Tag Archives: Juliana Buch

Tammy 21 January 1984

Tammy cover 21 January 1984

Cover artist: John Armstrong

  • Foul Play (artist John Armstrong, writer Ian Mennell)
  • Julie’s Jinx (artist Julian Vivas, writer Nick Allen)
  • Pam of Pond Hill (artist Bob Harvey, writer Jay Over)
  • The Crayzees (artist Joe Collins)
  • First Term at Trebizon (artist Phil Gascoine, writer Anne Digby)
  • The Button Box (artist Mario Capaldi, writer Alison Christie, sub-writer Linda Stephenson)
  • Fashion Flashback – feature (Ray Mutimer)
  • My Terrible Twin (artist Juliana Buch)
  • Fun Time – feature
  • Swansea Jack (artist Douglas Perry, writer Linda Stephenson)
  • Queen Rider (artist Eduardo Feito, writer A. D. Langholm aka Alan Davidson)
  • Warm as Toast! Feature (Mari L’Anson)

The issue for 21 January 1984 has been chosen for 1984 in the conclusion to Tammy round robin.

Foul Play is unusual for being a non-Bella story drawn by John Armstrong. Katie Johnson received a serious hand injury during a hockey match. Her friends and family are convinced one of her own team mates deliberately caused it because they had always resented her. Katie doesn’t believe a word of it, but now someone is doing nasty things against the team. This week one gets her room vandalised and another gets her heart broken over a hoax call that her father was going to visit. Katie takes on the job of unravelling the mystery, and it must begin with the heartbreaking task of investigating her own friends and family as suspects.

My Terrible Twin is being reprinted by popular demand. The episode this week has already been discussed here, so we will move on.

In Pam of Pond Hill, a flu strain is causing chaos in town. It only seems to target the adults, which is giving the kids a bit of a free rein at home and school. But it’s not all fun for Pam. Cherry Laurence, the big-headed bully bossyboots who was unwisely appointed as a prefect, has now been put in charge of her form!

Tammy had always been running TV and book adaptations but now she is running two at once: The First Term at Trebizon and Queen Rider. Both the authors are former writers for IPC girls’ titles.

This week’s Button Box tale is a rags-to-riches story that centres on the Mexican art of dressing fleas. Swansea Jack, probably the last story Douglas Perry drew for Tammy, gives us the story of Swansea Jack, the dog who gave his name to a tavern by saving the lives of children at the docks of Swansea.

Julie Lee (who keeps her Romany background secret) gives her friend Gloria a Romany charm, but her horse has been acting strangely ever since. A nasty girl is spreading a rumour it is a bad luck charm. Julie is trying to find a way to deal with the problem quietly while not knowing what to make of it herself. Is the gift really “Julie’s Jinx”?

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Tammy 23 April 1983

ITammy cover 23 April 1983

  • Bella (artist John Armstrong, writer Primrose Cumming)
  • Different Strokes – first episode (artist Santiago Hernandez, writer Charles Herring)
  • Nanny Young (artist Phil Gascoine, writer Tom Newland)
  • The Button Box (artist Mario Capaldi, writer Alison Christie)
  • This is Your Road to Fame! – Quiz (artist John Johnston, writer Maureen Spurgeon)
  • Menace from the Moor – complete story (artist Peter Wilkes)
  • Pam of Pond Hill (artist Bob Harvey, writer Jay Over)
  • Fame at Last! (artist Tony Coleman, writer Marianne Nichols)
  • The Secret of Angel Smith (artist Juliana Buch, writer Jay Over)
  • Make Your Own Container Gardens – feature (Chris Lloyd)

 

April 23 1983 has been selected for 1983 in Tammy round robin. Fame is big in this issue because of the Fame gifts attached. Tammy accompanies the Fame theme with a “Fame” quiz and the complete story “Fame at Last!” Kirsty Brown’s school is having a talent contest but she does not think she is talented at anything. But helping the other contestants gets her a special prize and they tell her she has a gift after all – for starmaking. Maybe Kirsty will become an acting agent when she leaves school?

The issue reprints “Menace from the Moor”, a recycled Strange Story. At this stage in Tammy’s run we get recycled Strange Stories where boring text boxes and drawn-in panels replace the Storyteller and his dialogue.

In new story “Different Strokes”, when teacher hears new girls Jacintha and Samantha Carwen are twins she is dismayed, as that usually means trouble. It does, but not in the way she thinks. The twins are as different as chalk and cheese. The only thing they share is an intense sibling rivalry, and they squabble and bicker all the time. Next door neighbour, Tracy Maine, who befriends the twins, is caught in the middle, and she soon suspects there is a mystery attached to the twins’ rivalry as well.

Bella keeps her savings in her suitcase instead of banking them, saying she does not understand “cheques and things” (insufficient education), despite warnings it is not wise to keep her savings like that. But at the end of the episode she pays the price when a burglar breaks in and her savings are stolen. Well, you were warned, Bella.

Goofy has been having enormous difficulty in shooting a film of Pond Hill for a competition. But now he is well out of it when the school bully vandalises his camera.

Nanny Young has been having problems with a young girl, Barbara, who is jealous of her new baby brother. But in this episode she hits on the solution: get Barbara to take an interest in the baby by allowing her to help with minding him.

In this week’s Button Box tale, Lily hates wearing button boots. Then she encounters a crippled girl who changes her mind about them; she realises she is lucky to be able to wear them because she can walk.

“The Secret of Angel Smith” was Tammy’s last circus story. Abby Fox has always resented Angel Smith, the girl who pushed her way into her father’s trapeze act while Dad won’t allow Abby in it because he does not want to lose Abby the way he lost his wife. Abby has ended up in hospital because of it all, but ironically it is Angel who talks Abby into getting fit again, saying she is going to find a way to help her into the act. When Abby gets back to the circus, she discovers this means taking advantage of Dad being absent on an international tour.

Tammy & Jinty 27 March 1982

Tammy cover 27 March 1982

  • Bella (artist John Armstrong)
  • Danger Dog (artist Julio Bosch)
  • Pam of Pond Hill (artist Bob Harvey, writer Jay Over)
  • The Crayzees (artist Joe Collins)
  • Dance of Death – the Strange Story (artist Hugo D’Adderio)
  • Little Sisters (artist Mario Capaldi)
  • Nanny Young (artist Phil Gascoine)
  • Bessie Bunter – Old Friends
  • The Human Zoo (artist Guy Peeters, writer Malcolm Shaw)
  • Sandy – A Fresh Start… (artist Juliana Buch)

 

Bella is in the finals for the Superkid Contest, and will receive advanced coaching if she wins. But she has problems with the press sniffing around her and then being asked to sign a form endorsing Superkid products. The trouble is, she has never used them and can’t in honesty sign the form.

This issue has one of my favourite Pond Hill episodes: the episode that concludes the St Dorrit’s storyline, and it appears below. Pam’s form has been temporarily housed at St Dorrit’s, a super-snob school, when Pond Hill’s foundations collapse. But from beginning to end the snob school, staff and pupils alike, did not make the Pond Hill pupils welcome and did everything possible to make their lives miserable and uncomfortable. In the conclusion, Pond Hill reopens and Pam & Co get their long-awaited revenge on St Dorrit’s. Mind you, I still can’t figure out how the snobs actually fell for the trick Fred and Terry pulled on them. Maybe they can’t either.

(Click thru)

 

When Misty merged with Tammy, Strange Stories changed to “Strange Stories from the Mists” with the Storyteller alternating with Misty in narrating them. After the Jinty merger it went back to Strange Stories, with the Storyteller alternating with Gypsy Rose. It was a total delight to see that the Gypsy Rose stories during this run were 100% new material; no tired reprints from Jinty or recycled Strange Stories. This one, “Dance of Death” (or should that be “Dance with Death”?) is so creepy and atmospheric that I can’t help wondering if it was originally scripted for Misty. Anyway, the story is worth reproducing here for the Hugo D’Adderio artwork.

(Click thru)

 

It is part two of “The Human Zoo” reprint, brought about by popular demand. Presumably this included “Pam’s Poll” way back in 1980. Shona and Jenny Lewis, plus other captured people, find out what it is like to be Mary Celeste when they fall into the clutches of the aliens who are hinted to be responsible for Mary Celeste. The aliens think humans are just animals – and they treat animals like animals too. They take them away from Earth to the cattle market on their home planet. For Shona and Jenny it is extra anguish as they get sold to different owners, and are forcibly separated. Now it’s not just survival and escape but also finding each other again.

In Nanny Young, Nanny is not deemed suitable for turning Cockney girl Charity Ogden into a refined young lady. Though Nanny still has her job, the task of refining Charity has been given to a Miss Hooper, who is a real bully. But that’s only the start; Charity overhears a conversation that warns her Miss Hooper is some sort of criminal, but she can’t even convince Nanny of this.

In “Little Sisters”, gran complains that she’s hard up. Inspired by the loss of her own tooth, dear little Samantha comes up with an idea that might help: give gran’s false teeth to the Tooth Fairy in exchange for money. The trouble is, she does not advise anyone first, and gran’s in a flap when her teeth go missing. But that’s nothing on big sister Carol, who is assigned the role of Tooth Fairy to Samantha. She gets the false teeth on her arm and screams the house down!

Bessie Bunter is not keen on a cross country run until she hears that there is a feast waiting at the other end. All of a sudden she’s off at breakneck speed. Of course there are difficulties along the way, including Bessie getting stuck in an oak tree and mist arising, but she ends up saving a driver from a nasty accident. This makes the feast even more of a reward for her.

Crunch time for Beth, who is trying to keep her dog Sammy hidden from the authorities, who suspect he is contaminated from a laboratory experiment. Beth didn’t believe it, but now she finally realises it is true: Sammy causes all sorts of weird effects in humans who get too close to him for too long. He is a danger dog after all.

In the Sandy Rawlings stories, Dad has a long history of causing complications for Sandy by shoving her towards boys he thinks are suitable for her instead of giving her freedom to try things out for herself. To make things worse, his choice of ‘suitable’ boyfriends are directed by his snobbishness and business contacts, not compatibility or what Sandy wants. In this episode, it leads to such a horrible tangle of complications (no going into details) that Sandy is not only in deep trouble with Dad but with the whole school as well. Sandy, who has only just got out of being the school outcast (also because of Dad), is now the school outcast again.

Tammy 20 January 1979

Tammy cover 20 January 1979

Cover artist: John Richardson

  • Mouse (artist Maria Dembilio)
  • One Girl and Her Dog… (artist Mario Capaldi)
  • My Terrible Twin (artist Juliana Buch)
  • Edie the Ed’s Niece (artist Joe Collins)
  • Thursday’s Child (artist Juan Solé, writer Pat Mills) – first episode
  • Bessie Bunter
  • Molly Mills and the Haunted Hall (artist Douglas Perry)
  • Menace from the Moor – Strange Story (artist Peter Wilkes)
  • The Moon Stallion – television adaptation (artist Mario Capaldi)
  • Wee Sue (artist Robert MacGillivray)
  • The Upper Crust (artist Giorgio Giorgetti)

 

Time for the 1979 issue in our Tammy round robin, and the issue chosen is 20 January 1979. It is three weeks into (at the time) the New Year, so naturally Tammy’s January issues are focused on new stories and clearing out old ones to make way for more new ones. The New Year also continues Tammy’s adaptation of the TV serial “The Moon Stallion”.

Bella is not part of the new lineup for the New Year though. When her story does start we learn that she’s been sailing home to Britain all the while.

We sense “The Upper Crust” is heading for its conclusion. Snobbish Mavis Blunt, of a snobbish neighbourhood, has had her nose put out of joint ever since the Carrington-Crusts moved in. She also suspects they are not all they appear to be. Now Mavis and her father suspect the Carrington-Crusts are criminals and set a trap for them, which appears to prove their suspicions. Or does it? We find out, in what we suspect is the final episode, next week.

“One Girl and Her Dog” looks like it is on its penultimate episode too. Kim Robinson and her dog Rumpus have finally caught up with Harry Whelkes, the man who has been hired to stop them claiming their inheritance in London. As a matter of fact, it’s brought the force of an entire circus down on Harry!

The circus also features in Wee Sue. Sue wants to go to the circus, but having no money, tries odd jobs there. The trouble is, two scheming girls from school have the same idea and are making sure she doesn’t get anything. They almost succeed, but the clowns decide Sue’s size will make her ideal for their act, and Sue gets the last laugh on those schemers.

“Thursday’s Child”, written by Pat Mills, starts today. It went on to become one of Tammy’s most popular stories and best-remembered classics. Life has always been good to Thursday Brown – but the splash panel on the first page tells us that will only be until she meets “the stranger” and her tears begin. And who might this stranger be? It’s the girl who mysteriously shows up in Thursday’s bed the night she starts using the family Union Jack as her bedspread. Looks like Thursday should have paid more attention to her mother’s misgivings about using the flag that way. Not to mention the strange red stuff that comes out when the flag is washed – it feels like blood. Is this a clue as to the reason why Mum was so unnerved?

“Mouse” and “My Terrible Twin”, the first Tammy stories to start in the New Year, take dramatic plot developments. Mary “Mouse” Malloway learns the reason for her strange, stranger-wary upbringing is her mother’s fears she will become the victim of an international child abduction at the hands of her estranged Sicilian father (the marriage soured because of the tyrannical mother-in-law). In the same episode, Mum’s fears come true. The father succeeds in catching up to Mary, abducts her, and is dragging her off to Sicily.

“My Terrible Twin” (Lindy) is on parole from a remand home after a shoplifting conviction and getting into a bad crowd. Her fraternal twin Moira is desperate to help her reform, which the remand home didn’t have much success in doing. However, Lindy gets off to a bad start in stealing lipsticks from the store Moira sets her up in. In this episode Lindy quietly returns them, settles into her job, and things seem to be going better. But there are clear bumps: Lindy has little sense of responsibility, and she is vain, conceited, which makes an enemy out of another employee, Helen. But that’s nothing compared to the real problem Lindy is now facing – her old crowd turn up and make trouble! Incidentally, My Terrible Twin was so popular she spawned a sequel, and her first story was reprinted by popular demand in 1984.

In the Strange Story, “Menace from the Moor”, Dad is trying to start a market garden business, but a horse from the moor keeps turning up and trampling all over his plants. It does not take long to realise there is something strange about the horse. It is getting in despite fencing, seems to just vanish, only appears on moonlit nights, and has a missing shoe. Could there be a link to the horseshoe in the house? Which, by the way, is hanging the wrong way up – the bad luck position.

Molly’s new story is “the Haunted Hall”, but it’s not really haunted. Molly is trying to hide her kid brother Billy in the hall while the family see to a sick relative. But Molly will lose her job if she is found out. Naturally, Billy’s high spirits make it hard to conceal him. His antics, plus ghost stories, are getting Pickering wound up about the hall being haunted. Pickering always did have a track history for being haunted, whether the ghost is real or fake.

Don’t talk to Bessie Bunter about birds this week! Mary Moldsworth tries to encourage Bessie to share her food with birds. But all poor Bessie gets out of it is bird bother and unfair lines.

Tammy & Sandie 8 June 1974

Tammy & Sandie 8 June 1974

Artist: John Richardson

  • Ella on Easy Street (artist Jose Casanovas, writer Charles Herring) – final episode
  • Wee Sue (artist Mario Capaldi)
  • Make Your Mind Up, Maggie (artist Juliana Buch)
  • Mrs Nimmo’s Ninth Life (artist Douglas Perry) – complete story
  • Jeannie and Her Uncle Meanie (artist Robert MacGillivray)
  • Photo – Marty Kristian
  • Crystal Who Came in from the Cold (artist Douglas Perry)
  • Competition – Win a Sewing Machine!
  • No Tears for Molly (artist Tony Thewenetti, writer Maureen Spurgeon) – story ends
  • Common Cathy (artist John Armstrong)

 

In part 4 of Tammy round robin, the issue that came out two weeks before June merged with Tammy on 22 June 1974 has been selected for 1974. With only two weeks until the merger, with totally new serials starting all through the issue, it is not surprising that Tammy is gearing up for the merger in finishing all her current serials as fast as possible. The serials in this issue are either on their final or penultimate episodes. June must have been doing the same.

What is surprising is that Tammy is scheduled for another merger in two weeks – but she still hasn’t dropped the logo from her previous merger! Why is the Sandie logo still on the cover with only two weeks to another merger? Currently it cannot be confirmed whether or not Tammy dropped the Sandie logo the following week, 15 June 1974. If anyone can confirm, please leave a comment.

Another surprise is that The Strangest Stories Ever Told is not going to join Tammy for another two weeks, yet Tammy is already running complete mystery stories. These have no narrator, only text box dialogue that seems to be in lieu of one. The story, “Mrs Nimmo’s Ninth Life” is about a bullying, cold hearted dancer, Monica Fleming, who grows worse when she is cast as an evil witch (suits her all right) in a production. When Monica bullies a pedlar, Mrs Nimmo, she becomes plagued by a mysterious white cat, which ends in both of them being hurt, after which she is much nicer to Mrs Nimmo. The other dancers are spooked by hints that Mrs Nimmo and the white cat are one and the same.

The Molly story ends this week and we are promised another next week. But the Molly story in the merger issue is totally new, so what does Molly do in the issue in between? Is it a complete story or is there an error here?

“Ella on Easy Street”, which is fondly remembered by Pat Mills, is about Ella Rutt, who lied about her family to win sympathy and make things easy for herself. But her lies have led to a teacher being sacked and now she’s having conscience pangs. Ella makes the decision to confess to the headmistress. Now what action is the school going to take?

“Crystal Who Came in from the Cold”, “Make Your Mind up, Maggie” (which I know finished with a six-page spread the following issue) and “Common Cathy” are on their penultimate episodes.

Maggie Miller’s problem is not so much that she can’t make up her mind whether to pursue ballet or horse riding but that she is torn between keeping herself fit for ballet and keeping her beloved horse from being sold to cruel owners. And now Maggie has another problem – Nadia is going to get her expelled. No, not because Nadia is jealous. It’s because she mistakenly thinks it is horse riding Maggie wants. Oh, for God’s sake Nadia – mind your own business! Incidentally, this story was reprinted by popular demand in 1983.

Crystal is a girl from the Arctic who is cursed with the power to bring cold and ice with her. Now it’s got a witch-hunting mob after her. Plus there is a Snowman who wants Crystal to return to the Arctic. Will this be the course of action Crystal decides to take in the final episode?

Common Cathy is the John Armstrong story in Tammy before Bella takes over in the merger. Like Bella, Cathy Sampson wants to pursue a dream (athletics) but her horrible parents keep blocking her. In this case they do so by lies, deceit, and stealing the money for Cathy’s entrance fees from her coach Mrs Mirren. But in this episode they take an unbelievable step further – binding and gagging Cathy to prevent her from speaking to Mrs Mirren. Now that is a shocker! Despite being tied up, Cathy manages to discover her parents’ deceit. But the problem Cathy must surmount in the final episode is finding Mrs Mirren and explaining it to her. Not to mention how to sort out her nasty parents and be able to pursue her dream at last.

Wee Sue and Uncle Meanie, the regulars that came over from Sandie, will continue in the June merger and be Tammy offerings to former June readers.

 

 

Tammy 5 November 1983

Tammy cover 5 November 1983

  • Lucky By Name… (artist Juliana Buch, writer Malcolm Shaw)
  • Pam of Pond Hill (artist Bob Harvey, writer Jay Over)
  • Glenda’s Glossy Pages (artist Tony Highmore, writer Pat Mills)
  • Room for Rosie (artist Santiago Hernandez, writer Alison Christie)
  • Remember November… (artist Len Flux, writer Maureen Spurgeon)
  • The Button Box (artist Mario Capaldi, writer Alison Christie, sub-writer Ian Mennell)
  • The Dawn Horse – a Pony Tale (artist Hugo D’Adderio, writer Chris Harris)
  • Spell of Fog (artist Tony Coleman, writer Jake Adams)
  • The Crayzees (artist Joe Collins)

This was the last Guy Fawkes issue Tammy ever published, and it is bang on 5 November. Tammy dropped Bessie and Wee Sue in 1982, so they are no longer able to provide any special stories for Guy Fawkes. We have a Guy Fawkes feature, “Remember November…” and in “The Crayzees” we learn Miss T does not like fireworks because they are so noisy. So what is in that mystery parcel she has ordered for 5 November? Joe Collins was always one for incorporating the Fireworks Code into his Tammy cartoons and this one is no exception. It is written all around the border of the full-page cartoon. We also have a recipe for a Bonfire cake in “Tammy’s Tasties”.

Room for Rosie had her Guy Fawkes story in the Halloween issue, but there is some carryover this week. Rosie has taken damage from the bonfire party, so her chances of a home have been reduced. Can Pauline find a way to restore her?

A new Pam of Pond Hill starts. It would have been nice if Jay Over had written a Pam of Pond Hill Guy Fawkes story, which is something Pam never had. Instead, Pam and her friends find themselves being roped into a cookery contest by Jenny Bates, who is using the excursion to see her favourite pop group, the Phonees. Moreover, Jenny has chosen them more for their good nature than their talent for cooking. They decide to go along with it because they are under the impression Jenny’s days are numbered and it’s her dying wish. Actually, it looks suspiciously like Jenny’s playing on their sympathy. Anyway, Jenny’s reason for entering them all in the contest is selfish and not giving any thought to winning for the school – which they don’t have much chance of.

In “Lucky By Name” everyone is now thinking Lucky the foal has some strange power over animals. Snobby Amanda and her father demand the foal be examined by a research institute but Lucky’s owners refuse because the institute has an unsavoury reputation for animal experimentation. Now someone is stealing Lucky, and we strongly suspect Amanda and her father are behind it. Lucky, if you really do have a power over animals, now might be a good time to use it…

This week’s episode of “Glenda’s Glossy Pages” was drawn by Tony Highmore instead of Mario Capaldi. Capaldi must have been unavailable for some reason, but he returns in the next episode. In the story, the power of the glossy pages drives off the police who think Glenda stole the items she mysteriously got from the catalogue, but they warn she hasn’t heard the last of them. Next, it looks like the catalogue is helping Glenda by giving her the confidence to swim against her arch-enemy Hillary. But when Hillary suddenly develops cramp, Glenda finds herself just swimming off instead of helping. What the hell has come over her? Well, it’s not hard to guess, especially as Glenda is at a loss to explain it herself but just can’t help it. We rather suspect the same thing is behind Hillary’s cramp too.

The Button Box gives us more Jackson family history this week. This time it’s a World War II story on how gran’s sister met her husband – all through one of the buttons in the box, of course.

This week’s pony tale is a sad one and based on fact. It discusses the last of the Tarpan horse breed in the Ukraine. Sonja and her father travel to the Ukraine in search of the Tarpan breed – only to find the Tarpans are on the brink of extinction and two parent Tarpans being shot by farmers pushes them over the edge.

In “Spell of Fog” Sally is convinced the mysterious rising mist is Alice Compton’s angry response to the sensationalised, historically inaccurate filming of her persecution for witchcraft. But the filming continues, so the mist intensifies. It’s got everyone scared and has even shattered a window.

Beforehand, we are introduced to Alice’s sad-looking self-portrait, the only one of her pictures to survive her burning at the stake. It seems her “extremely modern, natural style” was too far ahead of its time; people called it “the Devil’s likeness” and it sounds like this is one of the reasons why she was branded a witch. The self-portrait is clearly a plot thread to be followed up, but will it be in a way that tells us anything about the mist?

Tammy 29 October 1983

Tammy cover 29 October 1983

  • Lucky by Name… (artist Juliana Buch, writer Malcolm Shaw)
  • Pam of Pond Hill (artist Bob Harvey, writer Jay Over)
  • The Crayzees (artist Joe Collins)
  • Glenda’s Glossy Pages (artist Mario Capaldi, writer Pat Mills)
  • The Nightingale’s Song – complete story (artist Douglas Perry, writer Roy Preston)
  • The Button Box (artist Mario Capaldi, sub-writer Linda Stephenson)
  • Spell of Fog – first episode (artist Tony Coleman, writer Jake Adams)
  • Room for Rosie (artist Santiago Hernandez, writer Alison Christie)
  • Lonely Ballerina – final episode (artist Maria Barrera, writer Jay Over)
  • Make a Mask for Halloween! – feature (writer Chris Lloyd)

Halloween is coming up. So I am bringing out the last Halloween issue Tammy ever published. The cover is very nice, and the girls look like Trick-or-Treaters or organising their Halloween party. Inside, we have instructions for making a Halloween mask and the Crayzees go to a Halloween fancy dress ball. Miss T and Edie are rather chagrined when the human-sized Snoopa wins first prize for dressing up as Miss T!

In last week’s issue, Tammy had a blurb about a spooky story starting this issue in commemoration of Halloween. It is “Spell of Fog”. A film crew arrives at the village of Wolfen to make a film about Alice Compton, a girl who was burned at the stake for witchcraft and rumoured to haunt the spot where her ashes were scattered.  So when the film producer announces his plans to do a historically inaccurate, sensationalised film where Alice is truly evil and an agent of the Devil instead of one of the hapless victims of witch hunts, it really is asking for trouble. Sure enough, a mist is soon arising on the spot where Alice is said to haunt, and it’s clearly blowing in the opposite direction of the wind…

Surprisingly, “Room for Rosie” is celebrating Guy Fawkes one week early and passing over Halloween altogether. Pauline Wheeler is trying to honour her dying gran’s last request to find a good home for her beloved pram, “Rosie”, but so far no luck. Meantime, Rosie is being put to more of the 101 uses that she was so famous for with Gran. This week it’s carrying the Guy for the penny-for-the-routine. Rosie does not do much to sort out the problem of the week, which is where to have the bonfire after the kids lose their regular lot for it.

You’d think there would be a Halloween story in the Button Box. Instead, it’s a story to reassure you that a representative will always be on hand to sort out any problems you may have when you are on holiday abroad.

The complete story is about a promising singer, Suzy Nightingale, who loses her power of speech and singing from the shock of her mother’s death. She nurses her namesake back to health when it is injured, and notices that the nightingale has remained silent all the while, just like her. But all of a sudden the nightingale regains its power of song, which prompts Suzy to regain hers.

“Lonely Ballerina” reunites the creative team from ballet story Slave of the Clock. This was the last ballet story Tammy ever published (not counting “I’m Her – She’s Me!”, although it does have ballet in it). Tanya Lane arrives at Mary Devine’s ballet school, only to find it’s nothing but a mess, she’s the only serious pupil there, and there is a mystery to unravel. The reveal (not very credible and does not make the story one of Tammy’s best) is that Mary’s sister Betty has been struggling to keep the ballet school going after an accident rendered Mary catatonic. This was a foolish thing to do, as Betty knows nothing about ballet. Even more unwisely, she tried to conceal Mary’s condition instead of explaining the situation, getting help, and keeping the school closed until her sister recovered. Mary did not do so until the final episode. In the meantime, the school fell apart, efforts to hide the secret from the governors have now failed, the story is all over the newspapers, and the school faces closure. But of course, being a girls’ story, things end happily.

“Lucky by Name” is a foal named Lucky who seems to have powers over other animals. Unfortunately more and more people are beginning to notice. Now Lucky has made two rich and powerful enemies over it, and they look like they are threatening serious trouble.

Glenda gets a really freaky sign that her “glossy pages” have supernatural powers that could be dangerous. Mum lights a fire where Glenda hid her glossy pages and elsewhere, the bike she got from them catches fire! Yet there’s not a trace of damage on the bike or glossy pages. Then there’s even more trouble when the police come around and demand to know where Glenda got that nice stuff that is way beyond her means, and are not going to believe it came from those glossy pages. What can Glenda do? Or, more to the point, what are those glossy pages going to do?

The latest Pam of Pond Hill story ends this week. Dad has been facing down a supermarket rival whose cut-price fruit & veg have been threatening his greengrocer business. But just when that problem looks all sorted out, the supermarket gets vandalised and Pam is suspect because of the recent bad blood between the two businesses and an item, which was given to her, was found at the scene of the crime.

Tammy & Misty 11 October 1980

Tammy cover 11 October 1980

Cover artist: John Armstrong

  • Bella (artist John Armstrong) – new story
  • The Black Stallion (text and spot photo adaptation) – first episode
  • Sandy and Steve (artist Juliana Buch) – first episode
  • The Loneliest Girl in the World (artist Jaume Rumeu) – final episode
  • Looking Good Booklet part 1 – feature
  • Running Rosie Lee (artist José Casanovas) – final episode
  • Edie and Miss T (artist Joe Collins)
  • Cut-Glass Crystal (artist Tony Coleman) – final episode
  • Plain as Pearl (artist Juliana Buch)
  • Dulcie Wears the Dunce’s Hat (artist Mario Capaldi)

 

This issue of Tammy is a milestone in Tammy’s history. Tammy does away with the logo she has used ever since her first issue (with some tweaks) in favour of one with a more modern and heavier typeset. She still has the Misty logo underneath, though.

Tammy also does away with the Cover Girls, who have graced her cover ever since Sandie merged with Tammy. So that’s John Richardson out of a job. The Tammy covers are using a style similar to the one that Jinty used in her early years before she started using story panels: put the opening page of a story on the cover. However, in this case it was one or two of the first panels, used as splash panels on the whole cover, as opposed to resizing the whole of the first page to fit on the cover. So the story still ran for three pages inside. For the most part it was Bella, as is the case here. Putting Bella directly on the cover must have attracted even more readers to her and to Tammy. Not to mention seeing Bella in full colour. Now and then Bella was on hiatus, so Tammy used other serials on the cover. This style was used for Tammy’s covers throughout 1981 and the Jinty merger. It ended with the 10 July 1982 issue.

The new look Tammy also has some new stories to match. The first is a new Bella story. Bella is helping Uncle Jed and Aunt Gert revive their window cleaning business after Jed’s back injury put it out of action and they have been reduced to squatting. So far Jed and Gert have not mistreated Bella the way they used to, but trouble comes in another form. A gang of hooligans blackmail Bella into one of their schemes, threatening to report her relatives for squatting. Then the scheme goes badly wrong when they are attacked by guard dogs.

Tammy also begins another adaptation, that of “The Black Stallion”. But it is the new serial “Sandy and Steve” that is the most striking, and must have caught readers by a most delightful surprise. For the first time, Tammy is running a boyfriend serial. This was really radical for the time, because at that stage girls’ comics did not run boyfriend serials. Boys and boyfriends, when they appeared, were on the periphery. It’s no wonder Sandy became so popular in Tammy. She spawned two sequels, the last of which had her finally having a boyfriend that she and her father could both agree upon. For the first story, though, Dad does not approve of Sandy dating Steve because he’s a real snob and regards Steve as “riff-raff”. So Dad begins his interfering habit of pairing Sandy up with boys that he deems suitable. Unfortunately the boy’s class and business/political connections with the boy’s parents are what dictate Dad’s choices of ‘suitable’ boyfriends for Sandy. He has no consideration for Sandy’s tastes or wishes. Heaven forbid this man ever goes into the dating agency business!

Also new is Tammy’s “Chatterbox” letters page, which includes a pen friends section.

Three serials end this week, which would open up space for more new serials to match the new-look Tammy. In “Running Rosie Lee” (abbreviated to “Rosie Lee” in the issue) the tea theme that’s been running throughout the story ends with it running up against its rival – coffee. “Cut-Glass Crystal” decides to stay on in her father’s hometown of Pitedge despite all the difficulties she has been having there.

The ending for “The Loneliest Girl in the World” is one of the most memorable ever in girls’ comics and still crops up in comic book discussions. In fact, the entry has been updated to include a scan of the episode below. Karen Chalmers finally learns the human race destroyed itself in a worldwide nuclear war and she is the last human. She begs the aliens who rescued her and tried to hide the truth from her to send her back in time before the war so she can die with her parents instead. Moreover, Karen goes back without losing her memory of what happened in the story (as happened in “The Human Zoo”), so she knows what is coming to her and her parents. The story looks like it was originally written for Misty.

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Something very odd happened with this week’s issue of “Dulcie Wears the Dunce’s Hat”: the episodes for this week and last week got swapped. Anyway, in the episode we do get, spiteful Annie Archer takes her tricks up the notch that so many troublemakers do, and it’s the notch that always advances the story to its climax and ultimately, its resolution. Annie is no longer content with getting kicks out keeping Dulcie in the dunce’s hat by sabotaging her schoolwork. After Dulcie unknowingly puts Annie’s nose out of joint in this episode she’s out to destroy Dulcie altogether.

Juliana Buch has started on Sandy while still drawing another of Tammy’s popular serials, “Plain as Pearl”. This could be a sign that Pearl is beginning to reach the end. Pearl Kent has taken a job as a model to raise the money to send her sick mother on holiday. However she has to keep it secret from her foster family or the daughter Claire will be jealous and start spitefully interfering. Now this makes a change, having the protagonist actually anticipating a thing like this instead of the usual format of the antagonist causing trouble for the protagonist behind her back. The episode opens with Pearl having a close call with Claire, but now there’s another problem – Mum has had such a serious relapse and is so unresponsive to treatment that she may never be fit enough for the holiday.