Tag Archives: Lure of the Lamp

Tammy & June 21 June 1975

Cover artist: John Armstrong

Bella at the Bar (artist John Armstrong, writer Jenny McDade)

Waifs of the Wigmaker (artist Mario Capaldi, writer Bill Harrington) – first episode

Red Letter Rosie

Ella’s Ballet Boat (artist Jim Eldridge) – first episode

Aunt Aggie (artist J. Badesa, creator Pat Mills) – return

Bessie Bunter

Lure of the Lamp (artist Christine Ellingham) – Strange Story

You Need Hands – Competition

Wee Sue (artist John Richardson)

No Tears for Molly (artist Tony Thewenetti, writer Maureen Spurgeon)

It’s been a year since June merged with Tammy. How has the merger impacted on Tammy in that time? The June logo is still on the cover, but instead of the Cover Girls we have Bella on the cover this week. Bella, who first appeared with the merger, has clearly become so powerful that she sometimes pushes the Cover Girls off the cover. The John Armstrong artwork on the cover must have been a big attraction as well. 

The second Bella story (by popular demand) is going far longer than the first, not only because of the popularity but also because of the story arc (Bella clearing her name after being publicly disgraced by a jealous rival) requires a whole lot more development and episodes to resolve. It is also much darker than her first story (which was pretty dark as it was), as poor Bella has to battle her way through her wrongful disgrace as well as obstacles set forth by her cruel guardians, nasty tricksters and other enemies in order to keep up her gymnastics. Despite them all, she has done well enough to represent Britain in a championship, but the stigma just keeps catching up again and again.

Also returning from Tammy’s earlier years, by popular demand, is Aunt Aggie. Like “The Honourable S.J.” from Judy, she’s a nasty piece of work and a very crafty schemer who can put on a phoney face of kindness that fools everyone (in Aunt Aggie’s case, as a warm-hearted TV celebrity). Only the long-suffering protagonist who has to cope with her knows the truth. But unlike the Honourable S.J., Aunt Aggie is a full adult, and she is also played for humour, with a hilarious weekly comeuppance as our protagonist foils her nasty schemes. It’s a very deft combination of nastiness and comedy.

Uncle Meanie, who carried over from the Sandie merger, is now gone. Wee Sue, the other addition from Sandie, is now being drawn by John Richardson. The June additions, the Storyteller and Bessie Bunter, have established their staying power. Molly is still going as well, along with the misery-laden Cinderella and slave stories that made Tammy a hit when she was first published. 

The current Cinderella story, “Red Letter Rosie”, is now on its penultimate episode. A new slave story, “Waifs of the Wigmaker”, starts this week. It’s slavery in a Victorian wig factory, and the cruelty is a whole lot more than just exploited workers. The girls are deliberately degraded with measures such as being chained up as they work and newcomers having their hair cropped on arrival and forced to make their first wig with it. The villain of it all, Ma Parting, is an noteworthy one for being totally blind. But her blindness makes her an even more dangerous villain and hard to escape from, because her other senses are so acute they’re virtually superhuman. 

Tammy was never without a ballet story for long. The new one, “Ella’s Ballet Boat”, makes a nice change in having a ballet troupe instead Tammy’s more usual ballet formula in having an individual ballerina as the protagonist. It also gives us more variety of characters and character development. 

Jinty and Penny 23 August 1980

Jinty cover 23 August 1980

Cover artist: Mario Capaldi

  • Pam of Pond Hill (artist Bob Harvey, writer Jay Over)
  • Gaye’s Gloomy Ghost (artist Hugh Thornton-Jones)
  • Tears of a Clown (artist Phil Gascoine)
  • A Spell of Trouble (artist Trini Tinturé)
  • Lure of the Lamp (artist Christine Ellingham) – Gypsy Rose story
  • Tansy of Jubilee Street (artist Ken Houghton)
  • Wonder Woman (feature)
  • Minnow (artist Peter Wilkes)
  • Winning Ways #23: Forward Roll on a Beam (writer Benita Brown)
  • Blind Faith (artist Phil Townsend)

Mario Capaldi brings us a very nice water-skiing cover for this issue of Jinty.

Both “Minnow” and “Blind Faith” are on their penultimate episodes. Minna finds out the hard way that the mystery in her mother’s past is connected to some foreign goons. How hard? These goons have now kidnapped Minna, tied her up, and locked her in the cabin of a ship that is now sailing for an unknown destination. And they aren’t any more cooperative than Mum is when it comes to explaining just what the heck it’s all about.

In “Blind Faith” Clare disguises herself to enter Cromwell in a gymkhana to show he can still jump, even if he is blind. But then the old ghost from the past returns when Cromwell refuses a water jump that is like the one that blinded him in the first place.

In “Pam of Pond Hill” the witch ball helps Pond Hill to win a footy match. But then bad luck strikes when the witch ball gets stolen.

Gaye tries to get Sir Roger to help out with housework. But he can’t seem to put a foot right about it for some reason – like pulling a fast one to get out of it.

Hooray, a policeman catches arch-bully Sandra red-handed when she plays a spiteful trick on poor old Kathy the clown! But then spiteful Sandra twists it to turn the class even more against the poor old clown. Boo! And now Sandra is plotting something even worse – foiling Kathy’s bid to show off her running talent at the local sports centre.

In “A Spell of Trouble”, Mrs Black pulls a body-switching spell so Carrie, in Angela’s body, can fool the Witch Inspector when she calls to see how Angela is getting on at becoming a witch. But Angela, in Carrie’s body, has to dance in the school disco team – and she has two left feet. Afterwards, Angela says she’s moving to a boarding school, away from the Blacks. Carrie thinks this is too good to be true, and it sounds like she’s right.

Tansy of Jubilee Street is still on holiday at a home away from home because everyone else in Jubilee Street is holidaying there too. They might as well have stayed at home.

The Gypsy Rose story is a recycled Strange Story drawn by the unknown Concrete Surfer artist. Sara Warren finds the lights in her street acting in a strange way, and then she sees a lamplighter with a disfigured face – er, hang on, hasn’t electric street lighting made lamp lighters obsolete?