Tag Archives: José Casanovas

Tammy & Sandie 8 June 1974

Tammy & Sandie 8 June 1974

Artist: John Richardson

  • Ella on Easy Street (artist Jose Casanovas, writer Charles Herring) – final episode
  • Wee Sue (artist Mario Capaldi)
  • Make Your Mind Up, Maggie (artist Juliana Buch)
  • Mrs Nimmo’s Ninth Life (artist Douglas Perry) – complete story
  • Jeannie and Her Uncle Meanie (artist Robert MacGillivray)
  • Photo – Marty Kristian
  • Crystal Who Came in from the Cold (artist Douglas Perry)
  • Competition – Win a Sewing Machine!
  • No Tears for Molly (artist Tony Thewenetti, writer Maureen Spurgeon) – story ends
  • Common Cathy (artist John Armstrong)

 

In part 4 of Tammy round robin, the issue that came out two weeks before June merged with Tammy on 22 June 1974 has been selected for 1974. With only two weeks until the merger, with totally new serials starting all through the issue, it is not surprising that Tammy is gearing up for the merger in finishing all her current serials as fast as possible. The serials in this issue are either on their final or penultimate episodes. June must have been doing the same.

What is surprising is that Tammy is scheduled for another merger in two weeks – but she still hasn’t dropped the logo from her previous merger! Why is the Sandie logo still on the cover with only two weeks to another merger? Currently it cannot be confirmed whether or not Tammy dropped the Sandie logo the following week, 15 June 1974. If anyone can confirm, please leave a comment.

Another surprise is that The Strangest Stories Ever Told is not going to join Tammy for another two weeks, yet Tammy is already running complete mystery stories. These have no narrator, only text box dialogue that seems to be in lieu of one. The story, “Mrs Nimmo’s Ninth Life” is about a bullying, cold hearted dancer, Monica Fleming, who grows worse when she is cast as an evil witch (suits her all right) in a production. When Monica bullies a pedlar, Mrs Nimmo, she becomes plagued by a mysterious white cat, which ends in both of them being hurt, after which she is much nicer to Mrs Nimmo. The other dancers are spooked by hints that Mrs Nimmo and the white cat are one and the same.

The Molly story ends this week and we are promised another next week. But the Molly story in the merger issue is totally new, so what does Molly do in the issue in between? Is it a complete story or is there an error here?

“Ella on Easy Street”, which is fondly remembered by Pat Mills, is about Ella Rutt, who lied about her family to win sympathy and make things easy for herself. But her lies have led to a teacher being sacked and now she’s having conscience pangs. Ella makes the decision to confess to the headmistress. Now what action is the school going to take?

“Crystal Who Came in from the Cold”, “Make Your Mind up, Maggie” (which I know finished with a six-page spread the following issue) and “Common Cathy” are on their penultimate episodes.

Maggie Miller’s problem is not so much that she can’t make up her mind whether to pursue ballet or horse riding but that she is torn between keeping herself fit for ballet and keeping her beloved horse from being sold to cruel owners. And now Maggie has another problem – Nadia is going to get her expelled. No, not because Nadia is jealous. It’s because she mistakenly thinks it is horse riding Maggie wants. Oh, for God’s sake Nadia – mind your own business! Incidentally, this story was reprinted by popular demand in 1983.

Crystal is a girl from the Arctic who is cursed with the power to bring cold and ice with her. Now it’s got a witch-hunting mob after her. Plus there is a Snowman who wants Crystal to return to the Arctic. Will this be the course of action Crystal decides to take in the final episode?

Common Cathy is the John Armstrong story in Tammy before Bella takes over in the merger. Like Bella, Cathy Simpson wants to pursue a dream (athletics) but her horrible parents keep blocking her. In this case they do so by lies, deceit, and stealing the money for Cathy’s entrance fees from her coach Mrs Mirren. But in this episode they take an unbelievable step further – binding and gagging Cathy to prevent her from speaking to Mrs Mirren. Now that is a shocker! Despite being tied up, Cathy manages to discover her parents’ deceit. But the problem Cathy must surmount in the final episode is finding Mrs Mirren and explaining it to her. Not to mention how to sort out her nasty parents and be able to pursue her dream at last.

Wee Sue and Uncle Meanie, the regulars that came over from Sandie, will continue in the June merger and be Tammy offerings to former June readers.

 

 

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Tammy & Sandie 10 November 1973

Tammy cover 10 November 1973

Cover artist: John Richardson

  • Two-Faced Teesha (artist Jose Casanovas)
  • Jeannie and Her Uncle Meanie (artist Robert MacGillivray)
  • The Chain Gang Champions (artist Juan Garcia Quiros? writer Gerry Finley-Day?) – first episode
  • A New Leaf for Nancy (artist John Armstrong)
  • Back-Stab Ballerina (artist Miguel Quesada)
  • School for Snobs (artist J. Badesa, writer Pat Mills)
  • Wee Sue (artist Mario Capaldi)
  • Granny’s Town (artist Douglas Perry, writer Pat Mills)
  • No Tears for Molly (artist Tony Thewenetti, writer Maureen Spurgeon)

 

It’s part 3 of our Tammy round robin, and 10 November 1973 has been selected for 1973. It is three weeks into the Sandie merger. The happy, pretty girl covers Tammy had since her first issue have gone. In their place are the start of the humorous Cover Girl covers that would remain on the cover until late 1980. At the moment we only seem to have one Cover Girl. The cover gives the impression the Cover Girls are still in the early days compared to how they ran later on, but the cover is still funny with the joke of getting splashed by a dry cleaning company car.

Wee Sue was one of the stories to come over from Sandie. It is a surprising choice because the original Sue story finished a long time ago and no sequel appeared in Sandie. Moreover, Sue has had a complete overhaul, shifting from a posh academy as a scholarship girl to a comprehensive in an industrial town, Milltown. Bully teacher Miss Bigger is another change from the original, in which she didn’t appear at all.

In the Wee Sue episode, Sue has lost the freckles she had when she first debuted in the merger. Her spiky bob is starting to loosen a bit, but makes her look like an unmade bed. In the story, Miss Bigger thinks Wee Sue is encouraging the girls into hunger strike over school dinners and tries to stop it by force-feeding Sue! Then Sue runs amok in the canteen, smashing the dinners. What the heck’s gotten into her? Her nose has told her that there is an outbreak of food poisoning afoot, and the school is full of praises for Sue saving everyone. Well, nearly everyone. Miss Bigger ate some of the tainted food and now she’s in bed, and Sue besting her again is making her even sicker.

Jeannie and Her Uncle Meanie also came over from Sandie. Uncle Meanie still has his original nose from Sandie and has not yet acquired the bulbous nose that Robert MacGillivray will later give to Miss Bigger when he takes over the Wee Sue strip. Uncle Meanie now has a wife, Jeannie’s Aunt Martha, who really has to put up with his meanness. And in the story this week? Hoots! Uncle Meanie has been knocked off his perch as Britain’s Number 1 meanie! The title has been awarded to a Miss Pincher. When the family meet Miss Pincher, they are forced to admit she outstrips even Uncle Meanie for meanness. Uncle Meanie is not having that. He’s in shock and deeply jealous, but why is he all nice and gentlemanly to Miss Pincher? Is he taking it better than the family think – or is he plotting something to reclaim his title?

We have a new story this week, “The Chain Gang Champions”. Rella Aston is a promising athlete like her father before he was crippled. They haven’t the money for proper training or an operation to cure her father. A woman named Stein has overheard, and goes to “The Duchess”, who offers Rella the chance to join a group of British champions. Rella thinks it is a miracle, but from the looks of Stein and what she’s thinking, Rella should have remembered the old adage: “If it sounds too good to be true, it usually is.”

“Granny’s Town”, “Two-Faced Teesha”, “Back-Stab Ballerina” and “A New Leaf for Nancy” (reprinted Misty annual 1980) are new stories that began with the merger.

Two-faced Teesha is a devious, spiteful girl. She has just moved to the country. She surprises her father when she opts for the country school over a snob school, the type of school she used to attend in the past. Her reason? She has met some of the girls and thinks it will be easy to stir up trouble for them.

Nancy’s family have made a depressing move to a rundown house after Dad loses his job, but Nancy discovers a tree in the garden that has powers to make things better for her. The trouble is, its power does not seem to be reliable and sometimes makes things worse.

The “Back-Stab Ballerina” is Rita Radley, who secretly makes trouble for her old friend June Day when they go to ballet school. This week Rita gets June into trouble with the other girls because they have started sticking up for her.

In “Granny’s Town”, grannies rule and anyone who crosses them is soon forced to leave quickly. This week it’s the turn of the donkey man who won’t allow the grannies to enjoy themselves on the beach. Their response is to stake him out on the croquet lawn and leave him to roast under the sun. Jen Young, the only one who refuses to be intimidated, rescues him, but later gets a nasty warning from the grannies to back off. The blurb for next week warns she will have to watch out even more.

“School for Snobs” and “No Tears for Molly” are the Tammy stories that have continued into the merger. In the Molly story, something or someone is putting the wind up bully butler Pickering. He’s convinced it’s a ghost and he’s running scared. He even faints in the cellar!

“School for Snobs” is a special school designed to cure girls of snobbery. This week it is curing a snob who drives off servants with her bullying. After being served by Hermione Snoot, the headmistress of the school, the snob is wishing she hadn’t driven those servants off.

Tammy & Sally 12 February 1972

Tammy Cover 12 February 1972

  • Gina – Get Lost (artist Miguel Quesada) – final episode
  • Dogs of the Duchess
  • No Hope for Cathy (artist Victor Hugo Arias)
  • Lulu (cartoon)
  • Skimpy Must Ski! (artist Tom Hurst)
  • Paula on a String
  • Amanda Must Not Be Expelled (artist Jesus Redondo)
  • Talk it over with Trudy (problem page)
  • Star Struck Sister (artist Giorgio Giorgetti, writer Jenny McDade)
  • Maisie’s Magic Eye (artist Robert MacGillivray)
  • Beattie Beats ’em All! (artist John Armstrong)
  • Cinderella Spiteful (artist Jose Casanovas)
  • No Tears for Molly (artist Tony Thewenetti, writer Maureen Spurgeon)
  • A Special Tammy Portrait – Peter Gordeno

In part 2 of the Tammy Round Robin, the 12th February issue has been selected for 1972. The cover style is still the same as it had been in 1971 and Tammy still has the Sally logo. Tammy now has a regular cartoon, “Lulu”. The issue also has the advertising for the first issue of Sandie, the next title to be merged into Tammy. There are blurbs for two stories starting in the next issue: “The Long and the Short” and the first Eduardo Feito story to appear in Tammy, “Rona Rides Again”.

“Beattie Beats ’em All!” and “Maisie’s Magic Eye” from Sally are still going strong, which indicates the Sally merger was a good one.

The serial “Star Struck Sister” is the first Tammy story to be written by Jenny McDade, who wrote the first Bella stories. The history behind the serial is a curious one. The first episode was written by another writer, but then the writing “choked” as they call it. The editor asked Jenny to take over. It was a bold move as Jenny had never written a serial before. But it went so well she was commissioned to write the rest of the story.

In the episode itself, Lesley and Stella Ross are in Rome making their first film. Lesley is jealous of Stella because she believes she should have the starring role. But Lesley is not Stella’s problem this week. Instead, Stella foolishly went off with a street urchin, who turned out to be part of a gang of pickpockets. Stella makes it back but now has a stolen wallet on her hands. And the victim, who is staying at the same hotel, has recognised her as one of the thieves!

“Cinderella Spiteful” is an orphan named Emma Jones who is staying with her cousin Angela, but feels overshadowed by her. To overcome this, Emma resolves to try harder and things get off to a good start this week. Then it looks like she has been so consumed with it that she neglected Angela while she was injured, and now Angela has fallen on the stairs. Are Emma’s attempts to better herself going wrong and landing her in trouble? Or is Angela pulling some kind of Carol Lord trick (see Concrete Surfer) to undermine her?

Molly has a problem of forbidden love on her hands (Lieutenant Regan disguising himself as a servant at Stanton Hall to get near his love because her father won’t allow the match) and keeping it safe from Pickering and the two catty maids. They go as far as to attempt to rough her up to get the secret out of her, but don’t discover it. Then a party is on and the men are allowed to wear masks. An easy way for the lovers to secretly meet again? Not when the forbidding father offers to remove Regan’s mask! This calls for some quick thinking on somebody’s part.

“Gina – Get Lost” is yet another Cinderella story of cruel relatives (the Randalls) exploiting the heroine (Gina) and her talent (making toys). The story ends this week, with the Randalls being caught out and being forced to let the kindly Mrs Swain become Gina’s guardian and stay away from her, or there will be charges.

Amanda keeps trying to get herself expelled so she can enjoy her home comforts. This week she brings the school to victory in a gymnastics contest. Will this change her mind and stay at the school? Sadly, no. She’s still intent on getting herself expelled and the other girls think she’s crazy and mixed up.

In “Dogs of the Duchess” the Duchess is a crusader for dog welfare. She would be a real heroine if she weren’t so uptight and rude to her helper, Doris Totting and could be as nice to people as she is to dogs. And why does she wear that black veil all the time anyway? Sounds like she’s got a real problem, and this week Doris gets a clue as to what it is when the Duchess doesn’t want to meet an aristocrat, whose dog she helped through Doris only a short while before.

Why is there “No Hope for Cathy”? She has been kidnapped and being forced to impersonate a missing girl. It’s not all that hopeless when Cathy discovers a helper, Alan Temple. But then Cathy gets amnesia, and being unable to remember who she really is has suddenly made the crooks’ deception a whole lot easier!

In “Skimpy Must Ski!”, Grandad sacrifices his precious war medal to raise funds to help Skimpy. But the medal makes its way back to Skimpy, who tries to slip it back secretly. But Grandad catches her and demands to know what she’s up to.

The Darkening Journey

Sample images

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Publication: 26 March 1977 – 6 August 1977 (20 episodes)

Reprint/translation: Translated into Dutch and published in Tina as “Samen door het duister” (1981)

Artist: José Casanovas

Writer: Unknown

Summary

Julie Burton’s eyesight is growing dimmer and dimmer, and her main support is her golden Labrador, Thumper, who almost acts as a guide dog. There are some bright spots in her future: her father has got a new job over in the west by the sea, and there is hope that an upcoming operation might give her good sight again. However, on the cusp of leaving to travel miles away to their new home, Julie and Thumper are separated and the dog suffers a blow to the head that leaves his own eyesight blurry. A friendly talking rook, Beaky, befriends Thumper and together they make their long difficult way west towards where Thumper remembers Julie’s new house to be located.

Their way is fraught with difficulties: it’s mostly humans who get in their way, either for positive or negative motives. First the talking rook is nearly recaptured by his former owners, only to be rescued by Thumper; then they both need to run away from a selfish rich lady who only wants to keep them while she’s able to show them both off to her snooty friends. (The rather more sympathetic chauffeur and secretary help them to escape in the end.) Sometimes Thumper and Beaky save the humans (foiling some lorry hijackers), sometimes they save each other (Beaky brings human help to save a trapped or injured Thumper more than once, though Thumper returns the favour when they are both trapped by floodwaters).

In the meantime, Julie is pining away thinking about Thumper, and he likewise seems to have an almost telepathic bond with her – her image is shown hovering over the setting sun more than once, as a beacon calling him to her, and she likewise often seems to be able to sense his misery. Increasing his woes, Thumper is suffering from more and more blind spells too. But there are many times when temporary blindness and separation anxiety are not the biggest evils they face – a few of the humans they meet have plans to put Thumper down; he is bullied by a pack of stronger dogs; and another time he is nearly eaten by rats.

Though by the end, Thumper in particular is moving more and more slowly, they eventually reach the westernmost limit of their travels: the final moorland, and the sea. The dramatic tension tightens right at the end as the dog, careless with happiness, hurts his foot badly and is trapped by the rising tide: but Beaky comes through again and brings Julie’s dad to the final rescue. All is well, once the two beloved friends each have operations to restore their eyesight.

Themes and commentary

It is an intrinsically pretty sentimental story, with the dog protagonist gifted with an implausibly good skill in navigating his way cross-country in the absence of a definite location to head for. (Not to mention the almost telepathic nature of the mental connection that he and Julie seem to share.) It must have been a popular story, at 20 episodes long and featuring on the cover twice, though at the same time not rivalling the most classic Jinty stories that were also running at this point. (Though they were shorter stories, both “Creepy Crawley” and “The Spell of the Spinning Wheel” featured on the cover four times in the same time period.) Journey stories in general seem to have been very popular at this time, and the addition of sympathetic animal characters will have given it a different angle from other journey stories.

José Casanovas is also always a talent to enjoy reading. His art style is much busier and ‘fuller’ than that of many other Jinty artists, who often like to include a lot more white space in their finished pages, but it makes a nice change of pace and feels very solid. This is a story that, while far from the first rank of stories running in this title at this time, is enjoyable on its own merits and will have a number of fans.

Jinty 30 April 1977

  • Creepy Crawley (artist Trini Tinturé)
  • Sue’s Fantastic Fun-Bag! (artist Hugh Thornton-Jones)
  • Cassie and the Cat – Gypsy Rose story (artist Terry Aspin)
  • Mark of the Witch! — final episode (Phil Townsend)
  • Alley Cat
  • The Darkening Journey (artist José Casanovas)
  • The Robot Who Cried (artist Rodrigo Comos, writer Malcolm Shaw)
  • Kerry in the Clouds (artist Cándido Ruiz Pueyo, writer Alan Davidson)
  • Spell of the Spinning Wheel (artist Jim Baikie, writer Alison Christie)
  • Don’t Forget to Remember! (craft feature)

This issue is from a great period of Jinty’s run. It includes a number of real classic stories that have stood the test of time and memory (“Creepy Crawley”, “Spell of the Spinning Wheel”, and “The Robot Who Cried” being the obvious stand-outs) and all in all is a really solid read.

“Creepy Crawley” shows the how mean the main character Jean Crawley can be: she goes to see her rival Mandy who is recovering from the bee stings that the scarab brooch caused to happen. But even when not under the control of the scarab badge Jean allows her jealousy to control her, enough so that she voluntarily goes back to wearing the scarab and letting it give her ideas on how to get the better of Mandy. And it’s not just limited to ideas – the scarab’s control over insects means that Mandy’s beautiful wooden sculpture is eaten by termites before it can beat Jean’s pretty painting in the school art competition.

In the Gypsy Rose story “Cassie and the Cat”,  Cassie rescues a cat from some bullies, but the cat is far from what it seems. Enjoy the creepy story, atmospherically drawn by Terry Aspin, at the end of the post.

It is the final episode of “Mark of the Witch!”, and outcast Emma Fielding redeems herself by saving rich girl Alice Durant, the girl who she’s persecuted in revenge for the persecution that Emma herself has suffered at the hands of the local villagers. As they keep each other afloat in the raging river, Emma takes a moment to think “It’s funny.. I could die, but I feel sort of happy! Happy to be fighting and struggling with Alice instead of against her!”

“The Robot Who Cried” is an invention of the bushily-moustached Professor Targett – codenamed KT5, she escapes from the laboratory and discovers that she can pass for a real girl – assuming she can sort out how human emotions like friendliness or loneliness work in real life, of course.

In “Kerry In The Clouds”, Kerry Langland is taken under the wing of famous actress Gail Terson, but Ms Terson clearly has an agenda of her own. There are echoes of the story “Jackie’s Two Lives”, also written by Alan Davidson – both feature a poor girl with ambitions beyond her station, manipulated in sinister ways by an older woman. Spanish artist Cándido Ruiz Pueyo provides some very stylish hairstyles and clothing.

Spell of the Spinning Wheel” is a rare foray of Alison Christie’s into a spooky mystery story – I wish she had done more of it, it was very memorable. Rowan Lindsay is sporadically struck down by a mystery tiredness – she’s worked out that it is related to hearing humming sounds but she hasn’t persuaded anyone other than her dad to believe her yet, and the doctors have now forbidden her from running again.

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Tammy & Sally 1 January 1972 – first New Year issue

Tammy cover 1 January 1972

  • Gina – Get Lost (artist Miguel Quesada)
  • Beattie Beats ‘Em All! (artist John Armstrong)
  • Halves in a Horse (artist Eduardo Feito)
  • Lulu (cartoon)
  • Skimpy Must Ski! (artist Tom Hurst)
  • The Four Friends at Spartan School (artist “B. Jackson”, writer Terence Magee)
  • Maisie’s Magic Eye (artist Robert MacGillivray)
  • The Secret Ballerina (artist Roy Newby)
  • Bernice and the Blue Pool – final episode (artist Douglas Perry)
  • Talk It Over with Trudy (problem page)
  • Alison All Alone
  • Cinderella Spiteful (artist Jose Casanovas)
  • No Tears for Molly (artist Tony Thewenetti, writer Maureen Spurgeon)

This is Tammy’s first New Year issue. The girl on the cover has a nice touch of mystique with her mask at a New Year’s party. Molly Mills finishes her current story with a Christmas party for all the orphanage kids, despite Pickering’s attempts to ruin things for them. Heck, he even tried to tie up the kids’ dog and leave it on the roof to freeze to death! Anyway, Molly will have a new story in the New Year.

Gina – Get Lost must be wishing she could get lost. A phoney child welfare officer has sent her to a sadistic children’s home where, among other things, she has been forced to crop her own hair. And their idea of punishment is to leave her in a freezing room all night with a vicious dog barking and snarling at her all the time.

“Bernice and the Blue Pool” ends this issue, so there will be a new story for the New Year. “The Four Friends at Spartan School” is on its penultimate episode, so there will be another new story helping to kick off New Year in two weeks. The four friends have successfully escaped Spartan School, but now they find an avalanche is threatening the school. Well, an avalanche may the best thing for the most horrible school in the world, but let’s face it – there are lives at stake up there, after all.

“Halves in a Horse” is near its end too. Pauline’s cruelty goes too far. She sends Topper bolting and now he’s in danger of drowning in a river. The Major, who had figured out Pauline’s bullying and tried to get Pauline’s victim Kay to stand up to her, is the only one on hand to help, but he doubts the horse can be saved. When Pauline hears this, she is suddenly struck with conscience.

Skimpy is determined to show her grandfather she is not an invalid anymore and can tackle skiing. By the end of the episode he has got the message and decides to help her with skiing. Excellent! Now the story can move more smoothly, though we are sure there are still bumps in the road ahead, and not just the tumbles Skimpy will take on the ski slopes.

Beattie has been cribbing lessons in secret at the school she has been squatting in while keeping up her athletics. Now she has a chance to be properly enrolled, but she has to pass exams.

Maisie tells a fat, gluttonous girl that she’s an awful pig. She never learns to watch what she says while wearing that damn brooch, does she? The girl instantly turns into a pig. Needless to say, she isn’t so greedy after Maisie finally gets her back to normal.

In “The Secret Ballerina, Karen finally makes it to the locked room – only to find nothing but Aunt Edith crying over someone named Karen, but Karen realises it’s not her. So who is this other Karen? Everything begins to point to Karen’s mother, but what’s it got to do with Aunt Edith not allowing Karen to dance?

Alison seems to be having more success in unravelling her own mystery. The clue she has uncovered leads her to Fengate Hall and she is going in. But the boys who have accompanied her are worried she is going to desert them once she finds out her true identity. Oh, surely not? After all, none of them really know what is waiting inside for Alison.

“Cinderella Spiteful” tries to ruin cousin Angela’s party. But in the end she is glad she failed to do so as she misjudged Angela over who she was going to invite, and she likes the look of the guests.

Tammy & Sally 25 December 1971 – first Christmas Tammy issue

Tammy 25 December 1971

Cover artist: John Armstrong

  • Gina – Get Lost (artist Miguel Quesada)
  • Beattie Beats ‘Em All! (artist John Armstrong)
  • Halves in a Horse (artist Eduardo Feito)
  • Lulu (cartoon)
  • Skimpy Must Ski! – first episode (artist Tom Hurst)
  • Bernice and the Blue Pool (artist Douglas Perry)
  • Talk It Over with Trudy (problem page)
  • The Secret Ballerina (artist Roy Newby)
  • The Four Friends at Spartan School (artist “B. Jackson”, writer Terence Magee)
  • Maisie’s Magic Eye (artist Robert MacGillivray)
  • Cinderella Spiteful (artist Jose Casanovas)
  • Alison All Alone
  • No Tears for Molly (artist Tony Thewenetti, writer Maureen Spurgeon)
  • A Tammy Outfit Idea for Christmas (feature)

 

This is Tammy’s first Christmas issue. Beattie Beats ‘Em All! (John Armstrong’s first Tammy story) does the honours on the cover. The back cover has a Christmas how-to-make. In Molly Mills, Lord Stanton wants to bring Christmas cheer to orphanage children, but he has reckoned without the cruel butler Pickering. The issue also advertises Tammy’s first-ever annual. Lulu is trying to find Christmas presents for Dad but keeps getting foiled.

You’d think this week’s episode of Maisie’s Magic Eye would be Christmassy too, but no. It’s a regular episode, where Maisie and her friend Lorna try to break bounds and sneak off to the circus. Hijinks with the brooch ensue, with a lot of monkey business when Maisie unwittingly turns the circus strong man into a gorilla and the brooch stops glowing before she can change him back.

Normally new stories are reserved for New Year, but one does begin in the Christmas issue,  “Skimpy Must Ski!” Skimpy Shaw, a convalescent girl, is sent to live with her grandfather who looks a real sourpuss. Time will tell if he has a heart under there. Meanwhile, Skimpy is inspired to ski, and she thinks she has a natural talent for it.

Gina – Get Lost has been left to look after herself when her parents emigrate, which is not going down well with the welfare authorities. And it sounds like there is worse to come. She has already fallen foul of blackmailers and it looks like she will fall foul of potential guardians out to exploit her.

Before Bella Barlow, John Armstrong drew “Beattie Beats ‘Em All!” for Tammy. Beattie Brown is a promising athlete. Unfortunately she has no fixed abode either, so she and her stray cats live in a boiler room at a girls’ college.

In “Halves in a Horse”, two cousins are left with half shares in a horse, Topper. The cousin who wins the most prizes with him will acquire full ownership. As might be expected, one cousin (Pauline) is not playing fair and making the other cousin (Kay) suffer. Now the cousins have almost equal shares, Pauline is using blackmail against Kay.

Bernice and the Blue Pool was Tammy’s first swimming story and also the first story Douglas Perry drew for Tammy. It was the start of a regular Tammy run for Perry that lasted into 1981. The Blue Pool has a supernatural theme, which ranges from beneficial (curing our protagonist of her fear of water) to ominous – wearing Victorian swimming costumes that were worn by a pioneering Victorian swimming team that drowned.

The Secret Ballerina, Karen Jones, has to practise in secret because her aunt is against ballet for some reason. This is, of course, the mystery that needs to be unravelled. Compounding the mystery is a locked room in auntie’s house. But now Katie has discovered the room has been unlocked and someone is inside. She is heading to the attic to investigate. Will she find the key to the mystery next week?

Surprise, surprise – Miss Bramble’s henchman, er girl, Siddons helps the four friends at Spartan School to escape from the school where sadism is the rule. But of course they should have known it would be a setup. Mind you, they didn’t expect Siddons to actually attempt to kill them! When they survive that, they discover Miss Bramble and Siddons have concocted a plan to get them arrested instead.

Cinderella Spiteful – now that’s a very unusual title for a Cinderella story, you think. Actually, the story has nothing to do with Cinderella. Emma is jealous of her cousin Angela because Angela is good at everything while Emma is not. Next week it sounds like it will be more spiteful than Cinderella, because Emma reaches her limit in this episode.

Alison All Alone is on the run after being imprisoned by her guardians for many years. The question is: why did they keep her locked up like that? The three runaway boys who helped her escape are helping her to find out. This week they uncover a clue about her past – a crook who says he will be finished if Alison finds out who her true parents are!

 

 

 

 

Scream! #12, 9 June 1984

Scream cover 12

  • The Dracula File (artist Eric Bradbury, writer Ken Noble)
  • The Nightcomers (artist John Richardson, writer Tom Tully)
  • The Thirteenth Floor (artist José Ortiz, writer Ian Holland)
  • Tales from the Grave: The Escape – first episode (artist Jim Watson, writer S. Goodall)
  • A Ghastly Tale – The Final Cut!
  • Library of Death: Terror of the Tomb (artist José Casanovas, writer Simon Furman)
  • Fiends and Neighbours – cartoon (artist Graham Allen)
  • Monster (artist Jesus Redondo, writer Rick Clark)

More attempts at Ghastly’s face, and another clue is dropped. The fourth entry is the one that is paying more attention to the clues already dropped, but Ghastly makes no acknowledgment of it. Nobody is in the London Dungeon this week.

Ghastly Faces Scream 12

Here we have another wrap-around cover, this time of this week’s Library of Death story. The story is rendered by the ever-popular José Casanovas. Well, we don’t often see Casanovas drawing ancient Egypt and walking mummies, so here is the story for Casanovas fans.

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Dracula is using some surprising tactics in his quest for blood tonight: first he turns bus driver (now where did he get his HT licence?) and later he lies in wait in a post box. But he’s also rumbled that vampire hunter Stakis survived his trap, and it’s rousing memories of another vampire hunter. Woo…has our Dracula actually been traumatised by his experiences with Van Helsing?

The Nightcomers make their way into Raven’s Meet and discover the first evidence of why it is so horribly haunted. Someone was clearly messing around with the supernatural and unleashed forces they couldn’t control, and it could only have been that Simon Cutler. Beforehand, they found a very unhappy woman haunting the well, and think she might be the key to the mystery. But now there is a more pressing problem they haven’t seen yet – a bony hand reaching for Rick…

Max is at it again. This time it’s with a pompous housing official, Mr Bullock, who made a blunder in the booking for new tenants, the Sopers, and is not exactly anxious to correct his mistake. Instead, the remedy he offers splits the Soper family up and he doesn’t care squat. The punishment of the Thirteenth Floor has Bullock washed up on a raft and headed for a desert island, with sharks right behind him. Not quite sure how this punishment fits the crime, but let’s see how it plays out next week.

The Leper begins a new story about another nasty undertaker, Old Jeb, who likes taking rich pickings off corpses and counting them each night (talk about Scrooge!) and his ill-used apprentice, Billy White. But don’t spare any sympathy for Billy; he’s just as bad and greedy as Old Jeb. So bad in fact, that he murders Old Jeb, takes his pickings, and puts himself into a client’s coffin, which is intended to carry the corpse away on a ship. It looks like a great way to escape, but we suspect this will only have grave consequences for Billy…

In “Monster”, a bounty hunter has a go at Uncle Terry with a rifle. The result is another death at Uncle Terry’s hands and Ken being shot. Uncle Terry carries the injured Ken to a house in search of help. Unfortunately for him he has no concept of what “Beware of the Dogs” means and can’t read the warning sign because he has never been taught to read – and the dogs are lunging for him already.

We also get an Uncle Terry type in the Ghastly Tale, who takes the film director’s call to “cut” a bit too literally…

Next issue is #13, and for a comic like this, that’s a call for a special celebration. Indeed, we have a half-page blurb on how Scream will celebrate its 13th.

Scream! #2, 31 March 1984

Scream 2 cover

  • The Dracula File (artist Eric Bradbury, writer Gerry Finley-Day)
  • Monster (artist Jesus Redondo, writer Rick Clark)
  • The Thirteenth Floor (artist Ortiz, writer Ian Holland)
  • Tales from the Grave: “The Undertaker” (artist Jim Watson, writer Tom Tully)
  • The Library of Death: Spiders Can’t Scream! (artist Ron Smith, writer John Agee)
  • Fiends and Neighbours – cartoon (artist Graham Allen)
  • Terror of the Cats (artist Gonzales, later John Richardson, writer John Agee)
  • A Ghastly Tale! – a complete story (artist José Casanovas)

The free gift that came with Scream #2 was a big, black, spooky spider, so it’s little wonder that spiders are big in this issue, beginning with the cover (front and back) profiling what horror awaits in this week’s Library of Death story. We are also told that Max will unleash spider terror as his next punishment in issue three.

Meantime, Max forces the harsh debt collector to enter a debt collector computer game – where the computer always wins, of course. The concept might almost be funny if the debt collector had not died of a heart attack because The Thirteenth Floor frightened him to death.

More ghoulies get added to the “From the Depths” letters page. It’s the “grislies”, and you are invited to draw your own.

From the Depths

In “The Dracula File”, the East is confident the Rumanian vampire defector they allowed to escape to the West will not unleash a reign of vampire terror there because he cannot live without his home soil. They don’t realise he has found the answer to that problem – the home soil left behind from previous Rumanian vampires who got to Britain. So his reign of terror has started.

The plot between “The Undertaker” and Emily Carlisle to kill her uncle looks simple and foolproof (and gruesome!). All it needs to kill him is a sudden shock, so the Undertaker takes him to the river and unleashes some rats in his carriage to not only frighten him but also eat him alive. And it would look like he just drove too close to the river and the river rats got him. What could possibly go wrong? Well, the blurb for next week does say “A fatal mistake…”.

The credits for “Monster” change to Jesus Redondo (artist) and Rick Clark (writer). Strangely, the reprint volume gives the change of writer as John Wagner. Was Wagner writing under a pseudonym here? Anyway, Kenneth has now seen what’s in the attic and it’s…the Hunchback of Notre Dame?! Something tells us Kenneth is now lumbered with the role of Esmeralda. Too right. Kenneth finds a letter from his late mother explaining that the, um, “monster” as the family dubbed him is in fact his Uncle Terry. Terry’s parents (Kenneth’s grandparents) kept him locked in the attic because of his appearance, and Mum says it’s now Kenneth’s job to look after him. Whoopee…

Uncle Terry

Allen Woodward tried to stop “The Terror of the Cats” striking the hospital, but all it’s done for him is get him into trouble with the police and on the run. But that’s nothing compared to what he finds when he hides in a cupboard – another crazy killer cat!

A Ghastly Tale is longer than the one-page spread last week. It’s also a tale of nature striking back at the abuses of humanity in the 21st century. How far ahead of its time was this story? It has been posted here for your judgement. Besides, it’s drawn by José Casanovas, and who doesn’t like his artwork?

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Tammy & Sandie 26 January 1974

Tammy 26 January 1974

Cover artist: John Richardson

  • Two-Faced Teesha (artist José Casanovas) – final episode
  • School for Snobs (artist J Badesa, artist John Wagner)
  • Ballerina in Blue Jeans (artist Escandell)
  • Wee Sue (artist Mario Capaldi)
  • Jeannie and Her Uncle Meanie (artist Robert MacGillivray)
  • Little Lady Jane
  • The Chain Gang Champions (writer Gerry Finley-Day?)
  • No Tears for Molly (artist Tony Thewenetti, writer Maureen Spurgeon)
  • Granny’s Town (artist Douglas Perry, writer Pat Mills)

 

Here we go with an entry on the latest addition to my collection. I wonder if the grey paint or whatever it is that got spattered on the cover actually adds some character to it.

Tammy is quite a few weeks into her merger with Sandie. Although the Cover Girls were touted as Tammy and June (from the June merger) by the 1980s, their origins can be traced to the Sandie merger in 1973.

Two-Faced Teesha, one of the stories that started with the merger, ends this week. Two-Faced Teesha finds her dad does not believe her when she says she is trying to turn over a new leaf, so she has one final round of spite before the girl she targeted in particular helps her to convince him.

Miss Bigger gets an ally in her bullying of Wee Sue – new girl Sophie Scandel-monger. The name says it all, as do Sophie’s repulsive, weasel-like looks. But Sophie’s scheme against Wee Sue backfires so much that she gets a huge ticking off from Miss Bigger. That’s the end of that evil alliance, thank goodness.

Uncle Angus stoops to whole new heights (or should that be lows?) in scrounging to save money. This time it’s at the cinema, much to the embarrassment of Jeannie and her aunt. And when Uncle Angus sets up his own cinema where he passes off his home movies as a blockbuster movie, Aunt Martha is so embarrassed she takes to her bed. However, once the audience catches on to what a cheap cheat Uncle Angus’ cinema is, they pelt him with his own vegetables from his garden.

School for Snobs is a special school designed to cure girls of snobbery. The headmistress is Hermione Snoot, who wears a nightie and slippers with a mortar board, is seldom seen without a cigarette, and talks Cockney. This week Hermione’s in charge of curing a practical joker. I’m not quite sure what that has to do with snobbery, but turning the tables on the girl with practical jokes until she’s cured is right up Hermione’s street. After all, she pretty much does that with every snob every week.

“The Chain Gang Champions” are kidnapped athletes. The Duchess subjects them to training methods that are as bizarre as they are sadistic. This week it’s finish gruelling cross-country training runs in record time – with ever-shortening time periods with each run – or the Duchess will feed her old enemy, the Minister for Sport, to a hungry bear!

As if Pickering weren’t bad enough, Molly has a new enemy plotting her downfall. It is guest Cynthia Swingleton, who is after her fiancée’s money. Molly’s rumbled Cynthia’s game, so now she’s is trying to frame Molly for stealing!

“Ballerina in Blue Jeans” impresses her ballet school with her dancing. Unfortunately her streetwise ways, like turning up at ballet school in a leather jacket and impersonating a motorbike rider as a demonstration of mime, have the teachers just about fainting. It’s not endearing her to the pupils either, and she has one spiteful enemy already. Well, whoever heard of a pupil in a ballet school serial who didn’t have one?

“Granny’s Town” appears to be a take on ageism, but a very sinister one. “Her Ladyship” has become Mayoress of a retirement spot, Crone-on-Sea. She is introducing new measures that look suspiciously like they are striking at the young people of the town and putting old people on top. This week she has the police throwing young people in the nick for no crime other than they are not carrying one of Her Ladyship’s flags, unlike the elderly people. “It’s the orders of the new mayoress!” Gee, whatever happened to human rights in this town?