Tag Archives: Martin Puigagut

Princess II, #28 – final issue – 31 March 1984

Princess 28 cover

  • The Secret Swimmer (artist Phil Gascoine) – final episode
  • The Haunted Station (artist Julio Bosch (Martin Puigagut?)) – final episode
  • The Dream House (artist Mike White) – final episode
  • Day and Knight (artist Juliana Buch)
  • Horse from the Sea… (artist Rodrigo Comos) – final episode
  • Stefa’s Heart of Stone (artist Phil Townsend, writer Alison Christie)
  • Rusty, Remember Me (artist Eduardo Feito)
  • Sadie in Waiting (artist Joe Collins)

This is the very last issue of Princess. She came to an end after 28 issues and a disturbing change of format from Girl II style to Tammy style with #19, and an equally disturbing fallback on reprints of older material.

Princess great news 1

The Princess stories that do not carry on into the merger are “The Secret Swimmer”, “The Dream House” (Tammy reprint), “Horse from the Sea” (Jinty reprint) and “The Haunted Station”. The last two are given six page spreads to help finish them off.

The ending of “The Secret Swimmer” is a good one that avoids clichés, and is worthy of Jinty. Liza wonders if there is any point in winning the race because all the girls are against her as they wrongly blame her for Nikki’s accident. But when Nikki herself starts cheering for Liza, the girls turn around and start cheering as well. It gives Liza all the encouragement she needs to really compete – yet she still does not win. She is narrowly beaten, but she’s still a winner because she has friends again.

In “The Haunted Station” the Grices think pushing Helen off the cliff means her inheritance is now in their pocket. They don’t realise a tree root has broken her fall, and Wendy and Linda pull her up. Helen goes on to get help from an old housekeeper, Mrs Burke, but Linda and Wendy are whisked back to their own time before they find out how things turned out. Then, at the next stop on the school trip they are surprised to meet Helen Mills, now an old lady who runs a Tudor Tea Gardens attraction. Yes, everything worked out happily for Helen and justice was done. The elderly Helen is very surprised at how Wendy and Linda look so much like her two helpers.

The two schemers in “Horse from the Sea” come to an even stickier end than the Grices – they get drowned during a flood, and the rightful heir is free from their power.

“The Dream House” turns out to be the result of Miss Royd’s quest for immortality that she had begun centuries before, and she uses the minds of small children to wield her power. Jane manages to turn that power against Miss Royd and re-imprison her in her secret room in the dollhouse. But all it needs to turn Miss Royd loose again is for another small child to find that secret room in the dollhouse…

The stories that continue with the merger are “Day and Knight”, “Stefa’s Heart of Stone” and “Sadie in Waiting”. Sharon Day’s father has married Carrie Knight’s mother despite Sharon’s pleas that Carrie is a bully who makes her life a misery, and has even stolen her beloved guitar. Now the bullying is double the misery because Carrie is now living with Sharon and making her life hell at home as well as school, and Dad just won’t listen when Sharon tries to tell him. Carrie and her gang have trashed Sharon’s belongings and now Carrie’s planning a very nasty surprise for Sharon – a piece of meat in her vegetarian school lunch!

In “Stefa’s Heart of Stone” (Jinty reprint) Stefa tries to get herself expelled in order to get away from Ruth, but Ruth keeps foiling her. Meanwhile, and Stefa and her parents make the move into the council house. Stefa’s stoniness gets her on the wrong foot with the kids in the neighbourhood, who react by throwing stones at the statue Stefa models her stony heart on.

Hiding Rusty the fox from the nasty caretaker Mr Jenkins while his leg is in plaster is proving problematic. Jenkins is already suspicious and now he wants to search the flat – which is precisely where the kids have hidden Rusty.

Princess Bee says Sadie will have to go, and Sadie can’t understand what she did to get sacked when Grovel deserves it more. It turns out to be a misunderstanding – Princess Bee has chosen Sadie to be the one to go the annual servants’ conference. Poor Grovel’s in tears at not being the one, but we all know Princess Bee made the right decision.

Princess II, #27, 24 March 1984

Princess 27 cover

  • Flight from the Romanys (artist Maria Dembilio) – final episode
  • Day and Knight (artist Juliana Buch)
  • The Haunted Station (artist Julio Bosch (Martin Puigagut?))
  • The Dream House (artist Mike White)
  • The Secret Swimmer (artist Phil Gascoine)
  • Horse from the Sea… (artist Rodrigo Comos)
  • Sadie in Waiting (artist Joe Collins)
  • Stefa’s Heart of Stone (artist Phil Townsend, writer Alison Christie)
  • Rusty, Remember Me (artist Eduardo Feito)

This is the second to last issue of Princess II before the merge into Tammy, so it’s an issue where things are beginning to wind down. Finishing this issue is “Flight from the Romanys”, where Lydia, a wealthy lord’s daughter, has been kidnapped by gypsies. She has escaped, but it’s a long way home, and she very nearly gets recaptured as well.

“The Haunted Station”, “The Dream House”, “Horse from the Sea” and “The Secret Swimmer” are on their penultimate episodes.

Liza, “The Secret Swimmer”, has been secretly training for a swimming trophy after she is wrongly blamed of putting her friend Nikki out of it. Her secret is exposed, but she has become so good she is chosen to represent the school at the event. But everyone is so against her because of the wrongful accusation that they are going to cheer for the rival schools. So is there any point in even winning? This story was drawn by Phil Gascoine, and I was surprised to learn it was an original Gascoine and not a repeat from Jinty.

“The Haunted Station” is not so much haunted but a time travel device. Linda Brent and Wendy Smith are finding a converted railway station transporting them to the 1930s (and back again).  Their 1980s clothes are arousing disapproval in the 1930s and making them stick out like sore thumbs: “Girls wearing trousers. It’s disgraceful!” But their real concern is Helen Mills, who is a target for murder because her guardians, the Grices, are after her inheritance. The Grices are getting close to succeeding now; in the final panel Mr Grice pushes Helen over the edge of a quarry.

Evil guardians are also out to steal an inheritance in “Horse from the Sea”, and now they’ve caught our heroine as she tries to phone for help. As with “The Haunted Station” supernatural help is at hand, which comes in the form of a magic horse from the sea.

“The Dream House” (reprinted from Tammy) is more like “The Nightmare House”. Jane Dale is convinced a dollhouse is evil and taking family members away to inhabit it as dolls, and that she is next in line. The weird thing is, the two small children of the family are willing to help it. In this episode Jane discovers that housekeeper Miss Royd is behind it all. In fact, Miss Royd says she came with the dollhouse and lived in it for centuries, and Jane is going to do the same!

“Day and Knight” and “Stefa’s Heart of Stone” are the Princess stories that will carry on in the merger. Stefa’s repeat is now up to the point where she wants to leave her new school because of Joy’s look-alike. She storms into her father’s workplace demanding he remove her from the school, which gets him sacked. He has to take a lower paid job, which means the family has to move to a cheaper council house. But none of this moves Stefa’s stony heart. After efforts to dodge school fail, she plots to get herself expelled as her parents won’t let her change schools.

In “Day and Knight”, Sharon Day’s father now marries Carrie Knight’s mother despite Sharon’s protests that Carrie is a bully who is making her life a misery. He just won’t listen (Gran is the only one who believes Sharon), and that is clearly going to come back to bite him and his new marriage. Meanwhile, the wedding is a day of tears for Sharon that she has to choke down for the sake of Dad’s big day. Even if everything does get sorted out in the end (as we expect), Sharon’s forced smiles will be evident in the wedding photos for years to come and be a painful reminder of what used to be.

“Rusty, Remember Me” is the fox story (every girls’ comic has to have one at some point). Donna Jones has to hide an injured fox because she lives in a flat where pets are against the rules and the caretaker is a nasty piece of work. This week they take the fox to the vet, only to hear that the vet’s advice is put him to sleep.

Sadie in Waiting is the other Princess feature that will carry on in the merger, supplanting the Tammy Joe Collins cartoon, “The Crazyees”. This week they screw down the furniture because of a visit from Lady Edna, who’s the proverbial bull in a china shop because she’s so huge. They are annoyed to find it unnecessary when Lady Edna proves she has slimmed down – but they find they have spoken too soon when her huge friends arrive. And by that time they have removed the screws.

Princess II, #18, 21 January 1984

Princess cover 18

  • Sheena and the Treetoppers (artist Rodrigo Comos)
  • The Ghostly Ballerina (photo story) – final episode
  • Fairy Tale (artist Julio Bosch (Martin Puigagut?)) – final episode
  • School of Dark Secrets (artist Carlos Cruz)
  • Sadie-in-Waiting (artist Joe Collins)
  • Lena Lends a Hand… (artist John Johnston) – complete story

Issue 18 was the last Princess II to use the Girl II format and newsprint that the series had used since #1. From #19, Princess II switched to the same format, newsprint and page count as Tammy. She dropped the photo stories and the colour pages and became an exclusively picture story comic like Tammy. In so doing, she broke away from being the sister comic to Girl II and became more like the sister comic to Tammy, though she did not say so. She hailed the new look as “great news”, but it was clearly anything but. In fact, it was a sign that she was in trouble and cutting costs. This is particularly telling in her reprinting old serials from Tammy and Jinty. Years later these reprints had the benefit of enabling some of the original artwork from IPC girls’ comics to survive, of which very little has. But at the time, a new comic falling back on reprints from older titles was a very, very bad sign.

Princess great news

As Princess II drops the photo stories this issue, naturally this is the last episode of “The Ghostly Ballerina”. Clare finds a way to lay the troublesome ghost of Arabella Hood and free herself from Arabella’s power: create a ballet about Arabella’s life to give her the fame that her premature death deprived her of.

Also ending this issue is “Fairy Tale”, our tale of mixed-up fairy tales. It gets even crazier with a genie who grants two wishes instead of three, and he is so deaf he often mishears your wishes – to the cost of the evil Morgana when she calls upon him for wishes. The greedy Angie does not emerge from the adventure much improved once the girls return home, though she does get a comeuppance for it.

“Lena Lends a Hand…”, the complete story, is clearly a filler story to mark time until the whole new lineup begins in the new look Princess next issue. Lena tries to follow the Brownie motto and lend a hand one Saturday, but her efforts always keep going wrong – until she unwittingly lends a hand to catch a thief.

Judy Marshall is beginning to unravel the mystery of “The School of Dark Secrets”. The school staff are in some sort of secret occult, and they say their thirteenth sister has arrived, which completes the coven. They are referring to a portrait, and when Judy gets a look at it, she finds it is of a girl who looks just like her!

Grovel is taking delight in spooking everyone with the ventriloquism he has learned from a book. But it isn’t long before Sadie learns to fight fire with fire.

A club called the Treetoppers has formed around Sheena’s treehouse. But someone is spying on them. Is it the snobby Beverley Sneed, who’s already suspicious, or someone else? Sheena soon finds that somebody has definitely been around the treehouse, and they’ve stolen her bike too.

Princess II, #16, 7 January 1984

Princess cover 16

  • The Ghostly Ballerina (photo story)
  • Suzy and Snowdrop (artist Peter Wilkes)
  • Fairy Tale (artist Julio Bosch (Martin Puigagut?))
  • School of Dark Secrets (artist Carlos Cruz) – first episode
  • Best of Friends… (photo story)
  • Sheena and the Treetoppers (artist Rodrigo Comos?)
  • Sadie-in-Waiting (artist Joe Collins)
  • Princess Diana Pinup

The cover story is Princess’ one and only ballet story, “The Ghostly Ballerina”. Clare is in the power of a ghost ballerina named Arabella Hood whose power can make her dance brilliantly, but also makes her life a nightmare, and Arabella can harm others around Clare as well. The advantage of doing it as a photo story is that we get correct and graceful ballet; after all, they would have to use real ballerinas for the models. This is something that does not always happen with hand drawn ballet stories (depending on the style and research of the artist). The disadvantage is that the ghost does not look very convincing, especially as the photo story is in colour, which shows flesh colour more. More white makeup on the model or shooting the serial in black and white might have helped.

In “Suzy and Snowdrop”, poor Jane makes a complete fool of herself at a gymkhana when her demanding Aunt Alice forces her to enter it although she’s scared stiff of horses. Then Suzy realises Aunt Alice seems to have a thing about mounting horses herself, and she finds the answer to that mystery when she opens a silver box. But then, it looks like Aunt Alice has driven Jane too far because Suzy discovers she’s run away.

There is some controversy about the artist who draws “Fairy Tale” (below). The work is signed Julio Bosch, but the same or similar style has been ascribed to Martin Puigagut. I don’t know whether it is the same artist using a pseudonym or two different artists with a similar style. Both things have happened in girls’ comics. Some clarity could be useful here. In the story, Jane and her selfish, greedy cousin Angie find themselves in a fairy tale world where all the fairy tales are getting mixed up. They meet the frog prince who needs the kiss of a princess to change him back, and the only ones available are Sleeping Beauty and Morgana, the evil villainess of the story. Then it’s a dash of Snow White when the magic mirror says the awful Angie (of all people!) is the fairest in the land, not Morgana. So Morgana tells her guards to find Angie and “off with her head!” Hmm, do we have a sneaking hope that Morgana will succeed there?

Fairy tale

In “School of Dark Secrets”, Judy Marshall does not like the creepy-looking Miss Grimkin, headmistress of Tadbury Boarding School, who seems unusually interested in her. It should be very suspicious when Judy is given a free space at Miss Grimkin’s school, which has never happened to anyone before. And things sure get creepy when Judy hears chanting in the night. Nobody else does, because it looks suspiciously like they are being drugged from drinking the hot chocolate they receive.

In “Sheena and the Treetoppers”, Sheena Hunter and her siblings are thrilled about the treehouse they have found. They discover the treehouse was very dear to Edwina, a girl who had to leave it behind to get married. Then Sheena starts getting dreams of Edwina urging her to save the treehouse. Is the treehouse haunted or something? I cannot quite identify the artist. I’m leaning toward Rodrigo Comos, but I am not sure.

Sheena

“Best of Friends…” is the old three’s a crowd routine. Katie Thomas and Lizzie Burton have been best friends until Linda comes along and Katie feels she is being shut out of things. Or is it her jealousy and emotional reactions that are tearing the friendship apart? That’s the question this week.

Sadie runs after a piece of litter that Grovel dropped. By the time she catches it and drops it in the bin, she has left a messy trail of chaos behind her. The same gag has also been used in “Snoopa”.