Tag Archives: Robot Who Cried

Jinty 30 April 1977

  • Creepy Crawley (artist Trini Tinturé)
  • Sue’s Fantastic Fun-Bag! (artist Hugh Thornton-Jones)
  • Cassie and the Cat – Gypsy Rose story (artist Terry Aspin)
  • Mark of the Witch! — final episode (Phil Townsend)
  • Alley Cat
  • The Darkening Journey (artist José Casanovas)
  • The Robot Who Cried (artist Rodrigo Comos, writer Malcolm Shaw)
  • Kerry in the Clouds (artist Cándido Ruiz Pueyo, writer Alan Davidson)
  • Spell of the Spinning Wheel (artist Jim Baikie, writer Alison Christie)
  • Don’t Forget to Remember! (craft feature)

This issue is from a great period of Jinty’s run. It includes a number of real classic stories that have stood the test of time and memory (“Creepy Crawley”, “Spell of the Spinning Wheel”, and “The Robot Who Cried” being the obvious stand-outs) and all in all is a really solid read.

“Creepy Crawley” shows the how mean the main character Jean Crawley can be: she goes to see her rival Mandy who is recovering from the bee stings that the scarab brooch caused to happen. But even when not under the control of the scarab badge Jean allows her jealousy to control her, enough so that she voluntarily goes back to wearing the scarab and letting it give her ideas on how to get the better of Mandy. And it’s not just limited to ideas – the scarab’s control over insects means that Mandy’s beautiful wooden sculpture is eaten by termites before it can beat Jean’s pretty painting in the school art competition.

In the Gypsy Rose story “Cassie and the Cat”,  Cassie rescues a cat from some bullies, but the cat is far from what it seems. Enjoy the creepy story, atmospherically drawn by Terry Aspin, at the end of the post.

It is the final episode of “Mark of the Witch!”, and outcast Emma Fielding redeems herself by saving rich girl Alice Durant, the girl who she’s persecuted in revenge for the persecution that Emma herself has suffered at the hands of the local villagers. As they keep each other afloat in the raging river, Emma takes a moment to think “It’s funny.. I could die, but I feel sort of happy! Happy to be fighting and struggling with Alice instead of against her!”

“The Robot Who Cried” is an invention of the bushily-moustached Professor Targett – codenamed KT5, she escapes from the laboratory and discovers that she can pass for a real girl – assuming she can sort out how human emotions like friendliness or loneliness work in real life, of course.

In “Kerry In The Clouds”, Kerry Langland is taken under the wing of famous actress Gail Terson, but Ms Terson clearly has an agenda of her own. There are echoes of the story “Jackie’s Two Lives”, also written by Alan Davidson – both feature a poor girl with ambitions beyond her station, manipulated in sinister ways by an older woman. Spanish artist Cándido Ruiz Pueyo provides some very stylish hairstyles and clothing.

Spell of the Spinning Wheel” is a rare foray of Alison Christie’s into a spooky mystery story – I wish she had done more of it, it was very memorable. Rowan Lindsay is sporadically struck down by a mystery tiredness – she’s worked out that it is related to hearing humming sounds but she hasn’t persuaded anyone other than her dad to believe her yet, and the doctors have now forbidden her from running again.

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Jinty 18 June 1977

jinty-18-june-1977

  • Creepy Crawley – artist Trini Tinturé
  • Sue’s Fantastic Fun-Bag! – artist Hugh Thornton-Jones
  • The Sable Knight (Gypsy Rose story) – artist Keith Robson
  • Curtain of Silence – artist Terry Aspin
  • Alley Cat – artist Rob Lee
  • Meet the Modest Star… Richard Beckinsale – feature
  • The Robot Who Cried – artist Rodrigo Comos, writer Malcolm Shaw
  • The Darkening Journey – artist José Casanovas
  • Kerry in the Clouds (final episode) – artist Cándido Ruiz Pueyo/Emilia Prieto, writer Alan Davidson
  • Spell of the Spinning Wheel – artist Jim Baikie, writer Alison Christie
  • Memento of a Memorable Year! – feature

It’s the final episode of “Kerry in the Clouds”. There are hard lessons learned for both Kerry (the dreamer with her head in the clouds) and Gail (who took advantage of this to get revenge on a film producer) before the happy ending. “A Boy Like Bobby” takes its place next week.

“The Spell of the Spinning Wheel” is coming to an end too. This week Rowan is let down by a man who seemed to believe her, but it turns out he was a student psychiatrist who thought she was a nut case, and Dad shows him the door. Fortunately the final episode is next week, so something is finally going to help. Meanwhile, Rowan is outracing the spell of the spinning wheel to get medical help for her injured mother.

“Creepy Crawley” is beginning to approach its conclusion as well. The invasion of insects continues at Jean’s school, but Mandy, the only one who can stop it, is finally on her way. However, Mandy is not sure she will be able to stop the invasion because it requires her to forgive the very girl who did so many horrible things to her…

Madam Kapelski takes Yvonne on a special tour of the dreaded State Home for Children of Dissidents to bring her into line. Afterwards Yvonne decides to cooperate with Kapelski, but secretly isn’t giving up on escape.

The Darkening Journey takes an even darker turn when Thumper falls foul of a cruel man who abuses him. It gets worse when a fire breaks out, but Thumper can’t escape because he is chained up!

Katy has stunned everyone with her turn of speed at racing, but then it looks like she’s developing a malfunction.

In this week’s Gypsy Rose story, Prue Preston has trouble from two evil, cruel men at a jousting tournament. One is alive and one is long dead – but his ghost comes out in full armour to join the fun!

Henrietta uses her magic to help a street artist, but her spells aren’t working out as she hoped, which leads to hijinks. Of course everything turns out happily in the end.

Jinty 11 June 1977

jinty-11-june-1977

  • Creepy Crawley – artist Trini Tinturé
  • Sue’s Fantastic Fun-Bag! – artist Hugh Thornton-Jones
  • The Marble Heart (Gypsy Rose story) – artist Carlos Freixas
  • Curtain of Silence – artist Terry Aspin
  • Rinty ‘n’ Jinty
  • Jubilee Week competition
  • Alley Cat – artist Rob Lee
  • Silver Spoon Stars (Barry Sheene) – feature
  • The Robot Who Cried – artist Rodrigo Comos, writer Malcolm Shaw
  • The Darkening Journey – artist José Casanovas
  • Kerry in the Clouds – artist Cándido Ruiz Pueyo/Emilia Prieto, writer Alan Davidson
  • Spell of the Spinning Wheel – artist Jim Baikie, writer Alison Christie
  • Memento of a Memorable Year! – feature

Jinty commemorates the Queen’s Silver Jubilee, and “Sue’s Fantastic Fun-Bag!”, Rinty ‘n’ Jinty and Alley Cat all celebrate it, and of course there is a competition to go with it. Not to mention a feature on how to make your own commemorative mug. In keeping with the silver theme Jinty is turning the spotlight on celebrities born with silver spoons in their mouths, starting with Barry Sheene. Sue and Henrietta are already planning ahead to the Golden Jubilee. I wonder Jinty had any anticipation that the Queen would make it to her Diamond Jubilee as well?

What “Curtain of Silence” has been building up for in the early episodes finally happens: Madam Kapelski takes advantage of Yvonne’s striking resemblance to Olga to kidnap her and force her to take the now-dead Olga’s place. Yvonne has lost her voice, so she can’t tell anyone. Olga’s cousin Tanya figures it out, but Madam threatens her with the dreaded State Home for Children of Dissidents to keep her silent.

Carlos Freixas has been absent from Jinty since “The Valley of Shining Mist”, but this week he’s back for a one-off with the Gypsy Rose story. A Greek girl was turned into a statue as a punishment when she unwittingly causes the death of her lover through the cruel way she treated him. She continues to serve as a warning to other girls not to be cruel to their lovers. Unfortunately the warning comes too late for Patsy, who gets dumped by her boyfriend for the cruel way she treated him.

In Creepy Crawley the evil scarab gets the insect invasion underway. A plague of locusts traps everyone in the school and Jean warns them it’s just the beginning. And there’s no end either, because Mandy, the only person who can stop it, is absent.

Susan is getting more suspicious of Katy, especially after the professor’s goon grabs her because he mistook her for Katy. But Katy is not confiding in her.

The Darkening Journey continues, with Thumper and Beaky on the run from a vet, of all things.

Kerry in the Clouds has been heading for a fall for a long time because Gail Terson is taking advantage of her for some purpose. Now it finally comes when Kerry gets a contract for the starring role in a film – and then realises she can’t act! Terson had known that all along, and now the truth is out she’s looking like the cat that got the cream. But why?

Rowan survives a road accident and now she’s got an offer of help from a hiker about dealing with the evil spinning wheel. But next week’s blurb hints that his offer is not what it seems.

Jinty 28 May 1977

jinty-28-may-1977

  • Creepy Crawley – artist Trini Tinturé
  • Sue’s Fantastic Fun-Bag! – artist Hugh Thornton-Jones
  • Tell Us – problem page
  • Rinty ‘n’ Jinty
  • The Face at the Window (Gypsy Rose story) – artist Phil Townsend
  • Curtain of Silence – artist Terry Aspin
  • Play the Game ! – feature
  • Alley Cat – artist Rob Lee
  • The Dead End Kids are Going Places! – feature
  • The Robot Who Cried – artist Rodrigo Comos, writer Malcolm Shaw
  • The Darkening Journey – artist José Casanovas
  • Kerry in the Clouds – artist Cándido Ruiz Pueyo/Emilia Prieto, writer Alan Davidson
  • Spell of the Spinning Wheel – artist Jim Baikie, writer Alison Christie

Creepy Crawley’s plan to get Mandy expelled succeeds, and she has even manipulated things so Mandy thinks poor Sheila was the one who framed her! But there is a new ray of hope – Sheila recalls seeing another copy of the book that would explain everything about the evil scarab. Including, we hope, the way to stop the scarab.

A bully teacher in “Sue’s Fantastic Fun-Bag!” thinks the sound of birds singing is for the birds. Naturally, that is an open invitation for the fun-bag to teach her a lesson.

Sandra Frazer thinks she has photographed a ghost at a run-down cottage, and even Gypsy Rose is a bit stumped for an answer. But then they discover the photograph is of a missing girl who is trapped in the cottage. A ghost from the future, would you believe!

Yvonne is relegated to reserve for bad behaviour and does not realise look-alike Olga is stringing her along. The gypsy woman still warns Yvonne to get out of Mavronia, but we know Yvonne won’t heed that advice.

Rowan thought she had a respite from the spinning wheel because it was broken. But now she’s falling asleep from humming noises again, and Mum is bringing back the spinning wheel. Looks like it’s been fixed, so its curse is back in action, worst luck!

Beaky and Thumper are in big danger this week from a violent storm and floods, and end up separated. Will they ever be together again?

Kerry is soaring higher than ever. A flash new wardrobe, autograph fans, a huge pay cheque, and the starring role in a movie, all courtesy of Gail Terson. Oh, why do we get the feeling the fall is coming for Kerry?

Jinty 21 May 1977

jinty-21-may-1977

  • Creepy Crawley – artist Trini Tinturé
  • Sue’s Fantastic Fun-Bag! – artist Hugh Thornton-Jones
  • Rinty ‘n’ Jinty
  • The Warning Windbells (Gypsy Rose story) – artist Christine Ellingham
  • Curtain of Silence – artist Terry Aspin
  • Home-Made Refreshers for Hot Days! – feature
  • Alley Cat – artist Rob Lee
  • Cheeky Cheggers Chats to You! – feature
  • The Robot Who Cried – artist Rodrigo Comos, writer Malcolm Shaw
  • The Darkening Journey – artist José Casanovas
  • Kerry in the Clouds – artist Cándido Ruiz Pueyo/Emilia Prieto, writer Alan Davidson
  • Spell of the Spinning Wheel – artist Jim Baikie, writer Alison Christie

Creepy Crawley hopes to stop her campaign against Mandy now – but will the scarab let her? Of course not. She obviously didn’t pay more attention to the book’s warning that nobody would be safe from the scarab, even after it defeated the rival. Sheila has discovered Jean’s secret, but now Jean is blackmailing her into doing everything she says, so can Sheila do anything to stop the scarab? We will have to wait and see.

Rowan’s attempt to switch the evil spinning wheel with a harmless replacement fails and she almost gets killed too. Then the spinning wheel reveals a weakness when it gets broken: its curse does not work while it is out of action. So Rowan is free of the curse for the time being, but Mum intends to get the spinning wheel fixed. If she does, it’s back to square one.

Yvonne and Olga are struck by how alike they look. But Yvonne has no idea how their lives are such a contrast. Olga is the virtual slave of a slave-driving coach whose mere threat of the dreaded Home for Children of Dissidents keeps Olga in line; Yvonne is swelling up her big head with dreams of becoming a cycling star, much to her team mates’ annoyance.

Gail Terson is giving Kerry a complete makeover and giving her everything to become a star: money, glamour, publicity and fans. Then Kerry begins to feel that it is a bit too good to be true – which means it usually is.

A well-meaning fortune-teller helps Beaky and Thumper escape and they’re back on the road. Unfortunately she did not foresee what would mean Dad missing his chance to find them and bring them to Julie.

When a carpet seller has a nasty encounter with a bully, Henrietta turns one of the carpets into a flying carpet to teach the bully a lesson and trick him into buying a carpet from the seller at well above the price it was selling for.

Anna Wong tells Gypsy Rose the story of the family’s Chinese windbells, which only chime when there is impending danger. Unfortunately not everyone receives or heeds their warning but Anna does, and they help save her life in a fire.

Katy doesn’t know her own strength in this episode, which is causing mayhem on a bus. And her lack of understanding about human ways is not making her popular in school.

Jinty 14 May 1977

JInty 14 May 1977 cover

  • Creepy Crawley (Trini Tinturé)
  • Sue’s Fantastic Fun-Bag! (Hugh Thornton-Jones)
  • Dads! Competition results
  • Jamie! (artist Phil Townsend) – Gypsy Rose story
  • Curtain of Silence (artist Terry Aspin)
  • Make a Play-Changing Tent – feature
  • Alley Cat
  • Fans…Friends or Foes? – feature
  • The Darkening Journey (artist José Casanovas)
  • The Robot Who Cried (artist Rodrigo Comos, writer Malcolm Shaw)
  • Kerry in the Clouds (artist Emilia Prieto, writer Alan Davidson)
  • Spell of the Spinning Wheel (artist Jim Baikie, writer Alison Christie)

The cover has a very interesting design. Instead of the more common two panels it incorporates three, in a fan shape radiating from a sun that emphasises it being a “sizzling” comic.

In this issue, Jinty closes her competition “If Dad Did”, where readers won money if their letters on the jobs they wish their fathers could do were published. Letters published here imagine their fathers as potters, US presidents, lotto winners, dustmen, disc jockeys, gymnastics trainers and Romany gypsies.

In “Creepy Crawley”, warning bells are now ringing that the power of the scarab brooch is getting beyond Jean’s ability to control it. Sheila is the only ray of hope, because she has caught on to what is going on. But what can Sheila do when she does not even believe in herself?

A fisherman asks for trouble when he appropriates Henrietta for his own use. And when he puts his fish bait (worms and maggots) in Henrietta – well!

It’s part two of “Curtain of Silence”, and several plot threads emerge in this episode that are clearly going to shape the story. First, selfish Yvonne is in for a surprise (and so is everyone else) when she arrives in Mavronia – her rival Olga is almost a dead ringer for her! Second, a gypsy woman warns Yvonne to go quickly because she foresees “bad things” for her. Sounds like good advice, but the arrogant Yvonne isn’t taking it. Third, her arrogance is making her very unpopular with her teammates.

The Gypsy Rose story is one of Jinty’s rare forays into the subject of World War II, and it ends on a more tragic note than most of Rose’s stories.

Katy the robot makes a mistake that threatens to give her away – she uses too much strength on a bar and bends it. Can she worm her way out of this one?

“Kerry in the Clouds” is on cloud 9 right now, because she is becoming famous under Gail Terson. But she does not realise that Gail is taking advantage of her head always being in the clouds…

Thumper and Beaky have a narrow escape and are on their way to Julie again. But they’d better hurry, because doctors are not risking an operation on Julie while she is pining for Thumper too much.

Rowan tries to replace the evil spinning wheel with a harmless model. As a result, she finds herself in danger of falling down a quarry and is hanging by a thread, er, tree stump. It looks like the mist caused the accident, but Rowan is convinced it is the evil spinning wheel. If so, will it succeed in killing her this time?

One-offs, series, returning characters, regulars

The Goods News for All Readers blog has recently done a Halloween post about Misty; in the comments on that post, and on a related post on the Comics UK forum, a few of us have had a brief discussion about one-off stories, series, and regular characters. Different titles create different balances between the various kinds of comics: Misty has always struck me as having a strong focus on one-off (complete) stories in a way that Jinty didn’t, so that is an obvious comparison between the two, but there are other groupings that could be usefully looked at too.

One-off stories / complete stories haven’t ever been a big focus in the pages of Jinty, except for in annuals or summer specials which are by their nature reliant on complete reads. Indeed, I wonder whether the two examples that come readily to mind – “Mimi Seeks A Mistress” and “Holly and the Ivy” – might have been originally written for publication in an annual and for whatever reason then been included in the weekly comic instead?

If you ask someone who was a reader of Misty at the time for specific stories they remember from the comic, they may well mention some key serials but they are perhaps even more likely to remember the spine-chilling stories. Clearly, one-off or complete stories have important strengths: this format allowed Misty to be tougher on the protagonists than an ongoing story would typically be. Indeed, many of the Misty stories featured character death – or even a worse fate! You can also have a huge amount of variety with complete stories, with the rapid turnover allowing creators potentially to experiment with a lot of different themes or plots. On the down side, they don’t allow enough narrative time for much character development, and I suspect that can lead to a focus on clever ‘twist in the tale’ story structures. (I personally felt like Misty placed too much reliance on this at certain points in its life.)

‘Storyteller’ / framed stories are stand-alone stories that still fit into some sort of structure or framing sequence. Gypsy Rose is Jinty‘s most obvious example, but I would also classify “Is This Your Story?” and “Thursday’s Child” within this as being complete stories that may not have a narrator but do have a constraining element to them that means you have a certain sense of knowing ‘what you’re getting’. In a Gypsy Rose story you know you’ll have a spooky element, but also a sense of safety; the protagonist won’t herself suffer an awful fate. In 2000AD‘s “Future Shocks” there was no such guarantee, but you did know it would generally be an SF story rather than a horror story or a morality tale (as “Is This Your Story?” was).

Both the entirely stand-alone and the framed stories have the advantage editorially of great flexibility – they can be run in any order so it doesn’t matter if one story is not ready for printing that week, you can try out new artists and writers, you can try out new directions and ideas. This flexibility can also lead to problems – the results can be uneven in quality or interest level, or overly repetitive. I would also say that to my mind they’re a bit too easy to put down and not feel that motivated to pick up again – even if you know that Gypsy Rose or Future Shock stories are generally really good, to me they don’t have the “must read” factor that a cliff-hanger ending to an earlier episode gives.

Serial stories are Jinty‘s bread-and-butter, but if you count up the number of series in a given issue it is not given over totally to them: 23 February 1980, for instance, has 5 serials out of 8 stories in comics format. I am here using the phrase ‘serial stories’ meaning stories that run over more than one week with a beginning/middle/end narrative structure. The way the ‘end’ element works is important because Katie Jinx or the Four Marys also have stories with endings, but they aren’t final – we know that next week they’ll be back with more, which is what makes them ‘regulars’.

A serial story has a lot of degrees of freedom: it can be a story about a ghost or a horse or a superheroine (or maybe a ghost horse or a horse superheroine). What it can’t easily do is change tack dramatically once the story starts; the start of the story sets it into certain tracks and certain expectations. The strength of the serial is the length of time that it has to develop a story and to really hammer it home, or to twist and turn surprisingly. It also has the freedom to change the situation of the characters in the story: it can end with them healed, or vindicated, or with the protagonist growing as a person. A complete one-off story doesn’t have enough length to develop that sense of change, and we often don’t know enough about the character to even care that much if they grow into a better person. A story with a regular character, contrariwise, has to ‘reset’ at the end of each episode or each multi-episode story, so that as the next story starts it can pick up more or less from the beginning again.

There are still weaknesses in the serial story format, of course. It can get too long and lose its way; it can be too short to let itself develop properly while not benefiting from the punchiness of the self-contained story.

Jinty also has a couple of cases of returning characters, where the original series gets a second, follow-up story. There aren’t many of these – “Fran’ll Fix It!” gets a second run, and so does “Daughter of Dreams”. Each story is a complete serial in itself, but because the character or the story was popular, they returned for another go. One option would be to reprint the original story, which Jinty did a few times; but if the story structure allowed it then a whole new follow-up story might also a possibility. Some stories would be better suited to this than others – a sequel to “Land of No Tears” wouldn’t be impossible to imagine but would require quite a lot of changes (someone from the dystopian future travelling back to the past, perhaps?), while a sequel to “The Robot Who Cried” wouldn’t be that hard at all to do (her adventures at school as an acknowledged robot, and how other people reacted once she had no secrets left to hide?).

A regular character may have short complete stories like “Sue’s Fantastic Fun-Bag” or individual longer story runs as in “No Tears for Molly“. Either way there is no real change in or development of the character over the time her story runs. “Merry at Misery House” was also basically a regular, with story arcs; you don’t really get a sense of a planned resolution that Merry was struggling to reach from the start of her story, it’s just… time to wrap up the story so her mum and dad announce that her name has been cleared, bang.

They can be great fun reads, with a real comfort factor – we can get to know the characters well, and look forward to seeing them again, like old friends. That is really the draw of regulars; like reading a beloved Chalet School book, we know what we are getting and that we will enjoy it. The characters can develop some strong external recognition, too – the interviewees in Mel Gibson’s “Remembered Reading” consistently mentioned long-running regulars “The Four Marys”, and “Bella” from Tammy.

On the down side? If the reader just isn’t that interested in the character in the first place, or doesn’t find their antics funny, it ain’t likely to change for the better… The main counter-example I can think of in this area is 2000AD and Judge Dredd in particular: he is a regular who has turned into a proper, fleshed-out character with a backstory, a life, and unpredictability. Through him now, all sorts of stories can be told. The Four Marys changed their uniforms and were updated to become more modern on the surface, but never changed their fundamental natures – and that is much more the usual case with regulars.

At the end of the day, a weekly publication needs a balance of different types of story, not just thematically, but also structurally. There are other types of story structure that I don’t know of within girls comics: is there an example anywhere of the Buffy tv story structure, where individual self-contained stories build up in an overall arc to a series finale? I’m sure there are other kinds of structure in girls’ comics and elsewhere: what can others think of?

Edited to add: I have thought of another kind of story structure – Worldbuilding, or Shared worlds. This is where the reader is shown an imagined world that is developed in story after story. Perhaps one set of creators are mostly responsible for writing and drawing that world, or maybe a number of different creators add their own influences to the world. In traditional British comics, I guess that Dan Dare inhabits this sort of built world, though I’m not that sure as to how much of the world we see outside of stories focused on Dare himself; it is at least a strong enough world in itself for Grant Morrison and Rian Hughes to develop their own take on it in Revolver’s “Dare“. 2000AD does a lot of this worldbuilding: what else is Judge Dredd’s universe of Megacities, isocubes, and the Cursed Earth? But in traditional girls’ comics I’m not sure I can think of any examples. This is a big shame I think as this would provide not only very fertile ground for telling stories but also a lot of ongoing reader loyalty in the way that 2000AD has seen over the years – eventually even moving into mainstream acceptance.

Edited further: Lorrbot points out in the comments that there are also examples of Spin offs, where the characters in the original story generate stories with further characters from that setup. It may not be the same case as Worldbuilding, if there is no very obvious effort to invent a whole new world different from ours, but it shares some characteristics with this.

Rodrigo Comos

Comos signature on Haunting of Form 2B

Rodrigo Rodríguez Comos (1935- ) is an artist with a distinctive style, quickly recognizable as a strong contributor to Jinty and to other British girls’ comics over many years. The Lambiek Comiclopedia has a detailed entry for him in English; likewise there is an entry on Spanish reference site Tebeosfera. He seems to have only started drawing for the non-Spanish market in the late 60s or early 70s, so his work for Jinty was probably quite early on in his career in British girls’ comics. This is in contrast to his slightly old-fashioned style, which I could happily have imagined to have been brought through from the days of comics such as Girl. I say this not to do him down: he is the artist on some key reader favourites. He lives in Spain and currently focuses on oil painting.

“The Haunting of Form 2B” is one of the stories in the launch issue in 1974, establishing Comos as one of the stable of Jinty artists thereafter. This ghost story set in a school has many classic elements: a mystery to be resolved, a school teacher with a difference, weird and scary goings-on, and danger to life and limb before all is cleared up. The fact that the main plot driver is ghostly rather than fantastical or science fictional lends it a less Jinty-like tone; but then Comos drew more ghostly or spooky stories than he did fantastical ones, in Jinty‘s pages at any rate. Having said that, the key story he will be particularly remembered for in this title is the classic SF story “The Robot Who Cried“.

As with many of the Spanish artists seen in Jinty and other comics of the time, Comos often signed his art, which helps to make attribution straightforward.

Jinty cover 12Jinty cover4.jpg

List of Jinty stories attributable to Rodrigo Comos:

  • The Haunting of Form 2B (1974)
  • Destiny Brown (1977)
  • Horse From The Sea (1976)
  • The Robot Who Cried (1977)
  • Various Gypsy Rose stories (various dates between 1977 and 1980)
  • Angela Angel-Face (1980, reprinted from Sandie)
  • Dutch-original stories featuring Fran from “Fran’ll Fix It!”

 

Stories translated into Dutch

Following up on the previous post on European Translations, Sleuth from Catawiki has kindly sent me a list she has prepared of Jinty stories which were translated into Dutch. (See also some comments from her in that post, about Dutch translations.) They were mostly published in the weekly comic Tina and/or in the reprint album format Tina Topstrip. The list below shows the original title, followed by the title in the Dutch translation, with a literal translation in [square brackets] where appropriate, and then the details of the publication that the translation appeared in. It is ordered by date of original publication.

  • Gwen’s Stolen Glory (1974): De droom van een ander [Someone else’s dream] (in: Tina Club 1975-2)
  • Dora Dogsbody (1974-76): Hilda Hondemoppie (in: Tina 1974)
  • Gail’s Indian Necklace (1974): Anak-Har-Li [the name of the Indian deity on the necklace] (in: Tina Club 1975-01)
  • Always Together (1974): Voor altijd samen (in: Tina 1985/86)
  • Wild Horse Summer (1974): De zomer van het witte paard [White Horse Summer] (in: Tina 1976, Tina Topstrip 15 (1980))
  • Left-Out Linda (1974): Linda (in: Tina 1975/76)
  • Wenna the Witch (1974): Wenna de heks (in: Tina 1976, Tina Topstrip 34, 1981)
  • Slave of the Mirror (1975): De spiegel met de slangen [The Snakes Mirror] (in: Tina 1976)
  • The Kat and Mouse Game (1975): Als kat en muis [Like cat and mouse] (in: Tina 1985)
  • Tricia’s Tragedy (1975): Tineke – Strijd om de Lankman-trofee [Tineke – Fighting for the Lankman Trophy] (in: Tina 1975/76, Tina Topstrip 18 (1980)).
  • The Valley of the Shining Mist (1975): Het dal van de glanzende nevel (in: Tina 1977)
  • Barracuda Bay (1975): Susan Stevens – Barracudabaai (in: Tina 1971); reprint from June & School Friend 1970.
  • The Haunting of Hazel: Hazel en haar berggeest [Hazel and her Mountain Ghost] (in: Tina 1976/77, Tina Topstrip 27 (1981))
  • For Peter’s Sake! (1976): De opdracht van Josefien [Josephine’s Assignment] (in: Tina Boelboek 5 (1985))
  • The Slave of Form 3B (1976): In de ban van Isabel [Under Isabel’s Spell] (in: Groot Tina Zomerboek 1984-2)
  • Then there were 3 … (1976): Toen waren er nog maar drie (in: Groot Tina Lenteboek 1982-1
  • Horse from the Sea (1976): De legende van het witte paard [The Legend of the White Horse] (in: Tina 1985)
  • Snobby Shirl the Shoeshine Girl! (1976): Freule Frederique [Lady Frederique] (in: Tina 1979)
  • Stefa’s Heart of Stone (1976): Steffie’s hart van steen (in: Tina 1986). Reprint in Tammy 1984
  • Girl in a Bubble (1976): Gevangen in een luchtbel [Prisoner in a Bubble] (in: Tina 1977, Tina Topstrip 29, 1981).
  • Sceptre of the Toltecs (1977): De scepter van de Tolteken (in: Tina 1978; Tina Topstrip 44, 1982)
  • The Mystery of Martine (1976-77): De dubbelrol van Martine [Martine’s Double Role] (in: Tina 1978).
  • Mark of the Witch! (1977): Het teken van de heks (in: Tina 1982/83)
  • Freda, False Friend (1977): Frieda, de valse vriendin (in: Tina 1978/79)
  • Spell of the Spinning Wheel (1977): De betovering van het spinnewiel (in: Tina 1978; Tina Topstrip 42, 1982)
  • The Darkening Journey (1977): Samen door het duister [Through the Darkness Together] (in: Tina 1981/82)
  • Creepy Crawley (1977): In de macht/ban van een broche [Under the Spell of a Brooch] (In: Tina 1979; Tina Topstrip 60, 1984)
  • Kerry in the Clouds (1977): Klaartje in de wolken (in: Tina 1978)
  • The Robot Who Cried (1977): Robot L4A ontsnapt! [Robot Elvira Gets Away] (in: Tina 1985/86).
  • Curtain of Silence (1977): Achter het stille gordijn [Behind the Silent Curtain] (in: Tina 1978/79, Tina Topstrip 52, 1983)
  • Fran’ll Fix it! (1977; 1978-79): short story 3/4; Annabel versiert ‘t wel [Annabel will fix it]; episodes in Tina from 1983 till 1994; there were also “Dutch” episodes written by Bas van der Horst and drawn by Comos, and there is an episode in 1994 written by Ian Mennell and drawn by Comos.
  • Who’s That in My Mirror? (1977): Het spookbeeld in de spiegel [The Ghost in the Mirror] (in: Tina 1980)
  • Cursed to be a Coward! (1977): Zoals de waarzegster voorspelde [Like the Fortune-Teller Predicted] (in: Tina 1979, Tina Topstrip 49, 1983)
  • Destiny Brown (1977): De vreemde visioenen van Seventa Smit [Seventa Smit’s Strange Visions] (in: Tina 1980)
  • The Goose Girl (1977): not translated directly but the storyline was probably used for Maartje, het ganzenmeisje [Marge, the Goose Girl] in Tina 1979, art by Piet Wijn; Tina Topstrip 40, 1982).
  • Stage Fright! (1977): De gevangene van Valckensteyn [Prisoner of Valckensteyn/Falconstone] (in: Tina 1981)
  • Guardian of White Horse Hill (1977): Epona, wachter van de paardenvallei [Epona, Guardian of the Horse Valley] (in: Tina 1978; Tina Topstrip 37, 1982)
  • Land of No Tears (1977-78): Wereld zonder tranen [World of No Tears] (in: Groot Tina Lenteboek 1983-1)
  • Come into My Parlour (1977-78): Kom maar in mijn web [Just Come into My Web] (in: Groot Tina Boek 1981-3)
  • Race for a Fortune (1977-78): Om het fortuin van oom Archibald [Race for Uncle Archibald’s Fortune] (in: Tina 1980)
  • Concrete Surfer (1977-78): Ik heb altijd m’n skateboard nog! [At least I’ve still got my skateboard] (in: Tina 1980)
  • Paula’s Puppets (1978): De poppen van Petra [Petra’s Puppets] (in: Tina 1979, Tina Topstrip 54, 1983). Perhaps they changed the name because there was a Stewardess Paula strip in Tina at the time.
  • Slave of the Swan (1978): De wraak van de Zwaan [Revenge of the Swan] (in: Tina 1980)
  • The Birds (1978): De vogels (in: Groot Tina Boek 1978 winter).
  • Clancy on Trial (1978): Nancy op proef [Nancy on Trial – the name Clancy is highly unusual in the Netherlands] (in: Tina 1979)
  • Wild Rose (1978): Waar hoor ik thuis? [Where do I belong?] (in: Tina 1980)
  • 7 Steps to the Sisterhood (1978): Gevaar loert op Lansdael [Danger at Lansdael] (in: Tina 1980)
  • The Human Zoo (1978): Als beesten in een kooi [Like Animals in a Cage] (in: Tina 1986). Reprint in Tammy 1982.
  • No Cheers for Cherry (1978): Geen applaus voor Sandra [No Applause for Sandra] (in: Groot Tina Zomerboek 1983-2)
  • The Girl Who Never Was (1979): De verbanning van Irma Ijsinga [Irma Ijsinga’s Banishment] (in: Tina 1981)
  • Sea-Sister (1979): Gevangene van de zee [Prisoner of the Sea] (in: Tina 1989)
  • The Forbidden Garden (1979): De verboden tuin (in: Tina 1982/83). Reprint in Tammy 1984
  • Bizzie Bet and the Easies (1979): Dina Doe douwt door [Dinah Do Pushes Through] (just one episode, in: Groot Tina Lenteboek 1982-1).
  • Almost Human (1979): De verloren planeet [The Lost Planet] (in: Tina 1984)
  • Village of Fame (1979): Het dorp waar nooit ‘ns iets gebeurde [The Village Where Nothing Ever Happened] (in: Tina 1982)
  • Combing Her Golden Hair (1979): Kirsten, kam je gouden lokken [Kirsten, Comb Your Golden Locks] (in: Tina 1981, Tina Topstrip 64, 1985: Kam je gouden lokken)
  • Waves of Fear (1979): In een golf van angst [In a Wave of Fear] (in: Tina 1983)
  • White Water (1979-80): Wild Water [Wild Water] (in: Tina 1984)
  • When Statues Walk… (1979-80): De wachters van Thor [Thor’s Guardians] (in: Tina 1981/82, Tina Topstrip 71, 1985)
  • The Venetian Looking Glass (1980): Het gezicht in de spiegel [The Face in the Mirror] (in: Tina 1983)
  • Seulah the Seal (1979-80): Sjoela de zeehond (in: Tina 1980/81, little booklets in black and white that came as a free gift, stapled in the middle of a Tina).
  • A Spell of Trouble (1980): Anne Tanne Toverheks [Anne Tanne Sorceress, a sort of nursery rhyme name] (in: Tina 1984/85)
  • Girl the World Forgot (1980): Door iedereen vergeten [Forgotten by everyone] (in: Tina 1987)
  • The Ghost Dancer (1981): Dansen in het maanlicht [Dancing in the Moonlight] (in: Tina 1983)
  • Holiday Hideaway (1981): Wie niet weg is, is gezien [If you’re not gone, you’re seen – a sentence children use in hide-and-seek] (in: Tina 1982)
  • Freda’s Fortune (1981): Could be: Fortuin voor Floortje [A Fortune for Florrie] (in: Groot Tina Herfstboek 1983-3)
  • Airgirl Emma’s Adventure (reprint from June 1969, in Jinty Holiday Special 1975): Short story 16; Emma zoekt het hogerop [Emma takes it higher up] (in: Tina 1970)

Various of the stories translated in Tina were also reprinted in the Indonesian title Nina (of course Indonesia is a former Dutch colony, making for a clear link). These will be listed on a new reference page for Translations into Indonesian.

This long list enables us to see how very popular some creators were – for instance, a large number of Jim Baikie and Phil Gascoine stories are included (though not all, by any means). Of course, these were also the most prolific of Jinty artists too.

Many stories were translated very shortly after initial publication, and then reprinted in album form some time later. There was also a ‘second round’ of translation work done after Jinty ceased publication, to go back and pick some of the earlier stories that had not been selected earlier. This was the case with “Always Together” and “The Kat and Mouse Game”, for instance.

Many but by no means all of the story titles were translated fairly literally or exactly, though the main character’s name was almost invariably exchanged for another one. Some titles ended up particularly poetical or neat in translation: “A Spell of Trouble” and “Holiday Hideaway” perhaps benefit most from their translated titles. Of course, there are also some losers: I think “The Human Zoo” and “The Girl Who Never Was” ended up with less resonant titles through the process.

A wide range of stories were translated: spooky stories, humour stories, science fiction, adventure, sports stories. There are some omissions that I’m surprised by, though of course the editors had to pick and choose from so much that was available. “Fran of the Floods” was probably too long (see Marc’s comment about the length of stories selected for translation). No Gypsy Rose stories were selected – maybe they didn’t want a storyteller, ‘grab-bag’ approach? I am however quite surprised at the omission of the excellent “Children of Edenford” (1979). Could it have been too subversive a story, with its underlying theme of adults undermining their position of trust by hypnotizing children in order to control their moral development? The similarly-themed “Prisoner of the Bell” was also not translated. Of course this is rather a guess! At the end of the day I’m sure there were just more stories to choose from than there were spaces for publication.

For reference, I also include a complete list of stories published in the album format Tina Topstrip (71 albums in total). This gives us a view of how many of the reprinted stories deemed worthy of collection came from which original title. Note that some of the stories in this album format were themselves originally written in Dutch as they are credited to a Dutch writer. (NB I will add this to the new page created for Translations into Dutch)

  1. Becky Never Saw The Ball
  2. Twinkle, Twinkle, Daisy Star
  3. Wee Sue
  4. Het geheim van oom Robert (original story in Dutch)
  5. Kimmy op de modetoer (original title unknown)
  6. Marcella het circuskind (original title unknown)
  7. Moses and Me
  8. Peggy en Jeroen (Patty’s World story)
  9. Anja – Dorp in gevaar (original title unknown)
  10. Het lied van de rivier (Patty and the Big Silver Bull Band story, original in Dutch)
  11. Sonja en de mysterieuze zwemcoach (I suspect this is a translation as no writer is given)
  12. De man in het koetshuis (original story in Dutch)
  13. Linda’s verdriet (original title unknown, from Tammy)
  14. Het circus komt (original story in Dutch)
  15. Wild Horse Summer
  16. Noortje (original story in Dutch)
  17. Ruzie om Jeroen (Patty’s World story)
  18. Tricia’s Tragedy
  19. Het lied van de angst (Patty and the Big Silver Bull Band story, original in Dutch)
  20. Silver Is A Star (from Sandie)

Jinty 23 July 1977

Jinty cover 10

As you see on the cover, Fran gets some unusual gear on because she’s not confident about being goalie, having never played hockey. It works all right – until Clara takes revenge by rolling Fran downhill and she bounces against a rock. Well, Sal did warn Fran that her scheme might bounce back on her. The Gypsy Rose story that features on the cover is about a ghost horse that comes back to save its descendant from fire.

“The Robot Who Cried” discovers a new emotion – hatred – when some unsavoury people threaten her friend Susan, and she’s about to take a shovel to their heads! And with that super-strength of hers, anything could happen next week.

Madam Kapelski raises Yvonne’s hopes of escape when she takes her back to England. Her plan is to crush Yvonne completely with false hopes and it looks like it’s working by the end of the episode. Yvonne is in tears when she sees her mother and can’t call out to her because she’s still mute. But the blurb for next week about “the mystery woman in black” entering the picture sounds like events are going to take another turn.

“The Darkening Journey” looks even darker right now. Thumper leaves an animal shelter because he senses Julie needs him. But his health is failing and hope is fading.

Gymnast Kate finds ballet Kate has pulled a fast one on her when she tries to break into her home to get the money for her allowance. But she gets the money anyway!

In “A Boy Like Bobby”, Tessa agrees to hide the boys from social welfare because they are scared of being separated. But this means living a lie and risking trouble with the authorities. And to make things more complicated, Tessa’s friend Cathy is suspicious!