Tag Archives: Pat Mills

Alan Davidson

Alan Davidson, author of various Jinty stories such as "Jackie's Two Lives"
Alan Davidson, author of various Jinty stories such as “Jackie’s Two Lives”

We have run a few posts about Alan Davidson before now on the blog, but not a complete summary post that serves as an appreciation of his work. Of course no summary post can be properly complete at this stage as we do not know all the stories he wrote for girls’ comics – his wife Pat Davidson has mentioned that he kept careful copies of his invoices and his scripts, but to go through those files is itself a lot of work. We can hope that we will hear more titles of stories in due course, and if so, I will certainly add them into this post. In any case, we now have story posts about all five of the Jinty stories that it is is known that Alan wrote, so the time seems right for an appreciation of him as a comics writer.

Known Jinty stories written by Alan Davidson:

Known stories in other titles:

  • Little Miss Nothing (Tammy, 1971)
  • Paint It Black (Misty, 1978)

Pat Davidson has also stated in a separate email that “[f]or older readers he contributed some excellent stories for Pink and often met up with Ridwan Aitken, the then editor. I don’t have any records of these to hand, although I remember a very original story about a hero who could predict earthquakes, which Alan much enjoyed writing. I can’t remember its title.”

Having set down these initial bibliographic details, what can we pull together in terms of an appreciation of his work, in girls comics and elsewhere?

Davidson’s work is not as strongly themed as Alison Christie‘s concentration on heart-tugging stories which forms the bulk of her comics writing. There is a clear focus on wish fulfillment in his Jinty stories: Gwen stumbles into a position where her schoolmates respect and appreciate her as she has always wanted, Jackie is swept up by a rich mother-figure who is prepared to take her away from her life of poverty, Debbie finds a mysterious valley and within it a sort of fairy godmother who will save her from her cruel family, and Kerry is likewise swept up by a rich mentor who looks like she is a route to the fame that Kerry has always wanted. The wish in question is almost always double-edged or positively treacherous: Debbie is the only one who ends up happy with getting what she has always wanted (and of course her fairy godmother figure is stern-but-kind rather than seemingly kind but morally dubious). However, Davidson plays the theme of wish fulfillment while ringing the changes: none of his stories are close repeats, even though they have this similar focus.

For Jinty‘s pages he also wrote the important science fiction story “Fran of the Floods” (1976) – perhaps not quite the first SF story that ran in this title (that is arguably 1975’s “The Green People”) but a hugely popular one that ran for some 9 months. Jinty‘s reputation as a title that ran lots of SF surely must owe plenty to the success of this key story. It is a strong story through to its end, though showing a few signs of padding in some parts of the long journey taken by the protagonist. (I note that Sandie ran a story called “Noelle’s Ark” a few years earlier which has a number of similarities without being as strong on characterization or drama: it would be interesting to know if this was something that Davidson was aware of, or perhaps even the author of.)

Davidson of course had also previously written a standout story that gave girls’ comics a key new theme: 1971’s “Little Miss Nothing” started the run of Cinderella stories which gave Tammy its reputation for cruelty and darkness. Pat Mills has lauded this as being written with a real lightness of touch and being written very much from the heart (note that he thought at the time that this was written by Alan’s wife Pat, which has since been corrected by Pat Davidson herself). We know less about what we wrote for titles other than Jinty: it seems he wrote little else for Tammy (unless Pat Davidson can correct that impression?), and only one story for Misty. “Paint It Black” was part of the opening line-up of that comic. While it was a compelling read it doesn’t seem to have struck the same chord with readers as some others from that title, and Davidson doesn’t seem to have written more for Misty (perhaps also due to the fact that he was finding success in children’s prose fiction from around that time).

It’s clear that Davidson’s writing is strong all round, and at its height was really mould-breaking (not just once, at least twice). There are ways in which it follows the conventions of girls comics writing reasonably closely: the titles of his stories tend to follow the standard set up of focusing on the girl protagonists (Gwen, Jackie, Fran, Kerry) though veering away from that in some cases (“Valley of Shining Mist” and most particularly “Paint It Black”). I’m not sure whether this all-round strength is part of the reason for another aspect of his comics career which I was struck by when looking back – he has not been associated with one particular artist, but rather been illustrated by a wide range of artists with no repeats that I know of. This contrasts with the partnership between Alison Christie and Phil Townsend, who created some seven very popular stories together for Jinty.

From the mid to late 70s, Davidson started to concentrate on prose fiction for children. It’s a little hard to search for details of his work online as he doesn’t seem to have had his own web presence and there are a few other well-known figures with the same name (such as a food writer and a cricketer). This Goodreads author page is the clearest list I have found of his prose works, while it’s also worth looking at his Wikipedia page, which tells us that he started off as a subeditor on “Roy of the Rovers” for Tiger. Writing children’s prose fiction has clear advantages over continuing in the world of juvenile comics: better recognition by your public rather than having no printed credits in the pages of the comics titles, better rewards for success in the form of royalties and translation money. At the same time, his most successful prose work, “The Bewitching of Alison Allbright”, is an effective re-working of his popular comics story “Jackie’s Two Lives”. The influence of the earlier writing clearly informs the later work too: what comics loses, children’s fiction gains.

If Davidson had been writing a decade or so later, might he have been swept up in the popularity of 2000AD and the migration that various British creators made to the US market? That only seems to have drawn in the creators working on boys’ comics, so I assume not. It is pleasant to imagine the talented writers of juvenile comics being fêted and recognized by name in a way that British publishers spent many years fighting to prevent. Ultimately however it is a sad thought: Alan Davidson, who is amongst those who most deserve that name recognition, is only now getting a small fraction of that recognition after his death.

Jinty 27 May 1978

jinty-cover-27-may-1978

  • Concrete Surfer (writer Pat Mills, artist unknown)
  • Alley Cat (artist Rob Lee)
  • Winning Birthday Girls! – Contest results
  • Somewhere Over the Rainbow (artist Phil Townsend, writer Alison Christie)
  • Knight and Day
  • A-to-Z of Things to Do – part two
  • Clancy on Trial (artist Ron Lumsden)
  • Talking to the Star from “Robin’s Nest” – Feature
  • Rinty ‘n’ Jinty
  • The Zodiac Prince (artist Trini Tinturé)
  • Slave of the Swan (artist Guy Peeters)
  • Cathy’s Casebook (artist Terry Aspin)
  • Seahorse Sunspecs Case – feature

The panel from “Slave of the Swan” actually appeared in the story some weeks ago, which is a bit irregular. Usually Jinty used panels from the current episode of a story for a cover. The depiction of Katrina’s apron is reminiscent of a tutu, which is very clever and also fitting for the ballet theme. And in this week’s episode of “Slave of the Swan”, the Swan’s lies get even crueller. Now she’s got poor Katrina thinking she’s an arsonist and a murderer who burned down an orphanage in revenge and killed someone in the flames!

Last week “Concrete Surfer” was pushed off its usual slot of leading story, but it’s back there this week. Carol freely admits to Jean how she had played Jean for a fool. Belatedly, Jean wishes she had had a tape recorder on hand so she could prove it to everyone else. They all think Carol is a sweet girl and Jean bullies her. The skateboard contest gets underway and Jean is thinking up her own lyrics to the piece of music Carol has chosen: “Isn’t she sickening…? Isn’t she spiteful…? I never thought what a cat she could be…”

In part two of “Somewhere Over the Rainbow” the war ends in victory for the Allies, but the Peters children have no heart for celebrating because their father was KIA. They cheer up when Mum gets complimentary tickets for them to see a “Wizard of Oz” production. This introduces the Wizard of Oz theme that will resonate throughout the rest of the serial.

In “Knight and Day”, Pat meets her stepsister Janet, who’s a very nasty piece of work and bullies Pat. At least she reveals the real reason why Mum reclaimed the daughter she had always neglected: it was so they could get a council flat. Well, well, well!

“Clancy on Trial” impresses her grandfather by standing up to him (the only one who does), especially when he expresses his long-standing disapproval of her mother’s marriage to a bus driver. Meanwhile, Sandra continues to help Clancy to learn to walk again.

Last week “The Zodiac Prince” and his gift of balance to Julie unwittingly made another circus performer jealous. Now she’s putting herself in danger trying to prove herself on the high wire. Fortunately Julie is able to come to the rescue and everything is sorted out. Fresh trouble isn’t far away though, and it comes when the Zodiac Prince sees a girl mistreating a donkey and decides it’s time for another astral gift. However, next week’s blurb informs us that he’s about to make a big mistake.

There are double emergencies in “Cathy’s Casebook” this week. Mr Shaw’s daughter gets injured after being thrown from her horse and loses her nerve, and a café owner collapses from a perforated ulcer.

 

Jinty 20 May 1978

jinty-cover-20-may-1978

  • Somewhere Over the Rainbow – first episode (artist Phil Townsend, writer Alison Christie)
  • Get in the Swim! Competition
  • Concrete Surfer (writer Pat Mills, artist unknown)
  • Knight and Day – first episode
  • A-to-Z of Things to Do – part one
  • Clancy on Trial – first episode (artist Ron Lumsden)
  • The Zodiac Prince (artist Trini Tinturé)
  • Slave of the Swan (artist Guy Peeters)
  • Cathy’s Casebook (artist Terry Aspin)
  • Snow in Summer – feature

The advertising for Jinty’s new competition and her A-to-Z of things to do has pushed the story panels right off the cover. There’s only a blurb at the bottom to say that three new stories have started. It looks like the pull-out feature, competition and stories have pushed out “Sue’s Fantastic Fun-Bag!” and “Alley Cat” out of the issue; neither appears this week.

The first new story, “Somewhere Over the Rainbow”, pushes “Concrete Surfer” out of her usual slot as leading story. The episode is also a four-pager, which gets it off to quite a start. It seems fitting as “Somewhere Over the Rainbow” went on to be one of Jinty’s most enduring and longest stories. It was the last of the three Jinty serials to be set in World War II. As the story opens, the war is drawing to a close. VE Day is in sight, wartime restrictions are easing a bit, and the Peters family are looking forward to the day when Dad comes home from the war. But of a sudden Mum gets the dreaded envelope that means KIA.

The second new story is “Knight and Day” (a popular play on one girl being named Day and the other Knight in a serial). Pat Day’s mother has always neglected her and she is now happily fostered out to the Hargreaves. But now, all of a sudden, the neglectful mother (now Mrs Knight under her new marriage) has successfully applied to get her back. But why would she even bother?

The artist for the third new story, “Clancy on Trial”, is a surprise. It’s Ron Lumsden, who is best remembered for being the first artist on “The Comp”. Clancy Clarke is determined to walk again after being crippled in an accident and is getting help from her cousin Sandra. All of a sudden, Clancy’s grandfather, who had ignored her before, suddenly takes an interest in her. As with Pat’s mother it sounds suspicious, but at least we get an inkling of his motives – to put her to some sort of test.

In the other stories, “The Zodiac Prince” hands out another astral gift, and this time it works out. Julie is now happily reunited with her father and, thanks to the astral gift, is now joining him at the circus. Unfortunately it pushed out another performer and now she’s jealous.

“The Slave of the Swan” is finally beginning to remember bits of her past. But the Swan is getting set to ensnare her again, and she’s already pulled the wool over the eyes of the police who were getting on her trail at last.

In “Cathy’s Casebook” Dad is hauled up before the medical board on an unfair charge of neglecting a patient, thanks to the old trout of a district nurse who judged him too harshly and wouldn’t listen to pleas that Dad was overworked and feeling unwell. But Cathy makes sure the medical board listens to her over them! The nurse looks veerry sour indeed when Cathy gets the charge against her father dismissed.

“Concrete Surfer” finally catches creepy Carol out once and for all. She tricks Carol into admitting that she stole her skateboard. Not that it would do much good in the competition – Jean can’t compete unless she finds the skateboard.

 

Jinty 13 May 1978

jinty-cover-13-may-1978

  • Concrete Surfer (writer Pat Mills, artist unknown)
  • Sue’s Fantastic Fun-Bag! (artist Hugh Thornton-Jones)
  • Slave of the Swan (artist Guy Peeters)
  • Alley Cat (artist Rob Lee)
  • Wednesday’s Child – Gypsy Rose story (artist Hugo D’Adderio)
  • The Zodiac Prince (artist Trini Tinturé)
  • The Birds – final episode (artist Keith Robson, writer Len Wenn)
  • The Cinderella Story of Sneh Gupta– Feature
  • Shadow on the Fen – final episode (artist Douglas Perry)
  • Rinty ‘n’ Jinty
  • Cathy’s Casebook (artist Terry Aspin)
  • Make a Sunflower Shoulder Bag – Feature

 

Gypsy Rose is back this week, but she’s clearly being used as a filler. Her run in Jinty was nowhere as regular or as solid as the Storyteller’s in June/ Tammy. Her story features a kid brother who strikes up an unusual friendship with what turns out to be the ghost of another boy who was starved to death by his aunt.

Next week “Somewhere Over the Rainbow” starts, and its announcement is unusual. It’s on the letters page, in response to one reader who wrote in to say that “Stefa’s Heart of Stone” was her all-time favourite Jinty story (perhaps she was one of the many readers in Pam’s Poll who voted for its reprint). The editor informs the reader that “Somewhere Over the Rainbow” is penned by the same author as Stefa (now that’s quite a lead-in) and “it’s making us all have a lovely cry at the office!”

Jinty also announces that “Clancy on Trial” starts next week as well. So this week we see the final episodes of “The Birds” and “Shadow on the Fen”. The ending of “The Birds” is grim, with the parents plummeting to their deaths in the car because of those crazy birds and that chemical factory that has driven them crazy. In “Shadow on the Fen”, the Witchfinder is reduced to just bones and then dust after being struck by… well, it’s not quite clear if it is the power of the holy cross or the falling wishing tree that lands on top of him. But it is quite reminiscent of how a vampire is destroyed.

Jean almost walks out on the skateboarding club but changes her mind. And she’s beginning to suss Carol out; she can’t stand being on the losing side and being second best. She always has to be the winner and centre of attention. So Jean’s quite pleased there’s going to be a skateboarding competition where she can settle things with Carol once and for all.

Katrina Vale, “The Slave of the Swan”, overhears the story of how the Swan got crippled: the story goes that a friend got jealous of her final triumph in “The Swan” role and injured her deliberately. We realise they can only mean Katrina’s mother. But from our brief glimpse of Mrs Vale as a sympathetic character way back in part one, can we really believe she would do such a thing? Meanwhile, the police are finally on the trail of the missing Katrina. Will they be able to rescue her from the Swan?

Sue calls upon Henrietta’s help to cook a meal for her friends, but finds she would have been better off doing it herself.

The Zodiac Prince sets out to help a girl who’s got circus in her blood, but her snooty aunt is keeping her away from it.

Being a doctor’s daughter pays off dividends for Cathy – she gets to see her favourite pop star in person when he needs a doctor. Cathy also finds a way to cheer up sourpuss Tom while he’s in hospital, though it flouts hospital rules.

 

Jinty 6 May 1978

jinty-cover-6-may-1978

The Concrete Surfer finds sneaky Carol cheated to put up the winning design for their skateboard tee shirts. She’s now so fed up with smarmy Carol being Miss Bainbridge’s pet that she wants to walk out on the skateboard club.

A woman gets on Sue’s nerves with her bossiness and endless spouting of old proverbs, and Sue reckons the woman doesn’t even know what those proverbs mean. Oohh, sounds like an open invitation for Henrietta to hand out another lesson with her mischief-making magic.

The Swan is up to mischief of an even more nasty nature. She’s poisoning her own pupils against Katrina with false stories and sneaky tricks to make Katrina look a thief in order to turn them against her because they were trying to help her. At least Sarah is still friendly and is treating Katrina to a ballet performance.

It’s the final episode of “Waking Nightmare”. Phil realises she should have heeded newspaper reports that Carol was not quite right in the head. But Carol’s mother admits it was partly her fault for concealing it because she was ashamed to let people know her daughter was mentally ill. Phil helps Carol overcome her fear of doctors and everything works out happily.

“The Birds” is on its penultimate episode, and it’s only the second one. There was so much scope to make this Hitchcock-inspired story longer, so why did they just keep it at three episodes?

“Shadow on the Fen” is clearly nearing its end as we’re told the story will reach its climax next week. This week The Witchfinder attacks Mrs Perks, the only ally of Linden and Rebecca. At least they manage to get hold of his book, the second magic artefact they have to destroy to destroy him. However, he managed to get away with his last artefact, the magic knife.

Cathy saves the life of a critically ill man, but the old sourpuss isn’t showing her any gratitude. Dad takes her out for a treat, but there could be a surprise when someone asks if there is a doctor in the house.

The Zodiac Prince is trying to work out what’s upsetting the clown he’s standing in for. Then he and Shrimp find a photograph that could be a clue.

 

Jinty 22 April 1978

jinty-cover-22-april-1978

Last week Jean believed she had finally seen through Carol as “a smarmy little creep!” But she repents when Carol really puts on the waterworks. Did she really hurt Carol’s feelings or has the smarmy little creep worked her way around her again? Meanwhile, Jean takes on some advice to bring some rhythm and flow into her skateboarding and is making progress. However, could Carol be trying to discreetly undermine it?

In “Sue’s Fantastic Fun-Bag!” some bullies always pick on a girl and call her names. Naturally, Henrietta decides to give them a taste of their own medicine, which gets a bit out of hand. They end up in detention, but it’s a fitting punishment for bullying.

The Swan has made a slip that she knew the slave’s parents. But she twists it around with another lie: the slave’s parents died in prison for theft and she may have inherited their bad ways. It’s an old trick in “amnesiac” serials and it does what the Swan intended: the slave becomes demoralised and begins to doubt herself.

Carol comes to the rescue of Phil, who’s under a pile of debris. However, Carol seems to be going to pieces because the debris is reminding her of something.

The Zodiac Prince casts a spell on a girl to make her attractive to animals. It was meant to save her from a tiger, but it backfires when every single animal in town follows the girl all the way home, and the spell starts messing things up at the circus as well. Father tells the Prince he can’t remove the spell, so he suggests another to modify the first. But will it work out?

It’s the final episode of “Paula’s Puppets”. Paula’s in a cross-country race but isn’t up to it with nobody to support her. Then, all of a sudden, Dad is there to cheer her on. But he’s supposed to be in prison! What gives?

Linden manages to get the plant to cure Rebecca, despite the Witchfinder trying to stop her by turning himself into the largest rat you ever saw. Next they learn how to stop the Witchfinder – destroy his three magic items – but they have to track them down first.

Cathy thinks her father needs a break and leaves the phone off the hook so he won’t be disturbed. But this could lead to real trouble if there is an emergency…

 

Jinty 15 April 1978

jinty-cover-15-april-1978

  • Concrete Surfer (writer Pat Mills, artist unknown)
  • Sue’s Fantastic Fun-Bag! (artist Hugh Thornton-Jones)
  • Slave of the Swan (artist Guy Peeters)
  • Alley Cat (artist Rob Lee)
  • Waking Nightmare (artist Phil Townsend)
  • The Zodiac Prince (artist Trini Tinturé)
  • Paula’s Puppets (artist Julian Vivas)
  • Idol By Name (Billy Idol feature)
  • Shadow on the Fen (artist Douglas Perry)
  • The Revenge of Peter-the-Fisherman! (writer C. Mitchell, artist Keith Robson) Text story competition entry
  • Cathy’s Casebook (artist Terry Aspin)
  • “Sunny” Sparklers – feature

Jean is furious to discover Carol has been muscling in on her skateboard territory by secretly learning to skateboard as well. And she reckons she’s finally seen through sweet-faced Carol too – “you’re a smarmy little creep!” But has Carol finally been defeated?

Sue asks Henrietta for a spell to help her win a balloon race, though she admits she should know better than that. Sure enough, Henrietta makes the punishment fit the crime.

The Swan’s revenge on Katrina is getting worse and worse. She’s tricked Katrina into wearing heavy boots to stop her dancing and then she just about breaks Katrina’s fingers when she slams a piano lid on them. At least the other girls are wising up and trying to help Katrina. But what comes of it remains to be seen.

Life on the run in “Waking Nightmare!” reaches the climax when Phil has a serious accident and now she’s trapped under a pile of debris, with nobody to hear her screams for help, and there’s no sign of Carol.

“Paula’s Puppets” has reached its penultimate episode. The puppets have led Paula to a piece of evidence that is supposed to clear her father. Unfortunately Paula can’t understand what the hell it is about.

The Zodiac Prince takes a job as a fortune teller at a funfair, and with the help of his father predicts a terrible thunderstorm is going to hit. Pity the father didn’t also predict a tiger getting loose because of the storm damage, which puts a little girl in danger.

Rebecca’s been injured by the Witchfinder’s blade and could bleed to death from its poison. The only way to save her is to venture into Barberry Fen to get a certain flower – but that is where the Witchfinder is at his strongest!

Cathy’s been advised to work with her doctor father in order to get closer to him. So she joins a first aid class – but she didn’t expect her father to be the instructor!

John Wagner: Interview

John Wagner is known to have worked on girls’ comics and written girls stories in the 1970s. I didn’t know of any previous interviews which had focused on this part of his career in particular: many thanks to him for answering the questions below in this brief interview.

1 I’d love to know how you got started in writing for girls’ comics, and what you did during that part of your comics career. What stories did you write? How did you balance writing comics alongside being an editor – or was that all part of what the editor was expected to do?

The girls’ comic side of my career started with Romeo, the DC Thomson romantic comic/mag, the poor sister of Jackie. Girls’ romance was just a step up from normal girls’ fare with the addition of boys. We never touched on lesbian love back then! Then when I left to go freelance with Pat Mills, girls’ stories was one of our target markets. We were given “School of No Escape” (was that in Sandie or Tammy? [that was in Sandie]) by the managing editor, John Purdie. The story had already been started, was running, but either the writer had quit, or been sacked. In any case editorial didn’t know quite how to handle it. It was quite a challenging first assignment but we made a pretty good fist of it. I helped Pat devise “School for Snobs” and write the first couple of episodes before we split up and I went to work in the IPC office in London. My only girls’ comic story after that was “Jeannie and Her Uncle Meanie”.

2 We’re always on the lookout for information on other creators of girls comics from the  time. I have already asked you for any suggestions on the name of the artist on “Slave of the Trapeze” and “School of No Escape”, which sadly for us you weren’t able to recall. Are there stories by other people that you particularly remember from that time, which you would be able to help us to credit the creators on? For instance, anything written by any of Gerry Finley-Day, Malcolm Shaw, Charles Herring, Jay Over, Ian Mennell, Benita Brown, Maureen Spurgeon?

Malcolm Shaw was my sub on Sandie for a while, quite a good, reliable one. I’m afraid I don’t remember any particular stories any of the people you mention wrote, though Gerry would have done two or three for me. Never heard of Jay Over or Benita Brown and assume Maureen then went by another surname that I can’t remember.

3 Pat Mills has fond memories and a lot of respect for specific girls’ comics titles and the hard-hitting gritty stories that ran in them. What kind of comparisons would you draw between the world of girls’ comics and that of the boys’ titles you worked on?

They were pretty different, up until Pat and I started work on Battle Picture Weekly. I refer to the IPC boys’ stories, as DC Thomson boys’ comics had some excellent stories and were almost the equal of their girls’ titles. But IPC boys’ titles had stagnated, with stories that were formulaic, repetitive, barely credible and carried very little emotional power. They paled in comparison to the stories in Judy, Mandy and especially Bunty – clever, meaty, affecting.

4 You started your comics career working for DC Thomson before moving south to IPC/Fleetway. Were there things about creating comics that you learned at DC Thomson which you were keen to bring with you to IPC, or perhaps keen to move away from? Or other memories of differences between the two publishers?

I was keen to move away from poverty! The key lesson I learned there was self-criticism. Nothing you write can’t be better. Always question yourself – am I getting the best out of that scene, those characters, is there a better way of doing things?

5 Finally, anything you can tell us about your time at Sandie would be good to know. It was a fairly short-lived title, only lasting for 89 issues. What do you think that was down to? Did you leave it as it finished, or earlier? Who else worked on it that you can recall?

My memory is that they closed it down – or merged it – on a circulation of about 180,000 (though that figure may be inflated in my mind). In any case the low cover price meant that they had to sell enormous numbers. I was told the comic was going under and that they wanted me to move on to Princess Tina (which was also dying) and revamp it in an attempt to save it. Norman Worker (I think) was brought in to see Sandie laid to rest. In turn I made an awful hash of Tina, whereupon I quit journalism to become caretaker of an estate in Scotland, never to return (I thought!).

I’ve already mentioned [in email] some of the names of Sandie staff – subs Kyra Clegg, Rhoda Miller, Malcolm Shaw. Ally McKay was assistant art man for a while, and John…John…ah, I forget, but he was art editor.

Many thanks again to John Wagner for this interview. I have a small number of issues of Sandie, which I looked at in this post. Catawiki has details on a few Sandie issues also, and the Great News for All Readers blog has posted in detail about two issues in 2016. Mistyfan also wrote a post about the advert for Sandie’s launch, and another on issue 7 of Sandie in 1972.

Jinty & Penny 14 March 1981

jinty-cover-14-march-1981

  • Pam of Pond Hill (artist Bob Harvey, writer Jay Over)
  • The Ghost Dancer (artist Phil Townsend)
  • No Expectations – Gypsy Rose story (artist Hugo D’Adderio)
  • Snoopa (artist Joe Collins)
  • Just the Job
  • Gaye’s Gloomy Ghost (artist Hugh Thornton-Jones)
  • Tansy of Jubilee Street (artist Peter Wilkes)
  • Land of No Tears (artist Guy Peeters, writer Pat Mills)
  • No Medals for Marie – (artist Phil Gascoine, writer Alison Christie Fitt)
  • Winning Ways 48 (writer Benita Brown)
  • Life’s a Ball for Nadine – (artist Mario Capaldi)

Pam thinks Miss Larks is being blackmailed, which leads to an embarrassing moment when Fred and Terry jump what they think is the blackmailer by mistake. Oh well, they were just trying to be helpful. The ‘blackmailer’ is Miss Larks’ nephew Steve Arnott, who takes over the reins for the upcoming school magazine Pam is struggling over.

“The Ghost Dancer” is approaching crunch time. Ferne wants to end her deception but is too scared of the consequences. But fate takes a hand when Ferne finds out that Jolie is in danger from a cracked pillar. Everyone sees the supposedly wheelchair-bound Ferne suddenly running off to try to avert disaster.

“No Medals for Marie” enters its penultimate episode. That mean old Miss Simon won’t let Marie’s family have the country home they so desperately need for Paul’s health. She’s going to abandon Paul to slowly die of asthma in his polluted town although she knows how serious his condition is. And it’s just because she’s so jealous at Marie finally winning a medal.

“Life’s a Ball for Nadine” is also on its penultimate episode. There are two jealous sisters going up against Nadine at netball and disco and trying to cheat her out of both. Nadine beats one sister at netball in this episode, but now she has to beat the other at disco in the final episode.

The Gamma Girls have won the preliminary rounds at the Golden Girl trophy, but it’s not all victory. Perfecta is on the trail of their secret trainer, who is Miranda’s mother. Cassy manages to foil Perfecta this time, but she is still suspicious. Plus, the dreaded Hive Inspector is going to pay a visit. He has the power to take Miranda and her mother away if he discovers their secret, and they will never return.

This week Gypsy Rose brings us an original story instead of a recycled Strange Story. Dora Lambert faithfully goes to Miss Harleigh to read Charles Dickens to her. Despite the Dickens title she reads from in the story, Dora expects and asks for nothing, even though her poor family could do with it. However, Gypsy Rose has forewarned us that there could be a surprise in store.

Sir Roger accidentally creates a double of himself, and then it’s triplets. Gaye ends up with treble the trouble of feeding a gluttonous ghost.

Tansy’s got a detective kit. She’s on the case of the missing hockey cup, which has disappeared from her bedroom window. For once pesky brother Simon and practical joker Peter are in the clear, so who could have done it?

Jinty & Penny 11 April 1981

jinty-cover-11-april-1981

  • Pam of Pond Hill (artist Bob Harvey, writer Jay Over)
  • Diving Belle – (artist Phil Gasoine)
  • Emily’s Last Stop – text story (artist Mario Capaldi)
  • The Puppet That Came to Life! Gypsy Rose Story (artist Carlos Freixas)
  • Just the Job
  • Gaye’s Gloomy Ghost (artist Hugh Thornton-Jones)
  • Whose Face Will Appear in the Mirror? (Quiz)
  • Tansy of Jubilee Street (artist Peter Wilkes)
  • Fancy Free! – first episode (artist Phil Townsend)
  • Angela’s Angels – first episode (artist Leo Davy)
  • Winning Ways 51 (writer Benita Brown)
  • Land of No Tears – final episode (artist Guy Peeters, writer Pat Mills)

It’s the last episode of “Land of No Tears”. The Gamma Girls’ win has sparked off more than they intended and it’s symbolised by the spectators knocking the Hive Inspector into the pool. The Gamma Girls have made people realise how fed up they were with the system that oppressed even their emotions. The letters page prints a letter from one reader thanking Jinty for reprinting the story, especially as she had lost her original copy.

“Land of No Tears” was reprinted because of “Pam’s Poll”, and in this issue another story starts repeating because of the poll. Many readers voted for a nursing story, so “Angela’s Angels” returns. Jinty made a strong point in the announcement that this was one of Jinty’s first stories, so newer readers must have been delighted to be reading a story from Jinty’s first days.

Pam has a bad falling out with Goofy because she laughed at his submission for the upcoming school magazine without realising who wrote it. On the day of the launch all the magazines are found ripped to shreds! Pam can only think of one person who had the motive, and is praying it wasn’t him.

Sir Roger’s sad to find that he’s badly affecting the Stony Hall business of guided tour by scaring people off. He tries to boost the business.

It’s Tansy and June vs Peter and Simon in a bike contest. When the contest is tied it’s up to the bike scrambling to break it. Tansy does scrambling in more ways than one – she accidentally causes Mrs Spikle’s eggs to go for a scramble. Despite this her bike scrambling nails a victory for her and June.

Fancy’s encounter with Ben and his wild bird hospital has brought on some improvement in her character: she begins to have second thoughts about bullying. Just as well, because she’s being taken to the headmistress.

Betty uses some pretty strong-arm tactics to get Belle diving again. At least it works.

Another Strange Story from June is recycled for Gypsy Rose. A Spanish orphan named Maria makes a living entertaining people with her puppet Chica. She wishes she could be rich and buy Chica a puppet theatre. Events starting with Chica somehow appearing in a rich man’s garden make this dream come true. But the mystery of how Chica got into the garden remains unsolved.

In this week’s text story, a leisure centre appeal is going badly. It is also up against competition from an appeal to save a loco named Emily, which does better but also fails. Then inspiration strikes: convert Emily into the leisure centre!