaways of Voodoo Island looks like it is approaching its conclusion too. Jackie is cornered by the dreaded Devil God, but the blurb for next week says we will learn the truth about him.

The Cat Girl discovers her father has been set up to look like an enemy spy. She’s got to get to him before the British agents do.

On Trebaran, Abel the evil sorcerer (come to think of it, he was the only evil sorcerer Tammy ever had) is after a stone in Trudy’s possession. Surprisingly, he disappears when Trudy’s friends appear, but when she wakes up the following morning, it’s her friends have disappeared. Where have they got to?

The Girls of Liberty Lodge and their headmistress Miss Valentine are in a barge race against the rival school, Hardington School, which is run along the harsh, sadistic lines of Miss Steele, who hates Miss Valentine’s guts . As usual, Hardington plays dirty tricks against Liberty, but it backfires with Liberty finding helpers who get them to the finishing line first. And they have a new pupil – Lady Angela.

Kate frees one of the slaves of War Orphan Farm with the help of “Mad” Emma. Kate declines the offer to come too, because she wants to stay on and free more slaves. But nasty Ned and the evil Ma Thatcher have spotted the escape. What can Kate do to stop them?

Molly is also helping to liberate mistreated orphans, this time at an orphanage. The cruel staff look like they’ve conned Binks the chauffeur into helping them, but when they attack Mistress Clare he lashes back at them, and they get arrested. Well, that’s the end of the cruel treatment at the orphanage.

Betina is suspended from ballet lessons after being wrongly accused. Her confidence is so shattered that she has decided to pack her bags.

Sara is one step closer to finding the ruby that will cement her claim to the throne of Hunzir, but is warned to beware “the fat bearded one”. By the looks of things, he is the one heading up the mountain in a jeep to cut her off.

 

Story Theme: Journey Story or Quest

The Journey Story or Quest was a popular story theme at certain points in Jinty and in other titles. Indeed, at some points in 1976, it would have been possible to be reading an issue of Jinty which included three or even arguably four journey stories in the same week’s comic (see 24 April 1976 for an example). It’s a story framework which allows the creators to vary the setting and characters as much as they like, and to experiment with a range of local touches if desired (Scottish kilts, Welsh mountains, or European stereotypes could be brought in depending on the story). Within a Quest theme the dramatic tension is kept up, too – the protagonist is always thinking of the thing that keeps them on the journey – the danger they are avoiding or the goal they are trying to reach.

The journey story is of course focused around a lengthy journey, but it is also something of a quest, as the protagonist has someone she needs to find or something she needs to do before she can stop journeying. She does not just head out for the fun of it or to see the sights; there is some motivating reason for her to keep moving. Apart from the journey element, the other themes of the story can be fairly varied: there are journey stories in Jinty which are rooted in science fiction, humour, love of aninals, and more.

Core examples

“Song of the Fir Tree” (1975-76). This story has siblings Solveig and Per traveling across Europe after they are released from the concentration camp they were held in during WWII. They travel from Germany to Norway under their own steam, constantly having to keep one step ahead of their enemy Grendelsen (though at the same time, unknown to them, their father is chasing after them also).

This was the first journey story printed in Jinty. Clear precursors outside of British girls comics are “I Am David” and “The Silver Sword”, both of which feature long journeys and have child protagonists dealing with the aftermath of WWII.

“Fran of the Floods” (1976). After her home town is overwhelmed in flooding, Fran Scott travels the length of an apocalyptic Britain to see if her sister is alive and well in Scotland. This popular and well-remembered journey story is one of survival against the odds and courage in the face of barbaric behaviour on the part of other survivors.

“Bound for Botany Bay” (1976). Betsy Tanner is transported to Australia; in addition to the lengthy sea journey, once she gets to Botany Bay she runs off and travels across dangerous countryside, eventually finding her father who was sentenced to transportation earlier on.

“For Peter’s Sake!” (1976). Set in the 1930s, Carrie Lomax has a brother who is seriously ill. Her grandmother’s pram has rocked many babies back to good health in a seemingly miraculous way and she hopes that it will do the same for little Peter. However, Carrie and the pram are in Scotland and the rest of her family is in London, and she needs to push the pram all the way back to him on foot.

“The Darkening Journey” (1977). Thumper has been separated from his owner Julie, who is moving house with her family, across Britain to the west country. To add to the pathos, both of them are going slowly blind: Julie because she needs an operation to cure her, and Thumper because of an accident at the time they were separated. Together with his friend Beaky, a clever talking rook, he travels towards the setting sun to see if he can be reunited with his beloved owner.

“Race For A Fortune” (1977-78). This is a humourous take on the journey story: Katie McNabb must race her snobby cousins in a journey to inherit her skinflint great-uncle Ebeneezer’s money. The one who reaches Ebeneezer’s home village of Yuckiemuckle first, starting out from the south of England with no money to help them, will win the race and the terms of the will. Katie and her cousins battle it out, each overtaking the other at various points on their travels.

“Somewhere Over The Rainbow” (1978-79). This is the longest, most epic of all the journey stories in Jinty (indeed so long is it, at 36 episodes, that to date I have quailed before the mighty task of writing a story post for it!). Dorothy and Max are an orphaned brother-sister pair who run away from the state care they are put into when their mother is killed. Inspired by the Wizard of Oz song, they travel from the south of England all the way to Scotland, hoping to find happiness at a care home called Rainbow’s End.

Updated to add: a post on this story has now been added.

Edge cases and uncertainties

The core stories listed above all feature epic, dangerous, and long journeys as a central aspect of the story. There are other stories in Jinty which feature travelling on the part of the protagonists, but without it being such a central part of the plot.

“Then There Were 3…” (1976). This is more of a mystery story: ten girls hire a narrowboat and travel on the water for some time, but the plot primarily focuses on the mystery of what is behind the occurrences that spook the girls. Is it something supernatural in origin, or is it down to a purely human villainy?

“The Big Cat” (1976-77) When her grandmother dies and she is evicted from the gypsy camp she lives in, Ruth travels with the big cat Ayesha that the story is named after. We do not currently have a story post about this to confirm if this is more of a journey story, or a fugitive story where the protagonist runs away and spends time in hiding rather than in travelling towards a clear goal.

Not to be confused with…

There are plenty of stories that include an element of journeying or travelling, such as those ones where the main character runs away: for instance Jinty‘s first issue includes the story “A Dream for Yvonne“, where Yvonne runs away from the circus to become a ballerina. She does not travel throughout the story unceasingly until she reaches her goal, though: she runs away multiple times, loses her memory, is threatened by jealous rivals, and is eventually accepted by both her family and the ballet school. The journeying is not the main point of the story, but rather her challenge lies in how to be accepted by family and friends.

Likewise in many stories there is a dramatic finale where the protagonist runs away either to elicit sympathy or to enact some specific deed: Gail in “Gail’s Indian Necklace” and Lee in “Daddy’s Darling” are two such examples from Jinty‘s early days. I am not counting these either, as the main focus of the story is again not on the journey itself, which is pretty limited in the span of story time that it takes up.

Fugitive stories may overlap considerably with the journey story, but again the key question in my mind is whether the fugitive keeps running, or mostly hides away somewhere. “Always Together…” (1974-75) has an orphaned family (well, almost – read the story summary for more detail) who run away from the welfare state mechanisms which are threatening to split them up. They do not keep running continuously, but instead camp out in a few locations and fend for themselves throughout the bulk of the story.

There are a few stories with castaways (“Desert Island Daisy“, “Girl The World Forgot“): if you are going to be cast away on a desert island you can hardly avoid having travelled, somewhere along the lines! But the focus is then on the predicament of the main character, not on a prolonged journey. The same goes for “Alice In A Strange Land” which has a transatlantic plane journey at beginning and end of the story, and a dramatic crash landing in an early episode, but which does not focus on those elements in the core plot.

Elsewhere…

Journey-themed stories were of course not confined to the pages of Jinty, though the April 1976 spike in popularity of these stories is perhaps only seen in this title. The following stories are not meant to be a complete list of journey stories, but just to give a flavour of the prevalence and the variety of them across both IPC and DC Thomson. (Many thanks to Mistyfan for providing scans of the below and other stories, and also to Lorrbot and the Girls Comics of Yesterday site, which I checked for mention of journey stories.)

• Glen, A Dog on a Lonely Quest (Tammy, 1971)
• Janet and her Travellin’ Javelin (Debbie, 1974)
• Towne in the Country (Tammy, 1976-77)
• The Ride-Away Randalls (Debbie, 1978)
• The Wandering Starrs (Bunty, 1978-79)
• One Girl and Her Dog (Tammy, 1978-79)
• Jumbo and Jet (Tracy, 1981)
• Jet’s Incredible Journey (Suzy, 1986)

Other thoughts

This post is already rather long, but I have more thoughts about the theme. Another post will follow, discussing aspects of how journey stories actually worked in more detail, looking at some of the stories mentioned above.

First Tammy Ever Published: 6 February 1971

First Tammy cover: reprint

First Tammy cover: original

• The Secret of Trebaran – first episode (artist Giorgio Cambiotti)
• The Girls of Liberty Lodge – first episode (artist Dudley Pout)
• Slaves of “War Orphan Farm” – first episode (artist Desmond Walduck, writer Gerry Finley-Day)
• Dawn and Kerry Double for Trouble – first episode (artist Giorgio Letteri, writer Maureen Spurgeon)
• “Our Janie” – Little Mum – first episode (artist Colin Merritt)
• Betina at Ballet School – first episode
• My Father – My Enemy! – first episode
• Courier Carol – first episode (artist Jean Sidobre)
• Glen (later called Glen – A Lonely Dog on a Quest) – first episode (artist Jim Baikie)
• Tammy Club Page – Feature
• Castaways on Voodoo Island – first episode (artist Ken Houghton)
• No Tears for Molly – first episode (artist Tony Thewenetti, writer Maureen Spurgeon)
• Cats and Kittens – Feature

Recently we had an entry for the last Tammy ever published. So it is seems appropriate that there should be one for the first Tammy as well.

The cheery blonde girl who greets us on the cover (which has far better colouring than its 2009 facsimile reprint) belies the content that is waiting inside. For Pat Mills and Gerry Finley-Day intended that Tammy would revolutionise girls’ comics, which more typically went for stories about ballet, school and ponies. Instead, Tammy would lead a revolution by going for the dark side of comics. She would print stories filled with suffering, misery, cruelty, and pushing the envelope with over-the-top ways to torture the heroines. Parents and teachers hated it, which was a sure sign it was working.

Tammy’s welcome to her readers stated: “…for the whole gang of us here have tried to make it the kind of picture-story paper we think you want…I just hope we’ve succeeded and that you’ll go on reading and enjoying Tammy every week”.

They must have succeeded – sales of Tammy skyrocketed, and it would blaze the trail for the early Jinty, and Action and Battle.

The first story that readers see when they open the issue is a supernatural story, “The Secret of Trebaran”, which is quite a blend of time travel, evil sorcerer and period story. Trudy Smith thinks her holiday in Cornwall is as dull as ditch water – until she comes across a mysterious medallion that sends her travelling back in time to when the island of Trebaran was a thriving community instead of the ruin it is today, and nobody knows why it ended up that way. Trudy is about to become part of that mystery, of course. But it’s already threatening to get her burned at the stake for witchcraft when Puritans encounter her tape recorder and hear what it can do!

The Girls of Liberty Lodge

The next story is the first of the stories in the pioneering dark side, “The Girls of Liberty Lodge”. We meet Miss Steele, the bully headmistress of Hardington Hall, whose ideas of discipline are put girls on ‘trial’ in a kangaroo court in front of the whole school. Good grief! Miss Valentine, the only kind teacher in the whole school, is so appalled that she quits to start her own school, Liberty Lodge, which is set up as the antithesis of Hardington Hall. But Miss Steele is not having that, and is determined to bring down Liberty Lodge any way she can.

Story three is the Queen of Cruelty in Tammy’s lineup – “Slaves of ‘War Orphan Farm’”. This story is regarded as perhaps the cruellest strip ever in girls’ comics. Ma Thatcher (named for the future Prime Minister) takes in war orphans, ostensibly to give them a home for the duration of WW2. In reality, she forces them to work in a quarry and contracts them out as slave labour to other farmers.

“Dawn and Kerry” takes a break from the cruelty with two good friends who turn into sleuths when they get caught in a storm and have to take shelter in a creepy hall, Whispering Heights. They meet a girl who seems to be a prisoner of the place, and now they are prisoners themselves!

Slaves of “War Orphan Farm”

The fourth story, “‘Our Janie – Little Mum!’”, returns to the suffering. Janie Greaves has been mother to the family since Mum died, but now more tragedy is tearing the family apart. Dad has been landed in hospital with serious injuries, social welfare is threatening to split the family up, and now her brother’s being arrested!

The first lineup of a new girls’ comic just wouldn’t be complete without a ballet story, and “Betina at Ballet School” is it. Betina Brooks wins a scholarship to a ballet school. But snobbery is against her – and it’s coming from the teachers. This story would spawn an early Tammy sequel, “Betina and the Haunted Ballet”.

“My Father – My Enemy!” delves into the horrors of Victorian exploitation and child labour with Mr Jeffries, who cares nothing for the suffering of his miners and their families. But his daughter Julie is more compassionate and she goes against her own father to do what she can to help them.

“Courier Carol” is the only story in the Tammy lineup to have any humour. Carol Jones and her uncle run a coach tour with a difference – a vintage coach that picks up a lot of laughs on the way. But they pick up trouble too, in the form of a rival coach business run by the man who had tried to buy them out.

Humour and hijinks are definitely short in the first lineup; there isn’t even a cartoon feature starring a “funny”. If there is one problem with the first Tammy stories, it is that they lean too heavily towards stories filled with suffering, hardship and cruelty. There is little counterbalance in the form of laughs and light relief. The first Jinty, though she would have her share of dark, cruel stories with tortured heroines (especially “Merry at Misery House”), she would include more humour and slapstick in her first lineup than the first Tammy lineup did.

Courier Carol

And it soon gets back to it with “Glen” (later called “Glen – A Dog on a Lonely Quest”). Glen is an abused dog (yes, more cruelty) who sets out to find the girl who saved him when his abusive owner tried to drown him. And the girl’s name is June – coincidence or what?

The facsimile reprint reproduces only page one of the Tammy Club from the original. The editor knew readers would want one, and Susie is the secretary who presents the details on how to join and what to expect.

The reprint also omits the next story, “Castaways on Voodoo Island”, for some reason. Perhaps it is because this story is considered a weak one. Girls find themselves castaways on an island where they fall foul of a weird witch doctor. At least it makes a change from being tortured and abused by bullies and slave drivers.

No Tears for Molly

Finally, we come to the story where the heroine would endure no less than 10 years of cruelty, abuse, bullying and suffering in Tammy. These would include being tied up and beaten, locked in a flood dungeon, freezing cold duckings in a lake, and being clamped in the stocks, would you believe? She would end up holding a joint record with Bella Barlow as Tammy’s longest running character. This is, of course, Molly Mills, a 1920s maidservant. She has the bad luck to arrive at the same time as bully butler Pickering, who would become her arch-nemesis at Stanton Hall. Her strip was originally entitled “No Tears for Molly” and the title would stick several years, despite the fact that it is a complete misnomer. Right from the very first episode we see Molly crying. No tears for Molly, huh? And now she’s been sacked too, because of a dirty trick from the other two maids who are destined to give her more trouble in the years to come. As if Pickering weren’t bad enough!