Tag Archives: Terence Magee

Sandie 28 July 1973

Sandie cover 28 July 1973

  • Slaves of the Eye (artist Joan Boix)
  • Cinderella – Superstar (artist Joan Boix?)
  • Wyn and the Witch (artist A. E. Allen)
  • Connie Courageous (artist “B. Jackson”) – last episode
  • Sink or Swim, Sara! (artist Eduardo Feito)
  • The Captives of Terror Island (artist Juan Escandell Torres, writer Terence Magee) – last episode
  • Dancing to Danger (artist Tom Kerr)
  • Bridie at the Fair (artist Leslie Otway)
  • All Against Alice (artist Miguel Quesada?)
  • Sisters in Sorrow (artist Desmond Walduck?)

“Slaves of the Eye” features another sinister teacher (Miss Krell) who exerts a strange, sinister influence over pupils, and it’s up to our protagonists (Kate Saunders and her friend Heather) to unravel how and why. Plus what lies under that veil Miss Krell always wears and what lurks in her laboratory. Kate has now discovered Miss Krell used a transmitter inside a netball to make the girls foul her during the match. Once she gets hold of the transmitter, it leads her and Heather to prison cells that were empty earlier but are now full of…whom?

 

“Cinderella Superstar” is an aspiring ballerina, Ellie Villiers whose road to her dreams is being blocked by uncooperative relatives who treat her like dirt. Now they’ve taken her gramophone to stop her dancing to her ballet music and given it away. But the blurb for next week says Ellie’s about to get some help.

 

Wyn is an ill-treated drudge at Pinchbeck Hall, but has a good friend in the form of the witch Grizelda “Grizzy” in the attic, whose magic helps Wyn get comeuppance on her horrible employers. This week Lord Pinchbeck is challenged to a duel but there’s a problem – Grizzy has turned him into a pig, so how the heck is he going to duel?

 

It’s the final episode of “Connie Courageous”. Connie Cartwright has jealous rivals in addition to learning to jump while being blind. And she needs the prize money to restore her sight, but her enemies have blocked the path to her getting to the event. Can she and her horse find a way to get there in time?

 

“The Captives of Terror Island” also ends this week. Madame Soong of Terror Island has kidnapped an entire hockey team in order to claim the National Hockey Championships for her country, and her training methods are “barbaric”. It looks like she has finally got what she wants and is a national heroine, until our heroine finally manages to expose her in front of the spectators. Madame Soong quite literally destroys herself – and Terror Island – with the very bomb she had set for her enemies.

 

In “Sink or Swim, Sara”, the two snobby headmistresses of St Agatha’s should have thought twice before making Sara Dale’s life so miserable. This caused her to change schools when they badly needed her to win an inter-school swimming gala. Now the same thing has resulted in two of Sara’s friends being expelled. Now they’ve transferred to Sara’s school and are happier – then Sara informs them that the expulsion is all part of some dirty trick the headmistresses are playing, which won’t be revealed until the final episode next week.

 

“Sisters in Sorrow” is also on its penultimate episode. Layla and her friend Pat have been forced to become thieves, but the story takes the unusual step of having an aristocrat, Lady Maggins, as the Fagin. They have been forced to impersonate two others in order to infiltrate a household so they can rob it. Layla manages to rescue the real McCoys, but they get cornered by Lady Maggins. Meanwhile, Pat has been exposed as an imposter, so they’re both in a corner now.

 

“Dancing to Danger” and “Bridie at the Fair” look like they have been reprinted from elsewhere, perhaps School Friend or June. In the former, Pat White uses ballet as her cover for undercover work against the Nazis in World War II. She manages to worm her way into Gestapo HQ to find information on a prisoner, Professor Duval, under pretext of her ballet troupe staging a performance there. However, her Nazi nemesis, Herr Staub, gets suspicious and is going to arrange a special watch on them. In the latter, Bridie Donovan has joined a fair in the hope of regaining her memory. But the fortune-teller Madame Rosa tells Bridie she can do anything she wants with her.

 

“All Against Alice” has been fostered out to a former Wimbledon champion who is coaching her in her beloved tennis, but shows her no affection. Then a Mr and Mrs Tyler claim to be Alice’s parents but lose the custody battle in the interim. Just as well, because they are clearly out to make money out of her, which they finally succeed in doing by destroying Alice’s amateur status through a dirty trick, and with it, her career.

Sandie 29 April 1972

Sandie 29 April 1972

  • No-one Cheers for Norah– final episode (artist John Armstrong)
  • Slaves of the Sorcerer (artist Desmond Walduck?)
  • Wee Sue (artist Vicente Torregrosa Manrique)
  • Odd Mann Out (artist A E Allen)
  • Silver Is a Star (artist Eduardo Feito)
  • Not So Lady-like Lucy
  • Friends and Neighbours
  • The School of No Escape – final episode (artist “B. Jackson”, writer Terence Magee)
  • Brenda’s Brownies (artist and writer Mike Brown)
  • Sandra Must Dance (artist Douglas Perry)
  • Bonnie’s Butler (artist Julio Bosch?)
  • Anna’s Forbidden Friend (artist Miguel Quesada)
  • A Sandie Pop Portrait – Mark Lester (artist Bob Gifford)

In this issue of Sandie we say goodbye to two of her first stories: “No-One Cheers for Norah” and “The School of No Escape”. The former finishes with a needle race to beat the relatives who have not only made Norah’s life a misery ever since they met but also ruined her father’s life. The latter ends with the pretty typical deus ex machina of the aliens just vanishing away just as they are about to triumph because time’s up, and everyone but the heroine loses all memory of them for no apparent reason.

Replacing them next week are “Lorna’s Lonely Days” and “The Captives of Madam Karma”. The latter is written by Pat Mills.

In “Slaves of the Sorcerer” Beth Williams finally gets the police onto Caspar. But when they arrive at the fairground there’s no sign of him. The lead they have been given is in fact another trap for Beth set by Caspar, and he’s waiting to pounce.

Boys are admitted to Wee Sue’s school. They get quite a shock when the titch they tease turns out to be brilliant at footy. Then Sue finds one of the football boys stuck on a ledge and climbs up to the rescue.

“Odd Mann Out” is now leading a demonstration against the tyrannical way things are run at her school. But why the hell is the headmistress smiling about it instead of looking worried?

Trudy loses Silver – to the rag-and-bone man. And everyone knows how cruel he is to animals. Can Trudy get him back?

Ann Friend and her family in “Friends and Neighbours” have moved into a new house. The neighours haven’t been friendly but now Anne believes they are worse than she thought – they are trying to scare her family out of the house with a ruse that it’s haunted. They deny it angrily and mean to prove it by sitting up with them.

In “Sandra Must Dance”, enemy Robinia Drew discovers the twins’ bizarre secret – Joan can transfer her ballet talent into her twin sister Sandra through a psychic bond. Robinia locks Joan up to prevent her from doing so during a performance. Can the twins pull things off despite this?

This week’s episode of “Bonnie’s Butler” has a row with the Major and Bonnie loses the present she was going to give Angie. Things get even more bizarre when Bonnie wins an unwanted hip bath at an auction, but her butler uses it to put everything right.

In “Anna’s Forbidden Friend”, Julia’s father takes advantage of Anna and Julia to hatch a scheme to get everyone out of Madeley Buildings. He managed to turn everyone against them once before and now plots to do it again. And his scheme includes kidnapping his own daughter!

Tammy & Sally 25 December 1971 – first Christmas Tammy issue

Tammy 25 December 1971

Cover artist: John Armstrong

  • Gina – Get Lost (artist Miguel Quesada)
  • Beattie Beats ‘Em All! (artist John Armstrong)
  • Halves in a Horse (artist Eduardo Feito)
  • Lulu (cartoon)
  • Skimpy Must Ski! – first episode (artist Tom Hurst)
  • Bernice and the Blue Pool (artist Douglas Perry)
  • Talk It Over with Trudy (problem page)
  • The Secret Ballerina (artist Roy Newby)
  • The Four Friends at Spartan School (artist “B. Jackson”, writer Terence Magee)
  • Maisie’s Magic Eye (artist Robert MacGillivray)
  • Cinderella Spiteful (artist Jose Casanovas)
  • Alison All Alone
  • No Tears for Molly (artist Tony Thewenetti, writer Maureen Spurgeon)
  • A Tammy Outfit Idea for Christmas (feature)

 

This is Tammy’s first Christmas issue. Beattie Beats ‘Em All! (John Armstrong’s first Tammy story) does the honours on the cover. The back cover has a Christmas how-to-make. In Molly Mills, Lord Stanton wants to bring Christmas cheer to orphanage children, but he has reckoned without the cruel butler Pickering. The issue also advertises Tammy’s first-ever annual. Lulu is trying to find Christmas presents for Dad but keeps getting foiled.

You’d think this week’s episode of Maisie’s Magic Eye would be Christmassy too, but no. It’s a regular episode, where Maisie and her friend Lorna try to break bounds and sneak off to the circus. Hijinks with the brooch ensue, with a lot of monkey business when Maisie unwittingly turns the circus strong man into a gorilla and the brooch stops glowing before she can change him back.

Normally new stories are reserved for New Year, but one does begin in the Christmas issue,  “Skimpy Must Ski!” Skimpy Shaw, a convalescent girl, is sent to live with her grandfather who looks a real sourpuss. Time will tell if he has a heart under there. Meanwhile, Skimpy is inspired to ski, and she thinks she has a natural talent for it.

Gina – Get Lost has been left to look after herself when her parents emigrate, which is not going down well with the welfare authorities. And it sounds like there is worse to come. She has already fallen foul of blackmailers and it looks like she will fall foul of potential guardians out to exploit her.

Before Bella Barlow, John Armstrong drew “Beattie Beats ‘Em All!” for Tammy. Beattie Brown is a promising athlete. Unfortunately she has no fixed abode either, so she and her stray cats live in a boiler room at a girls’ college.

In “Halves in a Horse”, two cousins are left with half shares in a horse, Topper. The cousin who wins the most prizes with him will acquire full ownership. As might be expected, one cousin (Pauline) is not playing fair and making the other cousin (Kay) suffer. Now the cousins have almost equal shares, Pauline is using blackmail against Kay.

Bernice and the Blue Pool was Tammy’s first swimming story and also the first story Douglas Perry drew for Tammy. It was the start of a regular Tammy run for Perry that lasted into 1981. The Blue Pool has a supernatural theme, which ranges from beneficial (curing our protagonist of her fear of water) to ominous – wearing Victorian swimming costumes that were worn by a pioneering Victorian swimming team that drowned.

The Secret Ballerina, Karen Jones, has to practise in secret because her aunt is against ballet for some reason. This is, of course, the mystery that needs to be unravelled. Compounding the mystery is a locked room in auntie’s house. But now Katie has discovered the room has been unlocked and someone is inside. She is heading to the attic to investigate. Will she find the key to the mystery next week?

Surprise, surprise – Miss Bramble’s henchman, er girl, Siddons helps the four friends at Spartan School to escape from the school where sadism is the rule. But of course they should have known it would be a setup. Mind you, they didn’t expect Siddons to actually attempt to kill them! When they survive that, they discover Miss Bramble and Siddons have concocted a plan to get them arrested instead.

Cinderella Spiteful – now that’s a very unusual title for a Cinderella story, you think. Actually, the story has nothing to do with Cinderella. Emma is jealous of her cousin Angela because Angela is good at everything while Emma is not. Next week it sounds like it will be more spiteful than Cinderella, because Emma reaches her limit in this episode.

Alison All Alone is on the run after being imprisoned by her guardians for many years. The question is: why did they keep her locked up like that? The three runaway boys who helped her escape are helping her to find out. This week they uncover a clue about her past – a crook who says he will be finished if Alison finds out who her true parents are!

 

 

 

 

Sally in a Shell [1976]

Sample Images

Sally in a Shell 1Sally in a Shell 2Sally in a Shell 3

Published: Tammy 4 September 1976 to 20 November 1976

Episodes: 12

Artist: Juan Garcia Quiros?

Writer: Unknown. Terence Magee

Translations/reprints: None known

Plot

At Eastport holiday resort, the Shores run a deckchair hire business – with the younger daughter Sally doing all the work. Sally is the family drudge, mistreated and unloved by her father and her elder sister Dora. Although Dad metes out the abuse, Dora is the one at the root of it. She is a glamour puss who looks on Sally a nobody who is only fit to be the source of money that pays for her luxuries (posh clothes, ritzy social life, hobnobbing with the upper class etc). She is too lazy to lift a finger to pay for it herself – or do any work around the place, for that matter. In Sally’s words: “She gets all the gravy and I do all the donkey work.” The donkey work to pay for all the gravy.

Dora has Dad wrapped around her little finger and he does everything she tells him, including lumber Sally and hit her when she tries to speak out. For example, when Dad briefly protests against having Sally work nights in his new arcade in addition to the day work she does with the deck chairs, Dora tells him not to be so soft and it will make even more money. If she were his wife instead of his daughter, he would be the henpecked husband. In any case, like Dora, Dad has ambitions of making more money, rising to bigger things, and becoming somebody in this town.

So Sally is now forced to work nights at Dad’s new arcade as well as days as deckchair attendant. Her only friend is Mr Cliff, who runs the donkey rides.

As with other girls in similar serials, Sally has a talent to help keep her spirits up. In Sally’s case it is making ornaments and jewellery out of seashells. She tries to keep it a secret from her abusive family and find ways to fit it around all the drudgery. She hopes to make a living out of it in time and be able to leave her horrible home life. When Dora spots a new craft shop, “Nick Nacks”, she realises it could be the place to sell her wares.

The owner, Miss Hanning, agrees to take a look at Sally’s shell-craft. This does not please the shop assistant Edwina, a snooty, unpleasant type who looks on Sally as a scruff. Unfortunately it is at this point that Dad and Dora discover Sally’s shell-craft and smash it to pieces. Fortunately, people, including Mr Cliff, rally around to provide Sally with more shells. Sally uses them to make a sample for Miss Hanning. She is impressed and wants more for the shop.

Meanwhile, Dad tricks Mr Cliff into signing a contract that hands his donkey business over to him. Mr Cliff wrongly assumes that Sally was in on the plot to cheat him when in fact Dad and Dora took advantage of their friendship. Really, it’s his own fault for signing the contract without reading it first because he foolishly extended his trust of Sally to her family. As it is, Sally has now lost her only friend.

On the bright side, Sally discovers a secret cove that is crammed full of shells, which is a real treasure trove for her. Sally’s shell-craft starts selling at Nick Nacks, and it’s doing well. Sally takes the money from it to Mr Cliff to start a fund to buy his business back. This convinces him he misjudged Sally and they are friends again.

Unfortunately Dora soon discovers what Sally is doing with her shell-craft, and naturally wants to take advantage of it. She pretends to be nice to Sally in order to get Sally to make shell-craft for her, but Sally still wants to sell her shell-craft at Nick Nacks. Discovering Edwina’s dislike of Sally, Dora recruits her help in forging a letter from Miss Hanning that she is terminating her business with Sally. Sally falls for the trick while Miss Hanning thinks Sally has played her for a fool when she sees the Shores selling Sally’s shell-craft at a stall opposite her shop and stealing business from her.

Sally soon realises that Dora is only out make money out of her shells. Indeed, Dora and Dad have seized upon Sally’s shell-craft as the means to fulfil their ambitions to make their mark on the town. It isn’t long before Sally discovers the letter trick either (later still, she discovers Edwina’s role in it). And she finds out something else – Dad and Dora mean to buy out Miss Hanning’s shop. It’ll be easy pickings because she’s losing business because of the stall and, being asthmatic, her health is deteriorating because of it. In fact, she collapses altogether and is put in hospital.

Sally tries to warn Miss Hanning, but two thugs that Dad and Dora have hired stop her. Dad takes advantage of Miss Hanning’s weakened condition to have her sign her shop over to him. And Miss Hanning still thinks Sally is to blame for her troubles. Miss Hanning is put in a convalescent home and Sally has no idea where, so she can’t straighten things out with Miss Hanning.

Dad and Dora now keep Sally a prisoner in a squalid room, making shell-craft for them at a sweatshop pace. They even force her to work around the clock if necessary. The two thugs are her guards and the Shores plunder Sally’s secret cove for shells. Nick Nacks now reopens as “The Shell Shop”, a shop exclusive to Sally’s shell-craft. To add insult to injury, Sally discovers that Dora is stealing the credit for the shell-craft. And of course the exploitation is crushing Sally’s talent and making her lose her enthusiasm for it.

Mr Cliff assures Sally that the greed of her father and sister will catch up to them, and indeed it had started even before he said it. The new flush of money has Dora really going to town on buying extremely expensive items for her to show off in Eastport. Dad blanches at the bills rolling in for Dora’s new mink coat, valuable jewellery and the like. But Dora won’t listen to Dad’s protests that not even Sally’s shell-craft can make that kind of money and she will drive them into debt and bankruptcy at this rate.

Sally tries to make a run for it, but the thugs come after her. They set a pile of deck chairs on her with such force that her hands are all but crushed. Seeing this, Dora sacks the thugs. But she forces Sally to carry on with her shell-craft regardless of her damaged hands, although of course Sally’s hands are too now totally unfit for that.

Meanwhile, Edwina realises the Shores just used her, and now they have what they want from her they shove her out the door, without a job. She is annoyed that the “scruff” is still around; she had thought the purpose of the letter was to help achieve her desire to get rid of the “scruff”. She gets revenge by going to the convalescent home and setting the record straight with Miss Hanning herself (without confessing her role in it) and informing her that the Shores are abusing Sally.

Although Miss Hanning has not fully recovered, she bravely returns to check things out. When Miss Hanning shows up on the Shores’ doorstep, Dad quickly takes Sally out of the way to get more shells – but not before Sally leaves a message in shells saying “Help” for Miss Hanning to find. When Miss Hanning does, and sees the room Sally has been forced to work in, she becomes even more convinced the Shores are mistreating Sally. Dora shoves her out the door.

Miss Hanning heads for the cove, and soon finds Dad, Sally and Mr Cliff. Sally’s injured hands tell her all she needs to know, and Mr Cliff says he can act as a witness. Miss Hanning threatens Dad with the law for stealing shells from her privately owned cove (probably a bluff there!) unless he stops abusing Sally. The threat of the police scares him into agreeing to her demands. Without Sally bringing in the money, and what with Dora’s bills defeating the whole point of the exercise anyway, Dad is obliged to sell the arcade and shop to avoid bankruptcy. This enables Miss Hanning to get her shop back.

Sally gets a rather mealy-mouthed apology from Dad, who says: “It was your sister’s fault – she made me.” Yeah, like Dora actually forced him to constantly hit Sally, make her a drudge, and exploit her talent sweatshop-style.

A few days later, it’s back to square one with the deck-chair business for Dad. He blames Dora’s greed and has her working as the deckchair assistant now, although she finds it a great comedown: “Well you can bloomin’ well help me for once.” Well, at least Dad has finally found some backbone in how he handles Dora.

Sally’s hands are on the mend. She is eager to resume her shell-craft, and the first thing she wants to do with it is help Mr Cliff buy back his donkey business.

Thoughts

“Sally in a Shell” was one of the last Tammy stories to use the Cinderella theme, which had abounded in Tammy since her early days. From the mid-1970s onwards the Cinderella theme faded from Tammy, never to return. The exception was Bella Barlow, as her Cinderella story made her a regular character in Tammy.

The reasons for making Sally a drudge are better defined than some Cinderella serials. It’s all to indulge and pay for the high life her sister Dora wants to lead. Moreover, Dad and Dora have big plans to rise above the deckchair hire business and make themselves big in their hometown, and are ready to pounce on the first opportunity they see in order to get it. And it just happens to be Sally’s talent.

Dora’s domineering personality and control of her weak father makes it easy for her to exploit Sally in the name of her indulgences. She is totally ruthless about how she treats her own sister and there is nothing she won’t stoop to in order to wring every penny she can out of Sally’s labour.

Although Dora dominates her father, it’s clear that he is every bit as bad as she is. He won’t hesitate to play dirty to raise money; he’s got no scruples, for example, about the way he cheats Mr Cliff out of his business. The only difference is that he is weak while Dora is strong. He caves into her all the time and does not stand up to her. Even when Dora is running up bills they can’t possibly afford, he pretty much caves in to it despite his protests. It’s the way he belatedly stands up to Dora in the end and demands she help him with the deckchair business that redeems him somewhat. Certainly more so than that feeble and unconvincing apology he gives Sally in the final episode.

Compounding the problem is the absence of Mrs Shore. Although there is no way of telling what role she would have played in the story had she been around, her absence is clearly a factor in the abuse Dora and Dad inflict on Sally. Miss Hanning is the nearest thing Sally has to a loving mother figure in the story.

Another problem with Sally is that in the early episodes she can be easily duped by her sneaky family when she should have been more wary, and this helps to trap her in her predicament. When she receives the phony letter from Miss Hanning she can’t understand the reason for it at all, but believes it must be true. She does not take it to Miss Hanning and ask, “Please, Miss Hanning, what’s the meaning of this?”, which would have exposed the trick immediately. When Dora suddenly comes all over nice to Sally she is taken in and not at all suspicious although she has seen them pull phony niceness before. Doesn’t she remember them doing that with Mr Cliff in order to trick him into signing away his business to them? Nope. Sally is even fooled by Dora’s assurances that she will speak to Dad about giving Mr Cliff his donkeys back, and she hopes the money from the stall will go towards that. Sally does not realise the truth until it slaps her right in the face – with Dora taking all the money she raised from the stall right off her and pocketing it.

Sally’s talent becomes a double-edged sword for her. Her talent for shell-craft, which she hoped would help her escape her drudgery, traps her in even worse drudgery once her abusive father and sister discover the profit they can make from it. What’s more, they can do so at extremely low cost, which would inflate their profits even more. After all, the shells themselves are free, and easy to obtain in a seaside town.

It’s ironic that Dora and Dad are the ones who unwittingly set in motion the events that unravel everything, rather than Sally succeeding in running off and getting help. The first is their double-cross of Edwina, who takes revenge by recalling the only person who can help Sally and bring the story to its resolution. The second is those thugs they hired; the heavies go too far with Sally and damage her hands, which just about kills the goose that lays the golden eggs for Dora and Dad. The final factor is Dora herself – her vanity goes to her head and she runs up crippling debts on indulgences that would have ultimately destroyed the very enterprise they had built out of Sally. So Sally’s rescuer got there first and forced them to give it up, but it would have been interesting to see just how far they would have gone in destroying themselves. Let’s hope they emerged from it all with a bad reputation in Eastport.

 

Jinty 31 May 1975

Jinty cover 31 May 1975

Both Comixminx and I have been trying to find this issue for some time. Coincidentally, we both succeeded at virtually the same time.

As the cover states, the first episode of “The Valley of Shining Mist” begins this issue. This story was one of Jinty’s most enduring and beloved stories. Everyone compares Debbie Lane to a wild animal, yet that is because everyone, especially her cruel guardians, treats her like an abused animal. But something strange begins to happen when Debbie enters a valley that everyone avoids when it gets full of mist, and she sees something “fantastic!” From the sound of it, this is just the beginning of “strange and wonderful discoveries” that Debbie will see in the valley next week.

Two stories end this week, and their respective artists will move on to “Blind Ballerina” and “The Green People” next week. In the first, “Tricia’s Tragedy”, Tricia finally discovers that her guilt trip over cousin Diana’s blindness has all been over nothing – Diana’s ‘blindness’ was just the first in a long line of dirty tricks her unpleasant relatives have been pulling to put her out of the Lloyd Trophy. The eventual reveal that it was all to get their hands on Grandfather Lloyd’s inheritance is no great surprise. So the final lap to win the trophy turns into a race of revenge with Diana that ensures Tricia and her parents inherit what is rightfully theirs at long last. So they finally climb out of the poverty they descended into because of their horrible relatives – who soon clear out of town and their lives, thank goodness. The second, “Bet Gets the Bird!”, ends pretty much on a regular episode. The only indication of finality is Beth saying she’s glad to have Rosy Posy, even if the parrot does get her into trouble sometimes.

Merry and her friends now have a secret friend to help them against the cruelty they are suffering at the hands of the farmer the reformatory has illegally hired them out to. But now Merry fears they have lost him.

A sponsored walk for charity is going hilariously wrong because of Katie’s jinxing. It has progressively put all her fellow walkers out of the walk and eventually she’s the only one left. Then she discovers an old penny-farthing in a rubbish heap and tries to finish the walk that way. Katie the Jinx on a penny-farthing? That sounds like a recipe for disaster, and it certainly is at the finish line. Fortunately the penny-farthing turns out to be so valuable that it makes far more money for the charity than all of Katie and her walkers combined.

Dora’s challenge this week is a mother dog that is grieving because her litter died. Nothing seems to cheer the dog up until another mother dog at the hotel rejects her puppies. The grieving mother takes them over, and all is well with her again.

In “Daddy’s Darling”, Dad accuses Maggie of stealing Lee’s clothes, and right in front of everyone in the class! The teacher soon puts him straight: Lee has given the clothes to the clothing exchange. But of course difficult Dad doesn’t apologise to Maggie, and the incident forces Lee to resign as club president. What’s more, Dad’s pulling her out of school to educate her at home again, which will condemn Lee to loneliness and a stifling home life again.

Still, it’s better than the home life poor “Cinderella Smith” has with her cruel cousins. This week, they’re putting her in leg shackles that she has to wear around the house. They also beat her up when she confronts them about their hating her mother. But why do they hate her mother?

Greg is going on tour. Flo is sneaking along after discovering his manager Vince is trying to cheat him. Vince discovers the stowaway in his van and has Flo dumped on the roadside – in pouring rain.

Dot’s mother tells her to go fly a kite when she asks for extra money. That turns out to be an unwise thing to say, because that is precisely what Dot does. It ends up with her causing big trouble and the kite forms the basis of her punishment.

The text ghost story, “The Ghostly Guardian”, is about a ghost abbot who swore with his dying breath to protect the holy treasures of his church. He haunts “Abbot’s Dyke”, along with his pet owl, where the treasure from his church ended up. A truck driver disregards warnings not to dump rubbish in that dyke but soon discovers otherwise – too late.

 

 

 

Jinty 8 March 1975

Stories in this issue:

  • The Jinx from St Jonah’s (artist Mike White)
  • Tricia’s Tragedy (artist Ana Rodriguez)
  • Merry at Misery House (writer Terry Magee)
  • Do-It-Yourself Dot (artist Alf Saporito)
  • The Kat and Mouse Game (artist Jim Baikie)
  • Prisoners of Paradise Island (artist Trini Tinturé)
  • Dora Dogsbody (artist José Casanovas)
  • Bird-Girl Brenda (artist Phil Gascoine)
  • Daddy’s Darling (artist Phil Townsend, writer Alison Christie) – first episode
  • Jinty made it herself… (craft feature on how to make a dressing table tidy)
  • Slave of the Mirror (artist Carlos Freixas)

Katie jinxes herself at the launderette this week – she spilt the water from her goldfish bowl over her eiderdown and it all comes apart when she tries drying it. The understandably tetchy manageress kicks her out unceremoniously and so she needs to hang things up at home. Her Heath Robinsonesque drying lines only succeed in giving the vicar a hot bum and a cold neck, but Katie’s mother is just as glad that the vicar was chased away by this odd combination as it saved her from having to say yes to the favour he was about to ask for. The grateful mum hauls out a ‘do it yourself continental quilt kit’ that Katie can make up and use that night – with the goldfish bowl set far away from the bedside this time! (DIY continental quilt sets – did they ever really exist I wonder?!)

In “Tricia’s Tragedy”, Tricia is blaming herself for her cousin Diana’s accident and subsequent blindness. She’s feeling so guilty that she is even going to withdraw from the important swimming trophy that they are both entered for. Her father is adamant that she shouldn’t do that, and even locks her in until the morning so that she can’t do something rash. That doesn’t stop her and she runs away to Diana’s house – though her father does get her to promise that at least she won’t actually withdraw from the Lloyd Trophy competition herself.

Merry realises what the mysterious joker has been up to over the past few weeks – trying to get Miss Ball sacked. Wardress Stropp (aptly named) turns out to be the mysterious figure behind it all, and soon she is sacked and Ball reinstated. Not that Ball is any more of a fan of Merry than she was before the reinstatement! But Merry doesn’t mind too much because she is inspired by something Miss Ball said – it has given her an idea for a potential escape plan!

Kat opens this episode by hesitating when asked to leap up onto a platform – because she has weakened it herself deliberately, so as to get Mouse to injure herself! Mouse guesses what is behind the hesitation, and it is the end of their friendship. For good? Probably – but Kat is very sneaky and can at least think of ways to turn everyone else against Mouse, even if she can’t get her willing wee slavey back again.

Sally Tuff thinks everything is going her way at last – her school sports mistress Miss Granley has come to find and save them from Paradise Island, so she thinks. But an overheard conversation between Miss Granley and Miss Lush makes Sally question who is on her side.

New story “Daddy’s Darling” starts in this week’s issue. Not many Jinty stories were set during WWII (one exception being “Somewhere Over The Rainbow” by the same creative team, and another being “Song of the Fir Tree“, also drawn by Phil Townsend but with no credited writer at present). Lee Simons is a poor little rich girl – her father is over-protective of her because of the tragic deaths of her older brother who was killed when riding his bike, and her mother who got ill and died rapidly thereafter. Five years later Lee is chauffered around and tutored at home; but the war is about to change things as Mr Simons can no longer arrange everything just as he wishes.

In “Slave of the Mirror” Mia Blake is dead set on getting enough money to pay for modelling classes. At first she tries it the straight way, by doing extra tasks at the boarding house and hoping her sister will give her more pocket money; but soon the sinister girl in the mirror has her going about things in a rather less straightforward way, by sneaking off to a bathing beauty contest that her sister is bound to be up in arms about. She is doing well in the contest too, but Janet is outraged and swears she will soon put a stop to that!

The Four Friends at Spartan School [1971-72]

Sample Images

Spartan School 7aSpartan School 7bSpartan School 7c

Published: Tammy 23 October 1971 to 8 January 1972

Episodes: 12

Artist: Unknown artist – Merry

Writer: Terence Magee

Translations/reprints: None known

Special thanks to Robert Gairey for scans

Plot

Judy Jenkins is a bit uncontrollable at school and likes to play pranks to liven things up and relieve the boredom of school. She isn’t a bad kid; it’s just that her home life is neglectful and unguided what with Mum being dead, Dad being away on business so much, and a housekeeper who looks like she’s pretty much in loco parentis. When Dad gets the latest note from school, he decides that what Judy needs is discipline (not a parent who gives her proper time and attention, saying he can’t do that because of his work). So he sends her to “Spartan School”, a Swiss school that is very strong on discipline, and says it’ll do Judy “a power of good”.

We aren’t so sure about that when Judy and three other new girls (Amanda Rogers, Liz Orton and Sarah Williams) meet school prefect Siddons. Siddons is a cold fish who treats them with such severity she would make a heckling army sergeant look lovable. She says that they are all to take orders from her, and her sharp tongue is nothing compared to what awaits them at Spartan School, which will be “much worse things”. Amanda, who is a weaker character physically and emotionally, is quickly subdued by Siddons’ conduct. But Judy stands up to Siddons and says she won’t be downtrodden by such bullying, and neither Siddons nor the school will frighten her. The foreshadowing of how things are going to go in this story, obviously.

When they arrive at the school, Judy sees some pupils who have just finished their term and are going home. Although they do look disciplined, Judy is disturbed at how frightened and lifeless they are. Siddons tells the new arrivals that they will be just the same by the time Spartan School has finished with them.

Next, Judy meets headmistress Miss Bramble, who has been warned by Siddons that Judy will be troublesome. Miss Bramble tells Judy that she is a disciplinarian who doesn’t hold with “modern soft teaching methods”. She goes on to say rebels do not last long at Spartan School, and Judy will emerge from it a very different person. Siddons has already made it clear this means Judy will emerge just like the broken girls she just saw. The story’s subsequent text boxes say Miss Bramble runs the school like one from the Victorian era, with harsh punishments. Now that has to be an understatement. As we shall see, not even Victorian schools went to the lengths that Miss Bramble does.

Siddons shows the girls their dormitory, and continuing her ruthless army-like grind to break them into the Spartan School discipline. Once alone, the new girls tell Judy disturbing rumours they have heard about Spartan School. Amanda relates a story about a friend who was sent to it. Previously a wild girl, she never laughed or smiled again once she returned from Spartan School.

And the parents? Apparently they have no idea of what the school is like (or don’t believe it). Later we learn that Miss Bramble censors all the girls’ correspondence to their parents regarding her methods. The girls are to write glowing letters saying how happy they are at the school and learning to behave better. And what happens when they go home and tell their parents? By that time, says Miss Bramble, they are completely different people: “obedient and with a respect for authority”. In other words, too frightened to tell anyone.

Judy still isn’t fazed by her first impressions of Spartan School, and neither is Liz, who starts larking around. Unfortunately she accidentally breaks a lightbulb. When Siddons returns, she assumes Judy broke it and Liz doesn’t own up. Judy realises this is because Liz is more scared of the school and Miss Bramble than she is admitting.

In punishment, Judy is forced to stand in the dinner hall with her hands on her head and get no food. The food isn’t bread and gruel as you might expect, but it is bad quality food all the same. From the way the other girls look at Judy while she undergoes this humiliation, she gets the impression that niceness and kindness are unknown qualities at the school. But Judy’s punishment doesn’t end there. When Miss Bramble enters the hall (all pupils have to stand when she does), she inflicts the icing on the cake: Judy has to share a table with Miss Bramble where she gets a meal of bread and water while Miss Bramble gets a gourmet dinner.

Afterwards, Judy says she has never been so humiliated. The other girls are angry with Liz for not owning up and being responsible for what Judy went through. Judy herself is more understanding about Liz being too frightened to own up. Liz feels so guilty about it all that she sneaks to the kitchen to smuggle some proper food to Judy. Liz is disgusted to see how Cook feeds Jason, Miss Bramble’s cat, better than she does the pupils (a plate of the best chicken). Jason’s a real tiger though, and Liz has to run the gauntlet with him in order to get the chicken.

Judy is thrilled with the food and Liz is forgiven. The girls decide to band together in a friendship for standing up against Miss Bramble and Spartan School, and not let it break them.

The first test comes immediately when Miss Bramble and Siddons arrive about the stolen cat’s supper. This time Liz does own up. The girls rally behind her, saying they are all involved, as they do not want Liz to face the punishment alone. Realising the friendship that has formed, Miss Bramble tells them that she does not allow close friendships because these are bad for discipline, and is going to turn them all against each other. To make things even worse, the whole school, teachers and all, have turned against Judy because Miss Bramble is taking her rage over Judy’s defiance out on all of them, even the teachers.

However, Judy is more concerned about Amanda, whose health and nerves aren’t strong. Amanda was sent to Spartan School because her parents thought it would toughen her up, but instead it is making her ill. But the teachers are as cruel as Miss Bramble and show her no compunction or medical attention at all.

In the courtyard, Miss Bramble’s plan to break up the friendship gets underway. She has the girls toss a heavy medicine ball, and the one to drop it will be the victim for the punishment. As the weakening Amanda is bound to be the one, Judy saves her by dropping the ball deliberately and taking the punishment herself. The punishment is putting Judy in the pillory, with the whole school throwing rotten fruit at her. They are only too happy to do so as they have turned against Judy. Siddons orders the three girls to do the same, or Judy will be put in solitary confinement. Their response is to throw the rotten fruit at Siddons. Surprisingly, this results in the whole school rioting against Siddons and the school discipline while the three friends release Judy. But when reinforcements arrive, the other girls go back to their subservient selves and put the blame on the four friends. The four friends are put in solitary confinement, which means being imprisoned in cramped, freezing, rat-infested cells. Amanda emerges even weaker but recovers after a rest, and the others are even more defiant, angry and determined to stick together. Seeing this, Miss Bramble is even more anxious to destroy the friendship because in her view it impedes discipline. This time Siddons offers to have a go at it.

Siddons takes the four friends out for a skiing lesson. There are only enough skis for three, so Judy is excluded. She is directed to go down the slope to check it is clear. She finds it is clear, but when Sarah skis down, a branch hidden on the slope causes Sarah to take a fall. She accuses accuses Judy of putting it there on purpose and turns on her. Judy soon realises Siddons is behind it, and spots the proof – a glove Siddons dropped while taking the branch from the tree – but needs to sneak out and retrieve it if she is to convince Sarah. She succeeds, although she narrowly escapes being caught by Siddons.

Siddons soon realises her trick has failed, but soon has another one brewing: tricking the other friends into distrusting Judy. She forces Amanda to clean windows, despite Amanda telling her that she cannot climb ladders on medical grounds, and her health is worsening. Amanda ends up falling off the ladder, with Judy breaking her fall. Judy covers for Amanda by cleaning the windows herself while the others take Amanda to the dormitory. But she does not realise Siddons is watching and had planned it that way all along. After Judy cleans the windows, Siddons dirties them up again so Amanda will think Judy lied to her. And when Judy sees the look on Amanda’s face when Amanda sees the dirty windows, it looks like Siddons’ trick is going to succeed!

Realising Siddons’ trick, Judy pulls a smokescreen (literally) to cover up the windows looking like they were not cleaned. This succeeds in foiling Siddons and regaining Amanda’s trust. Unfortunately this also earns Judy the punishment that “never fails” at Spartan School – the Iron Mask!

Yes, a real-life iron mask that is straight out of the Middle Ages. Judy is to be locked into this ghastly contraption for two days, with no respite whatsoever. Out of all the tortures that have been inflicted on her so far, this is the one that is the most telling on Judy’s strength. It also makes Judy a target for bullying and cruel tricks from all the other girls, who have grown as heartless and cruel as Siddons because Miss Bramble’s ‘discipline’ has destroyed all sense of humanity in them.

Later, the girls rescue a pigeon from being clubbed to death by Siddons. After they help it to recover, they use it to carry a message for help and hope the message makes its way to a school inspector.

Next day, Judy is almost collapsing under the weight of the iron mask. It makes her so faint that she breaks a flask in science class and sets poisonous fumes off. While the class evacuates, Judy makes her way into the laboratory storeroom in the hope of finding something that will help her get the mask off. She succeeds, and then throws the iron mask down the mountain so Miss Bramble can never use it again.

Terrible punishment for this is inevitable. Sadistic Siddons suggests that the girls be allowed to choose the punishment as they all think Judy set off the poisonous fumes on purpose so she could get rid of the iron mask. Of course Miss Bramble thinks it is a marvellous idea. The girls’ punishment is a hockey match where they all take turns in fouling and brutalising Judy.

But just as this punishment ends, a helicopter arrives. The carrier pigeon did get through and the helicopter has brought in a school inspector, Miss Craig. Miss Craig indeed suspects something is wrong with the school after witnessing the inhumane hockey match and sees Miss Bramble for explanations. Miss Bramble says Jenkins must have goaded them but they will all be punished, while Judy tells Miss Craig that Miss Bramble put them up to it and it’s all part of how she runs the school through terror. Miss Bramble tries to cover up with smooth talk in how her school prides in discipline that turns unruly girls around. Nonetheless, Miss Craig tells Miss Bramble that in view of the note she has received about brutal treatment at the school, she will make a thorough inspection of the school.

The four friends realise Miss Bramble will try to pull the wool over Miss Craig’s eyes – and eventually it looks like she could succeed. They are desperate to find a way to find a way to make her see the truth. They get their chance when Miss Bramble gives the school a film show of documentaries to impress Miss Craig. Judy plants a Charlie Chaplin film (gee, how did that get to Spartan School in the first place?). She shows Miss Craig how the girls are reacting to the film: not laughing or smiling at all. She tells Miss Craig the girls are too cowed and scared to laugh because that’s what Spartan School does to its girls. Miss Craig understands what Judy is driving at, and when Miss Bramble lashes out at Judy in anger, Miss Craig wises up to her at last. She tells Miss Bramble her school will be closed down by tomorrow and gets ready to take Judy away from it immediately.

Miss Bramble is not having that and orders Siddons to get the cine-camera. She then threatens to beat Judy, and Siddons films Miss Craig holding the cane after she snatches it from Miss Bramble to make it look like it was Miss Craig beating Judy. They use it to blackmail Miss Craig into dropping her threat to close down the school. Appalled at how this frame-up could destroy her career. Miss Craig leaves without a murmur. While she leaves, Miss Bramble says to her, “These girls need the treatment I give them. It’s the only thing they understand.”

Afterwards, Miss Bramble gives the four friends an ultimatum: sign a document promising they will never defy her again or face terrible punishment the following day. Naturally, Liz, Judy and Sarah refuse to sign. Unfortunately Amanda’s weak nerves have reached breaking point and she feels she doesn’t have the strength of the others in continuing to defy Miss Bramble. Next day she signs the document while the others get a hosing for refusing. Amanda regrets signing, but has been brought up to keep her word and refuses to go back on it, even if it was forced. Later, the girls notice how Amanda is becoming more and more like the browbeaten, terrified girls.

That night, Amanda runs away. She is in serious danger because a blizzard is looming, but hard-hearted Miss Bramble refuses to organise a search for her. She locks up the three girls in a shed for the night when they try to force her to do so. Later, Miss Bramble grows worried that the girls might report her for refusing to search for Amanda, and Siddons hatches a plan to deal with this.

Next morning, Siddons offers to help the girls escape, claiming that she has seen how wrong Miss Bramble is and sends them off down the mountain in the cable car. When the cable car is half way down the mountain, Siddons cuts through the cable to kill the girls. Miraculously, they survive, and soon discover what Siddons did with the cable.

They make their way to the police station to tell their story and get help for Amanda. But they soon discover that Miss Bramble and Siddons have arranged another nasty surprise for them: they told the police a concocted story about the girls having run away after stealing money, and Siddons had planted the money on them before they left. The police escort the girls to the cells, but Liz helps Sarah and Judy escape by distracting the police with a ‘fainting fit’. Sarah and Judy make a fast getaway on a sleigh and head across the country to shake off the police.

They check out a hotel in the hope the guests found Amanda on the slope. Instead, they find Amanda herself! She says she found a calf on the slopes and they helped keep each other warm in the shelter of some rocks. After the blizzard eased, a farmer found Amanda when he came looking for his calf. He brought Amanda to the hotel, where she has made a good recovery. She phoned her father about Spartan School, who in turn contacted Judy and Sarah’s parents, and Mr Rogers is on his way to collect Amanda.

Just then, the police catch up to the girls, and they have brought Liz as well. But before the police can do anything, there is a sudden alert that an avalanche is imminent and will sweep Spartan School away. They cannot warn the school because the school phone has been cut off. What’s more, another blizzard has started. The girls decide to head back to Spartan School to warn them, making their way through the blizzard.

They make it back to the school. Knowing Miss Bramble is unlikely to listen to them, they decide to sound the old fire bell instead. But Siddons has seen them return and alerts Miss Bramble. They lock the girls in the bell tower. Miss Bramble does not listen to the girls’ warnings about the avalanche. Fortunately, Siddons does.

The girls manage to break down the door by using the bell as a battering ram. The noise the bell makes while they do so rouses the school, which enables Siddons to warn them about the avalanche. The school evacuates, and on the way down the slope, they bump into the rescue party consisting of the police, Judy’s father – and Miss Craig, who found the courage to report Miss Bramble to the authorities. The schoolgirls say they don’t know where the four friends are.

Meanwhile, the four friends have found Miss Bramble knocked out and unconscious on the bell tower steps. They pull her away with a sledge and eventually meet up with the search party. While they do so, the avalanche gets underway and destroys Spartan School.

Miss Bramble regains consciousness and cannot understand how these “wicked girls” were capable of saving her life. The police tell Miss Bramble how Miss Craig has told them about her “strange ideas of discipline”. When Miss Bramble says she was certain discipline would be good for the girls, Miss Craig tells Miss Bramble that discipline is good, but her “harsh tyranny” is not. However, seeing as Spartan School is no more, Miss Craig has little doubt the authorities will take no further action in the matter (whaatt?!?). Nonetheless, Miss Craig tells Miss Bramble that her teaching days are over – “over for ever!” Meanwhile, Siddons slinks away and is not seen again.

The four friends return to England and stay together at a much better and happier school.

Thoughts

This was the first story Terence Magee wrote for girls’ comics. It was also the first to pair up Terence’s writing with the artwork of the unknown artist who is nicknamed “Merry”. This pairing would occur again and again, most prominently in Jinty’s “Merry at Misery House”. Other occasions included the extremely popular Sandie story, “Slave of the Trapeze”.

Girls’ comics often made comment on progressivism vs. authoritarianism in education, particularly on how evil authoritarianism could be if it was taken too far. In so doing, it was linked with the bully teacher/principal theme, which was frequently used to illustrate what not to do in the classroom (or for the creators to purge their own memories of bully teachers?). The theme of tyrannical headmistresses going to extremes with discipline and reacting against modern teaching methods was in Tammy from the first issue with “The Girls of Liberty Lodge”. Here Miss Steele runs her school with such bizarre and harsh discipline that she stages show trials for girls in the school hall in front of the whole school. However, Miss Steele’s nemesis is not a pupil but a teacher, Miss Valentine. When Miss Steele reprimands Miss Valentine for showing a pupil kindness (so kindness is not allowed at this school either) Miss Valentine responds by quitting and establishing a progressive school, Liberty Lodge, in reaction against Miss Steele. From then on, Miss Steele pulls every trick in the book to destroy Liberty Lodge.

Jinty also used the theme on occasion. In one of her holiday specials she ran “The Spoof of St. Elma’s”, where the “cold and unfeeling” Miss Reed takes great pride in making St Elma’s “the harshest and strictest school in the country” (grim teachers and appointing the hardest girls as prefects are among her methods) and has no tolerance whatsoever for modern progressive teaching methods. She vows not to retire until she can find someone who can run the same way, and eventually tries it with a computer named Miss Steele. But it all blows up in her face when the computer malfunctions. As a result, her harsh, unfeeling legacy is completely swept away and progressive, caring teaching comes in with the new headmistress.

A variant Jinty had on the theme was “Children of Edenford”. Headmistress Miss Purity Goodfellow uses drugs to turn her pupils into brainwashed paragons of virtue in the name of perfection – with the full blessing of the girls’ parents.

Jinty’s most striking, and best thought-out example of the theme was “Dracula’s Daughter”, where authoritarian Mr Graves is determined to turn free-and-easy Castlegate into an old-fashioned grammar school. He rams it down everyone’s throats, even the teachers’, saying that he’s the headmaster so everything he says goes, and the teachers are to shape up to it or ship out. Mr Graves also believes fun and play belong in the home and not the classroom, and imposes this on the school too. However, unlike Miss Bramble or Miss Reed, Mr Graves is not a cruel, unfeeling sadist who subjects pupils to mock trials or ladles over-the-top torture with a shovel in the name of discipline. He is a bigot, not sadistic or insane like the headmistresses mentioned here. Ironically, he does have a heart and he shows he can be human when he believes it is appropriate for him to do so. Moreover, Mr Graves ends up becoming less rigid in his beliefs about education and learns to respect progressive education more. Still, everyone at Castlegate is relieved when Mr Graves leaves and goes back to his old grammar after discovering its discipline has slipped to the point of the boys becoming delinquent.

Spartan School is no doubt the most intense and excessive example of progressivism vs. authoritarianism in girls’ comics. Nothing is beyond Miss Bramble in her crusade to turn ‘unruly’ girls into her models of obedient and disciplined girls. However, we suspect discipline is just her excuse and the real motive behind her methods is that she’s a sadist who likes to torture girls emotionally, physically and psychologically. We suspect this even more when Miss Bramble says she has to stop the girls reporting her to the authorities because they would not understand her methods.

The text boxes say that Miss Bramble runs the school as if it were Victorian, but surely not even Victorian schools went as far as Miss Bramble. The girls either emerge as emotionally and psychologically traumatised zombies or like Siddons – unfeeling, bullying monsters with no trace of kindness or humanity to be seen. It is not just unruliness that is beaten out of girls but all trace of kindness, humanity and friendship as well. This is clearly because Miss Bramble does not tolerate tender emotions as she does not have any, and she does not allow friendships because they are building blocks to conspiracy against her discipline. She wants all her girls to be turned into models that are based on her personality. It could well be that Siddons came to Spartan School as an ‘undisciplined’ girl herself, and Miss Bramble’s ideas of discipline turned her into the stone-hearted monster and flunky that she is. As a result, Siddons is capable of anything, even murder. Or maybe she was a genuine badass kid in serious need of straightening out, but just got a whole lot worse at Spartan School. In any case, the four friends are the only oasis of kindness and courage we see in the entire school. Nowhere else is it to be seen.

Miss Bramble seems to ride on the shoulders of neglectful / useless parents who don’t seem to pick up on what’s going on at Spartan School or what their girls have become after they return from the school. Some may even approve of it. Rumours about the school’s cruelty circulate, Amanda herself has seen a damaged girl returning from Spartan School, and girls go home from Spartan School looking broken and frightened, yet nobody seems to step up and look into things. Parents still send their girls to it, believing it will do their girls a world of good. It’s not until Amanda manages to bring an inspector in that the cruelty of the school finally begins to get out. At least the four friends’ parents redeem themselves somewhat when they come in person to form part of the rescue party.

It is a bit annoying that Miss Bramble seems to get off a bit too lightly at the end of the story. Miss Craig takes the view that the authorities will not do much because Spartan School has been destroyed. Oh, come on, this is a woman who’s not only committed physical and psychological abuse against girls but is guilty of attempted murder as well! Shouldn’t there be at least a full public inquiry before deciding what should be done with Miss Bramble? Don’t the parents and pupils get a say in the matter? A lot of readers must have wished Miss Bramble had died in the avalanche or broken her neck on the staircase after reading Miss Craig’s view on what will happen to her. As for Siddons not being seen again after she disappears…well, it does suggest she might have come to a sticky end off-panel. Readers must have hoped for that anyway.

When Judy arrives at Spartan School, it’s where Miss Bramble finally meets her match, much in the way that Misery House does with Merry Summers. Like Merry, Judy refuses to be broken by the cruelties of the institution, finds strength in the only friends she has, and uses her quick wits to get out of the scrapes and dirty tricks that Miss Bramble and Siddons pull on her. As with Merry, Judy’s defiance takes the form of something that flies in the face of Spartan School and defies all attempts to break it. In the case of Merry, it is keeping on smiling and joking, no matter what. In the case of Judy, it is maintaining the four-friend friendship against all of Miss Bramble’s attempts to destroy it. And like Merry, Judy is determined to get word out about the cruelties of Spartan School and get it shut down. Unlike Merry, Judy succeeds on her very first try, although it takes time for help to arrive because of the blackmail Miss Bramble pulls on Miss Craig.

On this blog, Spartan School has been regarded as a forerunner of “Merry at Misery House”. For one thing, it is the same creative team. Parallels between the two stories have been noted above. The cruel institutions are physically destroyed (fire in Misery House, avalanche in Spartan School) as well as being shut down by authorities that have been finally been alerted by unsettling reports. Misery House also resorts to beatings, pillories, unhealthy isolation cells, poor food and other cruelties (but no iron mask, thank goodness) in order to break the protagonist. As with Judy, they also pull blackmail and other dirty tricks in order to isolate the protagonist from her friends and turn them against her. Character-wise, Judy could well be a predecessor of Merry; she likes to play jokes to liven things up a bit, but unwisely does them during class time. Liz is a bit like Merry too; our first impressions of her are that she is a chirpy girl, just like Merry.

In some ways, Spartan School does Judy a lot of good, albeit in spite of itself. Her energies, which went into practical jokes at her previous schools, are rechanneled into bringing down Spartan School and foiling all the tricks that are pulled to destroy the friendship. At the beginning we see a stubborn streak in Judy; once she puts her mind to something, she does it. This would have helped Judy immensely once she became determined not to let anything at Spartan School crush her. We get the impression that Judy emerged as a more toned-down and mature girl. No doubt she emerged as a much stronger and courageous one.

 

Jinty 15 February 1975

Stories in this issue:

  • The Jinx from St Jonah’s (artist Mario Capaldi and Mike White)
  • Tricia’s Tragedy – first episode (artist Ana Rodriguez)
  • Merry at Misery House (unknown artist – Merry; writer Terence Magee)
  • The Kat and Mouse Game (artist Jim Baikie)
  • Prisoners of Paradise Island (artist Trini Tinturé)
  • Dora Dogsbody (artist José Casanovas)
  • Bird-Girl Brenda (artist Phil Gascoine)
  • Always Together… (artist Phil Townsend, writer Alison Christie)
  • Do-It-Yourself Dot (artist Alf Saporito)
  • Slave of the Mirror (artist Carlos Freixas)
  • Jinty Made It Yourself – So Can You! (feature)

This issue is very close to Valentine’s Day, and so it features Katie Jinks receiving an appropriate heart-shaped card. What she doesn’t know is that her friends Liz and Sue are playing a trick on her – but as they soon find out, putting Katie into a romantic daze “means she’s a danger to life and limb! Our lives and our limbs!” How true – Katie jinxes her friends’ attempts to get a date for the Valentine Dance that night, while she herself gets an invite from the dishy lifeguard. Heh heh.

This issue has the first episode of “Tricia’s Tragedy“, following hard on the heels of the previous week’s final episode of the Alan Davidson-written “Jackie’s Two Lives“. It is seems pretty typical that a story by one artist / writer combination is often followed by another story from the same team, so while we do not have any definite indication that this story was also written by Alan Davidson, it seems a good likely hint. Tricia starts off the story by training in the local quarry pool because her family is too poor to use the public baths very often. We are told that if she can manage to win the Lloyd Trophy, then everything could change for her family.  But in the same few pages, her chance to continue using the quarry pool is dashed, by a complaint from the rich side of the family.

Merry is puzzled because someone else is playing practical tricks on the wardens in the reformatory – but they are tricks that go too far and will rebound on the joker. Of course everyone thinks it’s Merry who’s doing it while she knows it’s someone else – but who would have the nerve to do it, and why? Whatever the reasons, it spells trouble for Merry.

Kat is playing horrible tricks on Mouse but she is a careful and thorough worker, so all the ‘accidentally on purpose’ slips that Kat makes are undone by Mouse. The task that Mouse is trying to accomplish is to wash some expensive theatrical costumes, and it all goes off so well that Kat is driven to a desperate step to blacken Mouse’s name. She tries to chuck the hamper in a rubbish truck – but instead puts herself in the path of a passing motorbike, and hurts her leg badly!

Sally Tuff’s hockey team try to leave Paradise Island – they are not exactly prisoners, but they are tricked into staying as Miss Lush fools them into thinking that it doesn’t matter how little they train and how much they eat or drink – they are unbeatable no matter what! Sally knows different, but will she be able to do something about it?

It’s Beth’s birthday in “Always Together…” – as a small girl who doesn’t understand death, she is expecting her mother to come and give her a present, or at least to send her a card. Her brother and sister are working hard to make it a lovely birthday for her, as much as they can… but an unexpected visitor drops the bombshell that makes little Beth believe that her mother truly is dead. It is enough of a shock for her to fall down in a faint. Will the truth kill her, as her sister believes it might?

The girl in the mirror has Mia forging a number of letters, but this time in a good cause – she ends up clearing the Major’s name. Mia has also been noticed as someone who is pretty enough to make a living as a model – we are told this will lead to amazing developments later.

Jinty 21 September 1974

Stories in this issue:

  • The Jinx From St Jonah’s (artist Mario Capaldi)
  • Jackie’s Two Lives (artist Ana Rodriguez, writer Alan Davidson)
  • Wenna the Witch (artist Carlos Freixas)
  • Always Together… (artist Phil Townsend)
  • Jinty Made It Herself… so can you! (craft feature)
  • Do-It-Yourself Dot (artist Alf Saporito)
  • Dora Dogsbody (artist José Casanovas)
  • Bird-Girl Brenda (artist Phil Gascoine)
  • The Hostess with the Mostest (artist Stanley Houghton)
  • Left-Out Linda (artist Jim Baikie)
  • Merry at Misery House (writer Terence Magee)
  • Wild Horse Summer
  • Angela’s Angels (artist Leo Davy)

I have been on a bit of a hiatus recently due to a very busy patch at work and some achy wrists from too much typing. Things have now settled down on both fronts so hopefully I will be able to ease myself back into blogging – and of course Mistyfan has been keeping things going on the blog with a recent focus on stories published in other titles and issues of other titles too.

This is issue 20 of Jinty and it feels quite thick and substantial – on counting the pages, it seems this was still running at a 40 page length at this point. There’s certainly quite a lot in it – the Katie Jinx story is a four-pager which continues a short story arc about Katie learning how to do hypnotism. She’s not quite as successful as she thinks she is being, because her school chums are fooling her by pretending to be hypnotized! But can she hypnotize a charging prize porker before it flattens her? I suspect not!

In “Jackie’s Two Lives“, Jackie meets Mrs Mandell for the first time. Of course she has to lie to her family in order to do that. That is only the tip of the iceberg, as Mrs Mandell starts to manipulate her further. It sounds so innocuous but it will all end badly, as we know.

Wenna is being persecuted as a witch – her local friends are being prevented from seeing her by their prejudiced parents. In fact the whole class of her year have been kept away from school – very cruel! Not surprisingly, Wenna takes this as a cue to run away.

The family in “Always Together…‘ are already runaways – elder sister Jilly is shocked to read in the paper that the water they have been using in cooking is polluted and likely to make them ill. Indeed, they all end up coming down with something. Jilly bravely keeps things going but once they are better there are the continuing challenges of before. How will they get enough money to eat and sustain themselves? Jilly’s talent for sketching will hopefully help but that might not be enough, because the little family are still not very strong and healthy.

In “Jinty Made It Herself” the reader is advised on how to adapt an old jumper into a different piece of clothing such as a tank top.

Linda is feeling very left-out in the story of the same name. Her mother has remarried and she has a step-sister, which rather spikes Linda’s plan of being expelled from school so that she can hang out with her mother and be as close as they were before everything changed. Step-sister Lorette seems rather nice and is certainly trying hard to be friends but Linda is having none of it. What’s more, when she does try to make amends by cooking tea, it all seems to go wrong and she is unhappier than ever.

Merry at Misery House is unhappy because her parents are suffering money troubles due to her father being taken ill. The other reformatory girls come up with a plan to earn a bit of cash that Merry can send off home. Unfortunately the way they earn it involves exposing themselves to illness, and soon the whole of Misery House starts to come down with virulent influenza. Yikes, that’s a real killer.

Daphne of “Wild Horse Summer” is made to go out picking sloes with the other orphanage children – everyone’s being very kind but all Daphne wants to do is to see the splendid white horse that she is secretly making friends with. On her ride, though, she spots that the farmhouse is on fire, with no-one left there to put it out! Her secret will be out but she has to alert everyone.

Finally, “Angela’s Angels” features a daring rescue from a crashed light plane – nurse Sharon rescues her hero, Neil Crosby, a tennis star. Fat lot of thanks she gets from him when he realises that he is paralysed and may never be able to walk again! There are lots of anguished faces in the beautiful art by Leo Davy.

Jinty 12 April 1975

Jinty cover 12 April 1975

  • The Jinx from St Jonah’s (artist Mario Capaldi)
  • Tricia’s Tragedy (artist Ana Rodriguez)
  • Jinty’s Favourite Spooky Stories: Her Lost Love (text story)
  • Merry at Misery House (writer Terence Magee; unknown artist – Merry)
  • Ten Polaroid Cameras Must be Won! – Competition
  • Dora Dogsbody (artist José Casanovas)
  • Monday’s Child is Fair of Face – first in seven-part series on the old rhyme (artist Phil Gascoine)
  • Cinderella Smith (artist Trini Tinturé)
  • Bet Gets the Bird! (artist Phil Gascoine)
  • Daddy’s Darling (artist Phil Townsend, writer Alison Christie)
  • Slave of the Mirror – final episode (artist Carlos Freixas)

Yee-ikes! Katie is experimenting in the school lab, and we can just imagine what trouble our jinx can get into in the name of science. Sure enough, that’s just what happens. Katie’s trying to make a perfume, but her efforts are more like stink bombs!

“Slave of the Mirror” concludes this week. Isabella, the spirit of the mirror, is having Mia trying to burn down the place. But then Isabella repents and shows herself to everyone to prove it’s not Mia’s fault before departing in peace and disappearing from the mirror. Thereafter, the mirror reflects normally like any other mirror. The replacement story next week is “Face the Music, Flo!

Cindy’s cousins sell all her clothes to make money (as if they don’t have plenty of it already). Worst of all, they also sell Cindy’s beloved pendant, especially as it contains a photo of her mother, whom they really hate for some reason. Cindy is determined to get her pendant back but strikes a problem – no money!

We have double helpings of parrot humour this week, in the Dora Dogsbody story as well as “Bet Gets the Bird!” We also get a double helping of Phil Gascoine, who is not only illustrating Bet but also the first episode of a seven-part serial based on the rhyme of “Monday’s Child”, “Tuesday’s Child” etc. Monday’s Child Christine Carter is very fair of face and because of this, she has always gotten her own way with everyone and overshadowed Mary Jennings. It looks like Christine will do the same with Mary again when they both audition for a drama school. But there is a twist in store that enables Mary to finally get her break and Christine’s charms to fail for once!

Tricia and her father have to creep around their unpleasant relatives to get her back in training in her old training ground of the quarry pool. Then all of a sudden cousin Diana appears at the pool, calling out for Tricia. Now how could she have gotten all the way there? She’s supposed to be blind! All those who suspect there is something fishy about this please raise their hands.

Daddy’s having real fits this week when he hardly needs to. First it’s over Lee being accidentally showered in food scraps and then trying to help the families of the two evacuees. But he really hits the roof when he finds Lee and Maggie sharing the same bed!

Merry’s getaway from Misery House has been stymied by amnesia. At last, she regains her memory when she sees her “wanted” posters. Unfortunately, doing a runner could be awkward because of the kindly family she fell in with while she had amnesia. And what of the nasty butler who hates Merry?