Tag Archives: Olympics

Tammy 14 August 1976

Tammy cover 14 August 1976

Cover artist: John Richardson

  • Bella at the Bar (artist John Armstrong)
  • Towne in the Country (artist Mario Capaldi)
  • Storm over Jerra Island – Strange Story (artist Veronica Weir)
  • Tag Along Tania (artist Giorgio Giorgetti)
  • Bessie Bunter
  • Molly Mills and the General Strike (artist Tony Thewenetti, writer Maureen Spurgeon)
  • Wee Sue – artist John Armstrong
  • Drawn to Destiny – Strange Story serial (artist Tony Higham)
  • Odds on Patsy – final episode (artist Eduardo Feito)

The issue for 1976 in the Tammy round robin is 14 August 1976. The cover is one of my favourites. The Star Trek reference makes it particularly funny if you like Star Trek. It’s a change having a pesky kid brother (or is it a cousin?) instead of a kid sister for the Cover Girl to deal with. And there is another in-joke with the reference to Dan Dare, the famous space adventurer from Eagle. Tammy did not go for SF as much as Jinty – you see SF more often in the Strange Stories than Tammy’s serials – so it’s great to get an SF reference on the cover.

The Olympics featured heavily in Tammy in 1976, which was the year of the Montreal Olympics. Bella has an Olympics-themed story, complete with the Olympics rings being added to her logo. Bella is trying to reach the Montreal Olympics although she has no passport and was passed over for the British team thanks to Jed and Gert Barlow. Right now she is stranded in France with an acrobatics team. They are stringing her along with false promises of getting her to Montreal, and Bella has not yet realised their game. Moreover, her desperation to find gym equipment to train on has landed her in a sticky situation. Later the same year Tammy ran her Olympics-themed classic, Olympia Jones.

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Another thing to run strongly in Tammy in 1976 was stories published at readers’ requests, by open invitation from Tammy. One starting next issue is “Dumbells Academy”, about a school run by the most incompetent staff in the world. This story appeared at the suggestion of one reader: “I’d like to see a story about a school where all the staff are really nutty.” It replaces “Odds on Patsy”, a horse story where Tammy opted for a story on horse racing and jockeys, which makes a nice change from show-jumping. Could the same writer have written “Gail at Windyridge”, another story on jockeying that appeared in Tammy later on?

Expanded Strange Stories also appeared at readers’ requests, which ran for several episodes. The current one is “Drawn to Destiny”, about Diane Hudson, a girl who is jealous of her twin sister Sylvia. And when Diane takes up drawing, her jealousy takes a sinister turn when whatever she draws seems to come true. It starts really scaring her and she doesn’t know what to think, but her jealousy is intensifying too.

Although we have a Strange Story serial, the regular Strange Story continues. This week’s mystery is how the villagers of Jerra Island managed to evacuate from a volcanic island in the 19thcentury. According to legend, the pastor had a vision of it, but how did that happen? And how did Brenda’s church snowstorm souvenir get encased in lava for over 100 years near the site where the pastor saw the vision? She only bought it that day!

Girls’ serials did not often delve into politics, but Molly gets badly tangled in local politics when Lord Stanton has her and Pickering running a bus service during a nationwide strike in support of miners demanding better conditions. This does not please the strikers because it’s blacklegging. It is quite funny seeing the bully butler Pickering in a bus driver’s outfit though! However, Molly has worse problems now than the strike and blacklegging – she is trapped in a crumbling mine with Pickering and Lord Stanton.

Local politics are also a feature in Wee Sue. The council is building an old people’s centre but the oldies don’t want it because they don’t think it’s sound enough. Meanwhile, Sue and her friends would have loved the same site for a roller skating rink. Sue’s suggestion to the council: turn it into a community centre and convert the roof into a skating rink. Now everybody’s happy.

Tania Foster has always been the muggins and dumping ground of the gang of she hangs out with. Now she realises it, she is trying to stand up for herself. The trouble is, they keep finding ways to keep her put upon, including blackmail and dirty tricks. This week they push her into doing all their maths homework for them at the disco while they enjoy themselves and laugh at her. Too bad for them they forgot a noisy disco was not the best place for Tania to concentrate on maths and they end up in detention for “disgusting” homework. It is one of many instances where their treatment of Tania backfires. But Tania is still the muggins of the gang and finding a way to get them to treat her with respect is proving elusive.

“Towne in the Country” is a period story where All Creatures Great and Small meets “Cathy’s Casebook”. Valerie Towne and her vet father have moved to a new post in the country. Valerie soon realises she is going to be deeply involved in her father’s work, but she is not all that confident around animals. And there are other problems such as their vet’s clinic being a mess and queues of kids lining up with pets, expecting Valerie to cure them. And now Valerie and her father have a jumbo-sized problem – treating a sick circus elephant!

Bessie and her class go to the fair. After a series of mishaps, hijinks and getting messed up, everything ends happily for Bessie – with lots of food, of course.

Olympia Jones (1976-1977)

Sample Images

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Publication: Tammy 2 October 1976 to 1 January 1977

Episodes: 14

Reprint / translations: Tammy & Misty 25 April 1981 to 25 July 1981; Een paard voor Olympia [A Horse for Olympia], Tina Topstrip #31

Artist: Eduardo Feito

Writer: Anne Digby

Here we take some time out from Jinty to discuss one of Tammy’s classic and best-remembered stories, Olympia Jones. 

Plot

Olympia Jones is the daughter of an equestrian Olympic gold medallist, Captain Rupert Jones. She has been reared to follow in his footsteps and win an Olympic gold too; hence her name. Jones was reduced to animal trainer at Rott’s Circus after a riding accident disabled him and ended his show-jumping career. Jones makes such a profit for the circus because of his fame that Rott is anxious to keep him pleased. For this reason he tells his spoiled daughter Linda that he cannot exclude Olympia from her circus horse act, much to Linda’s chagrin. Linda is jealous of Olympia always being the crowd favourite in the act; this is because she has far better rapport with the horses (and animals) than Linda does.

But things change when Olympia is orphaned in a crash. Rott wastes no time in removing Olympia from Linda’s act and reducing her to animal trainer. All the same, it is Olympia’s training of the horses that makes Linda’s act so sensational and elevates Linda to star status, not any real talent on Linda’s part. A far more crippling blow for Olympia is that she is no longer able to compete in gymkhanas, so her Olympic dream seems to be over.

Then Rott buys a new horse for Linda’s act. His name is Prince and he needs special care and attention because he has been cruelly treated. Animal-loving Olympia is only too happy to provide it. Unfortunately Prince gets off to a bad start with Linda because she looks like his cruel owner, so from then on she regards him as “a bad tempered brute” and does not give him a chance. When Prince doesn’t perform for Linda the way he does for Olympia she starts beating him. And when he shows her up in front of the crowds on opening night she is so furious she gives him an extremely ferocious beating. This leaves him extremely subdued and miserable when he performs on the second night.

In the audience is Horace Phipps, an inspector from the League of Love for Animals (LOLA) who is paying a routine visit. Phipps notices how miserable Prince is, and immediately suspects what is happening. Before long he has photographed the evidence of Linda’s cruelty and confronts Rott over it. Rott covers up for Linda and saves himself from prosecution by putting the blame on Olympia, dismissing her without references, and ordering her to leave the circus.

Olympia realises Rott made a scapegoat of her to get out of trouble with LOLA, but she can do nothing to prove her innocence. However, she is not going to leave Prince with Linda Rott, so she does a midnight flit with him, leaving her antique gypsy caravan home in exchange. This exchange satisfies the Rotts (for the time being) and they think they are well rid of her and Prince. But what Rott did will come back to bite, because there is one thing he overlooked when he sacked Olympia…

Next morning Olympia secures a job as a pony trek leader at Summerlees Adventure Centre by impressing the staff so much when she saves a rider after his horse bolts. Olympia and Prince are much happier at Summerlees than they were at the circus. But Olympia strikes problems with a difficult pupil, Amanda Fry, who makes liberal use of a crop on her pony. (Ironically, Amanda’s father turns out to be the LOLA President.) Naturally, Olympia clamps down very hard on this and does her best to educate Amanda in handling her pony better. It doesn’t really sink in until Amanda’s use of the crop makes her pony bolt and she almost gets killed. After this, Amanda reforms. While galloping to Amanda’s rescue Olympia discovers Prince is a born show-jumper and has what it takes to become a champion. All of a sudden, her Olympic hopes are rising again.

With the help of the senior trek leader, Miss Carson (Carsie) Olympia begins to train Prince as a show jumper and they are soon winning some very classy events. This draws the attention of the Olympic Team Selection Committee. They ask Olympia to enter a list of qualifying events to get into the British team. Unfortunately Olympia has to enter them without Carsie’s help because Carsie suddenly has to go and nurse her ailing mother in Malta. When Summerlees closes for winter Olympia gets a farming job with one Farmer Bry, who agrees to provide transport to her events.

Olympia makes such progress that she is now making big news, which unfortunately catches the attention of the Rotts. Their circus is now suffering because Linda’s formerly sensational horse act and the animal training have deteriorated without Olympia – the thing Rott had overlooked when he sacked her. They realise Prince is now worth a fortune as an Olympic prospect and hatch a plan to make it all theirs, with LOLA doing all the dirty work for them.

So Rott goes to Phipps with his old (but not officially invalidated) ownership papers of Prince and a concocted story that Olympia stole Prince in revenge for her dismissal. He wants LOLA to get Prince back for him because he is afraid of the ‘cruel methods’ Olympia must be using to turn Prince into a champion, but does not want the police involved. Phipps promises Rott that he will intercept Olympia at her next event and get Prince back off her.

But Olympia and Prince slip through Phipps’ fingers and go on the run, which forces Phipps and the Rotts to call the police. Olympia has one last event to win to secure her place in the Olympic team. She manages it by disguising Prince, but finds the police waiting for her afterwards. She is arrested and Prince is returned to the circus (after a terrible struggle).

When the news breaks, it causes a national sensation. Amanda cannot believe it when she hears about the cruelty allegations against Olympia. Still owing Olympia for saving her life, Amanda mounts a secret vigil on Rott’s Circus, armed with a camera. She eventually captures the evidence proving Linda, not Olympia, mistreated Prince. When Phipps presents his evidence of Olympia’s ‘cruelty’ at the trial, the defence counters with Amanda’s evidence. Linda flies into such a tantrum at being caught out that she has to be restrained by policemen, and her guilt is exposed to the court. The reactions of LOLA and the fates of the Rotts are not recorded, but of course the jury acquits Olympia – and after an extremely short deliberation.

Three days later Olympia is reunited with Prince and now has official proof of ownership. The same month (and one panel later) Olympia wins her Olympic gold. When she returns to Britain, Carsie is waiting for her. Carsie’s mother had passed over but left a house in Malta that she invites Olympia and Prince to share.

Thoughts

When Olympia Jones was first published there could be no doubt it was inspired by the 1976 Montreal Olympics. Montreal was extremely topical in Tammy’s 1976 year, probably because Bella was making a bid for it in her 1976 story. Olympia certainly had more luck at the Olympics than Bella, who had to settle for participating in the opening ceremony after being denied the chance to compete. Olympia Jones does not specifically refer to Montreal or any other particular Olympic Games. So in that regard it does not become dated as the Montreal Bella story eventually would.

In terms of plotting, Olympia is far superior to the 1976 Bella story, which turned into a rather silly plot line of Bella getting lost on the Continent while striving to reach the Games she can’t even compete in – and all without her passport! In contrast, Olympia has a strong, tightly plotted and well-paced storyline (except for the final episode, which feels a bit crammed and several things don’t get the development they are crying out for), and strong characters whose ambitions, faults and personalities drive the plot in an exciting, dramatic manner.

Olympia was so popular that she was brought back by popular demand in 1981. Olympia also makes some humorous cameo appearances in Wee Sue’s special story commemorating Tammy’s 10th birthday issue, which is further proof of what a classic she had become.

The story has so much to make it so popular. First, it is a horse story, and horse stories are always a huge draw for readers. While not a Cinderella story as such, fairy tale elements are evident. Although there is no family relationship between Olympia and Linda, the relationship they share reads like the formula of “The Two Stepsisters” (one good, exploited stepsister, one bad, spoilt stepsister). The wicked stepmother (replaced by Mr Rott) ill-treats the good stepdaughter (Olympia) and spoils her bad daughter (Linda). But as in the fairy tale, it is the spoilt ways of the bad stepdaughter that are her undoing and that of her over-indulgent parent. The good stepdaughter is rewarded with gold (the medal?) and a royal.

The contrast between Olympia and Linda, particularly in their attitudes to animals, is what really sets up the foundation for the story to follow. Much of Linda’s bad character is rooted in her upbringing. Her mother is absent and her father has spoiled her. And he is definitely not a savoury role model for his daughter. He is forced to tolerate Olympia in Linda’s act while Mr Jones is present, but has no compunction in dropping her once Mr Jones is dead, just to indulge his daughter. Although cruelty has not erupted in his circus before and he does not seem to mistreat his animals, he does not reprimand Linda for her cruelty to Prince. His anger towards her is over nearly getting him into trouble with LOLA. And he is virtually the cackling, twirling-moustached villain as he drives to LOLA to put their conspiracy against Olympia into operation.

And there is the jealousy Linda has always harboured towards Olympia. The jealousy does not abate even after Olympia was removed from Linda’s act and then the circus. It must have been inflamed when Linda heard Olympia was becoming famous as an Olympic prospect while her circus act had deteriorated. Linda’s jealousy was what motivated her to hatch the conspiracy against Olympia. It must have also been a huge factor in why Linda hated Prince so much, as he was Olympia’s favourite horse, and why Linda did not listen to Olympia’s advice on how to handle him. If she had, things would have gone better between her and Prince. Compounding Linda’s jealousy is her arrogance; all she cares about is being a star and she just has to show off in the ring. As a result, Olympia and Prince put her nose so badly out of joint that they could never work well together.

Third is Olympia’s struggle to fulfil her father’s dream after fate seems to dash her hopes and reduce her to exploitation at the circus. Although her hopes rise again at Summerlees she still has to face difficulties, such as finding a job when Summerlees closes for the winter and ends up slogging under Farmer Bry. Although he does not exploit her he is a bit on the hard side and gets ideas about turning her into a money-spinner for him.

When the injustice angle is introduced it further adds to the development and interest of the story, because it has left plot threads that readers know will be taken up later. They would carry on reading to see how these threads get tied up. The way in which they do so creates the true drama of the story. Instead of some clichéd contrivance of Olympia being suddenly cleared at the end, the injustice thread is developed into the Rotts’ conspiracy against Olympia. The unfolding conspiracy, arrest and upcoming trial are even more riveting than Olympia battle against the odds to win the Olympic gold. The odds look even more stacked up against Olympia here because she has no case at all to prove in court. Everything weighs in favour of the Rotts and it all seems hopeless to Olympia. But readers might have got a clue as to what will save Olympia if they saw the sign outside Phipps’ office, which says Lord Fry is the president of LOLA…

Comparison between Linda and Amanda also adds interest to the story. Both girls are guilty of horse beating because they are spoiled and harbour unhealthy attitudes towards the treatment of animals. In Amanda’s case it is quite surprising as her father is the president of LOLA. Is he aware of how she treats her pony? However, unlike Linda, Amanda listens to Olympia. It is helpful that in this case Olympia is in a position of authority and there is no bad blood with Amanda, as there was with Linda. All the same, it takes the shock of the near-accident caused by her own cruelty to really turn Amanda around. Amanda ultimately redeems herself by bringing down the other horse-beater in the story, for whom there is no redemption. You have to love the irony.

One quibble is that so much is packed into the final episode that several things get short shrift. We don’t see LOLA’s reaction to the new evidence or what happens to the Rotts in the end. We can only assume the scandal destroyed their already-ailing circus, they faced criminal charges, and Rott would never forgive his spoilt daughter. Only one panel is devoted to winning the medal that Olympia had been striving for throughout her story. It would have been better pacing to spread the resolution over two episodes, or even just add an extra page in the final episode. But perhaps the editor would not have allowed it. Another quibble is that the courtroom dress in the trial scene is not drawn correctly; some more research could have been done there.

The artwork of Eduardo Feito also lends the popularity of Olympia Jones. Feito was brilliant at drawing horse stories, which made him a very popular choice in Tammy for illustrating them. The proportion of horse stories drawn by Feito in Tammy is very high, even higher than other regular artists in Tammy. Feito’s Tammy horse stories include “Halves in a Horse”, “Rona Rides Again”, “Those Jumps Ahead of Jaki”, “Odds on Patsy”, and “A Horse Called September”, the last of which reunites the Digby/Feito team. It would be very interesting to know if any of these other horse stories also used the same team. It would not be surprising.

Tammy and Misty 19 January 1980

Tammy and Misty cover 19 January 1980

Cover artist: John Richardson

  • Bella – new story (artist John Armstrong)
  • Daughter of the Desert (artist Mario Capaldi)
  • Sister in the Shadows (artist Giorgio Giorgetti)
  • Spider Woman – first episode (artist Jaume Rumeu aka Homero Romeu)
  • Edie and Miss T (artist Joe Collins)
  • Put Yourself in the Picture! – Quiz (artist Juliana Buch)
  • Wee Sue (artist Robert MacGillivray)
  • Friend Pepi – Strange Story from the Mists (artist José Ariza?)
  • Make the Headlines, Hannah! (artist Tony Coleman)
  • Cindy of Swan Lake (artist Ana Rodriguez)

Sometimes we deviate from the main topic to bring attention to topics that are related to Jinty. So this entry goes off-topic to discuss the issue where Misty merged with Tammy.

The merger brings one change to the Tammy logo – the floral patterns disappear and the font becomes solid, straight red.

The merger still resonated years later – mostly because a number of Misty readers were not happy with it and wanted the original back. The short-lived Best of Misty Monthly that appeared some years after the merger was a response to the demand for the return of Misty. A “Best of” monthly was something neither Tammy nor Jinty ever had, though Girl (series 2) did get one as well. Even today, there are efforts to bring Misty back in one form or other.

Updated to add: efforts to revive Misty are now meeting with some success, with reprint volumes, The Scream & Misty Halloween Special, and Misty stories being reprinted in Bite Me!

At the time, the merger itself must have been something of a disappointment for a number of Misty readers because there was not much Misty in it (it was for me, and I was a Tammy reader). Things did not improve much once Tammy’s current serials finished, which would have made more room for overt Misty material. “The Loneliest Girl in the World”, “The Sea Witches”, (possibly) “A Girl Called Midnight”, “Danger Dog” and “The Shadow of Sherry Brown” look like they may have come from Misty. Some of them, such as “The Loneliest Girl in the World”, were undoubtedly Misty. But in other cases it can be hard to say if the spooky story was Misty or Tammy; after all, Tammy ran spooky stories too. Later on, Misty’s text stories returned; they must have taken the advice of one reader who suggested it. Mini-serial spooky stories, such as “The House Mouse”, also appeared occasionally, just as they did in the original Misty.

Edie and Miss T

Misty arguably made her mark more in the Strange Stories, which became “Strange Stories from the Mist”, with Misty herself being rotated with the Storyteller. Miss T and Edie merged into one cartoon, which is a simple matter, because Joe Collins drew them both. They are a bit of an odd couple (ordinary girl and witch), which perhaps made the cartoon even better. Once Snoopa joined in the Jinty merger, they became “The Crayzees”.

Misty also brought a darker tone into Tammy, which was still felt even during the Tammy and Jinty merger, when “Monster Tales” started. There was no way either Tammy or Jinty would run anything like that – it had to be Misty. Perhaps “Monster Tales” was originally conceived for Misty, but there was no room until Bessie, Wee Sue and Molly Mills were amalgamated into one feature “Old Friends”, which they shared in rotation.

Some letters from Tammy readers indicate that the incorporation of Misty must have been a shock to them. Several commented that they found her spooky theme not only unsettling but unrealistic as well. Indeed, “Spider Woman” (a sequel to “The Black Widow” from Misty) must have given them all nightmares full of spiders. Spider Woman is an insane scientist who could well have been the first villain in Tammy to be out for world domination. Even more frightening, the story plays on the common fear of spiders to heights that Tammy readers had never seen before. We see spiders capable of eating people alive and leaving only the bones, giant spiders, poisonous spiders, and even a serum that can turn a human being into a spider!

Spider Woman 1

 

Spider Woman 2

The merger issue also has a very interesting quiz that shows that Tammy and Misty made serious efforts to accustom readers to the tone of the two different comics. Here readers are not only invited to imagine themselves in the places of the heroines in the story, but are also informed about the stories that will replace the currently running “Cindy of Swan Lake”, “Sister in the Shadows”, “Daughter of the Desert” and “Make the Headlines, Hannah!” This is the only case where I have seen upcoming stories being revealed in this way. Normally we are not informed about any new stories until the week before they start. The quiz also informs us that Bessie Bunter has been demoted from a regular weekly strip to a character “who you’ll meet from time to time”.

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In later weeks, Tammy and Misty ran another feature to get readers further acquainted with Tammy regulars (two of whom, Bessie and Molly, were not even appearing at the time). This was “Misty’s House of Mystery”, a game where Tammy regulars Sue, Bella, Bessie and Molly are caught in Misty’s House of Mystery, which is full of horrors such as blood showers and man-eating plants! The game is reproduced below. Imagine Jinty regulars going through a thing like that….

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And in this issue, Bella starts her bid for the Moscow Olympics by entering the world qualifier in Texas, with the help of her coach and her wealthy guardians, the Courtney-Pikes. Sounds like Bella’s hopes for the Olympics are better than in her 1976 Montreal Olympics story, where she had to make her way alone without even a passport, but only got as far as participating in the opening ceremony. But unexpected expenses that cause money shortages, unhelpful Texan coaches, and the sudden withdrawal of the Courtney-Pikes without explanation are already leaving her up the proverbial creek without a paddle before the event even begins.