Tag Archives: Mike White

Tammy 6 August 1977

Tammy 6 August 1977

Artist: John Richardson

  • Bella (artist John Armstong) – final episode
  • Maisie of Mo Town (artist Giorgio Giorgetti)
  • Melanie’s Mob (artist Edmond Ripoll)
  • Keeping Pets – Edie’s Hobbyhorse
  • Time Trap! (artist Tony Higham)
  • Edie the Ed’s Niece (artist Joe Collins)
  • Bessie Bunter
  • Molly Mills and the New Boy (artist Tony Thewenetti, writer Maureen Spurgeon)
  • I Wish I Was Someone Else… – Strange Story (artist Ken Houghton)
  • Wee Sue (artist Mike White)
  • Daughter of the Regiment (artist Mario Capaldi)

All this big news about quarantine and self-imposed isolation in the wake of the latest pandemic had me thinking of this Tammy cover. The Cover Girls are in quarantine, and big sister, as usual, gets the short end.

It’s the final episode of Bella’s story, but another Bella story starts next week. Bella is stranded in Canada after her journey to the Montreal Olympics without a passport. She makes a friend in Indian girl Oona Tall Tree and helps a mountaineer whose leg got crushed by a falling tree. They’re all snowed in while he recovers, so Bella will entertain them with stories of her adventures.

“Maisie of Mo Town” is mistaken for a mystery jungle girl from Africa, Bibi, in the press. Kidnappers make the same mistake and lure Maisie away, thinking she’s Bibi. Maisie plays along, pretending to be a dim-witted African girl who speaks only pidgin English and knows little of the 20th century while secretly trying to work out a plan against them. In the meantime, she is having a lot of fun with her pretence and giving them aggravation. Already they’re wondering why they bothered with the kidnapping. We can see this story will be filled with laughs. But it won’t be played for laughs. All the while there will be the serious side of the kidnapping and the mystery of why the kidnappers are after Bibi.

Melanie Newton is rejected by the snooty girls of her new school, who get her banned from their athletics club. Melanie decides to form a team with the ragged Canal Mob, but they think she’s a toff. In this episode she finds ways to test out how good they would be at athletics and seems to getting through to them. They want to have a private chat with her, but is it genuine or a setup?

It is the penultimate episode of “Time Trap!”. A past life regression experiment with Leonie has gone wrong. It’s left her trapped in a hypnotic state where she is reliving a past life as Wat Tyler’s sister on the run from the king when the Peasants’ Revolt failed. Leonie’s sister Jenny is trying to find ways to help her, but it looks like she’s given the wrong advice again – it’s caused Leonie to become stuck in the marsh. What’s more, the way ahead is blocked by the king’s soldiers.

Miss Stackpole has taken the girls to the beach, but the wind is causing problems. However, that’s nothing compared to the problems Miss Stackpole has in bumping into Bessie all the time. Miss Stackpole doesn’t know which is worse – Bessie or the wind. Still, everything blows over and it’s a happy ending.

Pickering wants to get rid of new boy Arthur Sparrow because he thinks Arthur’s being groomed to take his place. Arthur takes the hint and leaves to join the army. Molly informs the recruitment office that he’s underage, but she overlooked one thing: this would land Arthur in trouble for lying about his age. Now Arthur could be up before a magistrate on a charge of false pretences. Oops!

In the Strange Story, Catherine Bridie is your poor little rich girl. Her wealthy uncle is so strict he stifles her freedom and won’t allow her friends. She wishes she could be like village girl Connie, the girl she finds a friend in. Weird events ensue, and Catherine takes Connie’s place and finds friends and happiness.

Wee Sue’s mother wants a tumble dryer and insists Dad spend his bonus on one. Dad is not thrilled at the idea, and his hunt for a tumble dryer gets him into all kinds of trouble as well. And after all that, Mum’s not even using the tumble dryer.

Tessa Mason, the “Daughter of the Regiment”, is determined to clear her father, who was executed for cowardice during the Charge of the Light Brigade. A mysterious Mr Cregan is trying to stop her, and this week he lures her into a trap. She escapes with the help of her mudlark friends, but Cregan now has plans to “spirit her away”.

Princess II, 25 February 1984

Princess II cover 25 February 1984

 

  • Flight from the Romanys (artist Maria Dembilio)
  • The Dream House (artist Mike White) – first episode
  • Laura in the Lyon’s Den! (artist Bob Harvey)
  • Rowena of the Doves (artist Peter Wilkes)
  • The Runaway Clown (artist José Canovas)
  • Stefa’s Heart of Stone (artist Phil Townsend, writer Alison Christie)
  • Sheena and the Treetoppers (artist Rodrigo Comos)
  • Sadie in Waiting (artist Joe Collins)
  • Horse from the Sea… (artist Rodrigo Comos)
  • The Saddest Dog in Town (artist Eduardo Feito)

 

We are now well and truly into the run of Princess II where she is falling back on reprints from Tammy and Jinty. From Jinty we have “Horse from the Sea” and “Stefa’s Heart of Stone”. Many former Jinty readers would have envied Princess readers for getting a reprint of Stefa. Jinty’s letter page indicated there was a popular demand for this serial to be repeated, but for some reason neither Jinty nor the Tammy & Jinty merger obliged. From Tammy we get “Rowena of the Doves” and now “The Dream House”.

Nonetheless, Princess is still producing her own stories. One is the cover story, “Flight from the Romanys”. Lydia Parks is kidnapped by nasty gypsies, for no other reason than to make a slave out of her and profit from the chattels she had on her (rich clothes, a horse). Considering her father is a wealthy lord, they could have shown more imagination than that! This episode is dedicated to establishing just how cruel Lydia’s kidnappers intend to be to her, and Lydia showing us her resolve to escape despite her tears or the gypsies’ attempts to discourage her.

A more savoury gypsy gives “The Runaway Clown” both hope (her father will find her and no going back to the home she ran away from) and fear (danger from an elephant) when she looks into her crystal ball. Of course the fortune teller means Princess, the vicious elephant trainer who has been gunning for Cindy. This time Princess gets caught out and sacked, but has Cindy really seen the last of that nasty piece of work? Time will tell. Meanwhile, the weather presents its own dangers, and it leads to the death of the fortune teller.

Spoiled Laura is showing improvement in the “Lyon’s Den”. But is it genuine, or is it because she hopes to get a shopping trip in Paris out of it? Mrs Lyon suspects the latter, but readers are left wondering if the former is coming into it. Later, Mrs Lyon is surprised to see Laura on television donating her prize pony to the children of the blind home and promptly phones Laura’s aunt as she smells a rat. Is she right?

Two Princess stories, “Sheena and the Treetoppers” and “The Saddest Dog in Town”, reach their penultimate episodes. The Treetoppers are trying to find a missing will that would save their treehouse, but no luck. And now the demolition men are asking the councillor whether or not they have the green light to demolish the old house and the treehouse with it.

Lucy and Martin Denton are not having much luck tracing the owner of the “Saddest Dog in Town” either and turn to the local newspaper for help. Then a lorry passes by and the dog runs after it because he has recognised the engine sound. His rightful owner at last?

Sadie, Cook and Grovel all jump on the table in fright when they see mice on the bench, not realising they are only sugar mice intended as a gift for them. They not only end up feeling very silly but lose their treat as well, because the cat ate the mice.

The Dream House (1977)

Sample Images

 

The Dream House 1a

The Dream House 1b

The Dream House 1c

Published: Tammy 12 March 1977 to 23 April 1977

Episodes: 7

Artist: Mike White

Writer: Unknown

Translations/reprints: Princess (second series) 26 February 1984 – 31 March 1984 (one double episode); Tina #35 1984 as Het mysterie van het poppenhuis [The mystery of the dolls’ house]

Plot

Jan Dale has taken a temporary job as a nanny to a wealthy family. At first glance the house looks a “dream house”, the sort Jan would buy if she won the pools. Then she is informed Mr Glenn the owner disappeared two days ago; just vanished into thin air while gardening, it seems. His disappearance spooked the staff into leaving except the housekeeper, Miss Royd. Mrs Glenn is a bag of nerves, shrieking, “I won’t go in there! Please! Let me stay outside!” Now what can she mean by that? Elder daughter Diana Glenn is a rude, unpleasant type, and the younger children John and Becky are playing with a dolls’ house that is an exact replica of the house. Later Jan learns the busy parents neglected the younger children, so they turned to spending time with it.

Jan notes there are no dolls in the house, but later she and Diana see a doll outside it that looks just like Mr Glenn. Diana thinks it’s her siblings playing a cruel joke, but later Jan hears a voice calling for help from inside the dolls’ house. Becky says it’s “Silly old Dad!” and John aggressively tells her to shut up.

John and Becky show Jan doll’s clothes in the drawer, saying there will be more dolls in the house soon. Jan is shocked to realise the doll’s clothes are replicas of the clothes she brought with her – but how can that be when she only arrived a few hours ago? John says it’s because the dolls’ house knew she would be coming. Miss Royd tells Jan the dolls’ house is evil. Eventually John and Becky tell Jan they found the dolls’ house in a secret room in the house and show it to her.

Mrs Glenn just vanishes into thin air without explanation. Jan hears her voice calling from the dolls’ house and a hand waves from the window in the dolls’ house. Sure enough, it’s a doll-sized Mrs Glenn screaming for help. But when Jan rouses Diana the doll has disappeared. Diana wants Jan out, but the younger siblings insist she stay, and warn Diana she will be the next for the dolls’ house.

That night Jan has a dream of standing outside the dolls’ house, a voice calling her in, and don’t fight it. At first Jan resists but then calms down and welcomes it; it looks so peaceful in there. Then she wakes up, saying the sun woke her up in time from being snatched by the dolls’ house.

The dream is a forewarning of what happens to Diana. Jan sees her abruptly vanish from the grounds and heads to the dolls’ house, where she sees Diana about to open the house, urging it to let her in. Jan stops Diana in the nick of time, and even Diana is becoming convinced Jan is right. She flees the house in terror, but then she does disappear, as do the doll’s clothes that matched hers. Then Miss Royd and Jan see all three dolls in the house.

Realising she is next, Jan tries to destroy the dolls’ house with an axe, but Miss Royd stops her. Then Jan realises something: there are no doll clothes for Miss Royd, so the house was not planning to take her. Now why could that be?

Caught out, Miss Royd reveals she is behind the dolls’ house. She came with it and lived in it for centuries, and Jan and the Glenns are going to do the same. She was a squire’s wife who sought to discover the secret of eternal life. Frustrated with her constant failures she exclaimed, “Let the devil take anything of mine if I can succeed!” At this, a fire broke out, burning her house down, and the dolls’ house mysteriously appeared. Taking it as a sign, Mistress Royd ordered her new house (now the Glenns’) to be an exact replica. She also ordered a secret room to be built into the dolls’ house and the real one. She had the man who built them murdered, but he made a statement before he died, and the authorities came to arrest her. Mistress Royd and her niece Mary headed for the secret room, but soon realise the authorities had been informed about it. Working through Mary’s mind, Mistress Royd hid in the secret room in the dolls’ house. She stayed there until her mind reached out to John and Becky. Like Mary, they were young children, and her mind can only work through children.

Miss Royd says that it’s not just Jan who is going in there now; John and Becky are going in there too, and they are delighted about it: “It’s lovely being a doll!” She has them believe, and they’ll all be very happy in there. However, Jan manages to turn the power of the dolls’ house against Miss Royd: she persuades Becky and John to let Miss Royd go in first and let the family out, saying this will enable Miss Royd to find out how happy she is being a doll. This sends Miss Royd right back into the dolls’ house and frees the trapped people.

Jan soon finds nobody except her remembers what happened. The parents find they suddenly hate the dolls’ house for some reason and want it gotten rid of. So Jan puts the dolls’ house back in the secret room. She can only hope no other child finds it – Miss Royd is still in there, waiting and calling to be let out.

Thoughts

Surprisingly, Tammy didn’t often run serials on evil dolls, objects or influences, which makes the theme quite refreshing here. By contrast, DCT ran such stories with great abandon, which is another peculiar difference between IPC and DCT. Maybe one of these days we should have an analysis on how IPC and DCT had such differing emphases on serial themes and why this might have been.

The story establishes the theme and the mounting evil very quickly, which is not surprising as it has only seven episodes. So there is no padding or drawing out of the plot. The plotting is tight and well paced, and the evil is closing in fast like a tightening coil, which makes it even more gripping and scary. Unlike some evil doll/toy stories, it does not take long for Jan to realise the evil of the house and what’s progressively happening to the people who disappear. After all, it’s pretty obvious, what with the dolls’ clothes matching the people in the house, the dolls being replicas of the vanished people, the cries for help from the house, and what everyone else in the household is saying about the dolls’ house.

Unlike many protagonists in evil influence/object stories, Jan does not have a frustrating time trying to convince anyone what’s going on, only to find everyone thinks she’s nuts. Miss Royd already says the dolls’ house is evil (but of course she knew that all along). The young children know what’s going on but embrace it and even facilitate it. Mrs Glenn can already sense it coming and is scared out of her wits. Only Diana rubbishes it, but deep down she has her doubts, and it’s not long before her doubts turn into terror.

The family dysfunction (neglectful parents, unpleasant big sister) clearly made John and Becky easy targets for the dolls’ house and falling under the power of Miss Royd. It appeared to offer them happiness, comfort and peace, and would make them all one happy family once they were all inside, as dolls. From what we gather from Jan’s dream and how Diana almost got enticed in, this is how it lures them all in and gets the children into its power. Like its real-sized counterpart, it appeared to be the dream house. But once they were all inside, they would soon find it was really the nightmare house. Once released, Dad’s remark that he now hates the dolls’ house for some reason gives the impression that although they don’t remember anything, they will be wiser for the experience and work on being a better family unit.

Miss Royd is clearly a cautionary tale in the consequences of dabbling in the dark arts and tempting the Devil. Though the Devil does not seem to be after souls – after all, what he gives Miss Royd offers eternal life – any gifts from him will have strings attached. The dolls’ house is no exception. It grants eternal life – but from the look of it, it’s eternal life as a doll. Is that really the lovely and happy thing Miss Royd says it is? We don’t think so from the way the Glenns keep screaming once they are trapped in the house. Or Miss Royd herself once she is returned to the house. She screams at Jan to let her out, in the way Mrs Glenn did. Aww, poor diddums Royd – don’t you like it in the dolls’ house, even if it does give you the eternal life you wanted?

The Jinx from St Jonah’s [1974-76]

Sample Images

Jinx from St JonahsJinx from St Jonahs 2Jinx from St Jonahs 3

Published: Jinty 11 May 1974 – 30 October 1976

Episodes: 112 episodes

Artists: Mario Capaldi, Mike White, Hugh Thornton-Jones

Writer: Unknown

Translations/reprints: None known

The Jinx from St Jonah’s was one of Jinty’s very first strips, and it was the longest-running at 112 episodes. It was a humour strip, full of slapstick humour and hijinks galore with Katie Jinks. It’s easy to turn that into “jinx”, and Katie is indeed a jinx by name, jinx by nature. She is a walking disaster area; even innocuous things like playing the triangle, practising yoga, or minding a goldfish lead to hilarious catastrophes in the hands of Katie the Jinx. Even the school staff have to really watch out when Katie’s about.

Though Katie’s classmates know they have to watch out for Miss Klutzy too, there are plenty of times when Katie’s jinxing works to their advantage. For example, they all get a day off school when Katie’s jinxing gets all the school staff sent home, including the headmistress. And Katie is not a jinx all the time. There are occasions when Katie does something right, such as when she figures out a girl who won’t swim has a serious problem and she sets out to unravel what it is. But the time to really watch out is when Katie wants to be helpful because that is when her jinxing is at its worst.

There are plenty of occasions when Katie’s jinxing eventually leads to a happy ending and things work out to everyone’s benefit. But of course the road getting there is full of bumps and high jinxing.

On a frequent basis it’s comeuppance time for many a wrongdoer when Katie’s around. Bullies, gluttons, stuffy teachers, snobs, troublemakers and even criminals are among the unsavoury types who get their punishment from Katie the Jinx, whether she plans it or simply jinxes it. Either way we cheer and laugh when the unpleasant type gets jinxed into their long-awaited comeuppance.

Katie comes from a long line of jinx girls in girls’ comics whose blundering causes scrapes that provide loads of laughs for the readers. “Sailor Sally – She’s All at Sea” (Debbie) and “Simple Simona” (Tammy) were other examples. But Katie was one to reach such heights of popularity in Jinty that she not only ran for two years but also became cover girl, leading off Jinty’s cover with jinx hijinks to pull readers in with a huge laugh. The panel exhibiting the jinxy gag itself, such as Katie tripping over something or getting everyone in a heap, was often given jagged edging for emphasis. Examples of Katie’s glory days on the cover are shown below.

(click thru)

 

 


Edited by comixminx to add: the strip has the power to amuse modern readers just as much. My daughter (8 at the time of writing this) loves Katie Jinks’ hijinks more than just about anything in the comic. We have recently had the pleasure of having Trini Tinturé doing a piece of art for the family, and while my son chose to have himself illustrated with one of his favourite youTubers (Dan TDM), my daughter chose to be illustrated alongside Katie Jinks. Here it is, a new piece of Trini art with a direct Jinty link!

Two kids and two idols
Illustration by Trini Tinturé for two avid comics readers

Tammy 25 March 1978

Tammy 25 March 1978

Cover Artist: John Richardson

  • Melanie’s Mob (artist Edmond Ripoll)
  • Maisie – Fashion Crazy (artist Giorgio Giorgetti)
  • Mask for Melissa – (artist Angeles Felices)
  • Tuck-in with Tammy – Easter Bonnet cake
  • An Easter Bonnet (artist Audrey Fawley) – Strange Story
  • Greetings for Easter – Feature
  • Bessie Bunter
  • Molly Mills on the Run (artist Douglas Perry, writer Maureen Spurgeon)
  • The Black Hunter (artist Ken Houghton) – Strange Story
  • Edie the Ed’s Niece (artist Joe Collins)
  • Wee Sue (artist Mike White)
  • Gail at Windyridge (artist Mario Capaldi)
  • Easter Gifts – Feature

This is Tammy’s Easter issue from 1978. Easter bonnets are a huge feature inside. Tammy presents a recipe for an Easter bonnet cake. Sue designs a winning Easter bonnet for Miss Bigger after accidentally squashing her original. The Storyteller even has a Strange Story about an Easter bonnet that serves as a time travel device. It sets in motion a series of events that make sure a lady’s inheritance does not go to grasping relatives. Edie starts out all eager to eat the Easter eggs she has received. Bessie Bunter and the Editor are among the donors. However, Edie keeps seeing eggs so much in one form or other that she goes off them in the end. “Greetings for Easter” discusses Easter customs. The back cover is a feature on how to make Easter gifts, including Easter cards and Easter egg gift baskets.

Surprisingly, there is no Easter theme in the Bessie Bunter story. Instead, it’s hijinks as Cliff House prepares for a concert. Rather to her chagrin, Bessie is put in cat costume for Dick Whittington (played by Miss Stackpole). Talk about a fat cat!

You may have noticed there is no Bella Barlow in the lineup. Indeed, from 1976 to 1981 Bella followed a pattern where she did not start until April at the earliest. And when she did start, she had plot threads that kept going until late in the year.

“Melanie’s Mob” can be described as the Tammy version of “Concrete Surfer”. Melanie Newton has started a skateboard club and is campaigning to get a skateboarding rink added to the local sports centre. This week things look hopeful when the council says they’ll consider it. But then other clubs pose a problem that could cancel the site the skateboarding club want. Melanie says there’s only one chance, but it means using their skateboarding skills like never before. Now what can she have in mind?

“Maisie – Fashion Crazy” is a sequel to the earlier “Maisie of Mo Town”. Maisie and Mary Malone are in Paris with Gran while Mum’s away. Maisie has a mystery she wants to unravel: why has the man Mum left in charge of business suddenly flown in to Paris as well?

Melissa has developed a real chip on her shoulder about the scars on her face. She can’t bear the sight of her own face, which she hides with a mask while trying to re-establish her performing career. This week she goes into utter hysterics while waitressing when she sees her reflection, smashes the mirror in her room, and also loses a friend with her carry-on.

Molly Mills has returned to a new employer at Stanton Hall. Her existing knowledge of the hall from her Stanton employment is proving a tremendous help to everyone. But her secret about being a fugitive (after being framed for theft) is in danger when a photo of her earlier days at Stanton Hall is uncovered.

At Windyridge, Gail Peters and her father are in similar trouble. They are staying there under false names because Dad has been wrongly branded a horse doper. Unfortunately the residents of Windyridge suspect Dad’s true identity and have called in his previous employer, Owen Winters. Meanwhile, Winters is looking increasingly suspicious himself. Gail has linked him to sabotage at Windyridge, and then she overhears a conversation that suggests Winters had a hand in that horse doping. Well, well, well!

There is also a bonus Strange Story. Now and then Tammy treated her readers to one. “The Black Hunter” is said to revive if his horn is blown three times. June Warren has already blown it twice. Will she blow it the fateful third time or will she see the danger in the nick of time?

Tammy 9 April 1977

Tammy cover 9 April 1977

Cover artist: John Richardson

  • Witch Hazel (artist Giorgio Giorgetti)
  • Towne in the Country (artist Mario Capaldi)
  • Copper’s Kid (artist Eduardo Feito)
  • The Elephant and Castle Case (artist John Armstrong) – Strange Story
  • Bessie Bunter
  • Molly Mills and the War Games (artist Tony Thewenetti, writer Maureen Spurgeon) – final episode
  • Wee Sue (artist John Richardson)
  • Edie the Ed’s Niece (artist Joe Collins)
  • Katie on Thin Ice (artist John Armstrong) – final episode
  • The Dream House (artist Mike White)

We continue honouring the upcoming Easter season with Tammy’s Easter issue from 1977. Strangely, we have just one Cover Girl this week. Her daydream is about to send sticky goo from her Easter egg all over her head, and big sis is not around (for once) to handle the situation – or laugh at it, maybe?

Poor Bessie Bunter does not fare much better. To her mind, Easter is “Feaster”, but what she gets is far from feasting. She does not have enough money for a decent Easter egg. She tries to run away to Easter Island in the mistaken belief she would find one there. But all she gets in the end is a boiled egg because she missed her tea.

Edie goes egg-rolling, and her egg ends up going all over Farmer Grump, who really is a grump. Moreover, she forgot to hard-boil it, so he’s even grumpier. But not Edie, who still has her chocolate Easter egg.

Sue’s school is chosen to appear on a community singing TV programme at Easter. But Miss Bigger is threatening to ruin it and not only with her terrible singing voice – she’s also over-dressed herself in an Easter outfit.

There is no Bella Barlow. Instead, John Armstrong has been drawing a period story, “Katie on Thin Ice”, probably because ice-skating is such a feature in the story. Katie Williams has fallen foul of a Fagin-style racket run by Mrs Winter, who also forces her to use her ice-skating skills to commit crimes. And now Mrs Winter is out for murder by sending the whole ice fair under the ice with salt. Katie has to stop Mrs Winter and save her imperilled friends while keeping ahead of the authorities who are out to arrest her. Katie is replaced by a ballet story next week, “The Dance Dream”, so still no Bella.

John Armstrong is also drawing this week’s Strange Story, which has some reference to Easter, but even more to Sherlock Holmes. Joan Watson is sent to take her mother’s necklace to Baker Street for re-stringing, but she loses it. Then she gets knocked down by a car, and goes into a garbled dream (or something) where Sherlock Holmes himself offers his services to help locate the necklace. When Joan wakes up, the dream has given her enough clues to track down the necklace.

“Witch Hazel” is a Catweazle-type story where a 16th century witch named Hazel comes to the 20th century to learn witchcraft, and does not understand that she’s in the wrong century for witchcraft. Hazel’s first day in a 20th school is taking the science teacher by surprise: she demonstrates alchemy! Then Hazel reacts with horror at the sight of the school gym. Does she think it’s a torture chamber or something?

“Towne in the Country”, which had started out as Tammy’s answer to “All Creatures Great and Small”, took a jarring change of tack when Val Towne sets out to find her father, who had failed to return from an African expedition. This would have been better as two different serials. At any rate, Val and her companions have now been captured by a hostile African tribe. And from the looks of the idol they have been brought to, they are to be sacrificed to the tribe’s god.

Gill Warden has been having a hard time being accepted in the village her policeman father has been transferred to. They call her “copper’s kid”, but now there’s another reason for their hostility: they are hiding a secret from her, and they will only show it to her if she agrees to be blindfolded while they escort her.

Stanton Hall has been taken over by soldiers – but then Molly finds out they are criminals planning to spring their buddies out of jail. It’s Molly’s quick wits and resourcefulness to find a way to outwit them.

“The Dream House” was reprinted in Princess II. It is far from dreamy, though – it’s an evil doll house that is progressively taking away all the older members of the household, and the two youngest children are helping it for some reason.

Tammy 17 February 1979

Tammy cover 17 February 1979

Cover artist: Giorgio Giorgetti

Contents

  • Mouse (artist Maria Dembilio)
  • A Girl Called Steve (artist Diane Gabbot)
  • My Terrible Twin (artist Juliana Buch)
  • Shadow on the Stage (artist Tony Coleman)
  • The Moon Stallion (artist Mario Capaldi) – adapted from TV series
  • Bessie Bunter
  • Molly Mills and the Haunted Hall (artist Douglas Perry, writer Maureen Spurgeon)
  • The Holden Hunt – Strange Story (artist Bob Harvey)
  • Make a Valentine Card…and Cookies – feature
  • Wee Sue (artist Mike White)
  • Thursday’s Child (artist Juan Solé, writer Pat Mills)
  • Have a Hearty Party! – feature

 

In honour of Valentine’s Day we profile Tammy’s Valentine issue for 1979, which I have just acquired.

The cover leads off the Valentine theme. Unusually, it is drawn by Giorgio Giorgetti instead of the regular cover artist, John Richardson. Tammy is the great lover on the cover instead of boys for the Cover Girls.

Inside, there are two Valentine features: one gives instructions for making Valentine cards and cookies, and the other gives tips on throwing a Valentine’s Day party. Inside, Wee Sue honours the event – in spite of Miss Bigger, who lumbers the whole class with a monstrous homework paper on Valentine’s Day because she’s upset at not getting a Valentine. Sue comes up with a solution once she acquires a box of reject Valentine cards – send them to Miss Bigger. Eventually this teaches a tight-fisted manager a lesson into the bargain when Miss Bigger takes him for the lover who sent her the Valentines. When you think about it, he and Miss Bigger would make a perfect match.

Tammy could have used Bessie Bunter and the Storyteller to enhance the Valentine theme as well. There are plenty of Bessie Valentine episodes they could have recycled and the Storyteller could have given a Strange Story with some romance in it. Instead, the Cliff House heating is busted and the caretaker is ill. Bessie ‘helps’ Miss Stackpole to fix it while trying to take advantage to swipe food from the kitchen, but it rebounds in the end. The Strange Story has an anti-fox hunting message. Lee Parsons is wearing a fox fur while running through a wood during an emergency. All of a sudden it feels and sounds like there is a fox hunt after her, and it’s terrifying. It mysteriously stops when Lee drops the fur, and later she finds out the date is the anniversary of the old annual Holden fox hunt.

You may have noticed from the lineup above that there is no Bella Barlow. Yes, she’s on hiatus. In a few weeks we learn she has been sailing home to Britain after two years of adventures and misadventures in various countries abroad, including Canada (Montreal Olympics) and Australia. Of course trouble isn’t far away once she docks, which sets the stage for her 1979 stories…but we’re getting a bit far ahead.

Tammy did many adaptations from books and TV series. This time she’s running an adaptation of “The Moon Stallion”. It is in the picture story format but uses story text in each panel instead of dialogue balloons.

“Mouse” is really ahead of its time for portraying child abduction, international custody disputes and girls being sold into forced marriages years before “Not Without My Daughter” and “Sold”. Mary “Mouse” Malloway is kidnapped by her father and brought to Sicily, where her tyrannical grandmother intends to sell her into a forced marriage in exchange for a vineyard. But in this episode, after Mouse makes it clear to her father how unhappy she is about that, he seems to be discreetly teaching her a few things that could be useful for an escape. Could he be actually helping her to do so?

“My Terrible Twin” was reprinted by popular demand in 1984. Lindy is on parole from a remand home. She has stopped the shoplifting that got her convicted, but she is having lapses of thoughtlessness and irresponsibility, and her sister Moira suffers for it. By the end of this episode Moira has had enough and she’s in tears, but she is failing to see that what Lindy is doing now could be considerate this time.

Jan Gregg is being harassed by a shadowy figure at Olivia Oldborne Memorial Stage School. It’s even made several attempts on her life. Now the Shadow has come right on stage and cornered Jan, saying “Little fool, to think you could ever rival the great Olivia Oldborne!” Hmmm, now that sounds like a clue!

Stephanie “Steve” Sutton is also being harassed while accompanying her father’s archaeological dig at Clambourne Bay. The villagers round on Steve, saying the dig has brought a curse on the whole village because it disturbed a monster called “the Acum”. But it isn’t long before we see clues that the Acum is a hoax and enemies are responsible for whatever’s going on.

Despite the title for the latest Molly story, the hall is not haunted. The ghost is a cover story for Molly’s high-spirited kid brother Billy, whom she’s trying to hide in Stanton Hall while her family visits a sick relative. But Molly will be fired if she is found out, and Pickering, who suspects what she is doing, will be very happy to see that. And this time it looks like Pickering really is going to catch Billy.

“Thursday’s Child” was one of Pat Mills’ most popular Tammy stories and one of her very best. Life has been good to Thursday Brown until she decides to use a Union Jack flag for a bedspread, despite her mother’s warnings that there is something about that flag. Soon after, a girl named Julie appears in Thursday’s bed, who claims to be Thursday’s daughter from the future. But for some reason Julie has nothing but hate for her future mother and makes her life a misery. The reason for Julie’s hatred seems to be linked to being paraplegic – and at the end of this episode, Thursday suddenly finds she has lost the use of her legs for no apparent reason, and Julie is gloating over her.

Princess II, #26, 17 March 1984

Princess cover 26

  • The Secret Swimmer (artist Phil Gascoine)
  • The Dream House (artist Mike White)
  • Rusty, Remember Me (artist Eduardo Feito)
  • Stefa’s Heart of Stone (artist Phil Townsend, writer Alison Christie)
  • Day and Knight (artist Juliana Buch)
  • Are You a Teacher’s Pet? (quiz)
  • Flight from the Romanys (artist Maria Dembilio)
  • Fun Fair – puzzles
  • Horse from the Sea (artist Rodrigo Comos)
  • The Haunted Station (artist Julio Bosch)
  • Sadie in Waiting (artist Joe Collins)

 

The merge into Tammy is in three weeks, so how does this issue contribute towards the merger? “The Dream House” has a double episode, it looks like “Flight from the Romanys” is getting close to finishing, but “The Secret Swimmer”, “The Haunted Station”, “Rusty, Remember Me” and “Day and Knight” are on their second episodes. And anyone familiar with the original run of “Stefa’s Heart of Stone” knows it still has a long way to go.

Liza now becomes “The Secret Swimmer” and secretly training for the event Nikki is now out of, because she feels it is the only way to get the girls to talk to her again after wrongly blaming her for Nikki’s accident. But getting up at early hours for training and pushing herself too much are beginning to take their toll.

Mr Day is pushing headlong into his new marriage with Carrie Knight’s mother, despite protests from his daughter Sharon that Carrie is bullying her. Dad is not listening and Carrie is very good at pulling the wool over his eyes. And now Carrie is causing another heartbreak for Sharon – she has to rehome her beloved cat Monk because of Carrie’s asthma.

In “Stefa’s Heart of Stone”, Dad’s job is on the line because of Stefa’s tricks to dodge Ruth, Joy’s look-alike at school. Stefa gets no sleep because her heart of stone is struggling against her guilty conscience. But conscience does not win, and neither does common sense. By the final panel it looks like Stefa will indeed get Dad sacked because of her wanting to avoid Ruth.

Donna Jones needs a vet for the injured fox cub, now named Rusty, but money is a problem. And there is another problem – animals aren’t allowed in their flat, and the caretaker is not the sort who would understand the situation.

Jan Dale is becoming more convinced that the doll’s house is evil and taking away the elder members of the family she is working for. Now Diana, the eldest daughter, has disappeared like the parents, but the two youngest kids seem to be helping it.

Lydia Parks, who has only just escaped from the gypsies who kidnapped her, now has to escape from a workhouse. She finally does, but it’s now more urgent than ever to get home, because her sick friend at the workhouse badly needs help.

In “Horse from the Sea”, Janice and Tracey Penrose discover a rift in the Penrose family that stems from when Charles Penrose blamed his father for a mining accident because the old miser was cutting corners at the expense of safety. It would not be surprising if Janice’s stepfather was descended from the old meanie, because it looks like he’s deliberately keeping Janice an invalid so she won’t inherit, and committing other fraud too.

“The Haunted Station” is more like a time travel device. It has already sent Linda Brent and Wendy Smith to the 1930s, where they get entangled with a frightened girl who is being chased by someone. Now it looks like it’s about to send them back to the 1930s again.

Princess Bee wants to go riding – and so does Grovel. He ends up regretting it because Princess Bee uses him for her mount after he messes things up (below).

Sadie in waiting riding
Horse hijinks, “Sadie in Waiting”, Princess II, 17 March 1984

Tammy 20 May 1978

Tammy cover 20 May 1978

Cover artist: John Richardson

  • Bella (artist John Armstrong)
  • Down to Earth Blairs (artist José Casanovas)
  • Mask for Melissa (artist Angeles Felices)
  • Get Set for Chess
  • Betta to Lose (artist Tony Coleman)
  • Bessie Bunter
  • Molly Mills and a Life of Crime (artist Douglas Perry, writer Maureen Spurgeon)
  • The Samaritan – Strange Story (artist Hugo D’Adderio)
  • Edie (artist Joe Collins)
  • Wee Sue (artist Mike White)
  • Circus of the Damned (artist Diane Gabbot)

 

Do you remember the first Jinty, Misty, 2000AD or other favourite comic you ever bought from the shelves? Well, this was the first Tammy I ever bought, and it was from here that my attraction to Tammy and other girls’ comics began.

I suspect even the British bobbies would get a laugh out of the joke on the cover and maybe even pin it up at the station. Perhaps Tammy knew that the UK police slang for traffic warden is “Gestapo”.

Bella has received a new job offer from a Mr Cox to introduce gymnastics to Port Tago, Australia. But when she tries to enter his hotel she gets barred because of her scruffy appearance (yes, they do have a point there Bella, and I for one would love to give you an Oubapo makeover!). So she resorts to breaking into the hotel, which gets her taken for a burglar. Can she get Mr Cox before the hotel gets the police onto her?

“Down to Earth Blairs” is Tammy’s answer to “The Good Life”. Redundancy has made the Blair family resort to a life of self-sufficiency, which they’ve come to enjoy, but there are still problems in how to make ends meet. This week it’s how to raise money to pay the rates. A gift from a gypsy gives the daughter Betsy the solution – homemade dolls made out of gypsy clothes pegs.

Melissa Mappin uses a mask to hide facial scars and works under the alias Gail Traynor in a London stage production. But hiding her face and true identity is causing problems, including giving the false impression she is stuck up. Worse, a girl who knew Melissa before the accident that scarred her face has shown up and is getting suspicious of her.

School sports star Betta James decides to start deliberately losing because she is tired of how the school and parents make her win sports all the time at the cost of social life, education, time for herself, and even being able to eat what she likes. But Betta is finding out that deliberately losing is not that easy because she is the winning kind by nature, so now she is resorting to sabotage. Unfortunately another girl is wrongly blamed for Betta’s self-sabotage. What can Betta do?

Miss Stackpole’s lesson on ancient Egypt sends Bessie off into one of her dream sequences. In the dream, she and Miss Stackpole are slaves in ancient Egypt and try to make a run for it. This leads to hijinks in the tomb of King Tut. The dream sequences in Bessie Bunter were always a favourite of mine because seeing the characters get so mixed up and put into different contexts was so funny.

Molly Mills has been on the run ever since Pickering framed her for theft from her employers, the Stantons. Now Molly’s sister Peggy is going off the rails and turning to actual crime. Molly has to resort to some shrewd measures to get Peggy straight again. Now that’s done, Molly is heading back to Stanton Hall, of all places.

There is nothing supernatural in this week’s Strange Story, although the superstitious fools in the story think otherwise. False accusations of witchcraft are levelled against a 17th century French charity worker, Marie Bisset, because her enemies want her out of the way. Fortunately Marie receives warning, and her uncle is also there to help her flee. Their escape has their pursuers actually thinking Marie has made herself disappear by witchcraft.

It’s fund-raising time for Wee Sue this week, and her big idea is the greasy pole challenge. Although it raises plenty of funds, it leads to a sticky situation in the end.

Carla Keble has been taken for tightrope star Princess Astrid and brought to Yablonski’s circus. Yablonski wants to make his circus the greatest show on Earth, which he does by blackmailing his performers into dangerous stunts, with no regard for their lives. How many people has he killed because of this? He also holds them prisoner with electric fences, guards and guard dogs, as Carla finds out when she tries to escape that night.

Princess II, #28 – final issue – 31 March 1984

Princess 28 cover

  • The Secret Swimmer (artist Phil Gascoine) – final episode
  • The Haunted Station (artist Julio Bosch (Martin Puigagut?)) – final episode
  • The Dream House (artist Mike White) – final episode
  • Day and Knight (artist Juliana Buch)
  • Horse from the Sea… (artist Rodrigo Comos) – final episode
  • Stefa’s Heart of Stone (artist Phil Townsend, writer Alison Christie)
  • Rusty, Remember Me (artist Eduardo Feito)
  • Sadie in Waiting (artist Joe Collins)

This is the very last issue of Princess. She came to an end after 28 issues and a disturbing change of format from Girl II style to Tammy style with #19, and an equally disturbing fallback on reprints of older material.

Princess great news 1

The Princess stories that do not carry on into the merger are “The Secret Swimmer”, “The Dream House” (Tammy reprint), “Horse from the Sea” (Jinty reprint) and “The Haunted Station”. The last two are given six page spreads to help finish them off.

The ending of “The Secret Swimmer” is a good one that avoids clichés, and is worthy of Jinty. Liza wonders if there is any point in winning the race because all the girls are against her as they wrongly blame her for Nikki’s accident. But when Nikki herself starts cheering for Liza, the girls turn around and start cheering as well. It gives Liza all the encouragement she needs to really compete – yet she still does not win. She is narrowly beaten, but she’s still a winner because she has friends again.

In “The Haunted Station” the Grices think pushing Helen off the cliff means her inheritance is now in their pocket. They don’t realise a tree root has broken her fall, and Wendy and Linda pull her up. Helen goes on to get help from an old housekeeper, Mrs Burke, but Linda and Wendy are whisked back to their own time before they find out how things turned out. Then, at the next stop on the school trip they are surprised to meet Helen Mills, now an old lady who runs a Tudor Tea Gardens attraction. Yes, everything worked out happily for Helen and justice was done. The elderly Helen is very surprised at how Wendy and Linda look so much like her two helpers.

The two schemers in “Horse from the Sea” come to an even stickier end than the Grices – they get drowned during a flood, and the rightful heir is free from their power.

“The Dream House” turns out to be the result of Miss Royd’s quest for immortality that she had begun centuries before, and she uses the minds of small children to wield her power. Jane manages to turn that power against Miss Royd and re-imprison her in her secret room in the dollhouse. But all it needs to turn Miss Royd loose again is for another small child to find that secret room in the dollhouse…

The stories that continue with the merger are “Day and Knight”, “Stefa’s Heart of Stone” and “Sadie in Waiting”. Sharon Day’s father has married Carrie Knight’s mother despite Sharon’s pleas that Carrie is a bully who makes her life a misery, and has even stolen her beloved guitar. Now the bullying is double the misery because Carrie is now living with Sharon and making her life hell at home as well as school, and Dad just won’t listen when Sharon tries to tell him. Carrie and her gang have trashed Sharon’s belongings and now Carrie’s planning a very nasty surprise for Sharon – a piece of meat in her vegetarian school lunch!

In “Stefa’s Heart of Stone” (Jinty reprint) Stefa tries to get herself expelled in order to get away from Ruth, but Ruth keeps foiling her. Meanwhile, and Stefa and her parents make the move into the council house. Stefa’s stoniness gets her on the wrong foot with the kids in the neighbourhood, who react by throwing stones at the statue Stefa models her stony heart on.

Hiding Rusty the fox from the nasty caretaker Mr Jenkins while his leg is in plaster is proving problematic. Jenkins is already suspicious and now he wants to search the flat – which is precisely where the kids have hidden Rusty.

Princess Bee says Sadie will have to go, and Sadie can’t understand what she did to get sacked when Grovel deserves it more. It turns out to be a misunderstanding – Princess Bee has chosen Sadie to be the one to go the annual servants’ conference. Poor Grovel’s in tears at not being the one, but we all know Princess Bee made the right decision.