Tag Archives: Stanley Houghton

Girl (first series): 28 May 1960, Vol. 9, #22

Girl cover 28 May 1960

  • Susan of St. Bride’s in Relief Nurse (artists Ray Bailey and Phil Townsend, writer Ruth Adam)
  • Sharon Wylde the Girl with a Goal (artist Harry Linfield, writer Adrian Thomas)
  • The Slazenger Sports Girls (feature)
  • Wendy and Jinx in Ghosts at the Grange (artist Peter Kay, writer Stephen James)
  • Entertainment: the Royal Ballet
  • All in the Game! (competition)
  • Lettice Leefe: the Greenist Girl in School (cartoon)
  • The World of Animals (artist Tom Adams, writer George Cansdale)
  • Barbara Woodhouse and Her Pets (feature)
  • Angela in Africa (artist Dudley Pout, writer Betty Roland)
  • Belle of the Ballet: keeping the school going (artist Stanley Houghton, writer George Beardmore)
  • The Zoo Hospital (feature)
  • I’m Sorry I Was Born a Girl (writer Mary Tandy, a reader) – feature
  • New Rider at Clearwater (artist Bill Baker, writer Kathleen Peyton) – first episode, text story
  • Letters Page
  • What’s Cooking? With Carol and Chris (feature)
  • A Guide to Easier Dressmaking (feature)
  • Prisoners’ Friend: Elizabeth Fry (artist Gerald Haylock, writer Chad Varah)

In our latest instalment on older girls’ titles, we take a look at Girl (first series), not to be confused with the 1980s photo-comic of the same title. Girl was launched by Hulton Press on 2 November 1951 as a sister paper to Eagle, and its standards were glamorous. Many pages were in full colour, with the colouring rendered in a beautiful 3D effect, which must have been mouth-watering to the girls who saw the issues at the newsstands. Girls who could afford to buy Girl were the envy of those who had to settle for titles printed on cheaper newsprint.

Girl even ran credits for her stories, which her counterparts at DCT did not. And there is one that should be very familiar to Jinty readers: Phil Townsend.

It is surprising too that Girl not only had issue numbers but volume numbers as well. What the heck were the volume numbers for?

Oldhams Press took over Girl in 1959, and then IPC after Odhams’ merger in 1963. On 10 October 1964 Girl merged into Princess, which later became Princess Tina.

Girl I Wendy and Jinx

Not surprisingly, as Girl was founded by Rev. Marcus Morris (who also founded Eagle), it had an “educational” side with heroines involved in tales with a moral substance, including the heroines involved in adventures or scrapes. A considerable number of pages were also dedicated to real life tales of heroic women. An example, which begins here, is the story of Elizabeth Fry, which is told in serial form. This certainly brings the characters to life a whole lot more than simply telling Elizabeth’s bio with panels and dry text boxes. Plus we feel a whole lot more drama, emotion, thrills and empathy (or distaste) for the characters.

Girl I Elizabeth Fry

The educational side of Girl can also be seen in features like “The Zoo Hospital” and “The World of Animals”. Even so, Girl also had educational features on themes that remained equally popular in later titles. These include the Slazenger Sports Girls with sporting tips, A Guide to Easier Dressmaking, celebrity features (in this case Barbara Woodhouse) and What’s Cooking? The last one is unusual for having two guides, Carol and Chris, walking us through the recipe with panels and commentary as well as text containing instructions. This approach makes the cookery page a lot more fun and engaging to read than simply following a list of text instructions with accompanying diagrams.

Girl I Whats Cooking?

This week we have an unusual feature: a disgruntled reader writes on how she’s sorry she was born a girl (because in her view, boys have more fun, independence and adventure). The Editor invites other readers in to share their views on this topic, and the best one would be printed. We have to wonder if someone wrote in saying they wished they could be one of the heroines in the Girl serials. After all, they seem to have a lot of fun and adventure, ranging from treks in Africa to hospital drama. Or perhaps they wished to be the short-lived Kitty Hawke in Girl, who was considered too masculine and replaced by Wendy and Jinx, two girls at boarding school who, like The Silent Three or The Four Marys, are always getting into mysteries, adventures and thrills. Or maybe Lettice Leefe, the dopey girl in the regular cartoon.

Girl I Lettice Leefe

The stories had one to two page spreads. More often they were one page spreads.

In the other serials, Susan of St Bride’s is blaming herself for a patient’s condition, which is not improving. A woman who does not like her, and is clearly a nasty old bat, latches onto this and, together with the patient’s mother, starts proceedings against her. Plus she’s spreading all the gossip around the town. Susan’s stories were individually titled, as a subheading to the main title.

Sharon Wylde, who has ambitions to be a famous writer like her parents, writes a book. However, it does not cast a film producer in a favourable light and he’s taken the manuscript (accidentally). She sneaks into his office to get it back – and gets caught!

Girl 1 Sharon Wylde

Angela Wells, who has started a charter airline (something the short-lived Kitty Hawke tried to do with an all-female squad) in Africa, but develops a taste for adventure. While Angela’s friends have flown off seeking medical assistance for a sick woman the villagers suddenly run off in terror. The culprit turns out to be the lights from the plane bringing her friends back. The patient is soon on the mend, but then Angela feels faint. Is she the one falling sick now?

Girl I Angela in Africa

Belle of the Ballet has to find a way to save the school after a kidnapping causes scandal and pupils are withdrawn. Her solution: make a ballet out of the scandal to convince people they were not to blame for the affair. But they have to get it together fast.

In “New Rider at Clearwater”, unpleasant girl Stella is not pleased with the new pony at Clearwater Stables. The pony has given her a much-deserved humbling, but the look on her face tells protagonist Briony that she is not taking it lying down.

Girl I Belle of the Ballet

Jinty 21 September 1974

Stories in this issue:

  • The Jinx From St Jonah’s (artist Mario Capaldi)
  • Jackie’s Two Lives (artist Ana Rodriguez, writer Alan Davidson)
  • Wenna the Witch (artist Carlos Freixas)
  • Always Together… (artist Phil Townsend)
  • Jinty Made It Herself… so can you! (craft feature)
  • Do-It-Yourself Dot (artist Alf Saporito)
  • Dora Dogsbody (artist José Casanovas)
  • Bird-Girl Brenda (artist Phil Gascoine)
  • The Hostess with the Mostest (artist Stanley Houghton)
  • Left-Out Linda (artist Jim Baikie)
  • Merry at Misery House (writer Terence Magee)
  • Wild Horse Summer
  • Angela’s Angels (artist Leo Davy)

I have been on a bit of a hiatus recently due to a very busy patch at work and some achy wrists from too much typing. Things have now settled down on both fronts so hopefully I will be able to ease myself back into blogging – and of course Mistyfan has been keeping things going on the blog with a recent focus on stories published in other titles and issues of other titles too.

This is issue 20 of Jinty and it feels quite thick and substantial – on counting the pages, it seems this was still running at a 40 page length at this point. There’s certainly quite a lot in it – the Katie Jinx story is a four-pager which continues a short story arc about Katie learning how to do hypnotism. She’s not quite as successful as she thinks she is being, because her school chums are fooling her by pretending to be hypnotized! But can she hypnotize a charging prize porker before it flattens her? I suspect not!

In “Jackie’s Two Lives“, Jackie meets Mrs Mandell for the first time. Of course she has to lie to her family in order to do that. That is only the tip of the iceberg, as Mrs Mandell starts to manipulate her further. It sounds so innocuous but it will all end badly, as we know.

Wenna is being persecuted as a witch – her local friends are being prevented from seeing her by their prejudiced parents. In fact the whole class of her year have been kept away from school – very cruel! Not surprisingly, Wenna takes this as a cue to run away.

The family in “Always Together…‘ are already runaways – elder sister Jilly is shocked to read in the paper that the water they have been using in cooking is polluted and likely to make them ill. Indeed, they all end up coming down with something. Jilly bravely keeps things going but once they are better there are the continuing challenges of before. How will they get enough money to eat and sustain themselves? Jilly’s talent for sketching will hopefully help but that might not be enough, because the little family are still not very strong and healthy.

In “Jinty Made It Herself” the reader is advised on how to adapt an old jumper into a different piece of clothing such as a tank top.

Linda is feeling very left-out in the story of the same name. Her mother has remarried and she has a step-sister, which rather spikes Linda’s plan of being expelled from school so that she can hang out with her mother and be as close as they were before everything changed. Step-sister Lorette seems rather nice and is certainly trying hard to be friends but Linda is having none of it. What’s more, when she does try to make amends by cooking tea, it all seems to go wrong and she is unhappier than ever.

Merry at Misery House is unhappy because her parents are suffering money troubles due to her father being taken ill. The other reformatory girls come up with a plan to earn a bit of cash that Merry can send off home. Unfortunately the way they earn it involves exposing themselves to illness, and soon the whole of Misery House starts to come down with virulent influenza. Yikes, that’s a real killer.

Daphne of “Wild Horse Summer” is made to go out picking sloes with the other orphanage children – everyone’s being very kind but all Daphne wants to do is to see the splendid white horse that she is secretly making friends with. On her ride, though, she spots that the farmhouse is on fire, with no-one left there to put it out! Her secret will be out but she has to alert everyone.

Finally, “Angela’s Angels” features a daring rescue from a crashed light plane – nurse Sharon rescues her hero, Neil Crosby, a tennis star. Fat lot of thanks she gets from him when he realises that he is paralysed and may never be able to walk again! There are lots of anguished faces in the beautiful art by Leo Davy.

Jinty 16 November 1974

Jinty cover 16 November 1974

Stories in this issue:

  • The Jinx from St. Jonah’s (artist Mike White)
  • Jackie’s Two Lives (artist Ana Rodriguez, writer Alan Davidson)
  • Merry at Misery House (writer Terry Magee)
  • The Kat and Mouse Game (artist Jim Baikie) – first episode
  • Wild Horse Summer  (artist and writer unknown)
  • Dora Dogsbody (artist José Casanovas)
  • Always Together… (artist Phil Townsend, writer Alison Christie)
  • The Hostess With the Mostest (artist Stanley Houghton)
  • Slave of the Mirror (artist Carlos Freixas)
  • Do-It-Yourself Dot (artist Alf Saporito)

The cover story with Katie Jinks has a humorous start (with a prat-fall as usual), but moves quickly into a more thrilling story-line than we usually expect from Katie. Her father is home from sea, but with a secret – he was fired from his job because he was suspected of smuggling! Katie vows to help get him started in a new life, but you can also bet that she’ll end up trying to find out what really happened, too.

Jackie is turning her back further against her real family, while being ensnared more and more by Mrs Mandell. And more mysteries – how can Monsieur Charelle, the famous couturier, say that her measurements have hardly changed since the last time he saw her, two years ago?

Merry and co at Misery House have discovered that their mystery visitor isn’t a ghost, but a dog that has sneaked in! He’s lovely company for them, but of course the warden won’t be happy.

This issue sees the start of another rivalry / slavery story – “The Kat and Mouse Game”. Leticia has just joined ballet school Barton Grange, and spiteful bossy Kat has got her claws into her already, getting her to do chores and listen only to her and no one else. And of course even though Leticia – or Mouse, as Kat nicknames her – will have her chances of success at the school spoiled, too.

“Wild Horse Summer” is at a dramatic point – Daphne is stuck down an old mine shaft, an dependent on the wild horse to go for help. Of course the wild horse is torn between her love for Daphne and her fear of humans, but in the end she is instrumental in rescuing Daphne. It sounds like wonderful news for the girl, who will surely be allowed to keep the horse after all that – but farmhand Jed is still crazy with hatred for the white mare!

The kids in “Always Together…” are sleeping in a remote cave on the moors but still trying to do normal things, like taking part in a school concert. But one of the attendees to the concert is a Mr Giles, who knows they are runaways and may drag them back to the children’s home if he spots them… always a cliffhanger in this story.

Mia Blake is still thinking that she can stop being the Slave of the Mirror if she throws it away – but it will not break or free her from the spell of driving away all guests at the house run by Mia’s sister.

Jinty 2 November 1974

Jinty 2 November 1974

Stories in this issue:

  • The Jinx From St Jonah’s (artist Mike White)
  • Jackie’s Two Lives (artist Ana Rodriguez)
  • The Hostess with the Mostest (artist Stanley Houghton)
  • Merry at Misery House (writer Terence Magee)
  • Left-Out Linda (artist Jim Baikie)
  • Wild Horse Summer
  • Dora Dogsbody (artist José Casanovas)
  • Always Together… (artist Phil Townsend)
  • Bird-Girl Brenda (artist Phil Gascoine)
  • Wenna the Witch (artist Carlos Freixas) – last episode
  • Do-It-Yourself Dot (artist Alf Saporito)

In “Merry at Misery House”, Merry is going out of her way to help new reformatory inmate Violet Smith, who in turn has gone out of her way to be unpleasant to all the other inmates… Merry is trying hard to prove that solidarity is the best way of dealing with the reformatory life, but will she be proved wrong by hard-nut Violet?

“Left-Out Linda” wasn’t a story I remembered from my original reading of Jinty as a kid, but the final few episodes of it work really well, in that unusually the resolution (the saving of spoiled, thoughtless Linda) is developed over a few weeks rather than given in just a few panels. Unlike in most stories of this ilk, Linda has a grown-up who is sufficiently practical and sensible that she can help her work through the problems caused by her own foolishness. Good for Mrs Grant, the mother of Linda’s exasperated step-father! As I mentioned previously, this story does end up exonerating the step-father more than I would like to see, but it is just so refreshing to see someone who is actually helping the protagonist fix her solution. It didn’t happen very often, did it? I have scanned the pages from this episode for you to enjoy, too; below. It is the last episode of “Wenna the Witch”, which stuck in my mind more than most of the other stories from this time, despite a fairly silly story-line in many ways. I think I must have remembered the lovely Carlos Freixas artwork…

Left Out Linda pg 1
click thru
Left Out Linda pg 2
click thru
Left Out Linda pg 3
click thru

Jinty 19 October 1974

Jinty cover 19 October 1974

Stories in this issue:

  • The Jinx From St Jonah’s (artist Mike White)
  • Jackie’s Two Lives (artist Ana Rodriguez)
  • The Hostess with the Mostest (artist Stanley Houghton)
  • Merry at Misery House (writer Terence Magee)
  • Left-Out Linda (artist Jim Baikie)
  • Wild Horse Summer
  • Dora Dogsbody (artist José Casanovas)
  • Always Together… (artist Phil Townsend)
  • Bird-Girl Brenda (artist Phil Gascoine)
  • Wenna the Witch (artist Carlos Freixas)

The surprisingly-serious Jinx story ends with a pratfall, returning to its normal style. Jealous rival Bettina has been unmasked and Katie has been crowned swimming champ – before crowning others with the cup as she falls over!

In “Left-Out Linda”, the writer ups the ante – Linda’s new stepfather is so angry with her that he slaps her, saying that’s what she would have got sooner if he’d been her father all along! Quite rightly, the mother kicks the new husband out as a result. Also understandably, the mother is pretty cut-up about her new relationship going to the dogs and is not exactly happy with Linda either. Not a bad message all round really, though as the mother and step-father do end up back together again in the end, the domestic violence message is perhaps somewhat diluted subsequently.

Jinty Annual 1985

Jinty annual 1985 2

  • Cold Comfort (feature)
  • The Lady of the Manor (artist Robert MacGillivray)
  • The Sky at Night (feature)
  • Two Janes in History (feature)
  • The Donkey Hero (feature)
  • Freckles (artist Diane Gabbot)
  • The True Story of Lady Hester Stanhope (feature)
  • Make a Motif (feature)
  • Mini Ha-Ha! (cartoon)
  • 100 Dogs and a Girl
  • Just Your Luck (feature)
  • A Carol for Christmas (artist Giorgio Giorgetti)
  • Take a Tip (feature)
  • Tatty-Mane King of the Jungle (cartoon)
  • Curious Curses (feature)
  • The House on Sinister Hill (artist Stanley Houghton)
  • Six Steps to Popularity (feature)
  • Hair Today… (feature)
  • Hints for Happy Campers (feature)
  • Party Food…All through the Year! (feature)
  • The Jinty Nature Trail (feature)
  • Scruff’s Dog Show (poem)
  • Holiday of Adventure
  • Candy and Mandy (cartoon) (artist Fergusson Dewar)
  • A Cat Called Shivers (artist Jim Baikie)
  • Stencil It! (feature)
  • Friends and Neighbours (artist Ken Houghton)

This was the second-to-last Jinty annual, and it is also the first to really show the decline in her annuals. The previous annual had been the last to feature Jinty material; this one begins a fallback on reprints that are not even Jinty. They look like they have been taken from older material, probably June, Girls Crystal or whatever. The artwork from Jim Baikie and Ken Houghton looks like it came from their early days as it looks less developed and sophisticated than their regular Jinty artwork. The Diane Gabbot artwork in “Freckles” also looks like it is some of her earlier artwork. Even the cartoons have been taken from elsewhere, and there is no Snoopa or Alley Cat to be seen. The annual is Jinty in name only.

Why such a decline when Jinty’s sister titles Misty and Tammy still featured and reprinted their own material in their own annuals? Was it due to legal reasons, economics, or other editorial decisions?

On sources and resources

I have recently added a couple of new links on the links sidebar; it seems to me that there are some relevant points worth airing and asking about, in the area of attribution of work.

I’ve written before about the difficulty of attributing work to artists in the absence of proper printed story credits (how much harder to attribute work to writers! but that’s another post). On this blog many of the names of artists have come from information supplied by experts such as David Roach, or from internet links written by others who are particularly keen on one or other artist themselves. How to verify these different sources, when even experts can make mistakes or have their attributions occasionally mistyped?

Take Angela’s Angels, for instance; which has been consistently attributed to Alberto Cuyas on this blog. It now seems clear to me that we should have been listing him as Manuel Cuyàs all along, as this set of links on Spanish-language blog Deskartesmil shows. I got to that information via a link on the Comics UK Forum while looking for another artist, Stanley Houghton. Now Stanley Houghton is someone who is a possible candidate to be credited with the art on “The Hostess With The Mostess“; I have been pointed at a very useful reference site, Catawiki, which lists him as the artist on one issue of “Hostess” but not all of them. I will have to go back to my issues and see if the artist on this strip differs in different weeks, particularly as the Stanley Houghton art I have seen on links is very nice and I don’t remember the “Hostess” art being as nice as that.

So at this rate I have at least two sets of changes to make, one of which is more uncertain than the other.

Another name I have come across on Catawiki is Leo Davy, who is credited with the art on “Angela’s Angels” (see how it comes full circle!). There is little on the internet about this artist, but new-to-me blog ‘Out of This World’ has a post that includes the fact that Girl credited artists and writers, at least on the annual that is discussed. There are some pages of Leo Davy art posted there (it’s a long post, so search for “The Red Pennant” which is the story that Leo Davy drew). Based on this, I don’t agree with Catawiki’s attribution of “Angela’s Angels” to Leo Davy, but I am sure that Davy drew other stories I have come across.

Anyway, I have now linked to Catawiki and to ‘Out of This World’; the Comics UK Forum was already on the sidebar of links and has provided much useful information (and indeed scans) before now. I think the only conclusion that can be drawn is that attribution of artists is hard! The scans on sites such as Lambiek’s Comiclopedia, which I also use as reference, are often quite small and show the variety of styles that an artist can work in, which is great, but I think the best way to identify an artist is often a specific ‘tic’ – the way they draw hands, or mouths, or even shoes – and for that you need a good-size scan so that you can really focus on those details.

Later on I will update this post with some images from the various artists in question, and some “Angela’s Angels” artwork, as a direct comparison!

Images for comparison

Angela’s Angels artwork from first episode

Crop of image from Angela's Angels

Quite a nice range of faces, and a good couple of active moments in those first panels, meaning we should hopefully have enough to go on.

Miguel Cuyas art from Bunty

This is the art credited to Manuel Cuyàs, on a specialist Spanish blog. Some similarities to the “Angela’s Angels” art but also some differences there I think, in the faces and linework. (The same blog credits Manuel Cuyàs with “Angela’s Angels” but without attaching any art examples.) On the basis of these examples, I am tempted to retract the assignment of Cuyàs to “Angela’s Angels”, in fact – though I definitely have another Jinty story (in an annual) that I would be confident of saying is by Cuyàs.

Leo Davy crop from Girl 1965131

This is the Leo Davy art, credited clearly in the Girl Annual posted about on the ‘Out of this World’ blog. Of course “Angela’s Angels” isn’t in this more painted style. Again, there are similarities but I am not clear that this is the artist either.

So reader, what do you think?

Jinty 26 October 1974

Jinty 26 October 1974

This is part of a short run of Jinx stories not drawn by Mario Capaldi, though he returns to the pages of Jinty shortly. Some of the figurework is similar enough to Capaldi’s style though that I do wonder whether he might have pencilled it for another artist to ink? And inside, the Carlos Freixas-penned story “Wenna the Witch” is nearing its dramatic height.

Stories in this issue:

  • The Jinx From St Jonah’s (artist Mike White?)
  • Jackie’s Two Lives (artist Ana Rodrigues)
  • The Hostess with the Mostest (artist Stanley Houghton)
  • Merry at Misery House (writer Terence Magee)
  • Left-Out Linda (artist Jim Baikie)
  • Wild Horse Summer
  • Dora Dogsbody (artist José Casanovas)
  • Do-It-Yourself Dot (artist Rafart)
  • Always Together… (artist Phil Townsend)
  • Bird-Girl Brenda (artist Phil Gascoine)
  • Wenna the Witch (artist Carlos Freixas)

Jinty 24 August 1974

Jinty cover 24 August 1974

A rather crumpled and tattered copy of this issue, I’m afraid! But them’s the breaks when scanning an ephemeral item coming up for its 40th birthday in just a few months…

Mario Capaldi is powering ahead with the antics of Katie Jinks; he clearly adopted a slightly different style for this humour strip, with more exaggerated features, grimaces, motion lines and so on than in his ‘straighter’ work.  Phil Townsend’s art is beautiful, as ever, in the sad story “Always Together…”; beautiful, but rather old-fashioned in feel. This was probably his first story for Jinty and certainly generally I would think of his art as classic rather than positively old-fashioned.

Starting in this issue is a one-pager called “The Hostess with the Mostest”, featuring “TV’s Golden Girl, Anne Aston”. It’s a gag strip but drawn fairly crudely; the title character is a real person, and in aiming to represent that it comes across rather as if a (fairly mediocre) page of Mad Magazine had wandered out of its usual milieu. Odd stuff. [Edited to add: via Catawiki I have a possible attribution for this; it suggests that it is by artist Stanley Houghton, who drew for a number of girls’ comics. I am not 100% convinced but have added it in for now; here is some clearly-attributed Stanley Houghton artwork for comparison.]

Stories in this issue:

  • The Jinx From St Jonah’s (artist Mario Capaldi)
  • Always Together… (artist Phil Townsend)
  • Wenna the Witch (artist Carlos Freixas)
  • Make-Believe Mandy (artist Ana Rodrigues)
  • Merry at Misery House (writer Terence Magee)
  • Dora Dogsbody (artist José Casanovas)
  • Do-It-Yourself Dot (artist Rafart)
  • Bird-Girl Brenda (artist Phil Gascoine)
  • Left-Out Linda (artist Jim Baikie)
  • The Hostess with the Mostest (artist Stanley Houghton)
  • Wild Horse Summer
  • Angela’s Angels (artist Leo Davy)

Jinty 5 October 1974

Jinty cover 5 October 1974

(Cover artist: Mike White)

Katie Jinks and the iconic Jinty image do look a bit similar, don’t they? Katie is quite a nice blend of klutzy, funny, and sometimes surprisingly competent – here she is billed as the school’s “champion swimmer”, so not a jinx all the time by any means. In the earliest issues this strip was drawn by Mario Capaldi, but the cover page shown above does not seem to have Capaldi’s clean lines; I suspect the hand of a fill-in artist. (Edited to add: the artist is Mike White. Katie has also been drawn by Hugh Thornton-Jones.)

Stories in this issue:

  • The Jinx From St Jonah’s (artist Mike White)
  • Jackie’s Two Lives (artist Ana Rodrigues)
  • Merry at Misery House (writer Terence Magee)
  • Left-Out Linda (artist Jim Baikie)
  • Angela’s Angels (artist Leo Davy)
  • Dora Dogsbody (artist José Casanovas)
  • The Hostess with the Mostest (artist Stanley Houghton)
  • Wild Horse Summer
  • Always Together… (artist Phil Townsend)
  • Wenna the Witch (artist Carlos Freixas)