Tag Archives: Joe Collins

Tammy 22 December 1979

Cover artist: John Richardson

Daughter of the Desert (artist Mario Capaldi)

Cindy of Swan Lake (artist Ana Rodriguez)

Make Headlines, Hannah! (artist Tony Coleman)

Bessie Bunter (artist Arthur Martin)

Edie the Ed’s Niece (artist Joe Collins)

Part 3 of Your Christmas Collection! – feature

Molly Mills and the Festive Season (artist Douglas Perry, writer Maureen Spurgeon)

My Terrible Twin (artist Juliana Buch)

The Trickling Sand (artist Peter Wilkes) – Strange Story

Boomtown Rats – feature 

Wee Sue (Hugh Thornton-Jones)

Tuck-In with Tammy – feature 

Christmas is coming and Tammy is gearing up for it in the weeks leading up to Christmas. This is part 3 of her Christmas collection feature, which is on making things for Christmas. This was one of the last Christmas-themed covers with the Cover Girls.

The Bessie Bunter story (below) looks like it was originally written to advertise the (very rare) June Comic Annual of Strange Stories where the Storyteller got his own book, judging by all these spooky references to the book in question and Strange Stories. In the reprint here, it’s been bodged to advertise the Tammy annual. The Tammy annual was a common gag on the Cover Girls covers around the Christmas period. Molly also has a Christmas-themed story to tie in with the festive season. It is now on its penultimate episode and will conclude in the Christmas issue. It was reprinted in the 1985 Tammy annual. 

The Wee Sue story this week isn’t tied to the Christmas theme. Instead, it’s a football theme. Meanwhile, the Storyteller takes us on a historical tale in the Highlands. Soldiers sent to seize a Scottish rebel against James II try to force his whereabouts from his daughter, but help comes from – spiders?! We’re told the Storyteller will bring us a Christmas story next week.

Around Christmas time, it was common for some serials to end to make room for new stories in the New Year period. The one about to make way for the New Year lineup is “My Terrible Twin”, now on its penultimate episode. Bella has finished for the year, and as she won’t appear again until the second quarter, there’s more room for serials. 

However, “Cindy of Swan Lake”, now on its second episode, will carry on into the New Year. Feedback in the letters page and Cindy’s appearance in Tammy’s 10th birthday issue indicate it was a very popular story. Cindy Grey has started ballet school, but her jealous rival, Zoe Martin, has come along as well, and now she’s seized her chance to play really dirty. She’s taking advantage of Cindy being constantly worried about her swan friends, who are being poisoned by pollution.

“Make Headlines, Hannah!” (an overshadowed girl is trying to prove herself, but her spiteful sisters keep sabotaging her) and “Daughter of the Desert” (a school is plagued by strange phenomena that are making it revert to a desert pattern) look like they still have some episodes to go yet.

Tammy 10 November 1979

Cover artist: John Richardson

Bella (artist John Armstrong)

Temper, Temper Tina! (artist Giorgio Giorgetti) – final episode

Sarita in Uniform (artist Diane Gabbot(t))

The Fire’s Warning (artist Tony Highmore) – Guy Fawkes Strange Story

Bessie Bunter (artist Arthur Martin)

Molly Mills and the School for Servants – first episode (artist Douglas Perry, Maureen Spurgeon)

Wee Sue (artist Robert MacGillivray)

My Terrible Twin (artist Juliana Buch)

Edie the Ed’s Niece (artist Joe Collins)

Guitar Girl (artist Angeles Felices) – final episode

Spring To It! – Edie’s Hobbyhorse

We now come to the Tammy Guy Fawkes issue for 1979. This was the last Guy Fawkes cover for the Cover Girls. This time the following year, they were gone.

Inside, Bessie, Wee Sue, Edie, the Strange Story and the Tammy Talk page all honour the 5th of November. Even the last episode of Guitar Girl does the same, but in a more frightening way. The spiteful Sabrina tries to burn Jacey’s guitar on the bonfire climaxing the birthday party they are both entertaining at. Jacey nearly gets herself burned alive clambering the bonfire to retrieve it! 

Tina’s story ends, with her learning that trying to conceal her family (in a derelict house?!) was a very foolish, misguided way to keep them from being split up when her mother fell ill, and her actions were only bringing her troubles on herself. Once everyone helps her to handle the problem the right way, everything is far better for her, including the temper that has been her bane since the beginning of the story. 

Sarita in Uniform is evidently nearing its end, for her secret is out! What’s going to happen now? Meanwhile, Bella dodges another close shave in keeping her own secret safe, but here comes another threat to it – blackmail!

Molly Mills starts a new story, “The School for Servants”. What school for servants? So far we haven’t see any school for servants, just some new guests at Stanton Hall – but Molly suspects there’s something odd about them. 

Just when Moira and Lindy have sorted out their misunderstanding, along comes another one – Moira thinks Lindy’s tricked her into a lousy kitchen job on the ship. Oh dear, here we go again – one very angry Moira out to make trouble for Lindy! Is Moira going to be “My Terrible Twin” for Lindy with all these misunderstandings right up until the final episode? It could well be the case.

Tammy 3 November 1979

Cover artist: John Richardson

Bella (artist John Armstrong)

My Terrible Twin (artist Juliana Buch)

Sarita in Uniform (artist Diane Gabbot(t))

Temper, Temper, Tina! (artist Giorgio Giorgetti)

Bessie Bunter (artist Arthur Martin)

Molly Mills and the Gipsy’s Curse – final episode (artist Douglas Perry, Maureen Spurgeon)

The Sea Dragon – Strange Story (artist Julio Bosch)

Wee Sue (artist Robert MacGillivray)

Edie the Ed’s Niece (artist Joe Collins)

Guitar Girl (artist Angeles Felices)

Tuck-In with Tammy – feature 

For Halloween, we profile the Tammy Halloween issue for 1979 (though it is dated Novemer and not October). It is the last time the Cover Girls celebrate Halloween on the cover. This time the following year, they were gone. 

Inside, Wee Sue and Bessie Bunter are going to Halloween parties. Things don’t exactly go without a hitch for either of them, but everything works out in the end. Less so for Edie, who goes to a Halloween party in a cat costume but finds herself being chased by dogs! Molly’s tale, “The Gipsy’s Curse”, has a spooky theme to it, which adds to the Halloween theme. Gipsies have put a spell on Pickering to make him do what they want, but now it’s making him too nice for his own good. Molly decides Pickering has to be returned to normal, bullying and all. 

The Storyteller could have gone with a Halloween theme, but instead he gives a cautionary tale about not meddling with things you don’t understand. Two sisters on the island of Cumba resurrect the costume of the Sea Dragon of Cumba, ignoring warnings that they don’t understand its power or what it is supposed to be used for – which is not exactly for attracting the tourism their father wants.

Guitar Girl Jacey Jones also has a party theme. She has been hired to entertain at a posh girl’s birthday party but soon discovers it’s no party for her. The snobbish mother disapproves of her presence and – horrors! – has hired her nasty arch-rival Sabrina to entertain as well! If that weren’t bad enough, Sabrina pulls a dirty trick on Jacey to make her look a thief and snobby mum’s screaming for the police. How can Jacey prove her innocence? 

Bella has been fostered by a rich couple, but they have a real thing about gymnastics for some reason, which is the mystery of the story. Their disapproval has driven her to go to a gymnastics club behind their backs, under a false name, but this week Bella’s jealous rivals at the club have found her out. Uh-oh, looks like blackmail is about to be added to Bella’s problems.

“Temper, Temper, Tina!”, now on its penultimate episode, and “Sarita in Uniform” also have girls driven to do things in secret. Sarita, a gypsy girl, is going to school behind her gypsy guardians’ backs. They don’t approve of education or even gypsy traditions. Tina, a brilliant athlete with a short fuse, has been dodging school for ages. But why is she doing it, and where has she been in all that time? Everyone’s about to find out in the final episode next week, as things are clearly coming to a head now. 

“My Terrible Twin” is the sequel to an earlier serial by the same name. Moira and Lindy are fraternal twins. In the first story (reprinted by popular demand in 1984), Lindy was the terrible twin. She had served time for shoplifting but had still not reformed or learned responsibility, with the long-suffering Moira trying to keep her on the straight and narrow. But this time the terrible twin is Moira, who accidentally winds up on the ship where Lindy has a job and is playing tricks Lindy because she mistakenly thinks Lindy has developed a snobby attitude over her job. And, as the story carries on, this proves to be only the beginning of a long line of misunderstandings that have Moira making Lindy’s life a misery.

Tammy 20 August 1977

Cover artist: John Richardson

Bella (artist John Armstrong)

Sharon’s Shadow (artist Hugo D’Adderio) – Strange Story serial – first episode

Melanie’s Mob (artist Edmond Ripoll)

Molly Mills – the final episode (artist Tony Thewenetti)

Bessie Bunter (artist Arthur Martin)

Maisie of Mo Town (artist Giorgio Giorgetti)

Shadow of the Fire God (artist Manuel Benet) – Strange Story

Edie the Ed’s Niece (artist Joe Collins)

Wee Sue (artist Mike White)

Daughter of the Regiment (artist Mario Capaldi)

Now we come to 1977 in our August Tammy month round. And there’s another reason to bring out this August issue – it is the issue with the final episode (below) of Molly Mills. Yes, the great Molly Mills debate has finally come to a head. On the letters page (below), ye Editor makes an open call for letters – with monetary incentives of course – on whether or not to bring her back. But really, this would have been a whole lot more fair and representative of readers’ wants if the final episode had ended with a definitive conclusion (Molly sailing off to India with the others). Indeed, if this really was to be Molly’s final bow, they should have done that. Instead, it’s a tantalising cliffhanger (Pickering’s infamous frame-up of Molly at the docks, which makes her a fugitive, on the run from the law). This would surely have skewed the response from readers in favour of Molly’s return, to see how she sorts out her predicament. Indeed, ye Editor later informs us that the response was overwhelmingly in favour of Molly’s return, and return she did, on 31 December 1977. Would the response have been the same if Molly had been given a proper send-off? Incidentally, seeing as Molly returned with a different artist (Douglas Perry), I suspect the clincher for this sudden end of Molly was not the Molly Mills debate – it was Tony Thewenetti no longer able to continue with Molly for some reason. 

Meanwhile, Bella is at a Russian gymnastics school on a scholarship, and it’s good to see she’s getting a lot out of it this time (last time she was at a Russian gymnastics school, she was wrongly expelled before she’d hardly begun). Of course the school not without problems, and boy, does her strict Russian coach have a face to remember! John Armstrong must have had a great time drawing inspiration from gargoyles or something. This week, Bella loses her memory after an accident in the gym and strays from the school. 

Tammy takes us into the world of politics with the new Strange Story serial, “Sharon’s Shadow”. Joe Brown, outraged by the rundown housing conditions in Leechester, which led to the death of his grandfather, is running for MP so he can turn things around. But his chances of election could come under threat when his sister Sharon challenges a witch’s curse at her grave and then has a strange accident there. Never, ever, challenge the supernatural, Sharon. Meanwhile, in the regular Strange Story, the horrors of human sacrifice in pre-Christian days threaten to resurface with an erupting volcano, and superstition and hysteria get the better of people.

In “Maisie in Mo Town”, it’s been a barrel of laughs (though maybe a bit un-PC today) with Maisie pretending to increasingly exasperated kidnappers that she’s a dumb wild girl from Africa who doesn’t know the first thing about civilisation and can only speak pidgin English. But now things take a very serious turn as the kidnappers make plans to smuggle her out of the country. To this end, they lock her in the attic, ready for someone to collect at midnight!

“Daughter of the Regiment” Tessa Mason has recruited a gang of mudlarks to help clear her father, who was shot for cowardice at the Charge of the Light Brigade. But one, Dick, has been bribed to help lead her into a trap! And Melanie has recruited her own gang, “Melanie’s Mob”, to train as athletes. Dad would have a fit if he knew they were the Canal Mob, and now someone has reported something to the police about it.

At a regatta, Stackers is finding a mermaid costume problematic, and it leads to hijinks. In the final panel, Bessie doesn’t think much of mermaid costumes either, as she can’t raid the grub in the one she’s forced to wear.  

Nobody in class believes Miss Bigger when she shoots a big line about how her big WAAF days in World War II helped to win the Battle of Britain. So nobody’s surprised when she comes unstuck at a Battle of Britain exhibition at a flying club: “Bigger? We had a waitress of that name in the mess. Butter-fingers Bigger we used to call her…she was always dropping the crockery.” Miss Bigger’s looking very red, and then she’s green, as she can’t take a flight in a WWII plane without feeling airsick. The real heroics belong to Sue, who scares off robbers at the club with a phoney WWII bomb.

Tammy and Princess 2 June 1984

Cover artists: Trini Tinturé and Juliana Buch

Bella (artist John Armstrong, Primrose Cumming)

No Use to Anyone! (artist Eduardo Feito)

Pride of the Lamports (artist Hugo D’Adderio) – Pony Tale

Pam of Pond Hill (artist Bob Harvey, writer Jay Over)

Shape Up to Summer with Bella (feature)

Stefa’s Heart of Stone (artist Phil Townsend, writer Alison Christie) – final episode

Take the Plunge! (Mari L’Anson) – feature 

The Button Box (artist Mario Capaldi, writer Alison Christie)

I’m Her – She’s Me! (artist Phil Gascoine)

Cora Can’t Lose (artist Juliana Buch)

Sadie in Waiting (artist Joe Collins)

We now come to the end of our Tammy June month round with June 1984. In fact, this was the last month Tammy would ever appear. She was cut off by a strike with the 23rd June issue and was not brought back to finish her stories. Everything was forever left tantalisingly unfinished.

If not for the strike, Tammy would have been cancelled in August for her own merger into Girl (second series). As June progressed, there were signs of Tammy heading for the merger, with some double episodes and the disappearance of the Princess logo on her last published issue. Princess had only merged with Tammy two months earlier, so her logo lasted the shortest of any comic to merge with Tammy. The Tammy logo had also changed with the merger, going from straight colour to an eye-catching rainbow colour. Many of the covers are pretty summer scenes (well, it was summer) and an inset of a story panel.

For the moment, the buildup to the Girl merger has not yet started. Tammy’s still on the Princess (second series) merger. “Stefa’s Heart of Stone”, which came over from Princess (reprinted from Jinty), finishes this week. This was the last story to be completed from Princess. This will give more scope for the buildup to the merge with Girl.

Right now, it’s pretty much business as usual. With the last of the serials from Princess gone, Sadie in Waiting is the only Princess feature remaining. The current serials could be scripted for either Tammy or Princess. The one remembered the most is “Cora Can’t Lose”, which built up to an exciting conclusion, only to be cut off by the strike, to the eternal frustration of readers. The other serials that started in the remaining weeks of Tammy got cut off as well. But it may not be too late, even all these years later. Perhaps Rebellion can do something to redress the matter. 

Tammy 10 June 1978

Cover artist: John Richardson

Bella (artist John Armstrong, writer Primrose Cumming)

Prince of the Wild (artist Veronica Weir) – first episode

Betta to Lose (artist Tony Coleman)

A Champion Time for All! – Results of Bella Gymnastics Competition

Down to Earth Blairs (artist José Casanovas)

Bessie Bunter

Molly Mills (artist Douglas Perry)

The Witch Wind (artist Hugo D’Adderio) – Strange Story

Wee Sue (artist Hugh Thornton-Jones)

Circus of the Damned (artist Diane Gabbot(t))

Fun at Your Summer Fete (artist Joe Collins, writer Maureen Spurgeon) – feature 

For the 1978 Tammy issue in our Tammy June month round, here is a June Tammy issue with a cover that is sure to make you smile. 

Tammy posts the results of a Bella-inspired competition. Bella featured in several Tammy competitions, a four-part pull-out poster and even her own book, which showed how powerful she had become. This competition shows she was being used to help aspiring gymnasts as well. 

The new story, “Prince of the Wild”, is Veronica Weir’s first and only serial for Tammy. Her artwork was seen more often in Tammy’s Strange Stories and complete stories. 

“Betta to Lose” has brought Tony Coleman artwork to Tammy, and Coleman was a regular artist on the Tammy team right up until her final year in 1984. 

Douglas Perry has taken over the Molly Mills artwork since Molly’s return in December 1977. Sometimes I wonder if one reason why Molly was put on hiatus in 1977 and her fate put into the hands of readers was her original artist, Tony Thewenetti, no longer continuing with her for some reason. The change in artist does suggest something like this might have happened. 

The structure of the Molly Mills writing has changed completely. The story that sent her on hiatus was a tantalising cliff-hanger where Pickering frames her for theft, forcing her to go on the run from the law. Since her return, it’s been nothing but life as an unjustly wanted fugitive, and her stories are in continuous serial format. Molly’s now back at Stanton Hall, which is now under a new owner who seems to be something of a fugitive herself. An American gangster is on her tail, and now he’s caught up and holding Molly and the other servants hostage! We suspect this is all part of the build-up to the resolution of Molly’s frameup.

Bella’s latest story has taken her to Australia, as a coach to introduce gymnastics to an Australian town. Even before Bella started, things were not off to a good start (the man who hired her regrets his offer, which he made without thinking), and her arrival got delayed as well. Now she’s finally made it, she’s told the job is no longer available. And Bella has a long track record of getting stranded in foreign countries. Is it going to happen again? 

Wee Sue’s latest artist is Hugh Thornton-Jones, and a continuity problem has struck. In earlier years Miss Bigger’s first name was given as Lillian, but this episode says it is Amelia, and it sticks.

Hugh D’Adderio artwork featured strongly in the Tammy Strange Stories, particularly with period settings ranging from ancient Babylon to Victorian England, as well as modern times. This week it is Elizabethan England, with a Strange Story on how witchcraft (indirectly but foretold) defeated the Spanish Armada.

Down to Earth Blairs was obviously inspired by “The Good Life”, and proved so popular that its sequel is now running. No doubt the ever-popular José Casanovas artwork sealed its success. In the original, Betsy Blair had a hard time adapting to self-sufficiency after her father’s redundancy drove the family to it. Now she accepts and enjoys it, and her sequel now follows “The Good Life” format of handling snobby neighbours and coming up with new forms of self-sufficiency and money-making, some of which don’t always go as expected.

“Circus of the Damned” is a welcome return to Tammy’s old days of dark stories laden with misery and cruelty, which now seem to have faded. A whole circus is enslaved by a fanatical circus boss who uses blackmail, animal abuse, kidnapping, and possibly murder to create the greatest show on earth. One of his tactics is forcing trapeze artists to leap over deadly snakes without a safety net.

Tammy 5 February 1977

Cover artist: John Richardson

Babe at St Wood’s – artist José Casanovas

Towne in the Country – Mario Capaldi

Curtains for Cathy (final episode) – artist Douglas Perry

Call of the Sea (The Strange Story) – artist unknown

Bessie Bunter

Molly Mills and the Economy Drive (first episode) – artist Tony Thewenetti, writer Maureen Spurgeon

Nightmare at Grimm Fen (final episode) – artist Diane Gabbot(t)

Edie the Ed’s Niece – artist Joe Collins

Wee Sue – artist John Richardson

Katie on Thin Ice – artist John Armstrong

The cover features a common running gag in the Cover Girl run: being the first to read the issue and be able to finish it, and sneaky attempts from the other to grab the issue or sneak a peek. 

Two stories finish this week, opening up space for the next stories in the New Year’s lineup. The curtains come down on the person who’s been trying to drive Cathy off the stage, who turns out to be her own mother. It seems she was one of those misguided parents who doesn’t want their offspring pursuing the course of their dreams because it was disastrous for themselves. Dad quietly deals with Mum, telling her that all she’s done is prove Cathy’s determination to pursue the theatre. In “Nightmare at Grimm Fen”, the evil Robert le Mal is destroyed by the very thing that brought him back in the first place – the church brass of him. 

This week’s Wee Sue story is a lesson in not leaving things too long, as this can leave things too late. Sue meets an old lady who left it too late to approach an old friend over a squabble, and now there’s no way to know if things are forgiven. Sue decides on a little white lie to put the old lady’s mind at rest, but she is confident it is the message her old friend would have given if she had been able to.

Babe and friends go to a restaurant, but a pickpocket swipes their purse, leaving them to wash up to pay for their meal. But of course the pickpocket has made a big mistake in crossing a gangster’s daughter and gets his just desserts – literally.

In “Towne in the Country”, Val has a new companion, Clarissa Keene, in her quest to find her father. But Clarissa is the dead opposite of Val in many ways: arrogant, spoiled, hard on animals, and the original trophy hunter. Talk about the odd couple. This is going to be some fellowship!

In the Strange Story, two Victorian children help a wheelchair-bound girl who is on the run from a cruel institution. Okay, but what’s so strange about that? The children find out when they bring the girl to the coast where she was originally picked up. 

Bessie is hearing odd remarks about the Fish and Chips, the White Mice, the Gorillas and the Strawberry Jam. After a series of misunderstandings and hijinks she finds out they’re all the names of pop groups Court House is taking care of after they got flooded out, but everything ends happily. 

In the new Molly Mills story, Pickering is afraid for his job because Lord Stanton is facing money problems, so he is going to start an economy drive at Stanton Hall. Knowing bully butler Pickering, this does not bold well for Molly and the other servants. 

Mrs Winter forces Katie to help raid a treasure ship. But it goes badly wrong and Katie’s friend Susie has been caught. How can Katie get Susie out of this one?

Tammy 5 January 1980

Cover artist: John Richardson

Cindy of Swan Lake – artist Ana Rodriguez

Sister in the Shadows (first episode) – artist Giorgio Giorgetti

Daughter of the Desert – artist Mario Capaldi

Edie the Ed’s Niece – artist Joe Collins

Ring the Changes (Strange Story) – artist unknown

Bessie Bunter

Molly Mills and the Promotion (first episode) – artist Douglas Perry, writer Maureen Spurgeon

Wee Sue – artist Robert MacGillivray

Make Headlines, Hannah! – artist Tony Coleman

Turn of the Year (Strange Story) – artist Peter Wilkes

Tuck-In with Tammy – feature 

For New Year we bring you Tammy’s New Year issue from 1980. This is the last New Year issue to use the Cover Girls. If they had known they would be dropped in October that year, we don’t think it would have been a very Happy New Year for them. It was a common in-joke for a Cover Girls cover to show someone holding a Tammy with the same cover or a tie-in cover. In this case, old year 1979 looks like he’s got the Tammy with the cover showing new year 1980 on it.

As it turned out, new year 1980 was a big one for Tammy. Just two weeks after this issue came out, Misty merged with Tammy, and the effect resonated for several years. 

The issue is chock-a-block with New Year-themed stories from the regulars. Wee Sue, Bessie Bunter, Edie, and the Storyteller with a double helping of Strange Stories are all in on the act. So is Molly, with her new story, “The Promotion”. Sadly, it’s not a good start for the New Year for her. Ironically, it’s because of something that should be very happy for her – she is chosen for the staff promotion. But the other servants don’t look happy about it, and neither is Molly. She isn’t one of the gang anymore because of the promotion. 

New Year was a popular time for girls’ comics to start new stories, and two stories start in this issue. The first is Molly’s new story. The other is “Sister in the Shadows”. Wendy Weekes is off to a new start at her new school, but it’s already off to a bad start because everyone expects her to live up to the success of her older sister Stella. As if this weren’t bad enough, it’s also making Wendy unpopular with the other girls and a prime target for bullying.

In the old stories, things are finally looking up for Hannah Hilton, who is trying to become a success after nothing but failure, in the form of her nasty sisters who keep trying to sabotage her. Hannah is about to revive an old attraction at the fair. The mayor, who had been requesting it for years, is all agog, and so are the reporters. Seems nothing can go wrong this time – but then there’s a policeman at the door. Is it Hannah’s sisters again or something far more serious?

In “Cindy of Swan Lake”, Cindy Grey goes on tour. It should be a great experience, but, as usual, she’s lumbered with the company of her jealous rival Zoe Martin, who is also out to sabotage her. Zoe’s sabotage takes the form of head games, playing on Cindy being worried sick about her beloved swans, who are being poisoned by pollution.

And in “Daughter of the Desert”, the mysterious Arab figure who seems connected to a strange series of desert-related incidents at a boarding school, leads our heroines into a trap – of quicksand!

Tammy & June 9 November 1974

Cover artist: John Richardson

Becky Never Saw the Ball – artist John Armstrong, writer Joe Collins

Wee Sue – artist John Richardson

Nell Nobody – artist Miguel Quesada 

A Dog’s Best Friend (Strange Story) – artist Jim Eldrige

Dirty Trix – artist unknown

Jeannie and Her Uncle Meanie (final episode) – artist Robert MacGillivray

Secret Ballet of the Steppes – artist Douglas Perry, writer Gerry Finley-Day?

No Tears for Molly – artist Tony Thewenetti, writer Maureen Spurgeon

Town Without Telly – artist José Casanovas

It’s Guy Fawkes season, so we bring out the first Tammy Cover Girls cover with a Fifth of November theme. Oh dear, looks like a mishap struck the younger Cover Girl this time; usually it’s the older one. Hopefully they will come up with a brainwave to cover those ruined fireworks.

Bessie does not appear this week. Wee Sue could be out celebrating Bonfire Night, but she’s out playing soccer and rugby instead. This keeps striking trouble with Miss Bigger, who is looking for a missing consignment of school blazers.

It’s the final episode of Uncle Meanie – for now, anyway. At long last, he finishes off a world cruise that he’s constantly bedevilled with his penny-pinching tricks. The poor captain of that cruise ship will never be the same again. Home sweet home, all bracing for the return of Uncle Meanie to Tammy later on. 

Many readers kept writing in demanding why the heck Molly doesn’t strike back at that bully butler Pickering. They must have cheered when her double, come to Stanton Hall in her place, finally does the job this week. Pickering is left utterly floored – literally.

This week’s Strange Story is drawn by what looks like a very early Jim Eldridge. So could it be an early Strange Story reprinted from June? Enough time has passed for such reprints to start appearing in Tammy. The story is about the ability of dogs to sense things people can’t.

Dirty Trix senses her cheating at athletics has finally been detected, and eavesdropping on the club coach Miss Wood confirms her fears. “I ain’t finished yet, not by a long chalk!” is her response. Don’t be so sure about that, Trix – the blurb for next week says the evidence against you is going to stack up.

Nell Nobody shows she’s a real trouper by proving this week that when disaster strikes, she can think on her feet and come up with ways to deal with the situation. She figures a way around her horrible uncle smashing the legs of her puppet by incorporating the puppet’s disability into a new act. She also creates a companion puppet (Lola) for him despite the gruelling demands of the hot dog stand she’s forced to slog at to pay for her spoiled cousin’s acting fees. Now an important-looking lady has lined up for the show Nell’s secretly using the hot dog stand for. Is Nell about to get her big break? 

“Secret Ballet of the Steppes” is reaching its climax. Judith manages to get back to the palace, braving wolves, suspicious-looking men who try to drug her, and snowstorms to do so, to avert the upcoming attack against the revolutionaries. Then she discovers there’s more to it than that when she overhears the villainous Berova planning something sneaky. 

Joy and Recepta’s plan to cure Boxless town of TV addiction is to bore viewers stiff with long-winded broadcasts featuring Lady Boxless. So far the results look good – Lady Boxless already has someone throwing a loafer at the screen. 

Elspeth was forcibly separated from Becky after being wrongly accused of driving her too hard at tennis. Becky ran away in search of Elspeth and now she’s at a tennis match promoting ice cream in the hopes of finding her. Sure enough, Elspeth, who runs an ice cream truck, is now arriving at the same event. Will they reunite?