Tag Archives: Pat Mills

Hush, Hush, Sweet Rachel [1978-79]

Sample Images

Hush Hush Sweet Rachel 1Hush Hush Sweet Rachel 1aHush Hush Sweet Rachel 1bHush Hush Sweet Rachel 1d

Published: Misty 18 November 1978 – 3 February 1979

Episodes: 11

Artist: Eduardo Feito

Writer: Pat Mills

Reprints: Best of Misty Monthly 3

Plot

Lisa Harvey is a popular girl at school, and Jackie and Janis are her best friends. Life is not perfect for Lisa, though. At home, Lisa’s mother is not devoting the attention to Lisa that she ought because she’s too wrapped up with her career in beauty consultation. At school, Lisa has an enemy in Rosie Belcher, “The Incredible Bulk”. Rosie is jealous that Lisa is popular while she is not. Rosie never thinks that she never does anything to make herself popular. She is a bully and is not kind or polite to anyone. Worse, she has very disgusting eating habits and manners that she likes to nauseate the girls with. We learn later the whole Belcher household is this way; Rosie’s brother Mervyn is apparently even worse than she is, and his nickname is “Gobber”. Rosie blames everyone but herself for being so unpopular: “It’s victimisation. They always pick on me.” Rosie does not appreciate that Lisa is kinder to her than the other girls: “Rosie lives next door and I feel a bit sorry for her.” They tell Lisa she is too nice for her own good and she would be wiser to avoid Rosie.

But Lisa’s problems really start when a strange woman starts following her around. Eventually Lisa decides enough is enough and confronts the woman, who says she will be in touch with her soon. In the wake of the woman’s appearance, Lisa starts experiencing strange bouts where she acts like a four-year-old girl, and then returns to normal.

Lisa also starts having nightmares in which she sees such a little girl in her dreams. She screams “Mummy-mummy-mummy! Let me out!”. The first time this happens she tries to get out of her bedroom window, which puts her in danger of falling. Her parents stop her in the nick of time. Out in the street, the woman is watching and seems to know what is going on. She thinks “Hush, hush, sweet Rachel, don’t you cry. We’ll soon be together – you and I. All your sorrows are nearly over.”

At school, Lisa’s odd bouts of acting like a four-year-old are worsening. Rosie intends to take advantage of it to get her revenge on Lisa. And as Rosie lives next door to Lisa and Lisa foolishly lets her get closer to her than the others do, this will make whatever Rosie plans easier to carry out.

The woman still follows Lisa around. Lisa snaps and tells her to clear off or she’ll call the police. The woman says she is “sure now” and has Lisa tell her parents she will call tomorrow evening. Scared, Lisa turns to Janis and Jackie for support as her mother won’t listen.

At the fun fair, Lisa raises Rosie’s temper, so she runs into the crazy house to get away from her. In the crazy house, Lisa is chased by a terrifying man who threatens to punish her for not taking her medicine. When the man corners Rosie, she reverts to her strange childish behaviour and screams, “Mummy-mummy-mummy, let me out!” When she comes out of the crazy house, there is no sign of the horrible man. The strange woman takes the shaken Lisa off for a soothing cuppa. The woman introduces herself as Mrs Prendergast, and she once had a beautiful daughter named Rachel. Rachel had a teddy bear just like the one Lisa has just won at the fair, which we suspect helped to trigger Lisa’s fit. She shows Lisa a photo of Rachel, which shows she is the girl from Lisa’s nightmare, but reveals little else.

Mrs Harvey doesn’t take what Lisa says about Mrs Prendergast seriously and thinks Mrs Prendergast is interested in her beauty products. But the Harvey parents get a shock when Mrs Prendergast tells her story. She lost her beloved Rachel at the age of four. Mrs Prendergast could still feel Rachel’s presence for some reason, and at her doctor’s advice went abroad, but she has never really come to terms with her grief. Mrs Prendergast stumbled across reincarnation, and in particular how a child who dies in tragic circumstances, before their time, can remember their previous incarnation if they come back too soon. When she returned to Britain, Mrs Prendergast saw a ghost of Rachel, which disappeared inside Lisa’s body. Realising how much Lisa reminds her of Rachel, Mrs Prendergast did some investigating and discovered Lisa was born at the same time Rachel died, and in the same hospital. So Mrs Prendergast believes Lisa is the reincarnation of Rachel, and for this reason she wants to visit Lisa regularly.

The Harvey family are naturally shocked and angry and tell Mrs Prendergast to go away. Lisa also notices a curious omission in Mrs Prendergast’s story – she did not explain how Rachel died. The parents want to forget the whole thing, and don’t take Lisa’s claims of strange nightmares seriously, but Jackie and Janis listen to Lisa more.

Lisa’s odd behaviour of reverting to four-year-old behaviour gets worse at school. Realising that this behaviour is triggered when Lisa is called “Rachel” (but Lisa returns to normal if she is called “Lisa”), Rosie begins to take advantage to ‘befriend’ Lisa when she is in Rachel mode and get her into trouble. She starts by having ‘Rachel’ scrawl pictures all over the classroom walls, and is very annoyed when the teacher decides leniency is the best approach. Suspicious, Jackie and Janis check Rosie’s desk and find the markers Rosie helped ‘Rachel’ with. They warn Lisa that she must well and truly watch out for Rosie now.

Lisa finds Mrs Prendergast is still hanging around. She follows Mrs Prendergast to Rachel’s grave. When Lisa finds she was indeed born on the same day Rachel died, she accepts what Mrs Prendergast says as true and begs Rachel to set her free. Mrs Prendergast overhears, and evades the question of how Rachel died when Lisa asks her directly. Instead, Mrs Prendergast repeats her desire to get close to Lisa, and even tries to bribe her into it. Lisa tells her to go away and runs off. Meanwhile, Jackie and Janis try to tell Mrs Harvey about Lisa’s strange behaviour at school, but she just dismisses it.

Rosie visits Lisa’s house and makes her act like Rachel, which enables her to steal money that Lisa was saving for a new skirt for the disco. After Rosie leaves, Jackie and Janis find Lisa still in Rachel mode, and are shocked when Lisa’s reflection changes to Rachel in a mirror. They plead with Rachel to leave Lisa alone. Rachel replies she is lost and does not know where to go. They tell her to go home, at which Rachel shows them an image of her house. This is followed by images of Rachel crying in her bedroom, and then banging on her bedroom window while screaming “Mummy-mummy-mummy-let-me-out!” Then the mirror explodes. Jackie and Janis decide to track down the house.

Meanwhile, Lisa enrages Rosie further by getting the money she pinched back off her and buys the skirt. While Lisa enjoys herself at the disco, Jackie and Janis head off to check the house. But while they do so, Rosie bullies her way in (by stealing another girl’s ticket) and gets Lisa to act like Rachel so she can use it to humiliate her in public. Rosie gets ‘Rachel’ to put on makeup in a manner that will make her look like a clown. Rosie thinks that the girls will get such a laugh out of the joke that she will become popular at last.

While they are all out, Mrs Prendergast phones Mrs Harvey to say Lisa is in danger because Rachel was reincarnated too soon, which means an early death. Mrs Harvey won’t listen because she is afraid of losing Lisa, which is the reason she’s been burying her head in the sand about the whole matter. She feels she has to carry on as if everything is normal, so she returns to her lingerie party, and hope the trouble will all go away.

Jackie and Janis find Rachel’s house burned out and abandoned, which is the first clue as to how she died. They also encounter a nasty man trimming the hedge, who calls them ghouls who wallow in other people’s misery and tells them to go away. Following this, they decide to investigate the house after dark.

Then Janis’s Uncle Bill comes along, and he is able to tell them what happened. Rachel’s father had a terrible temper and always made her suffer for it. One day he locked Rachel in her room, at the top of the house, as a punishment. But a fire broke out, the cause of which was never determined. Rachel was unable to escape because the door was locked and the window had been made childproof. This was how Rachel came to be banging on the window and screaming as she did. Mr Prendergast was too far away trimming the hedge to hear Rachel’s cries for help. By the time he did, it was too late. The fire claimed him as well when he tried to rescue Rachel, possibly because he felt too guilty to try to escape. When the girls ask for a description of Mr Prendergast, they find it matches the description of the man they saw – so his ghost has come back as well? After this, Janis and Jackie are too scared to enter the house after dark and head back to the disco.

They arrive back at the disco just in time to see how Rosie is humiliating ‘Rachel’, and get her back to normal mode. Rosie is banned from the hall for this and for her bullying of the other girl. Lisa heads for home, but Rachel’s power draws her to the Prendergast house, where Mrs Prendergast says it is time for them to be together.

Mr Prendergast’s ghost tries to warn Lisa off, but she recognises him as the horrible man who chased her in the crazy house and does not listen. She heads for Rachel’s bedroom, where Mrs Prendergast is waiting. Lisa starts the banging behaviour on the window and screaming for Mummy to let her out. Mummy now does so by opening the window. She then directs Lisa out the window, where they will both be free and the mistake of Rachel coming back too soon will finally be rectified.

Meanwhile, Jackie and Janis have called at Lisa’s house to check on her, and found her not there. Mrs Harvey tells them what Mrs Prendergast said and now regrets not having the situation seriously instead of trying to deny it. They head out to the Prendergast house, where they are horrified to see Mrs Prendergast and Lisa on the window ledge. When they call “No, Lisa! No!”, Lisa snaps out of Rachel mode. Once Lisa realises where she is, she tries to fight Mrs Prendergast. The struggle results in Mrs Prendergast falling to her death. Lisa realises the return of Mrs Prendergast was what stirred up the ghosts and memories of her Prendergast incarnation. So now that Mrs Prendergast is gone, they cease to plague Lisa.

Thoughts

Misty drew on much of the popular horror, fantasy and SF films and literature of her day. Hush, Hush Sweet Rachel is Misty’s version of Audrey Rose. Audrey Rose Hoover dies in a burning car while banging and screaming against the window. She is reincarnated as Ivy Templeton, but the reincarnation came too soon. This meant there was an insufficient in-between resolution period for Audrey Rose’s soul and its karma in the astral planes, and this is having adverse effects on the current incarnation.

Audrey Rose’s father Elliot starts interfering in the lives of Ivy’s family because he figured out the reincarnation and wants to get close to his daughter again through her reincarnation. This triggers nightmares in Ivy in which she keeps reliving the death throes of Audrey Rose screaming and banging against the car window while the fire rages. The only one who can handle Ivy’s fits is Elliot, but this eventually lands him in court on charges of kidnapping Ivy, with the existence of reincarnation on trial.

Unlike Audrey Rose, which is taken from the adults’ perspective rather than Ivy’s, Sweet Rachel is taken from the schoolgirl perspective of the protagonist and her two best friends. The parents are what they so often are in girls’ comics – completely useless because either they don’t listen or they don’t treat it with the seriousness it requires until near the end. Sometimes they don’t even wake up to it at all, as in Mandy’s Bad Luck Barbara. At least we get more insights into the psychology of it all than we usually do. At first Mrs Harvey comes across as a neglectful, thoughtless mother, but gradually we learn that she does genuinely love Lisa. Her cavalier attitude was motivated by fear and trying to evade the situation instead of facing it. Unfortunately, this led to her constantly failing Lisa until near the end. As for Mr Harvey, we hardly see anything of him except for the meeting with Mrs Prendergast, where he tells her to leave them alone.

Lisa’s nightmares of Rachel’s death throes parallel those that Ivy experiences. But, considering that visions and apparitions of Rachel do appear in the story, it’s hard to say whether Lisa’s odd behaviour stems from her just being a reincarnation of Rachel or if Rachel came back as a ghost and is possessing Lisa. When the ghost of Mr Prendergast is introduced, it becomes clear that the ghost theme is as strong as the reincarnation theme, and they overlap so much that it is hard to tell just what is going on with Lisa. Is it a disturbed reincarnation or a ghostly possession, or is it a blend of the two?

Also unlike Audrey Rose, Sweet Rachel goes along the path of a mystery story (which girl readers just loved) that needs to be unravelled. This stems from Mrs Prendergast not telling the whole story. For some reason she won’t say how Rachel died, and this is clearly linked with the strange nightmares Lisa is having. Mrs Prendergast has seen for them for herself, but unlike Elliot Hoover she does not explain what the nightmares are about or help to stop the nightmares when they occur.

As the story is told from the girls’ perspective, the school environment, school bullying and the teen scene take the stage rather than the theology of reincarnation, which gets so heavy in Audrey Rose. Rosie Belcher comes from a long line of jealous, unpopular girls who want to bring down the protagonist because she’s so popular, and set out to do it by playing upon the problem the protagonist develops in the story. In this case, Rosie is taking advantage of Lisa’s ‘Rachel’ behaviour to humiliate her, get her into trouble, and destroy everything she hates in Lisa. But every step of the way she fails, and her nasty tricks only serve to make her even more unpopular. Not that she sees it that way. Rosie just cannot understand that it is her own conduct that makes her so unpopular.

Just what the inspiration was for Rosie’s repulsive eating habits is harder to understand though. Perhaps it was based on a real person Pat Mills knew at school or real-life neighbours who were just like the Belcher family. Or, as this is Misty, did the Misty team decide to go for the gross-out with Rosie to make her a more interesting character? Or are the Belchers reincarnated pigs or something?

Rosie brings something to the story that Audrey Rose did not have – a villain. There are no villains in Audrey Rose, so Sweet Rachel definitely has more edge and menace there. Unlike Elliot Hoover, Mrs Prendergast can also be regarded as a villain. For one thing, she is clearly not giving the whole story. Hoover was upfront on how Audrey Rose died straight from the start, but Mrs Prendergast is evasive on how Rachel died, which makes her a more suspicious and ominous character. Moreover, while Hoover genuinely wants to help Ivy/Audrey work through an unsettled reincarnation, Mrs Prendergast is clearly trying to get Lisa/Rachel out of possessiveness, even if it means killing them both on the window ledge. For these reasons, Mrs Prendergast does not come across as a particularly sympathetic character, although her tragic story does make us feel sorry for her in many ways. She is a character who gives both Lisa and us the creeps, especially when we read her remarks that she and Rachel are soon going to be together. We don’t trust her at all. And it is very odd for Mrs Prendergast to warn Mrs Harvey that the hasty reincarnation could mean an early death for Lisa (now why would that be so?) and she could be in danger when it turns out Mrs Prendergast herself is the danger to Lisa/Rachel.

When we learn more about Rachel’s home life, we have to decide which Prendergast parent is more deserving of our sympathy. The dangers Mrs Prendergast posed to Lisa/Rachel have already been described. On the other hand, Mrs Prendergast was clearly the kind, caring parent who gave Rachel the love that she needed against a father who was borderline abusive. In fact, Mr Prendergast even looks like an ogre with a tall, burly build, a squint, and even red eyes! We have to wonder why Mrs Prendergast married him in the first place. Yet Mr Prendergast has more redeeming qualities than his wife. Although he is set up as a villain with his appearance and terrifying, aggressive conduct, it turns out he is not the true villain after all. Moreover, guilt over the tragedy redeemed him and his harsh parenting, and he tried to save Rachel twice. On the second round he is more successful, even if it is just because Lisa’s mother and friends arrived in the nick of time.

Eduardo Feito’s artwork really adds to the creepy atmosphere of the story, particularly in its use of tippling, etching, light brushwork, and shadowing, and even adding a dash of feral to it. The innocence in the expressions on Lisa’s face has a soft childlike quality, which blends in with the concept of possession by a four-year-old.

Advertisements

Moonchild [1978]

Sample Images

Moonchild 1Moonchild 2Moonchild 3Moonchild 4

Published: Misty 4 February 1978 – 29 April 1978

Episodes: 13

Artist: John Armstrong

Writer: Pat Mills

Translations/reprints: Misty annual 1983; Misty Vol. 1 2016, published by Rebellion

Plot

All Rosemary Black wants is to lead a normal life and have friends, but she does not get much chance at home or at school. Her mother (no father is present) is severe and abusive, and she shows Rosemary no love or affection at all. She is always beating Rosemary black and blue with a cane because she thinks there is a “dark wickedness” in Rosemary that must be beaten out. What dark wickedness? Rosemary is clearly not a bad lot.

At one point Mrs Black is hauled up before the magistrate because of her treatment of Rosemary. But the magistrate dismisses the case without even a slap on the wrist. He believes parents should use more discipline, and just tells Mrs Black not to overdo it in future.

Mrs Black is not only abusive but strange as well. She does not allow gas or electricity at her house (Rosemary has to do her homework by candlelight). She does not allow Rosemary any freedom or dress fashionably like other girls, and she clamps down on any bids for these with more abuse, and bigotry to rival any fundamentalist. She doesn’t even allow Rosemary to have birthday parties (something that will have dire consequences later). Strangest of all, Mrs Black sometimes looks at Rosemary as if she’s afraid of her – now what could be the reason for that? Mrs Black’s dress sense is just as bizarre; she always goes out wearing a black cloak. This makes her look like a witch, which is precisely what everyone whispers whenever they see her.

Yes, Mrs Black has clearly got quite a reputation around the town for weirdness if not witchiness. It seems Rosemary does too; there is graffiti on a wall that says: “Rosemary Black is a weirdo”. It looks like someone else wrote “true” underneath that.

We get a pretty good idea on who wrote that graffiti when we get to Rosemary’s school. Girls pick on Rosemary because there’s something strange about her that nobody can really pinpoint. The worst bully is Norma Sykes, who’s a bad lot and got ‘delinquent’ written all over her (and where does she get those fags of hers when she must be underage, like Rosemary?). Her reason (or excuse) for tormenting Rosemary is that in her view Rosemary deserves it for being so weird, and her daily fix is getting Rosemary to cry. Norma has two cronies, Freda and Dawn, and she constantly holds them to their oath of loyalty to her.

Anne is Rosemary’s only friend at school. Anne gives Rosemary a more fashionable hairdo, which exposes a crescent moon-shaped mark on her forehead. After Rosemary finds the moon mark, strange things do begin to happen to her in earnest. It’s like there’s some sort of power growing inside her; small objects move and a television set goes on the blink for no apparent reason when Rosemary is around. The power gets stronger when the moon is full, and the school nurse finds the mark is burning red hot although Rosemary has no temperature. But the first really spectacular event occurs when one of Norma’s tricks (match in a piece of chalk) sets Rosemary’s hair on fire. Rosemary seems to subconsciously lash out at Norma – and then a bookcase starts toppling towards the bully. Norma narrowly avoids being flattened.

Rosemary is sent to the school nurse, who refers her to the school doctor, Dr Armstrong, about the moon mark. Afterwards, Rosemary and Anne discuss this strange power that seems to be growing. It grows even more when it enables Rosemary to save Anne from a nasty accident and they realise strong emotion is key. That night, a full moon prompts Rosemary to practise with the power, and she gains more control over it.

When Mrs Black sees what Rosemary is doing, she really goes berserk. She yells that she knew it would happen and it was the evil she had been trying to beat out of Rosemary all along. She really brings the cane on this time to teach Rosemary not to use her “wicked gift”. However, Rosemary snatches the cane away with her powers: “No! You will not hit me…ever again!” And wouldn’t you know it – Mrs Black never beats Rosemary again!

Meanwhile, Norma wants revenge on Rosemary because of the punishment she got for the match trick (although her cronies did the lines for her) and brings out her big guns. Norma’s plan, called “Operation Rosemary”, is intended to hurt Rosemary where it hurts most by crushing the thing that Rosemary desires the most. In order to find out what this desire is, Norma directs Dawn to become ‘friendly’ with Rosemary. Anne is to be pushed out of the way in order to help this along. Dawn is to gain enough of Rosemary’s trust for her to say what the desire is. Then they will concoct the way to ruin it.

Next day, Rosemary is surprised at Dawn suddenly coming all over friendly and helpful to her. Even Norma is leaving her alone. Rosemary wonders if the other girls are starting to accept her. Anne is suspicious at this sudden friendliness from Dawn and warns Rosemary to be the same. Anne’s suspicions make things too difficult for Dawn to break them up. Norma decides hard measures are required to get rid of Anne, so she fouls Anne at a hockey match to put her in hospital.

Meanwhile, Dr Armstrong is intrigued at Rosemary’s moon mark. He becomes even more intrigued when the needle bends inexplicably when he tries to give Rosemary an injection. He wants to refer her for further testing. For this he gives Rosemary a consent form for her mother to sign. Mrs Black throws the form away, saying the gift is evil and she does not want that sort of interference.

That night Rosemary has a strange nightmare of a raging fire where Norma, Freda, Dawn, and even Anne are laughing hysterically at her. Then she falls into the fire. Upon awakening, Rosemary checks on her mother, and is surprised to find a photograph of a beautiful woman who also has the moon mark. Mrs Black explains that it is Rosemary’s grandmother. Grandmother also had the “evil” gift and something terrible happened to her because of it. Mrs Black tells Rosemary not to use that gift or something similar will happen to her. Rosemary can’t really believe it because Grandmother looks a nice woman to her and she is soon feeling a bond with her. Mrs Black goes crazy and tries to burn the photograph, but Rosemary rescues the photograph with her powers. At this, Mrs Black washes her hands of Rosemary entirely, though just what she means by that is not clear. To help decide things, Rosemary retrieves the consent form and forges her mother’s signature on it so she can have the tests.

Dr Armstrong watches Rosemary’s powers in action at the tests. This includes her powers going berserk and smashing up the laboratory when she gets distressed at the sight of Anne being carried away on a stretcher. Dr Armstrong tells her that her power is called telekinesis. Rosemary tells him about her grandmother having the power and the mother’s attitude about it. So Dr Armstrong now wants to interview Mrs Black. Unbeknownst to Rosemary, Dr Armstrong is getting greedy and wants to use his discovery to catapult him to the heights of fame in science.

Dawn finally convinces Anne and Rosemary of her friendliness with a get-well present (flowers raided from the park flowerbed) in hospital. However, Dawn is still having problems obtaining the information Norma wants. And Rosemary is also getting the impression that they are being shadowed. At Dawn’s house, Rosemary uses her powers to distract Dawn’s kid brother from a tantrum by moving his toys telekinetically. He is thrilled with these fascinating antics with his toys. Then Rosemary is very surprised when another power, which is even stronger than hers, takes control of one of the toys and throws a scare into Dawn. Now where could that power have come from? Well, there is one other person with the power who’s been mentioned in the story…could that be a clue?

Mrs Black is called up to the school. She tells the doctor and the nurse that the power and accompanying moon mark had run in the family for generations. Apparently she is the black sheep in reverse because she is the only one in the family without it. She says she was lucky in escaping the “curse” (pull the other one, as we see later!). As a child, Julia (Mrs Black’s first name) did not really mind her mother’s power and just thought it was strange.

Then one night the power caused a terrible tragedy in the family. Grandmother was surprised by an intruder in the house, panicked, and used her telekinesis to hit him with an iron, which unwittingly caused his death. Too late she discovered that it was her own husband, who had gone AWOL from the army and was sneaking back to see them. Julia saw how her mother’s telekinesis had unwittingly killed her own father. From that moment on, Julia went against her mother, who was imprisoned because the police did not accept it was an accident (probably because they did not believe how it happened). Mrs Black had not seen her mother since then (she was raised in child welfare after that) and believes she died in prison. She blames the power for her father’s death, and calls both it and her mother evil. When she had Rosemary, she was horrified to discover her baby had the power too. Her harshness (which she begins to regret a bit) was meant to crush it and stop another terrible thing happening.

The doctor and nurse try to reason with Mrs Black, saying the tragedy was not really her grandmother’s fault. The power itself is not evil; such thinking does not belong in this day and age. She does not listen and tells the doctor she will not have any more of his tests on Rosemary.

Rosemary’s 13th birthday is coming up. This finally prompts her to tell Dawn what she would really like – a birthday party, which is something her strict mother has never allowed. So now the next phase of Operation Rosemary is planned. Norma says she will be Rosemary’s fairy godmother (a very evil fairy, of course) and give Rosemary “a very special birthday party” where they “give her da woiks!” Soon after, Dawn tells Rosemary they are organising a birthday party for her, and her house will be used for it. Dawn has arranged for her parents and kid brother to be absent from the house (to get them out of the way, of course).

Mrs Black now tells Rosemary the story about the grandmother and just what she means when she says something terrible will happen if she keeps using the power. Rosemary gives in and promises not to use the power.

But that night, Rosemary is surprised when that other power returns, and it is trying to enter the house. Being stronger than Rosemary’s, it wins the fight. The door opens to reveal…Grandmother (died in prison, huh?).

Grandmother says she has been watching Dawn, figured out her game (that toy terror was an attempt to scare Dawn off) and come to warn Rosemary. Mrs Black finds Grandmother in the house and is not making her welcome. Grandmother rebukes Mrs Black for the way she treated Rosemary. When Rosemary says it was meant for her own good, Grandmother says that’s not the real reason. The truth is that Mrs Black is jealous because she was the only one in the family without the power, and she took it out on Rosemary. One look at Mrs Black’s face confirms this, as do her comments that if she had inherited the power she would have used it for evil: “Oh, what I could have done with the power!” Rosemary goes upstairs all confused and just wanting to be ordinary. After Grandmother’s visit, the relationship between Rosemary and her mother becomes so bad that they are hardly speaking to each other.

Unfortunately, Rosemary does not heed Grandmother’s warning about Dawn. In her view she can trust Dawn because Anne does now (haven’t you heard of misplaced trust, Rosemary?). So the party/final stage of Operation Rosemary goes ahead at Dawn’s house.

At the party, Norma and her gang lock Anne up so she cannot interfere with Operation Rosemary. It is a birthday party where everything is designed to be horrible and reduce Rosemary to tears. The birthday ‘surprises’ include presents filled with nasty things such as worms, and a birthday cake laden with the most vile ingredients Norma could find: fag butts, cat meat, fish bones, rotten eggs and the like. The bullies ruin Rosemary’s newly made party dress by spraying all over it, and all over her as well. Upstairs they bully Rosemary further with ‘party games’. But they didn’t mean the balustrade to break and Rosemary fall off the staircase.

Then the bullies are really surprised to see Rosemary floating in mid air! (We learn later that Grandmother was holding her telekinetically.) Rosemary says it’s her turn now, so Operation Rosemary now meets Rosemary’s revenge as Rosemary’s real party begins. Rosemary starts using her telekinesis to attack the bullies. One of the best moments is where she telekinetically throws the vile ‘birthday cake’ right into Norma’s face. Talk about a taste of your own medicine! As she goes, Rosemary shouts that she is now figuring out their whole plan, and she also finds and releases Anne. The bullies are terrified, terrorised and trying to run. Norma exposes herself as the coward she really is with ludicrous excuses for what she did and attempts to sacrifice her cronies to save herself (and she has the nerve to expect them to swear perpetual loyalty to her!).

But the worst is yet to come. Norma lights a fag to calm herself, which starts a fire that spreads fast. The girls begin to laugh hysterically as they become trapped in the fire, which fulfils what Rosemary saw in her dream. Rosemary tries to extinguish the fire telekinetically – but finds that she can’t! She has over-extended the power and now it has burned out, rendering her powerless.

Then Grandmother appears, and extinguishes the fire with her own powers. However, the strain on her powers has been too much, and she dies in hospital. Grandmother dies content, as she feels she has made amends for that other tragedy, which blighted her life with guilt. Rosemary regrets not listening to her grandmother’s warnings, and also that she did not get the chance to spend longer with her.

The police collect enough evidence on the nightmare party to send Norma to approved school. The fates of Dawn and Freda are not recorded, but no doubt these will include the reactions of Dawn’s parents to the state of the house and trouble with the police.

Mrs Black disappears, leaving Rosemary on her own. Anne’s family gladly take her in. So Rosemary finally has the normal life she wanted, but is saddened at the price she has paid for it.

Thoughts

This was one of the stories in Misty’s first lineup. Like Misty’s other first serials (“The Sentinels” and “The Cult of the Cat”), “Moonchild” still endures and is well remembered. There are strong indications that it was very popular, and writer Pat Mills attributes much of this to the artist, John Armstrong.

Many of Misty’s stories drew on popular literature and films. This one is definitely based on Stephen King’s Carrie. There is no mistaking the parallels. The protagonist is a bullied girl who possesses the power of telekinesis. The telekinetic is the product of a broken home, family tragedy, and an abusive, bigoted mother and absent father. The telekinetic uses her telekinesis to wreak a terrifying revenge on tormentors who tried to destroy her big night with cruel tricks. There are also some Rosemary’s Baby references thrown into the mix (the name of the protagonist and the Mia Farrow hairstyle she gets). And is Dr Armstrong named after the artist, John Armstrong?

There have been zillions of stories about bullying, but the drawing card of this one is – what if the bullied girl has the power? Yes, wouldn’t we love to have a power like that to strike down a bully! We want to follow this story as soon as we read the blurb on the splash page because it is just something we would love to do ourselves.

The exact origins of the power are not defined and the grandmother herself does not know where it came from. All she knows is, the power has been in the family for generations. The telekinesis is clearly hereditary, but it is not just some genetic mutation as in Carrie. It is linked to the moon mark and the moon itself, which the telekinesis draws its power from. This suggests some sort of supernatural or SF origin, and the undefined but clear connection with the powers of the moon makes the story even spookier. The insinuation of a supernatural origin also suggests that the power passing over Rosemary’s mother is not simply a genetic mutation skipping a generation. The grandmother tells her daughter she was probably not given it because she would have used it badly, and she could just well be right.

Mrs Black is at least saner than her counterpart in Carrie, who may have a borderline personality disorder as well as being a religious fanatic who should feel right at home at Westboro Baptist Church. When we learn the reason for Mrs Black’s attitudes about the power Rosemary has, she even becomes more sympathetic and her conduct more understandable, although not excusable. It is easy to understand how the shock and grief of losing her father, her mother becoming his killer, her happy family life shattered forever, and spending the rest of her childhood in orphanages could affect her mind and cause her to become so twisted and irrational. Thereafter, she became terrified of the power, regarding it as an evil thing, and fearing that it could cause another terrible thing to happen in her life. Regarding the power as an evil thing that had to be crushed in Rosemary is not unlike the Dursleys’ attitude towards magic and why they treated Harry Potter so cruelly because of it. Mrs Black could also share the same roots as Tamsin’s grandmother in “Combing Her Golden Hair”. The grandmother outwardly treated Tamsin in harsh, unfair and even absurd ways. However, it turned out that the grandmother in fact meant well. She was just not going about things in the best way. Moreover, she did not realise that she was fighting a losing battle against a supernatural heritage.

Unlike Tamsin’s grandmother though, Mrs Black loses that sympathy she ultimately gains when we learn that the real reason for her treatment of Rosemary is jealousy because she was denied the power. And after saying that the power is evil, we learn that Mrs Black would have used it for evil herself if she had been born with it (what a nerve!). Neither Rosemary nor her grandmother use the power that way. No, the power itself is not evil; it is the way that it is used.

Those eccentricities Mrs Black has are more difficult to understand. Her attitude towards Rosemary’s power does not explain why she bans gas and electricity at her house and keeps the place in the dark ages with candlelight. Does she have some weird thing about modernity? Or is it to save money by not having to pay power bills? And why does she wear that weird, sinister cloak when she goes out instead of a simple coat, which makes her such a magnet for gossip that she’s a witch or weirdo? And if Mrs Black hates her mother so much because of the telekinetic accident that killed her father, why does she keep a photo of her around the house? And why does she just disappear at the end of the story? It certainly is a very quick way to get rid of her (and good riddance!), which would open up a new life for Rosemary where she can live happily and normally. And given the way things were going between her and Rosemary it is probably not too surprising. But it is not really explained at all. Doesn’t she even leave a note? We have to wonder just how much Mrs Black really loved Rosemary in the first place – if she ever loved Rosemary at all.

The evil in the story does not come from the power but from people’s cruelty. This comes in the forms of the abusive mother, and the bullies at school, though we see some other abusive people around, such as a kid who taunts Rosemary and calls her a witch. Norma is always saying to her cronies that Rosemary deserves to be hurt because she’s so weird, but that’s just her excuse of course. She just does it because she is a bully, a bad sort, and looks like she is on her way to delinquency. She comes from a line of John Armstrong bad girls with short black hair, leather jacket and knee high boots. June Roberts, who was the bane of Bella Barlow in her 1979 story, is perhaps the best example. Unlike Norma, June changes her ways in the end.

Norma has no compunction about anything she does and will go to any lengths to get her own way. When Dawn and Freda sometimes get qualms about Operation Rosemary, Norma pushes them to continue with it. Norma is also extremely clever and a smooth talker who bluffs or talks her way out of fixes, though she does not always succeed. Her cronies say she would be top of the class if she tried, but the only thing that interests Norma about school is bullying Rosemary. Norma’s tag line to get out trouble is to bluff people with the threat that she will set her father on them as he is the [whatever]. She even tries it on the police when they say they will send her to approved school! As there is only one instance where this bluff actually succeeds, we get the impression it’s more cheek than anything else.

From the brief glimpse we see of Norma’s home life, her misconduct is clearly rooted in her parenting. Although Mrs Sykes suspects the truth about the horrible thing (the ‘birthday cake’) that Norma is making, she does not investigate further because she is heading off to bingo. She wonders if she should send Norma to the doctor to get her head examined, but Norma’s line “Don’t nick any of me fags on your way out” indicate what sort of example Mrs Sykes sets to her daughter.

At times, Norma can be witty and delivers very funny lines, mostly when she is being impudent or planning something. One of the best examples is where she styles herself as fairy godmother to bring Rosemary her birthday party: “Norma Sykes, fairy godmother – dreams come true a specialty. Magic wand no extra charge.” It must be said Norma delivers the only comic relief we see in this unsettling, grim story, even if she is also the main villain.

And now we come to Rosemary herself. All she wants is to lead a normal life where she is loved, accepted, and have lots of friends. But in order to get there, she has to unravel the mystery of why her mother keeps denying them to her, what this thing is that her mother has about ‘wickedness’, and just what the ‘weirdness’ is that nobody can really explain but makes her a magnet for bullying. It is not surprising that they are connected. It all comes from Rosemary’s telekinetic heritage and how it turned Mrs Black into a monster – and eccentric – from grief, hatred and jealousy. It is ironic that the very thing that lay at the root of all Rosemary’s troubles was the only way out of all the abuse and bullying she suffers because of it.

Rosemary does not kill anyone as Carrie does before she herself finally dies in the story. However, this story does not shy away from its own tragedy and deaths. We cry for the grandmother when she finds she unwittingly killed her own husband with her telekinesis. We cry even more so when we see that Julia does not understand that her mother didn’t mean to do it or how bad she feels about it. The grandmother too probably began to hate her own power after that, whereas it is not so much the power but panic that was the problem. A normal person could well do the same thing with a gun or poker if they were in the same situation. It is a relief to see Grandmother finally find peace over the tragedy on her deathbed.

Rosemary’s friend Anne is a real brick in that she not only stands by Rosemary all the way but also does not condemn her power as evil or witchcraft. Rosemary’s power does not frighten her either. Instead, she is one of the people with a more level-headed attitude about it and compares it to Uri Geller, which in her mind must give it scientific validity. She helps Rosemary to explore, develop and understand the power. Anne also tries to encourage Rosemary to stand up for herself more, which is something Rosemary begins to do as the power gives her more confidence. Anne has the sense to rightly suspect Dawn’s supposed friendliness is not all it seems, but eventually she gets duped by a bunch of get-well flowers and how much they must have cost. Didn’t it occur to them that the flowers might not have been bought at all?

Dr Armstrong would also be a real friend to Rosemary if he had a better attitude. He assures Rosemary that her power is not evil as her mother says; it is scientific and he gives her the scientific name for it. Dr Armstrong also tries to reason with the mother and get her to accept that the power is not evil. The trouble is, he starts getting too greedy and ambitious over Rosemary’s power. He wants to make his name with it and has no respect for Rosemary’s feelings over it. The nurse is far more sympathetic and tries to plead with the doctor that she has the right to lead a normal life.

Losing the power in the end is not unusual in girls’ comics. But in this case it really is the only way for Rosemary to start leading a normal life, though not before she is finally rid of all that domestic and school abuse of course. Still, we can’t help but hope that the power of the moon will restore Rosemary’s powers. Maybe they will consider it for a new Moonchild story in the new Misty material that is beginning to come out?

 

Glenda’s Glossy Pages [1975]

Sample Images

Glenda 1

Glenda 2

Glenda 3

Published: Tammy 13 September 1975 – 15 November 1975

Episodes: 11

Artists: Mario Capaldi, plus Tony Highmore as a filler artist in one episode

Writer: Pat Mills

Translations/reprints: Tammy 1 October 1983 – 10 December 1983; De geheimzinnige catalogus [The Mysterious Catalogue] in Tina Boelboek 4, 1984

Plot

Glenda Slade lives with her widowed mother. Mrs Slade works in a low-paid job, so they live a poor existence. They are so poor that the only thing Glenda has to wear is her school uniform (which Mum had to scrape for). At school, spoiled and snobby rich girl Hilary loves to bully Glenda over her poor background.

Then one day a woman knocks at the door and shows Glenda a beautiful catalogue that is packed full of gorgeous items to order. Glenda is blown away and wants to order from the catalogue immediately. Her mother reminds her that they cannot afford it. Glenda decides to keep the catalogue in secret so she can at least dream about the items. The woman agrees and gives Glenda a strange, ominous smile as she leaves.

Glenda is surprised when the items she circles start appearing at her front door for real and there is no apparent bill to pay. Thrilled at having nice things for the first time in her life, she starts circling more and more items, which continue to appear with no apparent price to pay. At school, the items make her the centre of attention and she is pleased to get one up on Hilary, who is being pushed out as the one to admire because the girls now swarm around Glenda and the things she is getting. Even Glenda’s face is beginning to change, and she is amazed that she is beginning to look like the model in the catalogue. Hilary is jealous and then suspicious about these items of Glenda’s.

But odd, worrying things start happening to Glenda. Among them, Hilary calls the police in to investigate the items (more of her spite towards Glenda). Of course they do not believe Glenda’s story about the catalogue. But when they try to take the items they get a strange electric shock, which frightens Glenda.

Then, at the swimming pool, Glenda discovers a shocking, inexplicable change in her personality and behaviour. Hilary is having an attack of cramp in the pool, but Glenda, who is the nearest, just leaves her to drown and makes no attempt to save her at all. Glenda herself cannot understand why she acted in this way. When she realises there can only be one answer, the catalogue begins to well and truly scare her. The girls save Hilary, and in the wake of this incident, Hilary rises again as the centre of the girls’ attention while Glenda is sent to Coventry. Hilary is delighted at Glenda’s downfall. In fact, when Glenda tries to apologise to Hilary, Hilary just pulls a false act of Glenda bullying her in order to get her into even deeper trouble with the girls.

Finally, the police arrest Mrs Slade over the mystery items. They have no evidence against her, but she has a criminal record, and that is enough for them. They don’t know or believe she has reformed to the point where she has raised Glenda to be extremely strict about honesty.

Glenda is appalled at how everything is getting just worse and worse for her. And worst of all, she has a feeling the catalogue is not even through yet.

The woman appears again. Glenda confronts her and urges her to tell the police how she got the items from her catalogue for free. The woman tells Glenda that nothing in the world is free and she has to pay. Glenda then realises that she has paid after all – with all the misery and trouble she has gone through because of the catalogue. She now understands that the woman and her catalogue are evil, and they were all out to play on her greed to get her into trouble. The woman tells Glenda that she will go on paying. But Glenda is determined to beat the woman. When Glenda finds she cannot destroy or dispose of the catalogue, she tries to break its power by getting rid of the all the lovely items it brought her and sending them to a charity shop. It’s a wrench for poverty-stricken Glenda, turning her back on those beautiful things, but it does the trick. She is now able to throw the catalogue out and leaves it for the dustmen.

But Mrs Slade, who is released for lack of evidence (or maybe because of the temporary break in the catalogue’s power?) finds the catalogue and now she is the one who is tempted. Ignoring Glenda’s warnings, she orders as many items as possible so as to win the mystery prize the catalogue is offering. When the prize arrives, it is a lighter in the shape of a skull. Later, Glenda realises that a skull stands for death, and gets a horrible thought as to the price Mum is to pay. She manages to get out of school (thanks to nasty Hilary ripping her one and only skirt for a ‘joke’), rushes home to check up on her mother, and finds the skull lighter has started a fire.

The fire is spreading fast, and the skull itself seems to be fanning the flames. All the same, Mum is reluctant to evacuate and leave her lovely things behind, so Glenda has to do some persuading to make her agree to do so. However, they discover all the glossy pages’ furniture has suddenly moved to block all the exits and won’t budge. Clearly, the price the catalogue intends them to pay is for them both to perish in the fire. However, Glenda manages to create an exit by throwing the catalogue itself out the window, which makes the flames at the window die down enough for them to escape through the window. Across the street, Glenda sees the evil woman is watching, and the woman is looking absolutely furious that she and her glossy pages have failed. However, the emergency services whisk Glenda and her mother away before Glenda gets a chance to retrieve the book and stop someone else from falling into its power.

A few days later, Glenda and her mother are discharged from hospital. Their old house got destroyed, so they are given a new one. Glenda’s mother is relieved that at least their new start will be an honest one, even if it is from scratch. Glenda went back for the catalogue, but failed to find it. Glenda does not know that Hilary picked up the book while dropping by to gloat over the destruction of her home, and recognised those mystery items of Glenda’s in it. And rich girl though she is, Hilary is tempted by the catalogue and sets out to make herself the envy of all the girls with it…

Thoughts

This particular “wish-fulfilment with the inevitable catch in it somewhere” story has been an enduring one in Tammy. On the Internet it still attracts positive comment and is clearly well remembered. One reason has to be that Pat Mills wrote it. Pat Mills has established himself as one of the best writers in British comics, such as in 2000AD, Battle and Misty. He has written many classics in girls’ comics, including ones from Jinty herself, such as “Land of No Tears” and “Concrete Surfer”.

The themes the story explores also help to make it an enduring one: greed, fantasy, temptation, rags-to-riches, bullying, jealousy, the supernatural, the macabre, and the threat of the Grim Reaper. The protagonists themselves are ones who remain sympathetic, even when the power of the catalogue leads them so much that their personalities begin to harden, they lose common sense and sight of themselves, and become increasingly consumed by the temptations the catalogue is offering. Glenda at least has enough sense and virtue to notice the warnings. It takes a while for her to heed the warnings enough to stop using the catalogue, not least because it is so hard to break away from having nice things for the first time in her life. But as the nightmare intensifies and the evil increasingly obvious, she finally finds the strength to do so.

Mrs Slade becomes even more consumed by greed than her daughter. This would be partly because she has not received increasing danger signals as Glenda had. But it could also be rooted in her once being a criminal. Glenda’s birth made her go straight and she clearly resolved to bring Glenda up so strictly about honesty that she would not follow that deviant path. Mum was successful there until the catalogue came along. The catalogue did not make Glenda an outright criminal, but it did corrupt her and make her stray off the honest path her mother set her on. Mum, meanwhile, is tempted because although she had stayed honest, she felt that going straight had not lifted her out of the poverty she and Glenda had always lived in and it never seemed to do her any real good. It was these feelings that made it so easy for the catalogue to tempt her.

The only truly good thing to come out of the catalogue was Glenda and her mother being given a new home and a new start. We hope it will be the start of a better life for them. In any case, we know Mum has returned to the straight path when she says that at least they will start honestly. And after they have been through with the catalogue, we imagine they will stick to the honest path even more assiduously.

At the end of the story, Hilary also falls into the grip of the catalogue. Unlike the Slades, however, we do not sympathise with her when she does so. In fact, we feel like hoping the catalogue will give Hilary her comeuppance. She already has plenty of things of her own, and unlike the Slades she can afford them because she is so rich. She has no real need for the catalogue, yet she is tempted all the same. The catalogue is clearly playing on Hilary having far less moral fibre than Glenda Slade and being a more nasty character. Throughout the story Hilary has been portrayed as nothing but a spoiled, bullying snob who is always out to stick her knife into Glenda, just because she is poor. Hilary does not even have an ounce of sympathy at Glenda losing her home: “What a shame the scruff’s house was burnt down – I don’t think.” If there were a sequel to this story, which there isn’t, we would like to see how the trouble Hilary gets into with the catalogue improves her personality and makes her nicer to Glenda by the end of the story.

The ending itself is a skilful one that makes the storytelling even more powerful. Instead of the catalogue being destroyed and never able to tempt anyone again, the story ends on a grim, ominous reminder that evil is continuous. In fact, we would not be at all surprised if this woman distributes these evil catalogues all over the place, targeting the people she thinks would be the easiest to tempt, like the poverty-stricken Slades.

Alan Davidson

Alan Davidson, author of various Jinty stories such as "Jackie's Two Lives"
Alan Davidson, author of various Jinty stories such as “Jackie’s Two Lives”

We have run a few posts about Alan Davidson before now on the blog, but not a complete summary post that serves as an appreciation of his work. Of course no summary post can be properly complete at this stage as we do not know all the stories he wrote for girls’ comics – his wife Pat Davidson has mentioned that he kept careful copies of his invoices and his scripts, but to go through those files is itself a lot of work. We can hope that we will hear more titles of stories in due course, and if so, I will certainly add them into this post. In any case, we now have story posts about all five of the Jinty stories that it is is known that Alan wrote, so the time seems right for an appreciation of him as a comics writer.

Known Jinty stories written by Alan Davidson:

Known stories in other titles:

  • Little Miss Nothing (Tammy, 1971)
  • Paint It Black (Misty, 1978)

Pat Davidson has also stated in a separate email that “[f]or older readers he contributed some excellent stories for Pink and often met up with Ridwan Aitken, the then editor. I don’t have any records of these to hand, although I remember a very original story about a hero who could predict earthquakes, which Alan much enjoyed writing. I can’t remember its title.”

Having set down these initial bibliographic details, what can we pull together in terms of an appreciation of his work, in girls comics and elsewhere?

Davidson’s work is not as strongly themed as Alison Christie‘s concentration on heart-tugging stories which forms the bulk of her comics writing. There is a clear focus on wish fulfillment in his Jinty stories: Gwen stumbles into a position where her schoolmates respect and appreciate her as she has always wanted, Jackie is swept up by a rich mother-figure who is prepared to take her away from her life of poverty, Debbie finds a mysterious valley and within it a sort of fairy godmother who will save her from her cruel family, and Kerry is likewise swept up by a rich mentor who looks like she is a route to the fame that Kerry has always wanted. The wish in question is almost always double-edged or positively treacherous: Debbie is the only one who ends up happy with getting what she has always wanted (and of course her fairy godmother figure is stern-but-kind rather than seemingly kind but morally dubious). However, Davidson plays the theme of wish fulfillment while ringing the changes: none of his stories are close repeats, even though they have this similar focus.

For Jinty‘s pages he also wrote the important science fiction story “Fran of the Floods” (1976) – perhaps not quite the first SF story that ran in this title (that is arguably 1975’s “The Green People”) but a hugely popular one that ran for some 9 months. Jinty‘s reputation as a title that ran lots of SF surely must owe plenty to the success of this key story. It is a strong story through to its end, though showing a few signs of padding in some parts of the long journey taken by the protagonist. (I note that Sandie ran a story called “Noelle’s Ark” a few years earlier which has a number of similarities without being as strong on characterization or drama: it would be interesting to know if this was something that Davidson was aware of, or perhaps even the author of.)

Davidson of course had also previously written a standout story that gave girls’ comics a key new theme: 1971’s “Little Miss Nothing” started the run of Cinderella stories which gave Tammy its reputation for cruelty and darkness. Pat Mills has lauded this as being written with a real lightness of touch and being written very much from the heart (note that he thought at the time that this was written by Alan’s wife Pat, which has since been corrected by Pat Davidson herself). We know less about what we wrote for titles other than Jinty: it seems he wrote little else for Tammy (unless Pat Davidson can correct that impression?), and only one story for Misty. “Paint It Black” was part of the opening line-up of that comic. While it was a compelling read it doesn’t seem to have struck the same chord with readers as some others from that title, and Davidson doesn’t seem to have written more for Misty (perhaps also due to the fact that he was finding success in children’s prose fiction from around that time).

It’s clear that Davidson’s writing is strong all round, and at its height was really mould-breaking (not just once, at least twice). There are ways in which it follows the conventions of girls comics writing reasonably closely: the titles of his stories tend to follow the standard set up of focusing on the girl protagonists (Gwen, Jackie, Fran, Kerry) though veering away from that in some cases (“Valley of Shining Mist” and most particularly “Paint It Black”). I’m not sure whether this all-round strength is part of the reason for another aspect of his comics career which I was struck by when looking back – he has not been associated with one particular artist, but rather been illustrated by a wide range of artists with no repeats that I know of. This contrasts with the partnership between Alison Christie and Phil Townsend, who created some seven very popular stories together for Jinty.

From the mid to late 70s, Davidson started to concentrate on prose fiction for children. It’s a little hard to search for details of his work online as he doesn’t seem to have had his own web presence and there are a few other well-known figures with the same name (such as a food writer and a cricketer). This Goodreads author page is the clearest list I have found of his prose works, while it’s also worth looking at his Wikipedia page, which tells us that he started off as a subeditor on “Roy of the Rovers” for Tiger. Writing children’s prose fiction has clear advantages over continuing in the world of juvenile comics: better recognition by your public rather than having no printed credits in the pages of the comics titles, better rewards for success in the form of royalties and translation money. At the same time, his most successful prose work, “The Bewitching of Alison Allbright”, is an effective re-working of his popular comics story “Jackie’s Two Lives”. The influence of the earlier writing clearly informs the later work too: what comics loses, children’s fiction gains.

If Davidson had been writing a decade or so later, might he have been swept up in the popularity of 2000AD and the migration that various British creators made to the US market? That only seems to have drawn in the creators working on boys’ comics, so I assume not. It is pleasant to imagine the talented writers of juvenile comics being fêted and recognized by name in a way that British publishers spent many years fighting to prevent. Ultimately however it is a sad thought: Alan Davidson, who is amongst those who most deserve that name recognition, is only now getting a small fraction of that recognition after his death.

Jinty 27 May 1978

jinty-cover-27-may-1978

  • Concrete Surfer (writer Pat Mills, artist unknown)
  • Alley Cat (artist Rob Lee)
  • Winning Birthday Girls! – Contest results
  • Somewhere Over the Rainbow (artist Phil Townsend, writer Alison Christie)
  • Knight and Day
  • A-to-Z of Things to Do – part two
  • Clancy on Trial (artist Ron Lumsden)
  • Talking to the Star from “Robin’s Nest” – Feature
  • Rinty ‘n’ Jinty
  • The Zodiac Prince (artist Trini Tinturé)
  • Slave of the Swan (artist Guy Peeters)
  • Cathy’s Casebook (artist Terry Aspin)
  • Seahorse Sunspecs Case – feature

The panel from “Slave of the Swan” actually appeared in the story some weeks ago, which is a bit irregular. Usually Jinty used panels from the current episode of a story for a cover. The depiction of Katrina’s apron is reminiscent of a tutu, which is very clever and also fitting for the ballet theme. And in this week’s episode of “Slave of the Swan”, the Swan’s lies get even crueller. Now she’s got poor Katrina thinking she’s an arsonist and a murderer who burned down an orphanage in revenge and killed someone in the flames!

Last week “Concrete Surfer” was pushed off its usual slot of leading story, but it’s back there this week. Carol freely admits to Jean how she had played Jean for a fool. Belatedly, Jean wishes she had had a tape recorder on hand so she could prove it to everyone else. They all think Carol is a sweet girl and Jean bullies her. The skateboard contest gets underway and Jean is thinking up her own lyrics to the piece of music Carol has chosen: “Isn’t she sickening…? Isn’t she spiteful…? I never thought what a cat she could be…”

In part two of “Somewhere Over the Rainbow” the war ends in victory for the Allies, but the Peters children have no heart for celebrating because their father was KIA. They cheer up when Mum gets complimentary tickets for them to see a “Wizard of Oz” production. This introduces the Wizard of Oz theme that will resonate throughout the rest of the serial.

In “Knight and Day”, Pat meets her stepsister Janet, who’s a very nasty piece of work and bullies Pat. At least she reveals the real reason why Mum reclaimed the daughter she had always neglected: it was so they could get a council flat. Well, well, well!

“Clancy on Trial” impresses her grandfather by standing up to him (the only one who does), especially when he expresses his long-standing disapproval of her mother’s marriage to a bus driver. Meanwhile, Sandra continues to help Clancy to learn to walk again.

Last week “The Zodiac Prince” and his gift of balance to Julie unwittingly made another circus performer jealous. Now she’s putting herself in danger trying to prove herself on the high wire. Fortunately Julie is able to come to the rescue and everything is sorted out. Fresh trouble isn’t far away though, and it comes when the Zodiac Prince sees a girl mistreating a donkey and decides it’s time for another astral gift. However, next week’s blurb informs us that he’s about to make a big mistake.

There are double emergencies in “Cathy’s Casebook” this week. Mr Shaw’s daughter gets injured after being thrown from her horse and loses her nerve, and a café owner collapses from a perforated ulcer.

 

Jinty 20 May 1978

jinty-cover-20-may-1978

  • Somewhere Over the Rainbow – first episode (artist Phil Townsend, writer Alison Christie)
  • Get in the Swim! Competition
  • Concrete Surfer (writer Pat Mills, artist unknown)
  • Knight and Day – first episode
  • A-to-Z of Things to Do – part one
  • Clancy on Trial – first episode (artist Ron Lumsden)
  • The Zodiac Prince (artist Trini Tinturé)
  • Slave of the Swan (artist Guy Peeters)
  • Cathy’s Casebook (artist Terry Aspin)
  • Snow in Summer – feature

The advertising for Jinty’s new competition and her A-to-Z of things to do has pushed the story panels right off the cover. There’s only a blurb at the bottom to say that three new stories have started. It looks like the pull-out feature, competition and stories have pushed out “Sue’s Fantastic Fun-Bag!” and “Alley Cat” out of the issue; neither appears this week.

The first new story, “Somewhere Over the Rainbow”, pushes “Concrete Surfer” out of her usual slot as leading story. The episode is also a four-pager, which gets it off to quite a start. It seems fitting as “Somewhere Over the Rainbow” went on to be one of Jinty’s most enduring and longest stories. It was the last of the three Jinty serials to be set in World War II. As the story opens, the war is drawing to a close. VE Day is in sight, wartime restrictions are easing a bit, and the Peters family are looking forward to the day when Dad comes home from the war. But of a sudden Mum gets the dreaded envelope that means KIA.

The second new story is “Knight and Day” (a popular play on one girl being named Day and the other Knight in a serial). Pat Day’s mother has always neglected her and she is now happily fostered out to the Hargreaves. But now, all of a sudden, the neglectful mother (now Mrs Knight under her new marriage) has successfully applied to get her back. But why would she even bother?

The artist for the third new story, “Clancy on Trial”, is a surprise. It’s Ron Lumsden, who is best remembered for being the first artist on “The Comp”. Clancy Clarke is determined to walk again after being crippled in an accident and is getting help from her cousin Sandra. All of a sudden, Clancy’s grandfather, who had ignored her before, suddenly takes an interest in her. As with Pat’s mother it sounds suspicious, but at least we get an inkling of his motives – to put her to some sort of test.

In the other stories, “The Zodiac Prince” hands out another astral gift, and this time it works out. Julie is now happily reunited with her father and, thanks to the astral gift, is now joining him at the circus. Unfortunately it pushed out another performer and now she’s jealous.

“The Slave of the Swan” is finally beginning to remember bits of her past. But the Swan is getting set to ensnare her again, and she’s already pulled the wool over the eyes of the police who were getting on her trail at last.

In “Cathy’s Casebook” Dad is hauled up before the medical board on an unfair charge of neglecting a patient, thanks to the old trout of a district nurse who judged him too harshly and wouldn’t listen to pleas that Dad was overworked and feeling unwell. But Cathy makes sure the medical board listens to her over them! The nurse looks veerry sour indeed when Cathy gets the charge against her father dismissed.

“Concrete Surfer” finally catches creepy Carol out once and for all. She tricks Carol into admitting that she stole her skateboard. Not that it would do much good in the competition – Jean can’t compete unless she finds the skateboard.

 

Jinty 13 May 1978

jinty-cover-13-may-1978

  • Concrete Surfer (writer Pat Mills, artist unknown)
  • Sue’s Fantastic Fun-Bag! (artist Hugh Thornton-Jones)
  • Slave of the Swan (artist Guy Peeters)
  • Alley Cat (artist Rob Lee)
  • Wednesday’s Child – Gypsy Rose story (artist Hugo D’Adderio)
  • The Zodiac Prince (artist Trini Tinturé)
  • The Birds – final episode (artist Keith Robson, writer Len Wenn)
  • The Cinderella Story of Sneh Gupta– Feature
  • Shadow on the Fen – final episode (artist Douglas Perry)
  • Rinty ‘n’ Jinty
  • Cathy’s Casebook (artist Terry Aspin)
  • Make a Sunflower Shoulder Bag – Feature

 

Gypsy Rose is back this week, but she’s clearly being used as a filler. Her run in Jinty was nowhere as regular or as solid as the Storyteller’s in June/ Tammy. Her story features a kid brother who strikes up an unusual friendship with what turns out to be the ghost of another boy who was starved to death by his aunt.

Next week “Somewhere Over the Rainbow” starts, and its announcement is unusual. It’s on the letters page, in response to one reader who wrote in to say that “Stefa’s Heart of Stone” was her all-time favourite Jinty story (perhaps she was one of the many readers in Pam’s Poll who voted for its reprint). The editor informs the reader that “Somewhere Over the Rainbow” is penned by the same author as Stefa (now that’s quite a lead-in) and “it’s making us all have a lovely cry at the office!”

Jinty also announces that “Clancy on Trial” starts next week as well. So this week we see the final episodes of “The Birds” and “Shadow on the Fen”. The ending of “The Birds” is grim, with the parents plummeting to their deaths in the car because of those crazy birds and that chemical factory that has driven them crazy. In “Shadow on the Fen”, the Witchfinder is reduced to just bones and then dust after being struck by… well, it’s not quite clear if it is the power of the holy cross or the falling wishing tree that lands on top of him. But it is quite reminiscent of how a vampire is destroyed.

Jean almost walks out on the skateboarding club but changes her mind. And she’s beginning to suss Carol out; she can’t stand being on the losing side and being second best. She always has to be the winner and centre of attention. So Jean’s quite pleased there’s going to be a skateboarding competition where she can settle things with Carol once and for all.

Katrina Vale, “The Slave of the Swan”, overhears the story of how the Swan got crippled: the story goes that a friend got jealous of her final triumph in “The Swan” role and injured her deliberately. We realise they can only mean Katrina’s mother. But from our brief glimpse of Mrs Vale as a sympathetic character way back in part one, can we really believe she would do such a thing? Meanwhile, the police are finally on the trail of the missing Katrina. Will they be able to rescue her from the Swan?

Sue calls upon Henrietta’s help to cook a meal for her friends, but finds she would have been better off doing it herself.

The Zodiac Prince sets out to help a girl who’s got circus in her blood, but her snooty aunt is keeping her away from it.

Being a doctor’s daughter pays off dividends for Cathy – she gets to see her favourite pop star in person when he needs a doctor. Cathy also finds a way to cheer up sourpuss Tom while he’s in hospital, though it flouts hospital rules.

 

Jinty 6 May 1978

jinty-cover-6-may-1978

The Concrete Surfer finds sneaky Carol cheated to put up the winning design for their skateboard tee shirts. She’s now so fed up with smarmy Carol being Miss Bainbridge’s pet that she wants to walk out on the skateboard club.

A woman gets on Sue’s nerves with her bossiness and endless spouting of old proverbs, and Sue reckons the woman doesn’t even know what those proverbs mean. Oohh, sounds like an open invitation for Henrietta to hand out another lesson with her mischief-making magic.

The Swan is up to mischief of an even more nasty nature. She’s poisoning her own pupils against Katrina with false stories and sneaky tricks to make Katrina look a thief in order to turn them against her because they were trying to help her. At least Sarah is still friendly and is treating Katrina to a ballet performance.

It’s the final episode of “Waking Nightmare”. Phil realises she should have heeded newspaper reports that Carol was not quite right in the head. But Carol’s mother admits it was partly her fault for concealing it because she was ashamed to let people know her daughter was mentally ill. Phil helps Carol overcome her fear of doctors and everything works out happily.

“The Birds” is on its penultimate episode, and it’s only the second one. There was so much scope to make this Hitchcock-inspired story longer, so why did they just keep it at three episodes?

“Shadow on the Fen” is clearly nearing its end as we’re told the story will reach its climax next week. This week The Witchfinder attacks Mrs Perks, the only ally of Linden and Rebecca. At least they manage to get hold of his book, the second magic artefact they have to destroy to destroy him. However, he managed to get away with his last artefact, the magic knife.

Cathy saves the life of a critically ill man, but the old sourpuss isn’t showing her any gratitude. Dad takes her out for a treat, but there could be a surprise when someone asks if there is a doctor in the house.

The Zodiac Prince is trying to work out what’s upsetting the clown he’s standing in for. Then he and Shrimp find a photograph that could be a clue.

 

Jinty 22 April 1978

jinty-cover-22-april-1978

Last week Jean believed she had finally seen through Carol as “a smarmy little creep!” But she repents when Carol really puts on the waterworks. Did she really hurt Carol’s feelings or has the smarmy little creep worked her way around her again? Meanwhile, Jean takes on some advice to bring some rhythm and flow into her skateboarding and is making progress. However, could Carol be trying to discreetly undermine it?

In “Sue’s Fantastic Fun-Bag!” some bullies always pick on a girl and call her names. Naturally, Henrietta decides to give them a taste of their own medicine, which gets a bit out of hand. They end up in detention, but it’s a fitting punishment for bullying.

The Swan has made a slip that she knew the slave’s parents. But she twists it around with another lie: the slave’s parents died in prison for theft and she may have inherited their bad ways. It’s an old trick in “amnesiac” serials and it does what the Swan intended: the slave becomes demoralised and begins to doubt herself.

Carol comes to the rescue of Phil, who’s under a pile of debris. However, Carol seems to be going to pieces because the debris is reminding her of something.

The Zodiac Prince casts a spell on a girl to make her attractive to animals. It was meant to save her from a tiger, but it backfires when every single animal in town follows the girl all the way home, and the spell starts messing things up at the circus as well. Father tells the Prince he can’t remove the spell, so he suggests another to modify the first. But will it work out?

It’s the final episode of “Paula’s Puppets”. Paula’s in a cross-country race but isn’t up to it with nobody to support her. Then, all of a sudden, Dad is there to cheer her on. But he’s supposed to be in prison! What gives?

Linden manages to get the plant to cure Rebecca, despite the Witchfinder trying to stop her by turning himself into the largest rat you ever saw. Next they learn how to stop the Witchfinder – destroy his three magic items – but they have to track them down first.

Cathy thinks her father needs a break and leaves the phone off the hook so he won’t be disturbed. But this could lead to real trouble if there is an emergency…

 

Jinty 15 April 1978

jinty-cover-15-april-1978

  • Concrete Surfer (writer Pat Mills, artist unknown)
  • Sue’s Fantastic Fun-Bag! (artist Hugh Thornton-Jones)
  • Slave of the Swan (artist Guy Peeters)
  • Alley Cat (artist Rob Lee)
  • Waking Nightmare (artist Phil Townsend)
  • The Zodiac Prince (artist Trini Tinturé)
  • Paula’s Puppets (artist Julian Vivas)
  • Idol By Name (Billy Idol feature)
  • Shadow on the Fen (artist Douglas Perry)
  • The Revenge of Peter-the-Fisherman! (writer C. Mitchell, artist Keith Robson) Text story competition entry
  • Cathy’s Casebook (artist Terry Aspin)
  • “Sunny” Sparklers – feature

Jean is furious to discover Carol has been muscling in on her skateboard territory by secretly learning to skateboard as well. And she reckons she’s finally seen through sweet-faced Carol too – “you’re a smarmy little creep!” But has Carol finally been defeated?

Sue asks Henrietta for a spell to help her win a balloon race, though she admits she should know better than that. Sure enough, Henrietta makes the punishment fit the crime.

The Swan’s revenge on Katrina is getting worse and worse. She’s tricked Katrina into wearing heavy boots to stop her dancing and then she just about breaks Katrina’s fingers when she slams a piano lid on them. At least the other girls are wising up and trying to help Katrina. But what comes of it remains to be seen.

Life on the run in “Waking Nightmare!” reaches the climax when Phil has a serious accident and now she’s trapped under a pile of debris, with nobody to hear her screams for help, and there’s no sign of Carol.

“Paula’s Puppets” has reached its penultimate episode. The puppets have led Paula to a piece of evidence that is supposed to clear her father. Unfortunately Paula can’t understand what the hell it is about.

The Zodiac Prince takes a job as a fortune teller at a funfair, and with the help of his father predicts a terrible thunderstorm is going to hit. Pity the father didn’t also predict a tiger getting loose because of the storm damage, which puts a little girl in danger.

Rebecca’s been injured by the Witchfinder’s blade and could bleed to death from its poison. The only way to save her is to venture into Barberry Fen to get a certain flower – but that is where the Witchfinder is at his strongest!

Cathy’s been advised to work with her doctor father in order to get closer to him. So she joins a first aid class – but she didn’t expect her father to be the instructor!