Katie’s jinxing has a water theme this week, from jinxing water skiers to having the swimming team walk miles in the rain.
Judy tries to get help from the police about the haunting, but of course they’re not going to believe a thing like that. And Judy is even more terrified to realise that whatever is causing the haunting and making her friends dress like Victorian girls is going to target her next!
Gwen is riding high on the glory she has stolen. Of course that means a fall sooner or later, and it is already starting. Julie Waring is getting suspicious and has also overheard Gwen’s troubled conscience speaking out loud. Is Gwen about to be caught out?
The girls try to bust out of Misery House, but they not only fail but are also duped into playing a cruel trick on Carla, who was caught during the escape. One up to Misery House, but we know there will be a next time.
Angela’s Angels are accused of stealing, but it turns out the patient was foisting the blame onto them. We see acid-drop Angela has a heart: she sticks up for the Angels when they are accused and covers up for one somewhat errant Angel later on.
The scheming girls did not mean Yvonne to take a fall down the stairs when they soap the soles of her shoes, and only her acrobatic skills save her. It doesn’t cut much ice with jealous Lisa though, who is furious when Yvonne is chosen over her for the Dance of the Four Cygnets.
Miss Madden’s test for Mandy this week is very odd, even for her. She has Mandy dress up like a princess and then puts her in a posh room, where a two-way mirror enables Miss Madden and her colleagues to watch Mandy. Then Mandy panics for some reason when she hears the tune from a music box. Now what could have brought that on?
The influence of the Indian necklace has Gail’s friends turning away from her while she gets very sneaky and deceptive in getting what she wants. Daisy’s Victorian employers turn up their noses at coconuts and are not impressed with her fishing. It all ends up with their going hungry and Daisy slipping away, full of fish, so they don’t lumber her again. Dora helps out a dog that is being mistreated, but makes sure the dog doesn’t go to the dogs’ hotel either.
Prisoners of Paradise Island (artist Trini Tinturé)
The Hostess with the Mostest
Dora Dogsbody (artist José Casanovas)
Bird-Girl Brenda (artist Phil Gascoine)
Always Together… (artist Phil Townsend, writer Alison Christie) – last episode
Slave of the Mirror (artist Carlos Freixas)
Katie fools a pony-napping gang in the cover story – there are some crooks who are stealing away the foals of some wild ponies and selling them to a nearby pony riding school. You’d think the school would soon spot that the ponies are wild, but the crooks tell them that ‘they’ll soon settle down’! Well, luckily Katie has hitched a couple of rides – first on one of the mother ponies trekking after her stolen baby, and then in the truck taking the ponies away. So she soon foils the plans, and is a hero to the neighbourhood.
Tricia’s tragedy takes place in this issue – cousin Diana dives too close to Tricia when she is in the pool, and the next thing Tricia knows, Diana seems stunned… unconscious! and when she wakes up, suddenly the cousin has been struck blind.
In Merry at Misery House, she is trying to get to the bottom of the mystery of the sinister figure – the joker who is turning the place upside down, but only at times when Merry is blamed for the pranks! But at last the prankster gets Miss Ball dismissed as deputy warden – and Merry finally gets a clue as to what is happening. We are promised that she will be unmasking the joker – next week.
“The Kat and Mouse Game” is nearing its climax. Mouse is still dancing Kat’s part and letting her take the credit, but is hurt because Kat doesn’t seem to be acting like a real friend and taking any interest in Mouse’s small dance solo. The scheming Kat plots to sabotage even this small triumph – but we can tell that it will rebound on her, one way or another. The sample page on the story post shows you what happens in the following week’s episode…
The Prisoners of Paradise Island aren’t yet seeing through the luxury trap that Miss Lush has set for the hockey team. Sally Tuff has managed to get out a radio message to Miss Granley, their sports mistress – will she be the saving grace?
It is the last episode of Always Together…. Little sister Beth is desperately ill but all is sorted out in the final few pages – even to the extent of restoring the lost mother and the family home!
Finally, in “Slave of the Mirror“, Mia is still being manipulated by the mirror at the times when she feels most resentful for her sister’s bossy ways. But nice old Major Rose has build Mia a beach hut that she can escape to when she feels stressed out. She does so, and prepares to go for a dip – unaware that she is being watched by two men. Are they sinister stalkers such as we would expect them to be nowadays, or far more benign?
It’s the final episode of “Kerry in the Clouds”. There are hard lessons learned for both Kerry (the dreamer with her head in the clouds) and Gail (who took advantage of this to get revenge on a film producer) before the happy ending. “A Boy Like Bobby” takes its place next week.
“The Spell of the Spinning Wheel” is coming to an end too. This week Rowan is let down by a man who seemed to believe her, but it turns out he was a student psychiatrist who thought she was a nut case, and Dad shows him the door. Fortunately the final episode is next week, so something is finally going to help. Meanwhile, Rowan is outracing the spell of the spinning wheel to get medical help for her injured mother.
“Creepy Crawley” is beginning to approach its conclusion as well. The invasion of insects continues at Jean’s school, but Mandy, the only one who can stop it, is finally on her way. However, Mandy is not sure she will be able to stop the invasion because it requires her to forgive the very girl who did so many horrible things to her…
Madam Kapelski takes Yvonne on a special tour of the dreaded State Home for Children of Dissidents to bring her into line. Afterwards Yvonne decides to cooperate with Kapelski, but secretly isn’t giving up on escape.
The Darkening Journey takes an even darker turn when Thumper falls foul of a cruel man who abuses him. It gets worse when a fire breaks out, but Thumper can’t escape because he is chained up!
Katy has stunned everyone with her turn of speed at racing, but then it looks like she’s developing a malfunction.
In this week’s Gypsy Rose story, Prue Preston has trouble from two evil, cruel men at a jousting tournament. One is alive and one is long dead – but his ghost comes out in full armour to join the fun!
Henrietta uses her magic to help a street artist, but her spells aren’t working out as she hoped, which leads to hijinks. Of course everything turns out happily in the end.
Jinty commemorates the Queen’s Silver Jubilee, and “Sue’s Fantastic Fun-Bag!”, Rinty ‘n’ Jinty and Alley Cat all celebrate it, and of course there is a competition to go with it. Not to mention a feature on how to make your own commemorative mug. In keeping with the silver theme Jinty is turning the spotlight on celebrities born with silver spoons in their mouths, starting with Barry Sheene. Sue and Henrietta are already planning ahead to the Golden Jubilee. I wonder Jinty had any anticipation that the Queen would make it to her Diamond Jubilee as well?
What “Curtain of Silence” has been building up for in the early episodes finally happens: Madam Kapelski takes advantage of Yvonne’s striking resemblance to Olga to kidnap her and force her to take the now-dead Olga’s place. Yvonne has lost her voice, so she can’t tell anyone. Olga’s cousin Tanya figures it out, but Madam threatens her with the dreaded State Home for Children of Dissidents to keep her silent.
Carlos Freixas has been absent from Jinty since “The Valley of Shining Mist”, but this week he’s back for a one-off with the Gypsy Rose story. A Greek girl was turned into a statue as a punishment when she unwittingly causes the death of her lover through the cruel way she treated him. She continues to serve as a warning to other girls not to be cruel to their lovers. Unfortunately the warning comes too late for Patsy, who gets dumped by her boyfriend for the cruel way she treated him.
In Creepy Crawley the evil scarab gets the insect invasion underway. A plague of locusts traps everyone in the school and Jean warns them it’s just the beginning. And there’s no end either, because Mandy, the only person who can stop it, is absent.
Susan is getting more suspicious of Katy, especially after the professor’s goon grabs her because he mistook her for Katy. But Katy is not confiding in her.
The Darkening Journey continues, with Thumper and Beaky on the run from a vet, of all things.
Kerry in the Clouds has been heading for a fall for a long time because Gail Terson is taking advantage of her for some purpose. Now it finally comes when Kerry gets a contract for the starring role in a film – and then realises she can’t act! Terson had known that all along, and now the truth is out she’s looking like the cat that got the cream. But why?
Rowan survives a road accident and now she’s got an offer of help from a hiker about dealing with the evil spinning wheel. But next week’s blurb hints that his offer is not what it seems.
Creepy Crawley’s plan to get Mandy expelled succeeds, and she has even manipulated things so Mandy thinks poor Sheila was the one who framed her! But there is a new ray of hope – Sheila recalls seeing another copy of the book that would explain everything about the evil scarab. Including, we hope, the way to stop the scarab.
A bully teacher in “Sue’s Fantastic Fun-Bag!” thinks the sound of birds singing is for the birds. Naturally, that is an open invitation for the fun-bag to teach her a lesson.
Sandra Frazer thinks she has photographed a ghost at a run-down cottage, and even Gypsy Rose is a bit stumped for an answer. But then they discover the photograph is of a missing girl who is trapped in the cottage. A ghost from the future, would you believe!
Yvonne is relegated to reserve for bad behaviour and does not realise look-alike Olga is stringing her along. The gypsy woman still warns Yvonne to get out of Mavronia, but we know Yvonne won’t heed that advice.
Rowan thought she had a respite from the spinning wheel because it was broken. But now she’s falling asleep from humming noises again, and Mum is bringing back the spinning wheel. Looks like it’s been fixed, so its curse is back in action, worst luck!
Beaky and Thumper are in big danger this week from a violent storm and floods, and end up separated. Will they ever be together again?
Kerry is soaring higher than ever. A flash new wardrobe, autograph fans, a huge pay cheque, and the starring role in a movie, all courtesy of Gail Terson. Oh, why do we get the feeling the fall is coming for Kerry?
Creepy Crawley hopes to stop her campaign against Mandy now – but will the scarab let her? Of course not. She obviously didn’t pay more attention to the book’s warning that nobody would be safe from the scarab, even after it defeated the rival. Sheila has discovered Jean’s secret, but now Jean is blackmailing her into doing everything she says, so can Sheila do anything to stop the scarab? We will have to wait and see.
Rowan’s attempt to switch the evil spinning wheel with a harmless replacement fails and she almost gets killed too. Then the spinning wheel reveals a weakness when it gets broken: its curse does not work while it is out of action. So Rowan is free of the curse for the time being, but Mum intends to get the spinning wheel fixed. If she does, it’s back to square one.
Yvonne and Olga are struck by how alike they look. But Yvonne has no idea how their lives are such a contrast. Olga is the virtual slave of a slave-driving coach whose mere threat of the dreaded Home for Children of Dissidents keeps Olga in line; Yvonne is swelling up her big head with dreams of becoming a cycling star, much to her team mates’ annoyance.
Gail Terson is giving Kerry a complete makeover and giving her everything to become a star: money, glamour, publicity and fans. Then Kerry begins to feel that it is a bit too good to be true – which means it usually is.
A well-meaning fortune-teller helps Beaky and Thumper escape and they’re back on the road. Unfortunately she did not foresee what would mean Dad missing his chance to find them and bring them to Julie.
When a carpet seller has a nasty encounter with a bully, Henrietta turns one of the carpets into a flying carpet to teach the bully a lesson and trick him into buying a carpet from the seller at well above the price it was selling for.
Anna Wong tells Gypsy Rose the story of the family’s Chinese windbells, which only chime when there is impending danger. Unfortunately not everyone receives or heeds their warning but Anna does, and they help save her life in a fire.
Katy doesn’t know her own strength in this episode, which is causing mayhem on a bus. And her lack of understanding about human ways is not making her popular in school.
This issue sees episode 2 of Jinty‘s last Christmas story, “Her Guardian Angel”: as Mistyfan pointed out in the post about the previous issue, by the following Christmas this title had merged with Tammy. And Pam is still struggling hard to make a cheerful Christmas party for the local orphans, despite many arguments between her friends and her supporters. But by the end of this week’s three pager, it looks very much like it may all be off…
“Girl The World Forgot” comes to a dramatic end this week as some reenactors dressed as Vikings from the mainland come to the island. They rescue Shona and explain to her local ghost Alice Drunnon has been haunting the castaway girl. Shona is reunited with her parents – on Christmas eve, of all days. What an emotional present for all concerned!
“Sue’s Daily Dozen” sounds like it is nearing its end – we even see an appearance by Granny Hayden, as a vision helping Sue to defeat some crooks. Just about the last thing for her to do seems to be to help George the blacksmith have a truly blessed wedding – blessed by the spirit of Granny H herself, mind you!
Nadine is still combining disco dancing with netball, much to the displeasure of stiff-necked captain Betty. This time the other netball players need to rescue Nadine on the dance floor, by getting a huge strobe lightbulb from one end of the crowded dance floor to the other – in record time – using their netball skills, natch.
Prisoners of Paradise Island (artist Trini Tinturé) – last episode
The Ghostly Wedding – spooky story
Dora Dogsbody (artist José Casanovas)
Bird-Girl Brenda (artist Phil Gascoine) – last episode
Daddy’s Darling (artist Phil Townsend)
Slave of the Mirror (artist Carlos Freixas)
Katie is dog-sitting for Lady Lampwick – but the huge dog ‘Cuddles’ looks like rather a handful! She earns enough money to be able to afford a dog of her own, but by the end of the story she is somehow not quite as keen on the idea…
Tricia is forced to slave for her cousin Diana, whose family say was blinded by an accident caused by Tricia. At least, unlike in some slave stories, Tricia is not emotionally fooled by her abusive cousin: they are ‘two people who hate each other… tied to each other by a terrible debt!’
There is a page of reader-produced content: the winning selections in a request made by the Jinty editors for letters on the theme ‘My perfect day’. I reproduce it here particularly because of one letter, ‘Just peace would be perfect’, about living in Northern Ireland – the reader wishes for peace and safety in Belfast. In the intervening years this has indeed come to pass, though there are many fears at present of possible impacts that could affect the Good Friday agreement as and when the UK exits from the EU – and/or the EU Human Rights Convention, the legal framework of which underlies the Good Friday agreement.
Merry is planning an escape from Misery House, so as to try to warn the outside world of the cruelties that go on inside its walls. The convicts make a dummy look-a-like of Merry, to hide the fact that she is not returning with the rest from an outdoors stint of fence-mending. Will it work?
Kat is still fooling everyone, this time by pretending to sleep-walk to make it look like some missing money was stolen by the innocent Mouse.
It’s the last episode of “Prisoners of Paradise Island” – school sports mistress Miss Granley was Sally Tuff’s hope for outside rescue, but she seems to be in league with the evil Miss Lush. When it is revealed that the teacher is really on their side, Miss Lush pops up and takes Miss Granley hostage – but it all goes wrong for her as reinforcements help the girls to finally fight back against their captors. At the end of the story, we see the hockey team winning the international championship, and we are promised that new dramatic story “Cinderella Smith” (also drawn by Trini Tinturé) starts next week.
It’s also the last episode of “Bird-Girl Brenda” – a very sudden ending, as Brenda discovers that going for a walk with her friends – and someone’s dishy cousin Rob – is just as much fun as flying. Just as well, because her flying powers have abruptly deserted her. Next week we will get new story “Bet Gets The Bird”, likewise drawn by Phil Gascoine – another lightweight humour strip with no overall story arc. Bet was rather more short-lived than Brenda – perhaps it wasn’t as successful – but for whatever reason that left Gascoine drawing more memorable stories such as “The Green People”, “Golden Dolly, Death Dust!”, and of course the long-running “Fran of the Floods”.
It’s early days in “Daddy’s Darling” – protagonist Lee is being looked after so closely by her father that she has no life of her own. Even though she now has to go to the local school, her father is still managing to separate her from others her own age.
Mia Blake is still strongly possessed by the spirit in the mirror – not surprisingly it is feeding off the resentment that Mia feels when her sister prevents her from going into a modelling competition.
The Valley of Shining Mist (artist Carlos Freixas, writer Alan Davidson)
Song of the Fir Tree (artist Phil Townsend)
Do-It-Yourself Dot (artist Alf Saporito)
“The Green People” (artist Phil Gascoine) – last episode
Barracuda Bay (artist Santiago Hernandez)
Ping-Pong Paula (artist Jim Baikie)
Katie Jinks’s school is competing against the nearby boys’ school, to see who does best at ‘gender-swapped’ tasks – so Katie and pals are making a concrete pathway for their school, and the boys are cooking a cordon bleu meal, which the victors get to eat! Of course, her equal-opportunity jinxing sees her ruining the chances of both groups equally – the boys win, but Katie’s antics end up with the boys locked in a store-room unable to eat their fine supper – so naturally the girls have to self-sacrificially eat it up… The tagline for upcoming stories advises readers that ‘there’s a long story starring Katie in the new Jinty Annual‘ (which turns out to be drawn by Audrey Fawley rather than Mario Capaldi).
Ballerina Barbie gets a shock as she is dancing before an audience – her sight returns and she can dance with more joy than ever! But she isn’t able to get to her sister quite in time to see the beloved face that she hasn’t seen for so many years.
Lucy and Yvette need to come up with a cunning plan to save Corn Dolly from the prison that Miss Marvell has put her in – the doll is powerless herself, surrounded as she is by black magic items in the local museum. But the brave and resourceful girls swop the doll for a very similar one that they have bought. Miss Marvell is fuming once she finds out of course, and threatens that ‘next time, there will be no half measures!’.
Debbie is stunned at the next request that Mrs Maynard makes – to bring her £100! A huge amount of money for the poor girl, of course, representing the entirety of her winnings at the talent contest. And she’s already spent her winnings, too! She sadly goes round returning the items she’d bought, but meanwhile her cruel family come up with ways to stop her from giving the money to Mrs Maynard. Will this mean that Debbie can never see her kind, if odd, mentor again?
Per and Solveig are still being pursued by Grendelsen, with much trekking through the woods. There’s natural dangers in the woods as well as Nazi stalkers though, as the kids are threatened by a wild boar and by a fierce dog too.
“The Green People” comes to an end this week. Moura’s aunt Zella has betrayed the peaceful underground people in a pact with the surface dwellers who want to build a motorway on the moor – but she finds that the dangerous monster Krakengerd is not as easy to control as she had thought. All ends well and the green people’s secret – and their lives – are safe.
“Barracuda Bay” sees Susan Stevens captured and trapped underwater, with her air running out. Will her partner Martin find and rescue her in time? This thriller is slightly old-fashioned in style and quite reminiscent of the Sandie story “The Golden Shark”, which also is a diving-based thriller with a female lead who has good hair. The art on “Barracuda Bay” is much tighter and more neatly-finished, though less obviously by the same artist as “The Haunting of Hazel” (which starts in the next issue). “The Golden Shark” gives a much clearer artistic link between the two stories that were reprinted in Jinty, which I was slightly surprised by.
Finally, “Ping-Pong Paula” has Paula suffering from lack of sleep, in the dodgy digs that her mother has dragged her to. Paula’s dad can support her table-tennis playing better, but of course her mother is bound to find out and to use it as more ammunition in the parental war.
Following the interview of John Wagner which ran on this blog a few days ago, I thought I would dig out my few issues of Sandie (only four, acquired somewhat at random). Because I have so few issues, and none of them are significant ones such as the first or last ones published, it didn’t seem worth reviewing them individually. Here therefore is something of an overview of this short-lived title – limited in scope by having so few originals to draw on directly, but I have tried to also bring together other relevant comments on this site and elsewhere, to give a wider context.
Let’s start with the contents of the four issues I do have:
Sandie 17 March 1973: Angela Angel-Face (artist Rodrigo Comos), Connie Courageous (unknown artist ‘Merry’), The Captives of Terror Island (artist Juan Escandell Torres, writer Terence Magee), Supergirl Sally (artist A. E. Allen), Isla and the Ice Maiden, Anna and the Circus, Brenda’s Brownies (artist and writer Mike Brown), Dawn at Dead-End Street (artist Bill Baker), Pop portrait: Paul Newman, Lindy and the last Lilliputians, The Nine Lives of Nat the Cat (artist José Casanovas), Quiz Kid Queenie (artist Luis Bermejo)
Sandie 28 July 1973: Slaves of the Eye (artist Joan Boix), Cinderella Superstar (artist ?Joan Boix), Wyn and the Witch (artist A. E. Allen), Connie Courageous (unknown artist ‘Merry’) – last episode, Sink or Swim, Sara! (artist Eduardo Feito), The Captives of Terror Island (artist Juan Escandell Torres, writer Terence Magee) – last episode, Dancing to Danger (artist Tom Kerr), Bridie at the Fair (artist Leslie Otway), All Against Alice, Sisters in Sorrow (artist Roy Newby)
Sandie 11 August 1973: The House of Toys (artist Douglas Perry), Noelle’s Ark (unknown artist ‘Merry’) – first episode, Wyn and the Witch (artist A. E. Allen), The Golden Shark (artist Santiago Hernandez), Cherry in Chains (artist Joan Boix), Slaves of the Eye (artist Joan Boix), Dancing to Danger, Bridie at the Fair (artist Leslie Otway), All Against Alice , Cinderella Superstar (artist ?Joan Boix)
Sandie 29 September 1973: Angela Angel-Face (artist Rodrigo Comos), The House of Toys (artist Douglas Perry), Jeannie and her Uncle Meanie (artist Robert MacGillivray, writer John Wagner), Noelle’s Ark (unknown artist ‘Merry’), Cherry in Chains (artist Joan Boix), The Golden Shark (artist Santiago Hernandez), Dancing to Danger – last episode, Bridie at the Fair (artist Leslie Otway), Sister to a Star, Cinderella Superstar (artist ?Joan Boix)
There’s lots of good stuff in these issues, though I did find the covers rather old-fashioned, with mostly very blocky designs. Some of the inside content is rather old-fashioned too, and/or show possible signs of being reprinted from elsewhere. “The Golden Shark” is hand-lettered, and “Dancing to Danger” and “Bridie At The Fair” are lettered using a different font or technique to the other strips. The latter two are also only two pages long per episode, and have a painted aspect to the title element – I take these to have been reprinted from much earlier titles where there may have been an option to use more sophisticated colour printing.
Some of my interest in this title is in how it might have influenced, or been influenced by, work that is more directly related to Jinty. For instance, “Isla and the Ice Maiden” has an orphaned girl learning how to ice skate as she is taught by a mysterious woman: both the basic plot set-up and the visual design of the mystery woman is quite reminiscent of the Jinty story “Spirit of the Lake”. Likewise, “Lindy and the Last Lilliputians” has some wee travellers from Lilliput travel to stay with Lindy, a descendant of Lemuel Gulliver – who they claim must look after them. It sounds like the story has quite a lot of differences from Jinty‘s “A Girl Called Gulliver”, but there are certainly some big overlaps too.
In terms of the artists included, there is a fair amount of overlap with the slightly later titles I am more familiar with – with representation from José Casanovas, Rodrigo Comos, Douglas Perry, Santiago Hernandez, and the unknown artist who drew “Merry at Misery House” and so many other stories. Obviously there are many artists unknown to me, also: the very striking Joan Boix, who drew “The Slaves of the Eye”, is very well represented inside these pages. There are a couple of stories where it’s hard to decide if the art is by Joan Boix’s, or by Cándido Ruiz Pueyo’s. These are “Cinderella Superstar” and “All Against Alice”. I would be inclined to think these both contained Boix’s art if not for the fact that this would imply that there might be as many as four stories by the same artist in one issue! I suppose this is not impossible but still. On balance, I think that “Cinderella Superstar” is likely to be Boix’s work (though it is not signed in any of the issues I have, unlike “Cherry in Chains” and “Slaves of the Eye”). “All Against Alice” is not close enough for me to assign to Boix – it looks more like Pueyo’s work, though again not really definitively enough for me to say so for sure.
On the post with the interview with John Wagner, I asked for people’s impressions of the title compared to others from that era. Mistyfan commented to say that “Sandie had more regulars than Tammy, particularly “Wee Sue”. She also had a lot of circus themed stories such as “Sister to a Star”, “Cherry in Chains” and “Slave of the Trapeze”. Far more than either Tammy or Jinty. She followed the in vein of Tammy in having Cinderella and slave stories.” I haven’t got enough issues to have much representation of regular strips – there’s the start of “Jeannie and her Uncle Meanie”; “Nat the Cat” was so long-running as to perhaps count; and I do have two separate Angela Angel-Face stories in this short sample.
The circus theme is absolutely inescapable even in just these few issues, though! “Anna and the Circus” is in the March issue above, and the August and September issues include “Cherry in Chains” and “Sister to a Star”. There are very few circus-themed stories in Jinty, and not many in Tammy either, so this feels like a real unique selling point for this title. Of course there are also plenty of cinderella stories, ballet stories, and the like – a lot of what’s in the pages wouldn’t look out of place in Jinty or Tammy (and indeed some was reprinted in annuals and summer specials).
Mistyfan also previously posted on this site about the launch of Sandie and about issue 7 of the title – representing the earlier issues of the title. But after the title came to an end it still continued to make something of an impact as stories had a life after death. Quite a few of the stories were translated into the Dutch market: for instance “Sandra Must Dance”, “The Return of Rena”, “Lorna’s Lonely Days”, “Anna’s Forbidden Friend”, and “Peggy in the Middle”. Of course “Wee Sue” and “Jeannie and her Uncle Meanie” had an ongoing life in the pages of other comics titles thereafter, as did others (more briefly). “Angela Angel-Face” was reprinted in Jinty but generally reckoned to be a very weak offering in that title, and “School of No Escape” was reprinted in the Misty 1980 annual.
So Sandie feels a little old-fashioned to me, and a little quirky with its love of circus stories (quite why so many of them were used, I’m not sure – they make for a good story backdrop but aren’t quite as flexible a story theme as the sports or SF themes that Jinty readers liked, or of course the spooky tales of Misty). It has quite a bit of overlap of stories or of artists with the titles I am more familiar with, and some cracking content – I’d like to read more of the exciting “Noelle’s Ark” which I give below (and which again has some overlap with a classic Jinty story – “Fran of the Floods”). At this point it feels to me a bit like a fore-runner of the more fully-developed, stronger Jinty/Tammy/Misty stable – but at the same time, I know readers who have only found this title recently and have become real converts. I will seek out more…