Tag Archives: Rusty Remember Me

Tammy and Princess 28 April 1984

Tammy 28 April 1984

Cover artist: Maria Barrera

  • Bella (artist John Armstrong, writer Primrose Cumming)
  • Cassie’s Coach (artist Tony Coleman, writer Alison Christie)
  • Open an Easter Egg! (writer Maureen Spurgeon) – quiz
  • The Horse Finders – A Pony Tale
  • Day and Knight (artist Juliana Buch) – final episode
  • Easter Parade – feature
  • The Button Box (artist Mario Capaldi, main writer Alison Christie)
  • Easter Fun Spot – Easter jokes
  • Rusty, Remember Me (artist Eduardo Feito) – final episode
  • Stefa’s Heart of Stone (artist Phil Townsend, writer Alison Christie)
  • Pam of Pond Hill (artist Bob Harvey, writer Jay Over)
  • Picture Yourself! – feature

 

We finish off our spread of Tammy Easter issues with the very last Tammy Easter issue in 1984. Easter is celebrated here with Easter features, an Easter quiz, Easter jokes, and a beautiful spring cover drawn by Maria Barrera.

It is four weeks into the Tammy and Princess merger, and two of the stories that came over from Princess end this week. In “Day and Knight”, Sharon now realises the only way to make her heartbroken father happy is to allow her bully stepsister Carrie a second chance. However, her wounds from all that bullying are making it very hard for her to do so, and she does not understand that her bully stepsister is now genuinely sorry. So it’s a real dilemma. Meanwhile, helping Rusty to get his leg fit again is what finally gets Donna to stop depending on her leg brace and work on improving that leg with exercise.

“Stefa’s Heart of Stone”, which Princess reprinted from Jinty, carries on, as Stefa has still not learned that a heart of stone is not the answer. Ruth, who now realises Stefa’s game, has the girls rally around for a “Melt Stefa” campaign to soften that stony heart. But so far all this gets is rude rebuffs from Stefa. Next week is Stefa’s birthday. Will this make things any different?

Bella has persuaded Benjie to join the sports acrobatics group as her partner. Pity the instructress is so unfriendly to Bella because she is a former gymnastics champion. An encouraging coach would really help the partnership to flourish more.

“Cassie’s Coach” reaches its penultimate episode, and it’s a tear-jerking plot development. Mr Ironside has been such a father figure to the Lord children ever since their mother was wrongly imprisoned. There is so much they could not have done without him – like find the old coach that became their home. But this week they lose him because he has to give up his business (can’t afford to replace his horse) and go work at his cousin’s farm. Can the Lord children survive without him?

“The Horse Finders” are commissioned to find 60 of the near-extinct black Zarah horse breed. They find 50 readily enough, but the final 10 are proving elusive, and time is running out. And time has just about run out when they are one short. But the 60th appears in a most surprise manner.

In this week’s Button Box story, Bev hears a church button story that is instructive in the evolution of hassocks. They started out as tufts of grass for poorer parishioners to kneel on. Unfortunately tufts of grass also made a mess on the church floor. So they became the more practical, decorative and non-messy cushions.

A Pond Hill girl, Catherine Bone, is being terrorised by a secret society known as “The Group” because she had been such a sneak. While Pam is appalled at what “The Group” is doing, others are unsympathetic and say it’s Catherine’s just desserts for sneaking. Di is one of them – but then Catherine turns up on the doorstep, dripping with paint that “The Group” threw all over her. What do you say to that, Di?

Princess II, #26, 17 March 1984

Princess cover 26

  • The Secret Swimmer (artist Phil Gascoine)
  • The Dream House (artist Mike White)
  • Rusty, Remember Me (artist Eduardo Feito)
  • Stefa’s Heart of Stone (artist Phil Townsend, writer Alison Christie)
  • Day and Knight (artist Juliana Buch)
  • Are You a Teacher’s Pet? (quiz)
  • Flight from the Romanys (artist Maria Dembilio)
  • Fun Fair – puzzles
  • Horse from the Sea (artist Rodrigo Comos)
  • The Haunted Station (artist Julio Bosch)
  • Sadie in Waiting (artist Joe Collins)

 

The merge into Tammy is in three weeks, so how does this issue contribute towards the merger? “The Dream House” has a double episode, it looks like “Flight from the Romanys” is getting close to finishing, but “The Secret Swimmer”, “The Haunted Station”, “Rusty, Remember Me” and “Day and Knight” are on their second episodes. And anyone familiar with the original run of “Stefa’s Heart of Stone” knows it still has a long way to go.

Liza now becomes “The Secret Swimmer” and secretly training for the event Nikki is now out of, because she feels it is the only way to get the girls to talk to her again after wrongly blaming her for Nikki’s accident. But getting up at early hours for training and pushing herself too much are beginning to take their toll.

Mr Day is pushing headlong into his new marriage with Carrie Knight’s mother, despite protests from his daughter Sharon that Carrie is bullying her. Dad is not listening and Carrie is very good at pulling the wool over his eyes. And now Carrie is causing another heartbreak for Sharon – she has to rehome her beloved cat Monk because of Carrie’s asthma.

In “Stefa’s Heart of Stone”, Dad’s job is on the line because of Stefa’s tricks to dodge Ruth, Joy’s look-alike at school. Stefa gets no sleep because her heart of stone is struggling against her guilty conscience. But conscience does not win, and neither does common sense. By the final panel it looks like Stefa will indeed get Dad sacked because of her wanting to avoid Ruth.

Donna Jones needs a vet for the injured fox cub, now named Rusty, but money is a problem. And there is another problem – animals aren’t allowed in their flat, and the caretaker is not the sort who would understand the situation.

Jan Dale is becoming more convinced that the doll’s house is evil and taking away the elder members of the family she is working for. Now Diana, the eldest daughter, has disappeared like the parents, but the two youngest kids seem to be helping it.

Lydia Parks, who has only just escaped from the gypsies who kidnapped her, now has to escape from a workhouse. She finally does, but it’s now more urgent than ever to get home, because her sick friend at the workhouse badly needs help.

In “Horse from the Sea”, Janice and Tracey Penrose discover a rift in the Penrose family, which stems from when Charles Penrose blamed his father for a mining accident because the old miser was cutting corners at the expense of safety. It would not be surprising if Janice’s stepfather was descended from the old meanie, because it looks like he’s deliberately keeping Janice an invalid so she won’t inherit, and committing other fraud too.

“The Haunted Station” is more like a time travel device. It has already sent Linda Brent and Wendy Smith to the 1930s, where they get entangled with a frightened girl who is being chased by someone. Now it looks like it’s about to send them back to the 1930s again.

Princess Bee wants to go riding – and so does Grovel. He ends up regretting it because Princess Bee uses him for her mount after he messes things up (below).

Sadie in waiting riding
Horse hijinks, “Sadie in Waiting”, Princess II, 17 March 1984

Princess II, #28 – final issue – 31 March 1984

Princess 28 cover

  • The Secret Swimmer (artist Phil Gascoine) – final episode
  • The Haunted Station (artist Julio Bosch (Martin Puigagut?)) – final episode
  • The Dream House (artist Mike White) – final episode
  • Day and Knight (artist Juliana Buch)
  • Horse from the Sea… (artist Rodrigo Comos) – final episode
  • Stefa’s Heart of Stone (artist Phil Townsend, writer Alison Christie)
  • Rusty, Remember Me (artist Eduardo Feito)
  • Sadie in Waiting (artist Joe Collins)

This is the very last issue of Princess. She came to an end after 28 issues and a disturbing change of format from Girl II style to Tammy style with #19, and an equally disturbing fallback on reprints of older material.

Princess great news 1

The Princess stories that do not carry on into the merger are “The Secret Swimmer”, “The Dream House” (Tammy reprint), “Horse from the Sea” (Jinty reprint) and “The Haunted Station”. The last two are given six page spreads to help finish them off.

The ending of “The Secret Swimmer” is a good one that avoids clichés, and is worthy of Jinty. Liza wonders if there is any point in winning the race because all the girls are against her as they wrongly blame her for Nikki’s accident. But when Nikki herself starts cheering for Liza, the girls turn around and start cheering as well. It gives Liza all the encouragement she needs to really compete – yet she still does not win. She is narrowly beaten, but she’s still a winner because she has friends again.

In “The Haunted Station” the Grices think pushing Helen off the cliff means her inheritance is now in their pocket. They don’t realise a tree root has broken her fall, and Wendy and Linda pull her up. Helen goes on to get help from an old housekeeper, Mrs Burke, but Linda and Wendy are whisked back to their own time before they find out how things turned out. Then, at the next stop on the school trip they are surprised to meet Helen Mills, now an old lady who runs a Tudor Tea Gardens attraction. Yes, everything worked out happily for Helen and justice was done. The elderly Helen is very surprised at how Wendy and Linda look so much like her two helpers.

The two schemers in “Horse from the Sea” come to an even stickier end than the Grices – they get drowned during a flood, and the rightful heir is free from their power.

“The Dream House” turns out to be the result of Miss Royd’s quest for immortality that she had begun centuries before, and she uses the minds of small children to wield her power. Jane manages to turn that power against Miss Royd and re-imprison her in her secret room in the dollhouse. But all it needs to turn Miss Royd loose again is for another small child to find that secret room in the dollhouse…

The stories that continue with the merger are “Day and Knight”, “Stefa’s Heart of Stone” and “Sadie in Waiting”. Sharon Day’s father has married Carrie Knight’s mother despite Sharon’s pleas that Carrie is a bully who makes her life a misery, and has even stolen her beloved guitar. Now the bullying is double the misery because Carrie is now living with Sharon and making her life hell at home as well as school, and Dad just won’t listen when Sharon tries to tell him. Carrie and her gang have trashed Sharon’s belongings and now Carrie’s planning a very nasty surprise for Sharon – a piece of meat in her vegetarian school lunch!

In “Stefa’s Heart of Stone” (Jinty reprint) Stefa tries to get herself expelled in order to get away from Ruth, but Ruth keeps foiling her. Meanwhile, and Stefa and her parents make the move into the council house. Stefa’s stoniness gets her on the wrong foot with the kids in the neighbourhood, who react by throwing stones at the statue Stefa models her stony heart on.

Hiding Rusty the fox from the nasty caretaker Mr Jenkins while his leg is in plaster is proving problematic. Jenkins is already suspicious and now he wants to search the flat – which is precisely where the kids have hidden Rusty.

Princess Bee says Sadie will have to go, and Sadie can’t understand what she did to get sacked when Grovel deserves it more. It turns out to be a misunderstanding – Princess Bee has chosen Sadie to be the one to go the annual servants’ conference. Poor Grovel’s in tears at not being the one, but we all know Princess Bee made the right decision.

Princess II, #27, 24 March 1984

Princess 27 cover

  • Flight from the Romanys (artist Maria Dembilio) – final episode
  • Day and Knight (artist Juliana Buch)
  • The Haunted Station (artist Julio Bosch (Martin Puigagut?))
  • The Dream House (artist Mike White)
  • The Secret Swimmer (artist Phil Gascoine)
  • Horse from the Sea… (artist Rodrigo Comos)
  • Sadie in Waiting (artist Joe Collins)
  • Stefa’s Heart of Stone (artist Phil Townsend, writer Alison Christie)
  • Rusty, Remember Me (artist Eduardo Feito)

This is the second to last issue of Princess II before the merge into Tammy, so it’s an issue where things are beginning to wind down. Finishing this issue is “Flight from the Romanys”, where Lydia, a wealthy lord’s daughter, has been kidnapped by gypsies. She has escaped, but it’s a long way home, and she very nearly gets recaptured as well.

“The Haunted Station”, “The Dream House”, “Horse from the Sea” and “The Secret Swimmer” are on their penultimate episodes.

Liza, “The Secret Swimmer”, has been secretly training for a swimming trophy after she is wrongly blamed of putting her friend Nikki out of it. Her secret is exposed, but she has become so good she is chosen to represent the school at the event. But everyone is so against her because of the wrongful accusation that they are going to cheer for the rival schools. So is there any point in even winning? This story was drawn by Phil Gascoine, and I was surprised to learn it was an original Gascoine and not a repeat from Jinty.

“The Haunted Station” is not so much haunted but a time travel device. Linda Brent and Wendy Smith are finding a converted railway station transporting them to the 1930s (and back again).  Their 1980s clothes are arousing disapproval in the 1930s and making them stick out like sore thumbs: “Girls wearing trousers. It’s disgraceful!” But their real concern is Helen Mills, who is a target for murder because her guardians, the Grices, are after her inheritance. The Grices are getting close to succeeding now; in the final panel Mr Grice pushes Helen over the edge of a quarry.

Evil guardians are also out to steal an inheritance in “Horse from the Sea”, and now they’ve caught our heroine as she tries to phone for help. As with “The Haunted Station” supernatural help is at hand, which comes in the form of a magic horse from the sea.

“The Dream House” (reprinted from Tammy) is more like “The Nightmare House”. Jane Dale is convinced a dollhouse is evil and taking family members away to inhabit it as dolls, and that she is next in line. The weird thing is, the two small children of the family are willing to help it. In this episode Jane discovers that housekeeper Miss Royd is behind it all. In fact, Miss Royd says she came with the dollhouse and lived in it for centuries, and Jane is going to do the same!

“Day and Knight” and “Stefa’s Heart of Stone” are the Princess stories that will carry on in the merger. Stefa’s repeat is now up to the point where she wants to leave her new school because of Joy’s look-alike. She storms into her father’s workplace demanding he remove her from the school, which gets him sacked. He has to take a lower paid job, which means the family has to move to a cheaper council house. But none of this moves Stefa’s stony heart. After efforts to dodge school fail, she plots to get herself expelled as her parents won’t let her change schools.

In “Day and Knight”, Sharon Day’s father now marries Carrie Knight’s mother despite Sharon’s protests that Carrie is a bully who is making her life a misery. He just won’t listen (Gran is the only one who believes Sharon), and that is clearly going to come back to bite him and his new marriage. Meanwhile, the wedding is a day of tears for Sharon that she has to choke down for the sake of Dad’s big day. Even if everything does get sorted out in the end (as we expect), Sharon’s forced smiles will be evident in the wedding photos for years to come and be a painful reminder of what used to be.

“Rusty, Remember Me” is the fox story (every girls’ comic has to have one at some point). Donna Jones has to hide an injured fox because she lives in a flat where pets are against the rules and the caretaker is a nasty piece of work. This week they take the fox to the vet, only to hear that the vet’s advice is put him to sleep.

Sadie in Waiting is the other Princess feature that will carry on in the merger, supplanting the Tammy Joe Collins cartoon, “The Crazyees”. This week they screw down the furniture because of a visit from Lady Edna, who’s the proverbial bull in a china shop because she’s so huge. They are annoyed to find it unnecessary when Lady Edna proves she has slimmed down – but they find they have spoken too soon when her huge friends arrive. And by that time they have removed the screws.

Finleg the Fox (1975)

Sample Images

finleg-1afinleg-1bfinleg-1c

Published: Lindy #14, 20 September 1975 to #20, 1 November 1975; continued in Jinty and Lindy merger 8 November 1975 to 20 December 1975

Episodes: 14

Artist: Barrie Mitchell? Jim Eldridge?

Writer: Unknown

Translations/reprints: none known

Plot

Una Price has been left orphaned and lame from a car crash and is in delicate health. Authorities send her to Blindwall Farm in the hope the country air will improve her health, but they have not counted on the Drays who are running it. The daughter, Dora Dray, bullies Una and lumbers her with all the work, despite Una’s bad leg, while she indulges in riding. Una soon gets the impression that Dora is a sadist who enjoys hurting animals and people. Mr Dray is a sourpuss who doesn’t have a good attitude towards Una either. They both push Mrs Dray around and take her for granted, so she is the only one who is kind to Una.

Dray is not pleased when Una rescues a fox from one of his traps. He also warns her about his landlord, Sir Arthur Stollard, who is a master of fox hounds. Una secretly nurses the fox, named Finleg because of his leg injury, in the barn.

Dora finds out and starts blackmailing Una. Soon Una has had enough of this and stands up to Dora. So Dora brings in her father, all set with a shotgun to shoot Finleg. But Finleg has recovered enough to escape, so Dray finds nothing and Dora gets a clip around the ear from him. Finleg is now back in the wild, but he is not forgetting the girl who saved him.

Meanwhile, Sir Arthur is trying to buy out Blindwall Farm when the Drays’ lease expires. Dray does not want to sell the farm he has worked on all his life, but feels he may have no choice because Sir Arthur is a powerful man.

Soon after, suspicious things start happening. Una finds a blood trail after Dray takes a shot at something in the night. The trail leads to a shed and a strange man, whose left hand is wrapped in a bloodied bandage. He knocks her out and runs off. When she describes the man to Dray, he gets oddly worked up and goes off on a hunt for the man – with his shotgun. He does not seem to have much success, but after this he softens towards Una and even spares Finleg when he has a brush with him at a disused railway track, where he has set up a den in the embankment.

But Sir Arthur’s fox hunt isn’t sparing Finleg. Dora has been invited, not realising Sir Arthur plots to get at Dray through her because she would know his weaknesses. Dora is eager to use the hunt to kill Finleg. Una helps a bunch of fox hunt protesters foil the hunt. Dora finds out and threatens to beat Una, but Finleg steps in to save her. Dora is even more narked when Sir Arthur tells her she is not good enough to join the hunt, so she gets even more vicious towards Una and Finleg.

That night Dray goes hunting for the man again and Una follows. The man knocks Dray out and is searching the embankment at the railway tracks. He finds Finleg’s den. Finleg and Una manage to scare him off and he tries to escape in a passing car, but the driver doesn’t stop. For some reason Dray is against the idea of going to the police and Una wonders what he is hiding. Una also loses her crutch at the scene and starts using a stick, which helps to strengthen her leg.

Dora again joins Sir Arthur as they prepare for another hunt, and Una is following. They stumble across the strange man, who has been shot dead. Sir Arthur finds a list of names on him, which he finds interesting and hides from the police. The man turns out to be an escaped prisoner named Stephens, and his death is a murder inquiry. Afterwards, Sir Arthur uses the list and Dray’s suspicious-looking head injury to blackmail Dray into selling the farm, with insinuations that he will have the police suspect Dray Stephens’s murder. Later Dray tells his family that they are leaving the farm at the end of the month. Seeing no further use for Dora now, Sir Arthur tells her not to bother with their next hunting date. Dora blames Una and hates her even more now.

Surmising that the driver of the car Stephens tried to jump into is the real murderer, Una goes back to investigate. Finleg leads her to the embankment, where she finds a huge cache of hidden money. She shows the money to Dray, who clearly recognises it but won’t have a bean of it. Una hides it in the barn.

Una sees the strange car in town, which is driving dangerously and nearly knocks her and another woman over. When Una helps the woman, a Mrs Pargeter, Dora tells her everyone says Mrs Pargeter is a witch (because Mrs Pargeter is psychic and treats animals with herbal remedies). Una rubbishes such nonsense, especially from Dora.

Dora seizes another opportunity to spite Una when she finds the crutch with blood stains on it and takes it to the police, claiming it is evidence that Una is linked to Stephens’s murder. The police realise Dora is a spiteful minx but they still have to investigate the bloodstains. The blood group belongs to Dray, but he doesn’t tell the police the full story of what happened and Una wonders why as she is sure he is innocent of Stephens’s murder. The police also search the property, but Finleg takes the sack of money before the police find it and puts it back in his den. The police leave, but Dray is still under suspicion.

Una goes to consult Mrs Pargeter, who says the money must have come from a train robbery ten years back, when the tracks were in use. On the way back the strange car actually tries to run Una down, but Finleg saves her. Later the strange car intercepts Dora, who says she is laying down poison for foxes (Finleg of course). The man tells her that if she comes across anything else to leave a note for him at Cobbett’s Mill.

The police are also investigating Cobbett’s Mill because a lady reported seeing a light there in the night. They find nothing, but their dogs got excited so they know there must be something. Later we learn that Cobbett was on the list of names Sir Arthur found, and so was Dray’s, but he can’t figure out what the other names mean. Realising the police are not charging Dray with Stephens’s murder at this stage, Sir Arthur again ingratiates himself with Dora to get at Dray.

Dora’s attempt to poison Finleg succeeds. Una finds him, and realises Dora was responsible when she bumps into her. Una takes Finleg to Mrs Pargeter, who has skills in healing animals. Her herbal remedies do the trick and Finleg is soon on the mend.

Meanwhile Dora finds the money in the den and leaves a note about it in Cobbett’s Mill for the man. Una sees Dora leave the mill. After a fight with Dora she finds the note and realises Dora has put herself in danger because of it. Sure enough, Mrs Dray tells Una that she saw two men kidnap Dora, but Dray refuses to call the police. However, he finally tells them the whole story. Two men who robbed the train came to his farm and coerced him into hiding some of the money. The gang was rounded up and imprisoned. One of them, Stephens, escaped and came back to look for the money. The man who killed Stephens must have been “The Boss”, the only member of the gang not to be caught, and his true identity is unknown. Realising “The Boss” must be the one who kidnapped Dora, Una, with Finleg’s help, keeps watch over the den where the money is hidden, figuring the kidnappers will come for it.

But Una is in for a big surprise at who shows up for it – Sir Arthur! Una follows him (her leg is now fit enough for her to do this) while giving Finleg a note explaining things to take back to the farm. The police have finally been called and when they see the note they go in pursuit, with Finleg leading them.

At the hideout Una overhears Sir Arthur and his accomplice (his estate manager, Bert Randle) planning to kill the bound and gagged Dora because she knows too much. Una unwisely goes in to tackle them and gets captured too, but it’s Finleg to the rescue with a bite on Sir Arthur’s leg. Sir Arthur is arrested and confesses to being “The Boss”, and Randle was his right-hand man in the robbery.

So the threat of Sir Arthur is no longer hanging over the farm and the Drays want Una to stay. Dora reforms, apologises to Una, and starts treating Una like her very own sister. Una now walks properly thanks to Finleg. Finleg becomes part of the family, but eventually the call of the wild summons him away while Una looks on.

Thoughts

This was one of two Lindy serials to make the transition into the merger with Jinty, so it has some distinction for that. It was also the only fox serial in Jinty, even if it is one that came to Jinty half way through its run. Jinty had some stories featuring an animal from the wild, but this was the only one to feature a fox.

Finleg shares some similarities with the 1984 story “Rusty Remember Me”, which started in Princess series 2 and was also completed in a merger, the last one in Tammy. Its protagonist is also a crippled girl who gradually overcomes her disability and walks properly again thanks to the friendship she strikes up with a fox. Perhaps it was the same writer.

However, Finleg has much meaner and crueller opponents than Rusty (a surly caretaker who is nasty but not downright evil). Finleg is up against a cruel and vicious girl who tries to kill him on several occasions, and that’s only the start. He is also up against fox hunters, who combine forces with the threat from Dora. The man leading the hunt isn’t just threatening Finleg; he’s a greedy, unscrupulous aristocrat who will resort to fair means or foul in order to get his hands on the Drays’ farm and force them off into a council house. Such villains are very common in girls’ comics. What is unusual is that Sir Arthur is also a mastermind behind a train robbery. That does sound a bit odd; you’d think such things would be beneath a snobby aristocrat like him. On the other hand, it says a lot about what makes him so rich.

The menace of Sir Arthur over the Drays, Dora’s cruelty towards Finleg and Una, the fox hunt threat, the problems of Una’s disability, and her friendship with Finleg make a durable combination for a good plot. But what really heat it up and keep it going are the introduction of the mystery elements, the murder of Stephens, and Dray being suspected of it, which means Una now has the additional task of clearing his name.

There’s also a horrible but fitting comeuppance for Dora when she is kidnapped by the very man she thought was her friend – Sir Arthur. When she heard them plotting to drown her in the marshes her life must have flashed before her eyes. The shock of it lends some plausibility to her change at the end, even if it does come across as a bit quick and pat. It’s a real twist for her that she is rescued by the efforts of Finleg and Una, the ones she had tried to destroy out of spite. Gratitude must have also been a factor in her change for the better.

Tammy and Princess merger: 7 April 1984

Tammy and Princess cover

  • Bella – new story (artist John Armstrong, writer Primrose Cumming)
  • Rusty Remember Me – from Princess (artist Eduardo Feito)
  • The Button Box (artist Mario Capaldi)
  • Day and Knight – from Princess (artist Juliana Buch)
  • Diana – A Queen’s Dream – complete story (artist Hugo D’Adderio, writer Maureen Spurgeon) Adapted from Maureen Spurgeon’s “For Love of Elizabeth” in her book “Romantic Stories of Young Love”
  • Cassie’s Coach (writer Alison Christie, artist Tony Coleman)
  • What Kind of Fool Are You? – Quiz (writer Maureen Spurgeon)
  • Stefa’s Heart of Stone – from Princess (writer Alison Christie, artist Phil Townsend)
  • Pam of Pond Hill (artist Bob Harvey, writer Jay Over)
  • Sadie in Waiting (artist Joe Collins)

Princess (series II), no connection to Princess/Princess Tina, was the last comic to merge with Tammy. It had been another short-lived title, lasting 28 issues. In terms of Jinty history, Princess is significant for reprinting some serials from her and Tammy. One, “Stefa’s Heart of Stone”, carries over into the merger here. It is known from Jinty’s letter page in 1981 that there had been a huge demand in the 1980 Pam’s Poll to reprint the story. But the Editor was still asking readers if they wanted Stefa to be repeated – as if he was hesitating to do it for some reason.

Other stories carrying on from Princess are “Day and Knight” and “Rusty Remember Me”. After some flashbacks filling Tammy readers in on how Dad’s remarriage has brought bully Carrie Knight into Sharon Day’s home, the story moves to its climax with Sharon being driven out of her own home because of the bully. There are also quick flashbacks to fill new readers in on “Rusty Remember Me” as well. But the story looks like it has more to go. Mum now knows the children are hiding a fox, but her fur allergy is complicating things. Dad left home to find work, but when the children see him, he is in a bad way. “Cassie’s Coach” is the only Tammy story to continue in the merger. It does so without any flashbacks for new readers’ benefit, and it’s taken a nasty turn – Cassie has suddenly collapsed from overwork.

The merger does away with “The Crayzees”. Instead, Tammy is taking over Princess’s Joe Collins cartoon, “Sadie in Waiting”. In so doing, it brings us Grovel, the first villainous butler since Pickering from “Molly Mills”, to Tammy. But while Pickering was a cruel, bullying slave driver, Grovel is more of a nuisance, in the way he sucks up to his employer, Princess Bee. Most often this leaves Princess Bee annoyed and Grovel in trouble. But like Pickering, Grovel is capable of scheming to get his own way.

Bella and Pam start afresh in the merger. There is a brief introduction to Bella and her back story that enables new readers to get to grips with her immediately, before her new story starts in earnest. Bella the wanderer decides it’s time to make another move, but it doesn’t look like a good one. Bella’s new location has no gymnastics club, so Bella is trying her hand at sports acrobatics instead. The trouble is, the coach is not very pleasant to her. And she’s not welcome in the home she is boarding in – someone has wrecked her room and left a message telling her to get out!

The Pam story is an introductory one, in which Pam introduces new readers to her school and friends through back issues of “The Pond Hill Printout”. This is a clever way to familiarise the new readers with Pam. Pam’s proper story starts next week.

The story “Diana – A Queen’s Dream” is a curious one. It is adapted from “For Love of Elizabeth” in Maureen Spurgeon’s book “Romantic Stories of Young Love”. In the story, Queen Elizabeth I takes a hand in a forbidden romance in the Spencer family. At the end, she dreams of a Lady Diana Spencer – who is realised as Princess Diana in the 20th century.