Tag Archives: John Richardson

Scream! #10, 26 May 1984

Scream cover 10

 

  • The Dracula File (artist Eric Bradbury, writer Simon Furman)
  • The Nightcomers (artist John Richardson, writer Tom Tully)
  • The Thirteenth Floor (artist José Ortiz, writer Ian Holland)
  • Tales from the Grave: A Fatal Extraction – (artist Jim Watson, writer R. Hunter)
  • Library of Death: Night of the Cobra! (artist Julian Vivas, writer Angus Allan)
  • Monster (artist Jesus Redondo, writer Rick Clark)
  • Fiends and Neighbours – cartoon (artist Graham Allen)
  • A Ghastly Tale – Goodbye Uncle George!

The latest attempt at Ghastly’s face is more successful than most so far because it actually hits on something about Ghastly’s face. Reckon the entrant should have been given extra money for that?

Scream 10 From the Depths

Dracula’s latest feedings are in the headlines as murders, but only Stakis realises their true nature. Unfortunately, Dracula has realised there is a vampire hunter on his tail after Stakis has a close encounter with Dracula’s new servant. Dracula does a runner while setting a trap for Stakis in his abandoned hideout. And Stakis walks straight into it!

The Rogans finally make their way into Raven’s Meet. While disposing of Cutler’s dead dog, Rick gets knocked out by Cutler and his flunky – who looks like Frankenstein’s Monster, minus the bolts on his neck.

This week’s Thirteenth Floor story is one that everyone who has been hit by a dodgy repairman should love. Two sleazy plumbers, who did shoddy work that actually hurt someone, find themselves on the Thirteenth Floor where pipes burst and threaten to drown them. Then they are trapped by raging fire.

In part two of the Leper’s story, the ghost of George Makepiece is out for revenge against dentist Thomas Thorpe, who murdered him Sweeney Todd-style. Too bad for Thorpe Makepiece was an occultist, as he and his assistant Grimes discover when they try to rob Makepiece’s house. Makepiece uses his powers to kill Grimes with a Sweeney Todd stunt of his own and sends him to the bottom of the river!

In the Library of Death, a laboratory in Malaysia is home to every species of snake. A newcomer on the science team is an unpleasant type who is only in it for the money that will get him out of debt. He is warned never to underestimate a snake. He would also be well advised not to underestimate a place that is nicknamed “the house of death”. But of course he doesn’t heed those warnings.

Scream 10 Dungeon

Oh dear, Uncle Terry’s done it again. He’s trashed a café with that horrible temper of his. At least he didn’t kill anyone this time. But now there are enough eyewitnesses for the police to get an identikit of Uncle Terry. And it’s one that will stick in anyone’s mind, because he looks just like the Hunchback of Notre Dame. Meanwhile, Uncle Terry and Ken continue on their way to Scotland to find the doctor who could help.

In the Ghastly Tale, the Jordans aren’t shedding a tear at Uncle George’s funeral. They think they are well rid of their kooky scientist relative and those crazy experiments of his. They throw the last one he made, labelled “life potion”, down into his grave as he is being buried – er, life potion?!

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Scream #9, 19 May 1984

Scream 9 cover

  • The Dracula File (artist Eric Bradbury, writer Simon Furman)
  • Library of Death: Ghost Town (artist Steve Dillon, writer Simon Furman)
  • The Thirteenth Floor (artist José Ortiz, writer Ian Holland)
  • Tales from the Grave: A Fatal Extraction – first episode (artist Jim Watson, writer R. Hunter)
  • A Ghastly Tale – The Summoning (artist Tony Coleman)
  • Monster (artist Jesus Redondo, writer Rick Clark)
  • Fiends and Neighbours – cartoon (artist Graham Allen)
  • The Nightcomers (artist John Richardson, writer Tom Tully)

The cover for Scream #9 is one of Scream’s gorgeous wrap around covers, so both back and front cover are produced here. In addition to the regulars on the cover we see some familiar faces from complete stories in previous issues (The Punch and Judy Horror Show, The Drowning Pond and Beware the Werewolf!). No attempts at Ghastly’s face are published in this issue. Ghastly launches a second creepy captions competition because the first was so popular.

Scream 9 From the Depths

The writing credits for The Dracula File change again. Was Gerry Finley-Day writing under pseudonyms for this or were some of the episodes farmed out to other writers?

In the story, Drac’s a bit put out to find his servants have housed his home soil in the (hee, hee!) bathtub because there is no coffin in his new hideout. Waahh! Wanna coffin! While his servants scramble to find one Drac is off in search of more victims to feed on. Meanwhile, Stakis arrives in Britain to hunt the vampire down, and he’s assembled a full vampire-hunting kit.

The Library of Death story is about an American ghost town, which is haunted by skeletal ghosts. The ghosts constantly set a deadly trap – which includes lynching – for unsuspecting motorists. It’s their revenge for a motorcar causing a catastrophe that destroyed their town years before, albeit accidentally.

Max demonstrates a new power – the power to hypnotise people. He uses it to get a tenant to take the latest victim of his Thirteenth Floor back home because he can’t risk any more Thirteenth Floor victims, dead or otherwise, to be found in that lift.

We know going to the dentist in the 19th century must have been murder, but this is ridiculous. In the new Tales from the Grave story, dentist Thomas Thorpe isn’t “too particular” in how he treats his patients, but for the rich ones he has an extra-special treatment – murdering them Sweeney Todd-style in order to rob them. However, Thorpe’s latest victim, George Makepiece, is rising up from the river swearing revenge, and he looks kind of ghostly…

This week’s Ghastly Tale has some dark magic practitioners in a graveyard trying to summon a demon. Instead, they get one angry corpse telling them to stop making such a racket.

Ken and Uncle Terry went on the run without any place to run to. But in this week’s episode of “Monster” they finally find a destination from a newspaper – a doctor who could help with Uncle Terry’s temper problems that can cause him to kill. The trouble is, the doctor is in Scotland, which means a long trek to get there. They manage to sneak aboard a lorry, but while Ken is buying food the lorry takes off – with Uncle Terry on board. Oops!

In “The Nightcomers”, Raven’s Meet is making The Amityville Horror look like a G-rated film. First, the Rogans meet an enormous demon. It is obvious that this demon is what is haunting the house, and Beth’s psychic powers tell her it killed their parents too. Next, blood comes pouring down the front steps of the house!

Scream! #8, 12 May 1984

Scream 8 cover

  • The Dracula File (artist Eric Bradbury, writer Ken Noble)
  • The Nightcomers (artist John Richardson, writer Tom Tully)
  • A Ghastly Tale – The Pharaoh’s Curse (artist Tony Coleman)
  • The Thirteenth Floor (artist José Ortiz, writer Ian Holland)
  • Library of Death: Beware the Werewolf! (artist Steve Dillon, writer Simon Furman)
  • Tales from the Grave: The Cabbie and the Hanging Judge – final episode (artist Jim Watson, writer Ian Rimmer)
  • Fiends and Neighbours – cartoon (artist Graham Allen)
  • Monster (artist Jesus Redondo, writer Rick Clark)

Dogs, wolves and werewolves are cropping up a lot in this issue, starting with the cover. Even our vampire in “The Dracula File” takes his wolf form. He rescues his servants, claims a couple more victims, and sets up shop in London. Meanwhile, Stakis is on his way to stop the vampire, but at the cost of defecting from the KGB, becoming a fugitive, and getting out of the Eastern bloc without paying the price of a Soviet gulag or something.

From the DepthsGhastly Faces

The Nightcomers arrive at Raven’s Meet. They are quick to realise that whatever is in there wants them dead. Simon Cutler, who definitely knows something about it, escaped by the skin of his teeth after the evil of Raven’s Meet possessed his dog and nearly killed him. At least the blurb for next week will tell us what the horror actually is.

A dog also attacks and frightens a man to death during a visit to King Tut’s tomb. The twist is the hieroglyphics on the door aren’t about a pharaoh’s curse – they say “Beware of the dog”.

In “The Thirteenth Floor” Max manages to squirm his way out of the cloud of suspicion. How very prudent of the policeman to tip him off about the error that aroused his suspicions, which enabled Max to cover it up quickly. Back to business, which Max resolves must be conducted with more care in future. The next victim at the Thirteenth Floor arrives in response to Max’s call about knocking down a girl’s dog and not stopping. He finds himself in the middle of a road filled with cars threatening to knock him down.

In “Tales from the Grave” we learn how the wheels of justice turned for “The Cabbie and the Hanging Judge”. There is a final twist that has the Leper laughing, but might have someone turning in his grave…

Cabbie and the Hanging Judge 1aCabbie and the Hanging Judge 2aCabbie and the Hanging Judge 3a

The Library of Death story is of the werewolf that appears on the cover. The hunter on his tail looks a bit like a fascist in the way he is dressed and is the werewolf’s own father.

In “Monster” the police hunt for Ken and Uncle Terry intensifies now they have a very good lead – a man who almost got killed by Uncle Terry and got a very terry-fying look at what looks like a monster. And they’re bringing in tracker dogs. Dogs again…

Tammy 4 November 1978

Tammy 4 November 1978

Cover artist: John Richardson

  • Bella (artist John Armstrong)
  • The Upper Crust – first episode (Giorgio Giorgetti)
  • Dancer Entranced (artist Angeles Felices)
  • Tuck in with Tammy – food ideas for Bonfire Night
  • One Girl and Her Dog… (artist Mario Capaldi)
  • Bessie Bunter
  • Molly Mills and the Tender Trap (artist Douglas Perry, writer Maureen Spurgeon)
  • Strange Story – The Pied Piper
  • Edie the Ed’s Niece – cartoon (artist Joe Collins)
  • Wee Sue (artist Robert MacGillivray)
  • TEAM in Action (artist Carmona)

Guy Fawkes is coming, so I am taking time out from Scream to discuss fireworks issues, courtesy of Tammy.

This one, from 1978, had the regulars Edie the Ed’s Niece, Wee Sue and Bessie Bunter available to provide Guy Fawkes-themed stories, and they all do so. Tammy’s recipe page, “Tuck in with Tammy”, also has some recipes for Bonfire Night.

In Bessie Bunter Miss Stackpole won’t allow the girls to have Guy Fawkes because it clashes with a concert she booked for the girls for the same night. “Mean rotter!” says Bessie, and we totally agree. Naturally, the girls don’t look very happy at the concert, and Bessie is taking a more proactive stance – sneaking out of the concert with her friend Mary to let off fireworks secretly. As it turns out, this leads to a chain of events that have the girls enjoying a Guy Fawkes celebration after all.

Wee Sue and her friends are on the Penny-for-the-Guy routine, but some boys steal their Guy and leave them with an inferior model. Surprisingly, it’s Miss Bigger who gives the boys their comeuppance when they mistake her for an even better Guy.

Now here’s a twist on The Pied Piper legend in this week’s Strange Story. The Pied Piper turns up at the scene of an accident near Hamelin where a hit-and-run driver forces a coachload of kids off the road. And would you believe it, the Pied Piper helps the injured driver and drives the kids to safety at a carnival in Hanover. But was it really the Pied Piper or just someone dressed up? There was a carnival going on, after all.

Toni, Ellie, Anthea and Maggie (TEAM) have formed the school newspaper editorial team for their boarding school, with the scrapes they get into becoming fodder for the paper. This week it’s Ellie’s turn, with some water gypsies stealing her sacred talisman for good luck. Ellie believes the loss is causing her to suffer terrible misfortune as she tries to recover the talisman, to the extent where the police have nabbed her for her failed bike lights.

Bella is in Australia and has joined Limber, a promotional team for gymnastics equipment. The trouble is, her latest coach, Sergeant Marks, has too much of a military and masculine view of gymnastics, which not only causes clashes between him and Bella but is also detrimental to the way he coaches the team for a competition. When the day comes, Bella is not confident that Sarge’s style of coaching will lead them to victory. His latest is setting the floor routines to military marches, despite Bella’s protests they won’t fit. Fortunately she has managed to set her floor routine to different music secretly. Will it make a difference?

It’s part one of “The Upper Crust”, where the Carrington-Crusts arrive in High Hills, the super-snob area of Cherryton. The daughter, Clara Carrington-Crust, immediately clashes with snobby Mavis Blunt, but in a very odd way. One minute she seems to be taking Mavis down a peg or two, the next she’s as snobby as the rest of them at High Hills. Nobody knows what to make of Clara and she’s baffling everyone at school, even the caretaker. Meanwhile, the Blunts decide there is something about these Carrington-Crusts that they’re determined to get to the bottom of.

A ballerina is under the influence of hypnotism in “Dancer Entranced”. It’s not in the same way as “Slave of the Clock”, but when you think about it, there are some hallmarks. Trina Carr is obliging her father’s dream for her to become a top ballerina like her late mother but she has no talent and doesn’t want Dad to know. Then a hypnotist seems to give her the ability to dance, but only while his metronome is ticking. The metronome has now gotten Trina into a top ballet school, where she is striking problems with a jealous rival and keeping that damn metronome ticking because she believes she can’t dance without it.

In “One Girl and Her Dog…” Kim Robinson is hoofing it all the way to London to claim an inheritance because her daft dog Rumpus ate her train ticket. They’re getting into all sorts of scrapes along the way. Among them is Harry Whelkes, a flunky a relative hired to stop them claiming the inheritance. They have just met Harry in this episode but don’t realise what he is up to. Rumpus almost scared him off for good when he tried out growling for the first time, but the promise of double the money has lured Harry back into the game.

You wouldn’t think anyone could seriously fall in love with that bully butler Pickering in Molly Mills, would you? Well, the district nurse Miss Key has after a misunderstanding has her thinking he is in love with her, and she doesn’t realise his true nature. All Pickering’s attempts to get rid of her have failed. Now the daft woman thinks he has proposed to her, and she has accepted!

Scream! #6, 28 April 1984

 

Scream 6 cover

  • The Dracula File (artist Eric Bradbury, writer Gerry Finley-Day)
  • Monster (artist Jesus Redondo, writer Rick Clark)
  • The Thirteenth Floor (artist José Ortiz, writer Ian Holland)
  • Tales from the Grave: R.I.P. Willard Giovanna – final episode (artist Jim Watson, writer Ian Rimmer)
  • The Library of Death: Death Road! (artist J. Cooper, writer Barrie Tomlinson)
  • Fiends and Neighbours – cartoon (artist Graham Allen)
  • A Ghastly Tale! – That Sinking Feeling
  • The Terror of the Cats – final episode (artist John Richardson, writer Simon Furman)

Ghastly posts a whole page of attempts to capture his likeness this week. But still nobody has nailed it.

(Click thru)

 

The killings the Rumanian vampire has made in Britain have made such news that it prompts an unlikely hero to emerge – a KGB agent named Colonel Stakis, who knows the defector is a vampire and has more conscience than you might expect for a KGB agent. Meanwhile, the British agents are after the nurse and agent whom they suspect have changed sides. They don’t know how right they are – the vampire has hypnotised them into becoming his servants. They corner the two servants guarding the vampire’s coffin, and the servants look like they’re about to bare their fangs.

In “Monster”, Ken is having horrible nightmares of the corpses of the two horrible men in the garden rising up and taking their revenge. It’s not far wrong, because flooding dislodges the bodies from their graves and now they’re sticking up in the mud. When Ken sees, he thinks those two corpses really have risen from the dead. Arghh!

A mean bailiff strips some tenants of everything they have, even worn out stuff. This guy is totally heartless all right. Hence the inspiration for his punishment on “The Thirteenth Floor” – meeting the Bailiff of Death and skeletal hospital staff who tell him he’s got no heart and needs treatment for it.

Monthly payments from a ghost? That’s what Finley ends up receiving in the conclusion of this week’s “Tales from the Grave story” – monthly instalments to keep Willard Giovanna’s grave tidy – plus no further visits from Giovanna’s ghost about his grave being neglected. The latter is the real incentive for Finley to keep that grave maintained.

We’ve all heard stories about phantom hitchhikers who mysteriously disappear from the vehicle of whoever picks them up. But in this week’s Library of Death story we meet one who takes it to a whole new – and deadly level. Incidentally, that demon in the last panel must be from the Continent or something because his steering wheel is for right hand driving.

(Click thru)

 

It’s Titanic justice in this week’s Ghastly Tale. Slippery Sid Smith thinks he has gotten away with his latest jewel heist thanks to his “unsinkable” alibi. Unsinkable? Funny – that’s what they said about a certain ill-fated ship Sid tries to make his getaway on…

“Terror of the Cats” is the first serial from the original Scream lineup to be ejected. Kruhl finds the beast he created (the superior intellect he created to control cats) has gotten beyond his control and now has its own agenda. Surprise, surprise! Anyway, in a tussle between Woodward and Kruhl, Kruhl ends up falling into the brain and they horribly destroy each other, and the lab blows up. And what is Woodward’s reward for stopping the terror of the cats? A kitten. Hee, hee, we’re so glad you can see the funny side, Woodward. Its replacement next week is “The Nightcomers”.

Terror of the Cats

Scream! #5, 21 April 1984

Scream 5 cover

  • The Dracula File (artist Eric Bradbury, writer Gerry Finley-Day)
  • Monster (artist Jesus Redondo, writer Rick Clark)
  • The Thirteenth Floor (artist Ortiz, writer Ian Holland)
  • Tales from the Grave: R.I.P. Willard Giovanna – first episode (artist Jim Watson, writer Ian Rimmer)
  • Fiends and Neighbours – cartoon (artist Graham Allen)
  • The Library of Death: A Break in the Country (artist Tony Coleman, writer Malcolm Shaw)
  • A Ghastly Tale! – The Nightmare (artist J. Cooper)
  • Terror of the Cats (artist John Richardson, writer Simon Furman)

From the Depths

Our entries on “Scream!” resume in celebration of Halloween, with the most famous vampire in history leading off the cover.

No attempts at Ghastly’s face are published in this issue, but there is a new victim in the London Dungeon.

In “The Dracula File” our Rumanian vampire is really going to town in this episode (below), and raising some laughs from readers as well as lots of screams. He’s got people running from the cinema, he’s crashed a fancy dress party in search of more victims, and now he’s picked up a very nice, unsuspecting lady.

(Click thru)

Uncle Terry has been introduced to television (below) and is turning into a television addict in one of my favourite moments from “Monster”. Unfortunately he’s also turned into a double killer with the second body Kenny’s had to bury in the garden, and Kenny knows it’s only a matter of time before someone finds out.

Then a narrow squeak with a social worker is having Kenny thinking of going on the run with Uncle Terry. Er, Uncle Terry go on the run, Kenny, when he’s only just stepped out of the attic he’s been locked in all his life, knows nothing of the outside world, and can barely function mentally? Besides, a fugitive who looks like a dead ringer for the Hunchback of Notre Dame would be spotted a mile off! Are you serious, Kenny? Oh heck, something tells us you really are…

Monster telly

The punishment for the criminals on “The Thirteenth Floor” is a graveyard for thieves, and their rotting corpses are rising up and striking them with terror. This has them mistakenly shooting each other to death. The police assume it was the criminals just falling out over the loot.

The Leper writes a bit of himself into his new “Tales from the Grave” story. He watches as his fellow gravedigger Finley gets a request from a gentleman in surprisingly dated clothing to dig up a badly neglected grave belonging to one Willard Giovanna. Finley agrees once the gentleman flashes him a good sum of money, but then gets second thoughts when he realises that the gentleman is also named Willard Giovanna and is digging up his own grave! How can this be? Well, the Leper did say he hoped the people he buried would stay buried, but the story he’s telling hints this is not always the case…

In the Library of Death a meteor show strikes Britain. Or so it seems. Two days later Tony Crabtree is on his way to stay with his aunt and is surprised to see everyone is wearing a bandage or plaster cast on their legs, arms, heads, and even all over. He discovers too late that these are just to conceal the insect invaders who arrived with the “meteor shower”….

In this week’s Ghastly tale, Ghastly talks about the fear of falling. The psychiatrist listening to his client talking about his fear of falling is not sympathetic, though it turns out the client has a very good reason to fear it.

Ghastly Tale Nightmare

Dr Kruhl captures Woodward and reveals the secret behind “Terror of the Cats” that gives him the power to control all felines. It is an enormous brain(?!) that he calls “the living brain of the cats”.

Scream! #4, 14 April 1984

Scream 4 cover

  • The Dracula File (artist Eric Bradbury, writer Gerry Finley-Day)
  • The Library of Death: All Done with Wires (artist Cam Kennedy, writer J.H. Teed)
  • The Thirteenth Floor (artist Ortiz, writer Ian Holland)
  • Tales from the Grave: “The Undertaker” – final episode (artist Jim Watson, writer Tom Tully)
  • Terror of the Cats (artist John Richardson, writer Simon Furman)
  • Fiends and Neighbours – cartoon (artist Graham Allen)
  • A Ghastly Tale! – Mirror, Mirror
  • Monster (artist Jesus Redondo, writer Rick Clark)

Ghastly introduces another competition. Meanwhile, he publishes another failed attempt to capture his likeness.

Scream 4 from the Depths

The vampire from Rumania has turned the agent who was on his tail into another servant to do his bidding. Then he’s off to the cinema in pursuit of more victims. And they would just happen to be watching a movie called “Dracula’s Death”. Dracula, of all things!

In the Library of Death a fraudulent medium gets his punishment-fitting-the-crime comeuppance, and it’s all done with wires. And in the Ghastly Tale “Mirror, Mirror”, the mirrors in the Hall of Mirrors are, shall we say, producing some unusual effects on people.

Scream 4 A Ghastly Tale

As shown below, the punks out to beat up a tenant emerge from The Thirteenth Floor as nervous wrecks. They won’t be in any condition to beat up anyone for a long time. But another transgressor is always coming along to the Thirteenth Floor, and this time it’s a gang of actual criminals.

(Click thru)

It’s the last episode of the Tales from the Grave story, “The Undertaker”. Murder plotters Sleeth and Emily discover too late that Emily’s fiancé Clive had committed the murder himself, for the same reason as Emily. The wires of the two murder plots got crossed, causing everything to backfire on all the plotters. Clive kills Sleeth and goes down for double murder. Emily tries to feign innocence with the police, but Sleeth’s apprentice Smyte is a witness to the truth, so she ends up in prison. And whose coffin on the cover is the Leper burying? Sleeth, the undertaker he was talking about the whole time, of course.

It is finally revealed why “The Terror of the Cats” is attacking the hospital. The cats are after a male nurse, Jim Wardon. Wardon helped Dr Kruhl with his diabolical experiments that are making the cats go crazy, and now he’s regretting it. Wardon’s making a run for it, not realising Kruhl’s cats are watching. Meanwhile, Woodward makes his way into Kruhl’s lair surprisingly unmolested by the killer cats. But then he bumps into a killer cat of a different sort – a tiger!

Scream 4 competition

“Monster” Uncle Terry is out of his attic prison for the very first time in his life. It’s in response to one of Dad’s dodgy creditors, Joe Thacker, attacking Kenny and robbing him of money in order to reclaim his debt. Unfortunately Uncle Terry ends up killing Thacker. Oh, no, that’s the second time he’s killed someone, and it’s another corpse for the garden.

 

 

Scream! #3, 7 April 1984

Scream 3 cover

  • The Dracula File (artist Eric Bradbury, writer Gerry Finley-Day)
  • Terror of the Cats (artist John Richardson, writer Simon Furman)
  • The Thirteenth Floor (artist Ortiz, writer Ian Holland)
  • Tales from the Grave: “The Undertaker” (artist Jim Watson, writer Tom Tully)
  • The Library of Death: The Drowning Pond! (artist Julian Vivas, writer B. Burrell)
  • Fiends and Neighbours – cartoon (artist Graham Allen)
  • A Ghastly Tale! – Green Fingers (artist John Richardson)
  • Monster (artist Jesus Redondo, writer Rick Clark)
  • Ghastly’s Creepy Creature Quiz!

No free gift came with the third issue of Scream!, which goes against the tradition of a free gift with the first three issues of a new IPC title. However, the first attempt at Ghastly’s face is in, as is the second person to spend the week in the London Dungeon.

Scream 3 From the Depths

A British agent is on the trail of the Rumanian defector who’s a vampire and the nurse he’s hypnotised into becoming his servant. But the vampire escapes him. In the preview for next week there’s a panel of the vampire going to the cinema, and it looks like he’s going to make a Dracula film more realistic than usual…

Last week “Monster” changed credits completely. This week it is “Terror of the Cats”, with new artist John Richardson and writer Simon Furman. In the story, the cats have the hospital under siege now. The man in charge of the cat victims tells Woodward he suspects Dr Kruhl is behind the crazy cat attacks. So Woodward is off to check out Kruhl – and finds the killer cats waiting outside. How can he get past them?

The second round of transgressors arrives for Max’s special treatment on “The Thirteenth Floor”. A tattoo one of them has provides the inspiration for their punishment, as seen below.

(click thru)

In “Tales from the Grave”, Sleeth the Undertaker thinks he’s got the murder he was contracted to commit all sewn up and his victim is now at the bottom of the river, eaten up by rats. But his client Emily has a nasty surprise for him – she has just found that same victim (her uncle) poisoned. So who the heck was Sleeth killing just now? Er, it looks like that horribly injured, but still alive and very angry man who’s now barging in through your door, Sleeth. What’s more, he’s saying, “I have survived to wreak the vengeance of death on your foul and treacherous soul!”

The story in this week’s “Library of Death” is the one that readers request the most on Ghastly’s “Back from the Depths” site. It appears below for the benefit of any curious readers.

(Click thru)

 

It’s back to the one-page format in this week’s Ghastly Tale, and the moral is never to touch strange meteors. A boy does and it gives him the power to make plant life grow out of everything and everyone he touches – including his mum, and now’s she’s a horrible plant freak. He’s worried about what will happen when his father comes home. Never mind that, laddie – how are you going to eat when everything you touch turns into these freaks?

This week we learn more about Uncle Terry from the note Kenny’s mother left behind. As we do, we are more horrified by how Uncle Terry has been treated all his life than his appearance. Poor Uncle Terry has spent the whole 32 years of his life locked in the attic, in neglect and squalor, because his parents couldn’t stand his appearance. As a result, he is retarded, clearly brain damaged, and can barely string a few words together, but he is dangerous if provoked and can kill. Terry’s treatment improved somewhat under Kenny’s kindly mother, but she could not help him fully because of her abusive husband (why the heck did you marry him, lady?). After she died, cruelty towards Terry resumed under the husband. Now Kenny has inherited the task of minding Uncle Terry, and he’s only 12, but the note says Mum was dead against the idea of institutionalisation for Uncle Terry. As if an institution could be any worse than that squalid attic.

Scream! No. 1, 24 March 1984

Scream 1 cover

  • The Dracula File – first episode (artist Eric Bradbury, writer Gerry Finley-Day)
  • Monster – first episode (artist Heinzl, later Jesus Redondo, writer Alan Moore)
  • The Thirteenth Floor – first episode (artist Ortiz, writer Ian Holland)
  • Tales from the Grave: “The Undertaker” – first episode (artist Jim Watson, writer Tom Tully, later John Wagner)
  • A Ghastly Tale! (complete story)
  • Fiends and Neighbours – humour cartoon reprinted from Cor!! (artist Graham Allen)
  • Library of Death: At Death’s Door… – complete story (artist Cam Kennedy, writer Barrie Tomlinson)
  • Terror of the Cats – first episode (artist Gonzales, later John Richardson, writer John Agee)

Our Halloween theme continues with Scream! This was a short-lived publication, lasting only 15 issues before it disappeared during the same strike that brought down Tammy (though opinions from former IPC staff differ as to just what killed it off). Nevertheless, Scream achieved a cult status that has made its issues collectors’ items, spawned fanzines and websites, and now it is enjoying a revival with the Misty & Scream Halloween specials and volume reprints of its strips.

The gift that came with the first issue of Scream was a set of Dracula fangs, approved by the famous vampire himself, who leads off with his very own strip inside, “The Dracula File”. A Rumanian defector has escaped to the West. However, his Eastern bloc pursuers have realised that he is a vampire and decide the West can have him: “He is their problem now!” The poor RAF pilots flying the defector into Britain don’t realise the horror they are about to unleash…

Scream 1 Dracula

Before the strips begin, however, the host of the comic, Ghastly McNasty, sets things up with the letters page and the special features it offers. There is “The Dracula Spectacular”, where Ghastly has fun turning someone into something hideous. To make it even more fun for readers, he wants them to provide the victims (teachers, family members, themselves, etc) and the reason why. Ghastly also invites readers to nominate someone for appearing in “The London Dungeon” for the week and the reason for this punishment, and the comeuppances would be drawn accordingly. Who would you like to see in the London Dungeon for the week? How about the Tammy editor for leaving us dangling on the final episode of “Cora Can’t Lose”? Or how about Donald Trump or Vladimir Putin?

Scream 1 letters page

Of course a new comic would not be complete without a competition, and this is one that really tests deductive, artistic and maybe even clairvoyant skills. The challenge is to draw Ghastly McNasty’s face absolutely right. This is no easy task as the face is hidden in complete darkness under his hood with only lights shining where his eyes are. Clues include him being extremely ugly, too much tree root in the beauty treatment he tried that backfired, and other clues that would be dropped as the competition progressed. An actual likeness of Ghastly had been drawn and was being kept secure. The best but still-failed attempts would be printed, comments were made about any clues the pictures had hit upon, and the winner would get £5. The one to hit the absolute mark would win £50. The top prize was still unclaimed when Scream abruptly disappeared.

Scream 1 Monster

“Monster” is one of the Scream stories that would continue and finish in Eagle. It is the “something monstrous hidden in the attic” story. It’s so secret that Kenneth Corman’s abusive father gives him yet another walloping for even saying he heard something up there in the locked attic room. The father goes up to the attic to get rid of it, only to get horribly murdered, with deep claw marks on his body. Kenneth opts for secretly burying his father in the garden instead of calling in the police, and now he’s heading for the attic himself to deal with whatever is up there.

Scream 1 13th Floor

“The Thirteenth Floor” was another Scream strip to continue in Eagle, and now it has its own reprint volume and return appearances in the Scream & Misty Halloween special. Max is the computerised superintendent of council-run Maxwell Towers. Max takes his duty of looking after his tenants very seriously. In fact, it’s so seriously that anyone who threatens the safety and well-being of Max’s tenants is sent on a trip to his secret Thirteenth Floor through the lift, where Max wreaks a computerised, holographic punishment upon them that he deems the most fit for their crime. The first transgressor to pay a trip to the Thirteenth Floor is a merciless debt collector. On the Thirteenth Floor he meets the Grim Reaper, who says, “Welcome…to your death.” Erk! Is Max really going to go as far as murder? We find out next week.

Scream 1 Leper

The Leper (so named because of his medical condition, appearance and lack of social acceptance) is a 19thcentury gravedigger and host of “Tales from the Grave”. Not surprisingly, these tales are associated with death, the Victorian fascination with it (murders, executions, body snatching, Goth etc) and the stories behind the graves in the cemetery. The Leper’s first story is “The Undertaker”, about a Burke and Hare-type undertaker named Joshua Sleeth: “If you wanted someone buried, ole Sleeth was the man to do it, no questions asked […] Sleeth was an evil beggar all right. If yer needed a helpin’ hand into the next world, so to speak, he was always ready to give it…”. Sleeth’s reputation has reached the ears of Emily Carlisle, who wants a helping hand in getting her Uncle Henry into the next world so she can inherit.

Scream 1 Cats

The final serial is “The Terror of the Cats”. All the cats in the neighbourhood are going crazy and attacking people for no apparent reason. Reporter Allen Woodward is on the story and also that of Dr Kruhl (nicknamed “Cruel” because of his reputation), the Director of the Government Research Institute. It’s soon obvious to the readers that the two stories are linked somehow, though Woodward hasn’t clicked yet.

Scream 1 Library

As with Misty, Scream has complete stories, though less prolific. One format is uncredited one-page one-shot stories, some of which end with a dash of humour. The other format is the “Library of Death” (yes, more death tales), which has more pages. The first tale is about a boy who gets strange, frightening visitations in his bedroom after his parents deny him his request to go into the Ghost House at the fair.

For the resident funny cartoon, Scream is reprinting Fiends and Neighbours from Cor!! An ordinary couple are looking forward to meeting their new neighbours – only to get the shock of their lives when they find the newcomers are a regular Addams family.

Tammy & Sandie 26 January 1974

Tammy 26 January 1974

Cover artist: John Richardson

  • Two-Faced Teesha (artist José Casanovas) – final episode
  • School for Snobs (artist J Badesa, artist John Wagner)
  • Ballerina in Blue Jeans (artist Escandell)
  • Wee Sue (artist Mario Capaldi)
  • Jeannie and Her Uncle Meanie (artist Robert MacGillivray)
  • Little Lady Jane
  • The Chain Gang Champions (writer Gerry Finley-Day?)
  • No Tears for Molly (artist Tony Thewenetti, writer Maureen Spurgeon)
  • Granny’s Town (artist Douglas Perry, writer Pat Mills)

 

Here we go with an entry on the latest addition to my collection. I wonder if the grey paint or whatever it is that got spattered on the cover actually adds some character to it.

Tammy is quite a few weeks into her merger with Sandie. Although the Cover Girls were touted as Tammy and June (from the June merger) by the 1980s, their origins can be traced to the Sandie merger in 1973.

Two-Faced Teesha, one of the stories that started with the merger, ends this week. Two-Faced Teesha finds her dad does not believe her when she says she is trying to turn over a new leaf, so she has one final round of spite before the girl she targeted in particular helps her to convince him.

Miss Bigger gets an ally in her bullying of Wee Sue – new girl Sophie Scandel-monger. The name says it all, as do Sophie’s repulsive, weasel-like looks. But Sophie’s scheme against Wee Sue backfires so much that she gets a huge ticking off from Miss Bigger. That’s the end of that evil alliance, thank goodness.

Uncle Angus stoops to whole new heights (or should that be lows?) in scrounging to save money. This time it’s at the cinema, much to the embarrassment of Jeannie and her aunt. And when Uncle Angus sets up his own cinema where he passes off his home movies as a blockbuster movie, Aunt Martha is so embarrassed she takes to her bed. However, once the audience catches on to what a cheap cheat Uncle Angus’ cinema is, they pelt him with his own vegetables from his garden.

School for Snobs is a special school designed to cure girls of snobbery. The headmistress is Hermione Snoot, who wears a nightie and slippers with a mortar board, is seldom seen without a cigarette, and talks Cockney. This week Hermione’s in charge of curing a practical joker. I’m not quite sure what that has to do with snobbery, but turning the tables on the girl with practical jokes until she’s cured is right up Hermione’s street. After all, she pretty much does that with every snob every week.

“The Chain Gang Champions” are kidnapped athletes. The Duchess subjects them to training methods that are as bizarre as they are sadistic. This week it’s finish gruelling cross-country training runs in record time – with ever-shortening time periods with each run – or the Duchess will feed her old enemy, the Minister for Sport, to a hungry bear!

As if Pickering weren’t bad enough, Molly has a new enemy plotting her downfall. It is guest Cynthia Swingleton, who is after her fiancée’s money. Molly’s rumbled Cynthia’s game, so now she’s is trying to frame Molly for stealing!

“Ballerina in Blue Jeans” impresses her ballet school with her dancing. Unfortunately her streetwise ways, like turning up at ballet school in a leather jacket and impersonating a motorbike rider as a demonstration of mime, have the teachers just about fainting. It’s not endearing her to the pupils either, and she has one spiteful enemy already. Well, whoever heard of a pupil in a ballet school serial who didn’t have one?

“Granny’s Town” appears to be a take on ageism, but a very sinister one. “Her Ladyship” has become Mayoress of a retirement spot, Crone-on-Sea. She is introducing new measures that look suspiciously like they are striking at the young people of the town and putting old people on top. This week she has the police throwing young people in the nick for no crime other than they are not carrying one of Her Ladyship’s flags, unlike the elderly people. “It’s the orders of the new mayoress!” Gee, whatever happened to human rights in this town?