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Jinty: Land of No Tears! and The Human Zoo review by Olivia Hicks

Guest post: many thanks to Olivia Hicks for reviewing the Rebellion reprint edition of Land of No Tears and The Human Zoo

I have a somewhat fond, nostalgic relationship with Jinty, considering how little of it I have read. I had never (prior to this volume) read a complete Jinty story, and the real reason that Jinty occupies such a place in my heart is because it was the favourite comic of my mum, back when she was buying comics. So I was excited to see Jinty back in print, even if, on paper, neither of the stories particularly appealed to me. Land of No Tears! Uhm, ok. The Human Zoo? If we must. This was not, on the surface, the bizarre cruel science fiction that Jinty, through word of mouth and internet blog culture, had been distilled into for me. I wanted a Worlds Apart reprinting!

I had read about half of Land of No Tears! in the British Library, and had found it semi-engaging. The Human Zoo I had deliberately avoided. From the brief blurbs I had read, I had no interest in the story. So I settled down with my copy of the new Rebellion reprint, with my expectations quite muted. Warning: major spoilers for both stories follow (although I assume most of you have either read the stories or are aware of the plot!).

Land of No Tears! is written by Pat Mills and has art by Guy Peeters, and is about Cassy Shaw. She was born with one leg shorter than the other, and she uses her disability to manipulate those around her.  One day, whilst undergoing an operation to lengthen her leg (which Cassy is dreading, because she will no longer be able to use her disability to get what she wants), the anaesthesia somehow sends her through time to a future where humanity has achieved physical perfection and a lack of emotion, and those like Cassy (with Grade One Deformities) are forced to work as slaves for the benefit of the Alphas.

The story is in many ways quite typical; there is, of course, a mystery to be solved (what is the secret of Cassy’s new friend Miranda, and her mother), a lesson to be learned (with hard work you can overcome), and a problem which can, conveniently, be solved with sports; in this case, winning a sports championship will result in the complete overhaul of an entire society’s social structure! Cassy is an interesting main character because she resists the ‘victim-heroine’ coding of many girls’ comics characters. In fact, at the beginning, Mills goes out of the way to make her cynical and quite unsympathetic. This is, of course, to make her character arc more striking; the selfish, cynical, bratty lone wolf has to become an inspirational team leader and motivator who works and trains hard, and thus redeems herself. I’ve read quite a few girls’ comics stories now where villainous characters are shown using disability as a cover for their actions, so there seems to be a thread of problematic treatment of disability running throughout these comics, which Land of No Tears! falls into. The idea of a society divided by physical and emotional ability is a solid science fiction trope, but I think it is telling that the only disabilities Mills shows are: wearing glasses, being overweight and having a bald patch. The comic really skirts over disability (apart from in the beginning, when we see Cassy monopolising it for her own benefit; something which Teresa May and her cronies in the Department of Work and Pensions already think is widespread). ‘But Olivia!’ you say, ‘It’s a comic from the 1970s, how in depth can it be?’ Well, when you consider what Malcom Shaw achieves with the topic of animals rights in the accompanying tale, I think it’s fair to critique Mills for not really engaging with how society demonises disability.

Upon rereading (and finishing) Land of No Tears! in this collection, my favourite bit was definitely the passage where we see how Miranda lost her hair. The image of the robot nurse singing to the screaming baby who is being burned was pretty affecting and grim, and definitely will stay with me. It was an excellent example of horror being utilised in girls’ comics.

I also enjoyed the character arc of Perfecta. Her battle with those dreaded emotions was quite well done. I felt the ending, where Perfecta damaged her spine was a bit too literal and on the nose as punishment for her actions within the text. I also felt that the central mystery of Miranda and her mother was quite an easy one to solve, but then I’m in my mid-twenties, so definitely not the target audience of a youngster reading it week to week!

Whilst I enjoyed both stories, I definitely preferred The Human Zoo to Land of No Tears! This one was a cracker! Written by Shaw, with art again by Peeters, The Human Zoo is about twins Shona and Jenny, who are abducted by aliens. Jenny is experimented on in an allegory of animal testing, and Shona is sent to a zoo with some other captives. There is more than a little ‘Planet of the Apes’ vibe in this comic, and the way Shaw explored human nature in this story was exceptional. At one point Shona becomes a pet for alien girl Tamsha, but is sent back to the zoo for being too rebellious. Tamsha then replaces her with a more ‘docile’ human, another school girl who is more than happy to ‘act the pet’ in order to secure a cushy life. Another excellent scene was when the aliens starve the humans in order have the equivalent of a Chimpanzee’s Tea Party. Shaw’s central message, that we ‘dehumanize’ animals in order to profit off them and entertain ourselves, was, yes, preachy, but he dramatized it so skilfully that it worked. He also showed tension well, by allowing us to understand both the aliens and the humans, but never letting them understand each other.

The Human Zoo crammed quite a lot into its sixty pages: animal testing, animals rights activists, the morality of having pets, the morality of zoos, religion, forgiveness; all this and more gets thrown into the blender, and some of the threads (such as when Shona inadvertently becomes a god to the humans who have escaped captivity) are a little underdeveloped. There’s also a suggestion that the aliens are responsible for such mysterious mass disappearances as the Mary Celeste, which was interesting but I would have liked worked out just a bit more.

Both stories end with a ‘was it a dream….?’ resolution. In Land of No Tears!, Cassy learns from her mistakes and takes her lessons forward into her old life. However, much more poignantly, Shaw has Shona and Jenny completely forget their adventures, erasing their character growth and dooming them to continue in their ways. I’m a bit of a Shaw fan, as this review evidences!

To conclude, I was sceptical at first about the two stories, but ended up thoroughly enjoying them: I think this tells us that girls’ comics are far more than the sum of their plot synopsises! Malcolm Shaw was a top tier talent; I’m glad that the Rebellion reprints are reintroducing people to his work. The volume itself is quite beautiful, and the use of blue and yellow spot colouring on the back cover is effective (although I wish they had kept the original trippy colours for the cover of Jinty #1). My minor gripe is that it towers over both my 2000 AD and Misty trade paper backs. The sight of a single Jinty volume peeking over all the others irritated me enough that I had to relocate Jinty and Misty to a new section of my bookshelf. Such is the price of bookshelf perfection.

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