Artist: Trini Tinturé
Writer: Unknown, but see “Thoughts”
Kate Wills is a selfish, unsavoury girl – but then, so is her grandmother, in the way she treats Kate. Grandmother keeps forcing Kate to follow in her footsteps and be a ballerina, but Kate wants to be a gymnast. The two are constantly at war over ballet vs. gymnastics. Grandmother just does not comprehend that Kate cannot realise her full potential as a top ballerina because having ballet constantly forced upon her has made her hate it. She believes (or deludes herself) that the gymnastics is just a passing craze and Kate will soon love ballet. She squelches every attempt Kate makes to pursue gymnastics, including cutting gymnastics articles out of newspapers and sacking servants who disobey her instructions (because Kate intimidated them) to keep Kate away from gymnastics. And what’s worse, grandmother always wins in the end.
Then, grandmother says she is going away on a year-long world trip to visit her old ballet haunts. Kate sees the advantages immediately, especially when told she will receive an allowance of £50 a week. She goes off to enrol at the gymnastics college under the name of Kate Holmes, and the allowance will cover her fees. Sounds too easy? It is – the family lawyer, Perkins, tells Kate that the allowance will stop if her ballet training does, and he is going to monitor her to make sure she keeps up her ballet. It looks like grandmother has won again.
Then Kate is reminded of an article she saw earlier about a Dr Morrison who claimed to have invented a machine that can duplicate living beings. It was dismissed as a hoax, but Kate seizes upon it as the means to be in two places at once, which would solve her problem. So she heads off to Morrison (a female scientist) and demands that a clone be made of her. Morrison agrees when Kate points out that a clone of a human being rather than animals would be far more convincing proof that her machine is genuine.
The cloning works – but too well. The clone believes she is the real Kate, and hates ballet and wants gymnastics as much as Kate does. Morrison says she cannot tell them apart and the machine to reverse the process will not be ready for months. In the meantime, she sorts the matter with a coin toss – the winner goes to the gymnastics college and changes her hairstyle to differentiate her from the loser, who is forced to go home and the hated ballet, under Perkins’ constant guard (something that threatens to turn him into a nervous wreck because Kate is such a handful). But she isn’t having that, so now the battle of ballet vs. gymnastics is being fought between the two Kates, with ballet Kate playing tricks on gymnast Kate to get the gymnastics she wants, while gymnast Kate fights her every inch of the way to hold on to them.
Further complications arise when gymnast Kate’s selfish nature makes her extremely unpopular at the college. Only one girl, Pauline, has tried to be friends at first, but Kate alienates her when she blackmails her way into taking Pauline’s place in a gymnastics display. It gets even more complicated when gymnast Kate finds out that Perkins is Pauline’s father, which creates hijinks in preventing him or Pauline from seeing the wrong Kate or even both of them when their paths meet over various gymnastics events where ballet Kate is always causing trouble for gymnast Kate. Added to that is a constant cloud hanging over gymnast Kate – is she really the clone, and if so, are her days as a gymnast numbered by how soon Morrison perfects the reversal machine?
Then gymnast Kate discovers Morrison has the reversal machine already, not months away as she said before. Morrison says it was just not ready to test on humans at the time and has a further bombshell – she tells gymnast Kate that she is the clone. This gives gymnast Kate such a shock that she goes into a state of catatonia and amnesia and wanders about in a daze. She ends up in hospital, but runs off when a news item about the Tynchurch gymnastics display she was meant to participate in jogs her memory just enough for her to go there. She arrives there still in her daze, but somehow able to perform.
Meanwhile, grandmother sends ballet Kate a new ballet instructor from Russia, Alicia, who takes the right approach with her. Instead of forcing Kate to dance, Alicia encourages her with praise and taking her to a ballet performance to inspire her. It works; ballet Kate is soon surprising herself at enjoying ballet for the first time in her life. She now feels quite happy to leave gymnast Kate to her own devices at the college.
But before ballet Kate changes her mind about ballet, she tries to pull one last trick on gymnast Kate at the Tynchurch display. However, she gets caught up with the doctors who are looking for gymnast Kate and then finds out about the state she is in. So she decides to help gymnast Kate instead.
Meanwhile, Pauline finally rumbles there are two Kates, and ballet Kate explains everything to her. But gymnast Kate has taken off in a daze once again, and ballet Kate finds out from Morrison what is wrong. Morrison also wants the two Kates to come to a science convention, where she will demonstrate her reversal machine in public by merging them back into one. Ballet Kate tracks down gymnast Kate and explains. They head off to the convention, with gymnast Kate now resigned to her fate. Pauline comes along and so does Alicia, who has been informed of the situation.
At the convention, there are protests on all sides that the experiment is cruel and inhuman and should be stopped immediately. This raises hopes that the clone will be spared. However, the scientists’ opposition has Morrison take matters into her own hands and turn the reversal machine straight on the Kates. However, it is ballet Kate who disappears, not gymnast Kate. This is because Morrison lied about which one was the clone to protect her work until she was ready to prove it to the convention. But the scientists are so horrified that they ban her duplicating machine and have her arrested. Morrison expresses no remorse; only anger that the scientists do not appreciate her genius.
Kate returns home, full of grief over her clone. However, the experiences she went through have turned her into a more considerate girl who has now realised how selfish she has been. So when Kate hears that the real reason her grandmother went away was to seek medical treatment in Russia for a serious heart condition, but her post-treatment prognosis is uncertain, she decides to give up her gymnastics and humour her still-infirm grandmother about pursuing ballet.
Alicia and Pauline feel the sacrifice Kate is making will be too much for her. So Alicia comes up with a plan. She persuades Kate to go for the national gymnastics championship she was training for, while, unknown to Kate, she puts grandmother in the audience – under protest. The hope is that once grandmother actually sees Kate’s gymnastics, she will come around. But grandmother has severe prejudices about the gymnastics she has never even watched properly as well as being opposed to Kate pursuing them, and her reaction to Kate performing is inscrutable.
By the end, it looks like the plan has failed and Kate has left in tears, without even checking the results of the competition. She thinks it is the end of her gymnastics and does not even know her grandmother was there until Alicia owns up. However, grandmother eventually proves she has come around, by not only in accepting the trophy Kate has won on her behalf but also in the acceptance speech she gives. She is proud to support Kate’s dream of going to the Olympics, and her prognosis is now good.
This story is one that crops up frequently in Jinty discussions and seems to have endured with readers. It certainly is a cut above your average story about the protagonist fighting difficult parents who keep pushing her in the direction they want and have no respect for what she wants, which drives her to go behind their backs all the time. Here the protagonist resorts to what could be the most unique solution to the problem in the history of girls’ comics – having a clone created so she can be in two places at the same time. But the solution brings its own problems that act as the obstacles the protagonist so often faces when going behind her parents’ backs to pursue her path: keeping the secret, hijinks when things go a bit wrong, thinking fast when faced with the threat of discovery, and jealous rivals who are so often thrown into the mix. And the difficulties facing gymnast Kate are all compounded by a constant, niggling thought that surely none of her counterparts in other comics have ever faced – which Kate is the real one and which is just the clone whose life will end when the reversal machine is ready? And when the truth is revealed, which will win out – ballet or gymnastics? Of course we are all rooting for the gymnastics, but what is grandmother going to say about it when she comes back? It will be back to square one for Kate – unless grandmother is persuaded to change her mind.
What further adds to the appeal of the story is that the protagonist herself starts out as an unlikeable character and not a fully sympathetic one. This is quite unusual for this type of story; usually a protagonist fighting a difficult parent to pursue her dreams is a sympathetic character, such as Glenda Noble in “The Goose Girl”. However, although we sympathise with Kate’s situation, we do not sympathise with her character. She is pushy, even bullying, selfish, and does not see beyond herself. She is not above blackmailing Pauline and does not care about the servants who get sacked because of the constant war between her and her grandmother. So there is far more character development in this story; we know that Kate will change somehow, and we all the more interested in following her story to find out just how she will change and where it will lead in the battle over ballet vs. gymnastics.
It is not too much of a surprise that it is shock treatment that turns Kate around, though more extreme because she is threatened with a (false) near-death experience as well. It could hardly be anything else. What is a surprise is that what turns the clone around is the very last thing she expected – beginning to like ballet. And it is all because her new ballet teacher goes about things the right way – being likeable, encouraging and inspiring to induce Kate to pursue ballet out of her own interest – not forcing ballet upon Kate as grandmother does because it is what she wants, and not listening to what Kate wants. It is a rare lesson that any difficult parent/teacher learns in girls’ comics – learning to go about things the right way instead of the wrong way of forcing things upon people. If ballet Kate had been the real Kate after all, the story could have ended in quite an unconventional manner for this type of genre – the protagonist now doing what the parent wants because it is now what she wants instead of gaining the freedom to pursue what she wants.
This story is also pretty unconventional for Jinty in another manner. Although Jinty was known for her SF stories, the mad/eccentric scientist was one SF theme that seldom featured. But in this case it does, and what’s more, Dr Morrison is not your average mad scientist. Most mad scientists in girls’ comics are out for world domination or whatever. They often a dash of campiness about them and behave like maniacs. But this doctor is a completely cold fish, and what makes her even more chilling is that her true colours are not apparent at first. When we first meet Morrison, she seems a sympathetic character. She has been wronged because the science establishment rejected her machine as a hoax, lives in a dingy residence, and when the two Kates are created, she seems to be in a real dilemma. At one point she even comes to the rescue of gymnast Kate in fooling Perkins. But once her lies begin to unravel, her cold, ruthless nature begins to appear. Ballet Kate realises how heartless Morrison really is and that neither of them are much real to her; she just sees them as an “interesting experiment”. And the climax of the story, where Morrison wipes ballet Kate from existence without a flicker of remorse, just to prove herself to the convention, despite all their protests, has to be one of the most ruthless and cold-blooded scenes ever depicted in girls’ comics. This must have been a moment where the Jinty team really wanted to kick some butt; none of the clichéd last minute saves, as was what the Kates hoped for when the scientists protested that the experiment be stopped.
Jinty was also known for her sports stories, and “Battle of the Wills” was the first Jinty story to feature gymnastics. The other Jinty stories that did were “Land of No Tears”, “Wild Rose” and “Prisoner of the Bell”. Unfortunately, the gymnastics in all these stories were marred by one glaring error – having girls perform gymnastics on parallel bars, rings and Pommel horse. This is incorrect because they are used in men’s gymnastics. Some more accurate research into gymnastics could have been done there.
“Battle of the Wills” shares roots with several other stories that have me wondering that if at least some of them had the same writer. Kate’s ambitious but selfish nature that softens into a more considerate one sounds similar to how another selfish Jinty girl, Pandora, develops in “Pandora’s Box”. In “Prisoner of the Bell” Susie Cathcart also wants to pursue gymnastics, but her grandmother keeps forcing her to be an academic (and Susie is a confirmed underachiever) and thinks gymnastics are nonsense, just as Kate’s grandmother does. In this case, the grandmother uses hypnotism to compel her. The same goes for Alison Thorne in Tammy’s “Slave of the Clock” in 1982. Alison is another talented but reluctant ballerina. Unlike Kate, Alison does not hate ballet; she is just not passionate enough to make it her career. Then Alison meets a ballet teacher who goes about things the wrong way in the extreme – she hypnotises reluctant ballet students into doing ballet whenever they hear the ticking of a clock. The last was written by Jay Over, a known Jinty writer. It raises the possibility that Over wrote “Battle of the Wills” and “Prisoner of the Bell” because of various similarities they have with “Slave of the Clock”.
When comparing “Battle of the Wills” to “Prisoner of the Bell” or “Slave of the Clock”, it emerges as more superior in terms of character development. Once Alison and Susie are freed from the hypnotism they pretty much go back to what they were, as if nothing had happened. But Kate has grown, and become more considerate and mature. And if ballet Kate had indeed been the original, she would have really surprised herself. “Battle of the Wills” is also more superior in terms of lessons learned. The other two show what can happen when you go about things the wrong way and try to force them on other people. Seldom do you get the lesson about the results you can get when you go about things the right way. But this is what happens when Alicia appears in the place of the grandmother. Kate sees how different Alicia is and responds accordingly. However, there is no Alicia for Susie (to help her appreciate education more) or Alison (to encourage her to pursue her ballet talent to the full).
Edited to add: I have produced and added in a WTFometer. This story scores quite highly at 33.