Tag Archives: Hugh Thornton-Jones

Tammy & Misty 16 August 1980

Cover artist: John Richardson

Bella (artist John Armstrong) – final episode

Running Rosie Lee (artist José Casanovas)

Cut-Glass Crystal (artist Tony Coleman)

Golly! It’s Pressie Time! – Competition 

The Loneliest Girl in the World (artist Jaume Rumeu)

Wee Sue (artist Hugh Thornton-Jones)

Molly Mills and the Green-fingered Runaway (artist Douglas Perry, writer Maureen Spurgeon) – first episode

Edie and Miss T – (artist Joe Collins)

The House Mouse (artist Mario Capaldi) – Strange Story from the Mists (Part 2 of 2)

Plain as Pearl (artist Juliana Buch)

Now we come to 1980 in the Tammy August month round. In this issue, Tammy has some Golly giveaways to celebrate Golly’s 50th. How times have changed for Golly in increasingly PC times since then.

Bella concludes her bid to reach the Moscow Olympics. A shipwreck brings it all to a head, putting her in hospital with a busted ankle, so no Moscow. That’s the second time poor Bella has missed out on the Olympics, and unlike her Montreal story she didn’t even get there this time. Maybe a rebooted Bella will finally get to compete at the Olympics. At least the rescuers brought her back to Britain for treatment, so she’s home and no longer stranded in the US. We’re promised a new story next week while Bella is recuperating. 

In Molly’s new story, it’s time for Lord Stanton’s summer fete. We are introduced to Charlie’s sister Cathy, who has run away from a harsh orphanage, and the police are hunting for her. Molly and Charlie are very surprised when she turns up at the fete, helping Lord Stanton’s gardener. Oh boy, this is going make for one very interesting fete! 

Since Misty joined, several Strange Stories from the Mists have appeared in two or three parts. The current two-parter, “The House Mouse”, has to be the most frightening of them all and is guaranteed to stick with you for years to come (it does me!). The House Mouse is far from a cute, cuddly mouse – it is an evil, possessed monster that drives off prospective buyers of its fanatical master’s house with “accidents”, outright attacks and even murder, as he has vowed the house will never leave his family.

There are a lot of “court” jokes and puns in this week’s Wee Sue story when Miss Bigger ropes Sue into helping her with tennis practice. This ends up “courting” trouble. Ultimately, they find themselves more successful at cricket. 

In a later issue ye Editor informs us “Plain as Pearl” is a very popular story, and there is a lot in it to make it so. Pearl Kent has taken a job as a model to raise money for her sick mother’s holiday. Trouble is, she has to do it in secret because she senses Clare, the daughter of the foster family she is staying with, will be jealous. The secrecy is leading to problems of course, like Pearl not having a guardian’s consent for the job.

“Running Rosie Lee” turns into the bionic woman once she’s had a cup of tea, to the consternation of the snobs at her new boarding school. But this week it is established that the tea must be stirred, or failing that, shaken to get things going.

Karen Chalmers, “The Loneliest Girl in the World”, doesn’t know where she’s coming or going with the weird things that are happening to her, except now confirming that her parents are indeed robot imposters. But all this does is get her committed to a psychiatric hospital. The robot parents say she must never discover the truth, even if she has to stay at the hospital all her life. Now what can the truth be, and is it connected with her nightmares about her house burning down and nobody left except her?

Cut-Glass Crystal is finding out – the hard way – why her mother refused to come to Dad’s hometown of Pitedge after his business collapsed. Pitedge is worlds away from the upbringing she has had, adapting to life in Pitedge is hard for her, the house they live in doesn’t even have proper commodities, she doesn’t fit in, and now she doesn’t even know her own father anymore. Instead of being sympathetic and trying to help – or even grateful Crystal chose to come with him when Mum didn’t – he’s become very harsh with her. Can things possibly sort themselves out, or did Crystal’s mother have the right idea? 

Tammy 12 August 1978

Cover artist: John Richardson

Bella (artist John Armstrong)

Bessie Bunter (artist Arthur Martin)

Vision of Vanity Fayre (artist Mario Capaldi) – final episode

Maggie’s Menagerie (artist Tony Coleman)

Double – or Nothing! (artist Diana Gabbot(t))

The Juicy Mackerel (artist Peter Wilkes) – Strange Story

Wee Sue (artist Hugh Thornton-Jones)

A Bus in the Family (artist Giorgio Giorgetti)

Heraldry – Edie’s Hobbyhorse

Now we come to 1978 in our August Tammy month round, with one of my favourite Tammy covers. 

“Your future’s assured” says the cover, but not for Bella in introducing gymnastics to Port Tago, Australia. The way things are going, she must have wondered if she should have stayed home. And now, just when things finally seem to be looking up, an enemy strikes. They tried to sabotage Bella’s public demonstration, and now they’ve sent her a death threat, telling her to get out of Port Tago, or else! 

Currently, there is no Molly Mills (she returns in the following issue), which was a definite change after her artist changed from Tony Thewenetti to Douglas Perry. In the Thewenetti run, Molly appeared without pause from the first issue of Tammy to the end of Thewenetti’s run on 20 August 1977. But when Perry took over on 31 December 1977, Molly took more breaks until the end of her run in 1981 (barring her spot appearances in the “Old Friends” strip in 1982). This would have given some relief to the readers who did not like her so much and allowed more room for serials. 

In the Strange Story, you wouldn’t think a fish could help a man escape? It does when he gets pressganged and his twin sister comes to the rescue after sensing his danger through the twin link. 

Tony Coleman is drawing his second story for Tammy. Maggie Crown is living on her gran’s barge while her parents are away. Animal-loving Maggie is accumulating a secret hoard of stray animals on the barge – what a thing to hide on a barge! As gran is no animal lover, the fur will really fly if she finds out, and that can only be a matter of time.

“Vision of Vanity Fayre” concludes, and a TV production crew are free to carry on with the shoot of the life of a famous authoress without interference from the monstrous conduct of the authoress, which was threatening to destroy it. It turns out she was an imposter (surprise, surprise!) who was holding the real authoress a virtual prisoner while profiteering from her fame. And talking of TV, it leads to trouble for Bessie this week, who ends up under punishment again.

As nobody will partner with Kate Winter because of her terrible temper, she has roped Pam Doggett into a doubles team with her. This week they go into action, but Pam’s insufficient training and constant arguing with Kate are having predictable results. At least someone sees Pam does have potential as a tennis player, but with the way things are going, would Pam be better off in the singles?

Rosie Banks’ father is taking her class on a continental tour in the bus he’s just bought. Things aren’t going smoothly, sometimes in hilarious ways, sometimes in more serious ones. This week it’s really serious, as the brakes suddenly fail, and at the worst possible location – the Pyrenees. Adding to the seriousness is the mystery of why the previous owner, Dodger Wilkins, is so determined to get it back and sent his flunky after it. Is there more to the bus than meets the eye? At least Rose is alerted to his shadowing this week.

Sue enters a sponsored cycle race, but there is a cheat pulling dirty tricks on her. Sue decides to pull her own trick on the cheat, who ends up taking a well-deserved dunking. 

Tammy 10 June 1978

Cover artist: John Richardson

Bella (artist John Armstrong, writer Primrose Cumming)

Prince of the Wild (artist Veronica Weir) – first episode

Betta to Lose (artist Tony Coleman)

A Champion Time for All! – Results of Bella Gymnastics Competition

Down to Earth Blairs (artist José Casanovas)

Bessie Bunter

Molly Mills (artist Douglas Perry)

The Witch Wind (artist Hugo D’Adderio) – Strange Story

Wee Sue (artist Hugh Thornton-Jones)

Circus of the Damned (artist Diane Gabbot(t))

Fun at Your Summer Fete (artist Joe Collins, writer Maureen Spurgeon) – feature 

For the 1978 Tammy issue in our Tammy June month round, here is a June Tammy issue with a cover that is sure to make you smile. 

Tammy posts the results of a Bella-inspired competition. Bella featured in several Tammy competitions, a four-part pull-out poster and even her own book, which showed how powerful she had become. This competition shows she was being used to help aspiring gymnasts as well. 

The new story, “Prince of the Wild”, is Veronica Weir’s first and only serial for Tammy. Her artwork was seen more often in Tammy’s Strange Stories and complete stories. 

“Betta to Lose” has brought Tony Coleman artwork to Tammy, and Coleman was a regular artist on the Tammy team right up until her final year in 1984. 

Douglas Perry has taken over the Molly Mills artwork since Molly’s return in December 1977. Sometimes I wonder if one reason why Molly was put on hiatus in 1977 and her fate put into the hands of readers was her original artist, Tony Thewenetti, no longer continuing with her for some reason. The change in artist does suggest something like this might have happened. 

The structure of the Molly Mills writing has changed completely. The story that sent her on hiatus was a tantalising cliff-hanger where Pickering frames her for theft, forcing her to go on the run from the law. Since her return, it’s been nothing but life as an unjustly wanted fugitive, and her stories are in continuous serial format. Molly’s now back at Stanton Hall, which is now under a new owner who seems to be something of a fugitive herself. An American gangster is on her tail, and now he’s caught up and holding Molly and the other servants hostage! We suspect this is all part of the build-up to the resolution of Molly’s frameup.

Bella’s latest story has taken her to Australia, as a coach to introduce gymnastics to an Australian town. Even before Bella started, things were not off to a good start (the man who hired her regrets his offer, which he made without thinking), and her arrival got delayed as well. Now she’s finally made it, she’s told the job is no longer available. And Bella has a long track record of getting stranded in foreign countries. Is it going to happen again? 

Wee Sue’s latest artist is Hugh Thornton-Jones, and a continuity problem has struck. In earlier years Miss Bigger’s first name was given as Lillian, but this episode says it is Amelia, and it sticks.

Hugh D’Adderio artwork featured strongly in the Tammy Strange Stories, particularly with period settings ranging from ancient Babylon to Victorian England, as well as modern times. This week it is Elizabethan England, with a Strange Story on how witchcraft (indirectly but foretold) defeated the Spanish Armada.

Down to Earth Blairs was obviously inspired by “The Good Life”, and proved so popular that its sequel is now running. No doubt the ever-popular José Casanovas artwork sealed its success. In the original, Betsy Blair had a hard time adapting to self-sufficiency after her father’s redundancy drove the family to it. Now she accepts and enjoys it, and her sequel now follows “The Good Life” format of handling snobby neighbours and coming up with new forms of self-sufficiency and money-making, some of which don’t always go as expected.

“Circus of the Damned” is a welcome return to Tammy’s old days of dark stories laden with misery and cruelty, which now seem to have faded. A whole circus is enslaved by a fanatical circus boss who uses blackmail, animal abuse, kidnapping, and possibly murder to create the greatest show on earth. One of his tactics is forcing trapeze artists to leap over deadly snakes without a safety net.

Tammy 28 February 1976

Cover artist John Richardson

Sarah in the Shadows – (artist Mario Capaldi)

Sit It Out, Sheri – (artist John Armstrong)

The Spanish Knight (artist Manuel Benet) – The Strange Story

Pancake Recipes – feature 

Claire’s Airs and Graces – artist Hugh Thornton-Jones

Bessie Bunter

Molly Mills and the Aviator – artist Tony Thewenetti, writer Maureen Spurgeon

Wee Sue – artist John Armstrong

The Fairground of Fear – artist Diane Gabbot(t)

A Lead Through Twilight – (artist Douglas Perry)

Pancake Fun Time

In honour of Shrove Tuesday, also known as Pancake Day, we bring you a Tammy that commemorated it. The Cover Girls start things off. Oh dear, talk about a burnt offering. Inside, Tammy provides recipes for pancakes. Let us hope that anyone who tried the recipes had better luck than little sis on the cover. Tammy finishes off Pancake Tuesday with a page of pancake jokes on the back cover. They are probably reprinted from some other Pancake Tuesday issue. 

Over the previous three issues, Tammy had progressively started five new stories in honour of her fifth birthday issue. But that’s over now, and all five stories are up and running.

The first to open was “Sarah in the Shadows”. Sarah is trying to raise the money to get her uncle out of debtor’s prison, but she is fast learning that greedy types, particularly the debt prison governor, are making as much money as they can out of her and any money she tries to raise. This is giving her no chance at all to clear the debt. We get the feeling that even if Sarah does clear the debt, her uncle will never be free with that prison governor around.

Starting in the same issue was “A Lead Through Twilight”. Carol is trying to conceal that her sight is failing because she is terrified her sourpuss Uncle Matt will pack her off as useless. Really, how long can you hide a thing like that? And how long can Carol hide the stray dog, Twilight, who she is using as a guide dog, from Uncle Matt, who hates dogs? Not long. People have already detected both secrets, and we’re only four episodes in. 

The next issue started the next two stories, “Sit it Out, Sheri” and “The Fairground of Fear”.

In the former, Sheri’s having problems with her see-sawing confidence from the strange chair she has acquired. It’s swinging from one end of the pendulum to the other, from arrogance to her old wallflower self who couldn’t say boo to a goose. And now her horrible stepmother is trying to sell the chair off. Sheri managed to stall the buyer this time, but he’ll be back. 

In the latter, the snobbish Sir Whitland is out to get rid of the fair after Julie has an accident there, and he sends in a magistrate to do the job. But the Fairground of Fear won’t be closed down so easily with that creepy clown around, who traps the magistrate in a terrifying hall of mirrors! 

“Claire’s Airs and Graces” was the last of the five, starting in the previous issue. It was the only serial Hugh Thornton-Jones drew for Tammy. His artwork for Tammy was seen more often in Wee Sue later on, along with some Strange stories and one complete story (the only Hugh Thornton-Jones story to receive a credit during Tammy’s credits run, which is how we know his name). Claire is pretending at her new school that she comes from a posh background when in fact her parents have suddenly gone down in the world. But close calls, complications and prices to pay for the sham are already starting. 

A snooty type, Sylvia Hill, is causing trouble in Wee Sue when the class is on holiday at Craigmore Sports Centre. As with Claire, it turns out Sylvia is living a lie and fooling the other girls into thinking she’s a posh girl. Sue figures Sylvia out but graciously helps her to put things right. Incidentally, the episode gives Wee Sue’s height as four feet, assuming it’s not a figure of speech. 

In Bessie Bunter, Cook is having problems with a new soup tureen and all food’s on hold until she works out what. The girls have to cook their own, and Bessie is demonstrating that she is brilliant at eating food but terrible at cooking it! Nobody realises it’s due to a faulty gardening syringe, which accidentally squirted plant food into the tureen. 

In the Strange Story, a strange Spanish knight helps Maria Fernandez and her family out of financial trouble and gruelling jobs by leading her to a find of Spanish coins. But who was the knight, once Maria establishes it’s not her brother playing Don Quixote again?

Lord Stanton’s niece Serena is an aviatrix who is brilliant at landing – in trouble. This time she’s got Molly and herself locked up by a nasty bloke called Arnold Wharton, who is very interested in her plane. Charlie manages to get Molly out, but they run into more trouble while getting away. Meanwhile, Wharton still has Serena. There is also something very odd about him, and it’s increasingly suspicious.  

Jinty 4 February 1978

Come Into My Parlour – artist Douglas Perry

Sue’s Fantastic Fun-Bag! – artist Hugh Thornton-Jones

Two Mothers for Maggie – Jim Baikie

Alley Cat – artist Rob Lee

Waking Nightmare– Phil Townsend

Concrete Surfer – artist Christine Ellingham, writer Pat Mills

The Jam – feature 

Rinty ‘n’ Jinty – cartoon

Paula’s Puppets (first episode) – artist Julian Vivas

Land of No Tears – artist Guy Peeters, writer Pat Mills

Darling Clementine – artist Richard Neillands, writer Alison Christie

You Really Take the Biscuit! – feature

In this issue, two stories are clearly on their penultimate episodes: “Come Into My Parlour” and “Land of No Tears”.

In the former, Mother Heggerty’s spell forces Jody to set fire to the Kings’ store. But she’s been caught in the act. She could be facing criminal charges, but the blurb for next week says fire will strike at something else other than the store. Maybe someone is going to burn the old witch at the stake or something?

In the latter, Cassy comes close to losing the vital swimming marathon the Gamma Girls need to win because of a forced bargain with the ruthless Perfecta. Fortunately Perfecta injures herself from over-exertion in the race and drops out, freeing Cassy from all that and enabling her to catch up in the nick of time. Everyone is cheering her on, much to the villainous Hive Inspector’s chagrin. His response to secret helper Miss Norm’s delight in Cassy catching up – “What do you mean, Miss Norm? It’s a disgrace!” – cracks me up every time. Now Cassy is duking out the final length with two others and it’s so close. Everyone except the Hive Inspector and Perfecta is on the edge of their seats to see if Cassy will win. 

“Two Mothers for Maggie” looks like it could be nearing its end as well. Mum is critically ill. It looks like the crisis has actually aroused a bit of conscience in Maggie’s horrible stepfather, but he’s not treating Maggie any better because of it. 

A new story starts, “Paula’s Puppets”. Paula Richards is a spoiled, selfish girl whose rocky road to redemption starts when her father’s toy factory burns down and he is arrested for it. Her life turns upside-down while he protests his innocence. We believe him though nobody else does, but we know the poor bloke’s going to go down for it. Meanwhile, Paula finds some weird puppets at the burned-out factory, which seem to possess some kind of power. 

People should really watch what they say with Sue’s Fantastic Fun-Bag around. Two pitying women whisper what an “absolute dragon” poor Jenny’s got for an aunt and she needs a knight in shining armour. Henrietta obliges, but she has taken it a bit literally and hijinks ensue. But of course it sorts out the old dragon.

Ella is not making much progress with her training for the waterskiing event she wants to win for her family, nor with convincing others she was not to blame for her cousin Clem’s accident. Then Ella makes progress with something else – finding the girl who really caused Clem’s accident. But when she confronts the girl, the miscreant makes it clear she is not going to own up and clear Ella’s name. 

Alley Cat gets freebies from the sausage factory, but trust Spotty Muchloot to make trouble. Fortunately it all turns to the advantage of the factory and Alley Cat is rewarded, much to Spotty’s consternation.

Phil is trying to work out how break into Hardacre House, where she believes Carol is being held prisoner. It’s still very odd that Carol’s family clam up about it. It gets even odder when Phil learns Hardacre House and its owners are very mysterious, and she does not like the look of them when she sees them. After an accident with a tractor she is finally inside. The blurb for next week hints she will not like the look of what she finds there either.

Skateboarding is the only thing that gives Concrete Surfer Jean Everidge the upper hand over her smarmy cousin Carol. Jean’s about to start her new school with Carol, but the leadup to it is not going well, and Jean senses Carol is behind it. 

Jinty 14 January 1978

Come Into My Parlour – artist Douglas Perry

Sue’s Fantastic Fun-Bag! – artist Hugh Thornton-Jones

Two Mothers for Maggie – Jim Baikie

Alley Cat – artist Rob Lee

Waking Nightmare – Phil Townsend

Willy de Ville – feature 

Rinty ‘n’ Jinty – cartoon

Darling Clementine – artist Richard Neillands, writer Alison Christie

Susanna’s Snowstorm (Gypsy Rose story) – artist Keith Robson 

Land of No Tears – artist Guy Peeters, writer Pat Mills

Race for a Fortune – artist Christine Ellingham

The Wild Horse – feature 

Jody has become evil thanks to an additional spell from the witch Mother Heggerty. She now believes she is capable of anything, regardless of how terrible it is, and is loving every minute of it. How is she going to break free of Mother Heggerty’s power when right now she doesn’t even want to?

Cassy gets even more of a taste of how totalitarian this Land of No Tears is. She learns the Hive Inspector, who’s about to pay a visit, has powers to take you away: “No one knows where to, but you never return!” Shades of the Gestapo! Miranda is terrified she will meet this fate if the Inspector finds out she is secretly seeing her mother, and she breaks off with Cassy. Meanwhile, the ruthless Perfecta breaks off with her own friend to train every waking hour for the Golden Girl Award. Cassy is shocked to see the former bosom pals “walking away from each other like robots!” 

Ella bravely sets out to learn to waterski to win the competition for Clem, in the face of everyone who’s against her because they think she deliberately caused Clem’s accident. But her first attempt at waterskiing is such a disaster she’s lucky she didn’t hurt herself.

The same can also be said for sneaky cousin Rodney when he steals Katie’s roller skates to overtake her in the “Race for a Fortune”. But he soon finds he’s nowhere near as good on them as she is. He goes careering down a hill and lands on the back of a rodeo steer with her! Roller skating is back in the hands of the expert by the end of the episode. Thanks to his little stunt she has taken the lead again, and she’s gotten a lot of money out of it as well. 

In “Sue’s Fantastic Fun-Bag!”, a thief breaks into the school, his first attempt at crime. But his remark that he could become the world’s leading cat burglar really is asking for it with Henrietta around, especially when she’s the first thing he tries to steal. Needless to say, his first attempt at crime is his last by the end of the episode.

In the Gypsy Rose story, Susanna is given a snowstorm and finds it has a tale to tell, with each instalment appearing every time she shakes it. The trouble is, the tale is scaring her to death. Gypsy Rose tells Susanna that she must either follow it through to know how the tale ended or put the snowstorm away. Susanna decides to follow through because she must know (not to mention us readers) what the ending is, but what will the final shake of the snowstorm reveal?

Maggie’s sleazy stepfather shows what an abuser he is when he gets so mad he locks her in the coal shed without food or water. Then he refuses to let her see her TV debut, so she has to go to a TV shop in pouring rain to see it. Maggie has a good mind to tell Miss Keyes about the abuse, but she’s staying quiet because Mum doesn’t want word to get around.

Alley Cat is back. Arch-enemy Spotty Muchloot picks on him for first aid practice, and now poor Alley Cat looks like an oversized cocoon. But can he still turn things around?

Phil finds out the girl she saw being bundled off in the middle of the night is named Carol, and her mother is clearly not telling the truth about things. Phil manages to wheedle Carol’s current address out of the mother, enabling her to write to Carol. Carol’s reply is a coded message for help. The plot thickens!

Jinty 7 January 1978

Come Into My Parlour – artist Douglas Perry

Darling Clementine – artist Richard Neillands, writer Alison Christie

Two Mothers for Maggie – Jim Baikie

Waking Nightmare (first episode) – Phil Townsend

Superstars ‘78 – feature 

Calendar 1978 – feature 

Sue’s Fantastic Fun-Bag! – artist Hugh Thornton-Jones

Mark Hamill of “Star Wars” – feature 

Land of No Tears – artist Guy Peeters, writer Pat Mills

Rinty ‘n’ Jinty – cartoon

Race for a Fortune – artist Christine Ellingham

A Box of Silken Flowers – feature

This is Jinty’s first issue for 1978. It’s not her New Year issue, which took the odd turn of being on the last day of the old year 1977, but there are still New Year themes. We also get a delightful feature about Mark Hamill of Star Wars.

Jinty starts her first story for 1978, “Waking Nightmare”. The nightmare begins when Phil Carey is woken up by toothache and sees a girl being dragged off in the middle of the night. Her parents don’t believe her, and at the house where Phil saw the girl being taken, the mother denies everything – but she does make odd remarks about a secret and trouble she hoped to leave behind. We’re suspicious already.

Sue’s new year’s resolution is to be extra-nice to people, and she urges her fun-bag to hold her to it. But she soon finds her excessive niceness is turning her into a nuisance and now she’s in trouble with a lot of people. We suggest your resolution should just be yourself, Sue. 

On the subject of niceness, Mother Heggerty has found the Saxtons and wants revenge on them, but she finds her slave Jody is too nice for that. So she casts an additional spell to make Jody evil. Now why the silly old witch couldn’t have picked an evil girl like Stacey from Jinty’s Slave of Form 3B in the first place we’ll never know, but we’re deeply worried. The spell is bound to make Jody far more evil than any genuinely bad girl we’ve seen in Jinty.

In the Land of No Tears, the cold-hearted residents get a real surprise when the “reject” Gamma Girls beat the odds and are through to the finals of the Golden Girl Award. It should be a victory celebration for Cassy, but security have put the damper on everything by saying they will be sending the Hive Inspector over to make enquiries. And judging from the way Miranda’s mystery mother is reacting, this Inspector is kind of like the Gestapo.

In part two of “Darling Clementine”, Clementine (Clem) is in a coma after some horrible girl knocks her into the river. Worse, her cousin Ella is being accused of it instead, and everyone, including her own Uncle, turns against her. Poor Ella is not even allowed to visit Clem in hospital. Not knowing what else to do, Ella bravely decides to train herself up for the water-ski event that Clem was going to enter.

“Race for a Fortune” takes a spooky turn, but a hilarious one. Katie thinks her cousins’ latest trick is to play Roman ghosts on her at an old barn. So when a pair of glowing Romans does appear, she thinks it’s a huge joke and plays along with it. But she learns later that the glowing Romans weren’t her cousins. In fact, they scared those cheating cousins off. Unfortunately, not right back to the beginning of the race. 

The strife over “Two Mothers for Maggie” takes a very bad turn this week. Mum forbade Maggie to go to Miss Keyes’ party, where she could be on the rise as a star. Maggie goes there anyway and soon she is on the rise after saving Miss Keyes’ dog. Then Mum comes along in a terrible temper and drags her out in front of everyone. How embarrassing! And it’s not over. Poor Maggie has to face the wrath of her unfit guardian stepfather next week. 

Jinty 17 December 1977

Come Into My Parlour – artist Douglas Perry

Sue’s Fantastic Fun-Bag! – artist Hugh Thornton-Jones

A Jinty Christmas Poem: The Story of the Mince Pie

Two Mothers for Maggie – Jim Baikie

My Favourite Thing! – Competition results

Guardian of White Horse Hill – artist Julian Vivas, writer Pat Mills

Stage Fright! (final episode) – artist Phil Townsend

“The Yew Walk” (Gypsy Rose story) – artist unknown

Land of No Tears – artist Guy Peeters, writer Pat Mills

Alley Cat – artist Rob Lee 

Race for a Fortune – artist Christine Ellingham

Fruity Sweets for Christmas – Feature 

Jinty’s gearing us all up for Christmas with Christmas covers, Christmas features, Christmas jokes, and a Christmas party story from Sue and her Fantastic Fun-Bag. 

There is a dash of Christmas with a yew tree walk in this week’s Gypsy Rose story, but definitely not in the Christmas spirit. New owners are warned not to cut down the yew trees or they will evoke a druid’s curse. Of course they do precisely that, and if they can’t find a way to lift the curse their very lives could be danger. 

“Race for a Fortune” also gives a hint of Christmas, because it’s party time this week. Katie drops in on the Larrup Stick Dance and takes the opportunity to give her cheating cousins some “stick” after that dirty trick they played on her in the last issue. 

It may not be Christmas in “Land of No Tears” – something we highly doubt is celebrated in that cold-hearted world where all emotion is banned. Still, it is as good as Christmas when Miranda’s mysterious mother offers to train the Gamma girls for the Golden Girl Award after Cassy takes a brunt to protect her and Miranda from being caught by the ruthless Perfecta. 

What about presents? Maggie gets presents, in the form of lovely dresses, from both her real mother and her TV mother. Unfortunately the presents are creating conflicting loyalties.

In Alley Cat it’s Christmas stockings. Spotty is unravelling people’s sweaters and pinching the wool right off their backs, in order to knit his own giant Christmas stocking. What a grinch! We can imagine what his stocking will be filled with on Christmas Day.

In the last episode of “Stage Fright!” it takes a fire and the loss of his mansion because of the deranged Lady Alice to make Lord Banbury realise all he had cared about was the acting trophy and not enough about his family. Granddaughter Melanie is not quite ready to forgive him, but the story ends on a hopeful note that a better relationship will build between them. 

Not much happens this week to advance the plot in “Come Into My Parlour”, except wait for the full moon in order to cast the spell to help unravel the mystery of the vanished Saxtons. But bullies get a surprise when the power of Mother Heggerty’s necklace enables Jody to give them a good walloping! 

So the mysterious white horse is a mare! After a time trip to the past, Janey realises the white horse is Epona, the horse goddess, and it is a power that has awakened in response to the threat of the motorway. She returns to her own time with the sword she has taken as a symbol of Epona’s strength and compassion, and finds Epona has gathered a horse army. Now what can Epona have in mind? Let’s not forget she’s a goddess, and not even bulldozers are a match for a goddess.

Jinty 10 December 1977

Come Into My Parlour  – artist Douglas Perry

Christmas Mobile part 4 – feature

Give a Victorian Party! Feature

Two Mothers for Maggie – Jim Baikie

Sue’s Fantastic Fun-Bag! – artist Hugh Thornton-Jones

Guardian of White Horse Hill – artist Julian Vivas, writer Pat Mills

Stage Fright! – artist Phil Townsend

Eddie Kidd – feature 

The Runaway Bride (Gypsy Rose’s Tales of Mystery and Magic) – artist Keith Robson

My Favourite Thing! – Competition results

Land of No Tears – artist Guy Peeters, writer Pat Mills

Alley Cat – artist Rob Lee 

Race for a Fortune – artist Christine Ellingham

Topping Ideas! – Feature 

It’s the final part of Jinty’s Christmas mobile. Jinty readers should be feeling more Christmassy now. 

In “Land of No Tears”, the mystery of Miranda’s mother deepens, but some things are unravelling about it. Cassy finds out Miranda and her mother are secretly meeting each other, an illegal thing in a world where all emotion and normal human contact are forbidden. One is reminded of the Orwellian “Imagine a boot stamping on the human face – forever.” But who is the woman anyway? Why does she turn up in disguise? And why can’t she come up with a better disguise than a ridiculous wig and heavy makeup that would immediately draw attention and put her secret even more at risk?

Sue asks Henrietta to put a stamp on it – meaning on a letter. But, as is so often the case, Henrietta misunderstands and gives Sue a foot that stamps on anything – and with the force of an elephant. 

Katie’s sneaky cousins pull the old signpost switch on her. This causes her to bump into a band of smugglers, and she has to find a way to escape from them. We are informed Katie will get revenge on her cousins next week. 

“Stage Fright!” reaches its penultimate episode. The deranged Lady Alice has been blocking Linda and Melanie from acting because she stands to gain Banbury Manor out of it. But upon hearing Linda has foiled her attempt to stop Melanie entering the acting trophy, she decides that if she can’t have the manor, nobody else will. She’s going to burn it down – with Linda locked inside!

In the Gypsy Rose story, Dee also falls foul of a deranged woman who locks her in. The nutty old woman thinks Dee’s her lost daughter Celia, who eloped to marry the man she loved, not the man her mother chose. She does not realise Celia died before she got the chance to reconcile with her. Fortunately, Celia’s ghost is on hand to help. 

Maggie’s first TV rehearsal is ruined because Mum lumbered her with babysitting. Miss Keyes, her TV mother, is the only bright spot in her life now. Why is it that the make-believe mother she has on the set is far more desirable than the real one who married an unsuitable stepfather?

Mother Heggerty forces Jody to search for the Saxton family she wants revenge on. The search leads Jody to the remains of their old home, and the next step is a spell cast there to find out what happened to them.

Janey goes time travelling to the time of the ancient Celts, where she becomes the chosen one of Epona the horse goddess. In this time period the villagers face a threat, just like the 20th century ones, though the threats are of very different sorts. Is this why Janey keeps seeing this white horse? Is she some sort of chosen one or a reincarnation?

Alley Cat makes a new home in a pipe after Spotty blows up his bin. Spotty sends it rolling downhill, and right where it foils a bank robbery. Alley Cat spends his reward money on a new home that Spotty can’t blow up. Foiled again, Spotty!