Tag Archives: Primrose Cumming

Tammy 20 August 1983

Cover artist: John Armstrong

Namby Pamby (artist Eduardo Feito, writer Ian Mennell)

Bella (artist John Armstrong, writer Primrose Cumming)

Welcome, Stranger! (artist Douglas Perry, writer Chris Harris) – Pony Tale

Room for Rosie (artist Santiago Hernandez, writer Alison Christie)

Holiday Miss Title! (writer Maureen Spurgeon) – Quiz 

Fate – or Fortune? (artist Carlos Freixas, writer Maureen Spurgeon) – complete story

The Button Box (artist Mario Capaldi, writer Alison Christie)

Backhand Play (artist Phil Gascoine, writer Ian Mennell)

Make Your Mind Up, Maggie (artist Juliana Buch)

Pretty Tidy (Chris Lloyd) – feature 

We had this issue before, but the post disappeared for some reason. So here it is again for 1983 issue in our Tammy August month round. 

Inside is one of the most historic moments in the saga of Bella Barlow – the moment when her arch-antagonists, Jed and Gert Barlow, make their final bow and disappear from her strip for good. We never thought we’d see the day. This was an astonishing move for Tammy to take, and we have to wonder what was behind it. Did ye Editor get tired of them or something? Anyway, good riddance to them. Our only regret is that although they had their karmic low points (including prison), they were never really punished for their treatment of Bella. 

In our other stories, Pam’s ridiculously overprotective mother does it again in “Namby Pamby”. The moment she hears Pam’s in a swimming match, she races to the pool, barrelling through the crowd and screaming hysterics, just because she thinks her precious little baby’s catching a chill. Oh, for crying out loud! Pauline Wheeler thinks she’s found “Room for Rosie” pretty quickly, but the new home falls through, so back to square one. No doubt this will be the first in a long string of failed homes before Rosie finds the One. “Backhand Play” is now on its penultimate episode, and it sets the stage for the final one: showdown between the tennis club and their backhand-playing tennis officer, Terry Knightly’s uncle, who’s now making an utter mockery of tennis. And the complications over juggling between riding and ballet get even worse for Maggie in “Make Your Mind Up, Maggie”.

Tammy’s complete stories are now the Button Box series, a Pony Tale series, and a self-contained complete story, a number of which had a supernatural theme. Some of them were reprints of Strange Stories, others were totally new and credited, giving us insight as to who might have written the spooky completes of the past.

Tammy and Princess 2 June 1984

Cover artists: Trini Tinturé and Juliana Buch

Bella (artist John Armstrong, Primrose Cumming)

No Use to Anyone! (artist Eduardo Feito)

Pride of the Lamports (artist Hugo D’Adderio) – Pony Tale

Pam of Pond Hill (artist Bob Harvey, writer Jay Over)

Shape Up to Summer with Bella (feature)

Stefa’s Heart of Stone (artist Phil Townsend, writer Alison Christie) – final episode

Take the Plunge! (Mari L’Anson) – feature 

The Button Box (artist Mario Capaldi, writer Alison Christie)

I’m Her – She’s Me! (artist Phil Gascoine)

Cora Can’t Lose (artist Juliana Buch)

Sadie in Waiting (artist Joe Collins)

We now come to the end of our Tammy June month round with June 1984. In fact, this was the last month Tammy would ever appear. She was cut off by a strike with the 23rd June issue and was not brought back to finish her stories. Everything was forever left tantalisingly unfinished.

If not for the strike, Tammy would have been cancelled in August for her own merger into Girl (second series). As June progressed, there were signs of Tammy heading for the merger, with some double episodes and the disappearance of the Princess logo on her last published issue. Princess had only merged with Tammy two months earlier, so her logo lasted the shortest of any comic to merge with Tammy. The Tammy logo had also changed with the merger, going from straight colour to an eye-catching rainbow colour. Many of the covers are pretty summer scenes (well, it was summer) and an inset of a story panel.

For the moment, the buildup to the Girl merger has not yet started. Tammy’s still on the Princess (second series) merger. “Stefa’s Heart of Stone”, which came over from Princess (reprinted from Jinty), finishes this week. This was the last story to be completed from Princess. This will give more scope for the buildup to the merge with Girl.

Right now, it’s pretty much business as usual. With the last of the serials from Princess gone, Sadie in Waiting is the only Princess feature remaining. The current serials could be scripted for either Tammy or Princess. The one remembered the most is “Cora Can’t Lose”, which built up to an exciting conclusion, only to be cut off by the strike, to the eternal frustration of readers. The other serials that started in the remaining weeks of Tammy got cut off as well. But it may not be too late, even all these years later. Perhaps Rebellion can do something to redress the matter. 

Tammy 11 June 1983

Cover artist: Phil Gascoine

Portrait of Doreen Gray (artist Tony Coleman (credited as George Anthony), writer Charles Herring)

The Button Box (artist Mario Capaldi, writer Alison Christie)

Backhand Play (artist Phil Gascoine, writer Ian Mennell) – first episode

School Days (artist Phil Townsend, writer Ian Mennell) – complete story

Enchanted June (artist Alma Jones, writer Maureen Spurgeon) – feature 

Bella (artist John Armstrong, writer Primrose Cumming)

Different Strokes (artist Santiago Hernandez, writer Charles Herring)

Jaws Three (artist Phil Townsend, writer Gerry Finley-Day)

Pam of Pond Hill (artist Bob Harvey, writer Jay Over)

Heatwave! (Mari L’Anson) – feature 

Now we come to the 1983 issue in our Tammy June month round. As it so happens, the issue has a feature about popular British folklore in June (below), which makes it even more flavoursome for our June month theme. At this time, Tammy liked to run a feature on a particular month and the folklore that went with it.

We are now in the era where Tammy ran credits and her covers used story illustrations taken from the panels inside. Jinty did the same thing for several years before she changed to Mario Capaldi covers on 21/28 June 1980. This era of Tammy also had a new logo.

This issue has a gorgeous Phil Gascoine cover, which heralds Gascoine’s new story, “Backhand Play”, the last tennis serial Tammy published. A number of tennis stories appeared in Tammy over the years, such as “Backhand Billie” and “Double – Or Nothing!”. But the one that has to be the classic is “Becky Never Saw the Ball”, about a tennis player making a comeback after going blind. 

Bella and Pam of Pond Hill continue as the regular characters. There are two other regulars strips that appear now. One is a weekly complete story, with themes ranging from the supernatural to romance. Some of these completes reprint old Strange Stories, with text boxes replacing the Storyteller. The other is “The Button Box”. The Button Box is a storyteller theme (minus the supernatural), with Bev Jackson bringing a story every week from her button box. Each button has a story to tell, and often a moral along with it. This week’s moral: if you show a little kindness, it will be rewarded. Like having your life saved, which is what happens with the only man who showed kindness to a beggar girl who is bullied by everyone else in an Italian village. 

Tammy has had a higher number of serials since she dropped a lot of old regulars on 17 July 1982. And now she has credits, we can not only see who is behind the stories but also the types of stories some of her writers favoured. For example, we can see from the credits that Alison Christie favoured heart-tugging emotional stories and Charles Preston spooky completes. Perhaps Preston used to write on Strange Stories, Gypsy Rose and Misty. Other writers, such as Malcolm Shaw, Ian Mennell and Charles Herring, wrote on a wider variety of genres. 

Tammy & Jinty 5 June 1982

Cover artist: John Armstrong

Bella (artist John Armstrong, writer Primrose Cumming ) – new story

The Devil’s Mark (artist Phil Townsend) – Monster Tales

Pam of Pond Hill (artist Bob Harvey, writer Jay Over)

Wee Sue (artist John Richardson) – Old Friends

Nanny Young (artist Phil Gascoine)

The Human Zoo (artist Guy Peeters, writer Malcolm Shaw)

Make Waves! (Mari L’Anson) – feature

Wheels of Death (artist Ken Houghton) – Strange Story

Di and the Dolphins (artist Eduardo Feito)

We come to 1982 in our Tammy June month round, and the Tammy & Jinty merger era. The following month, everything in the merger was swept away for everything to start new and anew in the new look Tammy on 17 July 1982. So the weeks leading up to it was clearing the decks, with double episodes of serials, some material cut from “The Human Zoo”, and new stories shorter in length, such as new Bella story starting here. The Jinty logo has shrunk, another sign the Jinty merger was on its way out.

Bella’s new story is the last Bella story to have the cover spot in the splash panel cover era. The story begins with Bella having nowhere to go but Uncle Jed and Aunt Gert, which usually means slaving for them until she finds a way to break free and pursue her gymnastics. She is astonished to find them coming over all nice to her, but they have a long track record of phoney niceness to her when it suits them, and this is no exception. 

The merger regulars (Monster Tales, Old Friends and the Strange Stories) carry on as usual. Nanny Young, a new regular that started with the merger, and Pam of Pond Hill, which came over from the merger, will continue with the new look Tammy. Bessie, Molly, Tansy and Wee Sue are in rotation as the “Old Friends” regular, but they look tired and clearly on their very last legs.

As there are so many regulars with the merger, there is not much room for serials. One reader even wrote in during the merger asking for more serials and no more “Old Friends”. She got her wish with the new look Tammy, with “Old Friends” dropped and the number of regulars reduced, which allowed for more serials. Right now, we have “Di and the Dolphins” and a welcome reprint of “The Human Zoo” from Jinty. 

The current Pond Hill story puts more focus on Pam’s boyfriend Goofy than usual. Goofy, a bit on the bumbling side, wants to prove he can be good at something. His choice is making and entering a soapbox racer in a derby. He is adamant Pam is to stay out of it and not help in any way, saying she’s too interfering. Trouble is, he’s making things too difficult for her not to interfere! It’s soon evident he doesn’t know what he’s doing, he’s bitten off more than he can chew, and he badly needs the help he so adamantly refuses.

Tammy & Misty 21/28 June 1980

Cover artist: John Richardson

Bella (artist John Armstrong, writer Primrose Cumming)

Shadows on the Wall – Strange Story from the Mists

Tina’s Telly Mum (artist Giorgio Giorgetti, writer Alison Christie) – first episode

Wee Sue (artist John Richardson)

The Sea Witches (Mario Capaldi)

Lucky By Name (artist Julian Vivas)

Peggy in the Middle (artist Tony Coleman)

Edie and Miss T (artist Joe Collins)

Meet the Tammy Gymnast of the Month – Feature

Donna Ducks Out (artist Diane Gabbot(t))

Now we come to 1980 in our Tammy June month round. This particular June issue is unusual for having a double date. All IPC titles that week had it for some reason. 

It’s been six months since Misty merged with Tammy. The merger changed the Tammy logo from having daisy flowers to solid letters. The Misty merger was a bit disappointing because Misty was underrepresented in the merger. Tammy had a higher ratio of content all the way through. Much of the problem must have been with Misty herself. She had no regulars except Miss T and Misty herself, and regulars are vital for carrying on in a merger. Also, Misty’s ratio of serials was not very high, while her number of complete stories was way too vast. Also, her stories used 4-page spreads while her sister comics used three, which also reduced the space for more serials to run. A lower ratio of complete stories, enabling more room for serials, would have created a better balance. It would have also created more scope for something from Misty’s serials to turn into a regular, or for a regular strip to have been created. Some of the spooky stories that appeared during the merger, such as “The Sea Witches”, do give the impression they were originally scripted for Misty. Unfortunately, if Misty was not writing that many serials to begin with, not many of them could be published in the merger. The ratio of Tammy serials was definitely higher than Misty’s in the merger. Misty made her presence felt more in the Strange Stories – now called Strange Stories from the Mists, and she alternated with the Storyteller as the presenter. 

Meanwhile, Tammy has a higher number of serials running, as she is not running her regulars so much. This was another key change when Misty joined. The ever-popular Bella has to continue of course, and Sue is still a weekly regular, but Bessie is now appearing off and on, and Molly is on hiatus. 

In the serials, “The Sea Witches” are striking back at an American air base, which is disturbing nesting grounds, and how far they will go is increasingly worrying. “Peggy in the Middle” is a bold move in exploring how messy divorce and custody battles can be. “Lucky By Name” reaches its climax, with Lucky running off with her beloved pony in the mistaken belief her father will sell him. “Donna Ducks Out” is now on its penultimate episode. A bathroom duck gives Donna the power to swim, but now it has been damaged. The final episode will clearly tell if Donna can now sink or swim without the duck. A new story, “Tina’s Telly Mum”, starts. Tina Mason persuades her recently widowed mother to take a glamorous TV announcer job to distract herself from grief. Unfortunately, there are ominous signs Tina is going to regret this. She has already been left behind as her mother leaves for her new job, and a most unsuitable woman has been put in charge of her – the sort that has us instantly thinking, “What the hell was Mum thinking when she hired her?”

Bella is making a bid for the Moscow Olympics, but got herself stranded in the US after winning a qualifying event and then lost her sponsorship. Now it’s becoming even more difficult to keep up her gymnastics, much less get to Moscow. Bella missed out on competing in the Olympics once before, and now history is threatening to repeat itself. Bella is also making her influence keenly felt in Tammy’s latest competition, “Meet the Tammy Gymnast of the Month”.

Tammy 9 June 1979

Cover artist: John Armstrong

Bella (artist John Armstrong, writer Primrose Cumming)

The Happiest Days (artist Mario Capaldi) – first episode

100 Tammy Leotards To Be Won! – Contest 

Get Your Skates On, Katie (artist Diane Gabbot(t))

Karina and Khan (artist Jordi Franch)

Bessie Bunter (artist Arthur Martin)

Molly Mills and the Grim Governess (artist Douglas Perry, writer Maureen Spurgeon)

Wee Sue (artist Mike White)

The Peasant’s Prophesy (sic) (artist Carlos Freixas) – Strange Story

The Wolf at Our Door (artist Bob Harvey)

In our previous entry we discussed how Bella had become so powerful in Tammy that she sometimes ran Bella-inspired competitions. Here is another case, which appeared in 1979. Tammy is running a Bella-inspired contest with 100 Tammy leotards up for grabs. It’s a “spot the difference” contest, using a panel taken from the first episode of Bella’s current story. Also, Tammy announces that over the next four issues she will be running a pull-out Bella poster in four parts.  

And the Bella story itself? It’s one of Bella’s grimmest. It’s another unjust public disgrace story. After a complicated misunderstanding she can’t prove, Bella is wrongly convicted and sent to a remand home. Now she’s discovered the sensationalist treatment she’s getting from the press over it, and it’s really getting to her. 

Bessie Bunter dream sequences sometimes seem to be as thought-provoking as they are funny. This week, pollution is the theme. The episode has been posted up for you to judge how prescient it was in today’s climate (or might be in the future). 

After the status quo at Stanton Hall was restored to the Molly strip in 1978, there was a definite change. The excesses with Pickering were toned down, and the beatings and torture devices (particularly the lake, the stocks and the dungeon) were dropped, but he still remained the bully butler. In Molly’s latest story, Mistress Clare’s new governess is Pickering in female form. In fact, the servants suspect she’s Pickering’s secret wife! Heh, heh, unlikely, but they ought to get married – they’re a perfect match!

The new story, “The Happiest Days”, is an evil influence story with a difference. It could have been done the usual creepy way, but instead it’s done the funny way. Great Aunt Aggie’s frightful portrait casts such a pall over the school she founded that everyone is in a constant state of depression and weeping (yet they still make us laugh). Her descendant, Sunny Smyles, is the only one immune. Once Sunny realises what’s going on, it’s war between her and her grim ancestor, with sobriety versus cheerfulness.

Bob Harvey artwork began to appear in Tammy in 1978 with the Strange Stories, but now Harvey is drawing a serial, “The Wolf at Our Door”, a story that strongly hints the wolf is not as extinct in Britain as people think. A pack appears to have survived in a pocket environment, and it is threatening a budding kennel business. Bob Harvey artwork would become regular in Tammy when “Pam of Pond Hill” came over from Jinty near the end of 1981.

“Karina and Khan” brings some Jordi Franch artwork to Tammy. It’s essentially a horse story, with Karina fighting all odds to stay with her beloved horse, Khan, but the storyline also brings a dash of politics and the Iron Curtain with it. 

A magic pair of skates gives Katie the power to ice skate, as previous owner Katrina Freeman’s talent is channelling through her. Now, when the protagonist gains talent this way (which could be considered a form of cheating), the ending will have to show if she has gained enough from the power to do fine on her own, the power has brought out the talent she had all along and just needed confidence, or she has to quit because her talent is not genuine. A power that gives the protagonist the talent she wants is never allowed to last on a permanent basis.

Wee Sue is one strip that gets the most rotation of artwork in Tammy, and we don’t mind as she is one strip that can work well with a variety of artists who can do humour. Her current artist is Mike White. 

Carlos Freixas never drew a serial for Tammy, but his artwork appeared in the Strange Stories and, later on, in complete stories. This week he draws a Strange Story set in the French Revolution. The Duvalles rule their estate in a humane manner (unlike most French aristocrats), but this does not make them exempt from the threat of Madame La Guillotine. However, it makes people willing to help them escape, and one gives a prophecy. When the Duvalles flee, it looks like the prophecy can never be fulfilled – except for the strange thing that happened just before they did so.

Tammy 10 June 1978

Cover artist: John Richardson

Bella (artist John Armstrong, writer Primrose Cumming)

Prince of the Wild (artist Veronica Weir) – first episode

Betta to Lose (artist Tony Coleman)

A Champion Time for All! – Results of Bella Gymnastics Competition

Down to Earth Blairs (artist José Casanovas)

Bessie Bunter

Molly Mills (artist Douglas Perry)

The Witch Wind (artist Hugo D’Adderio) – Strange Story

Wee Sue (artist Hugh Thornton-Jones)

Circus of the Damned (artist Diane Gabbot(t))

Fun at Your Summer Fete (artist Joe Collins, writer Maureen Spurgeon) – feature 

For the 1978 Tammy issue in our Tammy June month round, here is a June Tammy issue with a cover that is sure to make you smile. 

Tammy posts the results of a Bella-inspired competition. Bella featured in several Tammy competitions, a four-part pull-out poster and even her own book, which showed how powerful she had become. This competition shows she was being used to help aspiring gymnasts as well. 

The new story, “Prince of the Wild”, is Veronica Weir’s first and only serial for Tammy. Her artwork was seen more often in Tammy’s Strange Stories and complete stories. 

“Betta to Lose” has brought Tony Coleman artwork to Tammy, and Coleman was a regular artist on the Tammy team right up until her final year in 1984. 

Douglas Perry has taken over the Molly Mills artwork since Molly’s return in December 1977. Sometimes I wonder if one reason why Molly was put on hiatus in 1977 and her fate put into the hands of readers was her original artist, Tony Thewenetti, no longer continuing with her for some reason. The change in artist does suggest something like this might have happened. 

The structure of the Molly Mills writing has changed completely. The story that sent her on hiatus was a tantalising cliff-hanger where Pickering frames her for theft, forcing her to go on the run from the law. Since her return, it’s been nothing but life as an unjustly wanted fugitive, and her stories are in continuous serial format. Molly’s now back at Stanton Hall, which is now under a new owner who seems to be something of a fugitive herself. An American gangster is on her tail, and now he’s caught up and holding Molly and the other servants hostage! We suspect this is all part of the build-up to the resolution of Molly’s frameup.

Bella’s latest story has taken her to Australia, as a coach to introduce gymnastics to an Australian town. Even before Bella started, things were not off to a good start (the man who hired her regrets his offer, which he made without thinking), and her arrival got delayed as well. Now she’s finally made it, she’s told the job is no longer available. And Bella has a long track record of getting stranded in foreign countries. Is it going to happen again? 

Wee Sue’s latest artist is Hugh Thornton-Jones, and a continuity problem has struck. In earlier years Miss Bigger’s first name was given as Lillian, but this episode says it is Amelia, and it sticks.

Hugh D’Adderio artwork featured strongly in the Tammy Strange Stories, particularly with period settings ranging from ancient Babylon to Victorian England, as well as modern times. This week it is Elizabethan England, with a Strange Story on how witchcraft (indirectly but foretold) defeated the Spanish Armada.

Down to Earth Blairs was obviously inspired by “The Good Life”, and proved so popular that its sequel is now running. No doubt the ever-popular José Casanovas artwork sealed its success. In the original, Betsy Blair had a hard time adapting to self-sufficiency after her father’s redundancy drove the family to it. Now she accepts and enjoys it, and her sequel now follows “The Good Life” format of handling snobby neighbours and coming up with new forms of self-sufficiency and money-making, some of which don’t always go as expected.

“Circus of the Damned” is a welcome return to Tammy’s old days of dark stories laden with misery and cruelty, which now seem to have faded. A whole circus is enslaved by a fanatical circus boss who uses blackmail, animal abuse, kidnapping, and possibly murder to create the greatest show on earth. One of his tactics is forcing trapeze artists to leap over deadly snakes without a safety net.

Tammy 17 September 1983

Namby Pamby (artist Eduardo Feito, writer Ian Mennell)

Bella (artist John Armstrong, writer Primrose Cumming)

Donkey’s Years (artist John Richardson, writer Ian Mennell) – Pony Tale

Take Your Place! (artist Joe Collins, writer Maureen Spurgeon) – Quiz 

Annie’s Cuttings (artist Phil Townsend, writer Jake Adams)

The Crazyees (artist Joe Collins)

Pam of Pond Hill (artist Bob Harvey, writer Jay Over)

Room for Rosie (artist Santiago Hernandez, writer Alison Christie)

Lonely Ballerina (artist Maria Barrera, writer Jay Over)

Back in Form! (Mari L’Anson) – Feature

We continue our September theme with this “back to school” issue from Tammy. Tammy steps in to cheer up Tammy readers who are trudging back to school after the summer holidays, and brings them a school quiz and (yay!) the return of Pam of Pond Hill.

A new pupil, Megan Morris, joins Pam’s class. Traditionally, new pupils in Pam’s class lead to trouble for her until the resolution of the plot thread. So far this doesn’t seem to be the case with Megan, who helps out when Pam’s gran takes a fall downstairs. However, the accident clinches Pam’s parents’ decision to move to the countryside, which leaves Pam shocked at the thought of being uprooted and leaving Pond Hill.

In “Namby Pamby”, Pam Beeton’s upbringing has been so over-protective that she is dubbed “namby pamby” at school. She is resorting to the old trick of going behind her mother’s back to get some freedom, which has gotten her in trouble. There’s trouble again when the class sneak off to a fair and Pam unwittingly lets it slip to a prefect. Now Pam’s class are out for her blood for sneaking. In the last panel we can see Pam has reached breaking point. Next week’s blurb says Pam’s going to run away (wow, her over-protective mum will probably have a heart attack at that!), which means only one thing: the end of the story is close.

“Lonely Ballerina” has discovered that the woman running the shambolic ballet school is not the ballet teacher but her sister. The teacher has been missing for months and the layabout pupils don’t care; they just take advantage to enjoy themselves. The lonely ballerina is the first to ask serious questions about what’s going on.

“The Button Box” is absent this week, but we get an emotional complete story, “Annie’s Cuttings”, about a ragged old woman named Annie Holmes living in a rundown house. She does nothing but collect old newspapers and has nobody in the world to love her except her cat Moonlight. Next door, Mum is rather intolerant of Annie, but her daughter Tina is more sympathetic and finds a way to help Annie once she discovers her problem: poor Annie was jilted at the altar and the trauma turned her into what she is. 

Bella enters a talent contest to raise funds for her gymnastics club. At her friend Jenny’s suggestion, they pair up to make it a burlesque gymnastics performance. The audience loves it, but is it enough to win? They didn’t bring a single supporter with them.

In the Pony Tale “Donkey’s Years”, Felicity Hewitson thinks the donkey man is mistreating his donkey Ned and steps in. However, it turns out she misconstrued what she saw. The man was being grouchy with Ned but not intentionally cruel, and he really does care for Ned. Incidentally, why is the story labelled a Pony Tale when a donkey is not a pony?

Pauline Wheeler gets an offer for Rosie. But instead of it falling through as usual, she actually turns it down once she realises the potential buyer wants Rosie as part of his antique collection when gran always used her as a workhorse. Rosie has to go to a home where she will make herself useful.

Tammy 8 October 1983

Tammy cover 8 October 1983

  • Lucky by Name… (artist Juliana Buch, writer Malcolm Shaw) – first episode
  • The Button Box (artist Mario Capaldi, writer Alison Christie)
  • Pam of Pond Hill (artist Bob Harvey, writer Jay Over)
  • Run, Rabbit, Run! (artist Edmond Ripoll, writer Roy Preston)
  • Glenda’s Glossy Pages (artist Mario Capaldi, writer Pat Mills) – first episode
  • Bella (artist John Armstrong, writer Primrose Cumming)
  • Room for Rosie (artist Santiago Hernandez, writer Alison Christie)
  • Lonely Ballerina (artist Maria Barrera, writer Jay Over)
  • The Crayzees (artist and writer Joe Collins)

Two stories start this issue: “Lucky by Name” (the second Tammy horse story with that title) and a repeat of “Glenda’s Glossy Pages” from 1975, with no announcement that it is a repeat. This is rather strange. When Tammy brings a story back by popular demand she says it was brought back by popular demand, but there’s nothing. So was it popular demand that brought Glenda back, or did they just bring it back as a filler or something?

In the former, a foal is born into a wild pony forest reserve. But there seems to be something strange about it, both in its appearance and in the way weird things seem to happen in its presence. In the latter, nice things are beyond Glenda Slade because of her mother’s low income. Then things begin to change when she receives a mail order catalogue. But maybe Glenda should remember the old saying: if it’s too good to be true, it usually is…

The Button Box story (below) is one of my favourites: the barrel button story. Bev tells the story as a lesson not to discount old barrels. Personally, though, I read the moral of the story as knowing a few basics about self defence and how to free yourself from bonds (check out the Internet) in the event of a home invasion/robbery.

(click thru)

In Pam of Pond Hill, Dad’s business is in trouble. A new supermarket is stealing his customers by undercutting his fruit & veg prices. Counter-measures to win back customers get outmanoeuvred every time and Pam suspects a leak. Tracy keeps insisting the spy is Pam’s new friend Meg, but Pam doesn’t believe it. Then, at the very end of the episode, Meg acts very strangely – she can’t get inside fast enough when Pam discovers where she lives. Hmm, does Meg have something to hide?

In the complete story, “Run, Rabbit, Run!”, Rae Betts is dubbed “rabbit” and gets bullied at school. The ringleader isn’t all that nice to her own rabbit either. Matters come to a head when the terrified rabbit runs away – right into a burning field. Strangely, a Misty story had the same title and a similar theme. The Tammy version was was written by Roy Preston, who was credited with writing plenty of spooky stories for Tammy. Did Preston write the Misty version too?

Bella has taken over as club coach because the two quarrelsome coaches have quit. They realise their mistake and come back, as it is the eve of a serious competition, but Bella is put out when the girls say no thanks because they’ve had enough of their arguing. Next week is the final episode, so we will see how this resolves.

In “Lonely Ballerina”, the ballet school has gone to pot because the principal, Mary Devine, has been missing for months. At last she is found – in the attic. Tanya Lane, who thought Mary’s sister Betty was holding her prisoner, is surprised to find Betty crying over her instead. All the same, Betty has some serious explaining to do.

Rosie’s in the school panto, serving as Sleeping Beauty’s cot. She becomes a panto star and takes curtain calls with the rest of the cast. Sadly, no home comes out of it for her.

In “The Crazyees”, the cat’s pining because Snoopa hasn’t appeared for ages. Miss T and Edie investigate and discover the lovesick cat is driving Snoopa to distraction, so he’s hiding from her. Miss T’s solution: make Snoopa human size.