Tag Archives: Jesus Redondo

Scream! #7, 5 May 1984

Scream 7 cover 5 May 1984

  • The Nightcomers – first episode (artist John Richardson, writer Tom Tully)
  • The Thirteenth Floor (artist José Ortiz, writer Ian Holland)
  • Library of Death: The Punch and Judy Horror Show (artist B. McCarthy, writer James Nicholas)
  • Tales from the Grave: The Cabbie and the Hanging Judge – first episode (artist Jim Watson, writer Ian Rimmer)
  • Monster (artist Jesus Redondo, writer Rick Clark)
  • A Ghastly Tale – Young at Heart! (artist Tony Coleman)
  • Fiends and Neighbours (artist Graham Allen)
  • The Dracula File (artist Eric Bradbury, writer Gerry Finley-Day)

J.R. Ewing from Dallas is in the London Dungeon this week. Best place for him, eh?

Scream 7 From the Depths

The Dracula File has been pushed from its usual spot by new serial “The Nightcomers”. Rick and Beth Rogan take up the mantle of their deceased parents. Ostensibly stage magicians, they were also psychic investigators. Unfortunately they met their deaths in their latest case, a house called Raven’s Meet. The evil in that house was too strong for them and killed them. The junior Rogans take on the case in their parents’ name.

Another thing the Rogans need to investigate is Simon Cutler, who hired the parents to investigate Raven’s Meet. The parents suspect he knew more than he was telling. Sure enough, Cutler is telling the evil forces that he gave them the Rogans. But all he’s getting in return is a spectral dog on his tail.

Another man dies in the lift after visiting Max’s “The Thirteenth Floor”. That’s one too many and the authorities are getting suspicious of Max. Moreover, Max made a mistake in his faked footage of the Fogerty criminals shooting each other to death (in fact they are shooting at computer-induced terrors on the Thirteenth Floor), and the police have found it. Is someone about to pull the plug on Max and his Thirteenth Floor?

In The Library of Death Fred Fresco hates being Punch and Judy man. Yet he kills his manager for closing his Punch and Judy pitch. Anyway, as Fred soon finds out, Punch and Judy don’t relish sharing their basket with a murdered corpse. The rest is…well, talk about judge, jury and executioner.

Speaking of which, the new Tales from the Grave story (below) is about justice for an innocent man who suffered injustice at the hands of one of those notorious hanging judges of the 19th century (throwbacks of which you can still sometimes encounter today, unfortunately).

Cabbie and the Hanging Judge 1Cabbie and the Hanging Judge 2Cabbie and the Hanging Judge 3

In “Monster”, the sight of those murdered corpses resurfacing in the garden cements Ken’s decision to go on the run with Uncle Terry, with no place to run to and Uncle Terry having only just stepped out of his attic prison. After a good start, disaster strikes when Uncle Terry looks set to kill for the third time. Meanwhile, the hunt for him and Ken has started because those two corpses have led the police to find out everything.

This week’s Ghastly Tale is about two Victorian scientists who discover a youth potion. One kills the other because he does not want to share the profits. Retribution comes when the potion backfires on him. It makes him way too young to use the antidote that would restore him.

Finally, we get to The Dracula File. The vampire escapes the M15 agents. His servants are arrested but the agents don’t realise what happened to them. They just think they are crazy or something. The vampire assumes the form of a wolf to intercept their vehicle and rescue them. Meanwhile, KGB agent Stakis has to go on the run from the KGB in order to get to Britain and stop the vampire because they won’t let him use official channels.

Scream! #6, 28 April 1984

 

Scream 6 cover

  • The Dracula File (artist Eric Bradbury, writer Gerry Finley-Day)
  • Monster (artist Jesus Redondo, writer Rick Clark)
  • The Thirteenth Floor (artist José Ortiz, writer Ian Holland)
  • Tales from the Grave: R.I.P. Willard Giovanna – final episode (artist Jim Watson, writer Ian Rimmer)
  • The Library of Death: Death Road! (artist J. Cooper, writer Barrie Tomlinson)
  • Fiends and Neighbours – cartoon (artist Graham Allen)
  • A Ghastly Tale! – That Sinking Feeling
  • The Terror of the Cats – final episode (artist John Richardson, writer Simon Furman)

Ghastly posts a whole page of attempts to capture his likeness this week. But still nobody has nailed it.

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The killings the Rumanian vampire has made in Britain have made such news that it prompts an unlikely hero to emerge – a KGB agent named Colonel Stakis, who knows the defector is a vampire and has more conscience than you might expect for a KGB agent. Meanwhile, the British agents are after the nurse and agent whom they suspect have changed sides. They don’t know how right they are – the vampire has hypnotised them into becoming his servants. They corner the two servants guarding the vampire’s coffin, and the servants look like they’re about to bare their fangs.

In “Monster”, Ken is having horrible nightmares of the corpses of the two horrible men in the garden rising up and taking their revenge. It’s not far wrong, because flooding dislodges the bodies from their graves and now they’re sticking up in the mud. When Ken sees, he thinks those two corpses really have risen from the dead. Arghh!

A mean bailiff strips some tenants of everything they have, even worn out stuff. This guy is totally heartless all right. Hence the inspiration for his punishment on “The Thirteenth Floor” – meeting the Bailiff of Death and skeletal hospital staff who tell him he’s got no heart and needs treatment for it.

Monthly payments from a ghost? That’s what Finley ends up receiving in the conclusion of this week’s “Tales from the Grave story” – monthly instalments to keep Willard Giovanna’s grave tidy – plus no further visits from Giovanna’s ghost about his grave being neglected. The latter is the real incentive for Finley to keep that grave maintained.

We’ve all heard stories about phantom hitchhikers who mysteriously disappear from the vehicle of whoever picks them up. But in this week’s Library of Death story we meet one who takes it to a whole new – and deadly level. Incidentally, that demon in the last panel must be from the Continent or something because his steering wheel is for right hand driving.

(Click thru)

 

It’s Titanic justice in this week’s Ghastly Tale. Slippery Sid Smith thinks he has gotten away with his latest jewel heist thanks to his “unsinkable” alibi. Unsinkable? Funny – that’s what they said about a certain ill-fated ship Sid tries to make his getaway on…

“Terror of the Cats” is the first serial from the original Scream lineup to be ejected. Kruhl finds the beast he created (the superior intellect he created to control cats) has gotten beyond his control and now has its own agenda. Surprise, surprise! Anyway, in a tussle between Woodward and Kruhl, Kruhl ends up falling into the brain and they horribly destroy each other, and the lab blows up. And what is Woodward’s reward for stopping the terror of the cats? A kitten. Hee, hee, we’re so glad you can see the funny side, Woodward. Its replacement next week is “The Nightcomers”.

Terror of the Cats

Scream! #5, 21 April 1984

Scream 5 cover

  • The Dracula File (artist Eric Bradbury, writer Gerry Finley-Day)
  • Monster (artist Jesus Redondo, writer Rick Clark)
  • The Thirteenth Floor (artist Ortiz, writer Ian Holland)
  • Tales from the Grave: R.I.P. Willard Giovanna – first episode (artist Jim Watson, writer Ian Rimmer)
  • Fiends and Neighbours – cartoon (artist Graham Allen)
  • The Library of Death: A Break in the Country (artist Tony Coleman, writer Malcolm Shaw)
  • A Ghastly Tale! – The Nightmare (artist J. Cooper)
  • Terror of the Cats (artist John Richardson, writer Simon Furman)

From the Depths

Our entries on “Scream!” resume in celebration of Halloween, with the most famous vampire in history leading off the cover.

No attempts at Ghastly’s face are published in this issue, but there is a new victim in the London Dungeon.

In “The Dracula File” our Rumanian vampire is really going to town in this episode (below), and raising some laughs from readers as well as lots of screams. He’s got people running from the cinema, he’s crashed a fancy dress party in search of more victims, and now he’s picked up a very nice, unsuspecting lady.

(Click thru)

Uncle Terry has been introduced to television (below) and is turning into a television addict in one of my favourite moments from “Monster”. Unfortunately he’s also turned into a double killer with the second body Kenny’s had to bury in the garden, and Kenny knows it’s only a matter of time before someone finds out.

Then a narrow squeak with a social worker is having Kenny thinking of going on the run with Uncle Terry. Er, Uncle Terry go on the run, Kenny, when he’s only just stepped out of the attic he’s been locked in all his life, knows nothing of the outside world, and can barely function mentally? Besides, a fugitive who looks like a dead ringer for the Hunchback of Notre Dame would be spotted a mile off! Are you serious, Kenny? Oh heck, something tells us you really are…

Monster telly

The punishment for the criminals on “The Thirteenth Floor” is a graveyard for thieves, and their rotting corpses are rising up and striking them with terror. This has them mistakenly shooting each other to death. The police assume it was the criminals just falling out over the loot.

The Leper writes a bit of himself into his new “Tales from the Grave” story. He watches as his fellow gravedigger Finley gets a request from a gentleman in surprisingly dated clothing to dig up a badly neglected grave belonging to one Willard Giovanna. Finley agrees once the gentleman flashes him a good sum of money, but then gets second thoughts when he realises that the gentleman is also named Willard Giovanna and is digging up his own grave! How can this be? Well, the Leper did say he hoped the people he buried would stay buried, but the story he’s telling hints this is not always the case…

In the Library of Death a meteor show strikes Britain. Or so it seems. Two days later Tony Crabtree is on his way to stay with his aunt and is surprised to see everyone is wearing a bandage or plaster cast on their legs, arms, heads, and even all over. He discovers too late that these are just to conceal the insect invaders who arrived with the “meteor shower”….

In this week’s Ghastly tale, Ghastly talks about the fear of falling. The psychiatrist listening to his client talking about his fear of falling is not sympathetic, though it turns out the client has a very good reason to fear it.

Ghastly Tale Nightmare

Dr Kruhl captures Woodward and reveals the secret behind “Terror of the Cats” that gives him the power to control all felines. It is an enormous brain(?!) that he calls “the living brain of the cats”.

Scream! #4, 14 April 1984

Scream 4 cover

  • The Dracula File (artist Eric Bradbury, writer Gerry Finley-Day)
  • The Library of Death: All Done with Wires (artist Cam Kennedy, writer J.H. Teed)
  • The Thirteenth Floor (artist Ortiz, writer Ian Holland)
  • Tales from the Grave: “The Undertaker” – final episode (artist Jim Watson, writer Tom Tully)
  • Terror of the Cats (artist John Richardson, writer Simon Furman)
  • Fiends and Neighbours – cartoon (artist Graham Allen)
  • A Ghastly Tale! – Mirror, Mirror
  • Monster (artist Jesus Redondo, writer Rick Clark)

Ghastly introduces another competition. Meanwhile, he publishes another failed attempt to capture his likeness.

Scream 4 from the Depths

The vampire from Rumania has turned the agent who was on his tail into another servant to do his bidding. Then he’s off to the cinema in pursuit of more victims. And they would just happen to be watching a movie called “Dracula’s Death”. Dracula, of all things!

In the Library of Death a fraudulent medium gets his punishment-fitting-the-crime comeuppance, and it’s all done with wires. And in the Ghastly Tale “Mirror, Mirror”, the mirrors in the Hall of Mirrors are, shall we say, producing some unusual effects on people.

Scream 4 A Ghastly Tale

As shown below, the punks out to beat up a tenant emerge from The Thirteenth Floor as nervous wrecks. They won’t be in any condition to beat up anyone for a long time. But another transgressor is always coming along to the Thirteenth Floor, and this time it’s a gang of actual criminals.

(Click thru)

It’s the last episode of the Tales from the Grave story, “The Undertaker”. Murder plotters Sleeth and Emily discover too late that Emily’s fiancé Clive had committed the murder himself, for the same reason as Emily. The wires of the two murder plots got crossed, causing everything to backfire on all the plotters. Clive kills Sleeth and goes down for double murder. Emily tries to feign innocence with the police, but Sleeth’s apprentice Smyte is a witness to the truth, so she ends up in prison. And whose coffin on the cover is the Leper burying? Sleeth, the undertaker he was talking about the whole time, of course.

It is finally revealed why “The Terror of the Cats” is attacking the hospital. The cats are after a male nurse, Jim Wardon. Wardon helped Dr Kruhl with his diabolical experiments that are making the cats go crazy, and now he’s regretting it. Wardon’s making a run for it, not realising Kruhl’s cats are watching. Meanwhile, Woodward makes his way into Kruhl’s lair surprisingly unmolested by the killer cats. But then he bumps into a killer cat of a different sort – a tiger!

Scream 4 competition

“Monster” Uncle Terry is out of his attic prison for the very first time in his life. It’s in response to one of Dad’s dodgy creditors, Joe Thacker, attacking Kenny and robbing him of money in order to reclaim his debt. Unfortunately Uncle Terry ends up killing Thacker. Oh, no, that’s the second time he’s killed someone, and it’s another corpse for the garden.

 

 

Scream! #3, 7 April 1984

Scream 3 cover

  • The Dracula File (artist Eric Bradbury, writer Gerry Finley-Day)
  • Terror of the Cats (artist John Richardson, writer Simon Furman)
  • The Thirteenth Floor (artist Ortiz, writer Ian Holland)
  • Tales from the Grave: “The Undertaker” (artist Jim Watson, writer Tom Tully)
  • The Library of Death: The Drowning Pond! (artist Julian Vivas, writer B. Burrell)
  • Fiends and Neighbours – cartoon (artist Graham Allen)
  • A Ghastly Tale! – Green Fingers (artist John Richardson)
  • Monster (artist Jesus Redondo, writer Rick Clark)
  • Ghastly’s Creepy Creature Quiz!

No free gift came with the third issue of Scream!, which goes against the tradition of a free gift with the first three issues of a new IPC title. However, the first attempt at Ghastly’s face is in, as is the second person to spend the week in the London Dungeon.

Scream 3 From the Depths

A British agent is on the trail of the Rumanian defector who’s a vampire and the nurse he’s hypnotised into becoming his servant. But the vampire escapes him. In the preview for next week there’s a panel of the vampire going to the cinema, and it looks like he’s going to make a Dracula film more realistic than usual…

Last week “Monster” changed credits completely. This week it is “Terror of the Cats”, with new artist John Richardson and writer Simon Furman. In the story, the cats have the hospital under siege now. The man in charge of the cat victims tells Woodward he suspects Dr Kruhl is behind the crazy cat attacks. So Woodward is off to check out Kruhl – and finds the killer cats waiting outside. How can he get past them?

The second round of transgressors arrives for Max’s special treatment on “The Thirteenth Floor”. A tattoo one of them has provides the inspiration for their punishment, as seen below.

(click thru)

In “Tales from the Grave”, Sleeth the Undertaker thinks he’s got the murder he was contracted to commit all sewn up and his victim is now at the bottom of the river, eaten up by rats. But his client Emily has a nasty surprise for him – she has just found that same victim (her uncle) poisoned. So who the heck was Sleeth killing just now? Er, it looks like that horribly injured, but still alive and very angry man who’s now barging in through your door, Sleeth. What’s more, he’s saying, “I have survived to wreak the vengeance of death on your foul and treacherous soul!”

The story in this week’s “Library of Death” is the one that readers request the most on Ghastly’s “Back from the Depths” site. It appears below for the benefit of any curious readers.

(Click thru)

 

It’s back to the one-page format in this week’s Ghastly Tale, and the moral is never to touch strange meteors. A boy does and it gives him the power to make plant life grow out of everything and everyone he touches – including his mum, and now’s she’s a horrible plant freak. He’s worried about what will happen when his father comes home. Never mind that, laddie – how are you going to eat when everything you touch turns into these freaks?

This week we learn more about Uncle Terry from the note Kenny’s mother left behind. As we do, we are more horrified by how Uncle Terry has been treated all his life than his appearance. Poor Uncle Terry has spent the whole 32 years of his life locked in the attic, in neglect and squalor, because his parents couldn’t stand his appearance. As a result, he is retarded, clearly brain damaged, and can barely string a few words together, but he is dangerous if provoked and can kill. Terry’s treatment improved somewhat under Kenny’s kindly mother, but she could not help him fully because of her abusive husband (why the heck did you marry him, lady?). After she died, cruelty towards Terry resumed under the husband. Now Kenny has inherited the task of minding Uncle Terry, and he’s only 12, but the note says Mum was dead against the idea of institutionalisation for Uncle Terry. As if an institution could be any worse than that squalid attic.

Scream! #2, 31 March 1984

Scream 2 cover

  • The Dracula File (artist Eric Bradbury, writer Gerry Finley-Day)
  • Monster (artist Jesus Redondo, writer Rick Clark)
  • The Thirteenth Floor (artist Ortiz, writer Ian Holland)
  • Tales from the Grave: “The Undertaker” (artist Jim Watson, writer Tom Tully)
  • The Library of Death: Spiders Can’t Scream! (artist Ron Smith, writer John Agee)
  • Fiends and Neighbours – cartoon (artist Graham Allen)
  • Terror of the Cats (artist Gonzales, later John Richardson, writer John Agee)
  • A Ghastly Tale! – a complete story (artist José Casanovas)

The free gift that came with Scream #2 was a big, black, spooky spider, so it’s little wonder that spiders are big in this issue, beginning with the cover (front and back) profiling what horror awaits in this week’s Library of Death story. We are also told that Max will unleash spider terror as his next punishment in issue three.

Meantime, Max forces the harsh debt collector to enter a debt collector computer game – where the computer always wins, of course. The concept might almost be funny if the debt collector had not died of a heart attack because The Thirteenth Floor frightened him to death.

More ghoulies get added to the “From the Depths” letters page. It’s the “grislies”, and you are invited to draw your own.

From the Depths

In “The Dracula File”, the East is confident the Rumanian vampire defector they allowed to escape to the West will not unleash a reign of vampire terror there because he cannot live without his home soil. They don’t realise he has found the answer to that problem – the home soil left behind from previous Rumanian vampires who got to Britain. So his reign of terror has started.

The plot between “The Undertaker” and Emily Carlisle to kill her uncle looks simple and foolproof (and gruesome!). All it needs to kill him is a sudden shock, so the Undertaker takes him to the river and unleashes some rats in his carriage to not only frighten him but also eat him alive. And it would look like he just drove too close to the river and the river rats got him. What could possibly go wrong? Well, the blurb for next week does say “A fatal mistake…”.

The credits for “Monster” change to Jesus Redondo (artist) and Rick Clark (writer). Strangely, the reprint volume gives the change of writer as John Wagner. Was Wagner writing under a pseudonym here? Anyway, Kenneth has now seen what’s in the attic and it’s…the Hunchback of Notre Dame?! Something tells us Kenneth is now lumbered with the role of Esmeralda. Too right. Kenneth finds a letter from his late mother explaining that the, um, “monster” as the family dubbed him is in fact his Uncle Terry. Terry’s parents (Kenneth’s grandparents) kept him locked in the attic because of his appearance, and Mum says it’s now Kenneth’s job to look after him. Whoopee…

Uncle Terry

Allen Woodward tried to stop “The Terror of the Cats” striking the hospital, but all it’s done for him is get him into trouble with the police and on the run. But that’s nothing compared to what he finds when he hides in a cupboard – another crazy killer cat!

A Ghastly Tale is longer than the one-page spread last week. It’s also a tale of nature striking back at the abuses of humanity in the 21st century. How far ahead of its time was this story? It has been posted here for your judgement. Besides, it’s drawn by José Casanovas, and who doesn’t like his artwork?

(Click thru)

 

 

 

Scream! No. 1, 24 March 1984

Scream 1 cover

  • The Dracula File – first episode (artist Eric Bradbury, writer Gerry Finley-Day)
  • Monster – first episode (artist Heinzl, later Jesus Redondo, writer Alan Moore)
  • The Thirteenth Floor – first episode (artist Ortiz, writer Ian Holland)
  • Tales from the Grave: “The Undertaker” – first episode (artist Jim Watson, writer Tom Tully, later John Wagner)
  • A Ghastly Tale! (complete story)
  • Fiends and Neighbours – humour cartoon reprinted from Cor!! (artist Graham Allen)
  • Library of Death: At Death’s Door… – complete story (artist Cam Kennedy, writer Barrie Tomlinson)
  • Terror of the Cats – first episode (artist Gonzales, later John Richardson, writer John Agee)

Our Halloween theme continues with Scream! This was a short-lived publication, lasting only 15 issues before it disappeared during the same strike that brought down Tammy (though opinions from former IPC staff differ as to just what killed it off). Nevertheless, Scream achieved a cult status that has made its issues collectors’ items, spawned fanzines and websites, and now it is enjoying a revival with the Misty & Scream Halloween specials and volume reprints of its strips.

The gift that came with the first issue of Scream was a set of Dracula fangs, approved by the famous vampire himself, who leads off with his very own strip inside, “The Dracula File”. A Rumanian defector has escaped to the West. However, his Eastern bloc pursuers have realised that he is a vampire and decide the West can have him: “He is their problem now!” The poor RAF pilots flying the defector into Britain don’t realise the horror they are about to unleash…

Hang on, how come this Rumanian defector who’s a vampire looks like Dracula? Since when was Dracula a defector from the Iron Curtain? Either some vampire’s stolen the patent on Dracula or…the KGB’s got things a bit wrong here and it’s not the defector who’s the vampire – it’s King of Vampires himself! Put the bite on the defector and taken his place eh, Drac?

Scream 1 Dracula

Before the strips begin, however, the host of the comic, Ghastly McNasty, sets things up with the letters page and the special features it offers. There is “The Dracula Spectacular”, where Ghastly has fun turning someone into something hideous. To make it even more fun for readers, he wants them to provide the victims (teachers, family members, themselves, etc) and the reason why. Ghastly also invites readers to nominate someone for appearing in “The London Dungeon” for the week and the reason for this punishment, and the comeuppances would be drawn accordingly. Who would you like to see in the London Dungeon for the week? How about the Tammy editor for leaving us dangling on the final episode of “Cora Can’t Lose”? Or how about Donald Trump or Vladimir Putin?

Scream 1 letters page

Of course a new comic would not be complete without a competition, and this is one that really tests deductive, artistic and maybe even clairvoyant skills. The challenge is to draw Ghastly McNasty’s face absolutely right. This is no easy task as the face is hidden in complete darkness under his hood with only lights shining where his eyes are. Clues include him being extremely ugly, too much tree root in the beauty treatment he tried that backfired, and other clues that would be dropped as the competition progressed. An actual likeness of Ghastly had been drawn and was being kept secure. The best but still-failed attempts would be printed, comments were made about any clues the pictures had hit upon, and the winner would get £5. The one to hit the absolute mark would win £50. The top prize was still unclaimed when Scream abruptly disappeared.

Scream 1 Monster

“Monster” is one of the Scream stories that would continue and finish in Eagle. It is the “something monstrous hidden in the attic” story. It’s so secret that Kenneth Corman’s abusive father gives him yet another walloping for even saying he heard something up there in the locked attic room. The father goes up to the attic to get rid of it, only to get horribly murdered, with deep claw marks on his body. Kenneth opts for secretly burying his father in the garden instead of calling in the police, and now he’s heading for the attic himself to deal with whatever is up there.

Scream 1 13th Floor

“The Thirteenth Floor” was another Scream strip to continue in Eagle, and now it has its own reprint volume and return appearances in the Scream & Misty Halloween special. Max is the computerised superintendent of council-run Maxwell Towers. Max takes his duty of looking after his tenants very seriously. In fact, it’s so seriously that anyone who threatens the safety and well-being of Max’s tenants is sent on a trip to his secret Thirteenth Floor through the lift, where Max wreaks a computerised, holographic punishment upon them that he deems the most fit for their crime. The first transgressor to pay a trip to the Thirteenth Floor is a merciless debt collector. On the Thirteenth Floor he meets the Grim Reaper, who says, “Welcome…to your death.” Erk! Is Max really going to go as far as murder? We find out next week.

Scream 1 Leper

The Leper (so named because of his medical condition, appearance and lack of social acceptance) is a 19thcentury gravedigger and host of “Tales from the Grave”. Not surprisingly, these tales are associated with death, the Victorian fascination with it (murders, executions, body snatching, Goth etc) and the stories behind the graves in the cemetery. The Leper’s first story is “The Undertaker”, about a Burke and Hare-type undertaker named Joshua Sleeth: “If you wanted someone buried, ole Sleeth was the man to do it, no questions asked […] Sleeth was an evil beggar all right. If yer needed a helpin’ hand into the next world, so to speak, he was always ready to give it…”. Sleeth’s reputation has reached the ears of Emily Carlisle, who wants a helping hand in getting her Uncle Henry into the next world so she can inherit.

Scream 1 Cats

The final serial is “The Terror of the Cats”. All the cats in the neighbourhood are going crazy and attacking people for no apparent reason. Reporter Allen Woodward is on the story and also that of Dr Kruhl (nicknamed “Cruel” because of his reputation), the Director of the Government Research Institute. It’s soon obvious to the readers that the two stories are linked somehow, though Woodward hasn’t clicked yet.

Scream 1 Library

As with Misty, Scream has complete stories, though less prolific. One format is uncredited one-page one-shot stories, some of which end with a dash of humour. The other format is the “Library of Death” (yes, more death tales), which has more pages. The first tale is about a boy who gets strange, frightening visitations in his bedroom after his parents deny him his request to go into the Ghost House at the fair.

For the resident funny cartoon, Scream is reprinting Fiends and Neighbours from Cor!! An ordinary couple are looking forward to meeting their new neighbours – only to get the shock of their lives when they find the newcomers are a regular Addams family.

Amanda Must Not Be Expelled (1972)

Sample Images

Amanda 1Amanda 2Amanda 3

Published: Tammy 15 January 1972 to 18 March 1972

Episodes: 10

Artist: Jesus Redondo

Writer: Unknown

Translations/reprints: None known

Plot

Amanda Blay has a real attitude problem. She has deliberately gotten herself expelled from every school she has attended because she wants the comforts of home. She lives for gymnastics though, and when her parents send her to Haybury Boarding School, Jane and Marty immediately spot her talent. They realise they won’t win the inter-school gymnastics trophy without her.

Amanda is tempted by the thought of winning the trophy; it would help her career in gymnastics. But she’s too selfish to do anything for the school there and has no team spirit at all. She just wants to get expelled and enjoy her home comforts.

So it isn’t long before Amanda is up to her tricks to get herself expelled from Haybury. But Jane and Marty don’t want her expelled because they need her for the trophy. So they do everything they can to foil all her tricks to get herself expelled.

Marty and Jane soon suspect Miss Trice (initially Tring), the games teacher, is quietly helping them there, for the same reason they don’t want Amanda expelled. Indeed, it is not long before Miss Trice is obliged to explain matters to the headmistress. Afterwards, Miss Trice tells Marty and Jane that she begins to wonder if Amanda is worth the trouble. Covering up for and foiling Amanda certainly does cause problems for Marty and Jane, including taking punishments for her. Not surprisingly, the other girls turn against Amanda because of her selfish attitude and tell Jane and Marty they are nuts to even bother with her.

Amanda is also totally selfish with her gymnastics. The school puts on a gymnastics display for parents day, but Amanda refuses to participate. As far as she is concerned, she does gymnastics to please herself, not others. Miss Trice has to persuade Amanda – with the threat of being banned from the school gym for a month if she does not take part in the display. For that, Amanda says, she’ll perform badly at the display on purpose. But when it comes, Amanda just can’t do it because she loves gymnastics too much, and does a brilliant job instead. She surprises herself so much she hates herself for it, and even refuses to accept a trophy she won for it.

But of course the girls can’t always keep Amanda from getting herself expelled, and eventually she succeeds. The girls are shattered at losing their best hope of winning the trophy. Amanda doesn’t care about that and is turning somersaults for joy that she has finally gotten expelled.

However, Amanda has reckoned without her father’s wrath.  Mr Blay is determined to really teach her a lesson this time and does something that should have been done a long time ago – he confiscates her gymnasium. And it will stay confiscated until Amanda mends her ways at school. This has the desired effect of getting Amanda to regret what she did, because gymnastics are what she lives for.

Mr Blay hopes he can find a way to get the school to reinstate Amanda. Miss Trice tries to persuade the headmistress to do so because they need her for winning the trophy, but the headmistress will have none of it. Then a remark the headmistress made about raising money for a new laboratory gives Marty and Jane an idea: Mr Blay pays for the new laboratory if the headmistress takes Amanda back. Mr Blay and the headmistress agree to the deal, but Mr Blay is not happy at paying out £10,000 to keep Amanda on at Haybury. And he tells Amanda that if she gives any more trouble at school he will have her home gym demolished!

Amanda realises there is no point in being expelled because there is no gym at home now, so she better make do with the school one. She even begins to consider the trophy more seriously and agrees to join the team.

However, the other Haybury girls are not impressed at what was, it must be said, bribery to get Amanda back. In their view, Amanda deserved to be expelled and should stay expelled. So when Amanda returns they send her to Coventry. Marty and Jane stand beside Amanda, so the prefects sentence them to Coventry along with her.

Amanda is not much bothered at being in Coventry, but Marty and Jane are suffering from it more. Miss Trice sees how the Coventry business is affecting the gym team with nobody but Marty and Jane wanting Amanda there. The other gym team members boycott the team, leaving only Amanda, Marty and Jane in it. But the contest rules state there must be at least four girls in the team. And just when Amanda was starting to think of the gym team for a change! However, the staff cannot interfere with the prefects’ decision to put the girls in Coventry.

Realising it is all her fault, Amanda does something unselfish for the first time: resign from the team so Marty and Jane will be freed from Coventry and the other team members will return. She sends a letter of resignation to the head girl. Yet the head girl realises they will not have a chance without Amanda. Besides, Miss Trice refuses to enter a team without Amanda. But if the team remains at three girls, they can’t enter. Catch 2-2!

In view of the circumstances, the prefects release Amanda, Marty and Jane from Coventry. However, the other gym team members are still unforgiving and remain on boycott. Determined to win the trophy, Marty and Jane are all for carrying on training for the contest regardless and hope they get a fourth member.

Then a new girl, Liz Davis, arrives, and the girls notice something odd about her. She keeps hanging around the gym, and watching them in action all the time. Amanda even catches Liz at the gym one night. Yet when they approach Liz, she keeps running off, saying she hates gym.

One night Amanda catches Liz at the gym. To get Liz to open up, she makes a deliberately poor vault. Liz starts telling Amanda how to do it right, then demonstrates it herself. From there Liz admits she was a brilliant gymnast but lost her nerve after breaking her shoulder on the vault. Amanda helps Liz to regain her nerve and she becomes the fourth team member. Marty and Jane comment on how Amanda has really changed by helping Liz.

The Haybury team face extremely stiff competition from Oakdean, the school that has won five years running. But with Liz and Amanda on the team, Haybury wins for the very first time. The judges say they are very impressed that Haybury managed to win despite only four members in the team: “A remarkable feat, if I may say so.” Amanda is now glad Marty and Jane did not let her get herself expelled.

Thoughts

This was Tammy’s first gymnastics story. It came out two years before Bella Barlow, when Olga Korbut popularised the sport. Tammy published no other gymnastics story in between Amanda and Bella. But Amanda fell into obscurity while Bella is remembered as Tammy’s answer to gymnastics. It is tempting to compare Amanda with Bella, but I will refrain from doing so and concentrate on the serial itself.

Amanda definitely comes from a long line of spoiled brats who are always in trouble/get constantly expelled because their brattiness leads to difficult behaviour. Then they finally someone who prompts them to change their ways one way or other. A.D. Langholm’s “Queen Rider” is actually a novelisation of this. I suspect “Queen Rider” was based on “Bad Bella” from Tammy annual 1976, which has a very similar plot. There is a good chance “Bad Bella” was reprinted from June, and probably retitled. It could well be it was the same writer.

There is no doubt that the trouble comes from Amanda being spoiled. As always, the parents are to blame for that. They have spoiled her with so many home comforts that she gets herself expelled from boarding school all the time for no other reason that she can enjoy them again. Now that really is pathetic. Indeed, one reader wrote in to say: “…it’s a bit silly that a girl should want so much to be expelled from school. Why should she want to be expelled?”

In addition, Mrs Blay has never had the backbone to discipline her daughter. She is way too soft. Although she calls it a “disgrace” when Amanda is expelled for the fifth time, she does not come down on Amanda as she should have. In fact, she thinks her husband is being way too hard on Amanda: “maybe she just didn’t fit in at that school.” Mr Blay rightly pours scorn on that and takes the correct approach in taking a much tougher line with Amanda to get her to behave at school. However, he definitely has a snobby attitude, which he expresses when he sees Miss Trice’s car: “What a dreadful old car!” A snobby father would not have helped Amanda’s bratty behaviour much.

Marty and Jane come from a long line of unenviable girls who strive to keep a bratty (or sometimes nasty) girl from getting herself expelled. The difference is that they do it voluntarily because they need Amanda for winning the trophy. More often, such girls are lumbered with the job (blackmail, deals, etc). But Marty and Jane sure pay the price for it, especially when they are sent to Coventry because of Amanda. However, they show they are true friends to Amanda and are not just putting up with her because of the trophy. Indeed, they must have been the first friends Amanda has ever had. A selfish, spoiled brat like her would hardly have made friends at her previous schools.

Mr Blay’s new approach with Amanda (no home gym if she does not behave at school) has the desired effect of stopping Amanda getting herself expelled all the time. But this is only the first step towards reforming her. Amanda is still selfish and still has a way to go before she can redeem herself. Being sent to Coventry is the thing that snaps Amanda out of her selfishness, and it’s because she is thinking of others in how being in Coventry is affecting Marty, Jane and the team. She is also being self-sacrificing with her resignation because gymnastics mean so much to her.

It is a cruel irony that the other girls do not appreciate Amanda’s selfless act, forgive her and return to the team. Carrying on with preparing for the competition in the face of that and no fourth member becomes a sheer act of courage. Getting the fourth member is the final act of redemption for Amanda. For the first time she is helping someone, a fellow gymnast, who needs help in regaining her nerve. The remark from the judges at how impressed they are at Haybury winning despite only having four girls is the final testament to the reform and redemption of Amanda Blay.

 

Lindy Summer Special

Lindy Holiday Special

  • Diana’s Dolphins (artist Tom Hurst)
  • Curiouser & Curiouser (feature)
  • Carrie Calls the Tune! (text story)
  • Be a Summer Butterfly… (feature)
  • The Millionaire Dog (artist Jesus Redondo)
  • Tell Your Fortune? (text story)
  • Where the Lion is King (feature)
  • Know Your Stars (pop quiz)
  • The Ghost of Hermit Island (artist Christine Ellingham unknown Concrete Surfer artist)
  • Someone Else’s Pony (text story)
  • Dragonacre
  • Can You Keep Your Mates? (quiz)
  • Hard Days for Hilda (artist Dudley Wynne, writer Terence Magee)
  • I Remember (poem)
  • Penny Crayon
  • Milk-Round Maggie (artist Mike White)
  • The Flower of Chivalry (feature)
  • Our Friend Prickles (hedgehog feature)
  • Jumping Jenny (text story)
  • A Quilted Night-Dress Case (feature)

Lindy was an extremely short-lived comic, despite the “great launch” the special says she had. She lasted only 20 issues before becoming the first comic to merge with Jinty in 1975. So this is most likely to be the only summer special Lindy produced. It looks like the special came out while Lindy was still running because there is an ad urging you to buy Lindy on page 33. Moreover, the editor’s comments on the inside front cover describe the regular comic as “brand new”, and also that it had a “great launch”. But there is no sign of a cover girl called Lindy; it is photographs of people that accompany the comments. Only the signature at the end says “Lindy”. Clearly, Lindy never had a cover girl, unlike Tammy, Jinty (to some extent) or Penny.

My copy regrettably has some missing pages, but at least there is a contents page to fill some gaps. The missing pages are 39-42, so if anyone can provide scans I will be grateful.

The cover certainly is colourful and beautiful. The use of yellow background and pinks and blues in the picture are very eye-catching. The only regular characters Lindy had were “Hard Days for Hilda” and Penny Crayon, which appear here as well. Hilda Hobbs works cheerfully at the hotel where she works, despite the abuse from senior staff. Here the mean cook begrudges a tramp a square meal and blasts Hilda when she tries to do so. But of course there is a complete turnabout in the end: the cook is forced to give the tramp a free meal as a reward when he unmasks a thief disguised as a professor. It is a pity there were not more regulars to give more Lindy flavour to the special.

Lindy special 1

(click thru)

It is hard to say which stories were written for Lindy and which were reprinted from elsewhere, or whether they are all reprints. Reprint is certainly the case with “The Millionaire Dog”, as Jesus’ Redondo art looks like it came from his early days and is not up to the level of development seen in his artwork for the regular comic. Perhaps it came from June. And the Tom Hurst artwork in “Diana’s Dolphins” looks like it might be some of his earlier work too.

Lindy special 2

(click thru)

There are some gems in the stories. In “Diana’s Dolphins”, the Dobson family run a dolphinarium, but Dad doesn’t want the girls to find this out when he sends Diana to a posh school, in case they look down on her. But Diana’s swimming skills from her dolphinarium experiences put the school on the map for swimming and Dad finds he had nothing to worry about. In “Dragonacre”, the environment of Dragonacre is threatened when a Mr Barker wants to buy it for development. To save it, Kerry Ward and her friends have to find £2000. It is then that they discover that the legend of real dragons at Dragonacre was not just a legend. And in “Milk-Round Maggie”, Maggie Marvin wins the title of Milk-Round Miss and treats her friends at Paradise Place to a day at the seaside. A yob called Crispin threatens to ruin things with his thoughtless behaviour and disregard for others. But of course it all ends up a smashing holiday – except for Crispin. And in “Jumping Jenny”, new girl Jenny gets off to a bad start at her new school when she is wrongly branded a sneak and sent to Coventry. A teacher discovers her talent for hurdling when she tries to run away, but how can she even get into the team while she is in Coventry?

Lindy special 3

(click thru)

Addendum: I have found that the special came out on 3 July 1975 while Lindy was only on her third issue.

Lindy #20 – final issue – 1 November 1975

Lindy cover

  • Hettie High and Mighty (unknown artist – Merry) – continues in Jinty & Lindy
  • “Nightmare Motel” – final episode
  • The Pointing Finger – final episode (artist Jesus Redondo)
  • Bay City Rollers centrefold
  • My Father Friend or Foe? – final episode
  • Finleg the Fox (artist Barrie Mitchell) – continues in Jinty & Lindy
  • Poor Law Polly – final episode (artist Roy Newby)
  • Spot the Difference! Competition results
  • Are You a Lark or a Night Owl? Quiz
  • Great News Next Week…Jinty and Lindy
  • David Essex pin-up

It’s my 150th post on this blog, and I commemorate with a rare find that I just acquired today – the final issue of Lindy. So in the interests of Jinty history I present it here to show how Lindy went out before she merged with Jinty the following week, and how she announced the merger.

“Hettie High and Mighty” and “Finleg the Fox” are the stories that carry on in the merger. In this issue, Hettie has now moved in with Janie and totally convinced her father that she has reformed and lost her snobby ways. But Janie knows different, so she’s bracing herself for more trouble in the merger next week. Meanwhile, Una finds fishy goings on with her nasty guardian Mr Dray meeting someone in the dead of night who then clobbers him on the head! Ironically, it’s Finleg who helps him by seeing the attacker off. Then the attacker is found shot the next day and there is a list of names on him. But it’s Sir Arthur who has found the list, and he looks the shifty type, so this does not look good. Penny Crayon, Lindy’s resident humour strip, carries on in the merger.

“‘Nightmare Motel'”, “The Pointing Finger” (which finishes with a six-page spread), “Poor Law Polly” and “My Father Friend or Foe?” are the stories that end with Lindy. “My Father Friend or Foe?” (about a half-German girl victimised by anti-German prejudice during World War II) was clearly a filler story; it had only started in #18. The last three issues see the buildup to the merger – “Hard Days for Hilda” finished in #19 and “Pavement Patsy” finished in #18. Readers were promised a new story to replace Patsy, but there is no trace of a new story between #19 and #20. Perhaps they changed their minds and decided to hold it for the merger instead, or the new story was not available for publishing at the time. Lindy announces competition results and offers some nice pinups of Bay City Rollers and David Essex – farewell present, perhaps?

And this is how Lindy announced the merger with Jinty:

Lindy cover back