Tag Archives: John Armstrong

Tammy 4 November 1978

Tammy 4 November 1978

Cover artist: John Richardson

  • Bella (artist John Armstrong)
  • The Upper Crust – first episode (Giorgio Giorgetti)
  • Dancer Entranced (artist Angeles Felices)
  • Tuck in with Tammy – food ideas for Bonfire Night
  • One Girl and Her Dog… (artist Mario Capaldi)
  • Bessie Bunter
  • Molly Mills and the Tender Trap (artist Douglas Perry, writer Maureen Spurgeon)
  • Strange Story – The Pied Piper
  • Edie the Ed’s Niece – cartoon (artist Joe Collins)
  • Wee Sue (artist Robert MacGillivray)
  • TEAM in Action (artist Carmona)

Guy Fawkes is coming, so I am taking time out from Scream to discuss fireworks issues, courtesy of Tammy.

This one, from 1978, had the regulars Edie the Ed’s Niece, Wee Sue and Bessie Bunter available to provide Guy Fawkes-themed stories, and they all do so. Tammy’s recipe page, “Tuck in with Tammy”, also has some recipes for Bonfire Night.

In Bessie Bunter Miss Stackpole won’t allow the girls to have Guy Fawkes because it clashes with a concert she booked for the girls for the same night. “Mean rotter!” says Bessie, and we totally agree. Naturally, the girls don’t look very happy at the concert, and Bessie is taking a more proactive stance – sneaking out of the concert with her friend Mary to let off fireworks secretly. As it turns out, this leads to a chain of events that have the girls enjoying a Guy Fawkes celebration after all.

Wee Sue and her friends are on the Penny-for-the-Guy routine, but some boys steal their Guy and leave them with an inferior model. Surprisingly, it’s Miss Bigger who gives the boys their comeuppance when they mistake her for an even better Guy.

Now here’s a twist on The Pied Piper legend in this week’s Strange Story. The Pied Piper turns up at the scene of an accident near Hamelin where a hit-and-run driver forces a coachload of kids off the road. And would you believe it, the Pied Piper helps the injured driver and drives the kids to safety at a carnival in Hanover. But was it really the Pied Piper or just someone dressed up? There was a carnival going on, after all.

Toni, Ellie, Anthea and Maggie (TEAM) have formed the school newspaper editorial team for their boarding school, with the scrapes they get into becoming fodder for the paper. This week it’s Ellie’s turn, with some water gypsies stealing her sacred talisman for good luck. Ellie believes the loss is causing her to suffer terrible misfortune as she tries to recover the talisman, to the extent where the police have nabbed her for her failed bike lights.

Bella is in Australia and has joined Limber, a promotional team for gymnastics equipment. The trouble is, her latest coach, Sergeant Marks, has too much of a military and masculine view of gymnastics, which not only causes clashes between him and Bella but is also detrimental to the way he coaches the team for a competition. When the day comes, Bella is not confident that Sarge’s style of coaching will lead them to victory. His latest is setting the floor routines to military marches, despite Bella’s protests they won’t fit. Fortunately she has managed to set her floor routine to different music secretly. Will it make a difference?

It’s part one of “The Upper Crust”, where the Carrington-Crusts arrive in High Hills, the super-snob area of Cherryton. The daughter, Clara Carrington-Crust, immediately clashes with snobby Mavis Blunt, but in a very odd way. One minute she seems to be taking Mavis down a peg or two, the next she’s as snobby as the rest of them at High Hills. Nobody knows what to make of Clara and she’s baffling everyone at school, even the caretaker. Meanwhile, the Blunts decide there is something about these Carrington-Crusts that they’re determined to get to the bottom of.

A ballerina is under the influence of hypnotism in “Dancer Entranced”. It’s not in the same way as “Slave of the Clock”, but when you think about it, there are some hallmarks. Trina Carr is obliging her father’s dream for her to become a top ballerina like her late mother but she has no talent and doesn’t want Dad to know. Then a hypnotist seems to give her the ability to dance, but only while his metronome is ticking. The metronome has now gotten Trina into a top ballet school, where she is striking problems with a jealous rival and keeping that damn metronome ticking because she believes she can’t dance without it.

In “One Girl and Her Dog…” Kim Robinson is hoofing it all the way to London to claim an inheritance because her daft dog Rumpus ate her train ticket. They’re getting into all sorts of scrapes along the way. Among them is Harry Whelkes, a flunky a relative hired to stop them claiming the inheritance. They have just met Harry in this episode but don’t realise what he is up to. Rumpus almost scared him off for good when he tried out growling for the first time, but the promise of double the money has lured Harry back into the game.

You wouldn’t think anyone could seriously fall in love with that bully butler Pickering in Molly Mills, would you? Well, the district nurse Miss Key has after a misunderstanding has her thinking he is in love with her, and she doesn’t realise his true nature. All Pickering’s attempts to get rid of her have failed. Now the daft woman thinks he has proposed to her, and she has accepted!

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John Armstrong (1923 – 2018)

I am very sorry to post the news that John Armstrong has just died. John Freeman from the DownTheTubes website has put together a tribute post, and additionally the site has got an interview “In His Own Words” detailing John’s comics career. Lew Stringer has also posted a tribute on his blog, with some great art samples included.

John Armstrong was a fantastic artist with an instantly recognizable style and great strengths in the key elements of girls comics. I am very glad that the Rebellion reprint of Bella came out in time for him to (hopefully) know that his work was being properly appreciated once again.

The Proto-Bella Barlow?

A Leap Up for Lindy 1A Leap Up for Lindy 2A Leap Up for Lindy 3A Leap Up for Lindy 4A Leap up for Lindy ad

Once you have read through the images, you will see that this story bears a striking resemblance to Bella Barlow, right down to our ill-used heroine practising gymnastics on makeshift apparatus in the backyard. Mr Barr is even a dead ringer for Jed Barlow. At least the Barrs are nowhere near as abusive towards Lindy as the Barlows are towards Bella. All the same, we are so pleased to see how they are, um, persuaded to support Lindy’s gymnastics in the end.

A Leap Up for Lindy appeared in Girls’ Crystal 1976, yet a panel from it was used two years before in the merger issue of Tammy and June to advertise next week’s episode of Bella at the Bar (above). So A Leap Up for Lindy could actually be part of the history of Bella Barlow and could even be described as a proto-Bella.

But just what is Lindy’s place in Bella’s history? Is it a complete story or is it the first episode of a serial that never was? If it was meant to be a serial, did it get nixed for some reason and what was produced got recycled in the Girls’ Crystal? Was it a serial that was discarded in favour of Bella Barlow? Or was it an unused story from much earlier and elements of it were recycled into Bella Barlow?

Whatever the story was, Lindy looks like a most intriguing part of Bella history that has been sadly overlooked. It is a great pleasure to rescue this proto-Bella from obscurity and hopefully give her more speculation and discussion in Bella history.

 

Sandie 15 April 1972

Stories in this issue:

  • No-one Cheers for Norah (artist John Armstrong)
  • Slaves of the Sorcerer (artist Desmond Walduck?)
  • Wee Sue (artist Vicente Torregrosa Manrique)
  • Brenda’s Brownies (artist and writer Mike Brown)
  • Odd Mann Out (artist A E Allen)
  • Silver Is a Star (artist Eduardo Feito)
  • Not So Lady-like Lucy
  • Our Big BIG Secret (artist Jim Baikie) – last episode
  • The School of No Escape (artist unknown artist ‘Merry’)
  • Sandra Must Dance (artist Douglas Perry)
  • Bonnie’s Butler (artist Richard Neillands)
  • Anna’s Forbidden Friend (artist Miguel Quesada)
  • A Sandie Pop Portrait – Dave Cassidy (artist Bob Gifford)

The cover competition offers a chance to win a ‘fabulous electric sewing machine’, though I think that a battery-powered machine probably won’t get you very far through sewing anything other than the dolls clothes mentioned in the competition blurb.

Norah loses her home twice over in this episode – after an emotional visit to see her father, she stays overnight in her old house, but in the morning she is turfed out by a new family who have just rented the place. On returning to her cousin’s house she isn’t allowed back in there either! As is so often the way, though, the horrible relatives have played a mean trick too far – Norah has to stay in her uncle’s clothing factory overnight, and of course she finds a document that shows pretty clearly that the culprit who stole the money that her dad was blamed for – was probably her uncle all along!

Orphan Beth Williams is well and truly in the clutches of the evil sorcerer Caspar, along with three other hard-done-by girls. It seems that Caspar’s act is ‘so dangerous he’d never get anyone to volunteer. That’s why he has to have slaves.’ Beth is a spirited girl who is keen to run away at the first opportunity, but I suspect it won’t be as easy as that.

It’s the last episode of “Our Big BIG Secret” – a story post will be forthcoming.

At the end of the previous issue’s “The School of No Escape”, Dale was pushed over a cliff. Luckily she falls onto a ledge, which though small is enough to save her. The next morning, Miss Voor thinks that her last obstacle is out of the way and so she summons all her specially-chosen pupils to her side. They are all to write farewell letters to their parents and then to follow Miss Voor to Hangman’s Copse – which is where they meet up with the exhausted Dale, who has crawled up the cliff face to seek help.

This week’s episode of “Bonnie’s Butler” is drawn by Richard Neillands instead of regular artist Julio Bosch.

Tammy & Misty 4 October 1980

Tammy and Misty cover 4 October 1980

Cover artist: John Richardson

  • Bella (artist John Armstrong)
  • Wee Sue (artist Robert MacGillivray)
  • Dulcie Wears the Dunce’s Hat (artist Mario Capaldi)
  • The Visitor (artist Tony Coleman) – Strange Stories from the Mist text story
  • Bessie Bunter
  • Plain as Pearl (artist Juliana Buch)
  • Cut-Glass Crystal (artist Tony Coleman)
  • Running Rosie Lee (artist José Casanovas)
  • The Loneliest Girl in the World (artist Jaume Rumeu)

 

In the previous entry we profiled the Tammy that abolishes the Cover Girls and the logo that Tammy had used since her first issue. So now we take a step back and take a look at the issue that was the last to use them. So what did the Cover Girls do for their swansong? As you can see, they had a very hair-raising experience!

Of course the issue has a preview of the new-look Tammy that will be launched the following issue. It starts off with the “great news” blurb, and it is definitely much better news than saying the comic will be merging with another next issue.

New look Tammy preview 11 October 1980

After an absence of several years, Jed and Gert finally return to the pages of Bella. They have fallen on such evil days after Jed gets injured that they’re squatting, in debt, and unable to resume their window cleaning business. Bella feels so sorry for them despite the cruelties they inflicted on her in the past that she helps to revive their business. Will this be the beginning of Bella having improved relations with them though, or will they go back to the Jed and Gert of old? And there is still the matter of how Bella is going to get back into gymnastics.

This is the last issue to have the Misty text stories, which were revived during the merger. It’s a cautionary tale about not messing with blood pacts, especially when they’re sworn on the Bible.

Bessie Bunter makes one of the intermittent appearances she has been making ever since Misty joined Tammy. Bessie is so determined to go on a camping trip because it’s at an apple orchard that she lies about the weather forecast (stormy) and the state of Miss Stackpole’s tent (ripped). Of course Miss Stackpole discovers the truth on the trip, not to mention all the apples Bessie stashed in her tent. Then she and Bessie meet a lion after straying into a safari park and end up in a tree. Meanwhile, Wee Sue gets chased on the beach twice after a couple of mishaps, but it works out well in the end.

“The Loneliest Girl in the World” reaches its penultimate episode. Thank goodness it is for Karen, because she’s just about at the end of her rope with all these crazy goings-on that now go completely bonkers all around her. She’s discovering that everything and everyone around her is just one great big fake – even the forest and its wildlife. Finally, Karen emerges somewhere that at least looks genuine, but it looks like nothing on Earth – oh golly, could that be it?

At the school’s 200th anniversary celebrations, the school snobs, who have always had it in for “Running Rosie Lee”, recreate the Boston Tea Party by throwing Mr Lee’s tea into the school swimming pool to spite Rosie. But Rosie’s revenge is really surprising. Instead of the American Revolution she’s launching the French Revolution against the snobs. Is she going to send the snobs to the guillotine or something?

In “Dulcie Wears the Dunce’s Hat” (because of the dirty tricks Annie Archer keeps playing on her in class, not because she really is useless at schoolwork), Dulcie is swotting hard for exams so she can get rid of the hat. Little does Dulcie know her hard swotting is a waste of time, because Annie is framing her for ruining the exam papers. For some reason this episode got switched with the one in the next issue, so we don’t see what happens when the school discovers the ruined exam papers for two weeks.

This week’s episode of “Plain as Pearl” shows more and more of what vanity, spoiling and pretty looks have done to make Claire a mean, selfish type and why Pearl is so right to keep her modelling job a secret from her. But at the end of the episode Claire could discover it when she drops in to Pearl’s friend Kathy’s house while Pearl is trying on her modelling clothes.

In “Cut-Glass Crystal”, Crystal’s mother and grandmother arrive to take her away from Pitedge. Dad is furious about it. That’s pretty rich of him, considering how hard he has been on Crystal. Crystal has considerable reason to leave Pitedge because she has been such a misfit there, but now there are loyalties to consider. So what will happen?

Tammy & Misty 11 October 1980

Tammy cover 11 October 1980

Cover artist: John Armstrong

  • Bella (artist John Armstrong) – new story
  • The Black Stallion (text and spot photo adaptation) – first episode
  • Sandy and Steve (artist Juliana Buch) – first episode
  • The Loneliest Girl in the World (artist Jaume Rumeu) – final episode
  • Looking Good Booklet part 1 – feature
  • Running Rosie Lee (artist José Casanovas) – final episode
  • Edie and Miss T (artist Joe Collins)
  • Cut-Glass Crystal (artist Tony Coleman) – final episode
  • Plain as Pearl (artist Juliana Buch)
  • Dulcie Wears the Dunce’s Hat (artist Mario Capaldi)

 

This issue of Tammy is a milestone in Tammy’s history. Tammy does away with the logo she has used ever since her first issue (with some tweaks) in favour of one with a more modern and heavier typeset. She still has the Misty logo underneath, though.

Tammy also does away with the Cover Girls, who have graced her cover ever since Sandie merged with Tammy. So that’s John Richardson out of a job. The Tammy covers are using a style similar to the one that Jinty used in her early years before she started using story panels: put the opening page of a story on the cover. However, in this case it was one or two of the first panels, used as splash panels on the whole cover, as opposed to resizing the whole of the first page to fit on the cover. So the story still ran for three pages inside. For the most part it was Bella, as is the case here. Putting Bella directly on the cover must have attracted even more readers to her and to Tammy. Not to mention seeing Bella in full colour. Now and then Bella was on hiatus, so Tammy used other serials on the cover. This style was used for Tammy’s covers throughout 1981 and the Jinty merger. It ended with the 10 July 1982 issue.

The new look Tammy also has some new stories to match. The first is a new Bella story. Bella is helping Uncle Jed and Aunt Gert revive their window cleaning business after Jed’s back injury put it out of action and they have been reduced to squatting. So far Jed and Gert have not mistreated Bella the way they used to, but trouble comes in another form. A gang of hooligans blackmail Bella into one of their schemes, threatening to report her relatives for squatting. Then the scheme goes badly wrong when they are attacked by guard dogs.

Tammy also begins another adaptation, that of “The Black Stallion”. But it is the new serial “Sandy and Steve” that is the most striking, and must have caught readers by a most delightful surprise. For the first time, Tammy is running a boyfriend serial. This was really radical for the time, because at that stage girls’ comics did not run boyfriend serials. Boys and boyfriends, when they appeared, were on the periphery. It’s no wonder Sandy became so popular in Tammy. She spawned two sequels, the last of which had her finally having a boyfriend that she and her father could both agree upon. For the first story, though, Dad does not approve of Sandy dating Steve because he’s a real snob and regards Steve as “riff-raff”. So Dad begins his interfering habit of pairing Sandy up with boys that he deems suitable. Unfortunately the boy’s class and business/political connections with the boy’s parents are what dictate Dad’s choices of ‘suitable’ boyfriends for Sandy. He has no consideration for Sandy’s tastes or wishes. Heaven forbid this man ever goes into the dating agency business!

Also new is Tammy’s “Chatterbox” letters page, which includes a pen friends section.

Three serials end this week, which would open up space for more new serials to match the new-look Tammy. In “Running Rosie Lee” (abbreviated to “Rosie Lee” in the issue) the tea theme that’s been running throughout the story ends with it running up against its rival – coffee. “Cut-Glass Crystal” decides to stay on in her father’s hometown of Pitedge despite all the difficulties she has been having there.

The ending for “The Loneliest Girl in the World” is one of the most memorable ever in girls’ comics and still crops up in comic book discussions. In fact, the entry has been updated to include a scan of the episode below. Karen Chalmers finally learns the human race destroyed itself in a worldwide nuclear war and she is the last human. She begs the aliens who rescued her and tried to hide the truth from her to send her back in time before the war so she can die with her parents instead. Moreover, Karen goes back without losing her memory of what happened in the story (as happened in “The Human Zoo”), so she knows what is coming to her and her parents. The story looks like it was originally written for Misty.

Click thru

 

Something very odd happened with this week’s issue of “Dulcie Wears the Dunce’s Hat”: the episodes for this week and last week got swapped. Anyway, in the episode we do get, spiteful Annie Archer takes her tricks up the notch that so many troublemakers do, and it’s the notch that always advances the story to its climax and ultimately, its resolution. Annie is no longer content with getting kicks out keeping Dulcie in the dunce’s hat by sabotaging her schoolwork. After Dulcie unknowingly puts Annie’s nose out of joint in this episode she’s out to destroy Dulcie altogether.

Juliana Buch has started on Sandy while still drawing another of Tammy’s popular serials, “Plain as Pearl”. This could be a sign that Pearl is beginning to reach the end. Pearl Kent has taken a job as a model to raise the money to send her sick mother on holiday. However she has to keep it secret from her foster family or the daughter Claire will be jealous and start spitefully interfering. Now this makes a change, having the protagonist actually anticipating a thing like this instead of the usual format of the antagonist causing trouble for the protagonist behind her back. The episode opens with Pearl having a close call with Claire, but now there’s another problem – Mum has had such a serious relapse and is so unresponsive to treatment that she may never be fit enough for the holiday.

Jinty & Penny 4 July 1981

JInty & Penny 4 July 1981 cover

Cover artist: Mario Capaldi

  • Pam of Pond Hill (artist Bob Harvey, writer Jay Over)
  • Food for Fagin (artist Trini Tinturé)
  • When Time Stood Still (artist Mario Capaldi) – text story
  • The Lap of Death (artist John Armstrong) – Gypsy Rose story
  • Gaye’s Gloomy Ghost (artist Hugh Thornton-Jones)
  • How Independent are You? (writer Maureen Spurgeon?) – quiz
  • Tansy of Jubilee Street (artist Peter Wilkes)
  • Angela’s Angels (artist Leo Davy)
  • Worlds Apart (artist Guy Peeters)
  • Horse Drawn Transport – feature
  • Dracula’s Daughter (artist Mario Capaldi)
  • Seaside Souvenirs – feature

 

Girls’ comics didn’t bother much with Independence Day, but this issue of Jinty does as it’s bang on 4th of July. In honour of the occasion, Jinty presents a quiz on how independent you are: clinging ivy, sturdy oak tree or prickly pear? We also learn 4th of July is Sir Roger’s birthday, so 4th of July doubles for him as a birthday celebration.

Tansy is looking forward to an independence day of a different sort – the day in July when the summer holidays begin, which she has labelled “Freedom Day”. It’s a camping holiday for the Taylors, but of course there is no independence from the usual mayhem with Simon and Peter around.

In Samantha’s world there is anything but independence for the other five girls. Although Samantha’s father is on the throne, it is she who rules her world as a vain, power-mad tyrant and has everything and everyone cater to her beauty. But when Samantha uses Mo as a stool, Mo openly revolts against her. Samantha, who never liked Mo to begin with, responds by clamping her in the stocks – and she is to stay there until she’s nothing but a skeleton.

Pam wants to pursue music, but finding the right instrument is causing problems. After failures with the tuba and trumpet, she finally settles on the trombone with Gran’s help, but we get a hint her music problems won’t end there.

Fagin finally pushes Mum too far and she makes good her threat to put him in the dogs’ home. Even so, Olivia is still struggling to find the food to feed that appetite of his as the dogs’ home looks like it can’t.

The text story is straight out of Misty. Annabel Hirst, a beautiful but arrogant model, has a curse put on her as a punishment that will cause her to “wither and die” at midnight upon the full moon. As the time approaches, Annabel is reluctant to make an appearance because her appearance seems to be withering…

The Gypsy Rose story is another recycled Strange Story. Jean Forbes is a big speedway racing fan and the mascot of her brother’s team. Then she gets a strange dream that something terrible is going to happen to her brother on the speedway. How will this test her status as team mascot?

A boy named Sam is being a real nuisance for “Angela’s Angels”. He’s always trying to get into hospital with phony claims of being ill. He only does it because the hospital is a better place for him than his own home but Angela throws him out. Then Sam’s x-ray reveals a real illness and he needs to be treated immediately – so they have to find him, fast!

Treating pupils like little kids is one of the things Lydia really hates about her father’s ideas of grammar school discipline. But it’s not just the pupils he’s treating like little kids – he’s doing the same with the Castlegate teachers as well. He’s butting in on their lessons and trying to force them teach things his way. How rude! The teachers get so aggravated that they go into an emergency meeting on how to deal with him. The pupils are doing the same with a council of war. My advice: go on strike and mass demonstration against him. Make sure it gets full press coverage! And show the governors: what the hell were you thinking in appointing this gargoyle from the boys’ grammar school as headmaster?

Tammy 10 March 1979

Tammy cover 10 March 1979

Cover artist: John Richardson

  • Nurse Grudge (artist Tony Coleman)
  • A Girl Called Steve (artist Diane Gabbot)
  • My Terrible Twin (artist Juliana Buch)
  • The Moon Stallion (artist Mario Capaldi) – final episode
  • Bessie Bunter
  • Molly Mills and the Portrait Painter (artist Douglas Perry, writer Maureen Spurgeon) – first episode
  • Unlucky for Some (artist John Armstrong) – Strange Story
  • Wee Sue (artist Robert MacGillivray)
  • Thursday’s Child (artist Juan Solé, writer Pat Mills)
  • Just Jogging Along! (feature)

It’s Friday the 13th (did you know there is a Friday 13th in a month that begins on a Sunday?). So this issue of Tammy is being profiled to commemorate. It’s not just because the theme on the cover – Dracula vs Tammy – should make it a Halloween issue but isn’t. It’s also because the number 13 is the theme of this issue’s Strange Story, which appears below. Could the mysterious 13th floor in the story have been one inspiration for “The Thirteenth Floor” in Scream!, perhaps? It is a bit like how Scream’s 13th floor works in the way it teaches arrogant Annette a lesson. All that’s missing is Max the computer. Oh well, judge for yourself. It sure looks like Bella Barlow’s Aunt Gert was the inspiration for the workhouse matron anyway.

Click thru

 

There is no Bella yet. Instead, the first story is part two of “Nurse Grudge”. It was extremely rare for Tammy to have a nursing story (the same went for Jinty). It’s also a revenge story, where Greta Jones starts as a student nurse at her dad’s old hospital to get revenge on the staff who got him dismissed 20 years ago. His old notebook is full of the details of their turning against him – but no details at all on why they turned against him or just what he was dismissed for. Now why did he leave that part out of his journal? Greta has noticed the omission but not looked into it at all before starting her vendetta against the hospital – and perhaps she should have done…?

Tammy’s adaptation of “The Moon Stallion” TV series ends this week. Next week is “The Outcast of Oakbridge”.

Bessie sneaks into town after Miss Stackpole, who is going to a dance. Hijinks ensue with Miss Stackpole and Bessie ending up in the same farmer’s truck and then having to use an old raincoat and sacking against pouring rain while trudging into town. Miss Stackpole finds she has missed the dance because she got her dates muddled, but the raincoat wins her first prize at a tramps’ ball instead.

It’s a real turnabout for Molly Mills in her new story, but it’s one she could well do without. Lady Stanton turns against Molly when a painter prefers to paint Molly than her. Then Molly is very surprised to find her arch-enemy Pickering suddenly coming over to her side and being supportive against Lady Stanton’s jealousy. Now he couldn’t possibly be doing that unless there’s something in it for him – but what? Is he hoping for a group portrait with Molly or something?

From the moment Stephanie “Steve” Sutton has arrived at her father’s archaeological dig, it has been looking more and more like enemies are trying to scare her away. They certainly are doing a very good job of scaring her in this episode. Now she’s being dragged into a terrifying magician’s act.

“My Terrible Twin” is beginning to turn around – but just as she does, her remand home past begins to catch up. First, an unreformed girl from the remand home wants Lindy to help her shoplift, and then swears revenge when Lindy refuses. Then Lindy’s enemy Helen discovers her past and is going to tell the boss!

Sometimes Wee Sue had two-part or even three-part stories, and this is the final episode of one of them. So far her class’s skiing holiday abroad has been disappointing because the whole setup looks a cheat. It turns out to be a troubled business with the owner reduced to running it as a one-man-band (chef, ski instructor, DJ etc) while not having the slightest idea how to do all the roles. Does one of Sue’s famous brainstorms save the day? No, it’s more a lucky fluke (and extremely improbable one) that turns everything around.

Thursday’s legs are mysteriously paralysed after her fall. However, Thursday has no doubt that the evil Union Jack and Julie’s strange grudge against her, which caused the fall, are behind this. Then comes a turning point: Julie is now willing to explain just what her problem is with Thursday.

Tammy turns 12: 5 February 1983

Tammy 5 February 1983

Cover artist: John Armstrong

  • Romy’s Return (artist Juliana Buch, writer Charles Herring)
  • ET Estate (artist Guy Peeters, writer Jake Adams)
  • Bella (artist John Armstrong, writer Primrose Cumming)
  • Bridge of Heart’s Desire (artist Trini Tinturé) – complete story
  • In the Fourth at Trebizon (artist Diane Gabbot, writer Anne Digby) – first episode
  • The Witch Wind (artist Hugo D’Adderio) – complete story
  • Pam of Pond Hill (artist Bob Harvey, writer Jay Over)
  • Nanny Young (artist Phil Gascoine, writer Maureen Spurgeon)
  • Cuckoo in the Nest (artist Tony Coleman, writer Ian Mennell)
  • Step Lively! (feature)

Tammy turns 12 this issue, and Bella is flying high on the cover to celebrate. Only the cover celebrates Tammy’s 12th birthday though; there isn’t so much as a competition inside to commemorate. This was Tammy’s last birthday issue. She did turn 13 (which was indeed an unlucky year for her, what with her untimely disappearance from a strike), but did not celebrate it.

What is perhaps given even more commemoration is the start of a new Trebizon adaptation. Anne Digby was one of Tammy’s best writers; her best-remembered story was “Olympia Jones”. So it is not surprising that Tammy ran several adaptations of Digby’s books.

Tammy reprints two Strange Stories as complete stories, replacing the Storyteller with less appealing text boxes. “Bridge of Heart’s Desire” appeared in June and was reprinted in Jinty as a Gypsy Rose story. A Jinty reader wrote in to say her school adapted the story for a play and the teacher was very impressed. Now it appears in Tammy, but not as a Strange Story per se. Liu is upset because the Mandarin won’t let her marry her betrothed. She is told to make a wish to marry her betrothed while crossing the Bridge of Heart’s Desire, but must not speak until she is across or there will be no wish. Does the wish get granted? In a very convoluted and surprising way it is, due to Liu indeed not speaking while on the bridge.

The other story, “The Witch Wind” has an infuriating mixed message about the persecution of suspected witches. It starts out with Widow Dorrity being accused of raising storms to wreck ships, using a magical device known as a witch rope. A lynch mob goes to Dorrity’s house while Sal, who has been raised to scorn such superstitions, tries to warn her. However, Dorrity says she’s too old to run and passes on her witch rope to Sal for safekeeping. So it seems Dorrity really does have the power the mob accused her of, yet Tammy still calls her an “unfortunate old woman” for being burned alive in her own house by the mob. As for the witch rope, it eventually destroys the Spanish Armada in 1588 – something Dorrity herself seemed to prophesise to Sal.

Bella’s in a Muslim country teaching gymnastics to royal princesses. Not surprisingly, this is offending conservative Muslims, the Queen among them. The Queen does not realise her brother Suliemen is taking advantage her opposition to Westernisation to overthrow her husband and make himself the Shah. As part of his plan he has framed Bella for stealing the sacred “Tears of the Prophet”, and this week Bella nearly walks into his trap to plant them directly on her.

The formula where a girl plays dirty tricks on a friend to keep her in the background and herself in the limelight has been used less often at IPC than DCT, but “Romy’s Return” is one of the cases where it has been. This is the penultimate episode of it all, where it looks like Linda’s tricks to sabotage Romy have pushed Romy to breaking point. She snaps and starts doing things she shouldn’t have and gets into terrible trouble at school. Then Linda hears a bombshell from Romy’s father that has her realise that her sabotage may have been far more damaging than she thought.

In “E.T. Estate”, the aliens try to silence Jenny when she tries to tell everyone that there are alien doubles taking over the estate. They needn’t have bothered; nobody’s listening and they just think Jenny’s crazy. As it is, the aliens’ attack puts Jenny in hospital.

Tess just won’t stop boasting about her synchro swimming. It’s not only getting on everyone’s nerves; it also costs her the allies who had helped her to get into the swim baths after the manager wrongly banned Pond Hill pupils for vandalism.

In Nanny’s latest job, her employer, the Honourable Lady Louise Fanshawe, could lose the estate she means to pass on to her great-niece, Matilda, because of mounting debts. She managed to stave off her creditors with a “poor old dying woman” act, but by the end of the episode it looks like they are still in danger of losing the estate.

“Cuckoo in the Nest” is one of the most bonkers stories ever to appear in girls’ comics. The protagonist is a boy! Moreover, Leslie (that’s his name) is a boy who has to disguise himself as a girl (how many times have you seen that in girls’ comics?). It’s for the sake of his uncle, who is trying to cover up that he used funds an aunt sent for boarding school fees to treat Leslie instead. To make things even more complicated, the aunt had the mistaken belief that her nephew was a niece and the school was for girls. Hence the (not very good) girl’s disguise, which the nosy Sarah Mullins discovered when the school broke up for holidays. Fortunately a measles quarantine has delayed Sarah’s return to school where she is just dying to tell everyone about their having a boy disguised as a girl. But of course the quarantine won’t last forever.