Tag Archives: I’ll Make up for Mary

Jinty 2 June 1979

The cover on this week and the following week’s comics are drawn by the unknown artist who gave us “Concrete Surfer” – lovely fun summer scenes!

Stories in this issue:

  • Alice in a Strange Land (artist Terry Aspin)
  • Bizzie Bet and the Easies (artist Richard Neillands)
  • The Forbidden Garden (artist Jim Baikie)
  • A Girl Called Gulliver (artist Phil Gascoine)
  • I’ll Make Up for Mary (artist Guy Peeters, writer Alison Christie) – last episode
  • Are You a Do-er, a Ditherer, or a Do-Nothing? (quiz)
  • Daughter of Dreams
  • Alley Cat (artist Rob Lee)
  • The Four-Footed Friends (artist Peter Wilkes, writer Alison Christie)
  • Children of Edenford (artist Phil Townsend)

Alice is rescued from being sacrificed – partly because she is smart enough to take off the Sun Goddess mask and show the priestesses that she is not really the goddess they thought she was. That wouldn’t save her from the High Priestess herself, but Sir Edward turns up in the nick of time and tells her that it’s all over – the fountain of youth has been blocked by the earthquakes and their eternal life will soon come to an end. A split in the ground carries away the mad priestess and Alice is safe – if she can just get back to where the other girls are so they can all get away together!

Laika is stuck in the Industrial Zone where she can’t look after her plants in her Forbidden Garden – the only hope that is keeping her ill sister alive is the promise to have a flower of her very own. Suddenly everything changes: Laika is dragged off by the Child Protection Force, who say that she has been deemed highly intelligent and must be taken away from her parents so that she can be brought up as befits her intelligence. What next?

It is the last episode of “I’ll Make Up For Mary“. Poor sad Ann thinks there is no way out other than the very final way of going back to where Mary was drowned! Luckily the friends she has made even during her struggles, and her parents who have never stopped loving her, rescue her.

Quizzes were a very normal feature of girls comics and magazines: here is an example. I love this artist, who featured in lots of items like this – features, quizzes, and articles published in summer specials and annuals. I wonder what his or her name was?

click thru

“Daughter of Dreams” is not one of Jinty’s best or most memorable stories. Sally Carter is shy: she has invented an imaginary friend who is outgoing and slightly obstreperous. She has such a strong imagination that her friend ends up coming to life – and even being able to do things like rescue the bully who has fallen into the canal water! Sally is too scared to do it herself, but finds that she is being fêted as the heroine of the hour – which is perhaps even harder for her to deal with.

Laura’s mum is really angry with her husband, who has borrowed scruffy mongrel Riley to help protect the house after a burglar broke in. Riley and Winston are very glad just to be able to hang out together! And there’s more – the father is actively working to support the local council estate, by building a supermarket nearby, which will help to bring much-needed amenities to the area.

In the dramatic last episode of “Children of Edenford”, Patti is taken down to the Temple of Purity – yes, the headmistress has got a temple of fire, named after herself! – to be sacrified on the altar of Miss Goodfellow’s ambitions. Unlike other sacrificial lambs, Patti is no pushover and she fights back – and the fight sees Miss Goodfellow tipped down into the firey pit of her own making! All is over, and the world is saved from the threat of being turned monstrously, unwillingly perfect.

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Jinty 26 May 1979

Stories in this issue:

  • Alice in a Strange Land (artist Terry Aspin)
  • Bizzie Bet and the Easies (artist Richard Neillands)
  • The Forbidden Garden (artist Jim Baikie)
  • Alley Cat (artist Rob Lee)
  • A Girl Called Gulliver (artist Phil Gascoine)
  • I’ll Make Up for Mary (artist Guy Peeters, writer Alison Christie)
  • Tennis superstar John McEnroe talks to you (feature)
  • Daughter of Dreams
  • “Frieze” A Jolly Good fellow – craft feature
  • The Four-Footed Friends (artist Peter Wilkes, writer Alison Christie)
  • Children of Edenford (artist Phil Townsend)

“Alice In a Strange Land” is coming to a distinct climax – it starts off with Alice and her schoolgirl party in a dungeon, coming up with a plan to save their skins from the high priestess, who is planning to sacrifice Karen to the Sun God! Alice swaps places with Karen and waits heroically during the long ceremony, hoping frantically that the girls will be able to get away and find Sir Edward in time to stop the priestess. But the last panel has got the knife being raised over Alice’s chest, ready to be plunged down! Will it all work out in time?

Laika has had bad news in “The Forbidden Garden” – her family is being sent to the industrial zone. She tells her friend Kara what happened – including the fact that this transfer is Gladvis Clampp’s revenge on Laika, for burning the negatives that were being used to blackmail all sorts of people. But the worst aspect of it is that there is no way that Laika will be able to keep her promise to her deathly sick little sister Valli, to bring her a real flower some day…

Gwenny Gulliver has to handle the annoying four tiny Lilliputians who claim that as the last descendant of Lemuel Gulliver she needs to protect them. She needs protecting from them, as the two kids of the family start flinging ink pellets and all sorts while at school!

Mary has finally cracked – she flies into a rage at school, and runs off after flinging the school dance club records at all and sundry. When she gets home she overhears her parents say they need to move north to start again – ‘We must think of Ann… Ann’s all we’ve got left now.’ Ann, despairing, thinks there is only one way out – ‘I’m the one who must go… There’s only one thing left to do!’ The last episode is next week, and all will be resolved.

“The Four Footed Friends” has a surprise for Laura – it’s her dad, returned from his work abroad! He has a very different take on things from Laura’s mum, including borrowing Riley to come and help guard the house from burglars (because their house has just been burgled).

Miss Goodfellow has caught Patti good and proper – red-handed smashing the bottles of the mystery drug that turns people perfect! The headmistress’s plan is to drug Patti into submission. Friend Jilly is nearly caught too: she escapes the school but when she flags down a police car to get away, even the local cops are in Miss Goodfellow’s thrall! Patti cannot be zombified, because of the extra-bad hay fever causing her eyes to stream and weep, so the headmistress swears to – burn out her imperfections instead! The final episode is promised for next week – so it will be a very exciting week for readers.

Jinty 19 May 1979

Stories in this issue:

  • Alice in a Strange Land (artist Terry Aspin)
  • Bizzie Bet and the Easies (artist Richard Neillands)
  • The Forbidden Garden (artist Jim Baikie)
  • Alley Cat (artist Rob Lee)
  • A Girl Called Gulliver (artist Phil Gascoine)
  • I’ll Make Up for Mary (artist Guy Peeters, writer Alison Christie)
  • What’s In a Name? (feature and quiz)
  • Daughter of Dreams
  • The Real Thing – pop feature on Liverpool band
  • The Four-Footed Friends (artist Peter Wilkes, writer Alison Christie)
  • Children of Edenford (artist Phil Townsend)
  • A Dashing Cravat – craft feature

“Alice in a Strange Land” enters prime H Rider Haggard territory – she finds that her rescuer is a Victorian explorer – complete with mutton-chop whiskers – who has been kept young by the spring of eternal youth. Sir Edward takes Alice to see the Incan carving that tells the tale of how the spring was blocked by an earlier earthquake – it must periodically be stopped and started by earth tremors. It is this that the High Priestess wants to prevent, by sacrificing Alice or her cousin to the Incan sun god!

Laika has found a hidden safe that is almost certainly where scheming blackmailer Gladvis keeps the negatives of the compromising photos she has taken over the years. (Ah, negatives – a blast from the past, in this science fiction story!) Gladvis inadvertently gives away the combination when she tips out a bunch of stuff from her drawer, for Laika to tidy up. Laika wastes no time in getting rid of the material in the safe, but Gladvis’ revenge is not long in coming. Laika’s dad gets the news that he has been downgraded to a Grade C manager – and the family have to move to an underground apartment in the Industrial Zone!

Gwenny Gulliver is getting used to having tiny guests – the last Lilliputians have come to stay with her. There are a few hitches – not least them setting fire to the doll’s house that they are living in!

Ann Ridley’s parents are putting a brave face on things and clearing out the bedroom of Mary’s things. Ann works hard to help, but giving stuff away to the jumble sale sparks painful memories that cause her to go off in anger at just the point when she is starting to feel she is doing a good job. Once again she feels “they only want Mary, and there’s nothing I can do about it!”

Laura’s posh mother is on stage in “The Four-Footed Friends” – she wants to beguile the audience into signing her petition against extending the council estate. But mongrel Riley and best friend Winston undo her efforts by putting up such a show of friendship that no one wants to sign the petition! Good for them.

Jilly and Patti are busy clearing up the school – headmistress Purity Goodfellow has turned all the parents and schoolchildren into perfect zombies in the wake of the riot that the two girls incited. Patti and Jilly must try and destroy the perfection drug as soon as possible, before Miss Goodfellow tries to feed it to the whole country – she has enough of it stored up to do so!

Jinty 31 March 1979

Stories in this issue

  • Alice in a Strange Land (artist Terry Aspin)
  • Bizzie Bet and the Easies (artist Richard Neillands) – first episode
  • The Forbidden Garden (artist Jim Baikie)
  • Boney is beautiful! (feature on pop group Boney M)
  • Prisoner of the Bell (artist Phil Gascoine)
  • I’ll Make Up for Mary (artist Guy Peeters, writer Alison Christie)
  • You Wanna Be a Millionaire… or do you? (quiz)
  • Daughter of Dreams
  • Alley Cat (artist Rob Lee)
  • The Four-Footed Friends (artist Peter Wilkes, writer Alison Christie)
  • Kate Bush (pin up)
  • Children of Edenford (artist Phil Townsend)
  • What price beauty? (feature)

Alice follows the sound of Chana’s voice and discovers that they have both been betrayed – Chana has been exiled from the city and will thereby surely die, and Alice’s cousin Karen has got the golden urn and declared herself sun goddess. The temple priestesses seize Alice on sight and she is forced to dress as a jester in order to appease her cousin, who is finding that power has gone to her head!

It is the first episode of “Bizzie Bet and the Easies”, a lightweight two page humour strip that has started running in the place of “Sue’s Fantastic Fun-Bag!”. Bet is an energetic girl but her friends the Easies are much keener on a quiet life with minimal effort. I like their style, personally!

Laika is starting to grow her forbidden garden, but she has to balance the needs of tending to it with the danger of getting caught in the Forbidden Zone. This time the police nearly catch her, and her weak little sister Valli is half-dead with anxiety.

Susie is no longer the prisoner of the bell – at least temporarily so, because her gran can’t get at her while she is on the residential gym course. A weight seems to have lifted from her, and Susie’s gym mojo returns – but the gran doesn’t give up as easily as that!

Ann tries to emulate her sister by demanding that the bullies who have pinched a precious photo album give it back – but instead they just rip up the photos! Ann is heartbroken but more importantly she can’t face telling the news to the old lady whose photo album it is. When the story comes out, more and more people are disappointed in Ann and she feels once again that she can never make up for her dead sister.

The “Daughter of Dreams” is Pauline Starr – she’s really just a figment of shy Sally Carter’s imagination, but such a strong imagination that she comes to life! Sally is the only person who can see her, but the fantastical creation can nevertheless have an effect on the world around her… and on Sally’s confidence, of course. The sequel to this story is drawn by the unknown artist who drew Merry, but this is done by the hand of a different artist (probably a Spanish person by the looks of the style).

The four-footed friends are posh Peke Winston and scruffy mongrel Riley – their owners are also fast friends, but Laura’s mum is having none of it. Riley ends up shut in a shed, with a threat to turn him over to the police, as a vermin spreader.

Patti is still a normal teenager in “Children of Edenford” but not so the girls next door – Mandy and Debbie used to be lazy messy little horrors who never helped out, but now they make posh suppers for dinner parties and listen to poetry records for fun. Patti escapes to visit her friend Jilly – only to find that Jilly too, is proposing to do some maths homework for a bit of fun, and has taken down all her Travolta posters! “Pop music is a waste of time. It neither enriches the soul nor challenges the intellect.” Yikes!

Jinty 17 March 1979

Stories in this issue

  • Alice in a Strange Land (artist Terry Aspin)
  • Sue’s Fantastic Fun-Bag! (artist Hugh Thornton-Jones)
  • Sea-Sister (artist Peter Wilkes) – last episode
  • Prisoner of the Bell (artist Phil Gascoine)
  • Advert for “The Forbidden Garden”
  • Children of Edenford (artist Phil Townsend)
  • Rinty ‘n’ Jinty
  • She Shall Have Music (artist Ron Smith) – last episode
  • The Four-Footed Friends (artist Peter Wilkes) – first episode
  • I’ll Make Up for Mary (artist Guy Peeters)
  • Spice Up Your Ideas! (cooking feature)

Alice visits Chana in her wee slave cell, to find out how on earth she can pass the test that will prove she is the Sun Goddess so that she can save Chana’s life. The clues she gets are all very well, but the test requires true bravery as well. Will Alice be able to climb to the top of the wall of the maze, so that she can see the temple she has to get to?

“Sea-Sister” ends this issue. Helen is put on trial by the great Sea-Judge for the crime of telling her friend Jane about the existence of the drowned village of Ullapond. Jane has to plead for Helen and give up something very dear to her heart in order to prove how much it means to her that her friend should not be banished; the plea works and Jane is even rewarded for her tenacity, though her memory is wiped of all that has happened.

Susie Cathcart is still the prisoner of her grandmother, who wields a hypnotic power over her via the tinkling of a handbell. Susie’s dreams of a career in gymnastics have been ruined by her grandmother’s interference, and her nerves are shot. The high-flown gym course that Susie would previously have killed to go on, now feels like a scary ordeal. Will her friend Lorraine manage to pull her out of it? Not if the gran can help it, of course…

It’s not that often that you get a single-page advert for an upcoming story in the same comic. Here is one for “The Forbidden Garden“, which of course proved very popular and successful. The editors must have been very excited for it – regular gag strip Alley Cat did not appear in this issue so presumably was dropped in favour of this teaser for the following week. “Daughter of Dreams”, which also starts the same week, is briefly mentioned, but it comes across as rather an afterthought.

Children of Edenford” shows Patti and Jilly eating a superb lunch in the posh refectory at Edenford school – but there are sinister signs that very soon both of the girls may be turned into perfect schoolgirls, just like their classmates. Certainly that’s what Miss Goodfellow, the headmistress, promises: “You shall be one of us soon! Very soon!”

She Shall Have Music” comes to a heart-wrenching end in this issue, with a four-page episode in which Lisa’s redemption becomes complete. “The Four-Footed Friends” starts – another Peter Wilkes story to fill the gap left by “Sea-Sister”. Laura is rather a “poor little rich girl” whose mother wraps her in cotton wool – she doesn’t know why, but the cheeky little pekinese who they are about to buy ends up giving all the answers.

Ann Ridley’s schoolmates are giving her the cold shoulder because they think she ratted on them to the teachers. She will continue to be misunderstood and unhappy for the rest of “I’ll Make Up for Mary”, of course.

The back page ‘crafts’ feature is food-based this week: it suggests using your spice cupboard to create some tasty treats such as Gingered Pears, Cinnamon Toast, Curried Butter, and Spiced Chocolate.

Jinty 3 March 1979

Stories in this issue:

  • Alice in a Strange Land (artist Terry Aspin)
  • Sue’s Fantastic Fun-Bag! (artist Hugh Thornton-Jones)
  • Sea-Sister (artist Peter Wilkes)
  • Alley Cat
  • Prisoner of the Bell (artist Phil Gascoine)
  • Gypsy Rose Looks at the stars (Horoscope)
  • Children of Edenford (artist Phil Townsend)
  • Masters of Space: pin-up of “Blake’s Seven”
  • She Shall Have Music (artist Ron Smith)
  • Flying High with the Cavarettas! (feature)
  • Fran’ll Fix It! (artist Jim Baikie)
  • I’ll Make Up for Mary (artist Guy Peeters, writer Alison Christie)

“Alice in a Strange Land: is the lead story at this point – Alice and her cousin Karen are told by the mysterious High Priestess that there is a prophecy that a “white-skinned goddess” will lead the tribe back to greatness. Will that goddess be Karen or Alice – and what test will decide between them?

Sea-Sister Helen and her friend Jane are stuck in the ocean – Helen was trying to return to the underwater village that she comes from, but with Jane also on board her sea-shell boat it was not able to return properly. An oil tanker that is stuck on the rocks threatens the two girls, and also a number of friendly birds – Helen tries to save them all but in then end a giant wave sweeps the two of them overboard and under the sea. That’s fine for Helen, who is finally home again – but what of Jane, who has ended up visiting the underwater kingdom without permission?

In “Prisoner of the Bell”, Susie Cathcart is afraid she’s lost her nerve and can’t face doing gymnastics any more. Loyal friend Lorraine thinks of a way to help her get back into the swing of it and even lends her twenty pounds for it – a residential course at a gym school. But the meddling gran finds the money and instructs Susie to “destroy that friendship forever!” The hypnotized Susie can only reply “Whatever your orders, Grandma, I will obey!”

We normally haven’t touched on the features and extraneous items in the pages of the comic. I include the page with the horoscope (and who better to present it than Gypsy Rose, of course – here drawn by Phil Townsend) and a crossword. The clues on the crossword seem surprisingly hard for the intended age range of 8-12, I’d think: but have a look at the tiny upside-down answers, if you can, and see what you think. You will need to click through, of course.

This is just the second episode of “Children of Edenford”. Patti has arrived at the clean and beautiful village of Edenford, but she knows that something’s not right about it. Well, the runaway terrified girl being pursued by grim blank-eyed schoolgirls, and the headmistress whose motto is “Others strive for perfection – we achieve it!” is a bit of a give-away, maybe.

Lisa Carstairs is still a snooty snob in “She Shall Have Music”. Her mother is ill and unable to cope: Lisa is told to stay on with her friend Tracey but instead runs off to stay with her London godmother. Will it work out? Not likely…

There is a two-page text article about a trapeze artist act, the Caravettas: three sisters and a brother. Very exciting!

Fran is playing at being the Fire Officer, which is great fun, so long as she doesn’t screw it up badly enough that she gets into the Headmistress’s bad books, cos that would mean that big bully Martha Stump would have a chance to get her own back.

Shy Ann has changed her hairstyle and other looks to match her dead twin’s – and the other girls on the school bus are understandably rather freaked out when they first see it. Being back at school after the traumatic holiday where her sister was drowned is difficult in many ways, however hard Ann tries.

Story theme: Redemption narratives

I recently wrote summary posts about two stories that I called ‘redemption narratives’: “The Girl Who Never Was” and “She Shall Have Music“. That’s a kind of story theme that we can all recognize as being fairly common in girls comics generally: in Jinty there are a number of other examples.  But how does this sort of story work?

Take those two stories as an initial guide: the protagonist is a difficult or disagreeable, probably dislikeable, girl who has some personal failing or issue that drives the story. It’s because of that failing that the story progresses; it may not have been due to something that was her fault that the story started off in the first place, but it is because of her moral or social problem that it continues and develops the way it does. Tina Williams lands in the alternate universe where magic works because of her conceited and annoying ways; Lisa Carstairs’s father doesn’t lose his money because of her, but if she wasn’t so obsessed with continuing her piano playing exactly as before, then she wouldn’t find herself in the same difficulties. It’s not just what happens to the protagonist (or how she is challenged in the story) but how she reacts to it. She has to be ‘the architect of her own misfortunes’, as Mistyfan puts it in her post about another redemption story, “Black Sheep of the Bartons“.

Does the story have to feature some sort of disagreeableness, some sort of outright nastiness or callousness on the part of the protagonist? No: I’d say that you could certainly include ‘guilt’ stories such as “Stefa’s Heart of Stone” and “I’ll Make Up For Mary”. The protagonist here  suffers huge pangs of guilt and despair because of the loss of a loved one – a best friend or a sister in the case of these two stories, but in other cases it can be a parent – a very natural feeling, but the failing here is that she lets those emotions overwhelm her and distort her common sense. The guilty feelings of the protagonist drive the story forward, but this guilt is portrayed throughout as excessive, as an indulgence that the main character should resist. It’s the lengths that their grief drives them to that causes their difficulties in their separate stories.

Also, it’s not just about having an objectionable main character who is nicer by the end of the story. “Curtain of Silence” and “Land of No Tears” are not what I would call redemption narratives, despite having protagonists who start off pretty disagreeable and end up much improved. (Likewise “Battle of the Wills” is not, nor I think “Pandora’s Box”, but sports story “Black Sheep of the Bartons” is one I would class as such: Bev Barton isn’t horrible so much as thoughtless and reckless, but her carelessness nearly brings tragedy to her family.) Why don’t “Curtain of Silence” and “Land of No Tears” count? Because when the girl main characters are swept into their initial circumstances – enslaved by a dictatorial coach, forced into third-class citizenship in a future world – their thoughts are not primarily about how they can continue to maintain their status quo ante but about how they can defeat their antagonist. Yvonne and Cassy aren’t just trying to get back to where they were at the beginning: their story is about a positive rebellion, not a futile rejection of the truth that the outside world is telling them. They end up much nicer than they started out being, but that’s not the whole reason for having the story in the first place – it’s because they have faced extraordinary circumstances which would change anyone by making them realise that some things are bigger than individual concerns.

Does the character who ends up being redeemed have to be the protagonist, or could they be the antagonist or villain? Overall I would say it has to be the protagonist, as the main character that you are supposed to sympathise with and want things to turn out well for, but maybe one counter-example is “Wanda Whiter Than White“. Wanda is not the main character of the story and she makes Susie Foster’s life a misery with her sanctimonious ways. At the end, it is revealed, as Mistyfan explains in her story post, that ‘Wanda’s own past is not as white as she would have us believe. In fact, she is on probation after being caught stealing.’ Rather than this reveal being painted as purely a victory for the main character, it ends up with Wanda being ‘truly redeemed when she tells a white lie to help Susie in return for Susie saving her life’. The reader wasn’t rooting for Wanda’s redemption all along, but it is a satisfying ending nevertheless.

What choices could the writer make that would move the story out of the category of being a redemption narrative? Let’s take Lisa Carstairs’ story as an example. As with the OuBaPo exercises, thinking about how a story could work differently will give us a view on how the stories actually do work.

  • Imagine Lisa’s parents still losing everything at the beginning of the story, and Lisa still losing her piano. The story could then have taken a different turn: rather than being about Lisa’s misguided piano obsession and selfishness, it could have been another kind of story entirely, for instance a mystery story where Lisa finds out that her father’s business partner was a crook who needs to be brought to justice. Perhaps Lisa’s piano playing could help her to find the clues she needs, and her obsession with it could be turned to a good cause in that way, so that she needs no redemption.
  • Or let’s say the story stays as being about Lisa’s obsession with playing piano but it’s portrayed as something not to be frowned on, rather as something acceptable or allowable. How would a story work where she can continue to be focused on playing piano to the exclusion of everything else, including her family? Perhaps her family would have to be a nasty, uncaring one, to make her disinterest acceptable.
  • Or perhaps the story could proceed more or less as it does, but with an unhappy ending where Lisa gets her comeuppance. This would make her into a more of an anti-heroine than normal but would not be unheard of.

Here are the examples I would identify as fitting most neatly into the category of ‘redemption narrative’ (core examples) and as being closely related to this category without necessarily definitely being classed as such (edge cases).

Core examples

  • “Dance Into Darkness” – Della just wants to live her life down at the disco with no regard for other people, but when her wish is granted she eventually discovers there is indeed more to life than her own self-interest.
  • There are a number of stories that are driven by a bereavement: the main character makes poor decisions as a result of her strong emotions of grief and anger because she is afraid of being hurt again. “The Ghost Dancer” is one of these, as is “Nothing to Sing About”, but of course “Stefa’s Heart of Stone” and “I’ll Make Up For Mary” are the strongest examples.
  • “The Girl Who Never Was” – discussed above
  • “She Shall Have Music” – discussed above
  • I said above that I thought that it needs to be the protagonist who is redeemed, not one of the other characters. In “Go On, Hate Me!” the antagonist is driven by grief into bullying the protagonist but in the end all is cleared and the antagonist is redeemed, so I would be tempted to class this alongside “Wanda Whiter Than White” as a clear example of this kind.
  • Jackie’s Two Lives” is more about the perils of wish-fulfilment, but Jackie’s snobbishness and the fact she is ashamed of her own family is definitely a character flaw that drives the story and she is cured of it at the end.
  • “Left-Out Linda” develops the redemption pretty well by recognizing that you can’t usually turn around your life by yourself: you have to have some help.
  • “Paula’s Puppets”: Paula has to learn to forgive her enemies rather than attacking them via the magical help she has been given.
  • “Tearaway Trisha”: Trisha’s recklessness has caused a serious accident; she tries to make amends but has to change her own character in order to do so.
  • “Valley of Shining Mist” has a clearly didactic message about the improving aspect of high culture: by playing the violin, Debbie will transcend the impact of her abusive family, who are low-class in their lack of culture and their morality.
  • In “Who’s That In My Mirror?” the protagonist’s selfish nature is made very literally visible and becomes more and more so until finally she is driven to renouncing it.
  • Worlds Apart” is the ultimate morality tale – one by one, six girls are shown the worst outcomes possible for each of their specific character flaws, and they have a chance to repent. The psychological development is minimal but the impact of the story was very dramatic.

Edge cases

  • “Fancy Free “- I know the main character is so independent that this may well be characterised as a fault, but I don’t really quite remember enough about the story to say whether it is the main thing that drives the whole plot.
  • The Four Footed Friends” – arguably another case where someone other than the protagonist ends up being redeemed, though it all feels a little sudden. “Hettie High-and-Mighty” likewise features a fairly sudden change of heart on the part of an antagonist who has mostly been about making  the protagonist’s life a misery until that point. I don’t think “The Kat And Mouse Game” quite counts, either: Kat may perhaps have realised the error of her ways at the end of the story, but will her change of heart actually stick?
  • I haven’t really made my mind up about “Gwen’s Stolen Glory” – it feels like it is mostly a story about deception, though clearly once Gwen owns up to the big lie this is a kind of redemption of her former deception.
  • In “Kerry In The Clouds”, Kerry is a day-dreamer imposed upon by a woman motivated by her own unfriendly concerns. Kerry’s day-dreaming nature is cured by the end of the story, but I don’t feel the main driver of the narrative was to improve her character.
  • The main character in “Mark of the Witch!” is hot-tempered and angry at all around her, and she comes to seek a more peaceful set of emotions by the end of the story. However, so much of her story is about the persecution and abuse that her neighbours visit on her that I don’t see her story being primarily about her renouncing her hot-headed ways.
  • I’m not sure about “Pandora’s Box” and whether it counts or not. Pandora’s witchy aunt does chide her at the beginning about being too cock-sure about her talents and says that she will need to use magic sooner or later, and this is all true: but I’m not sure what sort of morality story that adds up to – not a conventional one at any rate! The main nod in this story to more conventional morality is the fact that Pandora goes from disinterest in the pet she is stuck with (her black cat familiar, Scruffy) to loving him dearly and giving up her heart’s desire in order to save his life.

One last question struck me when thinking about this. What sort of things might the protagonist have done that means she needs to go through this process of redemption in the first place? Clearly it must be something negative: the story has a moral imperative of some sort, warning readers against some kinds of behaviour. But at the same time, some things would be beyond the pale of course, and would mean that any character doing that would be irredeemable. (There might therefore be some useful comparisons made with story villains: what does their villainy consist of?) If a character killed or seriously hurt someone on purpose then that would be beyond the pale: there are a number of villains who have gone this far, sometimes with a laugh on their cruel lips, but it would be hard to imagine that a girl protagonist could do this and still recover the moral high ground at the end of the story.

In the stories above it looks like the sort of wrong-doing that needs castigating but is still redeemable is often about emotional warmth and consideration for others – it’s not about ambition (by itself) or cleverness (by itself) for instance. An arrogant protagonist can still be the heroine, but if she is cold, selfish, or inconsiderate then that’s a good signal that this is a character marked down for improvement – by whatever means necessary. Preferably it will be a Shakespearean denouement, whereby her own moral failing brings about such a huge disaster that she has no option but to change her ways! And being too afraid to risk emotional commitment comes in for a bit of a kicking too, via the guilt / grief stories. The obvious next question: is this moral imperative specific to British girls comics? Do UK boys comics have redemption narratives too? Or those in other countries? My pal Lee Brimmicombe-Wood reckons that Japan’s flourishing manga industry has many stories about mavericks who insist on going their own ways – but in that industry’s story constraints, the mavericks are always right and never forced to realise that actually, there was a reason why everyone was telling them they were going about things the wrong way…

Jinty 7 April 1979

Jinty cover 7 April 1979

  • Alice in a Strange Land (artist Terry Aspin)
  • Bizzie Bet and the Easies (artist Richard Neillands)
  • The Forbidden Garden (artist Jim Baikie)
  • Alley Cat
  • Prisoner of the Bell (artist Phil Gascoine)
  • I’ll Make Up for Mary (artist Guy Peeters, writer Alison Christie)
  • Daughter of Dreams
  • Rinty ‘n’ Jinty
  • The Four-Footed Friends (artist Peter Wilkes, writer Alison Christie)
  • Children of Edenford (artist Phil Townsend)
  • Your Easter Bunny– feature

“Alice in a Strange Land” finds the temple is a prison that nobody is willing to escape from because of what lies beyond it. The guards don’t even try to stop Alice. And Alice gets her first hint of why when she finds the city outside is nothing but ruins and nobody around. This land is getting stranger and stranger!

Bizzie Bet tries to get the Easies into training. But they end up with injuries from it, which gives them a valid reason to lie about again.

Desperation drives Laika to break the law and steal water for her plants. To make matters worse, Gladvis the “meanest prefect in the school” has photographed her in the act. And it looks like Gladvis is worse than Laika thinks, because it looks like she is out to blackmail Laika instead of reporting her.

Grandma is determined to bring the prisoner of the bell back under her power and sets her up to be expelled from the gymnastics college. Now that is not very becoming for a grandmother!

Ann tries to take Mary’s place at the drama club, and so far, so good. But will it stay that way or will the jinx that seems to dog Ann’s every attempt to emulate Mary strike again? Meanwhile, in “Daughter of Dreams” Sally Carter is gearing up for a dance production.

Mrs Marshall is foiled once more in her efforts to break up “The Four-Footed Friends”. Then she’s off on her high horse again when she discovers the council is going to extend the estate, which will bring more “riff raff” into the area. She does not realise it is so the “riff raff” will be liberated from dreadful slums.

Patti is still waging war against whatever is turning the “Children of Edenford” into goody-goody automatons – but in the last panel it looks like she has succumbed to it herself!

 

 

Jinty 28 April 1979

Jinty cover 28 April 1979.jpeg

Cover artist: Audrey Fawley

Alice in a Strange Land (artist Terry Aspin)

  • Bizzie Bet and the Easies (artist Richard Neillands)
  • The Forbidden Garden (artist Jim Baikie)
  • Prisoner of the Bell – last episode (artist Phil Gascoine)
  • I’ll Make Up for Mary (artist Guy Peeters, writer Alison Christie)
  • Mirror, Mirror – feature (Concrete Surfer artist)
  • Daughter of Dreams
  • The Four-Footed Friends (artist Peter Wilkes, writer Alison Christie)
  • Children of Edenford (artist Phil Townsend)
  • Make Matchbox Furniture – feature

We have a very beautiful, striking cover from Audrey Fawley. Instead of advertising a story, it advertises the beauty treatment feature on the centre pages.

“Alice in a Strange Land” is forced to take the mixture to make her forget her past life. Now that may not have been much of a life, but it’s better than being a slave in the strange land in South America. Then Alice has a flashback of her old life, so the drug clearly isn’t all that perfect.

Meanwhile, Patti and Jilly find a way to break through the headmistress’s strange power to turn her pupils into goody-goody automatons of perfection. So now they’ve turned on the school sprinkler system to flush it out of everyone!

It’s the last episode of “Prisoner of the Bell”. It looks like grandmother has finally won and turned Susie into the prisoner of the bell completely. But it all backfires on grandmother at the worst possible moment and could get Susie killed! There is no blurb saying what will replace this story, so we just have to wait and see.

The dreadful cleaning job Laika has been blackmailed into is taking its toll on her (and giving her a taste of what it is like to work in the dreaded Industrial Zone where her father will be forced to work in later on). She can barely drag herself back home, she flops at her school test because of her horrible job, and still no water for her plants. And now vicious dogs that have been dumped in the Forbidden Zone are threatening to eat her up!

Ann leads a protest demonstration at school. But as with all her other attempts at emulating Mary, it all goes pear-shaped and Ann ends up in Coventry just as she is planning a party.

Another party is threatened too, in “The Four-Footed Friends”. It’s Riley’s birthday, but that’s not stopping spoilsport Mrs Marshall from keeping him away from his friend Winston. However, they score one over Mrs Marshall and it’s a happy birthday for Riley.

Gatecrashers have wrecked yet another party in this issue, in “Daughter of Dreams”. It gets even worse when imaginary friend Pauline suggests a conga dance, which backfires. But Pauline is determined to put things right…

This issue also advertises the first issue of Penny, a title destined merge with Jinty the following year. Penny had more impact on Jinty than Lindy, the previous title to merge with Jinty.

 

 

Jinty 21 April 1979

Jinty 21 April 1979.jpeg

  • Alice in a Strange Land (artist Terry Aspin)
  • Bizzie Bet and the Easies (artist Richard Neillands)
  • The Forbidden Garden (artist Jim Baikie)
  • Alley Cat
  • Prisoner of the Bell (artist Phil Gascoine)
  • I’ll Make Up for Mary (artist Guy Peeters, writer Alison Christie)
  • Feature – Superman Christopher Reeve Talks to Our Jinty Reporter
  • Daughter of Dreams
  • The Four-Footed Friends (artist Peter Wilkes, writer Alison Christie)
  • Rinty ‘n’ Jinty
  • Children of Edenford (artist Phil Townsend)
  • Feature – Cherry Ripe

“Alice in a Strange Land” learns about the Spring of Life – waters that can make her immortal, but she will forget everything her old life (though that may not be such a huge loss, considering how unhappy it was), and become a brainwashed slave of the temple. And in the final panel she is being ordered to drink from it!

Brainwashing is big in Jinty at the moment, with two other stories featuring it. In “Prisoner of the Bell”, Susie is being brainwashed into becoming an academic through the power of grandma’s bell. And in this episode she not only succumbs to it completely, but the change in her is also getting the blessing of her parents. But luckily for Susie it sounds like the final episode next week.

In “Children of Edenford”, Patti has worked out a way to counteract the strange brainwashing at her school that is turning everyone there into obedient robots and has now freed her friend Jilly. They have now combined forces against the brainwashing, while pretending they have succumbed to it.

Ann is still having no luck in “making up for Mary”. A housewarming party is ruined and the blame is put on her, quite wrongly. And it looks like another party has gone wrong for “Daughter of Dreams”. How can her magical companion help her put it right?

Snobby Mrs Marshall is still coming between “The Four-Footed Friends”. How is she going to react when she discovers they have managed to defy her once again and get their photograph in the paper in this episode?

In this issue we see “Laika’s dirty job”, the one we would have seen in the 30 June 1984 issue of Tammy had the strike not intervened, making the 23rd June issue the last one ever. It’s a gruelling, unpleasant job cleaning out huge vats in a food-processing factory, in the dreaded industrial zone where people are stuck on dead-end jobs of the worst kind. And to make things even worse, Laika has to cleaning chemicals that are choking her, and there’s no time to do a ton of homework. And the job is dirty in another way too – it is illegal because Laika is underage, and Gladvis is getting off-ration food from her uncle for in return for Laika. And Laika is stuck there unless she can find a way out of Gladvis’ blackmail.

And in this issue, Jinty gets an exclusive interview with the then Superman, Christopher Reeve. It reveals some interesting information on Reeve’s audition for the role and the filming of the first movie.