Tag Archives: Stage Fright!

Jinty 15 October 1977

  • Destiny Brown (artist Rodrigo Comos)
  • Sue’s Fantastic Fun-Bag! (artist Hugh Thornton-Jones)
  • Guardian of White Horse Hill (artist Julian Vivas)
  • Alley Cat
  • The Goose Girl (artist Keith Robson; writer Alison Christie)
  • So What’s New with David Essex? (feature)
  • Rinty ‘n’ Jinty
  • Stage Fright! (artist Phil Townsend)
  • Lilies for the Bride – Gypsy Rose story (artist Christine Ellingham)
  • Fran’ll Fix It! (artist Jim Baikie)
  • Cursed to be a Coward! (artist Mario Capaldi; writer Alison Christie)
  • Autumn Treasures! (craft feature)

If you’ve read Mistyfan’s superb, thorough rundown of the cover styles that Jinty had over the years, you may remember this issue being noted as the last one which had a separate blue background behind the logo. (Following issues had the logo incorporated into the body of the cover design itself.) However, we had not yet posted about the issue itself, which I am remedying here.

Destiny Brown is trapped in a number of ways – having run away to find her father, her purse was stolen and she had to sleep rough. Not surprisingly she was quickly set up to be exploited by some rough types, especially once they realize they may have struck gold, if she really can predict the future with her second sight. Poor old Destiny – dragged away by these dodgy geezers, just as she has bumped into her father, who is likewise being dragged away by – who is *he* trapped by? It looks like the police, but is it really so? The art, by Rodrigo Comos, is clear and classy, if perhaps slightly old-fashioned looking for the time.

The letters page includes a list of the winners of a recent competition: the first ten correct entries won a KODAK Instamatic camera, while the 60 runners up won a giant full-colour poster of Starsky and Hutch. Looking at the names of the winners carefully, most of them are, unsurprisingly, traditional English, Irish, or Scottish girls names; but there are one or two less usual entrants hidden in the mix, indicating some small diversity of the readership. Pushpa Hallan is one of the ten winners of the main prize, and C. Thiyagalingam is one of the 60 winners of the runner-up prize. Perhaps even less expectedly, there is also one boy’s name included: Adrian King.

Orphan Janey is adapting to being fostered by the Carters – but when she sees a beautiful white horse, they think she is making up stories to impress them. What Janey doesn’t yet realize is that no-one else can see the horse apart from her – and nor will any photos of the horse show it, either! It’s all tied up with the local beauty spot, White Horse Hill, which is threatened by the destructive plans to build a motorway.

Brenda Noble is a bird-lover who is campaigning against the local sport of goose shooting in the village she lives in with her mother. Her mother hates birds as she blames them for her husband’s death – and soon she enacts her plans to take the two of them to Edinburgh away from the wee ‘backwater’ village.

“Stage Fright” is an odd mystery story: stylishly drawn by Phil Townsend, the protagonist Linda is being made by Lord Banbury to train as an actor in order to win an acting trophy that has been in his family for generations. But who is locking her into places, stealing her costume, and watching her from afar?

The Gypsy Rose story this week is drawn by Christine Ellingham, who until recently we were only able to list as the ‘unknown artist of Concrete Surfer’. What a pleasure to be able to correctly credit this lovely art! Delphine is a lively girl who works in a florist’s shop. She has an irrational fear of lilies, but the rich customer who falls for her wants a centrepiece of those same flowers, to be put together with her very own hands. Not only that – once he proposes to her, Delphine finds out that his mother’s name is Lily, and she is due to sleep in the lily room. All omens that tell her that soon she will meet the spirit of the lily – in death.

The evil fortune teller who is the villain of “Cursed To Be A Coward!” manages to get Marnie Miles thrown into a rickety old boat in the middle of a pond – luckily she gets fished out but the fortune teller’s determination to make sure that blue water will get her yet is pretty sinister.

The craft suggested for this week is to collect up ‘autumn treasures’ such as the heads of cow parsley, twigs with berries, or pretty leaves, and to make dried arrangements of them in vases, or pictures, or perhaps even jewellery of the tougher seedpods of ash keys or beech nut cases. The pictures accompanying the feature make it all look rather pretty, but I would assume that beech nut cases in particular would be rather scratchy to turn into jewellery!

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Jinty 26 November 1977

Jinty cover 26 November 1977

  • Come into My Parlour (artist Douglas Perry)
  • Christmas mobile part 2 – feature
  • Two Mothers for Maggie (artist Jim Baikie)
  • Sue’s Fantastic Fun-Bag! (artist Hugh Thornton-Jones)
  • Guardian of White Horse Hill (artist Julian Vivas)
  • Stage Fright! (artist Phil Townsend)
  • Jinty Pops the Question! (quiz)
  • The Scarecrow of Dread – Gypsy Rose story (artist Terry Aspin)
  • Land of No Tears (artist Guy Peeters, writer Pat Mills)
  • Race for a Fortune (artist Christine Ellingham unknown Concrete Surfer artist)
  • More Flowery Fun (feature)

Jinty is gearing up for Christmas with her Christmas mobiles. And things gear up elsewhere in the issue as well. In Land of No Tears, Cassy’s getting her ideas together to liberate the Gamma girls. And her plan is to train them up to win a top sports award. In part two of Race for a Fortune, Katie has to get her thinking cap on to raise money because under the terms of her Uncle’s will, both she and her scheming cousins had to set off without money. In Stage Fright, a doctor is called in and Linda tries to get him to help Melanie. Can he help Melanie to remember her past and break her free from the scheming Lady Alice? Janey learns that her Guardian of White Horse Hill was a Celtic goddess! And in Two Mothers for Maggie, step-dad still thinks acting is a waste of time for Maggie, and he gets abusive when he finds out she has gotten a job on television.

Douglas Perry is drawing his first serial for Jinty, Come into My Parlour, about an evil witch who enslaves a girl with a spider-like necklace. It’s strange that both serials Perry drew for Jinty had witch themes. The first features the typical evil crone who is out to cause trouble with her evil magic, while the pendulum swings to the other end with the second, Shadow on the Fen, which depicts witches as they really were – wise women who helped people with folk magic and the real evil lay with the people who persecuted them. Maybe it’s Perry’s style that made him the choice for drawing these serials?

Although Halloween was a month ago, there is a distinctive Halloween flavour with this week’s Gypsy Rose story. A terrifying scarecrow and horrible turnip faces are scaring Oonah Jack at the farm she is trying to run. Fortunately for her, she has Gypsy Rose for company.

Stories translated into Dutch

Following up on the previous post on European Translations, Sleuth from Catawiki has kindly sent me a list she has prepared of Jinty stories which were translated into Dutch. (See also some comments from her in that post, about Dutch translations.) They were mostly published in the weekly comic Tina and/or in the reprint album format Tina Topstrip. The list below shows the original title, followed by the title in the Dutch translation, with a literal translation in [square brackets] where appropriate, and then the details of the publication that the translation appeared in. It is ordered by date of original publication.

  • Gwen’s Stolen Glory (1974): De droom van een ander [Someone else’s dream] (in: Tina Club 1975-2)
  • Dora Dogsbody (1974-76): Hilda Hondemoppie (in: Tina 1974)
  • Gail’s Indian Necklace (1974): Anak-Har-Li [the name of the Indian deity on the necklace] (in: Tina Club 1975-01)
  • Always Together (1974): Voor altijd samen (in: Tina 1985/86)
  • Wild Horse Summer (1974): De zomer van het witte paard [White Horse Summer] (in: Tina 1976, Tina Topstrip 15 (1980))
  • Left-Out Linda (1974): Linda (in: Tina 1975/76)
  • Wenna the Witch (1974): Wenna de heks (in: Tina 1976, Tina Topstrip 34, 1981)
  • Slave of the Mirror (1975): De spiegel met de slangen [The Snakes Mirror] (in: Tina 1976)
  • The Kat and Mouse Game (1975): Als kat en muis [Like cat and mouse] (in: Tina 1985)
  • Tricia’s Tragedy (1975): Tineke – Strijd om de Lankman-trofee [Tineke – Fighting for the Lankman Trophy] (in: Tina 1975/76, Tina Topstrip 18 (1980)).
  • The Valley of the Shining Mist (1975): Het dal van de glanzende nevel (in: Tina 1977)
  • Barracuda Bay (1975): Susan Stevens – Barracudabaai (in: Tina 1971); reprint from June & School Friend 1970.
  • The Haunting of Hazel: Hazel en haar berggeest [Hazel and her Mountain Ghost] (in: Tina 1976/77, Tina Topstrip 27 (1981))
  • For Peter’s Sake! (1976): De opdracht van Josefien [Josephine’s Assignment] (in: Tina Boelboek 5 (1985))
  • The Slave of Form 3B (1976): In de ban van Isabel [Under Isabel’s Spell] (in: Groot Tina Zomerboek 1984-2)
  • Then there were 3 … (1976): Toen waren er nog maar drie (in: Groot Tina Lenteboek 1982-1
  • Horse from the Sea (1976): De legende van het witte paard [The Legend of the White Horse] (in: Tina 1985)
  • Snobby Shirl the Shoeshine Girl! (1976): Freule Frederique [Lady Frederique] (in: Tina 1979)
  • Stefa’s Heart of Stone (1976): Steffie’s hart van steen (in: Tina 1986). Reprint in Tammy 1984
  • Girl in a Bubble (1976): Gevangen in een luchtbel [Prisoner in a Bubble] (in: Tina 1977, Tina Topstrip 29, 1981).
  • Sceptre of the Toltecs (1977): De scepter van de Tolteken (in: Tina 1978; Tina Topstrip 44, 1982)
  • The Mystery of Martine (1976-77): De dubbelrol van Martine [Martine’s Double Role] (in: Tina 1978).
  • Mark of the Witch! (1977): Het teken van de heks (in: Tina 1982/83)
  • Freda, False Friend (1977): Frieda, de valse vriendin (in: Tina 1978/79)
  • Spell of the Spinning Wheel (1977): De betovering van het spinnewiel (in: Tina 1978; Tina Topstrip 42, 1982)
  • The Darkening Journey (1977): Samen door het duister [Through the Darkness Together] (in: Tina 1981/82)
  • Creepy Crawley (1977): In de macht/ban van een broche [Under the Spell of a Brooch] (In: Tina 1979; Tina Topstrip 60, 1984)
  • Kerry in the Clouds (1977): Klaartje in de wolken (in: Tina 1978)
  • The Robot Who Cried (1977): Robot L4A ontsnapt! [Robot Elvira Gets Away] (in: Tina 1985/86).
  • Curtain of Silence (1977): Achter het stille gordijn [Behind the Silent Curtain] (in: Tina 1978/79, Tina Topstrip 52, 1983)
  • Fran’ll Fix it! (1977; 1978-79): short story 3/4; Annabel versiert ‘t wel [Annabel will fix it]; episodes in Tina from 1983 till 1994; there were also “Dutch” episodes written by Bas van der Horst and drawn by Comos, and there is an episode in 1994 written by Ian Mennell and drawn by Comos.
  • Who’s That in My Mirror? (1977): Het spookbeeld in de spiegel [The Ghost in the Mirror] (in: Tina 1980)
  • Cursed to be a Coward! (1977): Zoals de waarzegster voorspelde [Like the Fortune-Teller Predicted] (in: Tina 1979, Tina Topstrip 49, 1983)
  • Destiny Brown (1977): De vreemde visioenen van Seventa Smit [Seventa Smit’s Strange Visions] (in: Tina 1980)
  • The Goose Girl (1977): not translated directly but the storyline was probably used for Maartje, het ganzenmeisje [Marge, the Goose Girl] in Tina 1979, art by Piet Wijn; Tina Topstrip 40, 1982).
  • Stage Fright! (1977): De gevangene van Valckensteyn [Prisoner of Valckensteyn/Falconstone] (in: Tina 1981)
  • Guardian of White Horse Hill (1977): Epona, wachter van de paardenvallei [Epona, Guardian of the Horse Valley] (in: Tina 1978; Tina Topstrip 37, 1982)
  • Land of No Tears (1977-78): Wereld zonder tranen [World of No Tears] (in: Groot Tina Lenteboek 1983-1)
  • Come into My Parlour (1977-78): Kom maar in mijn web [Just Come into My Web] (in: Groot Tina Boek 1981-3)
  • Race for a Fortune (1977-78): Om het fortuin van oom Archibald [Race for Uncle Archibald’s Fortune] (in: Tina 1980)
  • Concrete Surfer (1977-78): Ik heb altijd m’n skateboard nog! [At least I’ve still got my skateboard] (in: Tina 1980)
  • Paula’s Puppets (1978): De poppen van Petra [Petra’s Puppets] (in: Tina 1979, Tina Topstrip 54, 1983). Perhaps they changed the name because there was a Stewardess Paula strip in Tina at the time.
  • Slave of the Swan (1978): De wraak van de Zwaan [Revenge of the Swan] (in: Tina 1980)
  • The Birds (1978): De vogels (in: Groot Tina Boek 1978 winter).
  • Clancy on Trial (1978): Nancy op proef [Nancy on Trial – the name Clancy is highly unusual in the Netherlands] (in: Tina 1979)
  • Wild Rose (1978): Waar hoor ik thuis? [Where do I belong?] (in: Tina 1980)
  • 7 Steps to the Sisterhood (1978): Gevaar loert op Lansdael [Danger at Lansdael] (in: Tina 1980)
  • The Human Zoo (1978): Als beesten in een kooi [Like Animals in a Cage] (in: Tina 1986). Reprint in Tammy 1982.
  • No Cheers for Cherry (1978): Geen applaus voor Sandra [No Applause for Sandra] (in: Groot Tina Zomerboek 1983-2)
  • The Girl Who Never Was (1979): De verbanning van Irma Ijsinga [Irma Ijsinga’s Banishment] (in: Tina 1981)
  • Sea-Sister (1979): Gevangene van de zee [Prisoner of the Sea] (in: Tina 1989)
  • The Forbidden Garden (1979): De verboden tuin (in: Tina 1982/83). Reprint in Tammy 1984
  • Bizzie Bet and the Easies (1979): Dina Doe douwt door [Dinah Do Pushes Through] (just one episode, in: Groot Tina Lenteboek 1982-1).
  • Almost Human (1979): De verloren planeet [The Lost Planet] (in: Tina 1984)
  • Village of Fame (1979): Het dorp waar nooit ‘ns iets gebeurde [The Village Where Nothing Ever Happened] (in: Tina 1982)
  • Combing Her Golden Hair (1979): Kirsten, kam je gouden lokken [Kirsten, Comb Your Golden Locks] (in: Tina 1981, Tina Topstrip 64, 1985: Kam je gouden lokken)
  • Waves of Fear (1979): In een golf van angst [In a Wave of Fear] (in: Tina 1983)
  • White Water (1979-80): Wild Water [Wild Water] (in: Tina 1984)
  • When Statues Walk… (1979-80): De wachters van Thor [Thor’s Guardians] (in: Tina 1981/82, Tina Topstrip 71, 1985)
  • The Venetian Looking Glass (1980): Het gezicht in de spiegel [The Face in the Mirror] (in: Tina 1983)
  • Seulah the Seal (1979-80): Sjoela de zeehond (in: Tina 1980/81, little booklets in black and white that came as a free gift, stapled in the middle of a Tina).
  • A Spell of Trouble (1980): Anne Tanne Toverheks [Anne Tanne Sorceress, a sort of nursery rhyme name] (in: Tina 1984/85)
  • Girl the World Forgot (1980): Door iedereen vergeten [Forgotten by everyone] (in: Tina 1987)
  • The Ghost Dancer (1981): Dansen in het maanlicht [Dancing in the Moonlight] (in: Tina 1983)
  • Holiday Hideaway (1981): Wie niet weg is, is gezien [If you’re not gone, you’re seen – a sentence children use in hide-and-seek] (in: Tina 1982)
  • Freda’s Fortune (1981): Could be: Fortuin voor Floortje [A Fortune for Florrie] (in: Groot Tina Herfstboek 1983-3)
  • Airgirl Emma’s Adventure (reprint from June 1969, in Jinty Holiday Special 1975): Short story 16; Emma zoekt het hogerop [Emma takes it higher up] (in: Tina 1970)

Various of the stories translated in Tina were also reprinted in the Indonesian title Nina (of course Indonesia is a former Dutch colony, making for a clear link). These will be listed on a new reference page for Translations into Indonesian.

This long list enables us to see how very popular some creators were – for instance, a large number of Jim Baikie and Phil Gascoine stories are included (though not all, by any means). Of course, these were also the most prolific of Jinty artists too.

Many stories were translated very shortly after initial publication, and then reprinted in album form some time later. There was also a ‘second round’ of translation work done after Jinty ceased publication, to go back and pick some of the earlier stories that had not been selected earlier. This was the case with “Always Together” and “The Kat and Mouse Game”, for instance.

Many but by no means all of the story titles were translated fairly literally or exactly, though the main character’s name was almost invariably exchanged for another one. Some titles ended up particularly poetical or neat in translation: “A Spell of Trouble” and “Holiday Hideaway” perhaps benefit most from their translated titles. Of course, there are also some losers: I think “The Human Zoo” and “The Girl Who Never Was” ended up with less resonant titles through the process.

A wide range of stories were translated: spooky stories, humour stories, science fiction, adventure, sports stories. There are some omissions that I’m surprised by, though of course the editors had to pick and choose from so much that was available. “Fran of the Floods” was probably too long (see Marc’s comment about the length of stories selected for translation). No Gypsy Rose stories were selected – maybe they didn’t want a storyteller, ‘grab-bag’ approach? I am however quite surprised at the omission of the excellent “Children of Edenford” (1979). Could it have been too subversive a story, with its underlying theme of adults undermining their position of trust by hypnotizing children in order to control their moral development? The similarly-themed “Prisoner of the Bell” was also not translated. Of course this is rather a guess! At the end of the day I’m sure there were just more stories to choose from than there were spaces for publication.

For reference, I also include a complete list of stories published in the album format Tina Topstrip (71 albums in total). This gives us a view of how many of the reprinted stories deemed worthy of collection came from which original title. Note that some of the stories in this album format were themselves originally written in Dutch as they are credited to a Dutch writer. (NB I will add this to the new page created for Translations into Dutch)

  1. Becky Never Saw The Ball
  2. Twinkle, Twinkle, Daisy Star
  3. Wee Sue
  4. Het geheim van oom Robert (original story in Dutch)
  5. Kimmy op de modetoer (original title unknown)
  6. Marcella het circuskind (original title unknown)
  7. Moses and Me
  8. Peggy en Jeroen (Patty’s World story)
  9. Anja – Dorp in gevaar (original title unknown)
  10. Het lied van de rivier (Patty and the Big Silver Bull Band story, original in Dutch)
  11. Sonja en de mysterieuze zwemcoach (I suspect this is a translation as no writer is given)
  12. De man in het koetshuis (original story in Dutch)
  13. Linda’s verdriet (original title unknown, from Tammy)
  14. Het circus komt (original story in Dutch)
  15. Wild Horse Summer
  16. Noortje (original story in Dutch)
  17. Ruzie om Jeroen (Patty’s World story)
  18. Tricia’s Tragedy
  19. Het lied van de angst (Patty and the Big Silver Bull Band story, original in Dutch)
  20. Silver Is A Star (from Sandie)

Jinty 3 December 1977

Jinty 3 December 1977

Stories in this issue:

  • Come Into My Parlour (artist Douglas Perry)
  • Two Mothers for Maggie (artist Jim Baikie)
  • Sue’s Fantastic Fun-Bag! (artist Hugh Thornton-Jones)
  • Guardian of White Horse Hill (artist Julian Vivas)
  • Stage Fright! (artist Phil Townsend)
  • Gypsy Rose: A Picture of the Past (artist and writer Keith Robson)
  • Alley Cat
  • Land of No Tears (artist Guy Peeters, writer Pat Mills)
  • Race for a Fortune

I got this issue out to scan the Gypsy Rose story for the Keith Robson interview, as it is the first script he wrote as well as being drawn by him. It’s a cool time-travel story with a twist, and one that I found memorable; it came to mind many years later when I visited Lacock Abbey where the inventor of photography, Fox Talbot, lived.

“Come Into My Parlour” is spooky: I find Douglas Perry’s artwork very atmospheric for this sort of thing. Evil old Mother Heggerty is proper creepy! She forces Jodie Marsh to be her slave, her literal cat’s-paw, to get revenge on a family called Saxton – and when Jodie tries to rebel, she is reminded of how under the spell she is as she can’t even take off the cat’s-paw necklace that binds her to the old witch…

“Two Mothers for Maggie” contrasts Maggie Jones’ glamorous role in a tv soap opera with her humdrum life in a house full of poverty and hard work: she tries to do her homework and instead has to help the kids with breakfast while her slobby stepfather gobbles down his full English. The whole story is Maggie being tugged between her family – especially her mother, who she dearly loves – and her exciting life in tv and the luxury of her telly mother’s home.

“Guardian of White Horse Hill” has runaway Janey finding out that her mysterious white horse is actually Epona, the Celtic horse goddess! No wonder when she gets on the horse’s back she is invisible – an easy task for a goddess presumably. Powerful beings like that have a habit of wanting something in return, and Janey starts to find out more as she is dragged back into Celtic times…

“Stage Fright!” is a thriller mystery based around a girl with amnesia and another girl who is being made to win an acting trophy, otherwise her father will lose his job. (Of course this sort of blackmail is hardly unusual in girls’ comics, as you have gathered by now!) Protagonist Linda has taken her new friend Melanie to be hypotised, hoping it will bring back her memory and even the voice that she lost in the same accident that made her amnesiac. It works, but reveals a greater threat at the house they both live in: Melanie’s aunt is a scheming murderess who caused the death of Melanie’s father and mother in a boating accident – yes, it’s rather melodramatic as a plot item but the scene is drawn beautifully by Phil Townsend. Can the two girls secretly work against the aunt?

Land of No Tears” is still at an early stage at this point, but Cassie already has a plan to get back at the bitchy Alpha girls in the dystopian world she has landed in: she will lead her pack of Gamma girls to win the Golden Girl trophy! It would be a hopeless task except that one of them turns out to be superb at gymnastics. Hmm, now what secret is Miranda hiding?

“Race for a Fortune” is a light-weight amusing comedy story with a scruffs-vs-snobs theme: Katie is up against her two posh cousins in a race to get to the Scottish ancestral land of their late grandfather, starting off with nothing in their pockets. Katie is clearly far more resourceful than the two poshos; it doesn’t always work out for her but this week she manages to get her cousins stuck in a medical research facility, being well-paid to help science by trying to catch a cold! And of course in the meantime Katie gets a few days’ head start, grinning as she goes… This is drawn by the same unknown artist who drew one of my favourite stories, “Concrete Surfer“.

Jinty 24 September 1977

Jinty cover 11

A cover featuring two disturbing panels from the inside, and the colour combinations of red, black and burgundy make it even stronger.

“Battle of the Wills” reaches its penultimate episode and it contains one of the most ruthless acts ever seen in Jinty. Dr Morrison eliminates the cloned Kate in front of an audience of scientists with her reversal machine in order to prove her duplicating machine works. Everyone is horrified, but not the cold-blooded Dr Morrison, who only cares about proving her greatness.

It is also the penultimate episode of “Who’s That in My Mirror?”. The ghastly face of Magda’s own evil is getting worse and worse. Magda knows what must be done, but can’t do it, and traces of her old scheming ways still linger as well. So it is not surprising that in the final panel the evil face now threatens to do its worst.

“Destiny Brown” is in big trouble in school because she misconstrued her vision and plays truant. While doing so, she gets another vision of her runaway father. But a trip to Wales threatens her plans to search for him.

In “The Goose Girl”, Mum is getting really impossible with her bird-hating attitude and it is interfering with Brodie’s recovery. At the end of the episode, Mum goes too far – she locks Brodie in a shed and is going to arrange for the Colonel to dispose of him!

Linda reluctantly agrees to Lord Banbury’s condition to train as an actress under his wardship for the sake of her father. But the creepy old house she has to live in is really giving her “Stage Fright!”.

Marnie, the girl who is “Cursed to be a Coward!”, finds a swimming pool where she can train in without fear of the prophecy. And at the end of the episode she decides to tell her trainer, Miss Frame, why she has been so terrified of swimming lately. In the next episode we will see how much it helps.

Fran enlists the help of a bloodhound to find the missing school trophy, but he’s causing even more mayhem. It culminates when he has the headmistress standing on her desk in fright! The blurb for next week assures us that Fran will get herself out of this ‘fix’, so that’s a relief.

Jinty 5 November 1977

JInty cover 2 1

  • Destiny Brown (artist Rodrigo Comos)
  • Sue’s Fantastic Fun-Bag! (artist Hugh Thornton-Jones)
  • Sonya’s Success…and Heartbreak (feature)
  • Guardian of White Horse Hill (artist Julian Vivas; writer Pat Mills)
  • The Goose Girl – final episode (artist Keith Robson; writer Alison Christie Fitt)
  • Alley Cat
  • Stage Fright! (artist Phil Townsend)
  • The Thirteenth Hour – Gypsy Rose story (artist Douglas Perry)
  • Land of No Tears – first episode (artist Guy Peeters; writer Pat Mills)
  • Fran’ll Fix It! (artist Jim Baikie)

This is the issue that starts “Jinty’s smash-hit story from 1977” (the blurb that came with its reprint in 1981) – “Land of No Tears”. Cassy Shaw trades on her bad leg to win sympathy, so is not keen on the operation to fix the problem. But then she finds herself in a future world where there is no sympathy for girls like her. In fact, there is no sympathy anywhere, because this is not only a world that demands perfection and treats less-than-perfect people as an inferior class, but also where the expression of emotion is outlawed, especially the shedding of tears.

It is also the Guy Fawkes issue, and Alley Cat and Sue’s Fantastic Fun-Bag celebrate with the fireworks stories. Henrietta re-enacts the Guy Fawkes story, but causes mayhem because she does not fully understand what it is about. However, it gets the pupils the afternoon off, and they’re not complaining about that, of course. Meanwhile, Spotty straps Alley Cat to one of his rockets for his fireworks display. But it backfires and Alley Cat gets the last laugh on Spotty.

In “Stage Fright”, Linda discovers the history of the mystery girl,  and she discovers something else as well – Lady Alice has been poisoning the girl against her!

“Destiny Brown” has been tied up and gagged and left to die in a building scheduled for demolition. It’s also the penultimate episode, and we are promised news of three new stories in the next Jinty. One of them will replace “The Goose Girl”, which concludes in this issue. Glenda has missed her interview because of Mum, but gets something even better – it turns out that the interviewer is the one person who can get through to Mum and ensure the happy ending.

Janey’s guardians think she needs expert help and send her away for it – but we know the “Guardian of White Horse Hill” is going to step in. In fact, he helps Janey escape by encouraging her to jump off the train in pouring rain and onto his back!

In “Fran’ll Fix It!”, the girls are fed up with camping and want to go back to school. And after being lumbered with spud-bashing, Fran is only too happy to fix it for them. The trouble is, her fixing is meeting its match in their potty headmistress. Something needs to happen fast or Fran will be thrown in the duck pond!

Gypsy Rose‘s tale, “The Thirteenth Hour” concerns a Queen Anne clock that strikes thirteen. Why did it strike thirteen, and does it have any connection with Sharon Bayne giving her brother a hard time for breaking her alarm clock and vowing never to forgive him?

Jinty 22 October 1977

Jinty cover 3

  • Destiny Brown (artist Rodrigo Comos)
  • Sue’s Fantastic Fun-Bag! (artist Hugh Thornton-Jones)
  • Guardian of White Horse Hill (artist Julian Vivas)
  • An Initial or Name Necklet (feature)
  • The Goose Girl (artist Keith Robson; writer Alison Christie Fitt)
  • Stage Fright! (artist Phil Townsend)
  • From Rollers to Rosetta Stone (feature)
  • Rinty ‘n’ Jinty
  • The Eternal Flame – Gypsy Rose story (artist Richard Neillands; writer Alison Christie Fitt)
  • Fran’ll Fix It! (artist Jim Baikie)
  • Cursed to be a Coward! (artist Mario Capaldi; writer Alison Christie Fitt)

We have just received word that Alison Christie (now Fitt) wrote “The Eternal Flame”, the Gypsy Rose tale in this issue. So I thought it was appropriate to put up the cover, and I had the issue out anyway. It is a beautiful cover that makes effective use of the complementary effects of blue and pink. The yellows, greens and oranges set it even off even more. And we see the colour combinations in both panels that are being used on the cover, rather the colours used in one being a contrast to the colours used in the other.

“The Eternal Flame” is a candle that will not burn down until the man it is being lit for returns from sea. But how can he when his boat went down years ago? Or is it more than just the candle that is supernatural in this story?

Two other known Christie stories are also running in this issue: “Cursed to be a Coward!” and “The Goose Girl”. In the former, the bullying continues for Marnie at school because of her hydrophobia and even the presence of her mother does not make the bullies back off. Nor does Madame Leo, whose harassment of Marnie wrecks her birthday. And now her dear friend, Mr Rennie, has collapsed. But we are told that next week is the final episode, so maybe it’s what they say about it getting worse before it gets better. In the latter, Mum’s hatred of birds now causes Glenda to run away with her beloved goose, but they get caught in a snow storm. However, we are promised that next week something good will happen to Glenda for a change.

Meanwhile, in “Stage Fright”, Linda Roberts pretends to sleepwalk to find out who is harassing her. Her ruse seems to have fooled everyone, but will it draw her enemy out and enable her to find out who is living in the mystery wing?

In “Fran’ll Fix It”, Fran’s two ghastly aunts, whom her father threatens her with if she gets expelled again, now appear in her story for real. Yikes! They’re even more fearsome in person than in the film Fran’s father showed her of them. Yet they have their wacky side too and can cause as much mayhem as Fran, so it must run in the family. Anyway, Fran soon learns that she doesn’t even need to be expelled to be sent to them – if they don’t like the school, she ends up at their place anyway! Can Fran fix it so they will walk away impressed with the school and let her stay?

“Destiny Brown” finds her father is not an accomplice for some robbers – he is their prisoner! They are holding him hostage to force her to use her clairvoyance to work for them. And in “Guardian of White Horse Hill”, girls at the stables tease Janey over her teddy bear, but then weird things start happening. The horses are acting like they’re spooked and then Janey finds nobody can see or hear her. Has she become invisible or something?

Story theme: Sports

Many apologies for the long break in between posts. Life has got hectic and the run-up to Christmas didn’t help!

Jinty and Penny cover 7 February 1981

Stories featuring sports are very prevalent across the range of girls’ comics titles. This clearly taps into both the day-to-day experiences of many or most schoolgirls (playing on their hockey or netball teams) and into aspirational ideals (winning regional or national contests, going on to have a career in their chosen sport, excelling at unusual sports). At one end of this theme, many many stories will have some element of sports included, simply as a part of the protagonist’s daily life; I don’t count these as “sports stories” per se. At the other end of the spectrum, there are stories that are clearly mostly about the pursuit of excellence in the protagonist’s chosen sport, with a sprinkling of some complicating factor to spice the story up, such as peer rivalry. And in between there are stories where the sports element are strongly included but given a reasonably equal weighting with other elements.

To me, therefore, a “sports story” needs to feature the sport in question as the main story element, or with equal weight with the other elements. Often the story positively teaches us various details of that sport in a didactic way, as if part of the expectation is that readers might have their interest sparked by that story and go on to take it up themselves. The protagonist is someone who takes seriously the idea of practice, learning, improvement in their chosen area: they are not just naturally gifted without trying at all, and part of the drive of the story is about their drive to improve or to excel.

It seems obvious, but it also needs to be a sport not an art: as you would expect, there are plenty of ballet stories, and these are excluded from my categorisation. Ballet has its rivalries but it is not a competition with winners and losers, except in artificial ways that the writer might set up (for instance in “The Kat and Mouse Game”, the ‘winner’ gains a contract with an influential ballet impresario).

Finally, it is worth remembering Jinty also had a strong focus on sports in ways that lay outside of the stories themselves: for a period of time there was a specific sports section in the comic, with articles about specific sports, improvement hints and tips (such as how to win at a bully-off in hockey), and interviews with sports women and men. Over and above this, there was a lengthy period where Mario Capaldi drew cover images illustrating a very wide range of sports – netball and rounders, yes, but also archery, bob-sledding, ski-jumping… These are not sports stories, but form part of the context in which the sports-themed stories need to be read.

Core examples

There are so many strong sports stories that it is hard to choose a single one as a core example. A wide range of sports are represented: ones that a schoolgirl might well have direct experience of such as hockey, gymnastics, running; and more unusual ones like judo, water-skiing, and figure skating.

“White Water” (1979-80), drawn by Jim Baikie and included in the sports section that Jinty ran for a year or so from late 1979, is a classic example of a story that includes teachable elements as well as dramatic ones. Bridie is in a sailing accident with her father, who is killed: her grieving mother moves them away from the sea and into an industrial city that depresses Bridie mightily. As well as grieving for her father, she also has a gammy leg that was badly hurt in the accident, so Bridie is pretty fed up; but she then finds out about a local canoe club. She is determined to learn canoeing, especially once she is told about sea or white-water canoeing. Along the way there are rivalries and misunderstandings – her mother hates the idea of Bridie doing anything at all like sailing, and the existing star of the canoe club doesn’t like the challenge represented by this bright (and sometimes tetchy) new member. But the story includes lots of information about canoeing techniques, certainly enough to either help interest a reader in the sport, or even to help someone already learning it.

You can see below the wide range of sports represented in Jinty.

  • Prisoners of Paradise Island (1974) – hockey
  • Hettie High and Mighty (1975) – hockey
  • Ping-Pong Paula (1975) – table tennis
  • Tricia’s Tragedy (1975) – swimming
  • Miss No-Name (1976) – athletics
  • Go On, Hate Me! (1976-77) – athletics, particularly running
  • Battle of the Wills (1977) – gymnastics and ballet.
  • Concrete Surfer (1977) – skateboarding
  • Cursed to be a Coward! (1977) – swimming
  • Curtain of Silence (1977) – cycling
  • Spell of the Spinning Wheel (1977) – cross-country running
  • Darling Clementine (1978) – water-skiing
  • Wild Rose (1978) – gymnastics
  • Black Sheep of the Bartons (1979) – judo
  • Prisoner of the Bell (1979) – gymnastics
  • Waves of Fear (1979) – swimming/hockey/orienteering
  • Toni on Trial (1979-80) – athletics
  • White Water (1979-80) – sailing/canoeing (see above for details)
  • Blind Faith (1980) – showjumping
  • Tears of a Clown (1980) – long-distance running
  • Child of the Rain (1980) – tennis
  • Minnow (1980) – swimming
  • Spirit of the Lake (1980) – figure-skating
  • Tearaway Trisha (1980) – cycling
  • The Bow Street Runner (1981) – long-distance running
  • Diving Belle (1981) – high-diving
  • Life’s A Ball for Nadine (1981) – netball (and disco dancing, competitively)

 

Edge cases

As ever, there are clearly-related stories that don’t quite fit in the main theme. Sports are such a pervasive trope in the life of Jinty and other girls’ comics precisely because they were an important part of many girls’ school lives. Of course they also made up a big part of other popular fiction read by girls; it becomes a reinforcing theme that is always available for use.

  • Jackie’s Two Lives (1974-75) – features a mentally disturbed woman grieving over her late daughter and trying to recreate her in another girl, but also features horse riding and show-jumping
  • Wanda Whiter than White (1975-6) – the main story theme is constant trouble with an interfering, tale-telling girl, but also features horse riding and show-jumping
  • Champion In Hiding (1976) – the champion in question is a sheepdog, trained to win at dog trials
  • Rose Among the Thornes (1976) – the main story theme is family rivalry, but there are sections where Rose is involved in running races in her local village
  • Stage Fright! (1977) – includes some realistic elements of sailing
  • Land of No Tears (1977-78) – gymnastics and swimming as part of the futuristic competition to find the most perfect schoolgirl
  • The Changeling (1978) – main character loves horseriding and this is used as part of the abusive family/wishfulfilment story
  • Knight and Day (1978) – really a story about an abusive family but includes a family rivalry based around swimming and competitive diving
  • Paula’s Puppets (1978) – a story of magical objects and group strife, but includes elements of athletics (running)
  • Combing Her Golden Hair (1979) – a strange comb has the protagonist rebelling against her strict grandmother, whose rules include a ban on swimming
  • Freda’s Fortune (1981) – mostly wish-fulfilment gone wrong, with horseriding
  • Holiday Hideaway (1981) – protagonist has gymnastic skills
  • Worlds Apart (1981) – each dream-like parallel world featured a society built around an individual’s interests, and this included a sporty girl’s world

 

Other thoughts

This is probably one of the most pervasive themes you could possibly have in a girls’ comic; no doubt those who are expert in other comics titles will be able to mention many more examples of stories and of unusual sports featured in them. Reviewing the list above, I am surprised not so much by the number of stories as of the range of sports included. Of course the sports that girls played on a regular basis at school – hockey, swimming, athletics, netball, running – would feature in the girls’ comics. Even then, the weighting of specific sports doesn’t seem entirely even, mind you – in Jinty there was only one netball story compared to two or three hockey stories, and a few athletics stories. There is a noticeable absence of lacrosse stories despite the fact they are a staple of girls school prose fiction (I am sure they must be included in some other comics titles). I also don’t recall any rounders stories, which was a very typical summer sport for girls to play.

I am sure that other titles included some aspirational sports such as figure-skating or show-jumping as Jinty did, and the inclusion of some ordinary if less usual sports such as orienteering doesn’t seem unlikely either. However, the fact that skate-boarding, table-tennis, and judo were included as part of the range of stories shows, I think, that Jinty wanted to push the boat out and include elements that were not just a bit unusual, but also modern, fresh, and popular in the wider world: elements that were not marked as ‘élite’ and expensive.

Phil Townsend

Phil Townsend is not an artist whose life and career I know much about. It seems from Bear Alley that he was a contributor to the sixties title Boys’ World and probably also illustrated some children’s books (but the thorough Steve Holland had not at the time of writing that post found any more information). He was a regular Jinty artist from very early on: while not in the very first issue, his beautiful clean style appeared in the title within the first couple of months of publication. After Jinty, he became a regular in Tammy, but from then on my information runs out. I would be very grateful if anyone were able to supply more information, as even his Comiclopedia entry is exceedingly brief.

Rivalling Phil Gascoine for productivity with 20 stories drawn for the title, his impact on Jinty is amongst the strongest of any artist: many beautiful and striking covers were derived from his internal artwork, and he has a number of memorable stories to his credit too. Many of the stories have a ‘type’; we’re informed by Mistyfan that in Tammy he regularly drew stories written by Alison Christie, and from what we now know it seems a similar circumstance applied in Jinty too. Many of the stories he drew were tear-jerkers: “Always Together…”, “Somewhere Over The Rainbow”, “Nothing to Sing About”, and of course in particular the well-loved classics “Song of the Fir Tree” and “Stefa’s Heart of Stone” had children dealing with grief, lost homes, lost parents. Others were more mystery-focused: “Then There Were 3…”, “Stage Fright!”, and “Waking Nightmare” were earth-bound mysteries resolved through non-supernatural means, while “Spirit of the Lake” had a real ghost (unlike “The Ghost Dancer”).

For me his top story would clearly be the previously written about “Children of Edenford“, but the mermaid-child tale “Combing Her Golden Hair” comes close behind, and I have soft spots for both the slightly-spooky “Child of the Rain” (tennis player is mysteriously affected for good or ill by the rain forest she visits) and the strong near-thriller “Stage Fright!”. Likewise, Mistyfan has expressed her admiration for the persecution story “Mark of the Witch!” I think that most Jinty fans would be likely to count at least one Phil Townsend story amongst their favourites. Of course the writer drives the story forward as much or more, but the immediate and lasting impression of the comic is so strongly shaped by the art; it is hard not to look at a Phil Townsend-illustrated story and to love it, be the story stronger or weaker.

To illustrate this post, I have chosen some pages from “Combing Her Golden Hair”, taken from the issue dated 6 October 1979. Tamsin has found a mysterious silver comb, which is altering her life dramatically, but not in ways that her stern grandmother approves of! The last panel leaves us with a striking cliff-hanger, of course, though it turns out that the grandmother has better reasons for her actions than we know at this point.

Jinty 6 October 1979
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Jinty 6 October 1979
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Jinty 6 October 1979
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List of stories attributable to Phil Townsend:

(Edited to add: Alison Christie (Fitt) has posted a comment to say that she wrote a number of stories for Jinty, many of which were drawn by Phil Townsend.)

Jinty 1 October 1977

Jinty 1 October 1977

Back to being Jinty, not Jinty and Lindy, I see. (I also notice small page numbers in the corner of each page, which isn’t their usual practice.)

“Destiny Brown” is a slightly different “psychic powers” story – she can see the future but not surprisingly doesn’t get believed when she says what she can see, but this is mixed up in a strong and exciting story about bank robbery. Comos’ art is so nice and solid that it helps add to the realistic feel. “Who’s That In My Mirror” is more of a spooky morality tale and would have fitted well into Misty‘s run, for instance: Magda finds a strange mirror in which her reflection seems to prompt her into expressing the meanness that lurked behind her beautiful face. Like Wilde’s “Dorian Grey”, the mirror face grows uglier and uglier as she becomes wickeder in real life. In this final episode, the ugly face has escaped from the mirror entirely and threatens to approach Magda – who knows that the only way to dispell it is to tell the truth about all the lying and conniving she’s done. The cover competition involves finding a nurse’s watch hidden in the pages of the comic and I remember well that one of the watches was hidden in the folds of clothing worn by the evil escaped reflection.

“Cursed to be a Coward” is one of the relatively few Mario Capaldi non-humour stories (of course he drew The Jinx From St Jonah’s for quite some time). In this episode, the thoughtlessness of the swimming teacher puts Marnie Miles in serious danger from the vengeful fortune-teller who has it in for her – and who is not beyond trying a bit of drowning, too.

“Fran’ll Fix It!” is one of my favourite stories, a really zingy problem-fixer (and problem-causer!) silly schoolgirl humour strip that still has an internal narrative arc and is not just interchangeable episode after episode. I feel like surely artist Jim Baikie must either have been involved in writing it, or at least been given a very free hand creatively. And finally, science fiction/gymnastics/ballet story “Battle of the Wills” concludes in this issue – Kate Wills used a replicator to make a copy of herself so that one of her could do the hated ballet that her grandmother required, and the other one could do gymnastics, her actual main interest. Not that this final episode has any science fiction in it at all; at this point it’s all gymnastics and a happy ending.

Stories in this issue:

  • Destiny Brown (artist Rodrigo Comos)
  • Sue’s Fantastic Fun-Bag! (artist Hugh Thornton-Jones)
  • Who’s That In My Mirror? (artist Tom Hurst)
  • Alley Cat
  • The Goose Girl (artist Keith Robson)
  • Stage Fright! (artist Phil Townsend)
  • Cursed To Be A Coward! (artist Mario Capaldi)
  • Fran’ll Fix It! (artist Jim Baikie)
  • Battle of the Wills (last episode) (artist Trini Tinturé)